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8 PLAYS AND PLAYERS Rice's Dazzling and Gorgeous Spectacle, "1492," at the . Metropolitan. EFFIE ELLSLER IN DORIS, She Will Also Play "Ha zel Kirke" at the Grand. HERRMANN NEXT WEEK. What Is Going: On in the The atrical World—Personal Gossip. The past week has been devoid of anything noteworthy in the the atrical line. It has witnessed the. first presentation of a farcical com edy, entitled. "Lost— Twenty-four Hours," which proved a failure, and therefore cannot be considered note worthy, for failures are not rare. I understand that Mr. Hilliard intends to have the play re-written. This is absolutely necessary before any flattering hopes can be built upon it. As indicated by the GLOBE in its former comments upon the play, there are ideas and elements in it, which, if clothed in proper dress and presented in different form, might produce agreeable and amusing ef fects'. As it is, two of the characters are obtrusive? if not superfluous, the melodramatic situations offensive and much of the dialogue cheap. "Where the foundation of a comedy or a farce is as flimsy as this, noth ing can atone for it but brilliant, scintillating wit and the cleverest ingenuity in devising the surprises and amusng climaxes. "Lost — Twenty-four Hours" is lacking in both of these qualities. Its sole merit lies in the introduction of two or three eccentric character studies, which, with a little more elaboration and a different setting, might prove highly entertaining. But when they re-write the play, the authors should bestow more care upon their diction, and avoid the suggestion of coarse ness now too apparent. F. G. H. RICE HAS COME. His Ex«rnvs»p-nii_n Will lie nt the Metropolitan Thin Week. St. Paul theatergoers will be afforded art opportunity of witnessing tonight, and all the week, at the Metropolitan opera house, a reproduction of the en tertainment that succeeded in holding the patronage of the New York and Boston public for the longest term of years ever enjoyed by one entertain ment. "1482" is presented by Rice's Sur prise Party, an organization that num bers sixty skilled' and capable artists, In addition to which they increase the home orchestra to eighteen members" with their soloists. The stage will be enriched by special scenery, brilliant electrical effects and rich and costly costumes. : It is plainly stated that "1492" is noth ing more than a huge farce, built for laughing purposes only, and captiva ting the eye while delighting the ear. It is said to be bubbling over with broad humor, filled? with bright jokes and puns, constant surprises and grotesque comminglings of fifteenth and nine teenth century ideas. A particularly pleasing feature of this production may be looked for in the costumes, excel lence of cast, beauty of Its female members, originality bf its specialties, ballets, marches, tableaux, songs and dances. One animated effect follows another with such rapidity that it is difficult for the sightseer to mentally pass upon- the merits of one until it has given place to another which al ways seems to eclipse its predecessor. All the music of the piece is credit ed with being strikingly original and tuneful, and great pains are taken that all the Interpolated numbers are new to the country the attraction appears in. Here the various members of the organization* will introduce "The Trav elers' Inn," "A Night at the Midway," "Since McCarthy Wrote the Nunmber on the Door," "Larry Mulligan," "Mary, Mary, Mary," "The Light Is Shining on Me," "Annie Mooney," "The Song and Dance 'Debut.' " The ballets, headed by the dancing meteor Fleurette, . are entitled, "The Chefs," "The Chappies," "The Daily Hints From Paris", and "The Newsboys' Frolic." Individual specialties will be rendered by Pusey and Read way,- Will H. Sloan, Ross" Snow,- William 'McV Mahon, Gertrude Rutledge and Carrie Strong. In the cast will positively ap. pear Mark Smith, who Is so thor oughly known here, as is the beautiful Yolande, Wallace. George- Paxton Carrie I'.ehr, W. T. Carleton, Hugo Gurber, William Torpey, Carrie Strong Miss Osborne, Daisy Thompson, Meta f Caldwell. Sadie Eroms, Jessie Haines i May Warner and Alma Russell,* are also in the company. The male and female choruses are large and well drilled, and the latter is reported to > possess more genuine, hearty youth and shapeliness than any aggregation In existence. ' In compliance to an urgent appeal irom Manager Scott, it has been de- Bided to forego the custom of advanc ing prices,- and "1402" may- $& seen at the regular scale house I prices. Fam ily matinees will be given Wednesday -nd Saturday. /. /-. .