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JANGLED WIVES \ By Peggy Shane Copyright by Paggy SF «. WOT Servie* SYNOPSIS A pretty young woman flnda herself In a taxicab In New York with a man who addresses her en *'an awful H<j leaves her for a moment, and ehe d Ives on, for she fears him. Sha stops at the Blltmore, wondering who she Is. Her memory le gone. Prom the evidence of her clothing and wedding ring she concludes she Is married to a wealthy man. The name less girl meets a young woman who speaks of her desire to go to Reno for a divorce. If she can get the money. Tne woman vanishes with the name less girl's |900. An elderly woman, Mrs. Oscar Du Val, cordially greets the nameless girl, addressing her as ''Doris," wife of Mrs. Du Val's son. Rocky. Rocljy Is abroad, and Doris, bewildered, Is taken to the home of Mrs. DiuVa! and her sculptor husband, Oscar. Doris falls In love with Rocky's photograph, but cannot remember hav ing married him. Discovering a trade mark In her clothing, she visits a store, and la astounded when a saleswoman Insists she hide from observation. She returns to the Du Val's, more mystl • fled than ever. Rocky returns, to dis cover the deception. He demands to know who ehe Is and why his wife sent her to his home. She cannot tell him. étrange ■dearlngly and speaks of shock." CHAPTER IV—Continued Doris breathed deeply. Was ail this Anally to end In the police court? His mocking smile came again : "She registers terror!" he said unpleasantly. ■"Very good Lifelike. Go to the head of the class." He sat down beside her. ■"Come on, Baby, come clean! What's the story?" She did not answer. She was think ing suddenly of Mrs. Du Val "Your mother?" she said anxiously. "What about my mother?" But now his face showed slight signs of sym pathy—a sympathy not for her, "I can't bear to have her know. What will she think?" "A lot you care," he said bitterly— ■"Poor mother—" "I do care—Oh please believe me. I feel terribly about her—" "You should have thought of that when you were tricking her." "I didn't trick her." He meditated. His gray eyes on the pretty carpet. "You've got her ■d—d fond of you—" . "It's awful," said Doris miserably. He walked up and down, chewing his lip. "Awkward. Designing little devil !" "Oh, I'm not." "Shut up." Doris was angry. "You needn't be *o frightfully rude." ""No?—Well, It's a pleasure. Shut up while I think what to do." He walked up and down. Doris sat on the edge of the bed, watching him dismally. didn't plan this. Truly I didn't." "Vo," said Rocky satirically. "I sup pose It Just happened by accident" A hot sense of Injustice came to Doris. She rose. , "No, really you don't understand. As *oo«i as your mother saw me she took me In her arms. She was glad to see MS She said I was her daughter, I thought—" She could not go on. Tears were chirking her voice. ftocky said coldly. "You seem very good at falling In someone's arms. So Is your friend Doris." Twisting her handkerchief reproach fully, she said, "You seem perfectly heartless about Doris. It's a nice way to talk about your wife, I'm sure. And yo« didn't even write to her while you wf*e away." He flushed uncomfortably, threw himself down on the couch. "Look here. It's no good going on fighting like this. At least you're de cent about Mother, and she's all I care about really—mother and father. I don't get your game exactly, but—" II was Intolerable. "I have no game," sh* rose and went to the closet. "I don't have to stand being treated like a criminal" She deposited her small suit case on the bed. *Tm packing." He stood up with a roar. "Not by a <1—h sight. If you think you can rope un In like this, you'd better think again," "I'm going, since I don't belong h«R." She walked swiftly to her dressing table, gathering up her cold cr»»m, her hair brush. Fis lips looked thin. They twisted sartastlcally. "What am I supposed to flo if you leave?" "Ï don't know." ■"And yon don't care! Well. I'll tell yon. Miss. I'm going to go on playing your game. I'm going to go on playing Doris' game." He smiled. "We're married. See?" "Married?" "Don't worry. You'll be quite safe from my brutal attacks." She flushed. "I'm not afraid of j you.' "You've got no reason to be." Suddenly Doris collapsed in a heap of helpless laughter. Rocky looked at her blankly. "What's so funny?" "What Is this all about?" He sat down smiling ruefully. "I'm sorry. I guess I'm a little excited. My point Is simply that I haven't the face to go downstairs and tell my father and mother that I am not married to yon. They're crazy about you." Doris' anger dripped away. "I am sorry. It's a rotten situation." "Then help me." "What can I do?" "Well listen." He walked to jhe window and looked out "Gosh, It's beautiful out tonight. I don't mind admitting that my family wouldn't have been nearly so pleased If—" he walked restlessly to the dressing table, stared at himself In the