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New-York tribune. (New York [N.Y.]) 1866-1924, March 20, 1913, Image 9

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Persistent link: http://chroniclingamerica.loc.gov/lccn/sn83030214/1913-03-20/ed-1/seq-9/

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M
HI METROPOLITAN
Gorgeous Settings for the
Production of the Russian
Music-Drama.
AN EXTRAORDINARY WORK
Historical Play with a Large
Theme -Music Effective,
Though Showing Artis?
tic Deficiencies.
I i?f v lea .; may be
led st i ?Boris Oodounow."
pel foi m.m .- :ii 11. ?
nighl .
? . it ?; ' li ? i ? ???
.. ? ? ?i t and listened tn
. tl
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... the gren teal ? .- .
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srtlstl. ? ? ..... ob
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? il. ? ne, since it
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Til? IM?
and ! ? ?* eii.ei , , ? ..
f Sped
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They !
Sent. en t s f ron
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Mltloni
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-? gooO)
e did ai ? - imped I
, ? ? ? ict ibs
? ||| tl . ? v ilso 1
mui lb? ? fas ol
ppilj
- . ?? be betti
? . ? ? . ted) t . -
. t was tbis
:?-..- ? ? ?
ever. ?? - -1.
... ? ? .
?
about a c" ? , i nd an "\ ? ? I
??lav? had the effecl i l theli
end d st irblni iheli J .??Kin. nt
., r. ii?-?.i,
ng this enl - because of Its
it cam?- from France and not
? me land ??t : ?? ?< ihoi <?f th?
j?lt\ or the ?componer ?>i in*- musk More?
utei it ?vas largely based upo an element
?i n ha.? as little i >v. lb ui ess in Kranc
a? ;? baals "f Judgment (and which must
fcereforc ?he set <i??wi! argel] ,- ;,i: ajtec
tati??fiian here Loud hallelujahs h tve been
raised In praise of Moussorgskj because,
dit-citruirii; eenventlonal <?**?. he rltallatd
th<* music Of the lyric poe M Ihe
?Iran, tir lino, i**- making II the emotional i
floueT.iiK of th?- spnk'fi WOtd When it)
neeseaar) i"i the predoui Inner I
ood ??f Frenchmen who hoM i
Mining Ineenec ?sticks und? ?each others
?mm to acclaim "r?i:'.?- el Mtiisand?
?? a new an?i beautiful thm?? in dramatic i
"?oak, t was announced that Moussorg?
Ike D? hussy la that ha hud
leasouatrated la hi? songs end hi? operas
ihat rocal melody s?n?'?iil and could h>
*ritt<n in accordance with the rhythm
tut sccents of the weeds May heaven
Iwgtve a .r Ignorance, bul we hati sup?
posed n at we ha?l learned thai leaeoa
Ml ??ni.-, from <.ii_<-k and Wagner, but
{'??m ??very true mueleel dramatist that
erei uvod. And when th? FrenehiMn
'and theli f? ? !>i<- sclMers iv England an?i
Aiii^ri?',!. began t<.? ?wy out that the world
mai*.; obeisance t?. Mouseorgaky ???n that
there was no wonder that those
*huie aegeir,<as t<> enjoy led them t??
ab.-ori? t?i ? mock Information should a?k
how th-.s marvellous peychleal t seo nance
between weed and lone was to se feo_?
tysi i?? their unfortunate min ?Mel
'"-litiit after tii" original Kiis..lat> word
? ?'?i i ??? i tranamogrttad into French to
bgHstr. ?_*jt nlghl the opera which are
>?tOil to !>?? eatuiat.-'i In ?SOON reefJOCtS
?Hi MuecoTitlaM. oi Blavicism. and
fkiek ??? ?have every roeeon to bttleva is
??'?o lo ?.aturati-d In hh inns!? ?>- .-rival ???
Mnse, iras bum ?" It_M_> tv*Hh the
?flange gome of the ehereeter that eoght
to mik? it (|<ar to the RtMStaa h<-art must
"?v.- evaporated, n is even Ukely that
Maseaua English wiiiilil have l,. ?-n a bet
'"r vihn'ii. ihm. it.. rtuit. bastard Latin"
'or th.- fereeful iittsranoM "f th<- ogeratk
i*opi.
?t h ? pity that a suspicion of dialn
???'?iiuo'jsnej.s ;.ii?i aCeetatlon ahsuhl for??*
****** upon "in-'s thoughts in <onii?-?tlon
*'th the French snthnaaaaM ?ever ?Mono*
?'?r-fik.?.. but it .am,?it h<- BVOided. So fat
M ?-toetBSfgsky ?reflects anything In hi?
**t 'I I? mallen or natiiraln.ni. ami tin
'?Her ?foment is not .lominant in French
???Me now, and i> not likely i<? i?. KO lona
"* the pesseni tendeaej toward suMbMt?
M ?ubjertivitm prevail?. DehtSSny ac
' 'Hin . .j Moiin.ore?ky enthuHlastl? allv a
***** ***n age, i?..t f?>, an that Men? |
???-"?iky and Iiebumy are antipodes In srt |
*eey reprasenl extrem*?
