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4 -THE CENTENARY OF HOLMES. THI “AUTOCRAT,” WIT AND POET. A PARTIAL CHARACTERIZATION ' Of One the Mom Versatile, Most Wise and Most Helptnl of Ameri can Men of Letters. Our wise and witty Dr Holmes has not been gone from earth so many years that he is not still a vital personage in our es sential life of thought nnd feeling and the perpetual friendships which do not depend upon immediate contact with another. Cer taiuiy to the elder folk, men and women, ■who knew the Autocrat in 1857, nnd his ■agreeable- masquerades (or rather alter egos) the Professor and the Poet as they distinguished that Breakfast Table, the •mart peb^e who are writing to-day in magazincsMthe new Charles. Lambs and so on, seem rather fiat: whereas this inter esting congeries of philosophic and scien tific and .sympathetic connotators of hu man life ..embodied in that bright and <n critical Holmes seem just as keen and clever as at the start, while one feels more strongly the depth and sincerity and last ing quality of the man. He is one of the writers whom the lapse of time will only make classics—or keep classics. for among the great New England group his place is as fixed as anj other. Holiness ancestry was what he has de scribed Judds Brahmin class.—with repre sentatives in state and rimreh arid social connections far.back to the early days of New England, when the emigrants from old England found 'themselves originally placed as founders of a new tivilizatiou as well as inheritors of an old one. and be gan shortly to develop scholarship and leadership and statesmanship of their own. The Adamses. Winthrops, Bradfords, Pyn chons. had no special distinction .n En gland; gentlemen, yeomen, churchmen, whatever they hdd been in the land of the past, they* were transmogrified in a few generations to characters and types they might never have reached under the elder cimditiohr. Men mid women of old En glish descent were not like the rest of them left in Groat Britain. It was a new start, and so with the family of Holmes. He was descended- from not only English, but Dutch forbears, for the WendeLs were of Holland origin, and also through his mother he became Quincy. Jackson, Oliver, and among his relations were numbered Wendel! Phillips. Phillips Brooks, Rich ard Henry Dana and William Ellery . Chahriug. His father was Her Abie! Holmes, a minister of some note, who dwelt in the old gambrel-roofed mansion in ■ Cambridge, where Oliver Wendell Holmes was born. August 29, 1800. He v .is graduated from Harvard college in ‘ the class of 1829, which his constant muse ’ rendered, fupwitts by poem after poem nt their anniversaries—a series of most happy and' eiwer occasional verses such as no ether class of that or any other college .. ever, has peen glorified by. Those class poems of Holmes are in a rank by them wires (for genial fellowship nnd shining lyrielsni, and they make a fine showing Jq the edition of his poems. Thore were •in that class William H. Channing, Ben jamin Piercy James Freeman Clarke. Benjamin It. Curtis. Samuel Francis Smith, and not a few other men of eon reipicnce. He was the bright star of the galaxy. Holmes began writing as a youth, when he littered that stirring lyric that saved the old frigate Constitution in 183 t), when it was proposed to break up that heroic relic of the navy of the young republic; and that saved it again in our later days, and caused its rebuilding. A voice of pa triotic sentiment, this spirited appeal keeps to-day all its superb ring of enthusiasm. Who has not recited it?— Ay, tear her tattered ensign down: Long has it waved on high; And many an eye has danced to see That banner in the sky! It was in his early prime, too, that he wrote that exquisite bit of art, “The Last Leaf," whose subject was old Maj Mel ; Ville, the father of Herman Melville, the novelist, and the last Bostonian to wear , ■ the costume of the colonial days, the • corked hat, the knee breeches and the sil ver-buckled shoes. His first volume of poems was published in 1886, just after his delivery of th^t noted Phi Beta Kappa -poem entitled , “Poetry: a Metrical Essay,"—the first of many poems in rhymed heroics,—a favor ite form with him, and very easy in its moyenient, so that he himself rather aptly described it as "sing-song.” Nothing but bis peculiar genius could have imparted to this meter tne freshness and ease these ■ poems exemplified. He published this in the first volume referred to. in which had >» place a great many of his ready humors, as ' The Sunday Breeches,” “The Stetho scope,”. and the like: but also one at least of his most beautiful poems,—"The Last Leaf.” President Lincoln, whose literary sense was keen, though so slightly culti vated, said of this that "for pure pathos, in my judgment, there is nothing finer than those six lines in the English lan guage.” The reference was to the stanza . beginning “The mossy marbles rest." When Holmes wag 30 years old he was appoint cd professor of anatomy and physiology at . Eartmouth, but in the next year he mar ried Amelia Lee Jackson, and removed to Boston to practice medicine. It was seven years later that he was given the same professorship in Harvard medical, school, end there he remained until in 1882 he ‘ resigned, being 73 years old, and was made professor emeritus. All his life was hap py, he was beloved as a professor; his stu dents called him “the little doctor," and they all loved him. That was what all his renders grew to do, and a more enviable life could not be imagined. But Dr Holmes had the extraordinary experieace of beginning his real career as author In middle age, for what went be fore affords but little to fill the fame of letters Notwithstanding the rare beauty & brief lyrics, it was as the wit that Hollas was known, at the wit that Low ell charai-teriaod him in his brilliant ut»d •aucy Fable for Critics” In 1848, and when “The Autocrat of the Breakfast Table" made his appeorunee in th* first Cumber of the Atlantic Monthly in 1857, ■' we, had the ripe and rich maturity of a tu'ered man, to whom the wisdom of life had accrued without arty abatement of the g»y«y of temper and the free faculty of youth. It was a blessed thing that the Autocrat grew Unto full experience be he fulfilled'the design c.f the youth of 22. when he begun in the New England magazine. We believe it was' Lowell who made, not precisely a condition, but an earnest request that. Dr Holmes be engaged as one of the principal contribu tors of the Atlantic. There were many who suspected the practically inexhaustible resources of Holmes ih prose as well as in verse. where in his line nobody in America or anywhere else had surpassed him. And those who knew were the intimate friends who had heard him talk, over cho Coffee or the lea, or even now and then over rhe wine; and they knew he had only to send out Uis conversation for author’s copy, and to take the country. Probably no other magazine ever started out with so superb a staff of contributors as the Atlantic, w ith a'l the great Boston group, ami Concord besides; and among them all, nothing else so won the favor* of readers - ■ “ u^r —* ‘ ' - <‘- 'W *■—' ; Iv*' . fi f Wf < w - i * ■ ‘ ‘ 1 1 1 —' ~TT“ — ■ ■ — ' ■ 111 n" - ~ > ~ l OLIVER WEXDELL HOLMES. [From the portrait prefixed to "Over the Teacpp»,” Houghton Mifflin company.] as “The Autocrat." Will ever a youth of 15 forget how the new Atlantic came up to the farm cn the hill and took him by a surprise, as if not yet had the days gone by when Lamb or Hazlitt or lie Qnincey might be paralleled or sur paased! What one gets of Holmes in those Autocrat papers is a brightness and vitality in the survey of humanity and of letters and religions which bad been lack ing. One session at that boarding-house breakfast table was a liberation of thought, an enlargement of charity and a. conviction that wit and humor were not for mere amusement, but good. food for iho soul. He opened a hundred loop holes of vision into the domain of science, as it was known; he hesitated not to puncture a venerable sham, though labeled with respectability; he stimulated free thought and yet reinforced it with reverence; and he created interesting char acters. —perhaps a bit overstrained and modified by the doctor s superior sense of Brahminity. but very much realities, from the Landlady's Daughter with her “spit curls" to the Schoolmistress and the Auto crat himself, neither of whom are de scribed. but whom we know intimately. It is interesting to note that while we know the hand of Holmes is there, yet the Autocrat in his own person is quite differ ent front his creator, who might'not "toss 'his facial eminence rather smartly.” as Holmes, while the Autocrat with a very different nose could not help really tossing it. We never fancy the Autocrat looking like Holmes, nor yet the Professor and the Poet, —when we get to the Dictator “over the teacups,” ’tis a different mat ter: and he seems once ftfain "the little doctor.” The representative and vital work of Holmes was in that incomparable succession. Of the four, the first is most brilliant and vigorous; but "the Professor 'at the Breakfast Table” is possessed by deeper thought, although the professor is in the story less like Holmes than was the Autocrat. The boarding-house bad changed when the Poet came there, and it is in n measure more impersonal than either, but his record is not the least of the three, for it contains the most spiritual thought of the poet himself,—the scries of studies entitled "Wind Clouds and Star Drifts.” In this series the wide gamut of human nature in the upper range is well round ed; that is, the exhibition of our traits is such a» we may get without descending into any inferno or reaching the criminal courts, although there are persons