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6 OF MUSIC AND MUSICIANS ‘ FAITH AND CREATIVE ENERGIES LACK OF EARNESTNESS IN MUSIC. Even England May Have Her Mn- Mician of First Rank When There Is Greater Seriousness of Mood. An extract front a dissertation by John F. Runciman, the English critic, on the lack of nationality in American music, was published in this column a week ago. Only Macdowell of-our composers has in terested Mr Runciman, and Macdowell he regards as possessed of every musical gift but genius. The critic has no illusions about the composers of his own country: he is. in fact, profoundly dissatisfied with them all. But he is dissatisfied as well with the greater continental lights, such as Strauss and Roger. He sees a weak ness in all contemporary music, and he considers this weakness as the thing to be expected when composers nave no “faith in themselves as artists, faith in their artistic impulses and intuitions. "The creative men of old," he writes, “if they would not have gone cheerfully to the stake for the faith which was their art. certainly would have starved for it. and often did. The energy divine worked so fiercely in their souls that they had no choice, but to let it loose in the shape of art; Cui bono; never occurred to them: they were the helpless, though not the unconscious, instruments of an instinct that amounted to a consuming passion." How is it to-day? “Doubt seems to have entered into the souls of all the candidates for musical fame. They are not ’sound and integral, proper to an age of faith.' Those who pose as great composers want the reward of martyrdom without paying the price; or perhaps 1 might say they want their martyrdom with home com forts, on the painless dentistry principle, j Strauss and Max Reger, on the continent, seem to follow the market with close at tention. and on Strauss’s behalf the press is worked iu this country with consum mate skill and amazing energy and perti nacity—not one newspaper is left untried, and in many of them, as I recently re marked in the Saturday Review, articles appear which ought to bear at the end the indication ‘[Advt.F. In England Elgar writes for the festivals, or. when he launches a violin concerto, he is aided and abetted by a very—and a deservedly—fa mous violinist: and Elgar has given us nothing truly new or. in my opinion, genu inely great. ‘Gerontius’ is a fine failure; ’The Apostles' a shabby failure; ’The Kingdom' a miserable failure. Stanford need not be discussed; he is an old stager, and I think all serious musicians have made up their minds about him. Bantock. Delius and Holbrooke are all startlingly clever, and all try to startle, but not one seems to have anything to say." With the great composers creation has been inevitable. Bach and Mozart spent their lives composing music because their energies would not let them rest. “Bee thoven, one of the most successful of com posers in the worldly sense, during his earliest years, deliberately ’took the new road'—gave up writing the kind of music his patrons liked and paid for and sent forth stuff that puzzled Iris most fervent admirers and outraged the tenderest feel ings of many estimable musicians.” Music, more than any other art. demands that the artist should have something to say, and without ’’sincere and profound emotion nothing that is at once new and noble can be produced." “Nothing seems to move any one profoundly to-day; we dwell in a skeptical age. when it seems so much of a toss-up whether life is fu tile or really worth going through with that men seem unable to work themselves up, over things that perhaps don't matter, into the spiritual state requisite for the production of great music. Our souls are more or less benumbed. Elgar is un doubtedly a seriously devout person; that his whole being is shaken like a harpstring by his religious feelings, so that whether he wills it or not it emits music, 1 must emphatically deny—if it were be would not fog off on ns such incoherent twaddle as 'The Apostles. The other composers do not even pretend to be deeply moved by life: they are simply trusting' to their decorative invention to suggest to them the pew—they forget that the only music that is great, and endures comes from the heart and soul. ... In due season things will alter: earnestness about life will again be possible, and then, depend upon u. great music will again he written even England may have her great musician." AKe to Resin Musical «tndy. Th" question of the age at which chil dren should be permitted to study music is considered by John W. Bremer, writing in the New Music Review about I tab-r ozr s system of musical gymnastics From the beginning lialcroze has x-oidrc the one fatal error common hi music tea-h ing. namely, the custom to let children stud; music as young as possible He has applied to music what experience has forced i 0 a*ply to other studies long ago the <w knowledgment that music should he the ... dium of expression for artistic foci| n « concluded that one should not make muM" utiles: rhe exigency for it arises that >s when one nas something to onmmnnloato that one has felt or experienced. That th's experience or feeling demands expression t musical form presupposes definite natural xe tltude. Music must be born in the individual be must be musical. 1f he possesses 3 qp:; cate ear sensitive nerves and rhythni" feeling he may develop them throur’ «tu<h nnd exercise Are these qualifications lack Ing. they ran never be ronveved through the mechanical study of an insurument Tnrgenfelt and Wagner’s Music. A letter of Ttirgenieff written from Baden Baden in August, 1868, contains a frank expression of opinion about Wag ner. The letter has lately appeared in a Russian newspaper, and this extract has been published by Philip Hale in the Bos ton Herald: I have just been to Munich to witness the first performance of Wagner's "Hhelngom ' and Incidentally something else also Munich is an interesting city: the king of Bavaria as you perhaps may know, fs an Intin ite not to say eccentric, friend of Wagner wiu.se music is a royal concern in Bavarlnj but In consequence of various absurd and comnH rated Intrigues, out of which Aristophnnes might have made a curious moral-satirical, political comedy, the opera was not > Pr formed nnd only the dress rehearsal ■ as given. 