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DEAN MOLK'S MEMORIES. A SPARKL1XG AND MELLOW BOOK. TIIK MEMORIES ni' DEAN HOLS. Ivo, pp. fiTT. New-York, MarMIHim A Co.: London: Edward Arnold Dean II??1<- baa mastered th>- art of growing old gracefully. Tbia volume of remlnisi. ? ?fee ? full ??f tin- ?.pulk'?< ami freshneaa >?f youth and ??l the mellow n.-vv of mature, self-contained middle lili?. A l)ri>!i(l-iiiiinl..il man, with a heart sweet ??ned :u,?l puriiii'il i v th?- Nnatanl outflow ??t aynv * putliv for all sorts ?mil condition? of men, be haa retained t.. a remarbahle <lej.'r<s< thai s.-n ?? ?,f elect ye. vitality tlmt Ih-Ioii-s naturally to youth and tlif prime of life. Such a \oliiiiie it, a t/eas ure-frov(- for long winter evening?. Literary t-pieure? trill not choose t?? read tin- ehapfrra eon tniiioiivlv or iii.-tlio'li?-ally. The flavor is t?.o Une for a prolonge i session undei the lump It i lili?- one "i thus., clmire after-dinnri cordial?, m which the Bttnahine, halm and frai ranee "i a long I'liiinii? r htta '??s'il stored, It is ti?. delicate t,, he tak.-u with prodigal hast.- o:- m wasteful draught.*.. It is to u- sipped at leisure, an.I then pit away for a lionne-lion. I,.- an? thi night, when the s"il t..is to he warned by companionship with a e.\ iiipatl;.-tu- nature of refined sensibility. The arr.ni^'iii.'iit of this hook is original ami lii^hlj- |?\?sing, Instead of beginning in the conventional way with rnemorieaoi childhood and school companion? and following rigidly the orderly acquence of Ins life, the Dean assorts and groupa bis reeoaVctibna under auch headings a? th?.-?-: A re here, aitisis, author?, rrickptcn, ec? clcajaetios, garablera, gantener*, hunters, shoot/rs, tiV'iiiiai s, pn-arh? i>, workingrnen. Thin n ? of grouping the memories thronging nnd pi--, is ii]?o!i li i m i? unique in iti? way, and it bring? uui arti.st.ioilly, v t naturally withal, the varii threoda and colon? of which ht? buay life lina l??en woven, in tin-, way thought! of luv yonth, mui? dle life and closing yi ira oro happily blende?! in every Chapter. The play and spin k'e >?i youth? ful feeling nnd the full noonday light ol mid lie age nro distributed tlironxh th.' volume, The Influence of ? sweet, whoY-som? love of naturi< an.] of ins fellow man pervade? the book. His is an old ;r-e m which notjhirtg Mema ?til?. Na ture haa been his imsi Intltnate friend, nnd of bet tender companionship he haa nol grown weary. He ha? touched the world on many nilos and leuaeniben no ighl thai ia evil. I h good which he lias found m men he ha? cherished with tender aympathy. His joy in life at all ataget remains tlie ke^mesl pleasure ol mi morj Dean ll"h'*s acquaintance among artists hi? been large, but there in . "t whom be writ?-? noal affectionately and w itli protonnd rootsi l for his attainment? ml ?; araeter. This j? John Leech. Tli.','. were intimate frienda, look holiday journeys together, and many of the Dean's Wst acolita w;-.' iilii?tr:,t, ,i wit I' lin' dlsecrn nent in the page? ol " r inch "' Tin- nrtiat'a dcith was one of the chief sorrow? of 1 is life Thack era<- was th.- lirst to clarm him ?M t hi? friend'? health, entre.iting him by letter t.. ? _.t John Leech out ol London, lie w t in a atate ol nervoua debility, which would be fatal n lie did not r.-st. Sot only tire street muale, which he had alwuy? abhorred, hu? now any ?tidden r un usml pound, even the movement "1 a scythe over the lawn under hi? window" etartlod and depressed him." Vet Thaekeny was the Uni to go, They knelt together In the chapel at Charterhouse and ?Mied in the old hall ;??m ward to celebrate Founder'? Day; and little more than thr?e month? niter Thackeray wan found dead in his heil. Leech toi I Millaia ol 1 - | sentiment that bo, too, oho ild die suddenly. Hogarth had the name foreboding lie his burl picture "Finia," and broke his palette when it ?rat complete?!. It wa? published in March, nnd in Octolier he died, itial a century befora Leech, auddenly, on his return Irom Chia wirk, tu Lteeh, on hia return from Whitby, in London, both having Bought relaxation when it wns too lato la i,l.-e Denn'a eotimation the world in loain Leech ?rag bereft ?t a benefactor who had made it more happy and more wi-?-. ?? He wa< ?? pre i pi of rightoueneitt, n.aniii.>??>-, sincerity, kindnesH, truth and parity t.. thousinl-, who Would not obey the Injunction thai they ahoukl h ar ser nions. He suggested the grandenr ol virtue by expoaing the iiglinetw ?'t vice, and the k'-.-n ??' h ut his ridicule pierced an epidemic whic i proof against all other weapon?. ' ' lb- de?ll gently with the Ignorant and weak. He sent all reprobate?. t<> tin- pillory and bode the neighbors l?elt ; but he let. faMy ^o \s 111. a bos on th.- ear, i.i with ?i rebuke, which hurt more than the blow." < n n,any other artiirta an?! etora makes kindly mention, and tint, this neat shot ?at clerical critic? who denounce the evil?, ol tin stage: "I wontler that it never occun to them to cottafder the proportion ??t playa which prcacnt to the public the victoriee ul virtue, as compared with those In which vice ?ucceed? and ts tri? umphant; the p!a\e In which truth ?ui?i honesty ?ml ohaatity uus-t ttn-ir sure reward, and thus? in whkfa they ar?> made the objecta of ecorn and ridicule, and in which the liar, the kuav?< an?! th?- laodviou? ai.- promoted to honor The Dean's reminiacencee ol the lamo is au thors whom he haa known a?o nest charming, ih line mu'h to pay about Thaekeny, In?i;<-..s mid Dr. -if-lin Brown, whom be knew Intimately. Thaekeny appean In charaeteriatic mood and ittitjude in such pasaa^ sas tl?--.-: Wi- had many a pleasant leunion. When, -r w.< met be ln> itecl me to hi? Itoune, and alwaj ?, lie im?- th.- guests we I Ihuii?-. he whispered in my em : "Stat i"i the tia-i.uit weed." ll<- piu poaed me l;?r the IJairieii Club, and tliere ??? often dined t??'-'etli?-r. I have lew in/wnoric? ?.| his eonver?ation. il?- >ni i -?? man- g-ood tl,:?..-. beinn the is?t talker I have ever listened to wh.n it pleased him to talk, that thej frod ih vn ?nd sulli-i at?-.I >',iih other; bul 1 have a distinct reoollcetion ??: ?> ??? n? ?-' i:it<-.re*tlni 'lise'is, m which he had with a learned nrofeewor from t'.nii lirid}.'?'. The ?ubjeel ??i ?l.-l?ate, miag<?tot| by the publication of Buckle'? - llist?.r\ ?.! i ivilizu? tior,' \mi- upon the powei ..| th.- human uiind and the progr?"?* ol ^ ?entitle ,h- nv?*ry toelimiirite tin sorrow and enlnr ?? tin- liappinew ul urinkind The profeaaoi taeemed tu think thai ilu-r?