brought before our vision who indicate that the writer could well have stirred deeper the waters of evil were it not for the natural limitations of his purpose to reach no lower a level than the experience of well bred people, with a certain always per ceptible recognition of grades. The board ing-house where the famous table was set gets cheap and offensive persons in its chairs at times, but they are mere acci dents, soon got rid of. And the whole atmosphere of the boarding-house is a wholesome environment for the genuine New England character, which none knew better. In “Over the Teacups” we find the old Dictator, consciously the senior of his predecessors, to whom the original Au tocrat is himself a memory, and instead of the breakfast table lire find the tea table spread and the delicate aroma of the oriental beverage—perhaps oolong, perhaps now orange pekog,—but with a different effect from the bsarty table that began the day with coffee, and included pie in its order of f<>od. Yet, though the Auto crat came to the head of the board at 48 years of age, and the Dictator was an octogenarian, there is little if any abate ment in the Interest with which we greet him. He is as omnivorous in Jtl* focal of opinions, and as free, in spreading, them • broad as ever. * ;-• .Thvougtiout all those lawks rami p.vary ing but continuous stream of religious • THE SPRINGFIELD WEEKLY REPUBLICAN: THURSDAY, SEPTEMBER 2, 1909. opinion, which was quarreled with by many a dogmatist.—for Holmes was one of the truest of Christians, of the class that tries to follow the way of Jesus rather than tlio theology of Tani or Cal vin or any of the popes. He had no room or temper for illiberal hatred of any sect, yet more than once he was attacked as a dangerous heretic—that of course be cause lie was a Tnitarian. but especially because he had sueh frightful excellences, —ns Clarice and Collyer, Hale and Lowell, Longfellow mid Bryant, and such mon also displayed, when they ought not to have bidden their horns and hoofs. It is certainly tno bad that these heretics should insist on holding the faith of (Jesus. In his prefaces to the several volumes Dr Holmes spoke of these antagonisms, con cluding (in the preface to the edition of 1891 of "The professor”) that "there is no rest for the Protestant until he gives up his legendary anthropology and all its dogmatic dependencies." And his "here sies“ against an assumed orthodoxy are never thought of. The clear original Chris tian’s life and purpose is a keynote of Holmes in alt his writings. These books of consideration of human life, intellectual, always, but sympathetic always, take their place not only as the finest of literature, but also as sources of moral and religions inspiration. With the rich and yet simple style of Holmes, —a definite and personal style, as much his own as Charles Lamb's,—and a mind far deeper, broader and stronger than Lamb’s, both as literature and as thought, sweeping an aite, of science which that delightful essay ist never entered, —and would not have en tered even harl he written in our period.— Holmes was far the finest essayist of the last century and of this, so far as it has advanced, for there is now nobody who shows a promise at all equal to the com prehensive views of Holmes. One of the most interesting phases of D. Holmes’s -genius was his story writ ing. He said early in the Autocrat papers that he meant to write a novel. He believed that every man of capacity had at least one novel in him: and while he wrote this, he was developing in that par ticular series one of the daintiest of love stories, eiilminatinp in the memorable mo ment when the Autocrat asked the school mistress “Will you walk the long path with me?” The gingko tree on Boston Common has been an object of romantic interest because of that. So in the Poet's chronicles there is i) pretty weft of love, which pleases, and in "Over the Teacups” there is simply a puzzle as to what is likely to take place,—the essayist had grown perhaps weary at his age of work ing out these pleasant problems of affec tion. But the most remarkable of ail his interwoven stories is that of “Little Bos ton" and Iris. Iris is the most exquisite, the most subtle of his creations. This young girl is a pearl of pearls, as the "Little Gentleman" is the most marvel ous of intellectual conceptions. It is in the mysterious, but singularly beautiful relation of this young girl with the de formed man, descending to his death, that Holmes struck his deepest note of spirit ual tragedy. Not for the woman,—a very lovely creation—but for that great soul imprisoned in the broken body. The spirit ual engrossment of Iris in this wreck of humanity is a very extraordinary study of woman's nature. She was the mother, —her love was to cure, and we are told that it did cure. But if it is to be felt how- woman s emotions may nobly work, here is the record of