-y. .-»• jr. THE SAINT PAUI. DAILY - GLOBE: SUNDAY MORNING, MARCH 10, 1895.— SIXTEEN PAGKS- DORIS AT THE GRAND. Effle EllMler Will Appear in Rob i; crt Drouet'M Hew -Play. ' • - "Doris," the play Robert Drouet has written, for Effie Ellsler?? will receive j its initial performance in the city*, this \ week, beginning at the Grand \ opera house. The play has been one of the successes of the season, so it is represented. Effle Ellsler, an actress who can always be depended *on to present any role in which she may ap pear, in a consistent and .intelligent manner, has, they say, in "Doris," sur- I prised even her most friendly critics by the power she develops in the por trayal of a role that would severely | test the strength -of one. of larger and ] more robust physique than Is possessed ] by this talented woman? In the earlier j scenes of the play, "Doris" is the young ! wife, who, having put aside her first great, sorrow, is living in the family of ; manner, has, they say, in "Doris," sur prised even her most friendly critics by the power she develops in the por trayal of a role that would severely test the strength of one of larger and more robust physique vhan Is possessed by this talented woman? In the earlier scenes of the play, "Doris" is the young wife, who, having put aside her first great, sorrow, Is living in the family of i a good old rector, In the quiet English I village, * and whose only care is the i children intrusted to her as the village ; schoolmistress. Later, -when scandal, . calumny and unjust suspicion have' made her a victim, she is a woman patient in suffering, self-sacrificing, ; yet determined in doing what she con-: j siders right. y. • Zy. '- "'..-- The character gives great scope to j the actress, and Effie Ellsler, it is said, | portrays it in a manner to evoke the I warmest praise. The other characters | of the play are reported to ;be well I drawn. '■?-'.'.";":. f '; . : "' j "Doris" is announced for each even ing of the week and a Saturday mati nee. A special and only; performance I of that famous domestic drama, "Hazel j Kirke," is announced for Wednesday | i■■■ i ■ ■ afternoon. Effie Ellsler was * the* ideal Hazel when this powerful play first came before the public. Her perform ance of the part since could only add to its finish, in the sense that what was original acting now appears second na ture. Miss Ellsler receives her princi pal support from those capable actors, Messrs. Frank Weston and Robert Drouet. . ?-;'<••' - ; -\? A $125 bicycle will be given away Sat urday night to ths holder of the lucky coupon. These coupons will be given every purchaser of a reserved- seat ticket for any performance during the week. ■:'. 7' MAGIC AXD MYSTERY. A survey of Herrmann's baggage and paraphernalia will undoubtedly bring to mind many suggestions as to how the magician's art has progressed. very best of our magicians arid ?pres ti lt was not so very long ago that the dlgitateurs used to carry all their ap pliances and ■' apparatus : in ' one trunk, ' and two trunks .usually constituted . the entire paraphernalia of a wizard's outfit; but • times have ■ changed, and the magician's art has kept pace with them. Herrmann's outfit fills one. en tire baggage car, and consists of near ly 200 trunks, * Including a complete calcium and electric lighting appar- ■ atus. Where the old - magician only had one assistant, Herrmann has sev enteen experienced artisans, "perform ers and mechanics. '?.-*-; ■•-"' Herrmann will present, at " the Met ropolitan opera' house, four nights, be ginning Sunday, March 17, for the first time in this city, his beautiful spec tacular . magi-comedy, "The Artist's Dream," in which he will appear in the character of Mephisto, and Mme. Herr mann in the role of the young artist. • Besides this, his new illusions may be called patriotic, comical and marvel ous, and embrace the astonishing Or iental marvel "The Asiatic Trunk Mys tery," - Herrmann's surprising Biblical . miracle "Noah's Ark or After the Flood," and the bewildering national -. spectacle "The Columbian Transfor mation." Mme. Herrmann will appear^ In her beautiful spectacular dance ere- ; ations, which are an elaborate and In genious blending of color and gorgeous costumes. TIRED OF HAZEL. KIRKE. Effle ESllftler Sa>s It Has Lost Its Charm for Her. The announcement that Effie Ells ler is to . appear at the Grand opera house this week occasions the usual query, "When will she play. 