1 was present at It. Music and text are alike Intolerable, but- you know among the Germans there are people for whom W ig' tier Is almost Christ. I was much diverted I v all this snarl. ' Settlings of George Herbert's Poems. Dr Vaughn Williams, well known in En gland as a collector of folk tunes, has composed settings for five of George Her bert s poems. They were sung at the fes tival in Worcester. Eng., last month, and were pronounced by the Daily Neus spe cial correspondent ‘the most distinctive novelty of the festival”: in these five settings of poems by George Herbert, the composer seems to be' working toward a new style that shall combine . or tain features of the old and the new That of course, Is in n sense what Debnsav hrs done, nnd Dr Williams has certainly learned something from Debussy. The Influence Is more than an occasional resemblance In the orchestral coloring, for the composer Is far too Independent a thinker to fall back on other men's Ideas. The songs are full of in vention—l do rrot more than hint at some of the phases through which the music has de veloped. At one moment we are reminded of the period when music was the spe-Lal property of the church, and thia eccleslastL ' cal Mic.srstinn vivos a peculiar charm to th^ fourth sciig “The Call." Like the others. Its ; ehief characteristic is its delicate simplicity, ; L r in the.whole set (with the e\<eptlon «>f ’he last, which is far chorus alone.' the • music is extraordinarily reticent, and sea ce | ly ever rises to a complete climax. It is frit , of delicate tones, however, and sounded | derfully fresh and intimate in comparisu n | u ith the blatant self assertion of so mn* h i modern music. Boston's School of Grand Opera. I The school of grand opera has been re । opened in Boston by co-operanon of the Bos ! ion opera company and the New England • conservatory of music. A main reason for } re-establishing at the New England conserv j a Tory the school of grand opera, which has { been in existence for the past three years | in connection with the Boston opera iw . pany. is to make sure that its work dove ■ tails properly with that which precedes. To ■ direct the instruction at the opera school i two efficient members of the Boston opera I company have been drafted, by arrange j ment with Director Henry Russell. Ar- I ualdo Conti will serve as conductor and ’ Ramon Rhinehart as regisseur. Mr Conti I is a north Italian, who became conductor | of the symphony concerts in Padua when j 16 years old. He conducted opera in Rome and in Paris; subsequently he accepted the [ position of conductor of the grand opera ! in Buenos Ayres, a post which he occupied for a number of years, but which afforded him frequent opportunity to return to Europe sot special engagement, in 1905 Mr Conti conducted a season of grand op era in Tendon, and the following winter he came to America with the San Carlo opera company In 1908 he became a conductor of the Boston opera company, which posi tion he still holds. Mr Blam-hart is a na tive of Spain, and now a member of the Boston opera company. He is a baritone. He made his debut several years ago at the Teatro Liceo in Barcelona, in Thom as’s opera. 'Hamlet.” Ensemble work in operatic roles is one of the announce ments in connection with the establishment of the school at the New England conserva tory. Supplementary to the acquisition of individual roles, various scenes from the principal operas are to be studied and re hearsed in an ensemble class in which the roles necessary to complete the casts wdl be supplied by regular members of the Boston opera company. Other Note and Comment. Carl Pohlig. writing in the special fall issue of Musical America, says: "The most promising school of to-day is the French school. The music of the French has always been marked by taste and ar tistry and there is no question that the group of orchestral composers who seem to center around Debussy reflects a very striking and spirited development of art along oi’ginal and beautiful lines. 4he Russian school, which occupies so large a part of attention in our programs (and justly so for the great works of its best known masters! seems to have fallen to day into a sort nf stagnation so far as new works go. The Slavic impulse and the strong cry of nationalism, which stim ulated a large group of composers, does not seemed to be marked by results at present among the younger Russian com j*osers. So far as Germany goes, except in the case nf Strauss, no very remarkable work is being done: the leading composers are working along serious, thoughtful, scholarly and musicanly lines.” The remarkably successful revival of Offenbach's “La Belle Helene.” at the Kunstlertheater, Munich, which kept the house filled through the summer, is cow said to have been suggested first by Gus tav Mahler a year ago, according to the New Music Review. The idea was prompt ly taken up, says the Review, and Mah ler agreed to conduct the performances, but his illness and death kept him from realizing his part of the project. Now that the success is indubitable, numerous other European theaters have asked for the mi Re-on-scene, and the coming tour in America is expected to attract cor responding attention. Henry Russell, director of the Boston opera house, returned to Boston a week ago after a summer abroad. The Boston opera company will undertake this sea son its most extensive repertoire. Mr Russell has announced that Claude De bussy, composer of "Pelleas pt Melisande/’ will conduct the first performance of this work in Boston. Maurice Maeterlinck, author of "Pelleas et Mclisandc.” is also expected to be present. The Boston opera company will produce several new works. The following soloists have been encaged by the New York Philharmonic society for the present season: Mme Gadski. Mme Nordica. Mme Frances Alda, sopranos; Alessandro Bonri and Ludwig Hess, ten ors: Kathleen Barlow. Efrem Zimbalist and Henry P. Schmitt, violinists: Lpo Schulz, 'cellist: Josef Lhevinno. Katherine Goodson. Harold Bauer. Arthur Fried ham and Ernest Hutcheson, pianists. A symphonic poem. "Antony and Cleo patra.'’ by Raymond Roze. was per formed last month in London. A critic ^aid: “Mr Bozo bad achieved a certain amount nf picturesque oriental coloring, but somehow the atmosphere did nor enn vim e. and the alternation with other styles gave rather n patchy impression.” Heinmch Zoellner, formerly director of the German liederkranz in New York, has composed an opera. "Tzigane.” which will be produced this season at Stuttgart. Leoncavallo is at work on a two-act opera. "Forest Murmurs.” The libretto, written by Enrico Cavalchioli. is based on a novel of Korolenko's. The manuscript of Wagner's early op era. "Die Hochzeit.” was recently pur chased in Berlin by an Englishman. R. E. Johnson of New York announces Paderewski. Godowsky and Ysaye for the season of J 91- 1913. Saint-Saens's "Dejanire” will be revived this month at the Paris opera. TO PICTURE 46 PARISHES. Interesting Program Planned for Fall Meeting of Hampden Association of Congregational Charches, The fall meeting of the Hampden asso ciation of Congregational churches, to bo held at the First Congre gational church, in West. Springfield, on .November 1. will he rendered unusually interesting by the plan of showing fine stereopticon slides of the various churches in the association, and of the parishes, while the minister from each church gives a, brief summary of the work in his field. Forty-six parishes will be thus shown and described, and all the churches, from the oldest to the youngest, will have a part, together with pictures of the proposed building for Faith church. The purpose of the plan is to effect a closer union of the churches by giving the members of each one a definite idea of all the other churches, and the work they are xloing, and to inspire them in this way for larger work in .the future. The churches of the association Are spread over an area 40 miles long in Hampden county. Many of the delegates will spend the night in West Springfield at the homes of the members of th" church there, and the women of the church will serve two meals during the dav. The central location of the West Springfield church, the recent combining of the Park street nnd First churches, nnd the hand some alterations which have been made nt the Park-street building, which is now the center of both congregations, make this church an ideal place for the convention. The retail trade board of the Boston eliamlior of commerce has already opened a cainjiaicn for early t'hristmas shopping. The appeal is equally applicable to Spring field and every other trading center Store keepers and clerks will be relieved of a burden that can be lifted if buyers will pay heed to this request. THE SPRINGFIELD WEEKLY REPUBLICAN: THURSDAY, OCTOBER 26, 1911. NOTES IN THE WORLD OF ART. ITALIAN RARITIES IN NEW YORK. — Metropolitan Musenm Uns a Botticelli and a < arpaccio Recently Acquired —('holer Bronxe and Silver. j Director Robinson of the Metropolitan ’ museum of art iu New York predicts an 1 unusually interesting winter for friends of the museum. "This past year and this past season have been remarkable in the possibilities there have i»ecu of acquiring ■ not alone pictures, but works of art of dif ferent kinds," said the director the other I day. "ami we shall have many things of | great importance to show, and among • rhe most interesting of these are the works | of the Italian artists, in which the museum ! has heretofore been somewhat weak.’* The beginning of these are shown in a remarkable Botticelli and a Carpaccio, both from the Abdy salp in London, last May, and an interesting Sienese picture ' shown in gallery 31. while announced, but ' n a yei ready for exhibition, is a Sodoma. [ ' Mars and Venus Trapped by Vulcan.” The ('arpaccio. which stands first in the list, was cataloged as a "Pieta,” but the : museum has adopted the name given it by | Sir Claude Phillips in an article in the , Burlington magazine. "Meditation on the i Passion." The figure of the Christ is seen in the picture, resting upon a ruined : throne, while on either side sit the medi- * tative figures of bearded patriarchs. There is what is considered a false signature. j "Andreas Mantinea F.." in one corner of the picture. This is hung in gallery 30. j as is the Botticelli. ‘‘Three Miracles of ; St Zenobius.” This painting is one of a series on popular panels. The Abdy pic- ! tures had been in storage for the greater | part of the lest 20 years, and the Botti eplli is not listed with other pictures by ' the artist. The figures are sharply out- I lined, w ith decorative effect, and if is sup- ; posed that the panels were intended far i insets in furniture, possibly for chests for ' clerical vestments. The painting by Matteo di Giovanni ; was foj-nierly in the collection of Charles Butler at Warren Wood, Hatfield. Eng., i and is supposed to be another chest or | Italian casson panel. It is interesting. ; with its quaint female figures, several of which are swimming across a stream at tired in their ordinary rich robes. The scene is supposed to illustrate the story of Camilla. A remarkable Venetian bronze door knocker, in strong design, Italian Renais sance, is one of the important accessions in the decorative arts department. There is a charmingly interesting bust of an an gel wearing a demure smile, an unusual piece to bo found outside the cathedrals, of wood, the beginning of the Gothic period, and a beautiful piece of German sculpture is a mother and child in an un usually fine state of preservation, belong ing to the first quarter of the 16th cen tury. The loan collection of old silver, largely church services, made or used in America, will bp opened with a reception to the members on rhe evening of November 6, with an exhibition of old portraits, many by Copley, the master of the colonial pe riod. There will be portraits by Black burn and other artists of the time. A Rare Roman Mosaic. One of the best Roman mosaics ever found in France has been discovered at Lyons, on the hill of Fousviere, in the vast and sumptuous substructure of an im mense edifice, one of the ruins of the capital of the Gauls. These ruins were exploited during the Middle Ages as a quarry. But a mosaic is not so easily car ried off as a column or a statue. Pre served by a sort of miracle at the time of the great devastation, this pavement seems to have remained in place for about 15 centuries under a protective layer of filling composed of earth, fragments of moldings, and marble plaques of all colors. Intact, the piece was about four meters square, but about one-third of the surface has crumbled away. In an elegant and rich ornamental pattern formed of a black and white and red fringe or braid-work de sign, one line of which forms the outside border, and the others cross each other at right angles, five figure subjects are rudely framed. The central panel, unfortunate ly somewhat damaged, but lacking none of its outlines, represents the young Bac chus seated on .a panther. The god crowned with ivy or vine branches, shows a nude torso, the legs half hidden by a lion's skiu. and his feet shod in buskins. He holds the thyrsus in his right hand, and his left arm rests on the neck of the panther, who clasps in bis forepaws the tympanum, or timbrel, the ritualistic ac cessory of the ancient worship of Bacchus. The two subjects placed beneath the cen tral panel are busts, one depicting a veiled woman whose headdress consists of the conventionalized foliage of papyrus or of mistletoe, and rhe other depicting a young man with light hair falling in curls on his neck and his forehead decorated with bril liant flowers. These two heads are admir ably preserved. New Paintings at Spanish Mosenm. Several important accessions of Spanish art have been secured at the Hispanic so ciety of America's museum, Broadway and One Hundred and Fifty-sixth street. New York. One of the notable paintings acquired is "The Ascension