New-York tribune. [volume] (New York [N.Y.]) 1866-1924, May 28, 1911, Image 23

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New-York tribune. [volume], May 28, 1911, Page 7, Image 23
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New-York tribune. [volume] (New York [N.Y.]), 28 May 1911. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1911-05-28/ed-1/seq-23/>

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Matter*s
p Furthcr Notes on the Great
:1 Fxposiiion at Rome.
Roaaa, May &
. ter I have siK.kcn of
jn** ?' . . the work ahown in
*<??*'?'", [tallan and Britlah pa
a*'**'1', ...t expoeltion here.
(A~ ttx* ~V,nt fr?m th"
"*' .*theae la *',,% P*bwe of Oerman
P eaje bulhltag hi Imareaaava in
ter. of auch amplc
. ,'-.:U ,| turoa hang in a Bln
.paced. l.iko moat of
n tha fair rrrounda,
r1'1''^,..., rtaff. The cntrancc por
ted by a ******?, dark
I? ** ,',r..r.-. rtuadrlga, and athea
,-? ,ta tha structure.
moat Impreaatve ,
gh. white doeae orna- !
MJJ^, ... i Iu BrtenctlUna;. Bc-j
a***r0 J * handsomc opon
rai ade on its
-?? . y poric columna
The baaea of
er part of the court
Brasta on black
the columns.
of varlegated
?" le a baata of run
mtra of 4\nich nses
Greek equeatrian
1?i* I
Itiofl at the Metro
i : ? en so rracant that
: rall very elearbjr ita
i^erlatica. Many of the same plct"
arrfarid there are here dls
r trospoctlve rooms,
fifait l ini ? th **?* Rrcrn F,lk
t " te a I i h ls a very effective gold
, have gathered an
ng of thelr deeeaaed
Thc Acbanhacbet Von Dicz.
CVLilbl Von Lenhach. I-offtx and
fi!-o -.prescnted, and there ls
Menael. including "T?er
^Oarten dea Prlnaen Albreohf
landseaca, with houaaa
1 lylng on the
..th the trees. --as ahown ir.
?.., Muaeum aoUeetlon,
though painted in 1846,
, . ri;s as a maaterpleca of open
,. 14
? a-een
ent la
of _/!rt
rnintcd historicnl piofire. On the alde
v.alis. .-.ir.ply flpacod, nre xvorks bv LailO,
Munkacay an.i othen. in the wttiea of
! followlng gallarlaa is one contalnlng only
launllt pictures. Tbe WaRfl are eovopd
ivitii light cilmson brocade, whlla the j
floor has a FiiMiiaiiv Unted rng. it is j
nstonishing. the feellng of brililant light !
"tio haa In thla interi.-r. line thlng no
tJcaable ln many at these gallarlaa is tho
varud eoh'ratinn of thg backgrounds.
and almost avary tint can be found
ameng the different cnuntrlce.
The building o**poalta is that of Scr
via. This Ifl ir.d.ed a xvonder house'. lt
?Nrg be .\rt. but nona like It have I ever
B4 "ii or dr. amt of* Txvclve caryatidos
M.pjort the l"w roof of tiie cntrance |
hall, heada <>f men and women with
bodies of birds nnd aniinals. A sculptor
by tbe nnmo of Ivan Mestrovic floods
the galierles arlth his extraordinary
lvork. Ono colossal group consists of
two nude xvomen. unattractive in con
ceptlon and execution. There are some
large arall decorations hcro by Raeki,
rcprcsenting Servlan legends in Hat tintg.
The room containing modern palntingw
is quitc beneath notlce. There is indeed
much xvork at this Italian expositlon of
such vulgar and obvious sensationalism
and so extrctnely low ii. the scale of art
that I l.ave not considrrcd !t xvorthy of
mention.
AT THE BATHS OF DIOCLETIAN.
The Raths of DtOCtetJai), ln Rome, are
fllmply a aplendid towering mass of
anclent brick and mortar. those ancient
Roman bricks, tinllke cjrs ]n that they
are long flat elabs of bakod clay, over a
foot ln length, eix or seven inches broad
by an inch and a half in thickness. Pilcd
one upon another, with a heavy layer of
comont between, they tower in great
vaults. covering acres of land and lm
prcsslng the modern mind with the 1m
mensity and vastness of Roman luxury in
the first century. Thcrc are no signs of
tbe ri-ohness or splend"r of the past, save
in ar. a and height. \V? think that we
ahould find the rulns of Imperial Rome
pilBfl ol marble glistenlr.g in tbe Italian
ght, and great ta our disappoint
mer.t xvhen we eee but dull black and
TIIE OERMAN" PAVILT0X AT TTTE ROMAN* J*"*" POSITION.