'Hazel Kirke?' " An evidence that the old play still has a strong hold on a portion of the theater-going public, it is only in response to this almost uni versal demand that the old play is still retained in Miss Ellsler's repertoire. Constant repetition of the performance during the several years of Its greatest? success has made its presentation irk some to such a degree that the knowl edge that the play Is to be given is sufficient to ruffle to a considerable ex-" tent the temper of "sweet^patient, suf fering Hazel." It is a fact not gener ally known * that' Miss Ellsler was obliged to relinquish the role just at a time when its success was at its great est height. Her nervous system was suffering from the strain, and her sight impaired to such a degree by the constant rain of tears that her physi cian declared that unless the part was given up her eyesight would be per manently affected. The original Hazel relinquished her favorite part to an other, and with her husband, Mr. Wes ton, went abroad, spending ■ the re mainder of the season . visiting ■ the great dramatic centers of Europe. Since that time the character has lost its charm for her, and she is now only seen In it when her admirers express the wish, and she rarely refuses. John J. Ellsler, her brother and ad vance agent, relates an incident that recently occurred, showing her disin clination to play the piece. While in Buffalo, and during the performance, he had occasion to see his sister. At her dressing room her maid said she I was not there; she was not to be found , in tho green room, but wandering about in the darkened part of tha stage at the back, where the furniture and other accessories not in use are stored, she was found, or rather stum | bled upon, sitting alone in a dark room, j where the hum of voices from those on I the stage could scarcely be heard. When asked why she had selected ; such an out-of-the-way place to bestow j herself, her reply. was, "Dear, I'm get ! ting just as far away from the play as 1 possibly can. Ugh! I can't' bear it." I > However, public demands are para- I mount, and Effie Ellsler will be seen t as ! Hazel Kirke during her engagement at. : the Grand opera house. "'*<**_*«,. i| I That Chilly Feeling. j That Chilly Feeling. i Washington Star. .* ■ .Zy' « "I wish I had a thermometer?" the young man sighed moodily to his friend at the club. * * ?"* '.' ?-??:'-:.:.- * ;- * "Can't you suffer enough from the cold without measuring It?" "Did you find it cold, too?" , "Certainly." :/Jy "Well, it's a comfort to have your curiosity . satisfied. I have j just pro posed to the dearest girl "in the world for the eleventh time; and I didn't know whether It was the way she treated me or the general atmospheric condition that ailed me." Unreliable Disclaimers. Washington Star. "I guess Bliggins and Blagglns are going to fight in a minute," exclaimed - the man who is easily •, excited.' .y^ .."What makes you think so?" ;•'■-_;. "They are both .telling each other. that they don't want to have any trouble with each other." ,?f*y Z/Z CHANGE IX OMAHA TIME To Maiiknio, Tracy and Water .■" town. j The C, St. P., M. & 0.-R'y will make the following changes in train service, to . Mankato, Tracy and Watertown, commencing Monday, 11th inst.: ?' 'il Train now leaving Minneapolis 4:35 p. m., St. Paul 5:05 p. m., except Sunday, will leave Minneapolis 11:55 a. m., St. j Paul 12:25 p. m., except Sunday, and ! will make direct connections at Kasota with C. &- N. W. R'y for Tracy, Mar shall, Watertown, Aberdeen' and Hu ron. , This train will also make connec tions at Kasota with C. & N. W. R'y for. Janesville and Waseca. . - *''~.»y- •;« •*■ Train leaving Minneapolis 8:00 a. m., St. Paul 8:40 a, m., except Sunday, will not make any connections at Kasota with C. & N. W. R'y. Train leaving Minneapolis 7:40 p. m., St. Paul 8:15 p. m., daily, will make the principal stops between Minneapolis and Mankato heretofore made by train leaving Minneapolis 4:35 p. m., St. Paul •5:05 p. m., and will connect at Kasota with C. & N. W. R'y for New Ulm and Tracy, arriving Tracy 2:05 a. m. '■-" No other changes in train service. '.;; ".'A;- Drop Too Much.; New York World. . Jimson— Sad " about poor Keely, wasn't it?