of Mary Mag dalen.” by Ribera, which has been placed on the cast wall of the art gallery opposite the celebrated portrait of the duke of Oli vares by Velasquez, which now occupies the place of honor on the west wall of the museum. Another interesting painting 'is "The Carthusian Monk." robed in white and painted by Francesco Zurburan (1598- 1(562). The monk is depicted seated and perusing a manuscript, which he holds in his hands. It is said that Zurburan made a specialty of painting monks. On the south wall of the museum has been hung a painting of a "Knight in Armor.” who wears a white ruff. It is attributed to Pantoja de la Cruz. a Spanish painter. Two paintings of the king and queen of Spain by Sorolla have been placed in the library of the Hispanic society. The por trait of King Alfonso, which was painted by Sorolla in 1910, possesses added sig nificance inasmuch as it is signed by the kins. The three-quarter length seared por trait of the queen was painted by Sorolla in 1911. The accessions of sculpture at the Spanish museum includes a bronze statuet of a Spanish dancer and a seated portrait in bronze of Sorolla. by Prince Paul Troubetzkoy. Both of these exam ples of Tronbetzkoy's nrt may be seen in the reading room. The kidnaping of “The Mona Lisa” has naturally given renewed interest to facts about Leonardo da Vinci. Da Vinci, ac cording to the London Chronicle, though a voluminous writer, never published a sin gle line daring his lifetime. Only within the last 30 years have his writings been made known to the world. After the mas ter's, death in France his manuscripts wore brought bark to Italy. His heirs proved unworthy and the precious writings were gradually dispersed. Iziose pages were often detached and were either given away as relics or stolen. No attempt was j made to publish any of his treatises ex- I cept that on painting for more than 300 I years after his death. This was partly owing to the great difficulty of deciphering his handwriting. Da Vinci was lefthanded ami always wrote in oriental fashion from right to left. Resides this his orthography is peculiar to himself: he abbreviates some wortts and joins others together and etn : plnvs neither stops nor accents. The Fogg art museum of Harvard has recently received as a loan from Mrs Francis P. Nash n largo tondo repre senting "The Mystic Marriage of St Cath erine,” which bus many of the character istics of Filippo Lippi's work, nnd which has been attributed to him. The same museum has also received as an Indefinite loan a small pinnacle representing St i Agnes attributed to Ambrogio Lorenzetti. 1 Tlie little picture, says the Boston Tran- s, ripr. has mneh of the chnrm of the early Si. nrso school, though its somewhat rough oxecutiou ,h, ls . n ,,| .oiiipare favorably with : the beat work of Lorenzetti. It is the old est painting in tin Fogg museum. Loren setti was active between 1323 and 1348, and this painting, even if executed by one i n fJ'’ s pnpils, was probably painted before 1350. Tlie next . .riiest painting to this is a picture attributed to Spinello Aretino, " ;ls Ptobablv painted in the year ■ I'hc Buffalo Evening News reports that unusual interest is being taken by the American institui of architects in the proposou memoria : ^ge from Buffalo to l- ort Erie, which it is intended to erect to eelebrate tlie centenary of peace between the United Stales and Canada. All works of art euibndyim. architectural features eouie within th e purview of the institute; 1 and especially one of a monumntal char acter. As the Butfalo-Fort Erie bridge would be the first memorial bridge of ini- 1 portance to Im erected iu the United States, it is natural that the members of the institute should be watching the move- . ment closely, and it it is successful they j will co-operate to insure that a design worthy ot the subitet and of the two great , countries shall be selected. The project ; will probably, be nisi ussed at the annual meeting next December. Frederick Macniomues has completed his model tor the statue of Edwin Booth which is to bo ere- : I in Graniercy park, New York. Booth is represented in the character of Hamlet, holding Yorick's skull, and the figure is to stand under a great arch suggestive of the stage of a ; theater. <'ohunns will rise at each side, and on one of thes< will be the mask of tragedy, on the other that of comedy. The decoration of the pediment will consist of accessories used bv Booth in some of his famous parts. The sum of $25,000 has been appropriated for the monument by the Players’ club. An exhibition of new lithographs and etchings by Joseph Fonnell is in progress at the rooms of Frederick Keppel & Co, 4 East Thirty-ninth street. New York. It will close the 31st. Of the lithograph en- , titled "The coronation of King George V and Queen Mary in Westminster Abbey, June 22, 1911,” Mr Pennell says: “I was admitted to all flu rehearsals and to the ceremony. Every line of this lithograph was done in the abbey, at the time, and it is the only historical record of the event in existence.” The marble portrait busts by Robert I. Aitken are highly spoken of by critics who have seen them. His bust of President Taft won much favorable comunnent at the recent international exposition in Rome. His portrait of Henry Arthur Jones, the English playwright, is pro nounced an admirable piece Ot work. Oth er busts by the same sculptor include those of David Warfield. Augustus Thomas, Wil lard L. Metcalf, the late Senator Edward Dolcott, and Henry R. Wolcott. A San Francisco sculptor .suggests that a colossal statue of Father Junipero Serra should be erected in Lincoln park, sur mounting a group of mission-buildings to form a part of the architectural scheme of the Panama-Pacific international exposi tion. There are already statues of Father Junipero Serra in Monterey and in Gold en Gate park, San Francisco, An exhibition of paintings is in progress at the Montross gallery. 