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Literary jSlebva- and Criticism A Clever Analyst* of an EvU BSUUA ' DOKNA. By Robert Higher*. ttmo. pp. 537. Philadelphia: The J. B. tippinoott Company. Mr. Hiehens attacks in "Bella Donna" a problem of which we seem to have kaara before, but to which, with his cleverness, he gives a sufficiently novel turn. Wban good and evil mate together -which < hall triumph? What is going to happen when, as in this book, an honest man deliberately gives his name to a had woman, believing that he ran set bar straight with herself and perhaps wits the world? This novelist addresses alßMtlf to the question with some tbaawMfaUifass, but with more of that purely literary professionalism which drives £rst and last at toe telling of a stary. At the end the reader Is left with a bad taste in bis mouth, but he baa to confess that he has been uncommonly well diverted. The woman who gives the book its title is & Lcndba beauty who first achieves brilliant rank in society, and then, while •till la her twenties, sacrifices it for the pleasure of throwing her caQ over the wfadalU. Her husband, a wealthy hrasm. divorces her in circumstances which •tamp her with something like tnCamy. Bat she Is still worthy of her MOkaaaes, Bella Donna, and her subee sjaaat career, though decisively wanting la respectability, is prosperous enough until the far ties dawn upon her and she reaJtaes thtt she must "do something" to maintain liar dubious sway. She begins fcjr ooasalting a fashionable doctor, but sets small comfort from him. He cannot cure an Illness of the soul. She has bet tar luck with Dr. Meyer Isaacsons friend. Nigel Armlne, as idealist, who is prepared to see in her a oman who has avflered quite as much as she has einned. Their marriage early in the book is, from the author's point of view, a fore gnat conclusion, but Mr. Htci.ens pays tba usual penalty of the novelist who •nay have great talent but lacks creative genius It Is essential to his story, as a story, that hie heroine should hoodwink her husband, so be make* the letter a credulous fool. As a result there is no real conflict of will* between the two. Bella Donna's struggle to dominate her own destiny ie carried on with Dr. Isaacson and with Mahmoud Baroudi. the Oriental, whom she meets on her way to Egypt immediately alter her wedding. It is impossible to attach "any impor tance to Artnine's lofty plans for the re generation of bis wife. Such plans could <jnJy have been made psychologically In teresting by the investiture of th* hus band with something like character. As It is, Mr. Hlcheng simply gives his "case" away. But his melodramatic ctory re mains harmed. This Belies the reader's attention at Xh* start and presently gives him posi tive excitement. Though he cannot tak» htriously the moral Issues involved, tie Is intensely curious to see how Mrs. . Arzola* will play out her wicked game. Khe has scarcely finished her wedding .icurn«y when she learns that the birth *>f an heir to Lord Harwich, her hus band's kinsman, deprives her of the chance of returning to London with the tjt'.e and riches which might, perhaps-, rehabilitate her among the people who hf-ve ca&t her out. and the hatred of Armlne which this disappointment en renders serves to bring into play the worst elements in her nature. Baroudi captures her Imagination and the book thenceforth constitutes m minute analy sis of her relations with the Egyptian. It it a sinister development through which the passes, and It is made ab sorbing by the author's skill in the fram ing of dramatic situations. The narra tive it, perhaps, too long drawn out, but Mr. Hiehens manages to triumph over his addition to detail. His substance is tetter than bis style, and the excess of dialogue in the book does not really let down the tension. He holds us, too, through his grasp upon character. Ar min« may be • lay figure, the portrait of Isaacson may be conventional and only half successful, but Bella Donna is alive, end Baroudi ie an even more convincing study. This type of Oriental craft and power is handled by Mr. Hiehens with ♦he