Till'. ITALIAN OPERA bEASON. successful orr:sing last night. BOTII TEMI_F_S OF MUSIC WELL FATSOS. IZED. The senRoti of Itrilinn opera for tliis winter ?was opened last evening at the Mclioi.olitun OpenHtt?SJ and at the Academy of Music. The new bouse was filled with a brilliant aud-enoe, representing much of the wealth and benuttj of New-York. The Academy of Music also lind a full attendance, and Mr. Maplcsou expressed himself as well satisfied. The pei forman-i* nt both places passed off smoothly. ??*??' MR. ABBEY'S FIRST NIGHT. In its social aspect, th? opening of the Metro? politan Opera House last night was Inilliimt 1 v Burcossful. In its artistic lt waa full of pleasure for tbe moment and of pleasurable promises for the future. All expectations were aol realized to the critical among the auditors ami Spectators, but lt ls agreeable to bo able to note tbat all tbe managerial promises were kept. The accessories to tho opera house wen not all finished, but th" audlenea roora and vestibule* ami corridors were aiul tiny were all in this department that wen* needed to make the first night a WBBBBS, The andlenea crowded the house; the Interior -(lowed with li?ht and blossomed with gay toilets ; Ibero was a rea? sonably prompt beginning, and though the waits were long and the performance of "Faust" lasted five hours, then was so much to talk about that thia was easily forgiven. Whatever may be the morita of the opera-house In other reepects it ls a question of lasts whether it le a success as s setting to a brilliant audience. Its colnring ls soft and subdued, and In perfect har? mony with the architecture? it bas a lightness and airiness about it that seem to lift one's spirit and make one forget anything like bnstnBSB or care. to pat one Just In the mood to listen to tbe music or to be as sociable with his neighbors SB the laws of a music room w**il allow, but it would uot seem as if lt were not calculated to show off beautiful dresses and fair faces to advantage. From the orchestra Challa last night tho boxes that encircle the room tier above tier had the appearance nf cabinet frames half open, revealing brilliant li vim, pi' lures ?almost embedded iu flowers?but the Lin-kground to these was not dark enough lo show half their loveliness. Golden heads seemed t*> blend witta tin* ?ld gold of the silk curtains, and tbe pale Ivory tiut that prevailed elsewhere failed to emphaslie tho soft silks and satins that rested against them. Diamonds glittered in all tli rections like crystals upon snow ; but there was let thut flashing and blaziug of rays that .fine from a darker Bettine. __\t lyboly was In full dress and in the glorious good spirits that a consciousness of elegant clothes Inspires. When the opening notes of tbe overture aounden and his admirable urt_tee? not better aa a whole nor worse as a whole. The fears which had been generally felt ihat .*-ig. C'ainpanini would not a_>w a complete amendment of tho faults which were so conspicuous dariag his last season at the Academy of lltudo were unfortunately realized. Onasiouaiiy ttaa old-time Sweetness and again o:?< usionalty the old-time manly ring wire apparent iu bia notes but they were always weighed down by tho evldeoeea ol labor, nnd tbe bri ll laney of the upper tunis with which ho used tu ii; an audience Into ?ncontrolle hle euthusiasm, waa gone. The rest oi a yeal which he has taken has not repaired the ravages of the laal live yean. Such a result la peculiarly ansortunat- in Oonouda mualc. The third mt apoaka the very exstaey of passion; given the roioe and no manie ought to be sung easier. Its sentiments crowd forward eagerly for utterance, ami ive., phrase is Impaaaioned elo? quence. One could think that the Bingera would ouly need le opea their moutba aad the entrancing Boonda boa tba orchestra wonld lure the melodie, ont, vVhuit, innifail oj sue apontaneity the music is given with indicationa of hard work, the life in jpxM ont of it tit un. e. 'Hus Weight rested on Bill h ni tin love iniisn lust night. ?nd whenever it did the spirit took Hight and tha melodies and harmonies wen ol the earth earthy. Of Mass.MliaBon'BMorommit*thaw la litih* tobe said that has not bees mid over aad dvm again. For the transform:!', lon which the poetical character has undergone, not she, but thc anthon of the 0'iera aro resp*.iisil,lo. J'],,, rib liest controversy thal coull! he tallied on < niicern ing thc comparative excellence of the Impereoaa tiuns of such singers us Milson, Patti, Linea a;nl Alhaui, is a. te which im Um nearest the ideal of Goethe, A v.ry near a] to the ideal is out of tho question ; the bar was put up at the outset bj Barbier nda Carre, aud though Gounod has pul enexstecy of ex? pression into smiic uf Marghtrita* words in all ie qpoota worthy of Goethe's original, he bae nut boen able to repii'ilinc lier. Boase "f tba teador grace of tbe unfortunate child in in the ITem li? llian's creation, hut there la mme ot tha suuplit ity, none of the rusticity, nona nt the coaraoi fibre, which make oiculon a national type. That which Goethe's Urttokn Am, wiih deliberation Gounod's Eawamtrito duns iu a mt.ment of passion, .m-.i then baa noi been want lag even u Qenuaa i-i.'i, tn place tba GaiUo paaidi n on a higher ethical plane il.un the German bi i a - ol'|this fact. All thal Mme. Nilsson sings, an all that she iona, ia sn Imbued with a current of sympathy that there is no re? sisting her whether she ba reprodnoing tbe ideal "f the author or giv Lng I nat trad