- would Is? h'ir?ll;.' : i r i \ limit to these attainments, Thack? eray spoke as Newton apoki ul.t gathering pebble* on the shore, ami aftirtned thai ore "1 tin- best result.? of know let Ige w.,s to convince a man ol his ?ri "rame He se??mod t?, preach front the text, though he dj I not t|iiote it. thai tin wisdom of thi? world !? foolishness with f?od It was ?i eomiiit lietweni pride and humility^ and jiriih- had it? imual fall. On one siili.ie??? he was proud, hill it w - i prido wliif-ii t.-?tii?".| t?. hi- own tu--?Ion from self-conceit, Ile w s praud <?i his tlaughtcr's luniks - 1 awn re you.'1 lie said (but we tacitly declined to he -a-, 'that \ 11 ? : ??? can write ten time- more cleverly than I." Sh? ha*!, Indeed, reoeiv.-d a rieh inheritane-' of h?-r father'? hn i - exceptional a? it w?s large' because ttenlua is not s-, rrarnhtrly entailed a? that old la<li ?up posed who inquired imm the son <?l < n.,, i ?? whetiii r he intended to carry on his father's busineaa " I only onee heard Thackerav allude t<> hip works, ami tint m -\ -ii'-i-unie spirit, which nmuised both him an I us, " I waa rravelllns on th? Rliin.v' he said lin eomaany. m doubt with "the Kicklo'iurv? " ! "and .<iitcrin;.' one of the hotel? on the hank?, exhausted and wo:??-.-. I went info tlic salo" and thrc?v ayaaD on s ??.fa. There was g booh on a litt;,- labb- clos?? Ijr, and I opened it. to find that it teas ' Virity Fair' I liad not soon it sine* I i-,rro.-ted tie proofs nnd ? r?; ~i\ ? chanter T)?> you know, it seamed to ne \.-ry amu-lns''" The intelligence- V>Miehtnfv>d I \ a eritic.tl nuta crat that Charles Dickem was going out of fash? ion inducesi th>< Dean to Inquire "as on.- pro? foundly impressed ?uid gaaplag for more infor? mation, whether lie thought thni Bkataaaaaie would be a la mod? this leaaota, and what he considered the n.-w.-.f and swe?-test thine in the l<*au mondo, of lotWIect." Then be exclaimi with h toueh of iinpatien?.-: ?"Pickwick,' tVleholaa Nickl.'hy,' 'Oliver Twist.' The < ?hi CurioMtv 8hop,' Dnvi I (!4ifj|inflf.d,i A Tale of ']Vi> Citi?s,' 'A Christina? Car?!.' out of fashion: Not while the Bngliah huiuiia-.'? retnaltU M now, anil th.-y who apeak It bare btaina to .-ijipr.''-iiiti- humor ?ml h..}irra to sympnthi/e with wo?-''' O! Dr Brown the D?-sii \Mit.-s with lie- most ten 1er fealing as a friend des'plv h.-lovcd and L.-artily udniired, clOslfiL' With thi? touching ineiifsat : Dr. John Brown died vu tu- Utb u? Muy. 1832. Mr. David Douglas, his rlevoted friend, to whom v.we the p.iiiii'-.itniii "f "Tbc Journals "i Sir Walter Scott," being Bit fri?;i'! siso, wrote << tell m?' i.t mu Ins?, m words which he knew would comfort?that his mind was clear until the Una] N'parutioii, that he had taken in aflectionate faro well ol those roost dear to him. When fh<? ?lark shad ?w - ? wed linn thnt death was near, h< :i~!."'l that :i favorite old nurse might he senl for, an l greeted her, when she entered his room, viih, "I - ii." away, Nlrs Scott; roa know you trystod t?. be with me ai my death " 'II?' c ?baptera on " Eo'reahtsties" are fll?e?l with i comment.? on old-time clerical life and 1 road-minded, whole-souled charity respecting religions divisions, A u.:er;n't man himself, h?> in.ii- something good and hopeful Inewry develop-, meni ol ro?L'nu^ life In England since his hoy hood, and taken th?- most esnsolator? vkm of tin* levival of faith which he haa witneseesl, A v.lnn some beautiful picture." be write??, "which I as been concealed and forgotten, remo? ? l in time ol brittle, w-st it should be destroyed by the enemy, is found nftet many years, and Is carefully cleansed and skiliully restored, and 'Ik- eye i- de? lighted with the successful ilovelopment ol color ;n: I nl form, ?m.I the lifelike countenance, the historical scone, theaunny landscape, 01 ili?' tuoon Ij spa come oui once more upon the canvas; so in t.. t great revival of religion, which began ?ti ; ji ?and ii.nr?' tl mu hall a century ngo, il ? glorio ? truths "I the gospel, the ancient verities of th? Catholic faith, were restored to a gniiitnyins- pco i le, who had forgotted ?>r slighted them so long. They were with us in imr lilil?es, ii. prayer i n ihs, im .in sacramenta and means ol gra ???, nui tin y w it htUdsi from oui ??.ves, lik<- tl.Ion of the pictuie, by the dust of long neglect M n a beautiful trii.uw- he pays lo 11. * - saintly bishops and broi'heff clergymen whom I ?? has known, and ii"t a few good -?f.'ii"? luis lie tu t"'l. fwu anec? dotes respecting il.?- colleeiion "i alais may bo ['here e is n very lui'::?' congregation, an?l the reel .). -s-iii. tli.n there was unly one alms dif.li, made signs to a rustic hum the chancel cut ram" t" come to him, ami bade him . a into llir r ?? |orj ganlcn through n glsas d. Into the dining toom, wln>te then? had been .i elighl r."*i?vti??n before tbe service, bring * dish from Ihe table, take it (lowri "ii'' ?i i" "i tli.' north ?isle ami up th.- oilier, and then bring it. to the Heru.vnr.iti ai the pluce from which be starte I. IV r istii dis Hppeinil, i" i|?p ??:.'? I with lln iliah, l ou il a* he ?us ordered and pivsented it lo tbe propl.i i t ? . r the aide, nnd then, uppi m hiiu th ' i. >'? n lii>ii.-ii-,| in his ear, "I've none as yer t..l I ni?', sir. I've tiik?'ii n down yon side the aisle .m?l up t'other-they'II none on 'cm "ave any." So order had l?eeii given i" ?lnpty ihe dish, and it was full "f l?if?''nits: S'n m. -i |,-??t m our comic ??? ? '.?--ii -t i il history ??M ite* m\ admiration more than thiil wbcli I luv?? told, but America in tins a* m all thinp? ? - . ehullcnirrs our precs lence, and 1 m.-t meekl> ac? knowledge that the occurrence, <. 111ti? ? 1 t.. m? "? l?":iM Mart, ??I I'? aver, as an act i 'I fa? i, sub - ant i ites hei i i dm. " We h ive u i erta '? writes, giving the nnni", "whom we i. ep on ? ? frontier He is b rough ?ii noon l and lia* i kniM k witli the miners. Nol lone h?o he h??i I : ? ;i ramp ?.ill'il h'ii a, borrowi ! the dam e ball n\er the anli on foi bis -? r i- e, 'rnunde I up I: !"'? s,' und tbe hall was lilled. Ann tbe -> rn oi earn?? ..???i tion, ii very Important _ f??ai ire I r preacher ran his eye ovei his andiem and -? leetin i ? ertnin tin horn1 - imbl??r km wn a* the K1 I, Wily,' he sal I. take up !"i tion ' Very mm li honon I, 11 I ? big s mi'i'i-'i bat. and with an imp rlanl and diatiili?" I mi. as was littinir for tbe tx sion, he mad?* bis -,'. ? to the front and held I. s hat f?i ?t ! man on the foremost chal? to '?lunat*'-' I ? ' miner drooped in a quarte1 : - . Bill' il it. then, p itting his hands und? r his i 11 ?iK drew I :- revolver, 'clicked' it al lb? ihn ?ml v.:: ,. with the utmost gi ivitt. 'Yn ? , tike tust baeli thin lien's h dollni slum ' Then, with In- !.;,' ?in i i'?? nli er, uio*. ing rouml tin got is many dollar? as flier?? wi r people' II ? i., ire curious im Ident ftom flu State* \ ..