remark. For his novels, we have the romances of “Elsie Vcnner" and “The Guardian Angel." They are both based upon prob lems of heredity. There is much interest in Elsie Venner. Given the conditions which Dr Holmes assumes—nothing of which will bear the test of truth,—here is this magnetieally beautiful Elsie, daugh ter of a dreamy creature, Dudley Vcnner, whose wife died after a long illness caused by the bite of a rattlesnake, and in the midst of this maniac possession is the child Elsie born, to be an abnormal crea ture, with strange influence on those who are associated with her. Even natural human love fails to touch her. and all is tragedy. The study of Elsie is wrought with great power, and she is one of the lasting figures of our last century litera ture. It is a pathologic study, in a way, but based on conditions which could never exist. The geene has been laid in the Western Massachusetts "egion, sometimes on Mt Tom, where there have always been rattlesnakes enough, but where nothing has ever happened to remotely suggest the grewsoffie tale of Dudley Venner^ wife and daughter. Holmes; moreover, was also honored in. his vocation'as a scholar of the human frame; he taught soundly his anatomy and physiology, and he took his profession most serloualy. While hU gift of wi|.wa« mak ing him spokeu of as jester of the poets ' of his early years, it was far superior to , ( that punning wit of Faxe. modeled on I । Hood's poor pot boilers. Thore Holmes ' ' never went. He punned, but with apology. - | In his professorial chair he was as exact- ; ! .ing, though cordial, as any don of the col- ■ ; lege. He wrote many valuable medical ' I works, among them "Currents mid Conn-j ! ter Currents in Medical Science" (18dl>: I ' "Borderland in Sonic Provinces of Medi- ; j cal Science”’ 11862): and a treatise on , "Puerperal Fever." in which lie embodied i ■ researches intb the transmission of this ; tci rible disease by incorrect obstetrics, ; ] which were of the utmost value in saving ' the lives jof mothers. It caused him no j little opprobrium when he began this ex- I position of medical error, but in his own I mind it was the best service he did. Nor ' ■ did’he neglect psychology, and his brief I treatise, "Mechhnism in Thought and Mor- . I als," is an admirable contribution to pliilos i ophy. Also he wrote biographies of Mot- ! I ley, the historian, and of Emerson. He was not thought to be in sympathy with the Concord philosopher, but his life of i Emerson is a treasure. Altogether, there was no better all- 1 round man in the famous group of New ; England, now all departed Ulis life. In our selections of poem's for this centenary i we have not choseu any of bis clever ; verses of wit .and humor, for they are transient from the nature of them; nnd i have omitted some that the reader I naa^ probably expect to find, especially "The Chambered Nautilus,” concerning which ho said: "That was when 1 wrote better than I could." But we present some of tile choicest of his work. REPRESENTATIVE POEMS. The l.a»t Leaf. I saw him once before As lie passed by the door. And itgaiii The pavi-mFW sfones resound As he totters o’er rhe ground. With his cane. They say that in his prime, Ere tile prunipg knife of rime Cut him down. Not a better jmm was found By tils < Tier ou his round Through the town. But new he walks the streets. And he looks at all he meets. Sad and wan; And he shakes'his feeble head That it M-etns as if he said; "They are gone.” The mossy marbles rest On the lips that he lias prest In theii bloom: And the names he loved to hear Have been curved for many a year On the tomb. My grandmamma, she said— Poor old lady, she is dead Long ago,— That Im had a roman nose And his cheek was like a rose In the snow. But now his nose is thin And it rests upon his chin Like a staff, And a crook is in his back And a melancholy crack . In his laugh. I know it is a sin For me to sit and grin At him here,— But the phi threr-i-ornered hat, And the breevhes.-aud al! that,— Arc so .qijec}” . And if I shotild Jive to he "/ The last leaf njimi the tree In the spring,— Let them smile, as I do now At the old forsaken bough Where 1 cling. My Aviary. Through my north window, in the wintry weather,— My airy oriel on the river shore.