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RADIO1 fWMFD Wilmington 1400 KC MONDAY, JULY 19 9:30—Family Altar. 9:45—Red, White and Blue Network Program. 8:00—Daily War Journal with Martin Agronsky. 8:15—Musical Clock^ 8:45—News. 9:00—Breakfast Club — Don McNeil. 10:00—IUMSW. 10:15—Max Hill. News. 10:30—Let's Dance. 10:55—U. P. News. 11:00—Breakfast at Sardi's. 11:30—Songs by Jack Bake?. 11:45—Living Should Be fun. 12:8^—U. P. News. 12:15—Meet Your Neighbor — Alma Kitchell. 12:30—National Farm and Home Hour. 1:00—Baukhage. 1:15—Your Gospel Singer — Edward , MacHugh. 1:30—Rest Hour. 1:40—NEWS — WILMINGTON STAR NEWS. 1:45—U. P. News. 2:00—Meditation Period. 2:15—The Mystery Chef. 2 :30—Ladies Be Seated. 3:00— Songs By Morton Downey. 3:15—My True Story. 3:45—Between the Bookends with TeTd Malone. 4:00—Blue Frolics — Quiz Show. 4:30—Wilfrid Fleisher, News and You. 4 :45—The Sea Hound. 5:00—Hop Harrigan. 5:15—U. P. News. 5 :30—Lone Ranger. 6 :00—News. 6:05—Henry Taylor, News. 6:15—Lum and Abner. 6:30—Ten. Two Four Ranch Party. 6:45—Sports. 6:55—NEWS — WILMINGTON STAR NEWS. 7 :00—U. P. News. 7:05—The Fighting Coast Guard Band. 7:30—Lets Dance. 8:00—Watch the World Go By — Roy Porter. 3:15—Uncle Sam’s Series. 8:30—Todd Grant Gets the Story. 8:45—Silver String Hawaiians. 9 :00—Counter-Spy. 9:30—Victorv Parade of Spotlight Bands j 9:55—Harry Wismer — Sports Commen tary. 50:00—Raymond Gram Swing, News. 10:15—Listen to Lulu. 30:30—U. P. News. 10:35—Rhythm Road. OTHER NETWORKS MONDAY. JLLY 19 Eastern War Time P. M.—Subtract One Hour for CWT., 7 Hrs. for MWT. (Changes in programs as listed due to corrections by networks made too late to incorporate.) 5-45—Front Page Farrell Series — nbc Archie Andrews Kiddies Sketch — blu Keep the Home Fires Burning — cbs Serial Series for Kiddies — mbs-basic 6;0O—News: Music by Shrednik — nbc News & Henry Taylor Comment — blu Quincy Howe and News Time — cbs Prayer: Comment on the War — mbs 6 '5—Duncans. Skit Series — cbs-basic The Golden Gate Quartet — ebs-Dixie Listen to Lulu and Joe Rines — blu Dancing Music Orchestra Time — mbs fi -CO—Fifteen-Min. Musical Prog. — nbc Jack Armstrong in repeat — blu-west .Trri S-illavan & Her Song Show — cbs War Overseas. Commentators — mbs 6:45—Bill Stern and Sports Spot — nbc Lowell Thomas on News — blu-basic World News and Commentary — cbs Repeat of Kiddies Serial — other mbs 7 on_Fred Waring’s Time — nbc-basie The Coast Guard Dance Band — blu “I Love a Mystery," Dramatic — cbs Fulton Lewis, Jr. & Comment — mbs 7 - is—War News from the World — nbc Jas. Hilton. Author, Comments — cbs The Johnson Family, a Serial — mbs 7 :30—Dinning Sisters Vocal Trio — nbc Lone Ranger, Drama of West — blu Blondie-Dagwood Comedy — ebs-east Music in the Air Concert — ebs-west Pass in Review, Army Camps — mbs 7:45—Kaltenborn News Comment — nbc 8:00—The Cavalcade of America — nbc Daily News Broadcast — blu-basic Vox Pop by Parks and Warren — cbs Cal Tinney. War Commentary — mbs 8:15—Lum and Abner Serial Skit — blu Leo Cherne and His Comment — mbs 8:30—Alfred Wallenstein’s Cone. — nbc Adventures of Nero Wolf Drama — blu The Gay Nineties Revue — cbs-basic The Better Half Quiz Program — mbs 8:55—Five-Minute News Period — cbs 9:00—Voorhees Concert & Guests — nbc Counter-Spy. Drama of the War — blu Romance, Famous Love Stories — cbs Gabriel Heatter and Comment — mbs 9:15—Series on War Manpower — mbs 9:30—Doc. I Q. & Guiz Series — nbc Spotlight Bands, Guest Orchest — blu Frank Sinaira and the Bandbox — cbs Return of Nick Carter. Drama — mbs 9:55—Harry Wismer Sports Time — blu 10:00—Contented Concert Orches. — nbc Raymond Gram Swing Comment — blu Screen Guild Players & Guests — cbs Raymond Clapper Commentary — mbs 10:15—To Be Announced (15 m.) — blu To Be Announced (15 mins.) — mbs 10:30—Vacation Serenade Concert — nbc Alec Templeton Rhythm Road — blu Guy Lombardo’s Orchestra — ebs-east Blond ie-Dagwood’s repeat — ebs-west Paul Schubert's War Analysis — mbs 10:45—Dancing Music Orchestra — blu Dancing Tunes From Orchestra — mbs 11:00—News for 15 Minutes — nbc-east The Fred Waring repeat — nbc-west News; Variety & Dance — blu & cbs Comment; Dancing Orchestra — mbs 11:15—Late Variety with News — nbc 11 ;30—London's Radio Newsreel — mbs 12:00—Dance Music, News 2 hrs. — mbs Was Lesson-Sermon For Christian Scientists “Life” was the subject of the les son-sermon in all Christian Science churches and societies on Sunday. July 18. The Golden Text was from Pro verbs 16:22. “Understanding is a well-spring of life unto to him that hath it.” Among the citations comprising the lesson-sermon were the follow ing from the Bible; “These words spake Jesus, and lifted up his eyes to heaven, and said, Father, the hour is come; glorify thy Son, that thy Son also may glorify thee: As thou hast given him power over all flesh, that he should give eter nal life to as many as thou hast given him. And this is life eter nal, that they might know thee, |he only true God, and Jesus Christ, whom thou hast sent” (John 17: 1-3). . The lesson-sermon also included the following passages from the Cffiristia.n Science textbooic “Science and Health with Key to the Scriptures” by Mary Baker Eddy: “The way is straight and narrow, which leads to the under standing that God is the only Life. It is a warfare with the flesh, in which we must conquer sin, sick ness, and death, either here or hereafter,—certainly before we can reach the goal of Spirit, or life in God. Ask yourself: Am I living the life that apiwoaches the su preme good? Am I demonstrating the healing power of Truth and Love? If so, then the way will grow brighter ‘unto the perfect day.’ ,Your fruits will prove what the understanding of God brings to: rjan” (Page 324 and 496U I SYNOPSIS KAREN BELL, wealthy and love ly, has been the sweetheart of another member of her rich Florida set, PAUL WYATT, since childhood. However, she surprisingly en counters a young stranger, ob viously not of her social stand ing, and learns that he is MARTIN HALIDAY. * <= * YESTERDAY: Karen invites Mar tin Haliday to the Festival. CHAPTER NINE Karen had resolved that the Fes tival should be more of a success this year than ever before, and she believed, as the evening wore on, that it was proving to be. Everyone had turned out, every one seemed in a festive mood, the orchestra was much better than last year, the gardens more beautiful; even the moon seemed bigger and lower and more gol den than ever before. "It’s a success, isn’t it?” Karen said, finding a few minutes from her duties as hostess to join Paul and watch the merry-making. "Everyone is having a gay time, thoroughly enjoying himself. Look at old Mr. Gardner dancing out there with Nellie Sprague; you’d think he was 18 instead of 80! And all the young girls look so pretty in their light dresses and Cousin Ellen certainly outdid her self with the food, although there's a big dent in it already. Dad is having the time of his life, too, gossiping with all hsi old cronies and looking as proud as a peacock as if all these guests were his fam ily instead of friends and people from the town. . .. Oh, I'm so glad it’s going so well, Paul.” "I imagine you had a finger or two in it.” Paul teased, his dark eyes smiling down on her. as they lighted with a pride of his own. "I know how you ran around in circles all week, even to visiting a lot of the older people,to urge them to make the effort to oe here, and looking up the best or chestra available and buying ail the prizes yourself. So it’s really mostly your show. Karen. Whicn is as it should be tonight.” She knew, of course, why he laid the special emphasis on this last, for at midnight her father was going to announce her en gagement. There was a sort of suspense in the gay atmosphere, too, as if everyone was aware that something important was go ing to take place, and therefore all were gayer, if possible, than usual. For everyone would con sider it a very fine thing, indeed, that Karen Bell and Paul Wyatt were going to marry. All the world loves a lover, and all the assembled guests were in the mood to be delighted and thrilled with romance, to take this young couple, who were so “right” for each other, to their hearts as if they were of one big