-,, w dose pi lis?? is- ?n tin ? . I m.- thai .i '"'ii"' lor m ;? ch i ?n r.iving :i shake ol the head instead ol h I"' ir from th? hand ol one w om ?? km ? inti i ? ? i in rcmon.si rat.? and m iVilliain. y ?ti ? ? . i? si niel liii _?. \ " " t tor h :- said- it'- your duty " ' Mv m longe to my creditors,"1 said William. \ i- -, .? i :?? it.---' i red i tor ? To H bom d<? yn tin? im*1 ''" asked th ? eolli ctoi \V. . lint's very true." replied William: "bul i He's not ' rowding me quite so much is I ? ? ? It i-, however, from the chapter* r. i reation and gardening thai some ol th?? cli i ? ?1 flower* m tin- charming volume are to Ik? eulle?) Tli.- Dean has all ol Kingsley's faith m muscular rj. -ni'l lias renminetl In lo ich ? th ill manly spurts and iIm? ?? Jiynwrnts "f the Held Few in"': have written alunit rose* , ? - with equal rellneinent ol N'nsibi?ty, * I? ? ? ? dim, Innate remembrance "i l'arailise ! -t.' h>< ,1-k.s, "or is it the bright, inspired hop? ol l'ara ? .- i lined, wl n!. makes oui chi ippti .. ?I." flower* "i tin? gard.in I I ? Is Then !"? relates how the child wa> ?al r 11 the m i . wl en !;?? a ho ft a* In sp ml mnch ol hi* leisiiire among flow era and to o? i ? flu in -t r ??? show i:i Kngland presidesl in his childhoo-l I at :i II ral exhibition ol which hi* little --i?i was the genera! and exeeul II I ? n dei!\ 'i- he lisoourses aboul I.i. m?l rba he is equally aflectlnnate in hi* irii itc 1 I famous -:ir'l?'ii?'i> whom he has known ? ' ? ol these was Bivera, ol Sawbridgeworth, nit?.oi i ; .? 'Rose Amateur's Guide." "it was the pet .1 nl this i?"n!<, Ihe utterance ol a loving lienrf, so clearly and eoneisery sp-'k'-n, which v \-?? \ my reverent admiration <>i flowers, kindled ' ? ?park Into :i flame and gradually extended mj garden ?.i rosee until I was lord of five thousand ti????-. Il- -.-ut me the editiona ol his < liai min . mai rtl, as tin", were pnbhsiied, with some kindly ii nrip tion, and in tli" last he wrote after my Oi " my pupil, Bow my master'; bul be had forgotten more than I ?frei knew."1 In t' iliiipi.-rs mi gardener* the goo I I) ?an, w w b?i ? ?>. e i happy m nil his relations with ln~ rellow-mau, reveals Ihe source "f hi* deepen! |oy in h I ? i nal ire, S ich a passage ?i* tin- show* him nt ? his best : It i- tin- m.m in the woman who strikes tli" ? it | ting and sows tin ?ted, \\ Ii" tends and train? and water*, pinti'it? from the irosi and - >?? i- from 1 t! <? be '. ??'. bu watch?? the Interil hreah out ol the stem, tlie formntioii '.i the foliage and the hnd, : vt-lio t;i-'i?'-th.' In.I felicities which flowers b"*tow You ni'.v buy flowers, pay oiliers to grow iliem for y<?u, and admire them when they are gr-iwn, i ,i ii ibis is the extent <?) your nffectlon, you ! miss, and deserve to lin--, fliree-finirtha ol the ! | li iisiit'- which is given tu Ibisse who cultivate und ''ni?- for ihe plant, " I am nol Ire? i -.:i'l the perfumeil earth in tl,.- Persian fab1??, ! "bul cherish me, for we have dwell together j How much more tenderly should we revere tin? Jiin.tliir ut these I.|y bnhee! Wlmi u wealth i nl flowers tln'.v nlway* have, who are iheii n . i I faithful minister*: They ? ?m to Hnd them ever tl.".- go, i.r receive them a* otTeriiigs from those congenial gardeners who ha ?? heard ? ? their devotion. Thai which th?". pVinl M*?m* evei *j\ thrive, and that which f bey nurse to ree <> n . (?it Howem, which thej urrange, see. pl.ie t! ? i,"-i\i.s nt once m tin- most graceful com bfnation. There seems t'i lie a reciprocal i.i m i tual, mysterious love, an interchange "I -.mil >. The only good thing I ever heard ??! Ihe Mortu m:< was their l*llel In ;< swecl sympathy i < -1 w.-. -u tlie ilniist nti'l his flowei - NOVELS AND SHORT STORIES. MR. HI.I.IKS LAST l.I.I op.T. IHK ' IlATKI.AINi: f>F t.A TRIXITE. By ILnrv Ti. 1 nlli-r. ISmo, pp, IT?'.. Tbe t'en ton On, THE MAMMON OF I NIMUIITt >l -M ? By llj',1 msr njorth lioyesen. 1-mo, pp, :;-u. i...v.;? (\ ryell ,\ ? o. LADY 9ILVERDAI.E'H RWT.ETHEART. AND OTHER TALKS. Rl William Black. ISmo, pp. 215. li.n-ji' r .-. Brat .. rs. Tl:?1 - i n-1 book of tbe author ?.f tbe ThevaBer ?f r rrt-Vam," ?rnleh ;ippf:ir?si first serially In n mag nr.in?', kat t?uippolntesl asan) who were greatly chamen with Mr. Puller's debut. Tbe "Chevalier of l'.n-tiri-Vanr was at once recognized ;K tntr? tfactni :ui <r>rii4iriul miml and nn original talent it preserved a certain fascination, it- discursive atyle, th?- Intimate knowar>ags ?if Italy and Ike Italians, shown sjghont It; II ' n-. iceptlcal la vor; its ihonght; all took strong hm?! anon the rrltlral )odg tiniii. The "Chatelaine of La rrinMe,' i- nol lesi Ing?nions, snd i- la hu? ttslins?al?ihea by preci -.?\ the aajna traita aa attim t?-<i r?-a.|"r^ in tbe nr t Mun, jtl,i eeaaj to ha the i*>ini vherela the general Ut appointment Urs, it is t ?. saach baa it BasjsJen m in -1\ u-. .uni in all th?- rnaraet??rksttea of tne latter, it I- k???j. an ii.iii.t. ?n Kb ?:?, bm it does not pre* iiii.? Mn bnpssjsjatoa of aaHsfaetlon, peitrnft becanse t:.?- narrativa is tata aast ti?- sssrnooa iBstoflnlte, Tbe Btorlea la wMcb aotnlng really pappena froaa beglnnlai t?i end, iiinl wlili li, thcn-?fire, inlgl.t i*. Batende?! ur inrtnlleil st will, no not long please Ihe nadir. ? ecu though he U- ?lHliuy and faslfattona. a Btth of -mti Work i? welcome at Interval?, but it guts a u,?\g way and t., make a? emtartni reputation Boanthlng i ?Hai . metblng whirl, take! ? Brtaer boM upon ,.,,,.????, ?- required. Mr. Fuller ha. alna?!* ??,? ,:,., ,?. rtn.n- kind of wort exceptionally ? ..?, iv. ?till '.?'- '" <'""?"? ?'<'?? '''? ?,?-*?,,,lt? ,,f lit'-rnry talent. Mr I;, ye-, n'- "Mammon of L'arlghteousneaa ? I ,. ,',? ,,.,?:, p, \m ? li ni l f\ ?ritte., ?nth ? a aeal ol v ?or ?nil pr ?'"? ! ' ,;,",,"r "f "'"'" ; .. Bgg-ntad pictnrei of soelety, bn?lne??. flnai e-. rbe author make the common mistake ??f ?? coloring the-*? pictures at tunea, a fa?H which II hard i" escape without ncrltlclng rttallty. Mi over it ma-' be BCUnltted that the pabllc :?t hi obviously pr fer Heir ti. non hoi and strong antl s" i.s some people lilt* iii?ir brant] and-watei or e.piiv.iient : and they do bol mu? li an for roka t.. i,-- ,?r bo" hind. Mr. Roresen reeognlte. i popular p?i.!?a|on( or perbap hi? owa aaal i energy lapel him to c^rrrawg? hi? nteturea. By doing li- prislueea ?> proportion "I "tin" In charartan wbii h I- abova the aten -? I it ?: i d, In -o fur an exaggeration, bul which certain.? ma itorie? eery readable. The way in which Rumalr Mtaskm hi ?e nred for Honre Larkln by wi'?