— I watch the sea-fowl as they flock together Where Into the boatman flashed his drip ping oar. Th J gull, high floating, like a sloop un laden Lets the loose water -w aft him as it will; The duck, round-breasted as a rusric maiden. Paddles and plunges, busy, busy still. I see the solemn gulls in council sitting On some broad ice-floe, pondering long and late. While overhead the home-hound ducks are flitting. And leave the tardy conclave in debate, Those weighty questions in their breasts revolving Whose deeper meaning science never learns, Till at some reverend elder's look dis solving, Thu speechless senate silently adjourns. But when along the naves the shrill northeaster , Shrieks through the laboring coaster's shrouds "Beware!” The pule bird, kindling like a Christmas fenster When some wild chorus shakes the vinous air, Flaps from the leaden wave in fierce re joicing, Feels heaven’s dumb lightning thrill his torpid nerves, Now on the blast his whistling plumage poising, Non' wheeling, whirling in fantastic curves. Sucli is our gull; a gentleman of leisure. Less fleshed than feathered; bagged you’ll find him such: His virtue silence; bls employment pleas ure; Not bad to look at, and not good for ■ much. What of our duck? He has some high bred cousins, — His Grace the Canvas back, My Lord the Brant.— Anas and Anser,—both served up by doz ens. At Boston’s Rocher, half-way to Na hrnt. As for himself, he seems alert and thriv ing,— Grubs up a living somehow—what, who knows? Crabs? mussels? weeds?—Look quick! there's one just diving! Flop! Splash! Ills White breast glistens— down he goes! And while he’s under—just about a min- Ut(* —- I take advantage of the fact to say His fishy carcaw has no virtue in it The gunning idiot’s worthless hire to pay- He knows you! "sportsmen" from subur ban alleys, Sttetchod under seaweed in the treach erous punt; Knows every lazy, shiftless lout that sal lies Forth to waste powder—as he says, to •‘hunt.’! I wntch you with a patient satisfaction, Well pleased to discount your pr»des ; tined lurk; The float that tigurciTtri your sly transac tion Mill carry back a goose, but not a duck. t Shrewd I* onr bird; not easy to outwit him! Sharp is the outlook of those plu-head eyca; Still, hr is mortal and a tb°t orty hit him, ’ One cannot always miw him if be trie*. Look !~thefe’s n young one, dreaming not of danger; Secs a flat log come floating down the stream; Stares undismayed upon the harmless stranger: Airi were all strangers harmless as they seem! Ha bet!, a leaden shower his breast hag shattered: Mainly he flutters, not again to rise: His soft white plumes along the waves arc scattered: Helpless the wing that brits-ed the tem pest lies. He see* his comrades high above him flying To sc-ek their nests among the island reeds: Strong is their flight: all lonely he is lying Washed by the crimsoned water as he bleeds. O Thov who rarest for the falling spar row. Const t'liou the sinless sufferer’s pang forget? Or is Thy drend account book’s page so nn now Its on<- long column scores Thy creature's debt ? Toor gentle guest, by nature kindly cher ished, A world -grows dark with thee in blind ing-death; Oi c little gasp—thy universe has perished. Wrecked by the idle thief who stole tliy breath! Is this the wii’ole sad story of creation, Lived by its breathing myriads o'er and o’er,— Oue glimpse of day, then black annihila tion.— A sunlit passage to a sunless shore? Give back our faith, ye mystery-solving lynxes! Robe t;s' once more in heaven-aspiring creeds! Hqppier iris dreaming Egypt with her spby n-.\i>s. Til l -lolly convent with its cross and beads! 11 > v often gazing where a bird reposes. !. «1 ' d nn liie wavelets, drifting with t'.li- tide. I ho-o myself in strange metempsychosis Ai.d float a sec-fowl at a sea-fowl's side. From rain, hail, snow in feathery mantle muffled, Cleai-cyed, strong-limbed, with keenest sense to hear My n ine's soft murmuring, who, with plumes unruffled, Where'er I wander still is nestling near; The grfa.t blue hollow like a garment o'er me: Space all tmmeasored, unrecorded time; W hiie seen with inward eye moves on be fore mo Thoughts pictured train in wordless pantomime. — A voice recalls me.—From my window turning I find myself a plunioless biped still; No beak, no claws, no sign of wings dis cerning.— In fact with nothing bird-like but my quill. The Voiceless. We count the broken lyres that rest Where the sweet nailing singers slum ber, But o'er their silent sister's breast The nild-flowers who will stoop to num ber? A fevv can touch the magic string. And noisy Fame is proud to win them:— Alas ibr those that never sing, But die with all their music in them! Nay. grieve nut for the dead alone Whose song has told their hearts' sad story Weep for the voiceless, who have known The cross without the crown of glory'l Not where Leucadian breezes sweep O'er Sytpho's memory-haunted billow. But where the glistening night-dews weep O'er nameless sorrow's churchyard pil low. O hearts that break and give no sign Save whitening lips and fading tresses. Till Death pours out his cordial wine Slow-dropped from Misery’s crushing presses,— If singing breath or echoing chord To eveiy hidden pang were given. What endless melodies were poured. As stid as earth, as sweet ns heaven! Vader the Violets. Her handr are cold; her face is white; No more her pulses come and ga; Her eyes are shut to life and light;— Fold the white vesture, snow on snow, And lay lier where the violets blow. But not beneath a graven stone, To plead for tears with