?U il rourh more V.k.l.. thai eoAnrntO
SCEN'ES I\ THF NEW OPERA "BORIS ?GODOUNOW."
\nna I asc as '1'*" Czar's daughter; ?darno ?Didnr as linns, ,-m.l [??eonora Sparkei as bis ?on.
I ? ... ?? ? .
-
31
I
, ol Hi?,
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.
IVere it not g H
rt it
? ?. ? ? ? . - ? _? ? i
? .. r ? i i.,:
? ? ? ? I ?R
' . !? ??
. .
??/?' owes Ha continued
-, ? ?
f his woi
,.'?.- r ? ? ??
an Intimst? frlei I t Ile a
an ? ?. ?iii'
?? ? ?? In the line
? ? but I
ern extremist* will ha\e it thai
?, m, dying la dltlei of harmonlxatl
and Instrumentation he weaken? I 11
that what h?- thought Ita artistic blemish
?arera Ita vlrtuea Of thai we a ?
position to apeak, noi ought an) one
raah enough to make the pro lamatl?
until i* ? original acore li publ I
then iml '? Ruaslaa or' a musl? Ian fam
Irar with the Russian tonen? and it?- ?genii
Tha production of the opera outaide 1
Ruaela and in a foreign i.-niRiiaai? nn?-i
to furnish si oooasl?Mi to demand :? e?:
of the artistic can! which Is sil loo cos
mon Ju.?t non In svery country
\\'<? are told thai "noris- Qodounow"
the first real Raaetaa opera thai Amet
eg ha ever h?-;?ni in ;? ?-? nae that ma
l??- tru?- The prea? tit ?feneratloa has beai
iitti?- operatic muak by Ruaslaa compo
?is Rublnateln'a ''Hero" was ?not Rui
Klan mualc in any ?reap-ecl ' ?Plqu? ?Dame,
by Tgchalkowsk: also perfornMd si tl
Metropolitan opers House, had mtir in
thai could be recognised as characterk
tk-aiiy Russian. "Rugene Onegto'1 w
knoa oui' from concert performanmi
and Ita Uuacovltlam was a negllglbl
quantity. The eacerpta from other Rm
Nia n operas have ?beeii fea and the
?iirnoiistiat??1 ?nothing, though lu ?m i'i
termesao from Tschalkowak] 1 "Ma
j zepi?a." dOa**erlpllva <?r tha battle ??f ?Pol
1 ta?a, which h.is i.???-ii hoard here, wa me
with the atrona <h??ral tune which Klv?
fTUat aiiuniition to the ni????t slirrliii
?cana la "Mori?-" tha acelamaUon <?f thi
?'zar by the ?populaos In tha first gel <?
this aotnethlng more present??. Ther?
??.ere Aniffi' n'. representation*, h??wi?\?-r
of ? Ruaalan <?p?>ih whl? ii |n its ?aay wai
! ni'.r?- popular than "Horl?-" has c?.?r toen
but thai waa so len>| ??ro that all tn?-tn
or?es of ii have ?ii?-<i, and even ihe rec?
ords aie dlfflcult to reach Bonae nft>
years ago s Rasslaa company came t<
I these ahorca and performed Verstowaky'i
I "Aekald'a T? m'l.' :?t; opera which waa re?
I published as late ?aa iv<: and v?hi?-ii ?v. i t ii -
I in tha iitst tweat)-fiv.? your, ?.f Ita ? xiist
.n< ?? hail 410 perfotrmsBoea In M?r*acoa and
?jM m si Paterabun s?.m.- ?/??ntursaonia
a-riti? s bava hailed Veretowaky as even
m? !?? ?listiir? nva-iv a prsdecessor of Moita
aorgaky ?than Oltaka; inn the ctaraor of
those win? an- preaehlng ?loudly thai art
inuiat not i-xist for an'? sak.- and thut
I th? Ugl) is JiiHtitled by th<? tn-anty of
|uglln<MS, has silenced th<? roleta Of the.????
? . ritl? ??1 hihtoiiana.
ThiH 111:11 thus far have Seemed 11 IniiK
and ?aourslva dlagulsltloa on the algnln?
(??n? ?? <?r tin- new opera: hut Ihe qaeatloaa
to Which the prodm-tloii of "Hoi's ?lo
donnow" give rlne are man?- rand gmva,
-fHiii-eiaHy in th?- praaent stat.? ol our ??p
??ratle ??"itvltlea. ThOg o/iv* 9. strong
hearinK <?n the problem ?>f natlonaUem in]
I ? ,-vTa, of Which Ihe administran.,?, of our
I open? appears to leht a careleaa riea
? a worl I
?
?
?
?
....
V '
I .?-?'.
lunll
th?* operat
.... o ? i . r ? ? dri
-,
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i M I ...
.......
? ' But a
? ? ' ' ? ry of th
. :
? ? , ?