550 Fifth avenue, New York city, ami will close Saturday. The painters whose pictures are shown are Hugo Ballin. Elliott Dangerfield, F. W. Dewing, Childe Hassam. W. L. La throp. Gari Melchers. Alexander Schill ing. D. W. Fryon, Horatio Walker, J. Alden Weir and Henry C. White. Charles Niehaus has been commissioned to model the portrait statue of Zachariah Chandler for the statuary hall in the Capi tol at Washington. The Michigan Legis lature appropriated $15,000 for the pur pose. The statue is to be of marble. NEW HYMN BY FANNIE CROSBY. Has Been Producing Hymns for About <53 Years. Springfield and it's people have a warm admirer in Miss Fannie Crosby of Bridge port, Ct., the blind hymn writer, who has come here for a week's visit with Mrs R. B. Currier of 10 Chestnut street. Miss Crosby will celebrate her 92d birthday on March 24. bnt one would never guess her age from her appearance, conversation or actions. She says herself that she is as young as she was 60 years ago and de clares that the figures of her age should be reversed. Her activities carry out her words, and she is as busy with her writ ing, her knitting and the numerous other occupations of the day as she ever was. She is fond of knitting and generally has a bag of soft wool by her chair. During the recent Christian endeavor convention in Atlantic City Miss Crosby addressed a gathering of 10,000 people, a feat that few half her years would care io under take. On Sunday afternoon she spoke at the Rescue mission here. In Bridge port, Ct., where she has made her home for 12 years with her niece. Mrs Florence Booth, she is a hearty worker for mis sions and is much interested in the. work of the circle of King’s Daughters. Miss Crosby has been writing hymns for about 63 years and during that time has written about 7000 which have been sung all over the world wherever Christianity has reached. She loves to compose them and believes e is better able to do so than when kI? was younger. The follow ing is one of i r most recent hymns, hith erto unpublished, and ih entitled "We know not" We know not 'he splendor prepared for the blest In the beautiful mansions above. But we knov that from labor nnd sorrow they rest In the am r Emmanuel's love. And we know that the ransomed together shall meet On the blip .-,f eternal delight. And again id .again the old story repeat As they walk with the Savior in white. We know n t how far in .the regions nt space. Or how near us their dwelling mav be; But we know that they gaze on Emmanuel’s face. . Anil its brightness forever they see. We know n.a how sweet are the anthems that roll Through tL" city of jasper and gold But we know that the bliss of the glorified son I To a mortal can never be told. We know an) the wonder, the Joy. the sur prise. Me slm ~e| when onr feet press the shore: But we k .w that all tears will be wiped • from onr eyes. Anri onr ; . ting with friends will be o'er. ANCESTRY. To the I Hit'.r of The Republican :— I note your statement (discussing the hollowness «,f aristocratic pedigrees! that "nearly everybody, as a matter of fact, is descended from nearly everybody"; but bow little the mathematical correctness of that fa is realized. It is easy to dem onstrate, if ope only faces the figures. Let's put them all down and look at them. Each .me is directly descended from father an I mother, that's two; father and mother arh from two, that's four; our grandpa:. ms each from two, that's eight; ’J" 32. 64. 128, 512. 11)24. 2048, 4096, 8192, 16.381, 33.768. 67.536, 135.072, 270, 111. 540,288. 1,080,576 -and there you have it. only 20 generations back, or prob ably about 700 years (date 1211, A. D.l, and we pile up a total of over 1,000,000 persons from whom each of uh is directly descended, nnd whose blood is commingled as ours The Charlemagne quality of which you speak (reigning from 742-8141 must be spread out pretty thin by tills time, eh? . , A. B. L. heir Haren. (It.. October 19. 1011. Horses that are spotted like leopards are common in China. OUR BOSTON LITERARY LETTER. WAR AND WAR CORRESPONDENTS. Rnxsell of the London Timos—Mis niHnnßement of the Crimean War— The Indian Mutiny of IS57—-Lady John RußMoirn Memoirs—The Duke of Kr.qxll*u Tours'— Old Mnsleal In- NtrnmentM. From Our Special Correspondent. Boston, Tuesday, October 17. The life of Sir William Howard Russell, published in this country by E. P. Dutton, is too much for one meal, because its two volumes raise so many side issues and subsidiary questions. Consequently, only the first volume will occupy me to-day, with contemporary single volumes, the Me moirs of Lady John Russell, published by John Lane, and Hutchinson's London pub lication of Argyll's first volume. Russell was born in Ireland near Dublin in 1820, Lady Russell in Scotland at Minto house on the Teviot (the seat of those Elliots who became Mintos), late in 1815. Conse quently, but little more than four years intervened between these two beginnings of importnnt lives. Russell outlived Lady John by seven years, but both had passed the fourscore mark at death—the countess dying in 1898 and the war correspondent lute in 1905. But in 1842, when the Irish man was training for a journalist, the Scotch lady was already the wife of a cab inet minister, who had been in Parliament half his life, and in the cabinet, off and on. for 10 years. Consequently, she came much nearer the seat of government (which the British cabinet is) than the war cor respondent became after his upsetting (in 1855) the fifth ministry in which I.ord John Russell had a place. The outlook of the two on court and Parliament was very different, as indeed were their char acters and sex. No relationship, even by marriage, ever existed, and the Irishman was more radical than ths Scotswoman, and also, in our civil war. more friendly to the cause of the North, which was the truly conservative of the two sides. William Howard Russell was the grand son of two very unlike Irishmen,—Capt Jack Kelly, a Catholic, much given to hunting and conviviality, and William Russell, a Protestant pietist, who detested the Irish Catholics. Another grandson of this Protestant became an archdeacon of the Anglican church,—a first cousin of the war correspondent. The education of W. H. Russell was bi-partisan,—half Catholic and half Protestant, but his Anglican kin dred paid his way through Trinity college in Dublin, and he planned for a time to hold a college fellowship there. But an excursion iuto O'Connells oratorical field in 1842. as a reporter for the London Times, and his success in that violent pe riod of agitation for "repeal” fixed his destiny as a journalist. Ten years later lie was a professional writer for the press, and in the literary circle at London which included Dickens. Thackeray. Jerrold. Mark Lemon, Yates and the founders of Punch. Early in 1854 the Times sent him to the Levant to look out for the opening of the Crimean war; and in the next two years his reputation was made as the first and .greatest of the war correspondents in the latter half of the 19th century. The story has often been told: the war made and unmade reputations, but those who gained the most fame by it were Russell and Florence Nightingale: and the opportu-' nity of ,Miss Nightingale may be said to have been created by Russell and the Times. The sad condition of the English army before Sebastopol is in this first volume sufficiently set forth; its causes were the same that made the ill-success of England in onr Revolution, the first blunders in her Napoleonic wars, and in the recent Boer war inevitable. The root of all has been the unwise contempt