- is perbap? a ntber "tall" example <?f Invent :n i he line m p illtli .ii Job, bul in a novel al Uilng goes, - -i perluip? then are eome people ? in.i> ev.ii ?oppose tir!? atorj '"'" fiiiid'-il mi fact. beveral ro?ame? of ibon atortr? frtm Ihr pea Mr. 1.1,-ni. have been publisbed lately, and Ibej <l" i.,ni popular writer :it bl? br?t. In tacl many ??( them are really untrorihy ol bl? high r?-j>i lion, unit U m iv i.? MM that. Phi for that reputatl they iii-.-i have fallen dend from Ibe pre??s. 1 Id Un- ra*e a-ilh ' ' bad? sillv.-rdale'? siaeetltenrt," i other stories. I in v are Mmpb in.siio.i-. and far l,.iili tli?- nv.i-i-v of Kreneli -|.,r: iturie l.\ ?lit much less Known. whether Mr IHacl ?- grmilng ? i 1 ?-, or whether lie i- upprnnrbiig his limit, ?re si i ? Btti ii ? j ?t in ilc tor nil im . The fa? I uni?. I- of ? v,,'|,ii,.. that he I? putting forward ?horl smt which only ii? '??' ve te be i bann lerlaed a? i?i ?r .stuif. A GROUP OF ESSAYS. NOTES ON HOOKS AM? WRl I TIN KH.IITl'l'.M II I I'NM in \ KSXBI I I v 11.1 An? I nbson. uni?. pp. S?l. inajht, Mend a i i, A III l.ll'W IN I.I I?. AM" OTIIBH Msl.l III S, i. <.| iiini.. IS no, pp. I3H. Sea V Th I'uMi i- i mnimi v ? K-~\\- l\ LITERARY INTF-RPBRTATIOM. Hamilton w i Igl ? M il e Ulm . pp. '-'-"? 1? ? M? .,1 a r.. INHKIl TlfK BVRKIXH I.AMP. Ri Rlrhard lier stisldard. ISmo, pp. --1. C'harb-s ?on?, It ?, encouraging to note thai Hie demai for ?.I llterarj work In the form ?>f essa ?.vins t?. he growin steadily, though nn tloii tin- Immense |nerv*ase ol periodical literati hns inurli t., do with ?lie present state >.f t i i-.-. Most ol these esany? lia-.c ?ust appe.ireil maga lines ami iiewspaiwrs, and of ,i n them it iiinv lie siid that fle-v deserve to reprodu ? ?! m .i more permonenl form. Mi p....p'.- t?. dm read more period!,al? than in thing else! bul it is evident Ihm an it rensii proportion ol such r?\i'l?r- li*?- to ??.s?..?? t i^-.i\s which have pl?w??ed them in i.?- foi a'11 tl is i? the Until 11- i-'ii ol the repu I die linn nl thi? class -f hi no me . ? .-ml literature. 'I he \o.ii .? -.'. lili h near? fl e name of " E ' '? i 'enttit - ' * Iti a a eolleei ? ? I ? asm Austin Dol.i, niosl of aliieli e\h| it a dl tit livelj literal fia? "r. as tl.ation :? few titles w 111 Indi te 11 - ?<,?? li lion ? i a ",,???? lit!? will indienfe I - ? ? j i per? ?ai " Stee ? '- I etler." Pi oi ? Kifti S .-???.- ?'a Anei.il.ite?, "f?iay's Library, 'AH ? Strnwliei II li I mill ? I lie? [ek'a I Ipici ? ?," ' FVIdii r's V ?? .. r In Li "A ? ret In Ito'inh S le. M I Nil ?on Is everythin bul euv? Ile pl? ier? h ? ? ? ? ? .iilTIi lent li in :? "I n ' . tsiusiii, .'.. t 11 ,? i-.. . .' poets and artist? of tin ' I'll? ar?- seen in Mi I ? - like t . -??? ? tl'i ' ? I-, A I'll t ' ? ' . b-nrly veiled in their domi-stli tel it in . ? | ? I ? ? irmly o| .' i v. lien it h made t?? feel lhat d< -??.-.- the? i ??-',. -. wer? full ? ? ? i r?at i.i . pi Ite : not ira usa lie did ? i li frudi-li thin t? that be -. ?- chai ??????! i? m inspired i li"t " W? |.ii-i? i a fan? is man v ho i* "not rent ,. i foi li unan i ' n*'? dal f? ? I," ? : ih put- it VVoi i---.? rtli him - ? i be was i . - - ; wa?, :i- I ? .' I ' ". I .. ? . ? I.--. ? : the .,. ? pie ? -? m lard ? i ?. .' I.i leal ol l: i' thi i? n nn the iv li . , . ?? et il, ?'.?! Iliet leal p : i it .es all < t is ki ??" i; Ute ot ut. n -t--1?.. I ; ? author, m ?i? ? . ifuliy, and fir?! me of < ri-ei-ivi? u ? eleoii ?? ?. !ii .li i Im t. ? l.UI'li'.it.' lin . ' |. I lu -.- -.-. . relisli ' ?? Bne Scot h tl. ,,i ,,r \\, Ibtrrie'a writings "?Il be pl--.i-?i t,. p - .-<s rli? tiio'l??' c?!'? ?-tioa of his essaya wliioli bi?i?.-ii? ande the tule " A I (olida i in Ile i i ertaiiily tl? ?ketch liieli gives Ih?a title is calculated t. encourage the stippoaedl' pernicious habit ol pass ing tl..- ?l.i\ in '-?'l wlta-n one i? not real!? ill l ut the ?a? ing reflet I ira that not man] men's ? i^???. are disposed r., ??.?-.-t ami nampe ?le-ir husbands upon ? ,, |, occasions, ut?i lb. er "f the Iml.i In the aketch. M-.?t ,,t f| , ? lei.- printetl have to do \wr\\ sp?>eiall.t Scotch t i i -. eh .i? 11 f ? - m ii count n 'o i ?? upon "? Le h there ..u- two papers, It must ? : 'liai mme ni il ?? sketi be? aie 'I most Ion brief, l?ut all "f rliem rsmses? some t|r> l'uni? r] and all id them nre Inl.ting, and a a r tie present novel i? ?inte ol \ i?-.v A ihoi bl urapliii ul notice n| the tth : pn fl\e I t, tl"- ! ""i., but it is perluni lort a? well .-. ? un m; n . anil might ? s well ha? ?? i eon omitted Mr Mabie's In. is more ambitious, and in even wa\ more gerioi II?- trente, for example, ' So ue Aspect? ..i Mis lern Literatun?, " 1'i-rsonaliti in L t iu\ W, rl..' ' ' I :.- s ? unir?n.f Mu lern Criti '.-i'?-' " I lie I'o.tn ol Dante finhriol l,'..--.-tii. " " L'??i-.<ri I'-mia nii.'j, ' " John lv-ats . I ,? ? nn.I Man,' ' Some v;.. lei n Reading! I. Dante," Bl il u ii!i " A VV'onl Al?-? it Hum >iir ' The essMj upon llrowning i? tl..- longest in Ihe volume, mil it if also, ."?? think, the m<?s| pel ?? trating aud appreciative, Tlie paper on tli?< sig niflcancc of modern criticism we du nul eonsiih-r altogether felieitoiia m sun,- ol the examples : : en, tlioiig i on the hole the writer's position? are sound nnd illustr?t ion? n-ell chosen, It ?a needless to snv thai Mr Mahle 1? .m eurn<*sl and i'ii li".ii.--i 11 inker, and lie i.... . , ,, ,?.,,^. ,,f ust ice which, as in the case ,,i Ki-uta, Impels him t" lielp cleai av 11 Die lu <?i ml ire|. titation ?? l.i'li so long overhung tli- reputation w tli.it unfortunate poet. Mi Richard Henry Stoddard'?. rolume ol eaaajri pos-.--.-, a special intire-t, in 11? , t lie subject? selected for treatment have been men inaome way unfortunate. The author otae-rre? m hi? pre fa e "The story ??f happy Itvca i- soon renl. Ihere lif bean happy liTea,gveti amona poeta, bul th r are not man), for it, i? true of poet- ,,i, )Vf. ;,n 1M ,(li that in.iiu ar?< iill.-l, but few an- ehoaga Then an araoni theae papen studi.-s ?.t some .,j Ibeee nnfortunatea, and, I dare pay, then la i leaaon in then ?(?tdlea, though I hare not sought t?. tied it I bave '?.en mon latereeted in ih.-ir Urea than in th'-ir writings, my object being biognphical nther than critical " The eaaajri ire coi,?rned ?ritt. ?lames Hogg, Willian Mot her-veil; Ultford, Robert Bloomfleld' .lohnt lait, i.i'.ii'/'i i.iiiotf, Daniel liny, William Blake, Ifartlej Coleridge, Thomaa laovell lied? rloee, peorge Parley, 'rumin? l,o-.e Peacock, Edward Pitigerakli and Lord Houghton it la aotnewnat aurariaing to Und geveral ? ? r tin<s.< nanea In Ihe elan of unfortunate i>?,i-ts, i-.|H< clally siicii numen aj thus.