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11 screen Theatrical QfcSgig Bb» Page Z^ecI^s0 | Popular Eastern Orchestra to Swing at New Savoy Ballroom ‘ ' ■ w ■ V. x ■ ’ ’ v WBBNI BANDj STARTJfflJRS. Begin New Policy of Savoy Willie Bryant, orchestra lead er, emcee, dancer, comedian and entertainer par excellence, ush ers in the new dance policy at the Savoy with his famous or chestra on Thursday night, April 28, in a gay and colorful spring dance festival planned by the management of the famous southside dance palace. Willie Bryant— called “Snoz zola” by his many intimates— has one of the most popular dance bands in the East. He has just closed a ten weeks’ engage ment at the swanky Savoy ball room in New York City, broad casting over the coast-to-coast net work of the National Broad casting Company. When Bryant arrives in town hb will bring along one of the greatest ensembles of “swing” musicians in America. They play a style of music which the young’ folk will enjoy, the kind of rhythm which is danceable, de lightful and contagious. While at the Savoy in New York Willie became the idol of the “jitterbugs,” the “Big Ap piers” and the layman swing fan. He has the distinction of having drawn some of the great est crowds in the history of the Harlem J dan,ce • • -palac?, apd has battled Chick Webb, Count Ba sie and Tommy Dorsey to a standstill. Other than Willie Bryant and orchestra, one of the entertaining features will be Belle Powell, the new vocalist with the Bryant crew. She has been ranked as one of the up-and-coming song stylists of the dance world, and when she “swings out,” you will surely delight in hearing the girl who gives Ella Fitzgerald and Maxine Sullivan their keen est competition. Paul Robeson’s ; Return to London Is Triumphant By RUDOLPH DUNBAR (Associate! Negro Press Correspondent) I.ONDON, England, April 28.— After an absence of about two years, Paul Robeson returned to Albert hall with triumphant suc cess on Sunday afternoon, April 3, in a recital with Lawrence Brown, assisted by other artists. People generally gaze with won der at the enormity of Albert hall, yet the vast interior was crowded with every nationality who gave Robeson a spontaneous reception as he walked on the stage. Nature has been very kind to Paul Robeson by the endowment of a rich sonorous voice, whicn he uses to great advantage. Aside from this, Mr. Robeson is a su premely great artist, because of his simplicity, candor, and un compromising fanatical honesty. In referring to his simplicity, I do not wish to imply the ineffa ble innocence shown by children, saints and idiots; I refer to the simplicity of a man who has de voted patience in exploring and unravelling to his own spiritual satisfaction the complexities of life and art, and has achieved, like all great artists, the lucidity of emotion that contains all the wisdom of experience. He has solved his problem, and there fore benignly wishes to elucidate ours through song. So I reflected as I listened to the Russian songs which he sang. Unfortunately, Russian is not among my list of languages, hence I did not understand the text of these songs; but it was not necessary to know Russian in order to sense the emotional Slav naivity and the incisive clearness of enunciation which Mr. Robeson expressed in them. Sitting besides me were Rus sians who seemed to have been deeply moved by his utterances. His voice was rich, even and mi raculously controlled. “Go Down, Moses,” “Every Time I Feel de Spirit,” “Oh, No, John,” “Some times I Feel Like a Motherless Chile,” and “Joshua Fit de Bat tle ob Jericho” were all express ed in a model of style and shape liness, portraying the beatitude of Negro folk-music. ■All the settop vere ujjade by By SALLYE BELL, (Associate! Negro Press Correspondent) Last week we were going a bit into detail about our fan mail j campaign, and we got so warmed I up on the subject that the class ; lasted much longer than was my : intention. I shall take great care; that this does not happen