- . Simson— What about him? - ] Z7. "Had the jims and ran" up on the roof, 'stood on the -edge crying for 'Drink! Drink!' " : "Well?''' ■•' "Then the wind came along and blew him off." ■ y- -try.-;-:.-- -. „-- ./■■- •- --:.-.v-.- - '>■:.: . ' •-----•-:-—_ AN EYELESS STAGE There Are "No Actresses on ' the Theatrical Boards "-.;'."■; _ of Japan. DANJERO , THE TRAGEDIAN. Plays the Part of Man or : Woman With Equal Fa cility. KE MAY SOON VISIT us. Known as the Henry Irving of Japan—His Pecul- Ky:^'' : iarities. ''-■'• .'■'"'. In the near ? future the theater goers of this country may be given the unique opportunity of seeing the greatest living actor of that now famous nation, Japan. The gentle man's name is Danjero, and among the traveled-classes of his country , he is called the* Henry Irving' of I Japan.- ■ -* •' ■■-• ■-•'• ? ; Since the great war with China' and its numerous signal victories i DANJL-iO AS AN OLD MAN Japan has been invariably regarded as . a nation of unusually advanced civilization. This may be so regard-. ing its army, : navy and implements of war, but as far as the stage is concerned it is many hundred years behind the dramatic art of today. If ' Danjero - : should visit us it is doubtful if he would succeed in cor- DANJERO AS A VIRAGO. railing the quantities of good coin of the realm that other foreign lights of the stage do, such' as ■ Bernhardt, Irving, - the "7 %f naals." . Tree . and Langtry. But the -great-interest- in | anything ; relating to : Japan would I make Danjero a partial success j even if his histrionic ability did not * tickle the delicate American palate. i ■-.. While Danjero is called the Henry •Irving of Japan, V there are few di rect reasons for the sobriquet ex cept the general fact that ahe occu pies the same high position in the Japanese world of dramatics that Irving does in .. the * English. , Dan <jero is bowed down to by f the stage world of Tokio, and artistically tow ers head and shoulders . above all his rivals. -.•*".--* .Vy -dZZ'/' % { Personally he is . little, almost in- < significant, man " off the boards. ~He »is short, dumpy and modest, and much of his wide popularity is due to his. gentleness and kindliness of character. He dresses in European clothes ordinarily, and, having a lib eral education, is conversant with Affairs in America and Europe. He is a good -business man, too, and,-, in addition to being the leading ac tor of his nation, he is part "owner of the finest theater in Tokio. He says that the Japanese actors are not paid the immense salaries that the English and Americans receive -^in fact, the pay is so small 1 that a widely, known "star" could riot ac cumulate by a lifetime of hard work a moderate fortune. 7 '•:' * --*.' AN EIGHT-HOUR PLAY. * If Danjero comes here the Japanese WHEN SETTLING DAY COMES. method of presenting a play will , j have to be abandoned altogether or. J greatly curtailed. In Danjero's To kio theater the curtain .-,, rises i promptly at 9a. m. and does. not fall | DANJERO AS A EUROPEAN. again until 5 p. m. This means an eight-hour performance, which is something more than most people care to attend. ? i» The reason of the great length of the- play is that the Japanese dra ma portrays only big events in the history of the nation. Some of these events are so lengthy that a play runs two, three and four days. Of course, in a serial drama of this kind the curtain invariably falls at some exciting climax; the curiosity or. in terest of the audience is excited, and they come the following day to view the next installment of the drama. These serial plays are .not unlike the serial stories, novels,- etc., print ed in periodicals. They are conducted ! with considerable realism' as 'far as j the lapse of time is concerned. For J instance, if Gen. Lee's surrender at j Appomattox were the event to be portrayed the play would begin with; the arrival of the two great "armies upon- the scene; then it would show? the preparations for a fight; the scur rying about of messengers a day or so later to arrange for a meeting of the two generals, and would finally conclude with the surrender scene. • All the scenes are faithfully "repro duced, - and even if the play does drag wearily -at times, it ; instructs the people thoroughly in the history of- their country, and gives them a | living interest in its great leaders. ii But if the play drags, the audience is prepared for the wearisome' spots, and they manage to enjoy themselves. The body of the Japanese theater is divided into little compartments five feet square, and separated from one i another by a low fence <or 'partition ' about a foot high. .? ' ".',^ : s?