- ()f Peacock, l'it/ genld, und Monoton Mllnee; but Mr, Ktoddard ivld.-ntlv i-onsiders that (he) b?-long when he ha* placed tin m. As t*> Bedd4??jaj* th.- question put l?y Mr. Stoddard at the end el his .-^v;,^ Iiaiii.ly, 'Was li.<?ld.,.-s mad" 7 must, beyond |s<riidventure. 1^ aOgwered in the afllninfiv?. The Immraphy pr.'!i\ed t,, the niofif re. .??t e-iiilinti? o| hi? vrork? b|ipenrs to iv-tfle that point ib-finitel?,. UiuagU] ?i truth, ku whole canwr bi?-atlu-u ol ?i disordered mind, and hi* aberration ha* not been excluded from hi? poajtrjr. All ?if these ea aaya are extremely intereatlna;, if ? little Inclined to melancholy. TImt, however, is Inheiretui In m? subject! and the eaanylsl could not groid reflecting It._ PEER OYNT. A DARK AND KNOTTY POEM. PEER OAST, a DBAMATIC POEM. By Henrik Ibsen. Vutlmrlrcd translation by William :?i"l i ... ,ii l-Jiii". i'p. ?87. linii'.ii.il by ( li irle* bcrlbner's bons. The translators of "l-eer Oynt" have written an Introduction to II ?hieb it aronld be ??-n ior all readers "f ttits strange composition m study before venturing apon Ibsen's work. Th" M. ,*rs. Archer. In? deed, suggest the ii'ivKiMlity ?if skipping tins In trod m lion, but whoever desl?es Pi escape hopeless bewilderment should Igiiore Um rash advice. Kot tb.it "Peer Oynt' i- nl bB Bheljf t" appear a mach asure huid and .-.m? pi"diii tlnll after the (iiinm.'litaiv o? the translator!? has been ps-rused; only thai some m, luragemenl may be rnffendered by the refecHon that 'lu?- a't- mi. t- have been aiade m penetrate Its meaning, oi to r. id int?, kl nun?' aignlfleanee. r*or it mnal l." anderstood thai the author's intent land he ma; reatoiiabl] i" mpposed t" have had one), la, on n,. inrface, as ainch past ?ndlng mil as the way? "I Providence. And \t there aie some objections t" tin- ?iii, of beginning ?Ith th" Introduction, perhaps in,- ni"-t serions being the danger thai the reader'a hrsrild? r?,i. ni m i> in- aggravated when he pa. es lo il,.. ., ,i of h il and tin?! h"? ImssjnslbsB it li lo t:i ti.- a- tuned [..? inlng of Ihe work m Its actual I' ?.in-. ??peer iiynt" K to nil Bppearance, a perfecily 1h>vI>-- Bitd lireaponafble piece of fantasy, Th" B**ro i ?: rived from Norwegian folk-lore, Ibough In owes tilth? m Hie "M storj front which he lakes hi? name. I.,,-, ibe "nis ' ho sppeara lo be half-witted, if not, .mi. Mm.-- appears, a sheet lunatic, i" follow Ivei dires ?onM m..h' Ihe .tendit .1 head flddj, Ihe) me -i slid ind fnnta tic. In his manner? be ii n i-".i,-.- brute, in ill- ?elf-communlngs lie Is R n?thi headed "crauk." "i'..v one fad -.tHiid.s onl strongly nnd chart) regarding him, namely tiiit he ana meant t" stand a- a iy|.f blind egotism atasojaerad | i - wisdom. Il I- int. however, egotism tinned v i ' fi lllgei ? '?, I nt rather -i Inni-l: : ' unmoral than Immoral, In ahlch i im oi. in!, an i confused effort at self-preserva- ? t.mi operates t" iri-ii and smothei nil tee higher Bi il n ?' I. i lend i ??? Trolls pin) a part In Hie poem which I* In ! 1er? I ng a -an III . ' ~. nndli ..?. Ian folk lore mu? uperstlllon; bul IMr connection with the drnmath prog i tbe action hm a general!) con ? ??? ? i, || ?? m .!??? . i. rlall) sln< > - !'? er l?ygt" himself i repr?-s-nti?d i :.if n,.- thne n som.lr: ?.. \ i ' Idiot, and ? ? .i I? pired ot e, either, Aft? r -?? ill ig n brid al a wedding, and d.rtlng ? ts peculiar :..!" I pni ander han, and has le lake ?. ' lu the foresi i?? : |m, !? hl i. ;:?? ni, ? omes i . n. wl . i ? ipparenil] ?fa ? mated ' !??. || l perfil "i - her "if up hi ! him. h he i rewarded bj prompi and unexplained I I, and li ? ; lo turn up In the I ? re be has n ? ' ?? sin? ?? ?I I hi nh ' graven Iniagi?* to ih" thin. : 1 ? . i-| robbed of by | an I : '? : . ? ng the A ..f II:? il? . rl Hi ??? ' - lovl he? all In. r? g p i u| n nt the f?- ? ? I.-.-im liltii ??? tltlltC. Tlie" I ? I foul ! n i ; . r.i/v Mem ? latue, ] terval I i ? !.. : re country t rrecked ! ! he ? ' e ?e|| r girl whom ? ? .1 in- I in Backward i lr? . ? . ?: il ? ; Satan f"i ??:,. ? . : ? . ????' \ : ' ' tlii ? ed, cornea to i il?mal ntid Ineffi. live ? ' ,. ? ? -n ? |o hm I ? ' ill Ile- n t . ' p... in, ' ? i K- U lo ran* n ? ? ' '? ? i\. ihal i I nl t' ?? i tld WtrO I li l"i\-> Into i ' i ? . :? . ? .. most n pul Ive, i. n Il toi ? . ..??-? I Is (lull I i Olli lie I.- ir i lo li ? ?') ? on nl i ? ??,. an dd ' ? ? :? : ? ..... : i r , i I pathos. Ri Hi _? || m this ? ?: , . ? r i. th? ; .f |.lr?, . .--... rltles, ''.. n t le rlearlj Is b) . lei live afflnlt)." '1 ? ? ' I ': ? n return I l this .i'l ' Un will U .!,.? in i lid i refn ?Ing rtrbneaa .itM.Mt it hem f ?r lb? li labor. If, !...v ? ?. r, ' lt\ "f a|ij.r.' la'.' '.. i ii denied '? well ah uiduii ihe v i In ? ;i?t.??i \. >r t.mpreh? n ! h? m< inlng i>: IV? '?\ ni." \i i . ' W li b *"' i tiiinhs the poeni ; ]..?? .n i i' - ?!?. i m Id, snd : i l< rture has eipi .1 i ? '?: i Ion M .' P? er t'ynt' iiand* r-r ::,.- N'orweiglan i mm ? ::?? keti bed in ?Brand,' through ? x ??' roloring lime, i p?*r i I? t uni il deli .? . commit . "ii ' ilri" I ,. U. Hen? ? irsg Hi'tire Id ; ? |ie| la In. I I ?:<!? iir ol lii- I.i'l l!\ . Ill* l?ll" ' ? ' ? . r?', id his i egh . ' "f .-.,. i \ p n ne? |i rooted ., I i ynlcul lo all ilghei m. live?; mil I nee, above irflld a r llghui i ?r lo him ? - . . , . f : . rt III : i- n to i. In !.. read dellber ? at?'))' lllf'l i? ? ... a, I". ' 'A fiat H : i we ?re ?ware, been [ iiscerl ?Ined : burperhup It I-. like l-nrd l'a Im? r Ion and ' i ' - Id? * I ' Hol n In - i \\ i,.n ., :..?,! ?hi Un r he ? un s fi ni-, i..- replied ilia I he Ulm ??Il snd sim nihei man iwliom be imiiiedi lud mu?i?-r??il I ? "i ? . | -''n.- lime ?.,. \i.,.i l\ but." In added, at In i I. lion I dead, .n ii I have lorgolti n the '"ii' r." None ib< I alll Ibsen's admin r? rontlniie in .t.?! m ?<?. and ivond.-rfnl .nnlngs for l'i i iiynt," ind Ibe abunda m. nl Its nh rurltl??? I ' HI n I) iTVe to stlnilllllte Ibeir Invelltlull ami spur lie III oil lu 11" Il ii. niions.' i in: Lot i'l \ iiuru \\ ilil.i m tl si mi in ii i , Musai am " II ing plrli nf gl i'ii.n. d ail Ml Phal Hi litl) dan .-?i In laughing ulr hefon n : I ii" ' n Hi ua all III tilth-, a.nl ?.mi a liotl' i ?I Nntiu ??' i npi?) rhu . . 'Twn Ilk? a vernal morn, yel overhead Ihe hm-- wi n- knitting I ? ne fol utter, spring, We - ild, < ?Vr wlnti r- world i ?mes Hitting. <n wa ii ?Spring herself, that, gone astray. Beyond iii" alien frontier i Iusm? t" larri i " Issi . i."i'i outrider of the slay, .-"in.- \|n il iinh-ary I i .. apparition r.i?t?-?i on the nr. I apt li i"ii ? and In alrulable i-, ni'-r. wilt tii.iii ion pao*, and i-.iv" ray .Mil days bare, And (sll n m\ phantom summer i - ?? - Hf;/:\ BBTHISDA HELD IHE MME. -n \\i '-r in "The Dragon ?