for other nations, and the inability to see clearly what is the real situation in foreign coun tries, which was so manifest in the sup port given by the ruling class in England to the cause of negro slavery in our civil war. They failed to see that the cause of the Union was the cause of liberty; and so great was their hatred of democ racy that they had the folly of believing that the slave-holding oligarchy was a true aristocracy, seeking, good government, and not a desperate tyranny, aiming at tue retention of its unjust power, which the American people were bent on destroying, and did so. under the lead of Lincoln, whom for years the English aristocracy, with a few notable exceptions, insulted and slandered, until the success of his emancipation policy became so obvious that even Palmerston and his French ally. Louis Napoleon, were forced to see that they could no longer conspire for Hie independence of the slave-holding des potism. The course of events in our war is re lated in the second volume, and need not here he further mentioned. Less familiar ground is Russell's reporting the later stages of the Indian mutiny of 1857. where he exposed his life to more risks than in the Crimea, bnt was treated by the mil itary officers with more consideration than three years before. He saw in India, and occasionally censured, the British con tempt for races guilty of a skin not col ored like the Briton's; a scorn that has since increased and been imitated by our American imperialists. It is interesting to observe how Lady John Russell viewed these affairs in her private letters, which cover the period from 1842, onward, in chiding the Repeal of the Corn Law, the Irish famine and attempt at rebellion, the revolution of 1848 on the continent, the extension of the franchise, the Crimean war, etc. In that war her husband made several mistakes, as he did during our civil war: hut he came out right at last, though his resignation from the cabinet at a crit ical moment in 1855 xvas the occasion of censure by the queen, who would rather have had him than Palmerston at the head of a reconstructed cabinet* Four years earlier, when Palmerston had been too demonstrative in favor of Kossuth, and against the Anstro-Russian alliance, we have the following entry in Lady John's diary (November 13, 1851):— The queen talked long with me. After ao cnslng Lord Palmerston of every kind of fault and folly, public and private, she said several times, "I have the very worst opin ion of him." I secretly agreed with her in much that she said, but openly defended him when I thought her unjust. I told her of Hie steadiness In friendsip and constant kind ness. in word and deed, to those he had known in early life however separated by time and Station. She did not. believe it and said she knew him to be quite wanting in feeling. This turned out to mean that bls political enmities outlasted the good fortune at his enemies. She said If he took the part of the revolutionists In some countries he ought lu all; while he pretended great com passion for the oppressed Hungarians and Italians, he would not care if the Schleswig- Holsteiners were nil drowned. I said this wan too common a falling with ns nil. 1n onr civil war Palmerston sided with the revolutionists of Carolina and Vir ginia, while Victoria was usually on the aide of the T'nion and the government. In the Mason and Sidell affair. the Rus sells were on the side of peace with the I'nlted States, while Palmerston and the Times were for war, as rhe following let ter of T-nlv John Russell implies (Decem ber 13, 1861);- John could not but fool that there had I been no fault on our part. ... I wish the newspapers «ero blameless: nut there was a sneering, exulting tone In many nt them, after the military disasters of the noilh. which was likely to Irritate. Mi- Motley said long ago that the Tinies would. If pos sible work up a war between the two coun tries 1 have no doubt from what John and others say, that he was tight. . . . Thore rail be no doubt we have done deeds very like that of cept Wilkes,—not exaotly like, be cause no two cases ever are so, but 1 wish we hud not done thorn, ami I suppose anil hope we shall admit they were very wrong. (January 8, IW2 > The commlasloneis arc surrendered. Thank God! John Is de lighted. Ht was very anxious tip to the last moment. It lias been a surprise to ns to hear of the aery tempered Joy, or rather, the 111-concealed disappointment of London society. But John says London society la al- | ways wrong; and 1 believe the country to lie all right This was not far from the truth, and became the exact truth when even Lon don society saw that the game of the slaveholders was played out. Nothing in England succeeds like success: and Lord . John saw that it was not the "republican I bubble,” but the slave-whimpers' soap bub ble that had been an iridescent dream. Gen Lee repaid the English strain of com pliment to him and his cause by saying; - That England had acted front no regard io either portion of the Union, but from a jealousy of the united nation, and n desire to see it fall to pieces. England had led the South to believe she would assist them, and ■ then deserted them when they most needed : aid. i The present duke of Argyll in his "Passages j from the Past” relates his conversation with , Lee at Lexington, in May. 1866, —the • marquis of Lorne being then but 21, and I apparently not sharing his father's, good I opinion of the United States, or the north l ern portion. of it. He had spent a week or two in Washington before going down into Virginia, and had heard from Bruce, the British embassador, this singular predic tion :— I'd make you an even bet that If annexa tion there be within the next 20 years it will be the annexation of New England to Can ada. not of Canada to the United States. Sumner was told that the East would short ly find itself nowhere from the increasing power of the West. Lord Lorne dined with Seward and heard from him the story of Payne’s attempt to assassinate him the year before, in the very house where it occurred. Seward told the present duke that his lather, then duke, “was the best friend the North had in En gland during the. war”:— Lord John Russell had bean cold in Ills tone, and Mr Gladstone had made that speech which could not be forgotten by Americans, in which he said that Davis had made a nation. How strange of such a man, a deep thinker, to have supposed that while we had before become a great nation in spite of slavery, the very men who had caused that weakness could In 1861, by sep arating themselves from all that had caused strength, constitute themselves a great peo ple. We must avoid creating any fresh an tagonism between the whites and the blacks. If the suffrage were given to the