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HONOLULU STAB-BULLETIN, SATURDAY. JAN. 11. 1013.
I UiP , 11
1 1 11
i ! ' I "'"O 'Ay?' 11
S r ir
:?VWC&' JjO (which to work for the pictures. Su
' , ,
PJ JOJ JfflS
tl.ov an rehoarsed many times before
tue final film is made from the pic
tures. But even in such places the
piay may be taken piecemeal, the last
act first, or a bit of the first act. a
Lit of the third and a hunk out of the
second. The effect is all right when
the film is at last ready
tiling else indecent, but awfully in
teresting. "I've had quite a little experience
with water since 1 took to working
i iur the camera. Maybe you remember
i how fell off a yacht off Diamond
jlleau and thought I'd drown sure
! enough before they picked me up. wet
land bedraggled past all belief."
What's the chief dilference between
Once upon a time there was a little j thorn when she speaks of Honolulu, as
girl and she played at being a nueen hc ,ias come to-know this city in the
and a big grizzly bear, and a eapcain, wwks sh has been he,e-
and a bunny rabbit, but most of all she S1,fc is so ful1 of her work- To the
played at being an actress. And when ratber weary illterviewer she was
she was big and old-not so awfully an'zinS' whn she came off tae and
big or s6 awfully old- the girl stop- almost ran into her dressing-room, as
ped playing at being an actress but full of energy as a kid. She had just
kept right on playing at being lots of finished a big scene' the c,imax of a
, . . , . long act, and the dreams lurked in her
other things, like old women and bad
women and foolish women. And the eos'
. girl's name Was Virginia Brissac. "A ln wjt." she laughed. "Fire
That the Way an interview with your questions. I'm past twenty, love
' Miss Brissac makes you feel-fairy- Ju,,et,e bSt f &H r,e8, Uate Warm
Mtoryllke. you know. She's so full of milk- deU'3t rain aid snow' admit a
the Joy of the make-believe herself fndnes 'r corn beef and cabbage,
that you can't hclo wonderine wheth- Blld nev?r lose w temper-that is,
er she f not a lineal descendant of hard'y ver- AnythinB lser
the Sleeping Beauty, or at the very "Religious beliefs, please, and do
least a blood-relation of Cinderella. S'ou prefer blcmfes or brunettes a3
N'ot that she is unsubstantial, you un- leading men," gasped the well-primed
lerstand, but on account of the dreams j interviewer.
that palpitate about her. You feel J "Those are not fair questions," she
these dreams even when she talks replied. "They have nothing what-
about things she likes to cat or wear, ever to do with me."
you even feel them around you The interviewer confessed and got
when she is discussing high diving as down to business.
a fine art, necessary for one who as- "Moving-picture work is new to me
pires to shine before the eye of the in a way," she began after prompting,
moving picture camera. You feel them "and I'm not quite sure yet whether I
when she talks of the work she is try-" like it or not. It is fascinating,
ing to do, but especially do you feel though, there is no doubt about that; Iskirt and bodice, but not m
iinnim iti it u inr nnrni iiniir nrtiTn
mm in. i ii ii ni a 1 11 i uhin it nu kk uii
liUHULULU MrtULUl LIlrt llUH ULIMUj
through the machine, but it is certain
ly amusing to watch the process of
construction. It gives a fellow the
wieiea till he get used to It
"Mere's a good one on Miss Nugent:,
I told you about the pool we had to
dive in and undec W are supposed
in that picture to be, enchanted and
to dive down into a new world, the
world of departed spirits or some
thing. Anyhow, on no condition were
we to show above: water after diving
in. it was awiuuy uar
the stage and the movies?" askod the JOur breath until you got out of the
vistas, such a wonder-sea.
What's the use of talking?
. has been able to do justice
to the beauty of this land, so why
should I even try? But I do want to
say a word right here about the ieo
ple. I have never played to such ap
preciative audiences as I have right in
this little .old theater. It sends a glow
over a fellow to play to folks like you
"But about the movies," reminded
the interviewer, regardful of a duty
"Ah, yes, the movies. When they
first proposed them to me I was scar
ed, then amused, then interested, and
finally was convinced. Everything in
the movies is twisty ways for the stage
actor. At first I missed the crowds
out front and the footlights 'foots,'
we call them and the crowded reeling
one has waiting for one's cue off
stage. "But there are compensations also
hardships a-plenty. For instance, we
are staging now a Hawaiian play. It
is founded on an old legend, and we
have been working near a big pool up
in one of the beautiful valleys back of
the city Nuuanu valley, I believe
they call it. Anyway the pool is sup
nosed to be enchanted and all tbf
L if !