came subtle feeling for the exotic that be show* in bis admirable descrip tions of Egyptian scenes. Baroudi «s indeed. "ail of a piece." and, though the r-mp de theatre which marks the pres entation of him m the closing part of the Fto:y fairly reeks of artifice, he is taimtelf a ffenuine. vitalized f 1S ur* Tn ., y naak« a etraoge and dreadful pair, the man and the woman, and their stor attract* while it repels. GREAT BUILDIXGS. A Guide to the French Cat he drain. FRfiN'Cii CATHEDRALS. MOV \STEP- ' Itoblru* PenneJl. Iliu*u-au"-d with isj xxxl. ci. Tbc Oeatury Oumpaay. The papers on French cathedrals writ- ! t*c by Mr«. Penaell and illustrated by hvr husband for "The Century Magazine make a charming book. Ttisji two tray- ' filers have always been peculiarly united In their artistic sympathies. Pict uresquent-Es stir* them both, end at the M>me time they both have a distaste- fur that easy romanticism which so often i nods expression among lovers of the Picturesque. Mr. Pennell's drawings dis close a true instinct for architecture, a sense of the dignity or muss as well as «n «ye for lac* like detail. His wife. vhile not pretending to speak with the authority of the scholar, has taken pains to etnas' the buildings she describesj Her ehaptera brim over vith Uiteliigent fymiKiUiy and. equally with tho clever rations. bclp to place the reader at | "aac with bar asHghtful theme. The making of these pages lias »*en j spread over a long period of year*, uur- . i liijs uhicl) author und artist Ji.ive come t« be thoroughly at home with their cub- ; jrct. In confcquenoe, they gi V f you Uio ; individual spirit of each buiiding that j « li-tv «lefcraie. o t in a long "m- have •»•■• known the peptlmett *A Chartres to »<« fnter;.rct#-d f.> fc:licitou«ly as in Mr^. J'cnmH'** einay on tiiat masterpiece. iier intrfxl«u-*ory page in alont: deli iat«ly eifinlficcrt of the iitmosphere of j ♦b* "Hous* M Prayer." She is thus «>f- I fecth-c :n h*-r word pictyrc-S because she j if de*-piy •enjfitiv* to si.' the o^sociations tit an architectural monument, but an other n't !e»b Jraponr, r source of (be *ri<cUence of this book is what we can inly describe as her cominou sense atti ■iff C, t. «■»«.» «X« fitha^lrthi not -ex I i co many romantic visions br.t as the work of men's fiend*, and she often pauses on the human aspects of these tremendous building*, notably their claM reference to their surroundings, their intimate expression of the French genius. At a time wln-n writers of travel books are apt to treat the European cathedrals in dithyrambic style. It is pleasant to find one who profoundly appreciates them speaking of their designers as fol lows: It was the fashion at one time to writ* of cathedrals as If their beauty grew mi raculously out of the bolineM ana happi ness of the builders. But from the little we know of these builders. It looks as if they were very much the same in the thirteenth as In any other century, depend ing on sound technical knowledge and going about acquiring: It in much the same way as now. That the mediaeval architects journeyed where there were fine things to see. just as the student with * travel ling scholarship does to-day: that they used their sketch books assiduously, that they were not above appropriating the ideas of others, ts known for a fact. one. of the sketch books having remained to prove It The architect was Villard de Honneeourt. who came from a village near Cambral. and whose work for the cathed ral of that town brought him fame and commissions from as far away as Hun gary- Wherever be trent, he noted down designs and details never hesitating to adopt those that -pleased him to hie own n«eds, as he showed by the use of the hint* be gathered at Rhelms. The men who built cathedrals, like the men who painted Madonnas, had a more robust standard than ours. "Hafr«l!e." Ruskln pays, •'carries off a whole figure from Masaeclo. or borrows an entire composi tion from Peruglno. with as much tran quiiity and simplicity of Innocence as a young Spartan pickpocket." That was the method of the architect of the Middle a?