blacks, they would send people to Congress demand ing things impossible to give them. It would raise the feeling of the whites against them, and there would he a war of races most dis astrous to the blacks. Gen Lee made observations similar, aft er he had spoken “with hearty apprecia tion of the conduct of several Englishmen who had served in his army,” and had abstained from complaining that. England had deceived the disunionists. He said: — The relations between the negroes and the whites were friendly formerly, and would re main so if legislation be not passed in favor of the blacks, in a way . that will only do them harm. The radicals are raising up feel ings of race: and If a bad feeling is raised against the weaker party, it must yield. The blacks must always here be the weaker: the whites are so much stronger that there is no chance for the blacks, if the radical party passes the laws it wants against us. Forty-five years have passed since this Was said by a soldier who certainly was not “a deep thinker,” and the blacks have not only doubled or trebled their numbers, but have acquired $100,009,000 of proper ty, founded schools, colleges and univer sities, and entirely falsified the predic tion of those who declared that emanci pation would ruin them. Even Seward told the young noble that the whites would, buy up the southern lands, and that emigra tion of whites would set that way. Chief Justice Chase surprised Lord Lorne by favoring giving the negroes all their rights, including the right to vote, say ing:— It is not possible to give this right of vot ing now. but It should be done as soon as It is possible to do It. We believe that Hie best education a man can receive Is the priv ilege of voting. He becomes a person of im portance and is run after and spoken to very differently then, than when he has no vote. I do not believe the antagonism of whites and blacks would be Increased by the suf frage; on the contrary. It would be lessened. It is true that power would be given to many ignorant men, but to give that power Is the best means of dispelling that ignor ance. Nor do I believe they would act in a bodv against the whites. On the contrary, they would split into sections and follow the lead of white mon. This young Briton thought Gen Sher man more able than Grant, Andrew John son or Chase. He found Johnson silent, but Grant talkative. “Grant rather put my back up by the way he would never confess that he had ever been beaten.” But had he? His generals were sometimes beaten, and his campaigns sometimes were checked; but they always ended in suc cess, from his capture of Buckner in Ken tucky and Pemberton at Vicksburg, until he received the surrender of Lee nt Ap pomattox. Grant thought Joe Johnston fully as good a general as Lee, if not bet ter. The present duke of Argyll does not seem to be a statesman, like his father, but a man of society, good at woodcock shooting, and a capital describer of the human countenance, though not gifted in art. if we may judge by samples of his drawing in these volumes. He was rather irregularly educated, and was withhold by his father from entering the army, which, he says, was his wish in boyhood. He married one of the queen's daughters, and was for a time governor-gieneral of Canada. The death duties in England vex him. and he complains that men of wealth are now forced to invest their wealth nnd employ their income abroad rather than in Great Britain. His accounts of Garibaldi, Bismarck and other great men of thel9th century are interesting, but his judgment of human character is not profound, nor is his English faultless. He imparts little bits of information not to be had from other writers so readily; for instance, this of Tennyson:— He liked to read out bls poems to his in timate friends, but hated to be overheard by others He would take us into the very cen ter of a large field at Freshwater, to be sure that he could not be overheard by anyone lurking in the hedges, -before he could stand and declaim in a deep running bass voice anv piece (hat had been specially asked for. I remember his thus declaiming the whole of his "Bondlcea." with hardly a pause for breath He declaimed with a kind of acoom panving drone, like what you hear as under tone with a Gaelic choir's singing A work by Francis W. Galpin. ‘‘Old English Instruments of Music,” is rather disappointing, from the use of archaic terms, and the amount of musical knowl edge which the reader is expected to have. It is useful, however, by its illustrations, which give the exact form of the Regal, the Virginal, the Recorder. Rebec, etc., described in the text. It seems that “sym phony.” at one time the name of the hag pipes. was afterward given as a name for the primitive hurdy-gurdy, a sort of com bination of the organ and the lyre, in which a wheel was turned to move the wires. Also, the “pair of virginals” was simply n single ’instrument of the spinet sort, but got its double name from the analogy of “a pair of organs,”—so termed to distinguish tne I-atin "organa” (our organ) from the singular noun "organum," which had a previous and different mean ing. CARNEGIE HERO FUND AWARDS. Bravery In Several New England Ac cident* tlerngnlied by Commis sion. Forty-«*v»n bronze and 12 silver medals were awarded by the Carnegie hero fund commission at its fall meeting in Pitts burg last week as n recognition of bravery in saving human life or in attempts in which the life of the rescuer was jeopardized. In addition to the medals to these 59 persons, cash awards were made for reimbursing loss, for relieving debt on homes and the buying of home* or for educational and other worthy purposes ns needed, amounting to $53.(136. Pensions to survivors amounting to $315 monthly were also issued, and for children left with out support, $5 a mouth was awarded each to the amount of sso monthly. Of the rescues, one was of saving a man from a wild animal. Thirteen of the heroes lost their lives. Some of the awards fal low:— James M. Snyder, bronze medal and SIO9O for buying of farm. Snyder, aged 51. a farm foreman, rescued Phaeon Haus man. aged 69, from n bison at Schnecks ville. Pa.. March 3. 1911. The infuriated animal was attacking Hausman when Snyder, at the risk of his life, threw his overcoat over the bison’s head. Then both were rescued in safety. Alexander Fraser, dead, silver medal to widow. Pension of S4O a month and •>5 extra for minor child. Fraser was fatal ly injured attempting to save a man from burning to death at Allston, January 16, Howard I. Davis, bronze medal and $1215 toward buying of home. Davis was badly burned rescuing a child from a fire at West Haven, Ct.. March 24. 1909. Patrick H. Campbell, bronze medal and SIOOO to improve physical condition. Al though ill he saved a man from drowning at Worcester, August 27. 