mirror. "G—d, I'm a fool." He turned at last to Doris with a smile that was slightly be seeching. "Couldn't you possibly go on pretending for a day or two longer?" Doris was amazed. "But I'm an Im postor." "Yes, but—" "But they've got to find out sooner or later." He nodded gloomily. "I suppose so. The real Doris—" "What's the real Doris like?" He looked at her skeptically. "You still maintain that you don't know. Well maybe you don't. But I'll say this much that when Mother wrote how much she liked my—my wife, 1 was never more surprise 1 In my life," Doris stood with averted head. "What will your wife say when sha finds out about me?" Rocky looked at her sharply. "Let's not discuss her right noW. The point Is, I'm due to walk downstairs with If—If they guessed you on my arm. the truth there would be a most un holy bust-up." Doris shivered, "I can't go through with It." Rocky said, "Well then, I think It's the best plan to go on pretending." "It Isn't very easy." "Well, we might as well be friends." Rocky smiled. His face—so like that pictured friend of hers—lighted up. His white even teeth were a surprise. As he spoke he put his arm around Doris and lifted her to her feet Anger shook her. She jerked away. "Is that your Idea of being friends?" He put his hand across his mouth, patted his Ups mockingly. Then he pretended to cough respectfully. "My mistake." "I don't like—" "I know. I know." Doris glared at him. "You know what?" "What you don't like." "What's that, then." ' "My attitude." "I wasn't going to say that at all." She caught a glimpse of herself In the mirror. She flushed, her hair slightly disheveled, but that dress—the dress did make her look nice. It steadied her to see herself In It. "I was going to say that I don't like to go down to dinner with a man who has soot all over his nose." "You win. It's agreed, then, that we're not going to give each other away." "Not tonight anyway." They went down Into the dining room. The candles on the tables beamed joyously. Mr. and Mrs. Du Val were full of a secret elation that showed In the burning of Oscar's dark eyes, and In the curve of Mrs. Du Val's happy lips. "Ah now, this Is something," said Oscar Du Val with satisfaction. He slipped behind Doris' chair with an air of gay rivalry. Rocky held out his mother's chair gallantly. & The women seated themselves. "Such soup," sighed Rocky. "I haven't tasted anything as good as this for years." "You haven't been home for years," said Oscar Du Val. "You are a bad son." "Now that he Is married It will be different. Ah yes, Doris will see that ho comes home regularly, as a good boy should." Doris did not dare to look up from her soup. Rocky changed the subject. "How's the Memorial coming on, Dad?" Oscar made an Impolite noise. "Do not switch the talk like that, my boy. What do you care about the Memorial? You talk silly. Tonight we\ want to hear where you and Doris plan to live. I do not approve of New York. It Is too noisy. The dust Is bad for the chil dren. I am right, am I not, Adoree?" His wife was looking at him re proachfully. It was evident that she considered Oscar was being far from delicate In alluding to the unborn chil dren. Doris was so sensitive she had never once mentioned the child to her mother-in-law. "Oh oui, you are always right," said Mrs. Du Val disgustedly. She caught Doris' embarrassed eye, and laughed slightly. "You should not live In New York." "No, no," said Rocky loudly. "Don't want to live In New York." His raised voice gave such an odd effect that both his parents stared at him In astonish ment His face was red with the effort he was making to keep up his end of the conversation. "In fact we've just about settled to live in Larchmont, haven't we, Doris?" "Larchmomc?" echoed Doris In as tonishment. "We saw such a dear little house there," said Rocky, "perched on the edge of the Sound. There were roses growing round the door—" "I should think the salt water would ruin them," said Oscar sardonically. Doris laughed hysterically. The fish was brought In and handed round. "Ah," said Rocky, "I don't know when I've eaten such fish." "The last time you were home, per haps?" suggested Oscar. "Ah Doris, protect him," said Mrs. Du Val. "His father will spoil the beautiful homecoming with all this sar casm about how long It has been since we have seen Rocky." "He deserves It," said Doris sin cerely. "Of course he deserves It He runs away and marries a beautiful wife and does not even let his father know," said Oscar morosely. "Then he telephones and says, 'Oh, by the way. I have a wife. Take care of her while I go to Europe. She la a wild one—that wife, so do not let her get away—she might go down to the Til lage and get drunk If you dont watch her very carefully.' Bah I Such talk. I tell you there la something wrong with that boy Rocky to say such things about a beauUful young girl like Doris," Mrs. Du Val's voice mourned: "Doris