? ??" m Ian
ir<
ah- not *? ? ? '?"i
Hut i he n? 11 masses, t
.n t!,- Intim?e? ??f the < ta
n?, laehold, the chants of th
monks needed noi te ??<- strenge t<> am
student of folksong, nor eeuM th<i
? lost ut ??il the v. isl? all) un
letti :? 'i in the old Kolsads ?sont
? si.', .a a ith ? Mob ?Boris : -i? et? ?I b
the populace lovera of chamber must?
know it from ?i* use In th? Allegretto li
Beethoven'a i: mlnoi Quertel dedicated t,
Count Rneoumowski, where n appean
thue:
ijf-fi i jiA?Tt_|i ii inn
sa well m In I be n lid si o nine? ot th?
Polish vegrent men and women in th?
?seen? ?before the last It i Impossible noi
\ to hear an outpouring ,; thai spirit ..
which Tolstoi wrote: In it i?- yeamlni
| without end, without hope; aleo ?power In?
vincible, the fateful ?stamp <?f destin)
Iron preordination, one ??f the fonda?
mental principles <>f oui natlonallt) "iti
j which it r possible t?> explain much thai
' in RuMlan iif<- seems Incomprehensible."
N?? other people ?have su? h n trena i.
1 folksong t?? ?Haw on n? thai thus char
1 Bi terli? ?i and it li noi iik?-iy that anj
other people ??ii develop s national
?school of opera on the lin?*? which IB
jopen to the Russian ?composer, snd which
i ti?<* Russian campoesr has been en?
I rouraged to exploit by hi? fovemmenl
i for the Ihm twent) years er more, it i
pooalble tiai ??.m?- critics, actuated by
?political rather than artistic eonatdere?
; lions. will l'ni'i reeeons f??r the present
I condition of Moussorgaky's score la the
attitude of the Russian government it i
1 --,??1 that ?souri Intrigues had muck to te
with the man) changes ?.? i h the acore
? ?had ??> unlsrge ?before n ?became entirely
.,? ? (?talilr t?? the powers that he In the
I Csar's empire. Possibly. Bui ?v.r. on?
which ha? Com? iiii?I?t 111?- noli?.- ?,f till??
I revlewei bes been to Its bettermenl and
; ?,;, i,. f,.i n ? pre? tb a? it??sentatlon it la
I ????I thai th?- popular ar?nes Brers < ur
I tailed ?b?canes the) represented th.? voice
i ?.r in?? democracy, ion ibera i- Mill s?.
?nivih choral work in th.- opera that th'?
judgment of the operatic audleneM <>f to?
da) i- likely t" ?pronounce a?-r.-iiiisi n
meaeurably ??" thai account F?ar, spien
<ii?i .is th?- ehoral elemenl in ihs w.,rk i-,
a < noms h not looked upon with a?l
mii.iti'n -?s ?? ?lii'inat? element i.\ the
ordin?r) opera lover There was a lack <?f
th.- feminine element in th.- opera and le
rewedy this MouBaqrgsk) ?had t?. Introduce
th?- Foilsh bride ?>f ths Feles Dimitn end
MM the piiii a I???.? scene. nn?l incident
ally b polonais?- hut th.- |<i\.? s??-ne i? un
Inieiesilng ??ntii it? ?seen lmimK miasmes.
},nc: ?-l__?sc are to?. M'-> et !?? erlan to call
for comment beyond the feel that Meyer?
beer, the much ispatemaed, woui?i h?\e
. ?? .. t?a for tl
I . ?
und t ' :
Oill Of ?
? ? ? I Of the o|
1 e beet rlnted.
?? ith h' hla i ? nl i- ??
i ? ? ? ? appl ?'Ing the pi
Vouni - - .
don n as s strong pi ??
\'
tlon* and rearrani ?
?
? ?
Dmitri. 1
...
?.
tip? : .. ? ?
...
i everyl
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:? t hy the
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pallet
rhere x nsldei
... . .
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1 I snd t ? .
ttio won
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, Idiom -lr I
?
ever been a strnni
i ... , ...
, Ml lr ? ?
i It I.i.?
I perlattvel) by a i
a tot "i the ? " in atagi Mi
Althouse, v?l:?' effect ?*d his entr.iti.n
I ihe M? tropolltan atsgi. though .. trifle
under ?i"- w. ather, m id? a flm d? b it,
making man? of hi ?.??.? wish, no
doubt thai hla oppoi lunltl? h id
??a rllei and hi ?-n more ?.?.??
. s? guro a ; ol a Bn< pl< ce .?f charactet
in?; to hla credit, and Mme Hornet made
arl at h."'.?i oui ol II ? i ?olorl? - Polish
: \\ uli a word "i approval for
th<- singing ol laeonors Iperki M rl
l?i.. !.. ne, snd ? i P> clall) ol Ml Rothler,
the partlculariaatloo must erase Alto?
gathi i Ihe t?r?>?in< ti'?n ol th*' optara was an
achievement which will i"!???; ba reniera?
I? i. ,1 t., Ml <?atti ? r. .ill ThS <1r?lril"l
tion of ?parts waa aa ?folio?
|;,,, | . ??;.'.., I ' . .1
I I ...,.|..r.? . *-'"':? I ' '?
\,, iM . I ? t." i i Kparkai
', '\ i?? Kurt* .. ? Rsi-la I". ? ?
! Mai n* . '?""I- ,1""
, s. houlal ?. .?.?..