1909. Alexander Morton. Sr., bronze medal ami SIOOO to liquidate mortgage. Saved aman from drowning at Revere, August Louis V. Bruya, bronze medal and SIOOO to liquidate indebtedness. Saved an old man from being run over by train at Mont pelier, Vt„ May 11. 1910. Joseph G. Walker, bronze medal and SSOO toward buying home. Walker (colored) rescued Edward W. Butler, mayor and lawyer; Green Thomas, labor er; William Obear, quartermaster-general. Georgia militia. Legare H. Ohenr and Julia H. Obear from a runaway at Madi son, Ga., June 27. 1909. GLEANINGS AND GOSSIP. It is stated at Stockholm, Sweden, that the Nobel prize for physics will be award ed this year probably to Thomas A. Edi son, the American electrician and inventor. The hatpin problem is still' exercising New York Why not bring it under the Sullivan law by which a license must be taken out for owning or carrying weapons, whether concealed or not? In this case concealment is what is demanded —it is the exposed point that makes trouble. Mr and Mrs Joseph H. Choate have al most threatened the gold reserve by hav ing stayed married half a century. It is said that the 300 gold gifts sent to Stock bridge in honor of the jubilee are worth, at a conservative estimate, SIO,OOO, with out counting their sentimental value. Mrs Warren Fairbanks of Chicago, so cial leader and wife of the son of former Vice-President Fairbanks, reported to the police at Chicago this week that a bag containing jewels worth SIO,OOO had been taken from her on a Pullman train on the way from Boston to Chicago a week ago. North Africa, with its dry air and equable climate, offers, like Arizona and Pern, an admirable place for astronomical work, and a fine observatory is now being erected on the “hautes plateaux” by the geographical society of France. After many experiments the hight of 3609 feet has been chosen. Herds of 50 sea elephants, some of the beasts being over 20 feet long and nearly as high, and of a species supposed to have been extinct before history began, were a pretty good find for the expedition of the American museum of natural history in New York, which has just reported oil its explorations in Guadaloupe. Pretty big corners of the world, it appears, are vet to be thoroughly discovered. The passing of the horse car, one of New York city's antiquities, is in pros pect with the introduction of storage-bat tery electric cars capable of winding 1 in and out of the labyrinth of narrow. 1 ' crooked streets downtown. There is a hitch just . now over the question of whether some of the franchises of the old horse car lines have been forfeited by disuse, but the change is probable before long. There are a good many folks who. if they • had as much money as they could sp«m! would go fishing. So there is "human in terest” as well as scientific interest in the exploit of Danforth Ferguson, the 16-years old grandson of O. H. Armour of Chicago. Tie has just returned from a fishing expe dition in Florida waters, which he financed. He took with him Chapman Grant of the New York aquarium, and they collect ed 274 specimens of tropical fish, repre senting 63 varieties. Is there a feminine form for academician in French? If not one will.have to be invented if the hopes are fulfilled that Mme Curie will be elected to the academy of sciences to fill the vacancy left by the death of the chemist Louis Joseph Troost. When she wab defeated a year ago the opposition was largely due to the feeling that she belonged in the chemistry section rather than in the section of general sci ence. Now the opening has coine, and no one is better entitled to the honor. Mrs Booth Tarkington, wife of the nov. elist, and playwright, filed suit for divorce in the superior court at Indianapolis last week. She charges the defendant with cruelty and asks for the custody of their five-years-old child. “That she always has been a dutiful wife, but that the defendant has treated her with great, cruelty,” is the principal allegation in the complaint, which is very brief and does not relate any in stances of the alleged cruel treatment. No mention of demand for alimony is made. It is set out that Mr and Mrs Tarkington have not lived together since last July. “Shibboleth” and “Sibboleth.” by the pronunciation of which the Gileadites de tected and dispatched the Ephraimites, is recalled by the news of the massacre of the Manchus at Wuchang. The Manchus, though similar in appearance to the Chi nese. have, according to the account, a pronunciation which differs slightly. The rebels, therefore, to make sure that their victims were- Manchus. asked each one to count, and upon the pronunciation of the word for “six.” hung life or death. When the aviator Robinson, who is fly ing from St Paul to New Orleans along the Mississippi in a hydroplane, dropped a bolt from the forward steering wing of his machine at an altitude of 3000 feet, it looked to the spectators as though he were about to fall. He luckily maneuv ered into safety, but the bolt kept on fall ing. and not being interfered with it ulti mately arrived. Now. after falling 3000 feet a heavy- object is moving at the brisk rate of 440 feet a second, and while thia may not he quite small caliber low trajec tory speed, ’twill serve. Brown Boss, which won at Waterloo, struck no harder a blow. When aviation becomes a com mon thing this risk is likely to become serious, specially along the most frequent ed air lanes, and this in itself will lie suffi cient reason for a careful supervision of aircraft. To drop anv object intentionally when over inhabited regions should be made a serious offense, and the coming loose of a bolt should be reason enough for taking away an aviator's license unless a satisfactory excuse can be offered. It will hardly do to drive people into the cellar for safety. Some employers who have had the exas perating experience of being abandoned by a competent clerk or stenographer who selfishly insisted on getting married may be tempted to sympathize with the New York lawyer who the other day published this advertisement:— Wanted.—Young woman stenographer who will sign contract not to get married; Ufa position; best salary. E. s. b. The "best salary” Is S2O a week, and for this stipend a young woman is asked to sign a contract not to attend dances or to receive "company,” or go with “gentle man friends” to theaters or places of rec reation-with friends of her own sex she may attend once a week—or tn "affect puffs, ruts, powder, or puint.” No doubt it was meant for n -joke, though It is not a very good joke. If seriously intended, it. would be h niece of monstrous Imtolence nnd egotism. No man is important enough to be justified in requiring a woman to remain single to minister to his conven ience.