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NOV. 12, 1927. ED NELL, JR., WILL OPEN MONDAY IN ‘VAGABOND KING’ Charles Berkell Will Close His Colonial Stock Season by Presenting 'Some Baby,’ a Comedy, All Next Week, Starting Sunday Night, N • . As was the case when this musical play was announced for a week's engagement at English’s Opera House last season, play going interest of Indianapolis now centers generally upon the coming to that house on Monday, Nov. 14, of “The Vagabohd King.” The booking is for but one week, with matinees scheduled as usual. This latest, and believed by many to be the finest of Frknl’s operettas, was the mag net for a week of capacity audiences at English’s last sea son. In fact the throngs, both from in and out of the city, that besieged the ticket office, numbered hundreds of disappointees who were unable to secure desired seat reser vations. There is, perhaps, an even greater concern in the coming visit of “The Vagabond King,” by reason of the announcement that Russell Janney, producer of the play, has sent on tour his entire New York Casino Theater forces—the complete cho rus, orchestra, corps de ballet—and the metropolitan cast of principals, including Carolyn Thomson, prima-donna, who, when “The Vagabond King” opened at the Ca sino two seasons back,” created and sang the role of “Katherine de Vau celles.” Miss Thomson sang the part at the Broadway house 538 times with out a miss. Sharing honors with Miss Thomson in the New York, Boston and Philadelphia engage ments of “The Vagabond King,” however, wa3 Edward Nell, Jr., the Indianapolis boy, whose rise to emi nence in light opera and musical comedy on Broadway is now a mat ter of important theatrical history. Nell has created a series of sen sations in the eastern places, and because of his superb voice, coupled with a dramatic ability high above the average, Janney placed him at the head of his New York com pany, and he now sings the thrill ing role of “Francis Villon” in the operetta. The eastern exchanges have spo ken in glowing and convincing terms of Nell’s achievements. Others in the New York company include Will H. Philbrick, noted co median; John Thorn, Ben Roberts, Mjjra Peache, Aleta Edwards—many others, and it will be pleasing news to admirers of the best in the dra matic line to learn that H. Cooper Cliffe, the English actor, is to re turn and play his role of “King Louis XI of France.” FINAL WEEK OF STOCK FOR BERKELL The Berkell Players at the Colon ial will make their ninth week a closing week for their fall season of .stock repertory. While it-was Man ager Berkell’s intention to operate his company the whole year through, several conditions made it necessary to feel his way along before signing yearly contracts, and he entered up on his winter season at the Colonial with but an agreement to continue for an eight-week period only, pro longing his stay providing, of course, that everything went well. He is staying one week over the period that the members of his com pany may have ample time to place themselves elsewhere. All of his ac- ADOPLH BOLM—RUTH PAGE and Company in A DANCE RECITAL Thursday, Dec. Bth, 8:30 P. M. MUD AT Till? A TDD S3 -°°; Main Floor ’ IVI U Ivii 1 1 IlElix 1 I\£l $3.00, $2.50, $2.00; Balcony $2.00, $1.50 and SI.OO. mm <| rt I If Enclose Slumped and self-addressed en- IVI dll Urciors INOW* v, ' lo l ,c with check, to Murat Theater *ADD AVAR TAX TO PRICES LEI LANUkso§k ™t^l 9ANS I ers and Instrumentalists 12 1 ■CLARK THE NAGFYS 1 ON STORY DEFYING THE LAWS ■ HE I’IANO OF NATURE gif .1 JOE & WILLIAM HALE I AND A COUPLE OF MISSES jjgjg )ED FEATURE! B ) HOLLAND” I IGS, WORLD S GREATEST YODELERS jsjjf SCREEN J§l i'G AROUND THE EMERALD "OUR FACES WEST”—KINO- afij VBLE, “THE FOX HUNT fl#/ 3CITAL RY RUTH NOLLER SBjdßx&L* DOORS OPEN 12:30 New Comedy “Quick Lunch,” by the entire writing staff, will be the next vehicle for W. C. Fields and Chester Conklin. The comedy team will start to work* in the new production immediately upon completion of “Two Flaming Youths,” their cur rent laugh feature. No