' T. helkaloff . v "? ? '"?" i:? ? ? '"si ?n
l Imenn . ? ????"" '?
, t. . i-,i .r.ini ? ?i.-. !-?? ? '
Varlaam , "?ndrea ?1? Hot
M ill.? I'latl ? Au Hain
11,, |.,r ,?.-. ; hi. Ji anni Meuln irg
i ? -i npl? . ?I' -it I ; ? I as
A l.til? ? -i . ?Hullo Rai i
\ . ?,, .i ? Dfllaei .laeopoldo M .
laovltak) ' ?,_,, ?._.,. ! V I'- 'in.-iioi
Trernlakowaky. ? lw . ' l?-*ili Kreldlei
. 'oil?111. lui, N'l .? ? ll'llll
II ? K
GATTI CA.SAZZA PLEASED
I
I Reception of "Boris Godounow"
?Tribute to American Artistic Feeling.
Oattl?Caaassa, when ssen aft?M Ihe per?
f..|mali.e ..f ''Borla i.?.?|..'ili?iw." s.?i.i
"i . enald? r tha ?perf-?nnan*?a ol 'Boii
??odouiioW the most impoil,nt ai i i -n? a II ??
..f nil i have iri?''ii ait ce I have I.
dii.'ioi ?.f the Metropollun Opera Oom?
pan?.
? The public r. i ?ptloa ol Ihe ? ir? h.?s
he.-n warm and ?mpeclall) ?gratifying t?>
m.? it is .? tribute to the r.rtisti.- faellng
? ?r the American public j:??i?k Oodounow'
Is t.. BM a nii?Ht<?i pure of Its km.I "
ANOTHER FRIEND OF C?*ESAR.
Mow that taba aetora .ir.? to have .-?
chilli? ?? 10 aaj what they think of th.?
erltics. ?Ah.-ii the writ? is taka. part In tii.
forum ?aoana (torn "Jnltua Caaar*' al the
.I.?r??nie Eddy ??stimoiii.il j.? rform ?tie.? at
th.- ?Liberty Tlisatra laareh Mt, A i- Er*
latiKer thinks hiins??lf .ntitl??l lo lake tl,
part of ana of tha aaaaaalaa A arontaaani
dramail?' critl? will |.oilrav the tyrant
of Rome, and Mr l.ilanK<>t. wlm is t,,
?jaiij.a i irita-nal the liii.al n-ln aruiiN, su.? d.?
will have amr'e lime to |?artl?ipale In th.<
?.tll.tlo Work? Th?- rehearsals ar. t?. inu;
(?(,i..|ii.|f?l at the lnars' Club un.l??r th?*
dire, tlon of It. H. Hurnalde.
NEW MUH PI-AY
"Mary Magdalene" Produces
Profound Impression at Mice.
ADAPTED FROM SCRIPTURES
Wife of the Author Has Tille!
Part?No Impersonation
of the Christ.
i.v ? ?at ? ? . Trll .
Nice, Mareta 19. "Mary Magdalene." '
a three-act drama bj Mmirice Maeter?
linck, preoentlng with Intense ?realism
the Blbll? al trag? d) and brought out
i. si m?ht .it th?. Mm pro
du? ed i? profo ? d mi rea Ion The '
! Scriptural adapt it loi li baa? d on the :
theory thai Mi ry M Influenci
?.n the Bay lout waa n that ol
nth? r ?.?? ornan.
I Th? i.i -i .,? i . ,, ,, .
tiful ai ?i Weal I I
I
n . ?? ? . i
\ h indsom?
Lu n Verua la ?
m !,?. i. ;
Th?
?
stir* i
i i bout
preme <,ii ? ? i -. r i It
- ? I? ll ili? ntriiRgl? Im i v. ? ?-n I I,..
'
? .; lu Mat ?. "The
'.! ?
v.? I sed ?.
? -
? third acl t il lei etn. i ?
nant,
? ?i
? he Impi isoned ? 'in ist i. i
burning \?. nil ." - fot Mai . de
s that he v ? i ?w < rlst to
? >i ? r a d i etnbi
... ?
.:, M i : in.
i ???
... . .
I?
dran i . ,
.Mi?
ll .1.1 - I ? ' '
' ?
'
'
?
TREE NOT COMING HERE
Ei . lish Ai ?tor Changed Plaoi
Made Last Winter.
?
?
. -r ? . -
. -.in' vhei Met
*! '
Tl 'I
?
PLAf TO SHOW UP CITY.
"A Man s ?Friends" Will Show Pro
??i it'ir Bnfl Bi.*; Battlp.
... .
'
V I. ? ' ',
*
?
..... ? .
t boa ? he would brli
'
I . ? I . !' ? ' .
! '
t? oh - R t will
I??' i. will
i
own? ? Pa vi ? '1.1,1
i, i.o*,.
-.
NEW THEATRE OPENS MONDAY
The P.ilaio. M I7?h Street, Last
Word m Playhouses.
\ i . ?... i rie?a ii ?'.v v? m ill op? ?
i,? the Neu York public on M.laj ifl i
m?m This i Hu- I'll ice Th? ?n?. on ;
Broadway, n? sr l?th etn ? I Th? ? nt? i
talnmei ta at th? P? m >? will I ?? pett? rm ?i
.m those in i "?: i? ' i ?? Rngllsh muirte
?halla, i' ? i idlng ? on lena? A musical com?