ber own oom eptiun t.f character. We weald not thal Got tic's sweet ohlkl ehoui'l tlo as Nilsson ihK.s, imt we would aol thal Misson should tlo otherwise. Vet tbe verities ol url are nut violated, fol 0 ju lit Ls BUch BU iiiiiiiitri innis and irrational url feral that it makes ami its ; dillard with aval. BOO piiiilu.tn.il. .Mn.i.i'ue NilsMn's Intiinph c.iuie in thc Jewel Bong, where it was expected, lot il is the golden Link with which last year she Betablished tho ."iiuiectioii ii -t v. ? i n t eoaoert roomaad tue nu linn able night at the Academy when sha first maug hr way to tba hearts <>f th. perple. After sho had sung it last Bight tba last film of inc that had In M the pul.lie iadeeoroua check was molted, aud aa avalanche td plaudits overwhelmed thu fair sin ir. linu iluot* rained from Um barna ami baeketeoi iowan Were ptlod over the fm.Lights ill! it Boomod as if there was to be no end. In the 111111-1 ni tim floral (rifts there was also handed nj. a ?Uagniiioojit velvet casket Incloeing a wreath mt fold bay leaVBB and hetlieB, ingeni? ously contrived to bo extend* d into a girdle to bo Bretti li tha (lissie style, and two gold brooch nu* lill;.n* ie 1 lugthepro flles of Tragedy amt Comedy willi whick to tao -Htit-tuvd. The donor was not nu uti .neil, but ?n inscription told that the gut was In commemoration of the opening of the Metropolitan Open House. SigiOf Cam-i.-iuiui was also remembered in profuse flower* and oth'.i bihtk.? ot kind appreciation, and Mme 61 ulchl, who ?Jil the most artistic singing of thc cv. tiing, was not forgotten through her guaidons v.eic ni.i. rmii jM'isuste with her merits. For Mlle. LonlsB a-blache, who took the pla..* of ttaa nether who was under the bau of thc law, anti did bat work cloverly, and for Signors I>eJ _r_MtS {?**-*? Novara, we have time only to chronicle a performance of work of the high degree of merit to which they in part have accusleased us. Of the mechanical parts of the per? formance nothing is le be said exoept words of praise. The pictures were beautiful all of them. Nothing was shirked, and the highest skill nnd most delicate in? genuity seemed combined in constructing BBBMB of fascinating beauty and almost perfect illusions. Among the lear legiele that tho evening caused van this, thai ia spite of the niugiiiticcnt apparatus vvliiih Mi. Abbey and his musical director have at their disposal they did not, go beyond the conventions in tho manner of the production in anything except tho stage set? ting*, lt would have beena pleasure, for instance, aflat so many years of tbe incongruous in the presentation of " Fau-t " to havo men tho proper tinier maintained betweesi the chinch steno and the murder of Valentine. lt ia Ilia Bama spirit thal cuts ap the drama of to? day into arts ont* seen-. long and calls down tho curtain upon a studiously arranged tableau that his changed the order of tho two scenes in " Fuu. t." Originally tho fourth nt closed with the scene in the chinch as the progress of Goethe's argument requires; now 11, i seeae la almost frequently universally placed before the death of FtlmtHna in order that the more s nsitiiuial finnie may he gained. Gounod hos himself aaactloned ttaa (bange. Appin d to a few years ago for his views on the question, ho said to the director of a Fn-m th Iheatre. "I havo no choice in tho matter?both readings arc possible anil good. As a musician I prefer the death of Valentine as a finale; it you make it to precede the church BOOM you will be more in harmony with Qoothe chopee." This has always nettnied to ns n mistaken Judgment on the pnrt of Gounod. If a dramatic climax is the need, there is surely more power iii tlrelchrn'x agonizing " Nsota haiin I suet Elaeotaehen !*' sad her sw mm amidst tbs poms of ttaa holy ofticc, than In the vulgar killing ?>f a brutal soldier. Bot th.* oosnpuoc8*8 embanaaament grcv, perhaps, out of the fact that thc librettists hail already robbed the Bptaode of all its iiitr]i"-e, character and eeuttaaeot Ly ex. hanging tim "evil spirit " in which the poet personified Oretoktn'a tor* mentitig tfOUBOlenOB, with Mcphiftoiihclc*, who disguises himself as a monk to upbraid ih- maiden,and thensppearain all bia ridioulona scarlet like a biig-a-h(.o to frighten the child int*. I f.iiiii. After such a travesty of the original it la ii" wonder ttaal Gounod was willing tnat il sh. mid be put anywhere in Um performance. sn far as a single performance under such circum Btanoea could demonatrate thc fact, the iwwtaouaa wasplu.wtits.be not only Mttsfactory, but renlly adiniiable in its acoustic propel Ilea, The fear nf failure ia this teapoot is one which weighs like a nightmare on eonsoientlona architects, for nothing la mora generally and frankly admitted nowadays than that in this province tbe ftchiteci i-- wholly tbe slave of chance. All the anthoritiea on Beous ii, s. fin ii Pythagoras down to Tyndall, have failed to lay down a rule whleh mighl insure to deeigners of theatres even an average ur moderate degree of sm,ess. lins was must ingenuously conceded by If. Gamier after he had made the db*eovery tbat his masterpiece, the Grand opera in Parla, waa in the van of all tbe theatres of Europa ia reepeet of aeouatica, Ia bia book on tba aubjoct bodi_claims all credit foi the accomplishment. He cont that he trostod entirely to luck, like the acrobat Who closes bis ey.-s and clings to the ropea "f an ascending banoon, " Eh liiitl!" ba coin huies, ".Ie BUia nirivv ; Tho amii.-in-.