GOODWIN'S WEEKLY 19
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star and composer were compelled to answer
many curtain calls.
THE NEW BILLS.
The Orpheum iheads its new bill beginning to
morrow afternoon with Harry Tate's delightful
satire on automobiling entitled "Motoring." The
Tate company of English comedians were, seen 'it
the Orpheum last season and scored one of the
comedy hits of the year.
With its headline feature will be found Porter
J. White and company preser ng "The Visitor."
The story hinges on the murder of a club man,
and Mr. White is an actor well known for his
emotional work. The sketch is the work of Mr.
White's brother, Oliver White, who has contrib
uted several very excellent sketches to the vaude
ville stage. A novelty from Europe will be
found in the living pictures provided by Maxim's
models, and the act is said o be one of the best
of its kind ever Drought over from the continent.
Seymour Brown and Nat Ayre, composers of pop
ular songs, are on the bill in "The Undiscovered
Genius," and Salt Lakers will have their first
opportunity of hearing the two new compositions
written by the performers, entitled "Chantecler"
and "Ohio." The Kuma family, an aggregation
of Japanese who present an act that includes
magic, mystery and juggling, is expected to be an
other feature of the new program. It is claimed
for Elsie Durand, who is billed as "The Female
Caruso," that she can sing soprano, tenor and
baritone. Ferry, the frog man, is too well known
locally to necessitate an extended mention of his
act, which is always good.
Of the utmost interest is tho announcement
that Edward Terry, with a company composed
entirely of English players direct from his Lon
don theatre, will he seen at the Colonial Monday,
Tuesday and Wednesday evening of the coming
week in a repertoire of those delightful plays
which have endeared him to English theatre
goers for a generation past.
This is the first time in six years Mr. Terry
has visited this continent, and though at that
time he was not seen in Salt Lake, his success
has been too pronounced for local playgoeis to
require much of an introduction to the actor.
His repertoire during the coming four perform
ances at the Colonial will includo "Sweet Laven
der" as the opening bill, one of the best known
of all of Sir Arthur Pinero's plays, and which
was first produced at Terry's theatre in London
twenty years ago; 'The Magistrate" by Austin
Story and R. C. Carton's domestic comedy 'lib
erty Hall" and "Flander's Widow," the comedy
of Sydney Valentine and M. E. Francis.
Particular emphasis is laid by the management
of the Colonial on the fact that every member
of Mr. Terry's company comes direct from Eng
and with him and that all of his productions will
be staged exactly as they are put on at the Terry
theatre in London.
For one performance on Sunday night tho
Colonial will offer the dialect comedy "Olo
Olson."
"Pierre of the Plains," Edgar Selwyn's story of
the Canadian borderland, will bo the bill at the
Garrick beginning Sunday evening.
The production will be the first in the west for
many years of the story, and while its construc
tion .s pecuMar, it has long been recognized as
one of the strongest of those stories evolved from
that part of the west and of Canada, where tho
activities of the northwest royal mounted police
are most numerous. Jan Whcatley will play Jen
and Mr. Durkin, Pierro, the nam, part of tho play.
The Garrick promises some unusually striking
stage pictures.
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