director or supporting cast have yet been selected for “Quick Lunch.” <> tors are well-known for their sincere work, and are constantly receiving offers from other stock companies. The closing vehicle is a three-act comedy which will be an ideal ve hicle for his company in its last ap pearance this year. Idabelle Arnold, favorite of several seasons, will be the star behind the footlights, with IJilton Byron in the male lead. The play deals with the supposed discovery of the real Elixir of Youth. An old scientist, with the de termination of a Ponce de Leon, sets out to give to mankind his discovery which he claims is an universal re storer. / He applies his Elixir to an old general and to his young and pretty daughter with the result that a maze of wonderful happenings take place, funny in the extreme, and which seem to confirm all J-hat the scient ist has claimed for his restorative. As is usual with the modern play, a pleasing love story threads its way through the three acts. The play is entitled “Some Baby,” and was written by two well-known authors, Zellah Govington and Jules Simonson. It had its share of favorable com ment when played on Broadway and is calculated to incite as much mirth and merriment as any bill which the local stock company has produced. “BROADWAY” IS BOOKED AT ENGLISH’S The one outstanding hit of the 1926-27 theatrical season in New York, “Broadway,” will be presented by Jed Harris at the English Opera House the week of Nov. 21, with matinees Wednesday and Sat urday. The success of this drama of the cabarets is testified to by the fact that no less than twelve companies of the night club classic are this season showing in America and Europe. London applauded the play for thirty-five weeks, and adapta tions are this year playing in Berlin, Budapest, Vienna. Bucharest and Sofia. The play -is in its second year in New York, where it has broken all records for high box office receipts. Still another company has played lor twenty-two weeks in Detroit, and Chicago, Philadelphia, Boston and Los Angeles are being regaled with special companies. Jed Harris, producer of the play, AMUSEMENTS is but 27. Preliminary to the astounding success of "Broadway,” he had produced but two plays, “Weak Sisters” and “Love ’Em and Leave ’Em.” Harris purchased “Broadway” from Philip Dunning, who had christened it “Bright Lights,” and then called in George Abbott, well-known stage director, to build it up. After two weeks’ tryout in the Jersey Coast resorts it opened in New York on Septem ber 16, 1926, and was at once ac claimed as an undeniable hit. Like the street for which it Is named “Broadway” is at once mean and glorious, slangy and bitter, comic and tragi?, wise arid naive. The scene of the Story is the private party room of The Paradise Night Club, one of those dark and bolted and suspicious taverns that is a by product of prohibition. The Paradise is peopled by plot ting bootleggers who do not hesitate to use their cannon in defense of territorial rights, the entertainers rushing on and off through the swinging doors to make their costume changes, a bragging young hoofer in love with one of the chorus girls, a sauve and slow spoken detective from the homicide squad with two murders to solve, the urbane and plotting Greek pro prietor, the slouchy waiters with coins jingling in their coat pockets, and visiting gangsters out for a party after hours with the chorus girls. In the company are Frederick Howard, Betsy Jane Southgate, Tom Morgan, Walter Davis, Clyde Veaux, Mary Johns, Justine Hart and Maurine Mayo. Pre-Views of New Photoplays War wins as the popular dish for motion picture patrons. On the ground, on the sea and in the air, it is, or has been, portrayed in New York city in recent months and the harvest from its pictures has been the greatest ever reaped by a single subject for the motion picture in dustry unless it be the subject of love or the eternal triangle. It all seems to have started with ‘‘What Price Glory,” which has moved into the so-called ‘‘Cathedral” movie house of Roxy, popular movie