-room of the Grand Opera aaa good acoustics, tbe beat. pi..hal.ly. of all theatres j tba credit is imt mine, I mei.-ly wear th- marks of honor." Bul aol reckleeeoeee or ign.. ranee led tbe French architect to this course: 11 *v.is simply tbe outcome of a world of study which be had given to the subject in all tha years of his caner thal preceded his great work. M It is not my fault,1* be remarks, "that ace aad I can nevei come t<> an understanding, I gave myself great pains to master tins bisaire science. i.iii after lifteon yean oi labor I brand myself hardly io advanoe "f where I stood on tbe Hist day. True," out of books and from my colleagues l learned tbat sound ia propagated thus and so, and tbat strings vibrate in such and such manner. I saw thal grams ol sand strewn on a glass plate formed themselves into certain figures when tbe plate was i nbbed u Uh n fiddle-bow, and knew thal iiu-air is tin- iinlnuii \ medium thinugh which the sound is conveyed. I waa as well posted iu these things os most masters ol icicncc and thought thal 1 I ,ter I should irani to put mr ? misti .1 book-learning into practice a tow simple formulae wt.ubi il" tbe business easily eaongb. I had read diligentl. in in j i.ks, aud conferred in? dustriously with philosophers nowfa re did I lint! a positive rule of action to guide me: on tbe eon* trarv, nothiug bul contradictory statements. For long iimiitli- 1 studied, ttmted, questioned every? thing, and aftei all thia ir.e..ul I made tinnily this discovery: A room to bari good oustics must either !"? long <>i broad, high or low, of wood ol stun-, round 'si square, and so forth.*' Thus deeerted bj his t> at ben 0 irnier abandoned theory foi practice, aad made aa inquisitorial pil ige to all the European theatres, bul only t>. iimi Hun h-st results wen obtained Inoaeplace from wooli ii'iistt ie len anil in another i leonry, and that rooms built af ter I -. ?? model were widely different aooUstically. Chance seemed as BUpremc in tba theatre world a- n traaiathe I di. inn world into win. h ii.niii entered In tha printed in the reading hunk of ihi lilli.1. Whether Mr. Cady nmrtilied his Beeb with much of this stu.ly Imo ih?" nature of thi* elusive something we du not know. Prob? ably with tbe example and confession of Gamier before him ba wan content le follow In tbe main, the conventional lin.-s of theatre In? teriors and trust to chance foi b happ. result. If so be can echo his colleague's " Eh bieol Ia Bala aiiiv. !" lt is to be hoped that Signor Vianesi will speedily give an adequate teal to Mr. Cody's innovation in lim matter of the orchestra. With the earnestness which was shown last night in the Boonie depart? ment there should be consorted equal earneetneaa in tin- inn-leal. I heie are a great man. things tradi? tional to the opera houses ol Italy wbicD American audiences are willing to forego. In all mattera ol ait tin* country has shown itself decidedly pro? gressive, because io little hampered bj conventions Md traditions, and sn Important an event as tbe upi iniii; of tim Metropolitan Oiiera House ought to ba signalized by tbe adopt).>i such dei leeeaa w iii ennoble aud dignify tbe art to wbiob the bouse ls dedicated. No -esthetic want is *-uj>i>lit*cl by th exhibition <>f the band As a rule, musicians, i whether Italians oi Germans, are noi beautiful to looj; up ni : and il i hey were, such a v lew of them ut oue get* duringa performance won ni hardly satisf. eu (esthetic deidre. Miss Maud Morgan, in a Gre* (Tau I'f'lii' ant lill.)t, plucking lin* stung, of hil harp, is a picture to delight the soul of a classical ' lover; but not oo HeiT Baaageige engaged in a des* : pera! wea tie, eatob-aa-oatch-can, with hia double* \'itl it is questions!}] i w bother even Ibe fea? tures ni aa Apollo wonld be attractive whoa dis tiiil with th* grimaces that eeem n**tic naary to oompel inelliduooa Bounds from tbs stubboru brass , inul r.i.-ils. Tho an* tent, ai I isl io lau gi * era Invented j the Atoil. i,t fur the purpose, ii is tlionght, of con? cealing the grimacea ot the fiute-playera; what wonld they have done with tha big-paaached tuba and trombone t More.iv. r, while the han.I does not add lo the tntereat af tha ap taela framed by ttaa pnMoenium, it iioes dietrael ttaa attention , of ttaa audience and mar the Ulaaion fd ttaa play, it wa- this i-onsiti.-i.it ion whleh l-l Wu-ti r to ci.n sir.n t tho " M.,-tn-c ilf" in hi- Bayreuth theatre, ? and the reform is conceded b) evan fanatical op? ponent-, of fcis sri i" have yielded moat ben ! results, holli sp "ctiif.lally ami acoustically. Mi. Cady did liol go to 111" ext.."in" ol' a wholly emi? li. .1 oi.-iiisiii. Hs adopted a pian similar lo tbat tried in tie Manish theatre before tbe erection of thc theatre In Bayreuth, and amplified it hy a devise t" Improve ii - moo-areeo. He .-auk the door ni tue oicin-slial Space tar enn'r-'h lo e.inca! tba playein from all tfco --|.i'i tat'ii-f, BXCOpt this** iu tin topiti" t ii'-r,s, and iii nt) make ap f...- tin* aeeaitale loss ii viluuic. ha iii '.rent expanse baili ante tha Boor a larg" ellip-tioal sound obamber >.f ___BS0s*ry, ? Tha inii.si.T.iiis MN raiig.'d OB a mr les of rifling j pJntfo.Tii.