*?, and a highly successful method it vras. . . . Mrs. Pennell Is an Inspiring, and, not Infrequently, an Instructive guide. The tourist will profit o. her careful ex posure of those unfortunate elements in maay of the French cathedrals which are due to the foolish zeal of the re storer. His knuckles are soundly rapped whenever occasion arises. On the other hand, there is no pedantry in this vol ume, which Is, Indeed, written through out simply to Invite and stimulate the reader. It was a good Idea to include chapters on places like L« Puy. Mont St Michel and Rocamadour, which, quite aside from their monuments, make an extraordinarily romantic appeal., Some of Mr. Pennell'g best drawings Illustrate picturesque? pure and simple, archi tecture forming: part of an enchanting natural panorama. His work required, of court*, the publication of the book on a fairly generous scale, but it ought to be possible to follow up this hand some volume with a pocket edition. Every traveller In Francs would tak. a copy witii him. GOOD MAXXERS. J Pleasant Book About Them. HOW TO BE HAPPY THOUOH CIVIL. A Book on Manners. By Rev. E. J. Icri&er-f So A . ""* PP ' **< Char1 * 9 There could not be a pleasanter,"wiser, friendlier adviser in th© ways of "beau tiful behavior" than is Mr. Hardy. His teachings are golden; his illustrative an ecdotes are apt and amusing and are tossed into the practical text with lavish hand. How did our good British chap lain happen to write the book? He an swers that question in his preface. There he tells us that when in China and Japan he learned that much greater value Is attached to civility and manners in those countries than la the West. His ob servations led him to think of a took in which he should deal not with eti quette but with the principles which are at the root of all good manners. "What 1 mean by manners." he. Bays "Is much what Bushido stands for in Japan— instincts of a gentleman, the principles of the gentle life." Good manners, he declares, are always the same, whereas the rules and etiquette are constantly shifting. He dwells now and again on the lowest phase of the matter, the profitable results of civility— not forget ting to mention the Dean In Ireland whose sarcastic manner prevented him from being made a bishop and the colo nial business men who found they were losing custom because of the bad man ners of their employes. It is not only in the British colonies that this hap pens. The author thinks that to-day there is a want of reverence for everything in heaven and earth, this lack being most uncomfortably revealed In a rude indifference to the feelings of others, especially elderly others.. And here he tells a comical story about the Bishop of Norwich: When passing a pretty cottage which was separated from the road by a hedge [he] stopped to admire It. "Oh. please sir," ■aid a voice from the other side of the hedge, "would you open the gate for me?" This the bishop at once did. Then, to his liurprlse. Instead of the tiny child he" had expected, there stepped forth a girl b!s ■ ■ii' ugh. to have opened tl>« eate for her self. "And why, my dear." said Dr. Sheepshanks, "could you not open the gato yourself?" "Please, sir. because th« paint's wet," aaid th* girl. A glance at his hand sho\v«d the Bishop but too plain ly trie truth of her statement. For much of the current bad manners Mr. Hardy blames the "sick hurry" of modern life, the restless rush that leaven co many people without leisure or in clination to give thoughtful considera tion to anybody. The quaintest Illus tration of the Chinese rule, taught In schools, "Let your movements be grace ful and deliberate." is the story of the mandarin who jumped a ditch in his efforts 'to swaps a heavy shower. He "was greatly annoyed when he found that a boy had witnessed the perform ance, and he paid him largely to keep secret the deed of ebame." There Is a note on that fearful wild fowl, the lady you take in to dinner who mi: not or will not say a word. One au thor once found a cue for this unpleasant behavior. He remarked to his compan ion 'I do not mind being ugly, do you?" and this naturally "brought th« silent