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"PEXDVCITIS." 'ji Xuzdist's Diagnosis of an Eng lish State of Mind. , rOFKTRT TIOr'SK. Ry John Oal<rwnrthy. ' ■ ■ viii. 307. G. P. I'utnam's Sons. ■ rRTTTSES. T.v W. W. J.-f^hs. Tllus pp. viii, 23C. Charles BcrfboeCl Mr. Galsworthy not only confirms. In The Country House," the good impression he left in •The Man of Property." but gives the reader better measure, ■ cleverer and a stronger book. He is still a satirist handicapped by a system, a writer committed to a plan, and to that « tent he falls short of the power of the matured artist But hi.s art Is developing, and in this took, even more than In its predecessor, he makes you feel that, whatever his limitations, he has considerable insight into human nature, end a gift f>r writing amusing narrative anel dialogue. The objects of his scorn upon this occasion are the prosperous English people who live in country houses according to the fashion of bis central figure. Mr. Horace Pendyce, of Worsted Skeynes. "They have strong, meat-fed Instincts," says one of the shrewder men in the book, "and what with the County Members, the Bishops, the Peers, all the hereditary force of the country, they still rule the roost. An.l there's a certain disease to make a very poor joke, call it ndycitis* — -which most of these people art- infected. They're 'crass.' They do things, but they do them the wrong way!" Mr. Pendyce is exhibited to us in the character of a country squire, devoted to the Interests of his estate, ruling his family -with an iron hand swathed 1n the velvet of genUemanhood. and stirred to a kind of suffocating fury when his Fon falls in love with a woman separated from h.-r husband, and threatens to place an inef faceable stain of scandal upon the name he bear?. Pquire Pendyce is representative. The re:id> r of this novel cannot escape the convic tion that there- is many a Worsted Pkeyms to b«» found every English county. and that the masters of them all are men after Horace Pen dyco's own heart. It is tills fidelity to nature thnf is Mr. CJals ■n rthy'a chiefest virtue. He Interests ••- '••■- rxuse hi.< types are so human an.l so true. Each one Is portrayed with a multitude of minute touch's, .-ir.'l these are laid on not only accu rately, but with a sly humor that makes the effect doubly satisfying. There Is variety, too. In spite of the author's Intensely close preoccu pation with a definite plan. Though he has a fairly inartistic resolution to expose the foibles of a class, he is .... some of the secrets of Individuality, r.nd is more skilful in this than In his earlier book in distinguishing between bis different personages. Every man or woman In tlio book has a character, and some of them are untouched by "Pendycitls." The ptory moves T!:rt!:r;h the interplay of character. Hero, esp cially, rinps Mr. Galsworthy show i:n p., :.t. His litt'.o comedy is played out in an entirely r.ntural marker. f=o ... is v< -__ nearly induced to forget that the auth-.r has a gasp x.> establish. The interest is admirably rostained. It is Impossible to put the book down until the tangle in it has been cleared ur>. If any discontent remains it is due in part to the essentially artificial nature of the author's Frh«nv», and In part to Ilia want of the right temper n v .! the last touch of Intimate knowl edge. He is trying to do for this generation ■bat Anthony Trollope did for his, but where the author of the Barsetshire novels treated his subject from the inside Mr. Galsworthy treats his from the outside, and where the older writer had the understanding that meant qualities of hear 4 . as well as of ! rain the younger writer is altogether too anxious to Bhow his sardonic superiority. Trollope's stories can never prow tU. There is nothing about "The