>f WenUey." When Betslnda held the Rose And the King decked Glgllo's tinier, i . i-r.r. : 'iua> ?|ii.n to linger With lb] '?' i ?'?, -' 1) hearted prose. Hou u. i. m- rr). goodness knovt -f When Betslnda in-ld las Itoae. Wim bul i>,^?\, drudgUnp dote, While Bob Hllptn tuastt tin witrln-s, While the ghuhi waylays th) breeched IngoMab) I itui b laira as Ibnae Kxnn I-..I "in peevish ??",.. When Betslnda i eld 11..- Rose. lb ill m. i!.mi specious pose : Hapl?, it i- i n*t we niel ti. But, i n -"1 b). we'll icarre regret thee; Por We love Uie light Ihal gin? . Where Queen t'nniy's pagesut goes, And in'isliid.i boMa Ihe (in bhaM we dare it | Then let's lose U.a n- nlgbl mi things siatlatlc, s.'.-i. tbe hearth In rln I- m\ -th Till tbe "in).n-.al lin- ||gb1 sho? i Win'!-.. Voutil's hubbUng liiiinniiii fluwa And Betslnda imld-, the IUmm?. /iff i nxi KDBBATK OU tl iBASDOXEti. Iron rhe Phlli'1"lp!iln Pre : At antn Mapalcb, The in t Confederate uniform \>-iii soon !"? laid bwm oevaf t" be dunn-d ?gain, n v.,u with bv t/mipatir li, ut Cu.ilt-deiulr \ it i era US Of '.ui. Bstf, wu?u Jet tenon Davis- atada bis inst memorable tour of the tiouth li. 1880, there traa a great revival of Confederate entbiialatm. In Montgomery he ?as received by :io,o<io people. Coming to Atlanta an effort waa made to outgo Montgomery by uniforming her Con? fedenie refenni. it mis ri.i? company that carried the CoaMeraM lag ".ni'h gave wich offence to ??rand Army Com mander Palmer at fin- Orailj Monument onvertlng, ami led to the order that the Grand Army tbouM never again appear In procession where thai fing ?raa i?'in.<. In tin- late Columbian celebration In ilits ctty both bodies appeared in procession, but the ting ?ra< if ft behind In Ihe arm?n Last nlgbl Coaipaai B had ?m exciting meeting, In ?rhlrh It ?raa d.-ilded that ttie uniform auould henceforth be discarded. The reason assigned la that when the uniform ?as originally adopted II ?raa hoped thai al the veteran aasoctattnna would adopt it also. The otter association? not having done so tue ?..?nine of the uniform by tbe Atlanta Asso? ciation alone make? it too pr?>minent. LITERARY y OTES. Oscar mide 1- nported lo have declined n, nomination to the So vile Club because he "feared tie would be a poor Uttlc lion In I ?le:, "f li.-ne Daniels." It is much to be feared thai Mr. laatea Whitmmh fllle? lei ills enthusiasm for nattam run ahead of hit ii rretiou wlum be rea irked In San r*noet?e?, ',,,> other day, "Commonplace* an ihe most beautiful thing? In the world alter all, and that la where i have attained most <?i mv iucccm." A little pnctlcal food lense i? spparent In the rrllli "f "Tbe Kpectator" (Lamtwn). II" talk, about ??tint ?apreme young humbug, Marte IbiwM?rtieff." Dr. Habe, In hi- Jusl published remlnlseenci . nya of hi? friend, I). <;. Hoasettl, that be had a eery Jut m.a.I. "When ?m :mti..i ?a? dlscuawd, wbotevej might I. - ii-t again I him, be would InsJat on bU m?rita being remembered. Front ritalslilp and Iti Jealousies be was absolutely free, and his hospitality w;i- Without limit. Ibove .dl, be tna rcttdy al all tim? s to ?erva a friend, an I to exert Me Infnence to Uaat end.'' Ferdinand t'rel Igratb ?a? Ihe liis-t and heal Iran* liior ?.i Tennyson In Uermany. Moat of the English I.l'a ver*c ha appeared in trerman, ?am? ??f II In many edltlona. fVa Id mittler'* (runslatton "f "Em h Arden,'' lor example, ha? . or through hlteen edition? Mi. Kipling describe?, in ?orne refatabcences "f M- early iif--, the painful shock lie experienced as n youth on the -mr of an Indian paper, ?.. .i. .,,.<.-a..i thai .1 ub-edltui 1- paid i?> aub-odit and ii..i hin d lo wrlle \ -i ? -. Iluhtt Din, Ihe f..r> imiti ?i Hie composing-room, however, hearttlj -ip proved of tbe vet so* in i|tn tlon. He was a Moslem of culture. He would no : "Vom p-t-rv xeij ?-.t. n Just coming proper length UMlay. Voa more ?oonl une third col am .u--t proper, Alwa) - ran lahe ui third page.' Mr. Kipling got - un 10 describe the fashion lu which the newe* ]. pu ., r ?? lound tin Ir wai Into book form, .-..m. ..; ih.-m, we are told, bad betrn nuig to the i-?mu? camp tir. and some bad run its :,-ir jow , oast BB Rangoon ami Moulai-in. and up i?. Mai?'. ..,\. A r..ii book v-.i? mit of Hue question, bm 1 ? pool knew lbut Kukn-IMn and tbe ofllee I acre ni in? .i.?,,- 1 al 1 price, if be did not ? H ti ho 1 :.? re v.?- built ?? a sort 4 .. ,i lean oblong docket, wln-?tltebed, t? Iml late .1 D.i>. tiovernmi it nvelope, printed ou ooa side unly, bound m brown faner, and secured wit;. red tape.1 It wa- adi.d lo .it! bead? of Depart ind 1 ?".?? ; lim?..' uiBctala, and among .1 ptl? of pupem would have ?i.ved a e?rk ol twenty ? ?\ .... ?? ? ? H ---:?? . . ' .. - Mi. Kipling, - ??? made -..n- ??? and .1- 11. ?'?? was iw ..-. foi advertising, mj public being t?? my hand, I took npl) i> 1 ?rd . printed Ihi news ol ; ih .?; f ,- 1. .ne aldi. Ihe blank ordi .? Win mi the other, m ?i ptMted them np and down ? 1- umpire. 1 are no trade discount, m> ; . , no 1 umtulfttd ?1, and ? er." K\ erj ? ?p ? ? 1 111 a I?-? ' ? ol 1 ipel - Mr. Kipling Injurtni ,- ? .i .. .1- ;.-. ?ympatulilng with pub who talk '?( ihi il rlvhi and idvi rtl ? m 1 reader? id Ml - ?VII li ?' 1 iy, "l?lw 1 orey, '1 ? . ' m tbe . urn .1 ? 11.11 p-1 luive i" : h un. -p- ? n ' , il. bul It la ral rf.,1 v 1 ' thing ta ? , 1 1 u I ether II If. 1 Ih ? I 1 th,. ? ti ? , 11 nut ior 1- .o- isti III 1. Ih we do I ill?' tu "? Ml-- WI ? f, i- luvrntlve i- I ? [ of thi ? ? a h ? . oth r people ?.m .1 . better. II I ' ? l?- l>. -j? ?1 thai ?be will mor? 1 ' ' - ri?, pastel 1- In Bngttah a .'?.??.:.. ' . - -.line pkv ?? in our literature. 1 . Prune? where II betooga, la lb? , 1 ., :. ?,?,-,t to its deltcate lug, 1 sie" Is 1 rtnlng, \. .1 writer uf Mar) ; . and . ring in --i pi I lluiltisl ? dill ? to i-ep It In rotiiitenniice, la -aid '" be comln : ., r\ mm . : ?' John lira H - y .-li .-r. ?? 1 the other day for .,.1 1 ?m to in ike thai man . ? 1 ? -.,... bul high .it writhe in bl? -boudoir tie travail > lu?? tu el. 11 I u ?k >?'. p - m? which hi ? all - e nu ??>?...?? un arllstli met? -i une man In ten thousand ? m -t 1. -?? u ? fully. In mr Kymona has .1 logt tl '?- ti n 1,1'???? ni ? sill uueites" .mi John ?ddliigiiHi symotid?, I In arhobirl) Idatorian ??f the (?reek poeta luis 'i. cended from Ihe austere ?olltudes of tin ilpt with a book "i verae written "In tbe Key of i;??ni--." ? r ? ih-. wave has paaeed," writes ? rorre |mindent from London, 'Maeterlinck nnd ll]orn k'Ui Bre also ebbing, but 1 crowd of new earandlnavl. Ti.'.i. und Riissiuti bon rrop up to tureeed the . 