family. "Did I remember to tell you that you are by far the prettiest of all the pretty girls here?” Paul asked, giving her arm a tender squeeze. “You hadn’t, but since you have, new you are forgiven.” Karen smiled up at him from under long, curling lashes. Paul always re membered the little things. He was so dependable in every way. Oh, she was a lucky girl, no doubt of that. But her eyes had been search ing all evening for another man. Not that she cared whether Mar tin Haliday came this evening or not, but you would think after his practically inviting himself that he would be here. So far, she had not seen him, nor anyone who look ed like him. Maybe he had thought it over and had decided he would feel out of piace. Maybe he had felt that her part of the invitation had been ungracious. Maybe a lot of things, when it came to that odd young man, since there was no telling what went on in his head or what he might do. He might even be here, prowling around on the outskirts of all the gaiety and lights by himself, or waiting for a chance to speak to her when she was alone, or just plain snooping around, looking things over, since that seemed one of his hobbies. “Do you care to dance?” Paul asked. “Or are you still so occu p:ed with your duties as hostess, seeing that everyone else is hav ing their fun, that you cannot take time out for any yourself?” “A hostess' duties are serious,” Karen rebuked him. “Of course I'd love to dance with you, dar ling, but you have your responsi bilities, too. There’s little Eva Parks over there, half in the shad ows, just dying to dance, and you know this is not like our club af fairs and other parties where we do as we please. So run along, like a good boy, and brighten her life. There’s a dear.” “When you look at me like that I’d dance with the bearded lady. Paul returned. “It’s easy to see you are going to lead me around by the nose, dearest, and thus brighten my life as a hen-pecked husband. How do you know I won't fall for ‘Little Eva’ and her maidenly reserve? You don’t seem to have a jealous hair in that golden crop of yours.” He was amused at Karen’s being so seri ous tonight: it was rather a new turn for her. Yei he liked it in her, too. It was kind of sweet and unselfish. “You'll never be a doormat.” Karen pretended to lament that fact. Paul would not be, but he would always be gallant and con siderate and obliging. Goodness, if he knew all the nice things she was thinking about him. making him nearly perfect, which was as it should be, no doubt. Or was she building him up to reassure herself that since he was so near ly perfect there could not possibly be the slightest doubt that he was right for her’ But that was doubt ing, to think that way, even. “Of course I’m not jealous, goof! I wouldn't marry a man I couldn’t trust. If Eva. or any other girl, can win you away from me. she’s welcome to vou. I wouldn't want a man. either, who wanted any one except rryself.” “That goes for me. too,” Paul said, his voice suddenly turning on the serious vein as well as hers. “We think alike, darling, in everything, which only goes to prove farther, if proof were need ed. that we Delong together, you and I. . . . Yes. yes. I'm running, you don't have to push me to get rid of me!” “I’m not. ' Karen said, another change taking place in her voice, a new tone that he would not have known how to place. “It’s just that I think I see someone whom I ought to make welcome Yes, it was . . . she had thought it was, that tall, lean fig ure that was becoming almost fa miliar, and he was standing off all by himself, as she had thought he would be. She did not know why her heart should pound so as she made her way through the crowds, around the space set aside for dancing, to the clump of shrubbery border ing the walk that led down to th° sea. She need not hurry, for if he had just come he would hardly i leave before she could reach him. i She must not seem too eager— she WASN’T eager—it was just that she was pleased that Martin Haliday had overlooked her un graciousness and nad decided to come, after all. For it was he. He saw her com ing—she