cnaraciers, gurueu iu iiie tuDiuuy
the ancient Hawaiians are requiiji ' at
one time or another to jump if a
4 rr r aa
interviewer. camera's vision. Miss Nugent tnea u
"Well, I beTieve it is that on the,but e had had to rua to the brink
stage you pretend to do something, anj ner breath waa short, so instead
while before the camera you must Qf being a mermaid, she bobbed up
actually do It to gel n in me picture.
You see the machine has no imagina
tion, and you can't leave anything to
"Tell aie some more," begged the in
terviewer. "About the movies? Well, the most
difficult thing to me has been the
work on the streets. Of course, I am
used to acting before people but in the
theater you have the sense of being
separated by the footlights and the or
chestra, while work before the cam
era is done with the crowd at your el
bow, so to speak.
"For instance, the other day we
were at work on Dart of a film in
right in the middle of the picture and
we nau io run ine mm ucj 6ui.
"Don't tempers snap sometimes
when things , like that happen and
work has to be done over and over?"
asked the interviewer. '
"Sometimes, of course, but this is
the best little bunch of good fellows
you ever saw. There Is not a grouch
in the company, nor a kicker, nor yet
a shirk. Most of us are Christian
Scientists or mighty near to it, you
gee." And she laughed.
"And that is a mighty unusual state
of affairs in a stock company, Aa a
general thing, there is always more
or less friction between the members
which one of the characters staggered joutside of their work, when of course
out of a saloon and kissed a lei-girl, j they have to co-operate. Why, I can
... a. j ..a . w ii. j. A
une or me Dysiaauenj wameu ; rememDer compao wuem me ieau-
dive across that pool.
i.i of any-
knock him down, and. another insisted
on getting his own face in the picture.
'I want my picture took!' he kept yel
ling. We tricked them both aad got
away with the film,
"Another time we were down by the
waterfront and I was supposed to
climb over a heap of boards to rush to
rescue someone. Insteadr the pile of
lumber caved in on. m'and I had to
be rescued myself! Frequently acci
dents like thauWiH give an entirely
new trendl,"be development of the
story. th' film is to tell. You never
knowljftmt is going to happen.' That
iyjther great difference between
lb movies and the much-rehearsed
jfage-drama. Of course I am talking
now of the open-'air work, not the
carefully prepared photo-plays of the
big eastern studios.
"In those places, as everyone knows
by fhis time, I suppose, the plays are
ing man and the leading .woman would
not speak to each, other except to
make love on the stage, and where
every member of the company belong
ed to this or that little clique. Noth
ing like that in the World's Fair Stock
Conpanyv thank yu , Most of ujthave,, ,
a a a. W .
Deen woraing logeiaer ior more uiau
three years, and the last-Joined mem
ber came in in March. I believe., If
Wray found a clique forming I be
lieve he would fire the man or,woman
responsible for It, Nothing makes so
much misery and discomfort , In a
company of players. .
"Third act," sounded outside the
dressing-room and THiss Brissac
scrambled to her feet. ,,
"Aren't you tired at all?" gasped the
interviewer. "You have been going
since 9 o'clock this morning."
"Since six. But that's all right;
work never hurts. It's worry that
staged as carefully as they would be ! does that, and I never worry. Never!
ior a Dig iiroaaway proauciion. auu 1 (iood-night.
REHEARSED FOR CARNIVAL WEEK
fThe- Tourist' First MusicaL,
' Play of Kind tver to be
: X ; Staged Here
. Music, songs and dialogue of "The
Tourist," the-operetta that is to be
staged it the Opera House three
nlehts during Carnival week, have all
fceen completed and rehearsals are in j
progress, those who are to take part
in the play meeting every luesaay
and Friday night at the Kilohana ciud
-rooms for practice.
Th nlot of "The Tourist" is rather
tenvous but there is enough of it to
,iri tnhir harmoninnslv the many
IV &uA - "
catchy aohgs. The music, written by
Carl MUtner. is declared by all who
liave heard it to be excellent There ,
are more wiu mruij
topical, sentimental ana other kinds,
m - l. , n 1r f Ulnar 1ms
.in the music he has written caught
the spirit of the words of the song.