1 11 itli if wear! ?-. I'll?- pre*? -till Int. r ??la it .-ir In ?peculation iiravil ihe laiureateshlp, bul It 1- iram Ib i >".?. -.ui. a ,,? 1- flrat .nil th?' r?--t 11 ? where. Mali) people ?rill read with r?-i:r -f in the pnh.ee t-. -li,. 1.. Remua uni Hi- Krlends" (lloughton. Miflttii ?? 1 ,. . Iluil Mi 11 1. ? lia t then his leave ?>f th.< qualm fabulist. Ile d 1.1 - thai ? the old man will 1 e world n ? mon with hl? whlmateal ?tories " 1 i- ; ? 1 liai - Ri i. us hi gli ?? ; u? all he bad t" gti ??. Tin? i-oilei ting ul foil, tal i li ..1 \ i.i-u, an t th re are - ic 1 ?-. m this volume, 1 iinbli rin- Man and 111 1 ul . ' of .1 111. i.i-. Influent ? trickling ?town per hups from ' -' 1 ito the ?? iuartei .' Olive tiebreliier, 1 1 Koui : African novelist, I- <!.-? - r.? ? ! rl ind tlieet ful, plump, prelty, and ah mr thirty, she 1-. thinking of leaving Ii.t two ro?.1 ...ii.i;,- m Min fonteln .mi going n> Rngiand in ihe ,? king with her, bj Ihe way, .1 new l.k. W ?ii. mm ". b inli ,t. a . iroful and ? up i?l i.-. : ind, ? ill pts .i Ij iMiit lu u hand. Two Ills lorti .. Bl least, ari 1 ? ?' a progre?s une lu eleven volumen, by Mr Jame it ;ii>..\, 1 DubUn novrt ; 1, .m 1 another mid a 1er one ;.. l'i-<?i.--,.r p, w. Juj '-. brother ol Ihe author u| " Detrdn." 1 I'll i.:\ f s - OY 1 ?'. ,if-if in? \rfiV HOC SES. l'uni lb.- Lundon SruTlator. Where RegHal.niri houaea f.iii t-- not In ?rant of ipare, bin In lack oi warmth, li l. astonishing Hi.11 n sojourn oi neart) son retira m a .uh-arrlk' region Im ? 110I 1 imiii ii- inglo-Normaii rn?*e thai :i al.? moetliK' winter demand? tome greuter pro|4sion for ili>- change <>f leinia-nilure limn it.?- men? llghil i; 1 f Hi-,-- In :i f?-? lllug 1.us, As ?,. luve . lid before, th- warming id the hall is 111.'- key t.? the position, in rouulrj h'ji?ea tbe hall is nearly iii??.n\s of ample dimenskma, nnd not one but nil Ihe ?lltlngroom* bh? nn the iroanil floor, deriving th.-ii- upplj ?u fresh m- front the hall, which, is in Ihe London lion -. gets its stock In turn from under the main door. Hut Ihe greater apart? leavea ampia room f,,r ?1 thorough warming oi the ?-?-iitiiii n:r chamber. Y?-t. In how few coauitry aowaea la Ibe hall property warmed n> ?tovcpl with that pro vision omitted, tin- si,.f iti.? huit nod staircase merely prevent- the air fr in ever Incoming proper!* warmed al all; and for '?.?e:,?. the paasage? and bedrooms remain at a tempentan In wrtueh fi would be unsafe t., allow even cattle to ?ie..p. ,\ further capltul delect in most ?? ?iiuti-. houaea is the absence of bathroom?, either of hoi water or hot air, .-md the Impoaalbtflty of oMnlnlng any ?ud?ten Inereaae "f temperstnre in e-is.- u| ml i- lllneaa rhere an many i?ii;>- am'. i'"st'.\ country manalona ?ess wall rirovlded I:, this respeel than a ilfth rate London h'uis?-. lotitinst this ?iti the condition! for b.door life fis nuil? -stood h\ Ihe KoiiiHiis during the three centurie? in which thi3 i,.-.iipi.'<i nit?, country. Every Roman ?ilia, however ?mall, us 1 vtaltor lo siiv of the numerous excavations miv s.?., p? him self, ?111 thoroughly heated with hoi air. running In plpea iin.iei- Ihe Boor? and up tie- walla, (letter than ttiis. the sum., furn.-ii - which dl>tiii.utid thai even warm Hi Ihrouglioul the hmi?e also hnted a siiinii tin* it'r chamber, or lurkish halb, next lo which was a ctdd plunge bath Tbe writer recently ui* tin- remains ?>f g Roman house, built some sixteen handred v...us ago, perfectly Ittod with a warming sppantua, while a ungern hetiae ol ill itm.s its si/.-, in the'ganen of which th- oht vitiu lay, ?as u n provided with any other menus of heal than open ki-h.'sv Xaturally, the ?arming ol country 1.??us.s may 1.verebiborated liui iimt 1. ran, iluHigh we tun?- Known Instances in ?rbkoh a ?tir ? ? ?.f two degr*? het?ree:i the thermometers lu ?ni i???, looma .raa vwlied with dismissal to I Us doin.-sii? s n, rbarge, while tbe 111-st Imp?lae of a rlslior uns to rush lo opea 1 ?riridow. Minor adaptations, though not an Important us thus.- to seiiin- ?paee und wuimtli, are, uoveuhoicaa, ui daily gggajaatjaaaaMa THE CHRONICLE OF ARTS. K.MliniTIONS AND OTHER TOPICS. EVKNTS IX Till fttUB KLTL'Rr^bCur.PTVRE AT THK I.XIIIIMTION OP TUB Mi. II TV OP ami.tin an Aivrisr-s-MirLs. The ,'iut.inm exhibition nt the Acattegty w.x Iratigh? to un end yeatetdjy snd the dorn?, ecru ttssed not to be ie?rei:cd until the :,.,t, tt| mn ni0Illfl w| IBS) A.nen,,,,, Water <?.,,, ?^.^ w, , ^^ ananal ?xiitbiti n. The aataorlttea of t'ic Kashnad Aialetiiy .,f i e.|?n uninnin e i|,at arr ini;em?>nu a?? s> snejgresB for u loan exklMtna of Bata-Unge and bm oafeeta t.i b- n.-w next .waser tor the aanjui of nlatag monev for the ItejBtaaitoe ..f tu. monga? at present on the bullr.lng. bssbm waras have nireait* been secaved. it is added thai th- anaaher of work. K?ri..wed win be ii,,.i ia otde? n ,?.? up u. istondnrd of the rolectlon. inmint'te,-?, ar> ,|?P,|V J he appointed. The Xew-Yarh Wat? Catar Cha. spaZ lo the pu'illi- on Itosdai the rxMMtten at tit ? im Aveiin.' Art Galleries which h reviewed .., um,r^r pnge of The Trtbnne t.,dav. This l? ihe lagj teak "f t'l" te'ra-P". ti\.Mi! Ill m ,,f .;?. NirV(y ' Aanerleaa Artista. it rinses ,U\t ?.undav, l0 ^ followed within a *-"k or - lv tac ArclUt,c;u~,i OaUerlea an Importen) aale is ti. taha pue, (ialhre^ an important Bite Is e.xpe ted n take pkv^ in January. The collection ?t the late ?iiare?; ostiorn Is to be dlspeis.sl, il?n ,,f ?,?, t,,<rtu..r. j,,' KfW. id S. i liapl ,. ?m be MM It. I a,, ? .?,.,, at Mja ?ame Hbm mi the tu r ,?? estate mil al., he r.pra. rented] by a namher of Bsi!ntlag>. Bsaoeg theai sn "(rletital Krg Me rlirnl" l,\ i.,t m>, The "s!..rtj mile lion rontaln? asese Mg works hi Bessjfae painters, M Bkncay's poitnlt of Ms wife an! M molt in Ma iniiio. n figure pi.-?. ,-,iii,d -u.^,,-- by Boiirguereaa, a pendant lo Ibis !.. I^ebvre, i nnd? study called "Evening," and plctares i,v Dia/.in rj? study railed "Eveftlng," and plctares i,y i?u? ,,,ld ?j, ?CeuvHIe. We will, rn'i-lmps. have | few ajees .,],.; ftf p.,.. tires at the BUtuma Academy to aaaoiace lite,- hut th" roll)wtng n. .: t ' isrera ntnetentka ?r ,i?. 'sa,M rr.ad.- dining the last ?rect: -lin fen Lave Mutter?" by II. t,. Plumb. iiM); ?? Pbe Kir-t l><iaen.a by a. m. Turner, fit*)' "In >lll< Attire,1 i,v I,, it. Hart, g-j.vo? "Tank V'deaeli at I'oini. Br?ete." by F. Rundel' A. N. A.. P73; "Mill Ufe.? |,y W. fJosjgtess, ?-JO;' "Xeassague Reach," by T. Moren, v. *.., p75; -wind i .- Ike fcsVln." by L It. Man. agOO; -a Summer Morning," by I.. R, Van Herder, tlOO. i?taj if sales t?. date, pn.sio. -ni?- ba?re aot been n.anim at th.- exhibition of the S riet?