Is a beautiful young girl." She looked a aly and secret tender ness at Doris. "So you have found a house—a nice little house In Larch mont You did not tell me, Doris." "No. ! did not tell you." Rocky spoke. "It's on the Sound. It has gardens at the back." "It sounds expensive," said Oscar Du Val. "Your business Is looking up. n'est-ce pas?" His eyes gleamed maliciously. "It Is too expensive for us, of course," said Rocky. "It's just one of our dreams. Isn't it, Doris?" "Il'm" said Doris. "It Is such a pity," said Mrs. Du Val. "What Is such a pity?" "That Doris should set her heart on this nice little house, and she shouldn't have it." Doris' eyes were large with embar rassment. "No, that isn't It at all." Mrs, Du Val's colorful voice sounded a diapason of sad tones; "Of course, Oscar. Now she Is afraid that you are going to give her that nice little house. The little house they have picked out together. Isn't It true?" "Hand in hand," said Rocky. "Please don't say that" "Doris," said Rocky, "was especially crazy about the cuplda on the bath room celling, weren't you, Doris?" "Of course I wasn't." "Oh—he tries to tease. But all th* same he wants that little house. Os car. you must give them that house for a wedding present" Rocky knocked over a glass of wa ter. "Just to put us all at our ease, Mother," he explained. "What Is that?" "Nothing. It's a stupid Joke. But to change the subject" he went on, mopping up the water with his nap kin, "I can't tell you how good those warm socks you knit me felt, crossing the ocean." Mrs, Du Val's face opened In s wide smile. "You wore them." "Naturally. What do you take me for?" Having diverted the conversation Rocky tried to keep it away from him self and his supposed wife. He talked about hla trip, and business conditions In France. He told anecdotes and stories feverishly, Doris' cheeks were hot. Her eyes felt strained and anxious. Where could all this folly end? Why had she promised to go eo? Her hand shook as she reached for the salt. Surely the Du Vais must see through this. Could they be blind? "Oh—oh Doris. You have spilled salt That is bad luck," wailed Mrs. Du Val, "Throw some over your left shoulder. That will ward off the bad luck." Doris shrugged. Oscar Du Val said, "Her had luck is over, since her husband has re turned. Isn't that so, Doris?" Doris was hating Rocky so violently at that moment that she found It dlfft cult to answer. Why couldn't he have introduced his wife to his family him self Instead of letting them meet In the Blltmore in that silly way? And now he was thinking that she was try ing to force her way In where she didn't belong. She had a strong Im pulse to tell the whole thing, blurt It out right now. But If she did, what would the Du Vais think of her? Perhaps they wouldn't even believe that she had lost her memory. They were nice to her now, but if they found out— She closed her lips. She would have to have time to think about what to do. They rose from the table at last, and Mrs. Du Val slipped her hand un der Doris' arm. "You must go upstairs right away, Doris. This is your first night down and you must not overdo It." Doris felt thankful of the oppor tunity to slip away. She kissed Mrs, Du Val, thinking, "this is the last time perhaps that I shall ever do this. To morrow you will find out the truth, and hate me." "Good-night, my child," said Mrs. Du Val fondly. "Shall I come up with you?" "Oh no. You must stay with Rocky." "Ah. I know you want Rocky. We won't keep him long." Though half way up the stairs Doris 'What did you turned in horror. say?' Mrs. Du Val smiled. "Rocky will soon come to bed." "But not—but not in my room?" A shadow crossed Mrs. Du Val's face. "Ah? You have still the small quarrel—you and Rocky? These things blow over. I will send the dear boy up to you very soon." "But I can't—" Mrs. Du Val raised a protesting fln You are being a very naughty ger. little girl And tomorrow you will be sick again. Come, I will take you up stairs to bed." Doris was pale and determined. If Mrs, Du Val came upstairs there would be more kindly nursing than she could stand. She would have to settle this with Rocky himself. If he thought he was going to sleep In her room he was mistaken. "All right Til go to bed." She fled up the stairs. The door was shut She put her hands against her hot face. What a tattoo her heart was making. And her hands werq trembling. She would not undress an6 get in bed. She would sit and wait for Rocky to come upstaln, (TO BE CONTINUaUl Velvet to Surpass Its Own Record By CHERIE NICHOLAS y§ M. ÿ m Xy m ■ V. i I I ï. m ' V i ' . ÏT R0M * cago to Hollywood, It's velvet that outstands on the fashion circuit for fall Because of the decided empha-' sis placed upon this ever-beloved ma terial In the advance style program those planning new clothes will do well to get Into a velvet frame of mind from the very start It is not at all necessary to