, ,i' i all. i ii.,\ 1.1-, v.,. ,,i .iii.i i? ?
in i.i music mu? iviv. Itiei Bn
will i ? r- mltt?ad m the i sicon
Th.- th? in ? li th? la i thing m model n
? ? tru? lion Tl ? lobb). fo) ? r and prom
. i,.i?|. a are pa? lo ,-. und In addition to
the pi" ? ? ???? m. "*.? I then I .? i:? i uf
cat .i? i?? v m. /./..uni!. Im**? ? ??n each
Dallj n it"?? ? a will ?be Riven at |iopu ai
prl? ? s
_-.-m
EVA TANGUAY DECLARES WAR.
w.ir ?>n tlchel apeoulatora has been ?:?
clared by r- pr** ntatlv? a <?t' the Pai It
Theatre and Misa Rva Tanguny, who la
i? appeal -it thai th? ?tre with her com
pan) Monda) aft. 11 oon. Thi i will I i?
in? hand m the distribution ol the tickets
for the Eva Tangua) engagement it \i
Tangua) and L'olllns et Sullivan, ownei
of the theatre, have anything i"
Ait? i ii consultation with Ml Tens i
n preaentatlv? ) ? ti rda) afti n.n .i??hn
.1 Collins called on ' 'aptaln u alsh, ol
iTth afreet station, ..lui naked him for
assistance in stamping out the evil
? . o
THEATRICAL NOTES.
Robert iiiiiiiit.i ?glees his Moth \? ? i ??? h
pel formanee ?>f "The \u?i? ? '.? ? ?? .it the
? i n? i um Theatre i?> night.
Harold Russell was engaged y?esterday
to play the part of th? ? :???.? i nor of ths
State of Nen \ ?>i k m "A llan'a Krlends."
which opens .it the Kotot Theatre Mon?
daj
Heinrich Reinhardt, the pompo er of
? "n?. Pui pie Road," a in? h opens .?t the
Libert) Theatre ?seal Monday, will arrive
m Now v??ik ut th.- .n.) ,,t next weak te
m ? the pro in? lion
'flic revis il ??i "l'A? i \ man" h.ix !???( n |
?o ?u?ecssful tha? ih rua al the Chll-1
dren'a Theetre will ?be estended through
Beeter ?*p,'k
i u,.. oi the f? .uii. i ,ii the Acte* a' ?fund
Benefit al Iho Centur) Theatre nesl Tuse?
.las will i?- B performanee by ?the Mme.
? avalaeal School ??f ?Bellet ?Do?eara, arhlch
is connected ?with the Metropolitan Opera
House
i;th?i Barrymore will make her Rnnl
appeoreneea la veudevUle In greatar Non
York in th.- weeh ??i March M m ?Praetor's
tilth Avenue Theatre, where sha *a?m pie
B? ni "Th.- Twelve Pound Look."
OBITUARY.
HENRY STULL.
Hern? Stnll. p,-i:t?t,i af ?hor-viRlihred
t ones, dl< d on Mondas al his home
\. ?.?? Rochelle. He wga nsty?two rears
old in the last thlrt) .five reara he had
i ;? ? rit. ?I practically all the greal horaaa
developed in this country, ?England and
Prance and had ?Sieen ??n ttt-rma ??t t : i. r?? I -
ship a ith .-?ll the noted turfmen
Mr. si nil came to New York when a
?boy from Hamilton, Ontario, ins btrth
II? ? ?1 in u a position on th? staff
..f "Leslie's Weekly' in th?? days ?totora
? .un? in ?? .i- ?--. .i fur newspaper li?
ai etbig i' was there that he obtotned
helpful expert? aketohlng ?rapidly.
r i ;. urea of horses were made
for "The Bpli if ?.f t e Times," ??f which
I '. A. ?Such ??? .s ? '!,' ?>
Hla ?'''ti' foi painting horses waa lm?
ately :? ' ogi laed, and he ?joon <i<*
? "t? .1 hlms? if to tak ng oi ??? - I own?
? d maatei pi? c a of th? ir
r i. A fes ol tt.. ?
from ? an
> - '
! n Hard, Ihe I I ?Edir ?nd
Klanc, ?f I ilonel
W llliam P. Illam i ' wini
?
n m Don?
ed '?:?:??? Ihi i tgg .. Philip J
-
I ? k that S
did ?'! ? ' : ? 11 a? i ? r
i Mr. f ...
Frai
I v
?
V
mem
?.
: i ? : r
WILLIAM HABBcCK.
W !
'
1er. < : ?
/....?i? di? .i fi "m y
n car, i
, -..iiiini Road -ii.l Web I The ?
il the old ;?'-?!? nta
veteran if tha ,
?iv: ' I with the Id !
? ?. ?? - ira ii"
and ?".?m
.i n.. dal II?
... era and - ra Bread
. ? n
.. il?
? i ? -.. Mi
d M.' ?
? i -. ?
GOLDSMITH DENNISTON JOHNES.