proprietor. ‘‘What Price Glory” was the first of the war successes. It is still running after years as a. stage and screen production. Then came “The Big Parade,” the “Abie’s Irish Rose” of motion pictures. It has passed its ninety-third week and still the hundreds of thousands of dollars in profits roll in as it main tains its place as a drawing card throughout the country. “W’ngs,” the thrilling epic of the air, came next and if ever there AMUSEMENTS . THE INDIANAPOLIS TIMES 1 Edward Nell Jr. will be seen in the chief role of “The Vagabond King,” opening Monday night at English’s. 2 Conlin and Glass will have a prominent place on the bill opening Sunday at Keith’s. 3 Larry Sullivan will be seen in the cast of “Some Baby,” opening Sunday night at the Colonial. 4 Elsie Clark will be on the new opening bill Sunday at the Lyric. In Concert ■ ***&%::■ fylN Edward Rechlin Edward Rechlin, noted oiganist, will give an all Bach organ reci tal at the Meridian Street M. E. Church on next Wednesday night, under the auspices of the City Walther League. was a picture glorifying war it is “Wings.” It makes you wonder Just how soon the League of Nations can be depended on to collapse and as your blood tingles life in present day America, far from anybody’s fight ing front, seems all too common place. We all agree that for movies that move us these constantly improving pictures of war cannot be equaled. But of them all we predict that “Wings,” in which we are carried to the clouds, in which we forget the Broadway crowds and stiffen in our seats to feel delightful cold shivers as “Buddy” Rogers and Richard Ar len carry us over “No Man's Land” is going to run all the others a good race for supremacy. As far as the writer is concerned, it is the best motion picture ever witnessed. United Artists, in addition to giv ing the movie world Mary Pick ford’s new picture, “My Best Girl,” during the coming season, also will provide the following offerings: Norma Talmadge in “The Dove.” Charlie Chaplin in “The Circus.” Gloria Swanson in “Sadie Thomp son.” Douglas Fairbanks in “The Gau cho.” John Barrymore in “Tempest.” Gilda Gray in “The Devil Dancer.” D. W. Griffith’s “Drums of Love.” Morris Gest’s first picture, "The Darling of Gods.” And others. Previously “Mare Nostrum” had given us some of the thrills of the war on the sea- Little Theatre The second production of the sea son to be made by the Little The atre Socity of Indiana will be “An Enemy of the People,” by Henrik Ibsen, on the evenings of Nov. 30 and Dec. 1,2, 3, 9 and 10. This play is substituted for Pirqudello’s “Right You Are If You Think You Are,” which has been postponed until February, owing to its timeliness and its apparent interest to Indian apolis civically—of the Ibsen play. AMUSEMENTS DANCING Where Indianapolis Dances BIG FROLIC TONITE MARDI GRAS and CARNIVAL SUNSHINE DANLi ANT Sunday Matinee 3 to 6 P. M. SUNDAY NITE FROLIC When you bring her to the Indiana you are giving her the best. PERFECT DANCE MUSIC Hoosier Harmony Kings MONDAYNITE Benefit Dance PAL’S CLUB Tickets at Door ROUNDING THEATERS We reflect again upon the worth of the Little Theatre Society to this city and state. George Somnes and the directors of the society never made a more interesting decision when they decided to immediately put into production Ibsen's “An Enemy of the People.” pris Ibsen play Is now rated as one of the real successes on Broad way partly because Walter Hamp den is appearing in it. The play’s theme Is very timely, especially so in this city when most people are thinking in terms of city government. The Little* Theatre decided to produce this play after Meredith Nicholson saw Hampden in it in New York. Somnes a few days ago journeyed to New York to see the Hampden production. It is this determination on the part of the society to give Indian apolis outstanding plays of the stage that increases the civic value of the Little Theatre. Is is a fact that we are going to rely more and more upon the various Little Theatres for our Shakespeare and our Ibsen. Indianapolis can now point with