-i so that all mignt have a din-t-t ' view f)f tba conductor, who wa- to sit iu it neal ! .stand winch Im wus to .cm h hy a winding st.iii j case. A brief tost made iu the hurry and noise of the last days of construction convinced BIgnor Vianesl of what his prejudices had alroatly prompted, probably, namely: that thc arrangement was prob? lematical. Mr. Abbey was of a mind with tbe directors of tbo Opera House Company, it is said, that the new feature should he retained if it should turn out to bo u practicable one, but ho was un? willing to tuke any risk ou bin tirst night, and the gulf was bridged ov cr. Om* result nf this wat. to put the drama and hi uss outside '.he orchestra-rail, sud ruin the view from .me or two of the baignoire. We hope, in the interest of the reform to which Mr. Cady gave so much care aud thc directors so inurh inmiey, that the sunken orchestra will bo tested soon nt a pill fill mantra before un audience, so that thc fi.'fiusiical condition..n.ay bc complete,and that if it be not found seriously wanting it bo ietuineil. fen far as lim un lie.tra is concerned lhere is uo reason why Signor Viam-M should insist on keeping lt sprawled on a lovel with tin- snditorinm. The bigheet pitt fa of pr.ii-- i-iinnoi bc soumleil vv ith iel?? timi to the tiuality of the band, thoagh it has many admirable featuree; but it Barely is Buffioiantly po w aa fal lo ba eflaetlva even though some of its ssiiititllii't iitoff. In the upper portions of the boUBS there were some complaints last night ihat at limes tho hamlin ct balanced tho singers and that theb'"ly of tone wiih h Baoeoded was not perfectly balanced aiul homogeneous. Thia was neither helped nor hindered bj tha arrangement of the bead, aad ia* iisuinch as the VOltUBa was always sutlicient it is fairly Open to belief that had the st.nie wbiit ebatiepecona bra? and tba unmusical drama been placed in the pit d.-slgncfl tn receive them thc general (Tt.-ef would have been better. Tho baud has a noble volume of string lone, but hu ?Wood in thin. The distribution of instrument.-) is as follows: Violins, 2'A; violas, H; violoncellos. 9j donble-baasea, Bj flutes, 2; oboe., __; clarinet-, 9| basittkons, 'J ; horns. 4; cornets, '1; trombones, 8| hiipy 1; nml thc usual battery. It will be iintnS*d that thc distribution is not flint of u symi.ietii.nl s) luphony on lustra, anti if it la feared (hat the in? equality wonld l.eiiit'-nsili.-il hy sinking theplay.Ts out of sight the proper remedy would seem to ba to improve tba weaki r portions of the on-hcstia. -? PEOPLE wno WEB! THERE. The audit-net. in the Opera Hons.* was a line one. every box being filled, bennies every seat in the parquet ami lu,!, miy. and all but th. uppermost in the family eirale. Nearly every one waa la fnil drees, and thc ladlee made a brilliant showing. I-ord Coleridge was probebly the moat distinguished guest of thc evening, He occupied a seat in tba bo? ot W. h. Vanderbilt Otheia in thal boa were If rs. Vanderbilt a.ni Mr. and Mr*. Klliott I*. shepard. With Mr. and lira. Cornelina Vanderbilt were Mr. sad Mis.Ogden Milla mid Mr. and Mts. Bobert Cashing. Mr. and Mrs. W. K.Vanderbilt afore aeeompanied hy Mr. u;iP.Daly and Dr.Fordyce Harker. Mr.and Mn. George Kemp had the Mi es Kenip, thi ali Kemp. Mr.aad Mrs. Edward h Others prom al wore Miaa I Madame Bembrich, John Kean, Mr. and Mts. T. II. Musgrave, EL Vi i >r Newcomb, Mr. and Mt*. Tht tl Mrs. J. I*. 1" ..-. Mr. and Mm. J, K. Andi - tndrewe, Mr. and Mrs. D.O. Mills, Mi, .-I,,.! Mrs. WI.ii- !.iv. Reid, (.. p, Wetmore, Mrs. Watts Sherman, Mm. IT. ! ii Neilson. Mias ' ?; ? -, Dr. ami Mra. Seward Webb, Mra. William Kingsland, Mr. Ri lytou I i and Mt-. IL.Iv*. .ml I - uuiiel D. I ? i. ... U. Mi. and Mrs. ll. |). Ral.k. Mr. ami James L. V Mr. and Mi - Matthi sr Mn .- bt i.i k. ( r. "i-i,t.,.i Wt bi. \. uhf r Wt bb, Ml Mr*, ( . .1. Unborn. Mr. ami Mrs. < . H. Wot rishoflt-r, Mr. BiidMrs.J.Milbank,(itneru u.d Mrs. w ni-h.v. Mii-tli. Mi-- ( hft Mt. and \h . ( lift |ia* -.I I imii. ?> Field, Mi. and Mrs. Cyrus A. 1 ii ld, < iMiiinodttiT) Va1,-a ,t. nord. M and Mr-. <'rt..'. F. i.i.i-, Griswold, Mi. ? ri |M ? Lawrence; Tu rn ure Miaa I". trtlini I I.', ."-iiv.liuu di.mt, Mi. h..ti Mra, I. ir,. Will.am Riiller-Diim au, C. C. Kuhl . in, John .1 icub ' ( timinandei i lorrin ge, K, Ks tl lp Robb in, Mr. and Mi*. Luthei Roi ut ??. Mr. and Mt -. i ? Kiv.-s. Mm. Henry c. Foo, Mrs. William Phrlpi Li, i. Mi. imii Mm. 1.limul,il c. ,-t ii.i,i,,ii, Mr.aud Mm. William Rocki i- ll< r, J .1 ( adv. the architect of *th< building; Mn.. Del Mont* Mrs. E. N. Dil I.* I-. '. . i 'in. i. Mi-. Av i Mi-* Av.-r. ITi.h ru l. Ilea* h, H. ?'. Porter, ol Bt Or. illunie, (loltmel ami Mrs. Delan \. I Mi. ii- 'I Mi M ' ,, ,1 Mi . || Koseuer, Kusaell Hage, Jay Gould, <.i >rge (lould, Mr. and Mrs. T. A. I ls verney er, Miss Rhinelander, Mi. and S.n. Oak lt y. Mr. nud Ml , W. II. Idling hast, Mr. and Mm. E Lu kemeyer. Mi . Keruocliuu, Miss Pell. Mt. -i-i.' M " n, Mlle, tiinre, Mile. Aug.-!.', Si. Capon), Signor Rrignoli, James \. Hoon, .I-!'. Mr. Slid Mr*. Adrian Iseli i Mr. nmi Mr*. Iselin, Mr. and Mi v I ? lin, jr., Mr. aiul Mm. Oliver I ? lin, Ml st I - lin. Mi sl.rnccr.ti li bins, Minn Merritt, Dr. I ?,-??? ? n, Mr.. lb uri Morgun, Mi -Ti.- 1. Mrs. Post, Mi. ami Mm. Rob, ii C. Ifeui s' ii. lb" Ml ii, J. \. Parki r, 1 owiiacnd Martin, Mr. and Mi . II. <'. labu.-t.f New-Orleans; Mr. iud Mi . I?- i ('uk... Ml " . Mr. ami Mrs. Riv. ?, :-l Mi *. Alfred Roosevelt, Ji I ilium Mr. and Mr*. John O. Il cl cher, '*'. i . ht Sanford, ('eneral Hickies, J. li. Rutter, Mr. mil Mis. I.. M. Hates, Dr. W. A. Iliiuim.I, |t,.