%f j f One of these little boxes, costs, from ! a dollar and a quarter to a dollar and j a half a day, and 'at? this moderate j expense a husband, . wife? and several J small children can enjoy a day's pleas- 1 uring. These family, parties fill the ' theater, and, with their little coritriv- 1 ances for making* tea, manage, with a j well-provided basket, to make a com- i fortable lunch in the? middle of -the' day? i When . the drama -, lags? these family j parties chatter -with? one another lat a I terrific rate. The noise doesn't inter- i fere a bit with the"actors or r the action j of the play. It runs " along* smoothly, ' even when the racket of the conversa- j tion -is so great that all* other sonnds j are lost in the . hubbub. &7PZi.Z •'. j But as soon as the interest iri\'-tn_^ j play i revives " the ' onlookers are 'alif at- ' tention? ' y : y f. " -■y-^ < Zi^f'- •"■ -. The Japanese, particularly the worn- I en and children, are a sensitive people, I and i their emotions are" easily stirred. I They are made to weep and laugh and ! applaud vigorously as occasion de mands. NO ILLUSIONS PRACTICED. ~ ; j •The Japanese, do not go in much for I' illusion in '- their theaters. The , scenic ; effects can hardly be dignified by that ' term. The stage revolves on a pivot, ! and is ! divided into three sections, al- J lowing the trifling change of scene .without any intermission. The actors stej> from one division '■ tQ the other to . •" I full view of the audience? and the play I goes merrily on. : j •J= Another curious feature is the man ner of the players in entering the stage.* There are no wings and nothing sug gestive -of "behind the scenes," When not on the stage the actors remain in the rear part. of the theater, and when their j turn to go on comes around they gravely pass through the audience, ascend a narrow gang plank leading to the stage, and then go on with their parts'. This method .of entrance and exit creates no comment; the Japanese are accustomed to it. ./ - AN EYELESS STAGE. "Notwithstanding that the fever of progression has taken hold of Japan, the "new ; woman. era has not yet reached that Oriental kingdom. Women are so rigidly guarded or thought be little of that they are given no place on the stage. All of the great actors are v.'omen impersonators— they. * are both | actors and actresses as the play demands. •'- . - . Danjero Is a famous impersonator o_ women, "and it is his ability in this di rection that has given him great fame. Two jof the illustrations show him ir, his most popular roles, one as a woman the other as an old man. He is quite an adept in costuming and facial make up, as the pictures show. I '-. The Japanese are familiar, to a cer tain extent, with the ways of the Eng . lish-speaking stage. American and j English actors have toured the larger . cities of the kingdom,_ producing Shake- I speare's plays, and the received of speare's plays, and the best received of the latter, was "Julius Caesar," the warlike character of which seemed to touch them strongly/? *?. Danjero is certainly an artist, and, should he visit us, it may be that tho great actors of this country will find they have something to learn. Adam Fetficli, Fifth and Robert. After dinner go to Fetsch's, Fifth and Robert, for fine Cigars. The Gordon! The Gordon hat! The fashionable Gordon hat at $3.50! Your hatter! . ; . -?. -' .?'•;.;.' The Very Plaec for Him. ' I Atlanta Constitution. "I don't know what to do with that; feller; don't know how to work i an' can't do anything!" "Too bad. If he was only old enough l, you could send him to congress." Adam Fe'tseh, Fifth and Robert. The finest brands of Key West Cigars at Adam Fetsch's. . 7ZZZ'^7Z7 No one -i thing- dresses- a man like a graceful- hat.' The Gordon at $3.50 is modern hat-grace. '?' .* "? ? ';?'