alien eyes; A slender cross of wood alone Shall say. that here a maiden lies In peace beneath the peaceful skies. And gi-iiy old trees of hugest limb Shall wheel their circling shadows round To make the scorching sunlight dim That drinks the greenness from the ground, And diop their dead leaves on her motaid. When o'er their boughs the squirrels run. And through their leaves the robins call, Atul, ripening in the autumn sun. c The acorns and the chestnuts fall. Doubt not that she will heed them all. For her the morning choir shall sing Its matins from the branches high, And every minstrel-voice of Spring, That trills beneath the April sky. ShaU greet jher with its earliest cry. When, turning round their dial-track, Eastward the lengthening shadows pass. Her little mourners clad in black. The crickets, sliding through the grass. Shall pipe for her an evening mass. At last the rootlets of the trees Shall find the prison where she lies And bear the buried dust they .seize In leaves anrl blossoms to the skies. So may the soul that, warmed it rise! If imy. born of kindlier blood, Should ask. What maiden lies below! Say only this: A tender bud. That tried to blossom in the snow, Lies withered where the violets blow. The Iron Gate. [The Peet's 70th Birthday Poem, read at the Atlantic Monthly Breakfast, Decem ber 3,1570. J ■Where is this patriarch you are kindly greetir.^? Not ititfiin-.iliar to my ear his name. Nor yet unknown to many a joyous meet ing lu days long vanished,—is he still the same. Or ebnnged by years, forgotten and for getting. c Dull-eared, dim-sighted, slow ‘of speech nnd thought. Still o’er the -oad, degenerate present fret ting, Where nil goes wrong, and nothing as it ought? Old age. the graybeard! Well, indeed, I know him.— Shrunk, tottering, bent, of aches nnd ills the prey; In sermoip story, fable, picture, poem, Olt hn+c I met him from my earliest day: In my old Aesop, toiling wjth his bundle, His load of sticks,—politely asking Death Who eiimes when called for,—would be lug or trundle His fagot for him?—he was scant out of breath. And sod ’‘Ecclesiastes, or the Preacher,"— Has ho not stamped the image on my soul. In that last chapter, where the worn-out Teacher Sighs o'ol the loosened eord, the broken bowl? A Yes, long, Indeed, I’ve known him at a distance, i And now my lifted dbor-lateh shows him ( here: I take his shriveled hand without resist ances Am] tinJ him smiling ns his step draws neai. What though of gilded baubles he be- i reaves us. Dear to the heart of youth, to man- | hcod’s prime; , ■ Think of the culm he brings, the wealth he leaves us. . . , The hoarded spoils, the legacies of time. Altars onee flaming, still with incense fra grant. Passion’s uneasy nurslings rocked asleep. Hope’s anchor faster, wild desire less va grant. Life’s flow less noisy, but the stream how deep! Still as the silver cord gets worn and slender, Ils lightened task-work tugs with lessen ing strain. Hands get more helpful, voices, grown mon tender. Soothe with their softened tones the slumberous brain, Touth longs and manhood strives, but age remembers. Sits by the rnkert-up ashes of the past. Spreads its thin hands above the whiten ing embers . That warm its creeping life-blood till the last. Dear to its heart is every loving token That comes unbidden ere its pulse grows cold, Ere-the last lingering tics of life are broken. Its labors ended and its story told. Ah. while around u? rosy youth rejoices, For us- the sorrow-laden breezes sigh, And through the chorus of its jocund voices. Throbs the sharp note of misery’s hope less cry. As on the gauzy wings of fancy flying ITotn some far orb I track our watery sphere. Home of the struggling, suffering, doubt-- ing. dying. The srlydred globule seemk a glistening tear. But Nature lends her mirror of illusion -- To win from saddening scenes our age din.med eyes. And misty day-dreams blend in sweet con fusion The wintry landscape and the summer skies. So w ben the iron portal shuts behind us, And life forgets us in its noise and whirl. Visions that shunned the glaring noon day find us, And glimmering -starlight shows the gates of pearl. —I come not here yonr morning hour to sadden, A limping pilgrim, leaning on his staff.