|,..?,i r, iil,i., Doremus, William Steinway, I,. I?. Suyduui, Dr. ll. Gilbert, Austin Corbin, Wa liiugtou K. Conner, J. P. Parrinh, Chnrlos ( rocker, Amos Cot James O. Simi ii, llfinv I* ii. k. ibo, ker m.tl ,' . . li. il. r. I'E ACADEMY OF 'Usn: QLB81 li: IN "FONNAMBULA." The fact tbat ona of the largest opera hons, tm tho world waa opened to the public fur tba first time and nndei exceptionally favorable circum? stances seemed to h..*..- no perceptible influence either upon tbesixeor thespiritsol tbe audience wliu h gathered tn tie-obi Acadeiuj building lust night towltoeas theopenins performance ul Mr. Maplcaou's Company. Long before ibe first uot es of tbs overture bad marked tbe beginning 'li l op i.i- : on the house -.s.n nibil t . overflowing with an audi.-tire which waa ready t" bestow its enthusiasm upon tim pcrfortnera nix tbe slightest provocation. Tbe o;> ra selected was " Bonaambula,*-with Oeratei ns I mia*. A bappiei choice could hu.liv have b*ien made by tbi tuan* Slit, I hs p.! I m. ems |.i ?uit ti,.. || . .*? temperament <>f thia arti t, while tbe muan given inn ample opportunity m display the admira? ble technique, ev.| _i ii. So -h ami daring execu? tion -.hich distiugulsb iii p. ii.. Mine. (bTster'a impi i , m iieui of i i ot Amino, of coarse, is nell known t.* tbe lov.*r_i of ..p. ia in Kock. II' r Binging last night oul, d lo eotilinii th'" juli_ ,|, ,,i |.,?,- iimi arrived at by critics, timi hoi rob emits apt m and middle regisl rs is eoe not onlj wnudrrfulij ami sympathetic, Imt alan <>f aaingnlai strength aad clearness, qualities which plaoo bel i.i B posi lion win re i- rival anil none, perbapa, ear* pac- le*,. ll v.i, i'll lie ih.li lt, iii.lt f fl. to select ,i ticnl u praia *any ..-.'? of tiie a bli *. ?hm d_tlugu(i ,.-.| herself, tu in **?.?? ii abe eucceedod in i .ur.\ mg a-.. a.-, h.-i audience. Where evurytbing la so uuiforiul.. good it i_> diXBcoll to tho" .c. li rneiisiiri'd by (he degree of enthusiasm or the voluiueofapplausowlilr.il thc singing ot Ak I non giitnge evoked, this was undoubtedly the crowning cllnrt of the evening. The purity of the tone, tin* brilliancy of tho execution, the perfect self-control, the exquisite taste eviueed In every note and in those passages especially where a leas experienced artist might feel tempted, perhaps, to conquer by a vul? gar display of brilliancy, wus admirable and de r-TMtlthe naboanded appUaaB that greeted hart St an dy Ieee beautiful waa bar a-rtutiaanoe of tba uria "Start :l*cn" in th- first set; and Um lama must ba said of the ___j_.lt part ?which follows the Bleep walking Beana of the last otto, The public were al.sogiven nn opportunity tn hear two new artists, BignOI Vicini, who took the pint of/.7n'i'.., .-imi signor ciiertibinl, who appeared aa ll Otatt I'odolph'. Signor Viciul possesses a tenor von., which, withonl being extraordinarily winning in the finality of Ita tone, is of sufficient Btreagtb to command respect. It gives evidence of thorcugh training, ami is cnpibb*. nf showing to baiter advantage, per? haps, than it tlitl last night. Signor Vicini hus the unfortunate habit of singing, one might almost say, with i-icnched teeth, u defeet which is Bearoal ? ounterbalaneod by a singularly Blear nnd distinct enunciation. The basso. Signor (murninni, baa a voice which will m.i_._* its owner a useful member of the company, 'lim part of Boootmno is scarcely adapted to display tho po wera of a aiagar. and (1 would ba rael lo pranonnoB judgment unon this artist, withonl having hail sn opiHirtunitv nf Bataan him in some other part which will givo his talent a willer tange. Of tho other artists that participated in the aaa foi mama lt must in* saul thu! they acquitted themselves, on tho whole, very creditably, anti tba same amy well ba said of the chorus, which showed precision and vigor in a degree quite annan al f"r t he tirst night of u seimon, lt ia n.-i-tl le._ to say that the offerings ol flowera. bonqneta, cit-., set med at times to transform the stage mto a bot-boneo, out "f tin iniilst of which the head of Ardill (who by the tray, (MUM in for ? _.<*ul share of the enthusiast i inul applause nf the night) shone like a resplendent mm. ?? WHO MADE DP TIIK AUDIENCE. The audience which greeted Ma.linne < lecetQT nml signified its approval af the new tenor nt the Academy Of Music laal night was numerically aa strung aa managerial heart could wish, but taken im a whola tho guilty eeemed hardly ap to lust BBOBOn'a work. Th" boxen vv.*re iilb'd with their usual oeciipmt*;, all tho stockholdersbeing present, wiih th.* BxceptioB of Adriaa Iaelln, who mt t ni al Iv waa :it the mher house, and tba Antere, wbo an still In tba country. Mi*, rum Stevens was the rtmt box-bolder to arrive j mn', as one after another of bin <>ld adherenta tos.k their sea's. Mr. Mapleoo Ts, -ij**! ii s rom* higher and higher until before the curtain rom ha wasjnbilaut to a degree. The director* shared his good spirits to all appear? ance and eongratnlated each other on having such n house despite the countei attra< tion of the gigan? tic noveltj at Thirty-ninth st. "I waa talking to an obi opera | i came down." aaid John II".'., "and he prophesied thal In a weekMaple Bon wonld have the n il musl ii andience. 'Abbey haa the houae/ said ho, ' but Mapleson bas the singers,' and l believe he waa ri._lit." Mr. Mapleson himself held forth on thc situation ill* b i ?-,,? ? ',,.. I,, bind ? .-i-ul ill over the h- use, "Abhr.v i- n Dice lol* low aad a good fellow,"' he said, "bul be hasn't b.-. ii an "i- r.itu manager for tbirtj two II- has Bred off all his big itali* at lil -I i:is|*ii| of waiting till t!. vvt-i! sti i-t*-d. Now | have all my great Bttrn ? . nml I f"-l confident I shall draw the pilb? il'." In tbe lobbies between thea-!