on« to Speech." Another little story re ft r* to Mr. Hardy's wen known book, •'How To Be Happy Though Married," a Btarf which, of course, deeply inter cated th*> author. A feminine reader put paper marks in all the pages that flunk or the duties of husbands to their wives and left It on several occasions In her hu)|liand'.s way, hoping that he would bu edified. Turning to a- chapter ad dressed to wives, the husband, found the leaves uncut!" Very bad manner* there. Mr. Hardy believes that finding fault is hoinotimes eminently proper and" dosira blo, but that to d«> it well i* a fine art. Ho cites the agreeable method of John Leech, who, when his children's fat.-^s vero distort <*'l .by naughty tempera, fk'-'tehed them deftly and let them see how unattractive they were. We have com« upon sn instanco of censure, po litely put. in which the pencil a g a j n played a pan. An unhappy playgoer unable to set) the stage because of the large hat in front of him made a draw . . ....... • Vr.W-TOKK DATLY TRTBUNE. SVTT'RDAY. OCTOBER 23, IQOQ. under it "My view of the etaco" and courteously handed It to the fair wearer. She removed the thing straight v. ay. Various name*, of note appear in these pug**. Here, for Instance, we read of Tennyson** mother, who. in a railway carriage, would turn to her fellow pas sengers, strangers all. and smilingly re mark, "It may interest you to know that I am the mother of the Poet Laure ate." And here is a characteristic story of Robert Browning, on an occasion when he did the honors at an exhibition of his ton's pictures, "tho room, being filled with fashionable friends": Mr Robert Brownin* tim standing near the door, when a visitor, unannounc*ri. made her appearance. He lmm«llatf!v •hook hands *ith t!i« stranger, or triM to do co, when she exclaimed: "Oh. I bes your pardon! But, please, sir, I'm the cook. Mr. Barrett asked me to come and pee hi* pictures." "And I'm very glad to see you, ' eald Mr. Brownintr. with ready courtesy. "Take my arm and 1 trill show you round." GEORGE MEREDITH. Some Poems Written in His Ijater Years. LAST POEMS. By George Meredith. lJmo, pp. 64. Charles Scribner's Sons. The poetic side of the genius of George Meredith has always left a mixed im pression. Some readers, to be sure, are wont to speak of it with bated breath, but the Meredlthlans. be they never so eloquent, are not likely to carry the day In this matter. Though the present vol ume, containing the last of his poems, is not. strictly speaking, to be compared with the verse of his prime, it is charac teristic In its Illustration of a gift which was nearly always feeling Its way tow ard expression rather than manifesting itself in swift, strong and perfect utter ance. The note that gives it its special character is one of patriotism. Meredith was Interested in public affairs, and re peatedly found in them a poetic motive. You observe him in this last sheaf tak ing thought of political and other issues in the air around him. You recognise a certain fervor, a certain eagerness to strike hot upon the theme of the mo ment. But when you look for poetry, and only for poetry, he is prone to give you something like this: "ATKIXS." Yonder' s the man with bis life in his Legs ' the march for whatever the Or to the slaughter, or to the maiming. Getting trie dole or ■ dog for pa> Laurels he clasp? in the worde dut> done," Etieland his heart under every Mm Exuuititfc honor: that ghres him a nam- Ba"e to the ear as an afis's bray. The sympathy for the troubles or en thusiasms of his contemporaries, which made him so wllllug to talk in his old age about subjects like woman suffrage, comes out in these pages. The things that touched England touched him. He, too, had his tribute to pay to Queen Victoria when she was carried to the grave. Then, as at divers other times, he wrote as one from whom something was to be expected, as one who would rise to an occasion. Unfortunately, though the will was there, the command over the right words was lacking, and he could terminate his brief poem on the Queen with lines as banal as these: MoJt the name of Womanhood *rie