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12 NEW BRITAIN DAILY HERALD. FRIDAY, OCTOBER 17, 1930. FINE ARAB STEEDS I SEEM II. S. Fritish Taxation May Force Sale . of World's Best London, Oct. IT The world's most perfect collection of thorough bred Arabian horses Is to be sold by the Baroness Wentworth. and he believes that England's loss will be America's gain. The sale, is in evitable, a sacrifice to the tremend ous and apparently never-ceasing tide of English taxation. But the famous horsewoman's last gesture of loyalty to the proud line of ani mals &hich has become traditional with bt family is the hope that whoever buys the Arab stallions and mares will keep the entire stable together. And she tears that nobody but an American millionaire could do that. "Since Its inception, the Crabbet Park stud has cost at least J5.000. 4$I0, and the lowest price that even would be considered now would be well over $1,000,000. So only the very wealthy need apply. Thus will pass, probably to the United States, the animate sym bols of a romantic family legend. Lady Wentworth's father was Wilfrid Blunt, who In addition to being a great land-owner was a poet famous for his verse trans lations of the Arab odes of pagan times. Her mother was Lady Anne Blunt. granddaughter of Lord Bryon. Lady Wentworth herself carries on the poetic tradi tions of both sides of her family by being on of the oldest of Eng land' living sonnetteers. Traveled in Arabia Thi love stories in the life of her Hlustrious ancestor, Byron, are household tales. The romance in the story of her parents Is not B3 well known, and out of it grew the Crabbet Park stable of fiery Arab steeds. Owing to ill health, the young poet was ordered to travel in the dry climate of the east. Accom panied by his beautiful and ad venturous wife, he went to Ara tia, then even more dangerous for Europeans than it is now. But they both learned to speak Arabic fluently, dressed In Arabic cos tume, became blood-kin, so to speak, of the Arabs, and led their life. . Then the hereditary passion for line horses seized both the young f:ople. For generations the lunts, the Byrons and the Love laces had spent big sums on fine horses. Now the young pair were In the desert land where were bred the finest horses In the world. They got for modest sums from their Arabian friends specimens fji blue-blooded horseflesh that (Bhers could not have bought for grtunes. m Carried on Hobby When Blunt returned to Eng land cured of his ailments, he de voted as much time to his horses as he did to his books. Lady Went worth, the only child, was reared on poetry, Arabic and horses So when her "parents died, she Just naturally carried on with the Crabbet Park stud. The ravages of war and disease in ' Arabia have made her stable unique. In Arabia Itself there are no longer any horses to equal hers. Animals from her collec tion have been sold to Improve the breed in every horse-loving coun try of the world. King Feisal of Irak and King Fuad of Egypt, who in other times would have sent to Arabia for horses, have had to have recourse to her collec tion and have personally visited it. "It breaks my heart to think of parting with these glorious ani mals," said Lady Wentworth. "They are as much a part of the history of my family as this old house, which has been lived In by my ancestors for 300 years. But I am suffering from the burdens of high taxation, as are all great landed proprietors in England. U. S. Knows Her Horses "As an Englishwoman, I nat urally would like to see the stud bought by an Englishman and kept intact in this country, be cause it can never be replaced. But I would hate to see it bought by an Englishman and then dis persed by sales of ten blooded ani mals here, fifteen there, and so on. That is why, if one of my own countrymen cannot buy it and keep it intact, I would love to see it acquired by some American of great means, who could afford to keep it intact. "The stud already has many American associations. When W. K. Brown of New Hampshire and W. K. Kellogg of California founded their famous studs, they bought some of their choice speci mens from me. "In their time, too, my horses became famous in your country. In 1921 there was run a great en durance test. The horses were to ccver 310 miles within five days time. My gelding, Crabbet, won, carrying a weight of 225 pounds. Ir. 1919 my mare, Ramlah, had scored the same kind of success in the same kind of endurance race carrying 217 pounds. In a similar race run some years ago in Eng land ny mare, Belka, came first. A ye:..' ago at the Richmond horse show my stallion, Shareer, was called the finest horse in the world. Some Understand Arabic "When I part with these ani mals it will be like parting with seme of my own family. There is not one of them who does not know me by sight and by voice. For I have always taken a very active part in their management and many of these horses have known me since they were foaled. "No," she added, "I can't speak to all of them in Arabic, for the simple reason that they have be