. ." DIED. WITH— In St. Paul, March 9, at the residence of her son, D. F. Low ith, 549 Dayton, Mary A. Lowith, aged seventy-two years. Funeral Monday, March 11, 2 p. m., from resi dence. HOWERTON— In St. Paul, Minn., March 6, 1893, at No. SG9 Thomas street, Herbert Howerton, aged forty-five- years. Funeral from Pil grim Baptist church today at 3 o'clock p. m. , *;-. CHASE— In St. Paul, at the home of J. C. Donahower, 808 Laurel avenue, on March 9, 1895, Mrs. Andrea C. ■ Chase, aged eighty-one years, widow of the late Rev. James M. Chase, of . McComb, 111. Funeral will take place . at St. Peter, Minn., Monday after noon, March 11. FIVE-GLASS CARIAGES for funer als, $2.50, at Cady's Livery, 475 Rosa bel street, between Eighth and Ninth streets. Telephone call. 500. I ANNOUNCEMENTS. I (MEKMANIA HANK. LOCATKD IN V* lis own building, opposite postoffice. Paid-up capital $40(i,0!)0; pays interest nn : itme deposits: sells drafts on all parts of the world: special attention given t sending money to Germany. France. Switzerland and the British empire. William bickel, Presi dent; P. M. Kerst, Cashier. AMUSEMENTS. £GKflri[>-2H__ .. . Wednesday — Matinees — Saturday America's Greatest Emotional Actress E 1 C__ § flfc IP* Il9lvl "?-..?' | ASSISTED BY— fit fell, MM And a Competent Company. Every Evening and Saturday Matinee ROB ERT DROL'ET'S Beautiful Play. Wednesday Matinee— Request Per i r formance, ! HAZEL KIRKE- _ !Miss Ellsler's Original Creation. I SPPfTRT -°" c of 1L A. Lozier& Co.'s 1 f-L< r-. J? celebrated "Cleveland Swell | specials: Bicycles, a hieh grade 189"» wheel jf Jgrth $126 ' will be given away Saturday ! Coming— A Man Without a Country. * L [Metropolitan. TONIGHT. Wed. and Sat. Matinees EH2T KIUjSHIIe la Prices * ."* PARTY, Despite In the Acme of Mod-' . Enormous- crn Burlesque, Expense, MERR v f.jV^ j 2_c, 7_c, TUNEFUL IA { I*^l 50c,5?i.00. sen*- lurj / — ' — — tillatinglt"/_L ,: y Next "- " /> uperior Cast of CO. I ? s ii nd ay, . V uperb Orchestra of IS. HERMANN LU urfil?ASriifw£- nCKWAININ {J aiec^anicM Effects. Will.be filled- by tomorrow noon with a disolay of NEW NECKWEAR that will eclipse any thing ever brought to this city. It embraces all the new effects in H| Bows, $§$ Four-in-Hands «* y Wide EM TbgKs, In all .the New Spring Shapes. Not only will this superb display of Neck wear surpass anything ever shown in this city, but the prices will be something unheard ot for such merchandise. We shall sell One Line at 50c. One -Line at $1.00. The 50c line we guarantee to ba in every way equal to any Neckwear ever sold in this city for $1.00. The $1.00 line we guarantee to be equal to any $2.00 or $1.50 Neckwear ever sold in this city. "Fancy" priced Neckwear has had its day, and it will be hard to convince the average busi ness or? professional man that he should pay $1.56.. $2.00 and even $2.50 for Neckwear that he can duplicate for 50c, 75c and $1.00 at our store. What we. offer now is the $2.50, $2.00 , and $1.50 kind fit bog and $1.00. It is from the manufacturers of the highest grade Neckwear in this country, and cannot be surpassed in style and quality. We are pre pared to stake our reputation on that. In a word, it is THE BEST made— selling at about one-half the price usually charged for the r same grade of Neckwear. . \ >&' -y n&QF NIVI P&fVi I Tiie Averaae Man 8 8 Who suffefs ffopi A V headaches of bilious- M A pess peeds a piedi- X *& cipe to keep his 8 V stopiach apd livef ip V 0 good wofkipg oj"def. X fof such people ft.! 8 paps such people pi- 3 paps fabules fill the V bill, ©pc tabule gives X I vljv|b ■yyy/Z -s&c r-v-^"' t->'- i' r ;-.:?"- sir^ i AMUSEMENTS, ■■ \ Durward Lely ! THE GREATEST ENGLISH TENOR, With Madame Lely, Solo Piaaiste. ■■'■■. '■■ ■ People's Church, Next Friday,B p.m. sciif#a : M?si|; Tickets— 73c, 50c, -sc, at , lib ward, Farwell & Co.'s. These remarkably low prices for this great artist are only possible because of the size of the auditorium. In no other, place in the city are ; they . possible. The public will doubtless show their appreciation ana nave the management from logs. CURES QUICKER Than Any Other Remedy. ©Tarrant's Extract of Cubebsand Copaiba is a cafe. certain and quick cure, and is an old-tried remedy forall'diseasesof the urinary on:ans. Com bining in a highly con centr-ted form the med icinal virtues of cubebH and copaiba.its portablo shape, ftecdom from taste aud speedy action (curing in less time than any other preparation) „-», i make it the most valu fh^ev^ 11 r med l' ''" Prevent fraud fa?l of iL'!,1 Ckn -?2¥ 3 a red » W P *«<->** the face of label, with l he ''Stature of Tarrant &d.'__Si v;' UPOQU ' ***»-* sold by