raised, And gave new reading* to the Title. Queen. Verse like this, alas! was only too characteristic of him. Poetic impulse moved him, but the diction and the melody of the poet eluded him. If he came near to them at all it was, now and then, when he fell under the in fluence of some emotion tinged not so much with thought as with a vague delight in beauty. Thought, with which he so richly packed his prose, clogged him when he trlea to sing. The Impres sion of loveliness which he setfks to con vey in the poem which opens this col lection, "On Como," is blurred by the effort he makes to vitalise it with ideas. He is more fortunate in the poem which begins High climbs June's wild rose, Her bush all blooms in a swaroi; and even happier is he in the poem from which we take these stanzas: The years had worn their season's belt. From bud to rosy prime. Since Nelly by the larch-pole knelt Ana helped the hop to climb. Most diligent of teachers then. Eut now with all to learn. She breathed beyond the thought of men. Though formed to make men burn. She seemed to make the sunlight stay And show her in Us pride. O she was fair as a beech in Ma" With the sun on the yonder side There was more life than breath can give. In the looks in her fair form; For little can we say we live Until the heart is warm. There is a faint charm in such line.-, the best to be found in the book. Therf is nothing more. Lovers of the novels will preserve these verses as they <lv thf ir predecessors, out of a tender loy alty for a brilliant writer. FASHODA. I New Light on the Campaign , from M. Hanotaux. j Paris, October 13. | M. Gabriel Hanotaux was Minister of ! Foreign Affairs In IS1«7 and 1898. when ; French diplomacy sought by means of the Marchand expedition to atone for Its fault made in Ifeß2, when France aban doned Egypt to England by formally re fusing Lord Granvllle's invitation to par ticipate la the Joint military occupation and suppression of the Araby rebellion. The British possession of Egypt proper was extended to the Khedive's dependen cies in the Soudan, and in the equatorial provinces by Kitchener's victory of Om durman and his successes on the Atbara and the Blue Nile. Commandant Mur chand's arrival at Faahoda from the French Congo dominions and the claim put forward by that gallant but quixotic Officer to iinnex the equatorial possos «= kms of Egypt brought France and Eng land to th« verge of war. In i.j a book entitled "Fashoda." published by Flam n:arion, M. Hanolaux relates for the first time the full la«side history of this important phase of Anglo-French rela tions, when tV- two nations irere nearer to war than they bad been ilnce the battle of Waterloo. A valuable and trustworthy contribu tion to the history of France during the Bourbon Restoration comes in the shape of "Le Itetour Bourbons," by M ,•*]. Bert Htenger, who ihows with what sar< donle irony Louis "•'jli thrcv over lib loyal friends, and also the stanch fiU ti porters of the monarchy, and depended almost exclusively upon Talleyrand and other me« trained In the *chool of Na BO lean to consolidate hi« throne, r t 1, eomewhat as If the present Dim dOr lUna. were he by auni* Inconceivable ■g^si?l!??tlon of oventa raiio^ t~ r - w ..^ should turn the cold shoulder to Comte Albert de Mun, oVßrOglJe and d'Haus- M>nville and form a ministry composed of MM. Clemenceau, Brland and Barthou. M. Stcnger dwells at somewhat needless length upon the selfish obstinacy and narrow minded vanity of, the Bourbons. Among: his numerous anecdote? may bo noted a striking instance of the convic tion of LouL«« XVIII that the Bourbons were the foremost family In <>xl«ence. The King 1 gave a dinner to the Emperor of Russia, the Emperor of Austria and the Kins of Prussia, and Insisted on tak ing precedence of all three of his guests. After placing himself first at table, he a&ked the other sovereigns to take their scats, and, taking compassion on th«» King's pathetic situation, they affably compiled with the Invitation. An Interesting, gossipy little volume complied by M. Charles Martel. entitled "Eugene Scribe, d'apres sa correspon dance