this ] time, because for one thing 11 can’t find the material I had compiled to use this week, and for another I haven’t much time today. Our attention now turns to the coast, where Negro radio pro grams have come into vogue just within the past two months. There are now three programs there sponsored by Negro firms. On various coast stations, the Golden State Insurance company, Benton’s Manufacturing D r u gj company, and the “California Eagle,” are bringing favorable comment with their impressive Negro programs. The “California Eagle” broad casts nightly except Saturday over the 24-hour station, KGHJ, and gives news flashes which are not confined to Negro activities only, but embrace general news of interest to all races. The broadcasts are made by various members of the staff with John Kinloch announcing, and vary from day to day. On Sunday there are timely comments by the editor, Mrs. Charlotta A. Bass, on Monday a discussion and news of women's affairs by Helen Chappelle, socie ty editor; Tuesday, drama by Fay M. Jackson; Wednesday sees some notable guest speakers on the program, Thursdays are in charge of Almena Davis, feature writer, and Fridays are presided over by J. Cullen Fentress, sports. The broadcasts are made pos sible through the courtesy of one of the leading white automobile firms, and many letters compli menting them come from persons of all races. This is n splendid opportunity for you west coast fans to do a bit of extra curric ula fan-mailing, and let these sponsors know that you enjoy their programs and appreciate their initiative. But back to the colored stars on radio, did I mention Nicode mus last week? I know you’ve heard him and also Hattie Knowles on Eddie Cantor’s pro grams. . . . Then there’s June Richmond, with Jimmy Dorsey’s orchestra, and Billie Holliday with Artie Shaw’s orchestra, which shows that the color line is slowly but surely being erased, since these are Negro girls star ring with leading white swing bands. Not only because we reab ly and sincerely enjoy these girls’ performances, but also because we appreciate the opportunities such examples open for other Negro artists, we should not hes itate to express our appreciation for these artists’ work. So fall to, my worthies, and whenever you feel disposed to grumble about about the Negroes’ lack of op portunity, you can just remember that the “Lord heips those who help themselves,” and we can help ourselves by co-operating with these Negro stars and try ing to keep them on the air by swelling their listening public. Chicago’s Savoy Ballroom has been renovated and is planning to open four nights a week for continuous dancing. Willie Bry ant of New York’s Savoy is scheduled to open there on April 28 for a seven-week’s engage ment during which time he and his orchestra would be heard ov er station WBBM and the CBS network. Leo Watson, colored scat sing er and trombonist, will be heard with Gene Krupa’s band now. . . . Sabu, the little lad who won acclaim in “Elephant Boy” last season has been engaged by RKO for one of the principal roles in “Gunga Din,” with Jack Oakie, andj will leave London where he recently completed “Mutiny in Mountains” and will arrive in Hollywood within the mxt two weeks. Although radio is really out line, there’s such close relation between radio and screen that I am constrained to suggest that, when you see little Sabu (or ev-r en before you see him) in hio next picture, you write to RKO and iet them know you'enjoy his performance. That’s all for today—so good bye, please, until we meet again. THE A TRES / \ a - oao st « t V/TlL STREET Sunday and Monday, May 1-2, Giant Double Feature. “OF HU MAN HEARTS” with Walter Huston and “PRISON NURSE” with Henry Wilcoxon. Added, Donald Duck Cartoon, “MOD ERN INVENTION.” Tuesday, May 3, BARGAIN FAMILY NIGHT. ALL SEATS, 10c. TWO BIG FEATURES. Wednesday and Thursday, May 4-5, Big Double Feature, “STAGE DOOR” with Katherine Hepburn and “MAN PROOF” with Myrna Loy. Friday and Saturday, May 6-7, Double Feature