- most of tho old faces were to be ? were m issi nu ; among them General Kirklea, Wright s.ii.t.ini. l'i..f. .-.is i),, i, ni ii s ..cul J .il Daly, The (hat in t'c" lobbies, it qi tj h ildh l**e said, turned principe ly anon the prospects of tb riv,tl lc*!; ea and the operatic war generally, lt .1 to i.e the gnni railv expresaed opinion that, l hon gb the As adetny wonld < * rtainly Buffer (*? some e\t.-nt, yet the numbul fare, to Judge li : .Intent pro*, ided by Mr. M.ip't son, wonld ia peat neaanre diacount the attn tiona of (h.* bow building. Vicini waa thought to h.- nervous (<> un extreme during the ni t act, bul tin* tinah* at the end of it aeomed to neel with genera] approval, which Branned into iliiini- the second aot A fri* nd of Madame (li be had received a letter from Mme, Patti, though Ibey ,.r not pei a. .|i. i,i.t' il, w bi' li was ? I _ iii the warmest tarma. Mme Patti mid that though bj lc-r rt ii i inn t lin- hist j 11 tn ??.tl ria" waa to be lu r n*?n pu n gat! ve, she would gladlj v. at ve ber right in i..i-t.r-s favor, aa bethought thej ought to do theil beet to sustain ih> fortuuea of the house. Charles Mapleson, who usual ubiquitous, found time t-s mj thal bl father bad rd a cable d bi ? bl, Patti's i.'in. sayiug tbat be bad aecured paaaagca on thc i. .i.i.i i next rSaturd .v. In ihe proscenium boxes wen- i . and family and Mr. and Mrs. II. Pales, Robert Cull Mr. and Mi-. I;. 1 . i u til ., Mm Brocl bolsl Cut? ting, Walter Cutting and Mr. ami Mm. W ? ?' it'' ??'? August lielinont and Mrs, Belmont, tn gnat Belmont, tr., and ih- -ht. li. \ Coate] uii'l Mrs, Coater, Grenville Knelling, 1'. lill bouse ansi Mr. uml Mis. Vf, Duet, Mr. and Mn. W. B. Din sm., Mi. and Mm I I ,11, Mr. ""I Mm. ll. 1.. roy, Mr. and Mra, J, C. Bi i kwith, Mr. and Ml . Pl I Lorillard, Vi lonel and Mis. \ sn K. naaelaer ('niger. Mr. and Mi .. I. M. Von Ho fiiian, Ihe Martini ide 'Its. r.-n niicin Mt. and Ml *. .lunn- ii .1 lien. Mis. i-i i.m.i|il t.i, ' I. Kirkpatrit k. Judge Km nix, Mrs. rum Stevena md I.oul and i.adv Csrington. Among others ul in n,,* boxes ai * on lu itra stalls were J. tn Pta. (.m. Mi. .mil Mt *. Vt. 8. ( linn* >, .*-. ile Mi i .1*. t. Madame Balfe, W. I.'. Ti ivers, Mt i. Mait I md, Jobn liney, llr. P.milos, h. I leo.hue I ii M.ss 1 tully Faithfull, Mr. und Mrs. Haley I iak, Pr. (,. ? tel ai d Mrs. lb rater, Poaf ? : I', -ii ,,,,. Jndge _ lu i. Kurn'gnfe Rol? lins, General il... >. - Pi rter, bel B. Krhnrdt, Un al Phelps, the Misses Carroll, Judge lb adv, ice A. Howard and Mrs. lid". ,nl. Stuart l.el.'.v, i.i -i iral I '."l.t. .-sam ii< I Fi Pr. Valentine Mott, Ni- - it Bo ?' ?;I11 Brunt, Mr.. \\ ak- Held, P. Bixby. Mrs. Woolsey, .. ii.lw in. Mi. sud Mis. lt*"fli.ul. M ?*? l'. lt. Jamea, Mi ? H iu, Ur. dure liave* in Mt and Mr*. Ilavcmryer, Mm. ?'? N. A. -?'.I. Ward McAllister, Mas Btrakowh. lb nn ( i,.a.i. Pi. ( lyiner, (.. li. I.'- sd, A. L. Brown, Mrs. Brown, Mm. Rich, Mrs. C. lb np i. id, Mi*s m. Ha.-I . it. .1. Mi - Keane, ('ol.mel Marsha!!, Pi. Cliuton Wi C. Wheeler, J. . Vv. -**? ii- mel Mrs. Hwlft, lt. VJ. Cdgar, r. Wel.li. Ml Iv i in it. H. ** John**- n J. -. lama, Montaguo Marks, Mra. J. H. Mapleson and Mrs. Swift. ? I/En iiinr \h \ i /' minors. I ill RI M I I OB lill I I li liff*** Al Hil < , \i . : .. .tu"ii of |*i-i ? h le k." -mit li-,*," .tiiei... i an itt. mpl <" ""?" '* -i.-lt ni .ins. i.u obuilt'iixinai Ibe ? ' ol t mt ii li |ill ?!: -c-it.-iili _.'' ""'"? -mil I>r. An*.-ii'i..ii..r.| ? iwisi. t.i ohiiliiiinrti tin* voles ot all Hie III. H..it -I- lt li.III.'I lu Ulgl.l . - , ii, ntl ,i,i ii ? ??. I "?.i."!''. man ?rewords .,,;.,ul.11.,-1.ik. , iluwn siMltli il i"T *'"" ld I1"' ?'ailed "I""' Itt i,p.,i...:/..-. lt t .'m-is"! un, -?i. (? Rhouhl i. - ini- I -Itu ii ?? In '"'?'" ?*""***? , " 1 ii it Itt Dill inti"." iv i Ut ed lu-, tis ..J.r. "i aw i...t ia] tl al i;m I alu wilUag Itoi my vi..ul. Im- I.titi ll il" > ll " I bl V ll IU' IM.-II 1 tkt ll I"-lt." -ll'' t'"' nt Tl.'l.e Iftef Ibis eirilin** p,-*._s* Ibe i.Tierst talk their The 1,.ill,it bos )* pi'iciu???I. .uni tl"' ?'?' .hsl nilli tli.- f uiln wins rt nit: fi.-i "nt. -*. 11 Van le i hu .; v?-.- |.n s?|, m. tndrea li e.'"'!". *"'" lary. Weale* kl. 1 U|..-ui,i, a_-_Uti?n( -nvreUo, C baries II -,,.!.. ... ,. h. i. fill .,i Iii ll. I> -i.T.inn, '?? ii* " -? ? it Mi.iiki*. Di.tiii Wt i.si.i, D.oii.-i i.e.si-. _'? i- 0 anon, li tort of Hi Ne.* > -..te iii. -i *. u ts mplets Oul uta U-talo- r.nn M.it-., u.nt tiiu-UtUte* rtf-cived fiuui _!7-> lo iir- vol-* MATTHEW ARNOLD HERE. A TALK WITU TUE POET AND ESSAYIST. UI9 IM.ANS AND OPINION'S?Lr.rTI'RES UB WILL PKI-IVEn? DE8IIIR FOIt CKITICISM. Matthew Arnold, the distingnlshed English poet nnd eMsayist, arrived by the steamship Serviayester? day. A 1 niiii'NE reporter called npon him last even? ing at the Windsor Hotel. Mr. Arnold has hardly anything poetical bj his appearance, hut is a plain English Kentleman. There ia about him, however, the poliahcd ease and high breeding which mark a man of reiineiuent and culture, [a conversation he is most undi'inoiistrative? ming no gesture?but his i'ye kindles as Li., remarks grow more earnest, and tho emphasis is expressed hy tho deepening tones of a musical voice. Those who have seen portrait! Bf his father, Dr. Arnold, of Rugby, so familiar to (faders of " Tom Brown's Behool Days," wonld instantly recognize him. Ho has the same ?wild looking head, and thoughtful