Country House" that suggests permanence, Put these sre the dnys of ephemeral fiction, and we need r.ot worry about the durability of a novel which, while it lasts, is as readable as this one. There Is something that Is almost uncanny sto"t th? uniform excellence of the stories writ ten by Mr. W. W. Jacobs. Writers of infinitely greater ca!:Vr<"- have tl:<":r ups and downs and bring forth good or indifferent work according to their rcood. but this young humorist seems to be aMe to go on Indefinitely, producing tales that never riii>s their mark. The twelve pieces In his latc-pt volume, 'Short Cruises," are twelve examples of unadulterated fun. They turn, as always, upon thr- unconsciously droll traits of rr.en who follow the sea in small vessels or pur sue their vocations in quiet villages. These types are genial but slippery, always ready for a Men By mug of ale cr for i mischievous dig at the failings of a comrade. They are notori ously susceptible to feminine allurements and rsost of their troubles rpring from too ingenious love affairs or furtive wanderings from matrl r.-.onial placidity. The wives in the book are apt to be quick tempered and suspicious. The sweethearts ar.- kind. The widows are fear on <■ creatures, an], Incidentally, they are among Mr. Jairbs's most entertaining performers. We know all of his simple folk, but we never tire of meeting them, for whenever they reappear It 1s to work out a n<--w farce, and then the author is fertile beyond measure in those quaint terms c? fpeech, those flashes of naive sarcasm. In ■*** ■« shews, better than In anything els . l -- delightful oricinaiily. Ills Illustrator in iJn» JvEW-YORK DAILY TRIBUNE, SUNDAY, MAY 5, l»07. book, as m all the others, is Mr. Will Owen, who was born to collaborate with him. "Short Cruises" is a book to be warmly welcomed. It makes for innocent mirth . EIGHTEEN TH CEN 77 Ii V A RT. The Sale of the Muhlbarhcr Collection in Parix. Some years ago thnro was sold in Paris a re markable collection of eighteenth century French art belonging to a M. Muhlbaeher. It was pre sumably tho samo gentleman, M. Gustave Muhl baeher. who formed the similar collection which, since his death, has como Into the market and is to be sold at the Georges Petit galleries, in the Ruo do Size, on the afternoons of May' 13, 14 and jr.. A copy of the illustrated catalogue, just received from li. Paul Chevallier, one of the vommuMaires-prisatra identified with the sale Bbowa that this will be one of the most Im portant events of the season in Paris. The beautiful plates reproduce obviously fine exam ■ ' ' brillianl master ■ :■ r - ! :!;i - In art at least was one of positive ••■ bantment " : -■'■■ that type • f languid grace and ; ■ ntiment. Is npn sent* d by a p veraj of those vivad >us and tender i m- I tis In nhU hhe excelled. There . a charm door nc with fn id s by Watteau, and i i •■ ■ .: i In tliis Ciillrei ion. Th< -•• • I r.rtraits; by R I Van : ■' ere i I other?, . . n» most mr r to students of i I >rj a i : - . ' i Catalani bj \. ; • 1..- : !'■ 1 . i.• . ■ ;. . 1 I .- - L ... ■ ' t!S Of I ■ " • ■ : ' ! rt Rob"r( !:. |d< s the ■ • : ... ■ and fui In v.. se Lion w notia • , ■ . ;i "Xymphe et Satyre," In terra cotta, by Clodion. Altogether the collection runs to 550 pieces, and from the many that are illustrated we judge that the average is high. "-1 / "-WAT SAVED IS A I'L'.X.XY EARNED." From Notes and Queries. pro!,ablv 1O fn " theSe wisr ol<l Proverbs, this is rorm-i v v ' form or other - universal. In Oerman) there are three forms of it "A penny saved is a penny gained" (VErsparter PfenSle Ist verd,>nt"V S.D Parte i ist zweimal A penny spared is a penny saved " ("Qaien Dutch > »^" Xa> r t;^ r.:,vv:r,. ;',;r ! ? fl "IS Gained" ffe ffared? ared is belUr than a'florin nB ■ Kiting" (" QU I .