come English as to tongue by rea son of association with English grooms. But some of them under stand Arabic as well as English." NERVY WOMAN PILOT Frankfort, N. T., Oct. 17 (UP) While government inspectors exam ined the airport at Talcottville where her flying instructor, Richard Yule, was killed in a crash, Mrs. Lillian Wiltse of Frankfort success fully passed tests for a private pilot's license. FORTUNE NEGLECTS France Now May Honor George Melies, First Producer BY MINOTT SAUNDERS Paris, Oct. 17 The world's first moving picture studio may be turned Into a museum, and the first pro ducer of entertainment films is hop ing for recognition as the instigator of an industry which, during his span of life, has swept through every land. George Melies might have been one of the wealthiest of men, but fortune turned against him. Now. at 69, he conducts a little sidewalk top shop near the Montparnasse rail road station here. A drive has been started to save the studio of Melies at Montreuil, near Paris, so that it may stand as a monument to his genius. Melies was director of the Rob ert Houdln theater when Louis Lu miere, whom the French hail as the inventor of the moving picture cam era and film, began to show what he could do back in 1895. On Christmas day of that year he pre sented film strips of a few yards In length of a documentary nature. Melies was present and was so im pressed that he asked Lumiere to sell him the apparatus. Melies had his big Idea. Lumiere refused to sell, how ever, so Melies went to work and constructed his own camera. Two months later, in February, 1896, he produced his first moving picture film. He called it. "A Card Party," and ft ran about 50 feet. His First Film Studio Melies built his studio in the back yard of his home in Montreuil. He was careful about expenses because he didn't know how the thing was going to take. He just built a little stage in the open air and worked hard all summer until September came and cut down his light. He could only operate from 10 a. m., to S p. m. His films were selling, however, so he enlarged his studio, making It about 60 feet long, 20 feet wide and 20 feet, high, with a roof of glass. Melies was the scenario writer, producer, director, scene painter, stage carpenter and actor. When he was not acting he operated the camera, but otherwise his daughter turned the crank. His fellow actors and actresses were chosen from among workers around the legitimate theater. The "Father of the Film" worked cautiously. Every time he got a new idea for an effect he had to invent his own machinery. He built traps in the floor and runways overhead so that his actors could come into the picture from unexpected angles, giv ing his pictures a novelty unknown to the stage. Was Real Pioneer Most of the tricks of the movie trade that seem so impressive today, Melies started in his humble way. He bedecked his actors in fantastic uniforms and splashed his paint brush around for lights and shades. In 1897 business was going so good that Melies again enlarged his studio. He proved himself a genius for creating illusions. Despite the crudity of his apparatus, his films became widely known in France, un til he produced at least two popular subjects a week and a "feature" about once a month. To do all this, Melies had to over come the problem of lighting! When he found the day not long enough, with natural light, he installed arc lamps, increasing their number as he enlarged his studio. Here again he was a pioneer. Then he went still another step, and used mercury vapor lights. He made the first fade out and fade-in pictures. Melies achieved perhaps his great est milestone in film production when he was visited one day by M. Paulus, who was a popular music hall songster and actor the Maurice Chevalier of his day. Paulus was not going so good at the time and he contracted to act in a series of films for Melies. on the understanding that he would work incognito. Melies put him through capers illustrating his popular songs, and they were produced with the appropriate music. Those were days long before the "talkies," but audiences recog nized their favorite and Paulus again won fame under the direction and stage management of Melies. Made 4,000 Films Bigger and better pictures were produced, and such phantasies as "The Journey to the Moon" and "Four Hundred Tricks of the Devil" are still affectionately remembered. Melies did not rent his films, but sold them outright to producers. But he could not market his pictures in the United States because of copy rights. He was still working hard and had produced over 4,000 films when the war came on. Then he was ruined financially and sold his pic tures for anything that he could get. The ultimate thrust of irony came when he learned that some of his strips of celluloid were being used to make synthetic rubber heels. In 1918 Melies quite the picture business in despair. He lost his property and his studio and in order I to make a living he opened his little j toy shop. Today he may be seen, I bartering with children, a