PAGE 4 UNITED AUTOMOBILE WORKER R. J. THOMAS ' GEORGE F. ADDES President Secretary-Treasurer RICHARD T. FRANKENSTEEN and WALTER P. REUTHER Vice-Presidents International Executive Board Members: ARNOLD ATWOOD PERCY LLEWELLYN MELVIN BISHOP WILLIAM McAULAY WILLIAM BLAKELY JOSEPH MATTSON GEORGE BURT LEW MICHENER ARNOLD COXHILL PAUL MILEY RICHARD GOSSER RICHARD E. REISINGER CHARLES KERRIGAN THOMAS STARLING LEO LAMOTTE WILLIAM STEVENSON JOHN W. LIVINGSTON CARL SWANSON EDWARD LEVINSON, Editor (pMAid&nO&u falum/L ** By R. J. THOMAS President, UAW-CIO Washington has no scarcity of self-appointed labor experts. Representative Albert Engel, for example, who wont on a Cook’s tour of war plants and discovered that workei3 were “profiteering’* on the war. Or Howard Smilh of Virginia, the Great Investigator, and co-author of the Smith-Connally Act, who has chaired smear com mittees against everything from labor relations to OPA. Then there are the committees: standing committees, subcommittees, special committees. A GOOD COMMITTEE As a matter of fact, the House has one committee of which it has every right to be proud: the Labor Committee of which Representative Mary T. Norton is chairman. Mrs. Norton spoke up for the true interests of all the people as well as for labor recently when she addressed the House on the infiationary prohibition against sub sidies. In a recent letter to the UAW-CIO Washington office, Mrs. Norton said: “The problems of organized labor, as you know, arc especially vital today when the enejnies of labor are making such constant attacks but you may be sure that I shall do all within my power t 6 maintain the benefits gained by laboring men and women dur ing the past eleven years. I feel that the job they have done on the production front during this war would alone justify this support.’* That expresses the view of a Congresswoman who stands out among the blustering, irresponsible politicians for her serious and objective attitude. Do you remember the furore Rickenbacker and others stirred up last spring over absenteeism? And how sud denly it seemed to die down a few months later? At the height of the hysteria, the House Labor Committee held hearings on the subject, calling in those who really knew what was going on. They called responsible government officials concerned with production, sincere employers, and union representatives, including the legislative rep resentative of the UAW. They assembled a mass of genu ine, objective evidence which showed that the problem of absenteeism was not a problem of unpatriotic workers but was a problem of extreme and shocking hardship in living conditions, which in fact the workers were meeting the best way they could, and with as little loss to their jobs as could well be imagined. The publishing of the straight story helped us to blow away the smoke clouds being raised by less re sponsible individuals, including many Congressmen. But in the meantime—see if you can laugh this off—a bill had been introduced, a bill to draft absentee workers. THAT VINSON COMMITTEE Did this bill go to the committee which was schooled and experienced in the understanding of labor problems? No. It was written by the Naval Affairs Committee’s chairman, Carl Vinson of Georgia, as a bill covering Naval contracts and therefore came back into the hands of that committee. But when the committee got hold of the bill, they proceded to take out the phrase limiting it to Naval contracts and extend it to cover all war pro duction. The cooling influence of Mary Norton’s absenteeism report headed off this reckless .measure and it did not pass. So the next time you write or see your Congressman on a labor or anti-labor bill and he gives you the old line about “I haven’t had an opportunity to study this measure yet,” remember this: He doesn’t have to study it. He has a competent, conscientious Committee studying labor matters. They can give him facts on a silver platter any time he cares to ask them. h. - OFFICIAL PUBLICATION, International Union, United Automobile, Aircraft Se Agricul tural Implement Workers pf America, affiliated with the ClO—Published semi-monthly; yearly subscription to members 00c, to nonmembers $1 —Entered as 2nd class matter April 26, 1937 at the postoffice at Detroit, Mich, under the act of Aug. 24, 1912. Publication Office: 411 West Milwaukee, Detroit TRinlfty 1-6600 UNITED AUTOMOBILE WORKER DETROIT MICHIGAN JANUARY 15 1944 -e=S3fii>- Art Young, Cartoonist of Labor; v Dies at 77, A Rebel to the End Most American workers will not even recognize the name when they hear that Art Young is dead. Yet there are few Americans to whom labor owes so much for its improved economic and social status. Art was an artist, a cartoonist who had few peers during the many years when he was produc ing his best drawings. He worked for New York, Chicago and Den ver newspapers. He drew cartoons for the old Metropolitan magazine and could always command top prices for his work. But Art’s best work was drawn for labor papers and compara tively obscure radical magazines. His income for this work was so little that he died a poor man. This work always featured Art’s humor. But it was a deadly form of humor for those at the receiving end of his wit—and they were al ways the idle rich, the exploiters of labor, the yes-men of press, pulpit and our educational sys tems. Young followed the precept that it was the duty of a rebel “to afflict the comfortable, and com fort the afflicted.” His cartoons about labor, even when they drew a laugh, were always distinguished by understanding. Thus he drew a picture of a washer-woman be rating her tired, bedraggled hus band. The old biddy said, “There you go. You’re tired! Here I be, standing over a hot stove all day, and you working in a nice, cool sewer.” Again, Young drew a picture of a slum child looking up at a sky full of stars. The child exclaims, in Art’s caption: “Chee, Annie, look at the stars, thick as bed bugs.” r Young was one of a company of great artists who some thirty years ago and thereafter devoted their talents to drawing for and about workers, their struggles and hopes. They included also Boardman Robinson, Robert Mi nor and Clive Weed. The latter is dead. Minor no longer draws, while Robinson is head of one of nens mm y—\ HBf h * •«t c- 1 -v 1 ■ p ///pc pEj aIAB W, .