wait until later to wear velvet The psy chological moment is right now. You will think so yourself when you see the cunning beret, glove and capelet sets made all of velvet which are al ready on display In the better shops. You will not want to lose a minute in acquiring one of these Intriguing en sembles for they are perfectly stun ning worn with the now-so-voguish midseason frocks and suits of dark linen or sheer woolen. Buy them In the color you like best, black coming first in favor, with rich autumn tones In close rivalry. If the plans of our style creators carry through, and of course they will, velvet treated In a tailored way for wear during the daytime hours will surpass any previous record in mat ter of rich color and ultra chic. Just to give you a hint of things to be In a tailored way, we picture to the left of our group Illustration, a really handsome specimen of a fall street coat which Is finished to a nicety with quilted cording on the sleeves In groups and about the neckline where darts radiate In somewhat of a yoke effect This Is a Maggie Rouff model and this eminent couturier sees to It that the dress of handwoven silk is Paris to New York to Chi STRIPED WOOLEN By CITERXK NICHOLAS m *_e f?l m >%■. V The new autumn woolens are most Intriguing. Striped versions are par ticularly stressed In the early show ings, also diagonal tweeds In wooven and knit versions. For the model pic tured, the designer plays up the etrlpe* of a mustard and dark brown tweedy woolen to perfection. The high neck line Is her* considered and the capelet yoke gives the sprightly shoulder ef fect which has been Interpreted In so many novel ways throughout recent styling. The unique plastron effect 1s of brown velvet The little draped toque It of> self-material, following up a mod* which has been In evidence and la so well thought of, it continues oa Into fall as "classy" as the coat which tops It You will notice that the collar and cape sleeves of the afternoon model centered In the picture, are also quilted In a ribbed effect This form of decorative treatment la going over big In newly arriving fashions. For this extraordinarily beautiful- daytime wrap, which bears a Lanvin label, the designer employs lyons velvet of super quality. The little feather toque Is the crowning glory of this costume. Being of red transparent velvet th« coat posed to the right tunes Its color to the motif of the dress. Make a mental note of the wide rhinestone bracelet which this lady of fashion Is wearing; also the Imposing bar pin which enhances this effective ensem ble. for they go to show the Increasing Importance attached to costume jewelry. The swagger casual daytime coat of brown and beige plaid velvet of which only an above-thq-walstllne view Is here given has Its shoulders modlshly squared. It fastens with a big bow tie of self-velvet The hat shown Is one of the vogulsh stitched velvets. The alluring thing about the new velvets Is their versatility. You can get most any sort of velvet your fancy may picture. Even uncrushable and waterproof velvets are now on the market. An outstanding novelty Is a ribbed velvet with a luster-lack finish. You can Imagine how stunning eve ning jackets and blouses and acces sories such as bags, belts and collar and-cuff sets look made of this velvet ®. H31. Western Newspaper Union. GLOVES TO MATCH COSTUME FOR FALL Your gloves will match your cos tume this fall In fabric as well as color. If you are stepping out In a new black satin afternoon gown, you'll want black satin gloves to go with ft And you'll be able to find them, tn a satin jersey fabric that fits like the good old chamolsette, and has a sur face as sleek and shiny as your gown. Or, If you have a brown wool knitted suit you may wear brown knit gloves, In a smooth ribbed knit fabric, not bulky, but smooth fitting and neat And so on. - The good old silk jersey glove Is back again with a bang, and you'll find It In all the newest shades of fall —gray, eel-brown, navy, and black. Then chamolsette, the grand old standby, l* presented In new colors and perforated styles, for wear with fall clothes. Shirtmaker Frocks Are Startlingly Picturesque Now that the hinterland* also have made the poignant discovery that a wardrobe not filled with shirt maker frocks is a menace, the New York makers are running riot with Ideas on the subject During the Palm Beach season, one bought a tony little tub silk in shirt maker style and called it a day, but now folks are riding high, wide and fancy in this Ideal type made of crazy Tattersall checks, gaudy jockey stripes and tie silks that would startle an Indian. The "shirtmaker" Is the greatest chapter in the book. Tops of Shoes for Fall Are Remindful of Spats There are rumors that manufactur ers with loving care are designing kid shoes for fall that will remind ladles of spate. It might be even reasonable to think that some day spats will come