Th mnaii im hr'cht and catchy and
A uv ... u . 1
Is bound to make a hit, pay those
who have listened to it.
i v riwo timn n nl'iv Vint;
' - x U1D 10 1 " v t jv I
ever been produced in Honolulu of
which plot, words, songs and music
wr nil original. The book and
lyrics are by E. P. Irwin and vWill
Xohin "Th Tourist" known as Mr.
i iiimnn tn?i.r;frkin from lndon.
.. -"D - -----
v . 1 -. 1 . . A a. - - r 4 ,iwf
arrives in iionoiuiu io tfr
mere in w ot-r. v.i ... nv,.,
IiangS Upon HIS sxiwianuus juu u
ventures and thoee oi nis oeauuiui
A LA V. m AAnn. nnVIW-lC? 1 1 1 ? 1 - I 1 t
CaUgUCer WHO iUXUIUaUH O mm v
alwavs stav too close at hand.
The title role is taken by VI. A.
"Douthitt. who made such a iit as
fj i . ., tha ninv tiven bv the
Jlfdg " - - - m
Shriners a few months ago. Mrs.
Itiley Allen takes the part of Am
brosia. "The Tourists' aaugmer.
Among others who have important
ttertc ira. Misc Herv ler jjiit-o.
Mrs. C. K. Tackabury. Mr. George
T- J l A 1 1rih ThpP
xyou ami sy. w. n.. mui . v
ure not the only ones who have heavy
- a l . I n rt IT
pans, nowever. i nere in aiw
chorus cf fine Voes. The full casi
..(11 l. n ..... l-.t. . l.nt hillilU' IS
Mr. E. A. Douthitt, Mr. David Ander
son, Mr. George Dyson, Mr. Clarence
Waterman, Mr. W. A. Aldrich, Mr.
Arthur Jones, Mr. Lawrence Kerr,
'Mr. Sam Chillingworth, Mr. James
Holt, Mr. Ed. Kitto, Mr. John Ashley,
Mr. Arch Brown, Mr. Reginald Mc
Grew, Mr. Frank Shaner, Mr. Roy
Patten, Mr. Frank Friezell, Mr. O.
Stevens, Mr. Guy Macfarlane, Mr.
l'nrrr nm-orill Mr Chnc Vlorhort
list of those who have con-... ' nQ4n,Vn0 Mr rnvnn
sented to take part in the operetta. I Mp T Aohmnn R' vo ,lr? R
Mr. William Douthitt, who has had ( McF;,doVney, Mr. William Douthitt.
much experience in stage managing, manager; Mr. Fred Wichman,
, uiin. .6 k ,r ; : assistant stage manager.
"The Tourist" is in two acts, the Patronesses Mrs. H. F. Uchman.
wharf or . rnneess tawananaKca, i-rineess n.ai:i-
scene of the first being a
steamship landing, where Mr. Fudd-
Gerkin and his daughter Ambrosia
are met and welcomed t6 Hawaii by -Mrs. V. J. Lowrey. Mrs. ('has. F.
nianaole. Mrs. E. D. Tenney, Mrs.
Georg Herbert, Mrs. Robert Shingle.
. .. , .. rofessorDu
production of life itself -
Unu iLh ? 'rom knowledge
c. light without heature.B trlck Are
of the chemistry of t,on8 uay far.
fetched? The st OQe but from ,ab.
laboratory is ; a actQrj. ,g Hkel tQ bs
oiatory to thThiG ..,lftbt of the f.
much longe;ably of a futurp sc3r,.ely
ti re is prtnan that of made-to-order
ess remodence JournaL
While effect: ve In individual cases,
cats, dogs and traps have not been
successful in stamping out rats as a
whole, and as the rodents continue to
increase in alarming numbers, scient
ists are now applying their brains to
, discoyer some reliable method of ex
terminating the vermin, says an ex
change. in the Paris sewere, for Inst-.nce. a
permanent trap has been Introduced
Mhieh takes the form of an electric
which shows the exact spot where it
met with its u-to-date fate. V
In killing raU in a sewer, a ware
house or the old of a ship resource
Yt fi also been. had to noiEonuos gas. A
w.re stretched an inch or moe be-'ctecial boat zt Hamburg port makes
neath the pavement Baits are placed fumigations in suspected vessels. Nine
at intervals' and the current electro-1 hnudred ratt have been accounted fee
cutes the rat that comes to feed. Yet in a single operation.'