'
1
i, . . ils a
'
? i
m v
?. ?
? ?
? terested in
- ?
-.
GENERAL J. H. KIDD
? Oeneral J H
. .1 u ir t d II ri
home I ? i ?night
?
il -
M dry In
? of a
tiers! of ?rol?
? iri In tha
g Fort
r . ' . '
H. H. KOHLSAAT ILL HERE
Chicago Publisher Confined to
Hotel Is on Ro;ul to Recovery.
II. ! ? Chi?
it th? n ? i
ige of th?
Ilia ? ? ??..?.. but win ne?
.i to his
r
lie ? night t??
?. ? . ?
Hi; Mr
Kohl .- it aft? '"
.Ml til??
i it < i ' ame
him ?lev? lo n ??: the lai > n\,
and h" ralle?! li I ? .? ? doctor, who it
.?!.? ? .?i d< i?? ?1 him '" h r ' 'in The partial
VOCal pai ? -1-1 rt'i ltnnv-.il.ite
Ion, whleh disclosed tha humor?
?
T ? i ?? - ? ? ?? Mn Potter Palmer, Mr.
K??h aal a daughter, waa on lier aray
here from Chicago with other members of
? ?.mil) i ? ll hout foundation, it waa
learned lasi night. The patient'a ?condi?
tion ia Improving rapidly. Hla phyatctaa
expects hin lo n i*ov? r
MOLIERES WORKS AT $96
Brin? Top Pri-W .it Sale of Libraries
Grand Total $12.8457.
At tin? fourth ?M*s8l*m of the sale at the
Anderson tlall? 11? - of Ihe llbrarl? i <>i
\i? Ma? ?' Smith and ?Sdirla luxis
Kreuch j? aterdaj ? I? ven ?"nun? a of tha
?... ..; Holler? brought tha ?top pi I?.
$?.;. Th, ? wer? bought by H l? ?3u? get? .
... n i >.?i?i ? lalvlngston gave ?f*r for a
rare firat ?edition, in two volumes, ??r" Poeta
"Tale? of ih. ilrotesque and ?rabesqui "
A first .'.lui"ii "I 'I'l.in.-.illatili'
Sketches or, Sim? Days In America,"
containltit" the drawing of the asaasslna?
n..n ..i Abraham Lincoln, the escaps .?i
Hi. aasaasln mid th? funeral of Lincoln,
aald to be bj Kennard, the Knallsh artist,
u, i.t t.. a. ll ? ark A ?'?> f,,r ***"",. The
total "i ih..n ??.?s $j.::;?i.;.,. brlnalng
tl . grand total for the aale up t?? $i:.m.; %
it . ontlnu? a Uns aft? rn.
. a
WHAT IS GOING ON TODAY.
?': ? idmlMlon t?> ihe Americas Museum et
Sniural lllator* sad tha Metropolitas Mu
?---?i ill of \ il
| |. ,|... II. .11 ,???! |. I .ll.'.-. Illl.t? II
-i ? j, ? ; m i 'ommlaalon, ? -i?? Hall,
> i . i. m,
M? >. I .?.? ??: i '.? ! I. Ol .'in:.' ? 'tub,
II?. ? l M? Alpin, s :;.i p m
..ili?..- i.? m . "i ir.i'n.? msss meeting
a.i,... aiiag ' oni ne? ipsp? i
. ,,..|,. i I ll,.ill. ??? ? IHIIK.
public I. ' tun s of tl ? he . i ..i i?: lu? allon,
R i.. i. n. Manhattan I uhtlc act.I .'?
lal of Third av? nue, lia u aa
'I empei at uri .1 -i?i ll? ??< .- 1 Qusi 1 I
? moi William ? 'i ?il? I-.. kii.iin , puiilli
a n .? :'.:, N'o, ns Weal 2nth aln at, ' N ?
1.attain ?? raue ?-? ilonall? m." Dr. Dai Id
s ,- ,11 . Muai 1 ibl 1 h. 1 in IMth
?ire. 1 and Si N'lcliotaa a?-? nn.11 ??
? 1...i.. ..1 ? ? nlc . ? \\ ill: .m m j.-?. mina
I'Ul ? r-vi. SS l> ... ?"?IS 1: u .,T.|, ?. ,.,,
\' tthe? x? iiold," Dr .1 i? m? an "?na? ih.
I'ui.ii.? .-? '.1 ??'-' Heat? 1 and if?-? ? atrei n
?Kli tat? ? snd th? Htatoi la?al No?? I." l?r
Charlea K llorne; Public Kchool I Ou, l.?!Sih
atreet, weal ?>f Fifth avenue, "Tripoli and
?i?, traba of Africa," Hear? K. Non h rx>p;
1 N'hool 118, 1.1:1.1 atreet, -.,-i ,.r
?Eighth avenue, '?Our Frleo?t In Put ?wi
1 . ?i,, 1- prof? ?or Rllaa A Lottrldg?
Public s? 'i""i i??'' loath atn ???. ??. .1 ,.f
? ; ? ?'? 1 .??? SIM, 'Th. .'..im il,,u?r ?