cast of colinton anea. Nothing eunexeeed tha graciousness of his manner. He is as simple as a chilli. " lt a th mis mo pleasure to converse with journal? ists," he said. " but you must not ask mo to deliver -raciilaropiuioiisabout things of which I am igno? rant. For instance Ina I.e ult reporter iu London Baked BM what 1 thought of American institutions. How could 1 answer when I nm como to get somo In? formation about thean. I hope I shall like (his country| but after all 1 think there is no place 10 live irt Uko dear, smoky old London. How vast tba hotels me hen*, and how lavish the hospitality, but 1 fear I shall not get at the heart of real Amor ican lift*. My lim lecture is to be entitled'Numbers.' [don't propose a mathematical theory, but to ex? pound Mime idea.., political anti soeial, after a some? what original way. Afterward I shall leeturt. on 1 .-.merson,' and then upon ' Ktluerilion and St-ience.' I batt been asl.cd to hil ute to several universities and I think the latter subject will be more suitable t.i liiein. " 1 he London Time.*, which has never been friendly lt) me, fame out with a thundering article on my coming lien*. Lowell, whom I know very well, told me that I had already an nudieiiee here among the cultivated. I felt a little doubtful about my re? ception, betiinse lOUM people ohOOOB ff) BSBOClutB DM with irreligioua opinions, whereas I nm only inves? tigating lilith all the time, Somo of my friends ?ranted BM t<> hid for Irish support hy leeturing on 'Celtic Literature,*bili I ttmagbt it Inadviaab-B. I have alwaya been well received by Caf Indie*,, and in mv lei mu-on 'Numbers' there will bo mattera touro "1 upon that will deeply interest them. Car? dinal -Nev. man has written the kindest things to lue. " I am amused to timi thar many people bars think that Edwin Arnold ia my brother, ile is m. rel I un wi li rr. li '.k, I be Light of A ila,' seems t" have taken n great hold lure. It seems to me "lune unintelligible, and not to be compared u ith th ? grt ;t! work ot ,**t. Hilaire,' La Buddha.' it is like the character >>t Christ written by a Jew. One prefers to go to more authentic ourcr .. "I thought of going to Concord before lecturing oi Liu.a.-"ii. but i ii.iii- a is a dreary journey, ? l haye given il ?:?>. I have alread. remarked tome things hera w hich seem gn it unprovemeuts on mir English way. fcXu instance, tipping seems unusual i is it bas in Tonie a nuisance at home, lint the cos! ol ilii:i_s appears Ui me astonishing. 11 the. utbolics in-t-.l not b ul that I snail be in any waj aggressive. I think 1 ti.i.le nindi" a mistake. I trust tho public will not .'i.ii-. t t in., reading mv lecture, iou know my lil 1.. i ann > a inna both read e\*( ry wm tl. " iht- position ot tin- .-i.-i --V here seems strange coiupai it with England. Witn ns the parish clergy mau ia some limes the one cultivated person in a p u-n. 11---., have always beeu m.v supporter-. 1' tera tnat m.nb- an outer*, against tue when >lr. (JlatUtoiie prootr-rtd to du something t"i me, aud after all the .*-*?. li*>?? I Inspectorship was uo great thing, bul rathol irksome aud laborious. " v\ tion Coleridge baa badi I dunk these thing*, are doing much i"i.il In uniting tl." two countries. Ibe Americans I Know in London struck nie as moat Eng like, iimi 1 am told thal iluli" is an Increasing tendency toward the development of I ngliab idea -. I expect fair criticism ht re aud i sre not how lum li tie n-is nt lt. I respect it, and get .! of . t.' - l'l IIS MAYNE linn DEAD. !...\ini\. <>et.'__.*.?(';i| t.lin Mayne lb-id, the ?. ll I. now a novelist, died al bia r -I'l-m-e In Umdoa leal ev. lill -, .liter .1 timi lllUenH. BS ?U* nlXtV live J I age. _ Captain Mayne III 1-1S. Iiln r.. t l.'T VV ll s ll I'll-nllVtellllll rlr-l.v lunn vii,os,- labors amoag tba poor people of bia native ...ui.,i*. i,..it .,,111 _,.!, spoken of. Captain Kali wit* i t.,i ii,- Diiniatiy, bul lim love nf adventure : ?:, lr. t,,r i,.i i-.'n treval .-'".a lt-.l Jilin to tli* tbt ologlf al si -. k a tann i ..Iii;,',| ,1 Occupation. Proa 111* *.??! "I lu wu. fond "f booka. Tbe stories vt it,-li be !. i.i of A"' li. l and Un re-t.im.n .ll l ti) vi-ii thia country. W he sailed for Nea Orleana, where li" trader. Bis btulnces Interests were of - naturi. Hutt lie -.vim ..i.i.-.'.-.i tu make long Journey- ' n.ti-iii'i nf Hu- country. Hi* linell* Mends wrli the in.li.um of tbs Bed Blver territory, aad spent u uu'ii. lo i* arning their customs tig the -I, u.; y nf their picturesque camping -i.i.ii .I*. Sight after ni bl ba ? il with about iii.ii- biasing camp-Ires, and l's ...... .1 tu tbe legends and tales of the medicine men. It waa tran thees Indiana that ht obi il:.- materials fer thone well-known stories, "Ths Hasten" and "Tba White Chit f." fit spending live yean upon the prairies and ?? Hie minuit.Ulm .ir the West-TB ati'l MNItbeni Mate, he ->-i tied la Philadelphia, where i"- began (-"ii nii.-iii* to the aewapapera aad n_agasta-*a (cites of travel. When tho Mexican War Muka nm in l?-1"> lu* siiiti'itu .1 a eommlaaton lu the i -t ni . Atti,,* -uni -ri veil duringtbc entire campaign - rearel ? d 'rom Hew- York at tbe bead of a body it volunteers for tbe purpoeeof aiding the Hunnrian-i ludtix i iii nee. The p nt.) li ul h irdly irnveii Iii p.i U wlien Captain Held reed veil inlclllgeuce llt.tt Ute ll int'.n I nm hail bet li roui|_,lled I" a down Ibeli .nins. The rolunU'ew were I'stulss, ,i anti Hi.