Program. Jane Withers in “CHECKERS” and “HEADING EAST” with Buck Jones. Added latest episode of “ZORRO RIDES AGAIN,” serial and cartoon. COMING ATTRACTIONS Sunday and Monday, May 8-9, Mammoih Double Feature Pro gram, “EVERYBODY SING” with Judy Garland and “LOVE IS ON THE AIR” with June Travis. Extra added attraction, first episode of the new thrilling serial, “THE LONE RANGER.” QTATF^ 3507 SO- STATE J A ri A LUJ STREET Sunday and Monday, May 1 and 2. Jane Withers in “CHECK ERS.” Plus Buik Jones in “HEADING EAST.” Also last rhapter of “TIM TYLER’S LUCK.” Tuesday and Wednes day, May 3 and 4, Two big Fea tures. Sonja Henie in “HAPPY LANDING,” plus John Barry more in “BULLDOG DRUM MOND’S REVENGE.” Also add ed attractions. Thursday, May 5, one day only. 3 Big Features. Zasu Pitts in “FORTY NAUGHTY GIRLS,” and Harry Carey in “ANNAPO LIS SALUTE,” plus Ann South ern in “THERE GOES THE GROOM.” the art department and the wed ding cake was baked in the foods laboratory of the depart ment of home economics. The Ask your newsdealer for The CHICAGO BljE. __ Friday and Saturday, May 6 and 7. 3 First-Run Features. Jack LaRue in “PRISON NURSE,” and “PARADISE FOR THREE.” Also “SCANDAL STREET,” Big Gang Thriller. Added attractions. COMING ATTRACTIONS. Sunday and Monday, May 8 and 10. George Brent in “GOLD IS WHERE YOU FIND IT.” Plus “RACKETEERS” and “PAID TO DANCE” with Don Terry. Added: 1st chapter of “FLASH GORDON’S TRIP TO MARS.” “Willie” Has New Method of Swinging Being Penny-wise hurts. But it pays. That conclusion has been reached by William Stevens Bry ant, Jr., known to millions of radio listeners as just plain Wil lie, and who has been heard reg ularly coast-to-coast on the Na tional Broadcasting Company’s network, and who will be seen and heard with his orchestra on Thursday night, Apr. 28 at the Savoy ballroom, 4731 South Parkway. Bryant sky-rocketed to fame due to his informal method of presenting popular tunes, found that the monetary returns were as large as the return in plaudits. And the temptation to splurge with the former was equally as large. The number of things which he could afford was limited. Pre cedent of former and present j radio stars demanded that he be | lavish. Even the largest pay | check can disappear like water in the desert under such condi tions. Bryant, though only 24, has been a “trouper” since the early age of 14, and realized the value of money. He is rated as one of the wealthiest of the newer crop of radio celebrities. He owns a beautiful home in Harlem, New York, and a farm of 257 arces on Long Island. A real “success-story” in the person of Willie Bryant will be ; seen at the Savoy ballroom on* Thursday, Friday and Saturday nights of this week when he | brings his famous “Hoppin’ ” ‘John orchestra there. 'Vogue in Review’ Is Presented By CHARLES SATCHELL MORRIS. NASHVILLE, Tenn., April 23. —On Friday evening, April 15, in the college’s auditorium, A and I. State college presented for the approval of the State Teachers’ Association a most novel offei’ing styled as “Vogue in Review”—a distinctive and unusual effort of the Department of Home Economics and Art with the assistance of the De partments of Music, Dramatics and Physical Education. The original theme was developed around the story of a bride-elect in the midst of her wedding preparations, busily selecting her trousseau, receiving her gifts, enjoying the pre-nuptial social affairs given in her honor and finally being wed to the sweet heart of her college and univer sity days. The program opened at 8:00 with Mrs. M. B. Strange at the organ console for a brief prelude, followed by Miss Hazel Rogers with “A Tribute to our Guests.” Scene I showed the bride-elect in her boudoir, busily poring over the pages of “Vogue” and exchanging suggestions with her bridesmaids. In the background might be seen a large replica of fficTfnagaziftg, from whose pages emerged models clothed in the varied apparel so necessary for the honeymoon. Scene II had its seating in a tea room on the av enue, wh.le