. - .?:-.. ?. ..f I ?m??.m. ,'' I?r Thnmai ? ;??..!. ?.
Ii.-iiiio Halt, N'n 211 I-:, n ? n.r.i', ,t,..,V
M ..|. 1 : .;.??? It. Condition and 1 mi
l?>ok." Mia? .i?.-? I'l.ii'.. li Short; .?altor
Temple, I ?ih mu. t an.I KeconJ avunue,
? Th? PI? aaure nl Re ?ding Poeti y, ' Tempi?
- ?II Public Library, No ii-.? i;.,?.. :n;tr,
?all . I, -IllllllUI lll.'li I?. Ill? I llll.-,1 si ? ?. 4
Hin?*? l-sj.- Profeeeor Henrj p ?yalrchl'd
Hl.MaUke'a Hall Iludan* atreet, ?..?nth <>f
??in latoph? 1 '?.' i?? and Hi? T< aclier "
profi ?aoi Ulan p l< ill.
?AIMSAT 'QUACK' DOCTORS
Medical Profession, Says Dr.
Goffe, Must Protect Public.
CRUCIAL TEST FOR CURES
Cancer, He Asserts, Kills 100,
000 Daily, and Disease Still
Eludes Science.
Dr J Ridd'e Ceitfe. of the fYi|vclln(e
H? .-|it;?l ?and SraaManl of the internation?
al Congrey ??f Oyneeologleta and Ofc-ste*
trlcians, apeeklng i).-r??rc th.* Publie
Health Cducetlon L'oaamlttM of the
Count m? .ii.ni ?Society Mal niuht at th??
Acadetn] ??t Medldne, leetnred that it
? duty of the me.in ml pi of i Baton
??? -in.i between the pubHe and "rhAr
qi acks :?.? wall aa overeen?
fa ence wh thought they
had discovered ire (? - luliai iiiilnsjg
i not mention the bum
?' '' I Imana, hia
' ' ? ? ? ? applying sfjo?
to th? , his
- hag heen
. ' "and it?
ludled Tl nnal st? p awaits
method of us control
11 '' ? l Inst it With
lologlsta through.nal
the r?i??hi? m. it w,, m
'" ' ?? - " :.. --.. ?should i a
?ame tima it m ist not
thai ?neat public ta ea
? '??..?? with ?si??? i..n.,,,. i, ,,i it.. refora
i?? fall :. victim not only t<? the
? ia< ka and eharte
tana bul also to mi ?? who ara
inguln? or -? n ?d?a rfet ?i.
"II ?- B?lent that the ?remedy ?>?
? ew product i as? lenttflt
prln I pies, it m i I tie ; it to the crucial
teal of i (f< . ?. not ? f ?ana <'a?e.
? ?i two, <?r even a doset isee, bul of a
aufflelent number <>f -? - to permit of
the exclusion of all error
"The hope, the optimism of the tubero**
losts petlent i- unbounded, and the rery
thought that the ? ore hea si last eoasa la
that Is i ????--..??? to prod ?? ? ? on?'!
t!??n of n irprttdng Impt ? ? nt In th?? pa
ti-iit i?? a bom ? ha ?sen applied that
ma y endure ? This la
ta, but in
the in.ijiir.i ? ? i ?react on follow?
. . ? .
te t ion t hot f dopet
? ' and ? eon in
to aul Ide "
The medical profession, be went on. la
r th? desire f-.r
for the pre
The .. ibj? i" Of I " ? ,? ' ...
"The i ?? Bymptot Cancer, ind
ila w? re Inl
enini he aid afterward
ng to I It at an " ? an
cer, be - ? ? it dises
till ? . . point
One h ndred tl nd ; ?
?Stab from li
end it la ? n the Incre i
, . . -, were preaehted by I ?
\: tii ! ?von Bbolly, on "Recent Metbi
? ? ont ? of Inf? etioua Bye Dl leaeea
ui.i i? h ?r ? Draper <?n "Modern Moi
? ?i R? search "
WELLS GETS $20.000 GIFT.
? Tribuna I
...**. y . March le. - A gift >?f
do? ?
m. nt f ind of Wt
Henri i. M n, ol I
nning to rala? K ? ??
i menl fund, and the i . ?
\\. ii- duba in did are co*
MARRIED.
i: -? in ;'.- K On Wedn?todt
113, at i
I7 O i ....
? ? . ? | .
Notice"? nf ni.irr1.iar? an>| it rut In nn.?t !>?
si i umpssded k? ?'??| boom ?mi addraaa
DIEO.
Allen. J ills '- H I. ? ? -. M sel r
\? ?,.- --..?. Hol
I.
g?t-l 11
. \1
i ? m rail. J Im W
, Ann M
ALI.' V "Il M i ...
ence So. II? We? I
. ... \ m rrt -? "*' ? ?* "i ? ?h? H Allan
a?., ft. NoU ' '
\i:? n.Ar.ir- ,\t ?her home, in i ist ? la
N .1 on l'-ie? lar, Ma: h IS. IS
tiiina ii. gaaghter at tho lat? ?.adra* M.