«/ ■"• i B *• *- -gs... n. | ; == J _ p !* S hJ7 ! I I .@| * : ' M I! ' 111 *Bn P 1 fife •*V w r>; •.* w ® B —g l ifep~ y ■ yi* /■tea The skyline of New York, as it looks to one who has (one down in Urastranie. ** Soldiers Voite Coofideate in UAW-CIO That the United Automobile Worker is warmly welcomed by our soldiers is apparent in letters received from union members now with the armed forces abroad. Cpt. Stanley S. Cutcher, mem ber of Local 12. UAW-CIO, Tole do, Ohio, states: “As I haven’t been receiving my paper regularly since being over seas, I would like to have you put me on the mailing list again. Am always glad to receive news of the organization on the home front. “WONDERFUL COOPERATION** “I am proud to say that I ‘am a member of Electric Auto-Lite, Local 12, Toledo, Ohio. I have been in foreign service 16 months. It has been a hard struggle for us boys, hut with the wonderful co operation wt arc getting from the • CMOCAATIC /iz\ a j Sketches by Art Young for a Political Primer (1920) the country’s greatest art schools, ip Colorado. Young was 77 when he died in his New York hotel room. He had been suffering for years from a heart ailment. During one of his recent years, as Art related in an autobiography, I met him in the street. He looked tired, and shuf fled along like a sick man. A few inquiries revealed that Art was not only sick but broke as well. So well-loved was Young that it took but a few days to collect sev eral thousand dollars from friends and admirers to help put Art on his feet again. One of those who sent a check for SIOO was Arthur Brisbane, the Hearst editor. Bris bane also wrote that there was SIOO waiting for each cartoon Art would draw for the Hearst papers. Bleak as his outlook, Art could not get himself to draw a line for Hearst. There were many times when neither Hearst nor any other con servative publisher would come home front, well, we just can’t lose. •“Would like to congratulate the officers and membership for the wonder; progress they have made in legislative and the field of organized labor. I know they will do their best to keep labor united so that we can make it a grand slam victory over here.” FROM THE PACIFIC Ralph A. Richards, of the 60th Naval Construction Battalion, reads the United Automobile Worker somewhere in the Pacific, and writes: “My mates that live in the same tent with me get to it before I do, so they Know most of the news before I get to read it. “Hoping the brothers keep things rolling while we keep the road open to Tokio.” FOR A QUICK VICTORY Mrs. Evelyn Garnet, of Local near Young. One was durinff the first World War, which Young op posed because he felt it was an imperialist war. He and other editors of The Masses were in dicted and placed or trial. During the trial Art* drew a picture of himself asleep in a courtroom chair. He labeled the picture, “Art Young on Trial for His Life.” The Government failed to con vict Young, after two trials. Partly this was a tribute to his obvious honesty and sincerity, which won over two juries. Almost twenty years ago, Art spoke to me of his fear—of grow ing old. He said he had only one fear in that connection—that with age he would lose his rebellious ness and grow conservative. That anxiety proved to be completely unfounded. By some standards Art Young may not rate a place in heaven. He once drew a cartoon on the occa sion of the death of Enrico Ca ruso, the great tenor. As Caruso approached the pearly gates, St. Peter was seen telling the heaven ly choir: “Shut up! Now we’re going the hear some real singing.” But if Art finds himself today in the lower regions, it won’t be completely new to him. At th* turn of the century, Keir Hardie, the great British laborite, paid a visit to the United States. In Chi cago he saw the vicious degrada tion of the packinghouse workers. Hardie later described Chicago as “a pocket edition of hell.” Perhaps taking his cue from Hardie’s remark, Art drew a book about hell. In it he pictured the fire and brimstone, the boiling oil and the emery wheel. Hell, as Art Young saw it, turned out to be much like America in the- earlier days of capitalism. Its slums, its poverty and hunger, its speed-ups • and industrial accidents were, as Art saw it, only a duplication of what we knew ' n earth. That was the way—with humor, irony and compassion—Art Young indicted the cruelty and injustices of wage-slavery and exploitation. So, if Art is there again, sitting over his drawing board, he can exclaim, “Hell holds no great ter ror for me; I’ve seen capitalism at its worst.” E. L. 595, UAW-CIO, Linden, N. J., clips the United Automobile Worker to send to her soldier husband over* ‘ seas. She writes that she recently received a couple of letters from him with the following comments on the clippings: “There is an article by sis Frank Tuttle who scsm to, think that we in the armed forces might believe that the folks back home aren’t loyal to ns. No such thing. We know that yon back home feel the * same war about things as wt do * here, and that yon are golnf through the war just as . asweare... . “There’s nc doubt that we’B win the war. You can bet your hoots on that. What we want is td win it quick and get home quick*with victory. Put that into your ma chine ana grind it into tanks and planes.”