— I, who have never deemed it sin to glad den This vale of sorrows with a wholesome laugh. If werd of mine another's gloom has brightened, Through my dumb lips the heaven-sent message came; If hand of mine another's task has light ened, It felt the guidance that it dares not claim. Bui. O my gentle sisters, O roy brothers. These thick-sown snow-flakes hint of toil’s release: % These feebler pulses bid me leave to others The tasks once welcome; evening asks, for peace. Time claims his tribute; silence now is golden; Let me not vex the too long suffering lyre; Though to your Jove untiring still be holden. The curfew tolls me—cover np the fire.; And now with grateful smile and accents cheerful, And warmer heart than look or word can toll. In simplest phrase—these traitorous eyes arc tearful- Thanks. Brothers, Sisters—Children— and farewell! A Part of “The Story of Irie,” IRIS HER BOOK. I pray thee by the soul of her that bore thee. By thine own sister’s spirit I implore thee, Deal gently with the leaver that lie before thee! For Iris had no mother to infold her, Nor ever leaned upon a sister’s shoulder. Telling the twilight thoughts that Nature told her. She had not learned the mystery of awak ing Those chorded keys that soothe a sorrow's aching, . Giving the dumb heart voice, that else were breaking. Yet lived, wrought, suffered. Lo, the pic tured token! Why should her fleeting day drcams fade unspoken, Like daffodils that die with sheaths un broken? She knew not love, yet lived in maiden fancies.— Walked, simply clad, a queen of high romances. And talked strange tongues with angels in her trances. Twin-souled she seemed, a twofold nature wearing,— Sometimes a flashing falcon in her daring. Then a poor mateiess dove that droops despairing. Questioning all things: Why her Lord had sent her? What were those torturing gifts, and wherefore lent her? Scornful as spirit fallen, its own tor mentor. And then all tears nnd anguish:—Queen of Heaven. Sweet saints, and tbou by mortal sorrows riven. Save me! oh, save me! Shall I die for given? And then—Ah, God! But nay, it little matters: Look at the wasted seeds that autumn scatters, The myriad germs that Nature shapes and shatters! If she had—Well! She longed and knew ' not wherefore. Had the world nothing she might live to care for? No second self to say her evening prayer for? She knew the marble shapes that sot men dreaming. Yet with her shoulders bare and tresses streaming Showed not unlovely to her simple seem ing. Vain? I.et it be so! Nature was her teacher. \Vhat. if a lonely and unsiatered creature Loved her own harmless gift of pleasing feature. Saying, unsaddened,—This shall soon be faded. And double hued the shining treszes braided, And all the sunlight of the morning shalcd? —This hsr poor book is full of saddest follies. Of tearful smiles and laughing melan cholies. With anmmer roses, twined and wintry hollies. In the strange crossing of uncertain, ehanees, ‘ ■ Somewhere, bewth some maiden's tear . . .. May fall her little book' of dreams and fancies. Sweet sister! Iris, who shall .nevci: name thee. Trembling for fear her open heart niay shanie thee. ~ Speaks from thia vision-haunted page to claim thee, Sphre Her. I pray theet If the maid is sleeping. Peace with her! she has had ben hour of weeping. No more! she leaves her memory in thy keeping, * * * ~ ■ These verses wore written in the first leaves of the locked volume. As I turned the pages. 1 hesitated for a moment. Is it quite fair to take advantage of a gen erous, trusting impulse to read the un sunned depths of' a young girl's nature, which I can look through, as the balloon voyagers tell us they see from their hang ing baskets through the translucent wa ters which the keenest eye of such as sail over them in ships might strive, to pierce in vain? Why has the child trusted m« with such artless confessions.--self-revela tior.s, nh.ich might be. whispered by trem bling lips, under the veil of twilight, in sacred confessionals, but which I cannot look at in .the light of day .without a feel ing of wronging a. yacred. confidence? * * * I found the soul-of Iris-in the one that lay open before, me. Sometimes it was a poem that held it. sometimes a drawing, —angel, arabesque, caricature, or a mere hieroglyphic symbol of which I could make nothing. A rag of cloud on one page, as I remember, with a streak of red zigzag ging out of it across the paper ns naturally as a crnck runs through a china bowl. On the next page a dend bird,—some little favorite, I suppose: for it was worked out with a special love, nnd I saw on the leaf that sign with which once or twice in my life I have had a letter sealed,—a round spot where the paper is slightly corrugated, and. if there is writing there, the letters are somewhat faint and blurred. Most of the pages were surround ed with emblematic traceries. It was strange to me at first to see how often she introduced those homelier w’ild flowers which we call weeds—for it seemed there was none of them too humble for her to love, and none too little cared for ■by Nature to be without its beauty for her artist eye and pencil. By the side of the garden flowers.