Scene III was tha. of a garden party honoring the bride-to-be. The climax of the entire affair was the wedding scene with all the splendor, dig nity and beauty of the most im pressive church service. At the close of the ceremony the bridal party marched slowly out to foi'm a receiving line in the lob by of the second floor where the guests were invited to- view the wedding gifts and sample the wedding cake. Special features, in addition to the incidental organ music, wer~ the vocal rendition of “Rose in the Bud” by Mr. Donald Officer, and the spring dance by Miss Celeste McMahan—b o t h as en tertainment in connection with .he garden party scene; the wed ding solo “At Dawning” by Miss Mcdestine Young; and the entire act dramatic interpretations of “The Village Dressmaker,” by Miss Walker Chavers, “The Mil liner’s Shop” by Miss Mildred Field, and “Little Mary Enter tains Her Mother’s Seamstress’ by Miss Gladys Shockley. A total of perhaps two hun dred or more dresses, coats and accessories for all occasions in C Great Northern 26 W. Jackson Blvd. WABash 8111 “BIG WHITE FOG” A SMASHING NEGRO DRAMA By Theodore Ward “It’s a sheer joy to watch those Federal theatre Negro players in action.”—Gilbert, Examiner. “Mr. Ward should keep on writing plays.”—Louis, News. “It appeals to both audience head and heart . . . Excellent d’rection. Splendid.”—Borden, Times. “Acted with dignity and poise —intelligent use of racial ma terial.”—Collins, Tribune. Performances Nightly Except Monday Prices—S1.10, 83c, 55c, 40c, 25o Federal Theatre — WPA Frankie’' Files bait for Libel Against Film Co. ST. LOUIS, Mo., April 28.— 'ANP)—Suit for $200,000 dam ages was filed by Attorney Jos 'ph L. McLemore in circuit court Thursday for Frankie Baker of Portland, Ore., who says she is he original “Frankie” of “Fran kie and Johnnie,” against a Hol lywood film company and several stars who appeared in the pic ture of that name. Defendants listed were Helen Morgan, Lily an Tashman (now deceased), and Chester Morris, actors; Jack Kirkland, author; Chester Erskine, director; Repub lic Pictures, Inc., and two of its distribution companies. McLemore said the suit was filed in St. Louis because the story made famous in song oc curred there. It charges the pic ture is a portrayal of incidents in Frankie’s life and “was wrongful, wanton, willful and malicious.” The film showed a barroom scene for the 1899 shooting in which Frankie “pull ed out her little 44” in her home, then in St. Louis. According to the attorney, Frankie was subsequently ac quitted on grounds of self-de fense. In the petition, Frankie said she did not take the life “of said Johnnie because of any en ragement concerning Nellie Bly.” household articles were display ed during the evening and in each instance the work was sole ly a product of the Department of Home Economics or of Art. In all save, perhaps, three or four instances the work was begun and completed in the depart mental laboratories since March 15 of this year. The wedding gown represented the outstand *ng exception to this statement, lor it was made and worn by Mis. Fort for her wedding in June, 1933. iPilaris* i«. A ■ k^uCu'.lit., k k B1£ ytatfBJti APPEARS IN NEWJM.AY “Spirochete” Will Open Soon Miss Violet Manning, whose start in the theatre sounds al most like fiction, is one of the featured players in “Spirochete,” a play by Arnold Sundgaard which has as its theme—syphilis, opening an indefinite engagement at the Blackstone theatre, Fri day, April 29. She began her ca reer in Denver, Colorado, at the age of six, after her father had lost practically all of his money. She applied to the manager of the Stock Company at Elitch’s Garden for an engagement, and when asked what she could do, replied that she could dance; the manager let her dance in his current play, “The Japanese Nightingale,” and thereafter she played ail the child parts for three years, with a company of people who afterwards became famous: Douglas Fairbanks, The odore Roberts, Cecil B. DeMille and