-ii ls niel- tssuk np lil. ai.si.i*' lu Lou Inn, when tte noon n<. into attrael public ul (en tion b* in- limn ?;,. l*.iles ni Western adventure. Novel ., .. ni* h.'iu lu * i' a .a rapid - i ?? Hill, ll ni; . : - : ,,i. IL - Ililli \ -1 wiitin en III - lIltlHTU Mexico," Iii-1'--' wot I.- siij-t ired IB Kl .,!,,, nu* ?*.--, Up Hunt.! ." ?? i be Rngtisb i ,u "anti "lin !"-. ii* T lb."-.'." ni-.?i:r. OOVERNMENT INDICATIONS. B mtipti* tr tn* pott tin ? ?fonrhmuro Wv him,ins'. ?? I-*'1 I"' - -'? lbtrwt____Malt.lt ", ?" ' ?"?-. ?* i-*-_-_**I I"/ flt* l_.r__,e..ft?r U .1.1 mit f rn*nii__-/, wi" tf.u_.i_f. Tmibuhe (Hi i i. ct. BS 1 a- ru.-The mon incut lu iii*, nar., iiist.i .* fif-nLiy aaa Irregular. Cloudy weasbor ,,: ...ni,,i. tba isnipaiataia maajad batwaaa io** aud ..ie, ni., average il.-Vi batoa *? lower tiiun aa tho luiri'.-tptiiidliig *ttty l;-it .cira-U "s*- higher tlt.ui .m in "tioud* wuut-Uur, with chances ol raia, followed by fair or clear weather, may be expected to-day in this ott** aol vlolnlty._ Btbamsiiip Aksit__u?The steamer Devonia, of tho Anchor line, arrived from Glasgow at an early hour thia morning. All Furs manufactured and sold hy C. 0, Shayne, ion Prlnce-et., have the name stamped on them, Uiereby carrying the guarantee. .. duett's. Cbowx Collars anti Clkps ansi Mn:* a nen 8____T__, Holli by leading dealers. ts.Uh I.* A- ('o,', Violet Toilet Water, For the handkun-hiof ami batb. Tudor. *i[i?de atock of Hoys' anti riiHdren a Overcoat* anti _ii.lt*) of oar otra tlealgn an.l nianufactnn*. Price* moderate J user A co., 746, TTS, 75n Unt-tlway, noar Hth ?(. ? MARRIED, ('-ARK-MA CARTY-At Ntrr-Hrl-Llon, Staten Inland, Uctnber'fiO, by the Kev. J. c. Ki'i-li-dtuii, ot iTlftua, Le*t..r W. riiuk tu Irene Malle, daughter ul lae late .Vnumul de Ma Carty. LIMBKKOER WAT.KER-At Marilin, N. J., on October '.'J, 1*13, Iiy Hie Kev. b. M. i.l.o, Josephina K. Walker. .tauru. tero: Janies Wal*.i.l.-ii<-.- nf hu, tfi_tn1*-_*.a_clit -r. Mm. Will. lem.!. Rleha ninon, 686 (Tiriiillnf., rum fltti-ivr., Rrt.nkiyn. on l 'fifed.it, tim ..tl Iimi., ?t il o *-!** _ u. m. Inienneiit ,i ABffi li. t PKKI.I'S-Iri Dr.n.klvn. r*un'1*T. Orfob-r *_T, 1-HM. Ada. be. lovs.l ?,f. ot *v. i.uiutt Phelp* .m,l .lil. .*t ..4111.1.ii-1 ul Maria and th*" lau- Ten.- >. Kui .'ii nm, III ,!"? :t.?t li u-.ir "I ta lit-Utivi naml frifiidrt are r__*pt*ct(uliy lu timi to attend the iniii i ai. ..ii Tns*d>]. al Ualf-p* il I p. m., from l,07u , et., Ui .mit ij, h. BM V 1.1 -tin atiirdtv fi. -tuber ?_?(), KUzaboth R., wilow ot H. i,,.-milli Itnart, In tue 7-th year of hoi ice, Killi, [ai w.-iliifntlat, _|ilh lnnt., al MabbeltivU'.e, N*. V? at 1- i'l p. IU. Ti Min leaves) rand Central Depot al 7 a. .u. fm MU; where i-an-_i_[e* will be In walline. IAN ' ii .-iiitinlat. (>r'o,?-r-ii. H-T. Cliney AilaSea* tu.m. daughter ot ..*_. B. aaa .v. vt- ira l'au. i.ii -ci \u ? n "ii lu.-lay aftt numn, it' '2 o't-l-nk. at thf i rsndf ithttr. Tnlm r Pnamaa. Ill ram lair luuil .1 , in,-,i lyu. JJoltK.ll Xo.Kt'3. I!.-;*i'll-un Viitiimli/ii'ii.ii Hu itu tl, 4SS I'*-*ll--!.,.I I ll.ni..tut. ' .iii.. li..u. -. IU a. in. : ? 8 p. m. lt. ti .Itu, fhalrman. 1 Iif* People ot the 4 ll. end ( immy OtNew-Yerk ii|,;,*is.d t.i. ,,| i i|,i i li ? sad I sae little an aaraeetl. invited t?. ? a maa* .rn I ...J" tu In- lu ld al ( OOpeC limti'iii, nu Wini* tu nc,, i -i, i - -.:, .ti; ;,ii p. m., tu t.i .i- -a, u satan ~* '.iii pl.ni,- akulS Will Uilille., ll"- I'll .TlllR. Allil . ll*tn> dattoa -t . i*::iT!:n DI. Ri I H vtion, J*.UN Kl.II.l.Y. O.'critil Xoucea. A. \V. LLVt.N'.-T"OR RAMEMtnT, vi i: .M.i.i., v.i m. -i.i.r..\i rc iii.ii, .vi" ri IV, o*-r , 18-8, AT ll A. M.. AT THU liril.i'IM. N -v V "IK . I TY. I'M'!, ll ll ii ll' N ,,K V. I l.l.l V.I it il V lum hi.', ? \--l ,-,, . vt --I'. .* I' IM MC it-1*! II 1..UI, I LL I lil. Mr.inTi.iM. l-l. i iiiii i .- ,- . I.n. ? -V IT' - * ? i LORI.**'", -I u vK A.*. i) M*i(. v- i -. AN ' i *- ? li '.i . AND . 1 ul !?. .vt \ ll.M * - Utf Hov.) -?> -i VLF..*-, ni *K- t.FFI I I'vt. ,111.. V . ,i I i' I . \ :1 ? ' - I i ,- , I l \ H i - 1 l< i. VI VM I V UTI!- *.- HO* Iv IM s l'_ v . Il li" K t AM. V -VIII I" A .-. !l *li..i:i.Ill", WILL HEI.I. t).\ 1 vi II A. M., AT TIIK KU) l . v. .1 11--* I . Ul-. VI VI . i I 1 ll . I -. ' I Mal'-.. M h.As-, *, .i i's r .it i *.. vi , .i . ,i ... i.Aiia Al'l'1.1 A I' ITU. "lilt . ... .1. I i i'i:-. al . Arlin.I<- lit inorl.tln. Iht" M.VV-I t s || ,rt-,,r I I Ku* rora la Uf* ill* I'm -Tn r? *uit ? Mi-i-iii-n lurtii-liiil * ulm ii . i,. ? I'AN Pl I.D I'rt-nl n;ilr ??( Ti.yniln I ni-pei*. :uiei'? .nlra l*i.,ii*it lion, Jun t.i'.' nut I'' ?_l,l. eh. 1'IAI .1, Iv v.UT- .'. Km*!* din it." ,il?a. THE HEM1-WEKKL1 IKIIU'M*.. l'rl*. I .. . . ?ni.tvi.il -lt lt : ? r-llr.lV V .1. K v V PF -? Tbe " lt ..i i ir vu. 17 Wai*! ?|.i...evit" '"i.lenil.liti' ' ''?* 1 , ,. \t A 1 IMT Kl.I Ij, ll ,, I : "ll-'U el. I , I I r Hum Hu-1.i-t ii ia i-i* ? -:l'"i* : ulll "ll , , , - '! U-n* Slltjl.lll iii.. h"\ v I, I <'i KLA1N BATU I Ul, _J .1 . ?' !?*.? H. We UhiiI liver. I_n*l. ' ly be ? Ililli |l..'i tn V Ililli! ??? Iii .? K I - I ? . ? bj Hu i cn eur n niall* (tl ? ? . iii- . ui f..i I *i . .. , ,n I p. ,,i . i i per Ha. I . ? i -s . ? . .ii ii a. ui. I. li? ll t.i* ,_ i -. .i. t - * ? :. , ?l i ? - V.|in. 1 il l li-|i s ) ll, . 1 ,..",? ..I, , I. r ll 111 I I p. ul .'"I ll ' it, per IM. Al | ? a ami M.M. ii. |s. i Ha, III xx-., . ,i,,.. ?-. {.. lu. m. ..... lui,.I* , .'kV vi .-.ll l.l'.Vi .-.I io... l,i. . \ ii it. iai * . * ,. ? i. i". 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