n;ore complete is the electric trap in ' At the London docks there were
which the rat announces its death by kHJed in eight month by similar
ringing a bell and lighting a lamp means 640.81!) of these vermin.
o lr Hlitinn of Honolulans. anM imgwonn, .Mrs. ftiorumer niggs. mrr.
where they both meet their fates-if , Shunian. Mrs. Ii. L. Marx. !'
they only knew it. For of course. . 1 miberlake.
there is a love story in the play,- -
two of them, in fact. Hut it won't TUp piDCCI VC
do to spoil anticipation by telling too j 1 f,L- r '
iuuiii. i UUIIIII1U Ml I Mil
"The Tourist" promises hot only to j
be a great success from a histrionic i
p y ' . ' ' . ' ' ' ' ' ' ,i
and musical standpoint but from a
social standpoint as well. The cast
includes nearly all the best singers
in Honolulu, as well as several who
have made reputations in the line of
acting, and all are people well known
to the community.
The idea in the production of "The
Tourist" is to help make Carnival
week a huge success. The three per
formances will help fill up the week
and give visitors to the city some
thing to do to amuse themselves.
The name of the play is certain to
attract them and they will go to see
what Honolulu has to say about the
tourist. Incidentally, the production
of th operetta will help the carnival
committee in a financial way.
Following is a list of those who
have consented to take part, and also
a list of the patronesses:
Mrs. C. K. Tackaburg. Mrs. Riley
Allen. Mrs. A. G. M. Robertson. Miss
Heryl Hunter Jones. Mrs. R. McEl
downey. Miss l.ucv IMiv.oinl. Miss Cal
lie Lucas. Miss Violet Stoever Miss
Eloise Wichman. Miss Allele Wicke.
Miss Edith E. Pratt. Miss Thelma
Murphy. Miss C. Jones. Miss Myrtb
Schuman. Miss Rose Herbert. Miss 1
Ethel Whitins. Miss iSvbil i;orertson. " re p oim e um imui. -we savanf.
Mis Pearl Littlejohn. Miss Ruth proress that the ascertainment of the
McChespt'.v. Miss Martlia Met 'hesiu-y. romposuion of cell life tignifies im
Mibfc Edith E. Smith, Misses Holt J. pt riant progress, toward the artifir ii
The efTiciency of the syster js ex.
rr.ination operated by tirefl:" ijrnt iS
1 essed in the finding that ergy ex-
cc Id. Practictaiiy ail tne wasted in
pended makes light; none ify approx
producing heat. , The effif i?nt How
irnates the ideal. 100 lernt iV con.
tctble is man's achievem artificial
trust. Is the efficiency , ppr rlnt?
lighting ever more than e a ,uinj
The lightning hug flashir wor,n snjn
-ature lighthouse, the gfe p0e star,
ing with the serently ofumjnij, n$
the 'railway beetle" ow anj stern
p;'lh with a red light aer sde they
ai-d green lights on e,ro something
rha'lenge nun to pfniore effective,
as economical it of tVhing more ap
ihuniinating power. M1 was 0fferej
pealing to the imnginatt -S8 Gf fijm
at the international eonRone savant
iti than the tt itement o. the glow
tl.at he was striving to apply. lS(?
wcrni principle to conimerc i&ir
l t.e assemiiieti s ieniuts snook T
Leads doubtfully. The feeling seem
io l e that s: ience eer sac?eeds in
there is vet
If you knew that you could secure a single cooking product to take the place of both
lard and butter, with even better results, would you not use it. You can be certain of
that very thing.
n.iuiies nsuung plant
a long ro ;d to. travel
Profe.or Raphael Dubois 0f Lyons I
t!ies he has elements which in n'a
Is better than lard for frying, because it cooks the foods so quickly that they are
crisp and deliciously dry.
Is better than lard for shortening because, being strictly vegetable, it makes a
much better and more digestible crust than possibly can be secured with animal fat.
Is better than butter for cake making because it is richer. Butter is nearly one
fifth water while CRISUO is all shortening.
Yet CRJSCO costs less per pound than lard, and only half as much as butter.
From everv standpoint. CRTS CO should be vour TrreferrpH rnnlnncr nrnHnrt anrl
j 1 m ' " - i' - "
IIULLL CUiU UUllCl LUC OUUSUIUIC3. 11 wiu uc xx yvu tiy XI.
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