-.,.„„,„, ca ;.. .:,"y ;„,;.,•.;: "AMOUR." (From the drawing 1 > Boucher.] r>anL«h; "Money raved Is a- ..,.,, as mon j,.un<.i ' "' " Penge man sparer er saa god som ;';:::, t ™p i ,*]'}"*?■ ltaiian - "- M ""<->- is* moneys '.""••' (II danaro c rratello del danaro','). '•■•' money is no gain when it "advances mca cocks ( " l> '" ' rs avanci n( Us bediers") Ei •■■ V.. '',!K, !K ' y :'MI: ' Ml '"'">' lai<l "P "■!' be many." and Who win ,„„ keep a penny .• hal] m -. ( . r have many ' - he who is prodigal of little can never have a great deal. — • , An, St. John Lucas, In The London Academy. When the summer twilight rinses O'er the river, round the roses- When the pnni s that kl«»\v«hJ. I'uik. n, ••.■!< h a burnt-out < !'J <>r* This ..ur sinking hearts remember And forebode: Pome wild autumn sunset burning O'er the wanderer returning Ragrr-cyed :«. find Only faded roses, only Vacant windows, and" the lonely Moaning wind. -LA PROMENADE." CFrom tiie dru*lu ' tiy .Mo(aw '.«' JouneJ LITERARY NOTES. How spiritual rest may be achieved in tht» time when many people think that the influence or religion is waning this la what perturbed spirits may learn from Mr. Frederic Harrison's' forthcoming book. He calls it "The Creed of a Layman: Apologia pro Fide Mea." New editions of some of the best books of fh« late Paul flu Chaillu are coming from the press of the Harpers. Those who have perhaps for gotten that cheery and hard-working little man may be glad to be reminded of his "Lost in the Jungle 1 and "Stories of the Gorilla Country. 1 The author of that fantastic and amusing JiUle book. "The Admirable Tinker." hits in The Book News Monthly" a fault of th) period — the unreasonable craving for print, "Head ing." he says, is without doubt an excellent thing, "but it would seem that there is a danger of its leading to a print habit which is bad. we seem to be suffering from a plethora of printed matter. I find it very hard to break myself of the continual craving for it. to acquire the power of being able to sit quiet and just think. Vet that is a most valuable power. After all, though you get knowledge from books. you do not want to be always at them: The digestion of that knowledge and the wisdom which comes from it are only attained by self communion. The race is losing that power ex cuss in reading is destroying it." Ihe Woman" is the title of Signor Antonla Fogazzaro's new novel announced for publica tion this iiiorith. One of tho incidents attending tho issue of current fiction— wbicb is a very different thing, be i: remembered, from permanent imaginative literature is the reported financial success of Mr. t w. Lawson's novel. 5t is stated by the publishers that r.n,<HM> copies of the book have already been sold; that translations into Dutch, Swedish, and German are being made; and that it is proposed to translate it Into Prem h. Span ish, Italian. Danish, Norwegian, Bohemian, Hun garian and Japanese. Articles, biographical and critical, on tho Kite Thomas Bailey Aldrieh arc beginning t.. appear In the magazines. The most interesting one of the month tills several pages of •'The Atlantic"' and comes from the pen of Mr l;liss Perry. He gives this pleasant glimpse <>f the poet as a \ litor in the office >>r the periodical which ho once edited: P«rehed upon tl f edge or a chair, as If .-i!...ut to take fugl t. hi> would often linger b> th< hour to Iglil ol his listentrs. His raustic «it played around every topic ol conversation. He did not disdain the veriest "shop t ;i !k" - concerning pi ■ • ■ • ■ errors and the literary fashions of the hour. • l^'i'k : t th ■:■•• boys!" he exclaimed once, as he picked up an illustrated periodical containing tt.n porti I a couple >.f that month's U • .elists. "When I began to write, we waited twenM years before we had our pictures printed; but n< vailays ■ • ■ owa bave it • m •' . ; | In fi>n they even sit down to wnr. ; . ■ ii in • f .i fastidious comj.oser and revi Mr. was severely critical "f current m ire. "That w;is a well written es ■ i "f an "Atlantic" contribul ■ n v ; kej, "but you will Hnd a superfluous "of upon second page." it wn \<ry rarelj I ;■•.