# (From a pbotograph.)
the miianlBlim of the Emperor Hadrlan, [
now known as the Oastle of Bt Angelo. j
which stands on the brink of the Tlber
as the guardian fortress to tho great
shrine of St. Fl ter. From childh'.od we j
hava BD known thia round **tlfl of an
clent masonry with its bastion block
lowar on top aunnountad by the atatna
of the winged Bt Michael shrathlng his ;
...word. Long was it known as the
splendid tomb of Hadrlan until in DOO,
v hlle Pope Qreefirj was lcading a proces
sbn to Bt. Patai*! to pray for the crs
flBtlcn of the plague, h? eaw a vision on
the top ot the eastle of the Destro.ting
Angcl sheathlng his sword to signify that j
the peartllanca would eease. In com-j
n.emoration the statue of the archangt 1 j
was crected on top of tho pagan Em- ?
rerr.r'e tomb ar.d Its name has gradually ,
rhang**-* untll we think of it only as thfl '
praperty of '.hc Avenglng Angel :?
maaalva circuiufcrence of pond l
r->asonry einbrac4 3 nll the Btylea cf Ro
THE HTNGARIAN PAVILION AT TUF. BOMAH BXPO?lTION.
(From a photOgraph.)
:pe:r.?ir.c. Frar.z sf; k ha? a small
reMbely to I Ima* If, In which oev
i m H | ta are dhq layed,
ar vtth a ?:? nf hla brtmaea. Cor
Ita kaagtnatlon of Btuck mi;*t
m ': o] hon t he is an
? | :-?:- whoae "(Jlrld
aor.it" 4i?s rr .. h admired ln New
. hasa mai - showing the interlor
thatre boa, with light again com
an t<:"'w.
Mbaeden l of tho grtat vtgot of
eodern Oerman gehnal. it haa
2| Ur gway from its period of ro
t ar.i :: ? I tOMlltit I 4vhJch
: 4-ith the early Ifunlch
*ve. It? roalism to-day ll *.
aaatem Taate ar.d detteavey ai
ao v.. Beflnement
gggaj ? g, but there is no
*?'
tt? ann
? ms to bava
. ? ? vr- .-:? :
Vto bbbj . jgrht and Wltb
MaMot an equally
' ' - on thr< ?
i ?v*d . .with Btatuary.
I as white 88 " ? ? vteri< r.
rht 1 - Many of the
? ? ?
bfy i? nttnga of
Mn | evldeni held In
?
? . ? ? ?
n'airis tor
-
- '
....
* ??'-?? - ?
? , ?? ?
:- '?<??.
the enl
?
?' ? *? tti. The
? ??
?
Md mabogany fun
.n over
, v *ef r. Q Wi
'%*f''r SaXary i v ,.?
^**Am\t*
? art Aueti aome
greai
"a J , ;""i
dlmen
- '
?rall opp. .
"*b) 8 large, fl,
hrownlsh tnaaaea of piled up brlck ar.d
mortar. In the daya of their magnifi
bathfl ac-omodated
1 it is statcd that forty thou
i wi ra . ii.;!- yd ln thelr
arera ome entlraly cov
cred wlth a venaer of wlorad marble.1
a i of n. tant Rome was a clty
a ti.ii, ? ? m ..- ? " ? irbl
of whlch has long alne< been torn off and
, ,t t , ? ther .,- laavlng but the
rulnfl "f ii" :r Bkeletona it ta
? rtunatfl thi tth ? ? "P ""*
Uon haa hit upon thi Idea of utlUalng thla
i place in whlch i" hou? ???
portlon "f its .hoa Thi cramhllng ?ai!s
hava been fortlfled, the IntaHow I -?
I ea ri soed of rubbl h and a <-.ti
and ordorl of the influencfl ol
.., H,,me on its nun ?????? wlonlea
has been InoUltad under tha able direc
Profi mi : Lam lanl.