knew that, but he did not take any step toward her. He just waited there, still half in the shadows. He said, in that cas ual, indolent way he could as sume. “Well, this is quite a party. And how are you, Lady Bounti ful, this evening?” He gave her the same low. mocking bow that he had made when they had part ed that morning. “I thought you weren’t coming,” Karen said. “I mean I thought you decided it wasn’t enough of a party to bother about, since you’re so late—it’s almost mid night.” She ignored what he had called her — Lady Bountiful — and its implication. Though, as usual, it aroused that seething anger and stung her pride. She believed he did it purposely in order to make her angry. But she was so pleased that he had come that she would not be angry with him—or give him that satisfaction. He said. “I’ve been here some lime.” “Why didn’t you make your presence known then"” “I didn’t think it that impor tant—to you.” “I didn’t mean that it was—to me.” She was glad it was dark so that he could not see the color she knew flamed into her cheeks A guest had certain courtesies that were duties, too. But Martin Hal iday would not know about that, or wouldn't care, if he did. “Want to dance?” he asked, giv ing her his wide grin, and switch ing abruptly to friendliness. She supposed she ought to say no. having just refused to dance with Paul. But he seemed to be doing all right with Eva—she saw them pass in the light of the lan terns, they were laughing togeth er. And when she did not answer immediately Martin Haliday took her into his arms as if her silence had been acceptance. He said, “You’re looking very lovely tonight in that white dress, almost too lovely, if I may say so, (Continued on Page Seven! I THREE-WAY PATTERN , DAILY CROSSWORD ACROSS 1. Halt 5. Mimicked 9. Skin eruption 11. Solitary 12. Winged 13. Courage 14. Norse goddess 15. Portion of curved line 17. Son of Odin 18. City in Nebraska 20. Fine par ticles of rock 23. Bestow 27. Stepped 28. Inflamma tion of iris 5. Malt beverage 6. Harbor 7. Covet 8. Bambi 10. Thin stratum (geol.) 11. Fastens 16. Message by radio telegraphy 18. Queer 19. Keel-billed cuckoo 20. Pierces 21. Medieval helmet 22. Negative reply 24. Close to 25. Coronet 26. Compound (chem.) 30. Breathing noisily in sleep 33. Lutecium (sym.) 34. Make choice 35. Exclamation 36. Argent (sym.) 40. Young oyster 41. Mark of a wound 42. Voided escutcheon 4C First part of military training T IT Saturday’s Answer 45. Female horse 46. Smallest particle of an element 47. Trust 49. Undivided 51. Offer 4 29. Part of “to be" 30. Distress signal 31. Close to 32. To be con nected with 35. Peel 37. Lethargy 38. Sandarac tree t,... 39. Rubbish 41. Weep 44. Mischievous person 45. Disfigure 48. Sing 50. Diminish 52. With one 53. 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Smart hand bag pattern printed right in book. Send your order to The Wilming ton Morning Star. Pattern Depart ment, 232 West 18th St., New York, BOOTS AND HER BUDDIES— NOBODY’S SURPRISED _ _Ey. E1)^AU IN HFS'Ot ^QO Cv\ VOl\* o TKlV ,ONav Y\Fs\v>'E.’0 GtKrt •• ~1A» H W. JO ■ 'b • WASH TUBBS— NONE TOO SOON_ SUPERMAN— ACROBATICS! By JERRY SIEGFI. and JOE SHl'STEf r ‘ ' A horde OI= ENRAGED ENEMV JAPS CHARGE THE MAN OF TOMORROW. 1410. LITTLE ORPHAN ANNIE— OUT OF THIS WORLD - . . —. BRICK BRADFORD—Beyond the Crystal Door By WILLIAM RITT and CLARENCK UlUf DR. BOBBS— ELLIOTT and McAKDlT ■ te, BEEN AT rr THIRTY-SIX I'LL TAKE OVER.l •->• . HOURS - CAN'T SEE NOW TAKE A REST I STRAIGHT OR HOLD -- DOCTOR! PLOOB'*Mv HANDg STEADY-/ MIDWEST, SEARCH- - IMG FOR BLAKE GILBERT, GOES DR.BOBBS.ATA RED CROSS STATION IN THE STRICKEN AREA 7*/9 J\ AA -Aftd^ OUT OUR WAY— By J. R. WILLIAMS I OUR BOARDING HOUSE—, with . MAJOR HOOPO PONT BELIEVE \/// HIM/ I GOT UP VT FROM THIS CHAIR \ TO ANSWER THE \ PHONE ANP HE PLUNKEP HIMSELF 1 POWN IN IT/ | ! WHY MOTHERS GET GRAY l. -- ■ m"’ W '' T « ,, , _| EGAD/EVEN 1 AVV > OVERWHELMED 8V THE success of a\v peerless earth ELIV.IR.' — Sun flowers sf\ooting to full height over night/-^-where Wild VOU CHAPS BOARD when we hooples MOVE TO A DE-LU^E 1 M *s.'. . ? i I