•. ]. .. i.!. Mr. S. \ \ i M . . ■ of the e\,|',i ,(.. bj Father Tabb are the i t ■!>• v. rses ol r< ent y< irs which 1 now recall :i- having « ■on M..r ■tl an once ] li«ard ■■ that ho would have reji t- d Ml Ki| - i: lonal" if it had 1- en <>tt- red to the • Ir. in.- v. a«i his dif like for i I »r llni s in that justly ■ i■• ::l ■ ■ Vm< rii an poi m whli h he would I - t :.i • i • - I . , there ai «:ly ■ ■ i nough. thrr fortheominß 1 k devoted to th< N:i- I , . ■ i ; ■ . . . . m \ H'T Krii ■ TI : m« moir uf ! . tep ■'■■"■ ■ f French • VWat .;. in, . bj M. aQ. A. 1 ... .or. ' .•■•-;■. • ■ . , , y >r ■.■ ■ • ; ■ • tuinis ■ i: < if Pop* lie was a warm admirer, and the a.uthor of the VfJunciad" was one of t;.- few English potts whom «*ver quoted. Tulkinjrof Scott, Ik- ... thought "Mi I intlet" was one of his Jim-:;! crea tions, If not the very tin-'st. i»f contemporary »r::<-rs I do not recollect hearing him naj much. II- asked me if I did not think that both L>i k( ua .ii. -1 Thackeray bad written themselves out. Here is a sketch of Disraeli in the Houmc - a sketch which, in the pacsagc of time, it was well to preserve: — Lord Beaconafleld had once been a dandy, and hud lived with the dandies; and how completely he had caught ' '■• tone of them may t>e seen from '*« i -.mushy " Bui u.s he advanced in the poll I ' stage he left hla dandyism behind him. His dress was always In ii ■ best taste- black frock coat, grey trousers, and well-iltting oca on his well-sii.ip>d •• ■• t. His garment never looked either old or n**w, Atid as lie walked up the House of Common? *wtr> his coat buttoned he li>>«krd. men would sometimes Kay. us If pleased i !..it he I ad "kepi his w.ii>t." # He oped n little In his later days, but otherwise he had a very neat figure. 1 have said that h> was not a dandy. But there was our thinK al»'t:t which he was very particular, and that was Inn ■>•. f. When any Conservative member, in pawing; to his seat on the bench Just above the front one, disturbed the arrangement of his leader's "ti.irk hair" there was always) a little Impatient sroture and a hand hastily rai i-d ...;.l ;>aj •>l round ti lim nape of the uevk to repair the disorder if there were any. It Wilhelm Bode's work on "Italiin Bronze :': ituettes ol it!.- Renaissance" 1 i--- to be pul : in ten parts and the I Hii in-lude .'>"" . . . . . . . i • . aid tii.ii Ittn is« :. ■■ : . , , ■ till • .I'- 1 I■ ■ ■ ' r ..; | fie I tei lin Musi inn, and Ihis book i : thi labors of manj years*. He will give, it ia paid, a full tof all the notable I tiutt.s that are scattered up and down Europe, and it . ;. d that he h;ts ; ■ • • ■ accord ' ' ■•■ ■ da. !■'■-■ inning \» i. i. I ■ r Florenl Ine worl i 'y I K>natello and Pi and the older I'udu .■ ■■ by I a to the bronz« s < f Riccio and Sperundiu, bronzt-a after the anliqu< and 1.i,.,i/,..i of animals, and conc-ldding vvitl the small Florentine and Ven»t in bmwi >nw i '■:■ MUh ael Angelo, Ct-Hin , Sansovino and others. A new periodical which Is coniins out in Eng land is intended *" provide (»xfi>rd and Oam l.i id ;e « Ith ;■ i nmmon i m-: g I ... i i- : form ;■•: the discussion ol nuesttons afl*< ling t!..- welfun ol both, and to ''.■ cuss withoui partisan feelings or sectarian prejudice all tht>sa topics religious, political, educational, literary, social, retrospective which make up tb< - phx life and thought of the two universities, it la i" be entitled "The Oxford *»nd Cainbrid^N Keview." 7