Mueh las 1-:. |?thai "1 trOtE th- COl
onleaon Umgoutharn -d-oreof the M
terranean-ptaflter modela of ffl aa,
amall ra***mducUona of templea and pai
>,,lM, gnd fraginenta. Boma
f? rn-d photoflrraphfl lln? tha walla rapra
aenUna tha rulna of Tlmgnd Many of
neal modeta ol modorn r.-production
,.t from th.- atelien In Prance and
? ,heyaret"-da,skilfully
manufactured for aale to m-iaet-ma and
.... - . over. Thla is par
tlcularl) noticeabta In the caaea contaln
. . ;,, reproductionfl of anclent krtaa,
." ln gold and allvar
;..,,, ,..?,1Z.. Greek helmett of axqulalta
dals Of th-.ng whi.-h WB
t "f marble gladlatora
orlginata ttom whlch theaa are
, r-ratterad thmughout the nw
; ne and ?"".- far tOO
i. .. "i"
.. ? to ix l.an.d aven to ao lm*
ponant an exhlbltlon aa thla Q ilta tha
. uon nl tt, Batl - -
? ra the Oreek -fov-jnimant of
raproductlona In fuU rla* *"
, .. .... - . ? med .-.
Commenclng
wlth. ,-rfthatttthcen.tury
I , . , ,,,,. human BgUTfl BBM niad
to reaembta raora - ' ' ,,:" "'
, , - lon m
.. tviathi - *
?xampleaol tha beal Graok ?r1 down to
? nd the tn ' ' \
? <? nndeapn
ln th. ? ? ? ald thaaubl ..." re
motefl Niof Phldta t" :"- nt
and r< I PU) of i">";"' f?*,taJ
. | , Khlbtted al tha Bathr. la
larga one, though rajatterod ovat
.i it ahoi
.... recenl an I i
I . ... an Idaa of tha vaat
..,,, mlhi. !."? A'",x
I thi objecta ahown, hoa
e gi nd. ir <>f the :
and ii,. ii ck-aBifli ln l '
i ihe,r mafnlflceni
und i ro* "?? ' than eould aver b<
tulned before or ta m.tK. a.,i.- ln vlaltlng
tbe bathfl of CBt*-at-alla on the oth
v.:..' ii an n ")? BTtBtki ln
? ?_
THE CASTLE OF ST. ANGELO.
, . | , emorlal on< of tha
. ;., man attra< Uoua h^ BBBB
Iman building from the beglnnlng of tbe '
1 chrlatlan era down to mod< rn aho'
and ticket s' '.llng ofltcea.
Tl ? Ingepulty Of thc Italian mind ta |
utlllxii feature of its h
bi d evi rv monument avallable ta ? a
[bance the attractlona of thla flral Bo
man expoaltlon haa nol ovcrlooked tho
t attai b< d I ' thla old forti
v.hi.h haa been everythlng from tomb
tn fort and prlaon, from fort to pa] ?
racka, general Bl
? mi Onally mua* um?Ind* ed, it coi
i.. taki n awaj ll i*1 far too ponderoua,
whleh to fortunati Fbr the modi rn
luilan la bul a allghl reepei t< r of hle
tory. y.nr, menl i '?'? ? H aa tradli
nmvt i. m ng the I ii dli apa this
d Bome haa I
tend agalnat, and about everythlng
I ? been irried off. that could ho uaed
a real fllght of stalrs ln mountlrg to thc
top. HOfflOl and vehlc'.es could go to
the roof, ns lonjr Inclines lead wlndlng
through the Varloua shells of the vaat
BtrUCtUra, Jiere nre gathefed as in ?
irrandmother's attlc, all kinds Of deeply
IntenBtMng Old curlositlos and trlnkr-ts?
from ponderoua itatlonary eioaehowo
that hnrled stonrs and were worked hy
great wlnches, to delhate Etrusean JOW
(iiy.
A room of ccstumes dlspl.-iys. not over,
well, some beautiful dreaaei of the six
b . nth <?? ntury. b* ald< i *naa*totratee* rOhea
and papal garmenta of aurpaaalng ajtlen
dor in anclent velvete, the raaiiherry and
vlolet ttata >f which aeera unchangi '
II..-.V thoaa Venetlan and Genoese vel-j
'. eta 4> t re ma.!" s.. . ndurlng In q
is marvelloua! Well up in tho caatle are
galli ;i- s of ahoi s n iton I ;l>' "?";,
poaalble t" thi ir period An 8] "<!;
g black gown and i road whlti
lar, arlth a aultable flfteenth century
. ? t< nam ? Burrounded l ?? cruclbl
mortars, araa soiiinir pomatui ia and plllaj
ond amall vaaea contalnlng sweet smoii-j
Ing liquid st .i rr Near I r n?aa a barl i -
ahi p, with aii i's uti nalto of the M
Agos, a-hli h wa parior aa well,
P.n.i 4\i' ?. i ? "i l< v rrel I and onerated
Up i! ;-.-? -'.. II as ah.