/ ?t Amntraa Artists In tact, we have reee!?red no 1.,f the Bate of only three nielar, s. Mr. Appleton brown's -springtime? Mr. W. M. .1. Bice's "Lands.-.,,.. The ,<??,, frm f0? I. 1 , ? and ?The gen, Twilight," by Mr. 11. R. Uutler. Franc? 1- in.i'y eouatry la which phasaki art i- reaUy thriving al -..e pensent Uast?thriving akng. Hy '''?'?t< 1- to my, under a stlawlus from with'?? u well as from Britain, with 1 lores 1 rreative .arlan quick P prodnci and s large pthiie ejsiek u, svmpe, Ihlae gnd encourage. Every other anflog h.u it* army "f monument makers, to be ?nr?-. bai lu ? Jpfors can be r-imt-d in atsmrdly little time. Ametlca Is In this Bandest state teat no?-, bu? ne ..r 1 ulptares at me exnnnttan af tbe ??riet?. of American -\rti-t- testify, as has Chhkap. FMr may be rdled apon t> te?atify m ^?> tally, that our small group of ?ciihHor? 1- 1 strong ene, ?T'? or two of ks members see n.aattfled 1 t| tlie lend Ing in.11 of theff art in Parts. F.s|ie< lal'.y do.'S Mr. ?*'? t?aueVns Impress one. ?s he dix's an evoey re rasi?n, as standing bead and shoukten sawn all ant the greafsl of atodern Bursters. K'ith the latter he l- ..n berma of equality. And in the aasasnal ? xiiii'itimi he meets Irlbmphantly one ?>f the lejmenl ? ' ? nence In art he teal at tange. All three of his exMMta are portraits, but one 1? the of (.?-ii. ral frhernran, with Its boM tr-???. ni 1 ' of a bead coal by nature In ? ri^'.-d m?>ul?l, a wort of which Ihe essential -pirit Is thai ef it? ." . manllki a.,?: strong; Bnotbt l- tii ? medal. tion "f tii" scuptor's Intanl son, 1 portrall r.fl-'in, reply In the features, bat in every t.in h, the Bvnderne*? and delicacy of lb* Baoa*i The b?sb> 1 m: realism ?.f s high order, bnl Inas? Ideafttleg touches, Th, medall?n <t : Homer .-t. tiaustens is reahstlc, too, but Itaj realism la "f Ihe sun tl.?t trenchea on th.- ideal, the \?.'>;U l> 11 t:ilr:s.?- <.f lae fraFl-, enpilMt?- eliann wi lc?i I. hail.-1 thing tor a ?enlptee if ^riv ehtht? hood i'? captunc, becauss !? l? iplrltaal, sVeteng, be* fond Ihe reach ol ni-'r- teebnagae, Mr. gg, liaudVns has ibe technique. He ?m? aisn the Incommanlcabte gtfts "f p?n?tration, sympathy und style, ciiapni'i and Ringel d'ibnseh hsvi? dme mestelUons .i^ tine technically as the tn??*.-il inn? at Mr. -?. 1.anden-, leit tii-v bave never <i|n:ill"d him la subtle beauty, Mr. .-t. Gandens in- pftsaH on mrae of lu- m??.... 1 .iiilltv ;.i In- best-known asga], Mr. Ma. M.i.-, who has three pieces l" this ?'.vhlblitoa, nil Mimll In Hcafc?, ?1 Irlo 1 I italu ttee, la anaich !?> the attraetlvet.: skilful g stHUag Hier.. 1? id'Ied rtsa ? ..: iittltude nol I In I .'?lana" or th?' 'run ?f Kohalll a." ! agi In the ?? Young Kann." and In each ?ee animated and grace* ful. And although ??? lad bo resaartabte Inveagtea? n'-. m Hi- ?, .-';> by M v ' 'I ? es. and no tdlOsy*> .?ni", t" give .1 keen edgs to en|oyB?eal "f Ms styto, the I'tt'i- i-- neverths'less mijtnal. Mr ihln tTamaf has none ..f tl.ncxpected plciures?iae BBtrhj M hv dlvldtuiUty, either, l>m that 1- becaBK I - '? wrhB are wroughl In Ihe imper-mai. simple style wMch i? <ie nominated classic, Ills bronte bosta "f AMea Wrtr tmd the late Daniel 1 ..'tier bave the even aarfacea, the n'ltniitv of ?tyle, the dignity and rerenlty ?hud we find hardly anywhere bnl in sacfenl t?re?'k ?nrk. It is n> be i"'?'d thai with the exrepttna of the thr-v? wirk? by Mr. Mie M' 'J'il ??. fl "F?unY* by Mr. ixmis st. i.Hiid.'iis, and Mr Prench'i fttanp ol ? rito Angel of Death and the Vouag ?catatar,' there nre only portraits In the eihlMtton, Mr. Btwsffl - Mapi.'iiei-.e" being slmpl) .?? portrall of a BKbM ^tb tin. iintn?? .ifliv.-it to It. Mr. ?Yaraer ;ni<t Mr st? Uaudena give their pwrtralts |a>nejfal latereat by ah> irnctioa ?.f ilyt? and beaat) of wtudJonaaaMp hh. Herbert Adams win? ? msMeraMe ?0.In t,?, anag any In Ma marble bust of a lady. Mi J. s. II Is ehlefly Indebted for Ms effect to r"?? accMealahi of r?stame and lo recentrlrttles af facial expresi?n. lU |a nlerestii g ht Ms basts of John Ullbert, Mtt Morris and John Drew, lo ihentrlcal character?, hut bis Interest sraporete. when, In a bust ike laat ?jf 1 okuiel w. f. riHirch, be 1? thrown back aaon ???c-?' lion for his err.'.;. The busts a) faessr?. aJarOap, 1 m. 11 and il., late Mr. etewardton are tuash of fair bul ti.it at all ?irtMt I rraftemsnsl lp. Mr. I'rearh, in "The Angel nf Death and Ihe bcnlntor, ??> pradisMd the ssoat BmMlloas wort in the ??^??,'i_:',rl* II, rompoaltlon 1- lnipre?sl%'e, and so 1- each si tea iwo agarea, thai of the angel f? the nni'iv-t .n ?< irresistible force la oBM-oniing ase-reineoi wh?h H an> veys; thai of ihe sculptoi for 1.xpreaal-m ?a ?? ??Hud,, nnd fa?e of surprise nol yrt lUumi|ied M" Ken.f l.iev ..,1,1" ?t.n. Hie Bgur, : 1 ? ? ?*}*" I. of b handsome, maul) DP*. , ' " '?-""? '* See Lngt'l I- mi.ted s Utile G> the h^rlwa. oftM ?Iennecies and wing?. ?U1 i:"?i" '- ? "'" > "'' " 'S'dfiign wlilch brings ll. I pathos^ tue latter ti.'ine. .S?j^s?^sg^hsS or .1 Util?' ?bile al III" Kn ?stl'i ?' ? ' ' ,,tt. Myed very much, for the picture i? of n- t.? -.Mu Ind a pawehasar. mi. C. 1?. Qlhson, erbe may be ***1E*J!J? Alpine. HmndwHV and Thinv-tlilr I -t.. 1- t: , "'? ,.k1s ol a commit tee on drawings tor illustratloo an? 1 . , for the World's Columbian Exposition *blek nas ???? Issued ;i elecuMr asking artut?, i?iii?ii-u?r* im P ;? owners to cooperate ?nh it in formlui a *''?"?if. exhibit The committee hi ?.m|h.sed "f *>' % known art!??. Charles ?. Brlnhart.^aop<^J^arT* H Twacbtmaa. w. T. eaaedley and a? ^-^-dad. lloned, C. i). i.ibuon. Their efforts should be sec .???; for m. better exiiblt In Its way thai n?1 ?IU ,n ,J charpa ?""i"1 ba 's',,,, '" <':'i>'i'?-'" "Th.- Amerload Artdrtfeei and MMIng 9***' ???J atwaye contains much to interest p-"'';^1;'!',?.?;*{ make? nn nniu'unccment which we quot* W ' ?', ..iot, of namerous pera>n? who. with nt regard to pro es???. win desire to ssMsess ??>"<l views 0 th?; i?ir m ? - Hiiring the ranting year "The treMtect "?yL, qaently pnhllsh gelaMne-ptates sna ^ 'hronves of the architectural i.-atut-*- ?li IV* re.ninm.'ii.l .?ur readers |o make ijif," ,'"!,,? We r.-.oiunieiid our readers to laaBe^ajm?^?^ _ 1ftl and lae a. of the pin.?'- lately i'"'^"'^'?,,.- .1 < Aivtil.e't" of Ihe horileul.nral, hstn^lMiaF-i buildings sre of an excellence n.d nh- ?,.?i. ouislde u Jounial .?f the -.,.. which ,,|?p ???" ?? ?' tectural subjects from an BrcbHectural polnl 01 und obtains . leur, artistic results. ronfln" bar. It rep.it- ,, lali with Mr. rarrou *^irfion <d M.me of th- mechanical details In he ?i? ran m the celling? ?t the ?-sir. ?hlch H fj?2 '{SStptTi New York artlsu uudcrtooU. H manea w? -