Arcularlua, or Kew York. Fwwfwl private
i?., IYBR *i 'ila residen
\.. if i {?entrai Part M eat
, ?? Wedneada) morning, March IB Wll
lam ii i?rria Bo ei : ,-. ? ? ? i prt
it hU St. raotd? ? . ThnradS] ?vea
lag, I "?" a'clo k Int? rmeat, n illfas, Pena
CARLB1 ?Oa Wedneodaj March II Itll ?'
Hot Spring?, S P.. Orara i , wllB of ?fraa >?
I, (?arle) Kuneral ?jorvlcoa ?ill ?ha held ?t
Ht Barthol.? - ?? ?p-i. Madison ?*?* ati
Mth -'. "'" i-n-u. afternoon, Marea H, ?'
I p in. fuaeral i rivat?
,i x,K It see ou board steamahlg Orosa ?
Kurfueml ?n Marcti B, IB13 John Mi-1-'
. irk, '?? loved husban I of tar ih W.i
. ion ?f the late t'a Howard
mu.i iii.* late itiKin Rev Thomas M"*rri*
nial op of RI ?? I? lui?, d. Funeral
? ., v ?? ?rill ???? held -?t ?;? ???? ?''
Broadway an.l 10? - nurd? M
,,i j p m lot? ? m? ??? ??' N-"*- v " i< '
i > 11 r /. tl his home, al Pleasant Valle;
i. ....?? ?'"uni,. N V ??n Prlda.. M ireh
? j |-, ,, | i . ? ? iknowr ?>? Krank
,, ,. . f the I ite William
Henri ind Kran? ? ? \ Irglnla t?;? ??? ? f Now
? ,,.u ?ii\ l'un? r?i mu? interment I
, . pteaa i Vail? \ ?>n Monday,
m ireh IT.
i.tkim BH S'vl.i'?-!?'. St White ptalna, v. Y
u ... ?? .-.?> in, Moi M Purbush, l>?
,., r ,.,(,, v,.?,. funeral ?"' >'"?*? f'"'" ?*?
r.-v...i'.' of R.'l'.-ii P S?.U1h. NO. 44
,-,,,,,,. i, ?? o in? Pialas, \ y . Salariar
itln i *? i ' si
Hufs "n Mere* i". ?M. M?lehael f Heyes,
-,.? ,,f ihr ?..t? mi? ii.o'i ?and Margaret iu>e?
,.. M.i-h SI, ?t 1 g ni
,.,", h? ,-. . ...? .-. Ne rt'*l Franklin
. Braoklya
HOKFMaN .iniiii?. aoAmtUtf, M?i?h ia. in
bi? snii \e.n Kuiteral private rrsui Ma
residen e. So -?"?" i?-' t'**'** ?" ? Thatsday,
?_ , Ml ?iiu-iiviiit MToedlawa.
iiiM.s Su M.-iii?. ??v Tu??ia\. Mareh It, IMI
R Willsrd jone? l'iineiHl ?enrice h? the
retidme? "f lit?? daughter, Mr?, ?'i.aiiea A
Youtt?, N" tt? S'?-'l'.ng ai., lli'ookl>n, on
i ? i.i.in'. March SI, ?' I p '"
Ki:r?'in M la thla eUy, Maret i?. i;.>"rj?>
i. Ketchum, aon "t th.- ute William
is, t. iiiim. ?t i'.ur.a;?>. N ^ iiuiYai.. ?yapan
pira? ...;\
N'ICIIOLS Al the Itrooklyn ll.'-pual, of pneu
monta, ???? Wadneadar. March le, lOi.'t, Anna
K. ,1a -.K l'?t ? > ,?r Lin.? V Ml?.?Il? h'uneral
-ni?.? ??t Un funeral hone, N?> 7*l??l ??nl?t
i, . . Braoklya, os PHObj evenina. at h
D'cMCb
|;i ?i K\\ Ivt.l. Sii.1.1. nl>, in New York ?'Ity, on
rawday. Marrh l?. Joha W K<>.-kweii
fH?her et .larxin Wanna Uo.-kwell, In MB
7;,ii, \.m l-iiiier?! m?t \ I? e ai the realden.-?
,,r nia ?l?i.-i m lu... lira Walter II. Pad
dock, !'-'?, 1?"? v*?' Hill n\e . Y?>nker?, Thur?
da) ?altan??ou, ?t n <?'<-i??.-k.
IMIKHTAKKRH.
lKANh K. CAMHII t. Ml 3 W si BM
gi i'haii.'i". PrlvBti Remua Prlvata Ambu
law SB. Tel- l.tTil Chelsea.
CBMBTMKUML
rgl W1M1III.AWN ( KMKTKKY.
2:i."?l .-i? m Harlem Train ami h\ uoiiey.
_OfTlie. -.'il K..?' .'7t,l Si N Y
OIIHKM.
MAIN Ol kii'k \?> i..? Maaaaa street
I'PTOWN Orrit'E N> !".''.4 II.Iwar. er
.,., American Dlatrlei Tele?rapb oitl.-e
HAItl.KM ol'l'li 17 N?? 111 K??l IgBth
?in ?i No I'?'..'! Weal lT.'.'.?h ?u.-.?t and No
SIS v\ ? ?i rj'iii atr? oL

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