back. Day clothes are long enough now that one needn't fear the "comic strip" between aklrt hem and top of spat, but be that as was, today oxfords and pumps are being stitched up In kid combinations whereby the light up per fits over the rest of the shoe like a spat. PUN UNDER WRY By J. C. TayWr, Streeter Mentent KrtaSaa Servie* end la charge *( the edncatieul werk connected with the eSmlnUtretiea ef the Agricnttaral Adjaetmeat Act. Director of Agricultural Adjustaieat Act for Montana Explain* Many Phases of Law. Tht Agricultural Adjustment Act became a reality because wheat far mers, forced to accept as littbo as 25 cents per bushel, demanded a price which would enable them to get a reasonable profit above expenses. Those adminis tering the Act are doing this very thing with a de finite pledge to at tempt to raise wheat prices to a point where a bush el of wheat will buy just as much of what the farm er must purchase as a bushel did in ü !&■ >i. M J. C. TAYLOR the period 1910-1914. In addition these administrators are providing actual cash assistance to aid farmers until the big plan has sccoraplished this purpose. The wheat situation the world over, is such that successful solution must include a program in which produc tion is brought down to near the ef fective demand. That this is realized is shown by the wheat conference in which the principal wheat producing and importing nations are discussing this very thing. The present deplorable situation has arrived chiefly because of the World War. Fanners of the United States, likewise Canada, Argentina and Australia, during the World War were asked to produce more and more wheat as food for the European coun tries needing it because of the War. England, Germany, France and Italy, the principal importing nations, were too busy with the Warjto grow wheat. The call for more wheat was answer ed fully. After the war, those Euro pean countries could go back to wheat production and did. States, Canada, Argentina and Aus tralia, however, continued to produce war-time wheat supplies. Because Europe went back to pro ducing wheat after the war, it pro ceeded also to use this wheat at home. Consequently it bought less from the United States and the other export ing countries. Europe at that time J also owed the United States many millions of dollars instead of ns ow Ing them. It wanted to pay us back in goods as we had paid Europe. The United States then erected tariff walla which prevented Europe paying: Its debt In goods. Europe in turn er ected similar walls to keep out United States goods. Europe erected a tar iff wall against wheat and it was so high United Statea wheat couldn't Ret over. While these various changes were happening United States and other wheat farmers continued to produce wheat. It couldn't »11 be consumed at home and it couldn't be sold abroad. The result was an annual pileup of hug« supplies. Now the United State« has roughly 860 million bushels of wheat on hand aa a carryover. It 1» obvious that if the United State« wheat farmers continue to produce wheat which cannot be marketed, the situation will get worse. It may mean 80-cent wheat again. Therefore the Agricultural Adjustment Act, with the domestic allotment plan was evolv ed. Now farmers have the opportun ity to either correct the deplorable situation that exists or make it worse. The plan in brief is this. The gov ernment is asking farmers to reduce their wheat acreage not more than 20 per cent for the wheat crop which will be harvested In 1934 and 1935. Wheat farmers will soon be asked to sign a contract to make this reduc tion. In return for this the govern ment will pay each farmer who signs, roughly 28 cents per bushel on about 64 per cent of hia production during ths period 1928-82. Twenty cents of this amount will be paid this year, shortly after the contracts are signed, the remainder will be paid next spring after there is evidence that the acre age Is reduced. It will make no difference whether the crop which is grown from this reduced acreage is a failure or a bum per crop. The money will be paid just the same. In Montana counties wheat farm er* are now busily engaged in get ting their yield and acreage figures for the period 1928-32. Soon they will sign an application for contract end later the contract in which they formally agree to reduce their acreage as requested. Every county agent and every em ergency agent is prepared to answer any and »11 questions pertaining te the adjustment plan. Right now these •gents »re making np the organisa tion of farmers which will decide for their respective counties the allot ment of each Individual grower and also the acreage for the following years. The United The Montana Hairdressers' associa tion forwarded to the NBA for ap proval a code of competitive practises providing for a 48-hour week and esa formlng in other particulars with the national blankst affrssmsnt. i