avec Ernest Legouve," sets forth in bright, eppigrammatic letters the methods of dramatic collaboration so successfully employed by those two to complished men. The "architecture" of "Adrienne Lecouvreur." of "Les Doigts de Pee' I—the1 — the comedy of a lady of noble tlrth who earns her living by establish ing a dressmaking shop— of the "Bataille d*s Dames"-about which the director of the Thffttre Francois said, "I will never accept such a cttcbonnerie as that!" —is dealt with In a light anecdotal vein. C. I. B. BOOKS AND AVTHOir^ Talk of Things Present and to Come. Tha important serial announced for the coming year of "Scribner's Magazine" ta from the pen of Mr. Maurice Hewlett. It Is a story of modern life, and that quaint character, Jack Senhouse, reappears in Its pages. "Rest Harrow" la to be Its title. We are glad to note that the unpub lished correspondence of Washington Ir ving and John Howard Payne will also be found in "Scrlbner" next year. The -chief matter of interest In the Shakespeare documents recently discov ered in London by Dr. Wallace lies in the proof they furnish of the already ac cepted fact that the great dramatist was a man of substance, one of good reputu tion and high standing in his profession, and a considerable shareholder in both the Blackfrfars and Globe theatres. Dr. Wallace believes that the site of the Globe was not that on which ji memorial tablet vas placed the other TFa y, but as the site he has chosen is only a few yards away that reconsideration is not of great moment. The lectures which Mr. and Mrs. Jo teph Pennell (authors of the biography of Whistler, published last season) pro po*e to deliver during the coming winter will deal with ""Whistler, the Artist and the Man," "The History of Illustration." and "Engraving." They will begin their tour in January. I Miss I. A. Taylor, who has Just pub lished a careful biography of Queen Christina of Sweden, inherits her literary abilities. She Is a -daughter of Sir Henry Taylor— "Philip van Arteveldte" Taylor. > Taylor, by the way. was in his day one I of the most Imposing in appearance of I the English authors. Grant Duff has mentioned him as "looking like a statue of Jupiter." He was a friend of the : Axh burtons and the Carlyles, and, like | many other friends of the Sage of Chel j sea, was the subject of an unjust «neer in the "Reminiscences." He was "not a well read or a wide-minded man." wrote Carlyle. There Is an amusing story told by Tennyson that Carlyle, hearing that Taylor was ill, .seized a bottle of mcdi i cine that had benefited Mrs. Carlyle, and , without finding out what was the matter with Taylor, rushed off to his house and insisted that the invalid should take the stuff. Mr. L. F. Deland, the husband of the novelist, is said to have a notable knowl edge of advertising methods, and he has put some interesting phases of that knowledge into a book which he calls "Imagination in Business." The Harper* •will bring out the volume. ! What are the largest and smallest books on earth? A dispatch from Rome to "The Pall Mall Gazette" answers the question thus: The launching of the first Italian Dread nought the Dante, is such an event in italy that all kinds oj arrangements have boon made. thy most interesting, perhaps beln" f n^ d i Uon , o: U thc "^vinacSmmedia." is sued by the Dame Society as a present to the man-ui-war Dante. It b^mTairS R2*3£HS* ?!$ destlned t<» becomVaimos l i s?2siosr y - lhe lnspiratio " It io tno largest book in the world con taimnj;, besides the "Divina Comroedla " -i r^H , t!l * o **- by his humble follower GiVjriele d'Annunxio, and is dedicated to the King. In it are reproduced the fi~ u res & wood which adorn the Venetian edition of 1491. In red-and-black ink. on handmadd paper. th« miniatures, with which TmSn mu- book is liberally Ulustwed. beine nSm the hund of Amedeo NeeL Irom .nee. much for the biggest book in exUi «nee. The smallest is also of Italia" make! It is an unknown letter from Galileo £ Mint. Crlstine of Lorraine. It was issuiri by the Salmln House of Padua a few yea« ago. and Is ten by six millimetre-^ T in slze^ M. t}«orsi Salomon, of Paris gni» mn i,, , declared txmt he owned the smailJS El L y te%&ta ss ct s ',E4 ? fcpok. It was printed in Holland 1? i£m thus showing that the word I has i££li progress in printing. naß TOadc A translation of Sudermann's "Song of Songs" is to be issued here immediately i by Mr. B. W. Heubsch. * BOOKS OF THE WEEK. ARCHITECTURE. Reviews' la c •- column . 