pride to this organization and can name it among the ten best insti tutions of the city. The members of this group have worked for years to establish this organization and they have won the respect and the confidence of the citizens of Indianapolis as well as all over the state. Have received several letters from people who saw “The Beggar’s Opera” at the Murat the other evening and some state that they were a little disappointed because they had a wrong impression of the theme of the opera. This department on the day that the opera appeared went into detail A FATMC-OCMILLf I*ICTURft / Wdlimßoud \ DPEff PARADE’ \ | Ime /aye / a/na/ica o/ft a/ee! Sb//r/ V f CAc/et d/td staaet g/rf- ctof/nt/raf U\J (Acme su/fcrbif v/eu*e//jact ~~ KEITH* ALBEG VAUDEVILLE CARL FREED u-rope’s foremost musical director and his orchestra j _ CARL HOWARD'S EL I DA M9CULLOUOH SPECTACLE DANCERS PATHE NEWS- COMEDY - FABLES-TOPICS umm CONLIN & GLASS IRTLE |j •• MOBNINO - NOON NIOHT MRT/NEES EVENINGS 40-60^ ’ £ xctr- ~ S//A. jir sa/yo*rrs A. ho±/c'**vs continuous one to eleven --- - , , ROUND With WALTER D. HICKMAN of scene after scene on the request of many raders. One of the letters is as follow's: “The writer through some misinterpre tation of press notices, was led to see the “Beggar's Opera” at the Murat Theater last night. The misinterpreta tion was entirely his own afault. no doubt. The “Opera" was indeed charm ing and entirely satisfactory, but of course, as the writer was prepared to see something of an entirely different nature, he was left with a slight feeling of disappointment, due again, of course to his own ignorance. Will you kindly dispel his dilemma. What is the name of the Opera in English, the Lyrics for which were written bv Edna St. Vincent Millay? Will you kindly give a brief sketch, of the story? It is the writer's impression that the story hinges on a short historical 1 - novel, written by W. H. Hudson. Has the opera been given in New York? In London? The writer will feel himself indebted to you if you will give your reply to this letter space in vout next review of the theater In The Indianapolis Times.” Respectfully Yours, A. Z. I find that Edna St. Vincent Millay wrote the lyrics for "The King's Henchmen,” which was pre sented for the first time in New Yon: la.it season at the Metro politan. The music is by Deems Taylor. It is now on tour and ha.i been booked for Cincinnati, Ohio, in the near future. On Lindbergh Program “Crazy to Fly,” was selected for a special program given under the auspices of the Chamber of Com merce of San Diego at a special program on the occasion of the visit of Col. Charles A. Lind bergh to San Diego. The picture is full of thrilling airplane scenes in Addition to its comedy appeal. Bobby Vernon is starred. AMUSEMENTS The Film Shop BY DAN CAMPBELL United Press Staff Correspondent HOLLYWOOD, Nov. 12.—An ac cepted draft law along the film rialto makes almost any trade or profession open to summons to the movie studios. If you live in Hollywood and don't enlist in the movies you are subject to draft at any time. The summons comes frdhi a director’s vegaphone instead of an army trumpet. More than 100 firemen were drafted recently for a sequence In Emil Jannings’ latest starring pic ture, tentatively called “Hitting for Heaven.” They were dressed in the uniforms of London firefighters and extinguished a spectacular blaze that partially destroyed a two-story house. Policemen were drafted for crook battles scenes in "Underworld,” Ben Meet’s sensational crime story. Street car conductors and motor men were called upon to work in "Figures Don't Lie,” starring Esther Ralston. Movieland Meanderings—Princess Pola Negri stepping into a Rolls- Royce sport touring, the prince at the wheel—James Hall in Kilts, conscious of his knees—Betty Bron son and Lane Chandler discussing sunburns remedies after a location trip to the desert while Ford Ster ling wise-cracks Maria Corda wearing a skirt above her knees for "The Private Life of Helen of Troy”—A cannibal island at the First National studios with waving palms, muddy w-ater, and hundreds of Cannibals running wild—Billie Dove carrying an extremely long handled parasol with a duck's head for a handle. The duck has a tongue which quacks when Billie presses z. button. Today Last the m.