—of spriiig’s curled dar lings. the hyacinths, of rosebuds, dear to sketching maidens, of flower-de-luces and morning, glories,—nay, oftener than these, and more tenderly caressed by the colored brush that rendered them,—where those common growths, which fling themselves to be crushed under our feet and our wheels, making themselves so cheap in this perpetual martyrdom that we forget each o-f them is a ray of the divine beauty. I confess I did expect to see something •that would remind me of the girl's little deformed neighbor, if not portraits of him. —There is a left arm again, though:—no, —that is from the ‘‘Fighting Gladiator,”— the “Jeune Heros comhattant” of the Louvre;—there is the broad ring of the shield. From a cast, doubtless. The sep arate casts of the “Gladiator's” arm look immense: but in'its place the limb looks light, almost slender,—such is the perfec tion of that miraculous marble. I never felt ns if I touched the life of the old Greeks until I looked on that statue. Here is something very odd, to he sure. Au Eden of all the humped and crooked creat ures! What could have been in her head when she worked out such a fantasy? She has contrived to give them all beauty or dignity or melancholy grace. A Bac trian cnmel lying under a palm. A drom edary flashing up the sands.—spray of the dry ocean sailed by the “ship of the des ert.” A herd of buffaloes, uncouth, shaggy maned, heavy in the forehand, light in the hindquarter. ... A very odd page indeed! Not a creature in it with out a curve or a twist, and not one of them a moan figure to look at. I believe she is trying to idealize what we vulgarly call deformity, which she strives to look at in the light of one of Nature's eccentric curves, belonging to her system of beau ty, as the hyperbola and parabola belong to the conic sections, though we cannot see them as symmetrical and entire fig ures. like the circle nnd ellipse. At any rate, I cannot help referring this paradise of twisted spines to some idea fleatiug in her head connected with her friend whom Nature has warped in the molding. » » » That is nothing to another transcendent al fancy of mine. I believe her soul thinks itself in his little crooked body at times,— if it does not really get freed or half freed from her own. Did you ever see n ease of catalepsy? You know what I mean,—transient loss of sense,• will and motion; body and limbs- taking any posi tion in which they are put. as if they be longed' to a lay figure. She had been talk ing with him and listening to him one day when the boarders moved from the table nearly all at once. But she sat as before, her cheek resting on her hand, her amber eyes wide open and still. I went to her.— slie was breathing as usual, and her heart was beating naturally enough,—but she did not answer. I bent her arm: it was ns plastic ns softened Wax, and kept the place I gave it.—This will never do. though,—and I sprinkled a few drops of water on her forehead. She started nnd looked round.—l have been in a- flream, — she said; I feel as if all my strengtli wore in this arm:—give me your hnudl—She tool; my right hand in her left, which looked soft and white enough, but—Good heaven! I believe she will crack my bones! All the nervous power in.her body must have flashed through those muscles; as when a crazy lady snaps n«r iron win dow-bars, —she who could hardly glove herself wln.n in her common ’lealt’a. Iris turned pale, and the teaw came to het eyes;—she saw she had given pain. Then she trembled, and might have fallen but for me;—the poor little soul had been in one of those tranyes that belong. *0 jhe spiritual pathology of higher natures, mostly those of women. THE HOLMES CENTENARY. Public Exercises In King’s Chapel, Where the Autocrat Formerly At tended. Scrawled in pencil in a musty farmer’s almange, “August 29, 1809,’’ was the sim ple inscription that recorded the birth U*) years a^o Sunday of Oliver Wendell Holmes, poet, physician and humorist, the celebration of whose centenary was ob served quietly in the vicinity of Boston yesterday. The only public observance was a service held in King's chapel on Tremont street, where Dr Holmes regular ly attended for many years prior to his death, October 10, 1894. The address was by Rev Charles E. St John of Philadel phia. At the Boston public library an exhibition of Holmes’s works, portraits, se nes connected witli his life, treasures aau relies, were showi:. z Large'Attendance nt Special Service* In the Plttslleld Flrat Church. There was a special observance of the 100th anniversary of the birth of Dr Oliver Mendel) Holmes at the Pittsfield First church Sunday morning and evening. In the morning Rev W. V. W. Davis devoted his sermon to Dr Holmes. He took as his subject “Tin? enlarging faith,” and during it he characterized Dr Holmes as the con necting link between the old and the new Puritans. Mr Davis devoted a portion of bis sermon to describing Holmes’s affection for New England, and Pittsfield in l\ar tidilar, where be spent much Of his time and wrote many ot his best works. In the evening Mr Davis took for his text "The new and living way," during which ,ho referred th the life of Holmes. Thepe were larga congregations at both services. The nawspuper men massed in Bet&rly cannot', coinplain of President Taft He is doing u lot of talking.