810 «Y. v RECOLLECTIONS. ..inirton r*i.,».i Utn* Company) ' Uv * <The Jol «n :• Sll^s^s EDUCATIONAL. LOGIC .Inductive an.i Deductive. > „ i ntro Auction «o b-cleniMc Method, by /dam L*roy Jone*. Ph. D. 12mo, pp » no? <H*nry Holt & Co.) v ' ' tM> A COLLEGE TEXTBOOK OP GEOLOGY fiv Tt,oir,»« C. Chamberlain 4nd no\Uti O -> Svo. pp. ,vi. 1.7* <H?nry IloU FICTION. "*>- THE FIIODIGAL FATHEH. Py j. 8, or . r ■Comply.) 12 T: PP - 8M - < th « <•«*«£ •f %SSPSf SSSULf* <•*"•""«>* i I r i I ■ I i nx b- - 1, linok* ami _ Publication*. __ CHARLES SCRIBNER'S SONS PUBLISH TO-DAY THE ARABIAN NIGHTS Their Best Stories Edited by KATE DOUGLAS WIGGIN and Nora A. grniJi with \: illustrations in by MAXFIELD PARRISH. 3.50. This splendid book is the most beautiful children's book of the year. Twelve of these famous stories have been fascinatingly re told, and the imaginative power and richness of color of Mr. Par rish's illustration* surpass any of his previous work. POSSON JONE and PERE RAPHAEL By George W. Cable. Illustrated in colors by S. M. Arthurs. 1.50. A lively, amusing adventure of Creole life told from two en tirely distinct points of view. A unique feat in story telling and a masterpiece of pathos and humor, beautifully illustrated. The Great Novel of the Year JOHN MARVEL ASSISTANT . ■ ■ I THOMAS NELSON PAGE ~~~~ Illustrated. 1.50. Mr. Page's story arouses the profoundest emotions and de serves to be acclaimed as an American novel of plenary merit. g>rt; —Phila* Record // ■■:':■/: : C:3v: v-\\..> v.i~ y ' RO RF RT- HIC^HFIV^ Greatest tNSveft A Powerful Si<tJ of the JDeseH ~ and^ the Woitderfui Vall^r of fithe &ile Second Edition Required Before Publication «33iM:M*.'isM..e..i.-.-.. 2fc£3 .--..• ....^ * • a «*'i>iw J.B.LIPPINCOTT CO. ffifJdlSgil SSSS The Autobiography of ?^ %?^S^ Edited by Lady Slan!e>^\s^^ The revelation of the personality of the great African explorer** On account of its intimate touch, the author keen individual views of men and affairs, and his remarkable experiences, it will take rank as one of the books of permanent importance in its field The com plete story of his life—his youth in America, his experience and service in the Civil War, and his explorations— a remarkahl narrative. 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TU« t.tory of a vivacious Canadian girl BROKSCUI OP THE nABBUB. By Albert E. ' . Hancock. Kraal l*pl*c« by Stanley M. Arthur*. 12mo. i.». S2l - (Philadelphia ' J. D. l.tpnincoit Company.) A rom*nc* of Philadelphia!) Ufa in th<» •»flr nineteenth e«nturv. »»> fFlerainj; 11. TUvell C»m- Tna CASH INTTlir.rjE. A PantaaOc M»!o *r«»« ot Modem nt,an««. » r,7er». Randolph Chester. illustrated by " Booh* and Publications. Hare BooU and FrinU in Enrope • SAB IN, CI;OICE CRAVINGS Me*. (Fran* I.) wants, Colour *,„,*, i-rt >■"" "J, ' 'Amaricana, 4c), FIVE l72 ii;i! oi s A\J RA«£ BOOKS **■ . Undon, W. J IUBIE AUTOGRAPHS, Ic' "A' l ;OL -OF - PRINF - BOOK S rr U • • warra mx ««* ™ 4sr Man *v«r Book* find Puidi-'ntinm NOW HEADY TEE EV£H£II"tEGIUa£3 :» Theism and the I Christian Faith By CHARLES CARROLL EV ERETT, D. D.. LL. r*. fc t , PrefMinof of Th*rtn<y "^ ' P^an of th«> Faculty of Diving * In Harvard T/nhroralty ~~ ""*" Edited from MSS. notes af at*. dents by EDWARD HALE. a T. 8. 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RFMIMSCESCES OF MY LIFE BvMd CH ArVLESSANTLEV The nunooe ta.-ltoE* etessr. IHn»(rated. Sto. 93J5& **t. \APOIEO\S BROTHERS By A. H. ATTERIDCE mostiatea. Btow CloCu U*9* »<*• FRENCH VIGNETTES | A 6ert«a of DnUMtte »■»"''— t inar-satt _ 'By M. HETHAM.EDWAR.DS j ' WiwrratfiL *to. Cloth. ava» »•*• OSCAR VMLDf'SPOE VIS ! EDITED vm •■**?_ iNTnooucxior »T T»ril**"*| Ifntei CMs SaSm. •' *■• : I BRENTANO'S wtwrn at«. & *TTB ST-. v ** r '- ' ■ -x«C^Srr.t«3^s?