Tyrone Power. She has played leads in stock in Omaha, Kansas City, Wichita, etc., and has appeared in road productions and a season with Mrs. Samuel Insull at the Stude baker theatre here in Chicago. Miss Manning’s favorite roles are those of “Madam X,” “The Man Who Came Back,” “Eyes of Youth,” and__“Bixd. aX.iga£adise>~ which indicates that she prefers drama. The Chicago Bee has more net paid Chicago circulation than any other local newspaper. -- DETURNING lo our city three weeks ago, Juan Florer, luc ky stiff, went to work on the Mutual Broadcasting System, station W-G-N. He has a six month contract with options. -Aside from playing the piano Juan sings in seven languages, and composes a lot of the num bers in his extensive repertoire. He broadcasts in the early aft ernoon. For further particulars watch the radio column in your daily paper. Don’t miss it, if you like something different; and 1 Know you will. Out south at the Club 65, we learn that Ann Simms and her swing buddies have left for oth er parts, them place is being fill ed by the one and only Count of Rich who reports that he has the situation well in hand. On our sick list this week we find Mrs. Vi Eldridge, wife of band leader, Roy Eldridge. She is at Provident hospital, where she is rapidly recovering* from an operation she underwent last Tuesday. . . . On the eve ning of the twenty-second at the Savoy Ballroom, a style and fashion show was given by the staff of Provident hospital. It was a social success. The music was played by Roy and the rest of his band. John Simmons, prominent bassist about town, left the city for Los Angeles, Calif., Thurs day. We wish him a nice trip and hope his return will be very soon. Returning to the city from Los Angeles, California;* ‘One'; John Thomas, wants it known | that he is back to stay a while. ; After appearing in such pictures , as “52nd street,” “Spirit of Youth” and “Every Day’s a Hoi iday,” he wants to swing! “There | is no place like home.” Seen at the new Pioneer Lounge on Fifty-first st. Friday morning were Pha Terrell, Mary Lou Williams, Dick Willson, John WilLams, Katherine Perry, Red Saunders, Roy Eldridge, Billy Adams, Victoria Spivey, and Ruth Harris, who acted as Missus M. C. —o— To all you skin beaters: Let me beef to you that there is a new cat in town who is solid from the meow out. His name is Jesse Price and he definitely has brought us something different. If you are one of those people that like to find something dif ferent in your amusements, may I suggest the Creole Inn on 30th st. Red Brewer and his band hold the musical end very nicely. That’s all for now. See you next week. company ends, she plans to re turn to Chicago, her home. The young star intends to study ad vanced ballet dancing in a New York school next fall. “BIG WHITE FOG” TO HAVE INDEFINITE RUN “Big White Fog”, the powerful drama of Negro life, originally scheduled for a two weeks’ run at the Great Northern Theatre, has been extended and will con tinue indefinitely. Acclaimed by both theatrego ers and newpaper critics alike, the business for “Big White Fog” has been far beyond the expec tations of Harry Minturn, region al director for the Federal The 3. re i&_411inois, and bids fair to break the1 previous high mark which was made by the musical show “Oh Say Can You Sing?” Ask your newsdealer for The CHICAGO BEE. A Thrill For Dance Lovers At The avoy Ballroom NEWLY REMODELED AND RECONDITIONED Inaugurating ” ew 4 ntertainment rogram DANCING 4 Nights A Week 1 . . i ... ISa™ay Friday Thursday 0 , cabaret F th Sundav night” F th wiii Be ounuay ACTS SOPHISTICATES CLUB NIGHT Table Service Dancing A Bit Admission EVERYBODY Minimum More Sedate To All n*Mrr Prices UAINCL Featuring The Nations Leading Dance Orchestras Starting April 28 Willie Bryant AND HIS SENS A TIONAL BAND Broadcasting Nightly Over WBBM FROM THE NEW AND BEAUTIFUL WILLIE BRYANT. Savoy Ballroom South Park at 47th Street SEE OUR SILHOUETTED BAND STAND WITH THE MOST MODERN LIGHTING SYSTEM TO BE FOUND _ ^ • m * ”■’