\kx brothers JJ'ZZ "THE COCOANUTS” * Prieei; Nit*, fl.lO to I3.HS. Mat., |I,M to ENGLISH’S - Important! Performances nt 8:10 Sharp; Mat*., 2:10 Sharp IIY ALL ODDS THE BKASON’3 MOST NOTEWORTHY ATTRACTION Bussell Janney’s NEW YORK ANI) LONDON SUCCESS r l Ills Time With THE ENTIRE NEW YORK CASINO THEATRE CAST CAROLYN THOMSON 1 r, * t,,r,n ‘ KDWARD NELL JR. WILL H. PHILBRICK H. COOPER CLIFFK And Twrnty-fnr Other IJ’wajr Musical Cnincdy Star* THRILLING CHORES 0. NYMPH. ORCII. CORPS l*K HAI.LKT. Prior*: Niuht*—llxs., *3.85. Orrh.. *;i.:in Hair. I*t 1 row*. *2.75i ne\t 4 rows, *2.20; laxt 5 rows, *1.05. Gal., *l.lO. ISotli Mat*., IU„ *3.xn. Orel!.. *2.13 Hair., Ist t rons, *2.20: nest 4 row*, $1.05: last S row* and entire gallery, *1.1(1 WEEK SS& NOVEMBER 21 33359 SPECIAL THANKSGIVING DAY MATINEE In order of receipt, MAIL ORDERS are now being filled for Jed Harris's presentation of THE NIGHT CLUB CLftSHC mmi WORLD FAMOUS DRAMA OF THE CABARETS By Philip Dunning and George Abbott There is still time to send in that maii ordo. and have first ohoice of seats. Be sure to enolose stamped self-addressed envelope r’.th your order. All seats remaining for the engage ment will be placed on sale at the box office PRICES: Nlte. Oreli., *2.75: la!.. $2.20. $1.05. *1.10; Gal.. 75e. Mat.. Wed $1.65, sl.lO. 75r, *Oe. Mats., Thurs.-stat.. $2.20. $1.65, *llO. 71*. 00c. Seat* Heady Thftrftday, Nor. 14. COMING WEEK NOV. 28 il'Jl’A’," “ABIE’S IRISH ROSE” Berkell to Make Plans for Spring Stock Company to Close Its Season Here Soon. Charles Berkell, manager of the Berkell Players, will close his en gagement at the Colonial with Saturday night’s performance on Nov. 9. This will be the ninth week of stock at the Colonial. Since coming here in March thirty-four plays in ail have been presented with ten performances each, mak ing a total of 340 performances. Relating his experiences In stack in this city, Berkell said, "Each successive year has been Increas ingly satisfactory, and this year crowns them all for generous patronage and appreciation. Os course, we have given some big things this year. Take for instance, Gentlemen Prefer Blondes.’ Our cast for that play was large and unusually good. We were told by many versed In stage craft that it was as well-rounded a production as any stock company could present. ‘Adam and Eva’ was a high typo play, and, in fact, practically all of our shows have been worthwhile. “We have been ■ particularly fortunate In having many season tickets sold to the same people year after year, confirming our be-,, lief that we are appreciated here. Our players are somewhat tired now after thirty-four week's engage ment, and some of them want to go home for rest, study and recre ation. “We have played one week longer than our contract In order that they can all decide what they want to do in the future weeks. We shall have a few new faces with us next year, as I intend to enlarge the company. “This year we have had a splendid cast. Our players have liked it here, and have returned so many times that it seems very much like home to them. After a few days In my home I expect to go to New York to read plays with a view of select ing the best for production here next year. "We wish to take this opportunity to thank the local merchants who have loaned us their wares for use in our productions. Announcements will be made from time to time as to the plays to be presented next year, the opening of the season being in the very early spring,” Berkell said. Bancroft’s New Film Victor Schertzinger, director as signed to George Bancroft’s new starring picture, “Honky Tonk,” ex pects to start camera work in twu weeks. Support “Big Boy” Hy Mayer and Eva Thatcher carry the principal supporting roles in “Shamrock Alley,” the new star ring comedy which “Big Boy," four year-old star, has completed. AMUSEMENTS PAGE 5