small, j bald-headed, white-bearded, but kindly old man. I Only when he talks of the old days does the genius of Melies show itself. His eyes sparkle and with i the mind of the producer he com- j ments on pictures, old and new. "I was sure these days would come," he said, speaking of super films blazing on the boulevards, "but the business swept on too quickly for me. I at least have the satis faction that I was right. j "All I ask for today is recognition of what I did over 30 years ago." He will be pleased if his studio will become a museum, but happier still if an appreciative government would bestow upon him the red rib bon of the Legion of Honor. He says he wants no financial reward. I professional thin-man who exhib ited at fairs slipped through the bars of his cell here, jumped the high wall and was gone. Inquiry revealed that Pouchet haJ recently gone on a hungerstrike. apparently with the idea of getting thinner and making his escape easy. MODEL NEW HATS AFTERKING TUFS London Designers Present "Ra meses" Type lor Women London, Oct. 17 (UP) King Tut has been having a long inning with fashion designers, but now London dress experts are determined that "Queen Tut" shall have her "raps." Designers who have been delving into history books for bizarre ideas are resolved that "Queen Tut," the little girl, shall be given a big hand in a good old-fashioned, home-town way. To start this new era devoted to King Tut's "Queen," the Rameses hat has been created. It is said by some to be simply divine, and by others, mostly men to be hideous. The Rameses hat has no brim. It is covered with artificial hair of the same color as the hair of its wear er. . . It is worn drawn down to the ears so that it merges into the real tresses of its owner. An old-lashion-"ed "bun" is supposed to protrude conspicuously from the back of it. It is also worn with evening dress. Two women appeared in Picca dilly circus wearing Rameses hats and a minor sensation was the re sult of their first-night appearance. Girls craned their necks over the tops of busses to" see them, ,taxl. cabdrivers exchanged remarks, some of them rude, and business men saw styles their wives may hereafter wear. . ' ILLINOIS WOMAN OWNS FIRST P. 0. IN TOWN Portable Cabinet With Eight Lock Boxes and Special Delivery Draw er Used During Civil War River Forest, III., Oct. 17 (UP) Among the heirlooms possessed by Miss Mary Murphy here is the vil lage's first ost office. It is a portable cabinet, about the size of an or dinary cabinet, containing eight pri vate drawers which was used for special delivery mail. The bottom of the cabinet contained two draw ers which were used for magazines, newspapers and articles. The portable: posofflce waa used during the years - of the Civil war, and was housed in a box-car which stood on the siding of the North western railroad here. Hank Flowers, Northwestern station agent durin? the civil conflict, served as village postmaster. No mail deliveries were made during those years, and resi dents were required to call at the box car for their mall. When the government erected a post office building here. Miss Mur phy's father was station agent for the Northwestern railroad, and the portable post office waa turned over to him. Since then Illinois' unusual and probably oldest post office has been the possession of the Murphy family. FRIEDMAN'S PASSES WIN New York, Oct 17 (UP) Benny Friedman's New York Giant de feated Ernie Never's Chicago Cardi nals 25 to 12 in a professional foot ball game at the Polo Grounds here last night. Friedman's long, accurate passea featured the game. Let Your Stove or Furnace Be the Judge Results Prove That This High Grade Coal Gives MORE HEAT Per Dollar Than Any Other Coal Mined. Buy the Best Coal Mined We Sell This Coal Exclusively THE SHURBERG COAL CO. Phones 2250 2251 Main Office . Branch Office 55 FRANKLIN ST. 405 MAIN ST. Circus Freak So Skinny He Slips Through Bars Lille, France, .Oct. 17 (UP) Po lice are scouring the region of Lilli for Marcel Pouchet an escaped con vict sentenced for theft, who owe? his getaway to his extreme thin I ness. During the absence of the guard' at lunch, Pouchet who was once a Men's and Young Men's SUITS With 3 Pants $24.75 Others 2975 up to 47'5 HICKOK BELTS and BUCKLES SUSPENDERS , Men's and Young Men's TOPCOATS $24.75 Others , at 29 75 PRINCELY SPATS $1.45 INTERWOVEN SOCKS 3 for$l 50c 75c $L00 CHENEY TIES Newest patterns and colorings. 95c MALLORY HATS g50 g $10 $1.45 V $1.95 V A N H E U s :e N S H I R T S BOYS' KNICKERS $1.95 Genuine Knitgrip Knickers 2-65 2'5 $3'75 Men's and Young Men's OVERCOATS $24.75 Fancy SOCKS for MEN 35c 3 for $1 Boys' BLOUSES 79C and 95c Guaranteed fast color. Others $297a and up SLIP-ON SWEATERS $2,95 $4.95 '5.95 COAT SWEATERS 2.95 $4.95 7.45 SMART SET Boys' SUITS With 2 Knickers $9.75 $12.75 $14.75 $1 $1.50 $1.95 $2.50 $2.95 $ BOYS Genuine Western Horsehide I j.1 ioats 14-75 and I Cordovan BOYS' SWEATERS L95 s2.9o ltop '4.50 BOir GOLF HOSE 45c ami 95c Different patterns. 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