At tha t'.p ari the apa i i
hen tha fn i ?- and ''n
luaur f the i
iut. < . geous to the e; ??. the
body muai . . on v. Inter d i) -
in thoi ?...-.. i mw oaly one
. -i ? nork of greatei
I rt : ? ' ':'
bat ? ? ?
.
eval arxor,
? - .
hibltion of 1 l,an en
roducl .
?'
. ? . i of i
.
and to B the hial
practlcally thi h I :? ' tb*
otber,
all cleai -1" l forth.
C \KK' '1.1. BECKWITH.
A GARDEN IN A CAGE.
From Th* Mam to at< r Oui rdl in.
The ,,..., ,- garden which Ihe m ml* I
naiity -I Tokl ? gave to London ai l
. . i the exhlbltlon har be* n put on
riew ln thc corner ol Batter ea Park
., the AH'.it Bridge, when
noa the wonder ol i
. n from tha d wky hlnt. rland to
? ., th. II ba i I I -""?" o -
I, ,,, which it is wh?x led ln bad w? il ?
dthough one would think thal weathi r
would nol much harm ita tough lon
The mlnlatu ' now, i
: ln wanl - - :' ' '- ll
Uttie "tired" after IU ai i ? atat< n ? a
. rd? Buah; Ita d tinl banka of
;..,.k Ri b bltti ii. Ita ur.- tak< rar
p i; ,, j,|. Bul the bi inted treea,
Hke ,--. |ni * .,. t aatoniahini rather than
lovi ly have nol turni d a li af. P< ?* ?>f
them an leaa tl in ba a cei.Id,
ar.d on* doll'fl hou*
llttle th ni ? ? elghl -flvi Bprli g haa
noi touchi d thi tre* ra '":*
I Japan*
ahowfl 1
among I tiny 1 ' . '
iould ?? I '
I 0f tr. .-h glldlna on l roof and
f, r a ia ? eplng In IU hand hlgh rooma
Tho garden on Ita wh< ed tai
Incloaed ta cage and ml round with
-Mn: *-i:i:viax payii.ion at thi: iioman exposition.
(From a photograph.)
<n any way. In the aprlng cf 1?*.m> nll
Europe united In urglng thal thi
, ,, ? ,r of Wlcholaa v, faclng
,,n th- ii'-". ntdghl ba apared, bul all
. .... ia valn, ao tha atreel
Bl ,. . ,-di ol Uw Tii... waa drlven
,_ fronl ,,:? st. Ang.-i" and much of tha
?,,.,,,, and beauty of thal great pila
... ,?..i foraver.
j ike the Bathaof Dlca-.letiau and Cara
, ,, hai ^g been fltrtppad ef Iti
?'/_',, oi Mia.i.i'. arhlch bava gonfl to
lir;(. -jaa interlor of churahea and palacefl
. th- greal nu ? of dark atone.
r.k am. cemenl blackened bf tlma
,. .11 ,,i ,,ii" Bubetance, aui
"":;::;:? b anom -?*?? towen ,....
;;;?;;; .,.,????...-. Th.
tothetlmeofda, and Ita crachad
.ndqaartei
,"1" -, nn ol .- -wrl paved Bq-rara.
""i",; intn
"'' and gel "" ' '
"?
??? i ? "' " a0 from om
;;,.;:,.''..:'???? ? .
i ? ,?-,- dwarfa in pota, one of th* m now
I f,,r the Bixth th time or ao p ittlng n ?
appli llke blosaoma. II to all a pn tl
Bhow, bul lt doea oot llluatrata properly
the .!? ? ? ? of th da irt gai
.... ,[.,| an Tb ae gai l< na are alwa - ??
... i in n latli n to a palntad mln
landacape baokground completlng the
plcture and gtving tha dealn d III talon of
dlstan. ? . in the i ark thla afti i no?>B the
i i ,;.. ? :t? i prolonged
? irprtolng line of almond tn 11 along tha
rn, r ajid<. in a ly plnk and gl n loua In
the aunahlne, among thi 1 ial oi
hawthorna. Thi*. t-iuht gave one tha
. , i ,. i.... .1 ahoi k ol .1 Ing and In tbe
i half-bare bram to ? ol tn ea b< bi Bat
I us) In
i and t thell fluffj i. '
GLASS THAT WILL NOT BREAK.
Ki.iin The Lond m <;!"1"
i-.j,,, arat Frani a, I ta the honor of
, roducing th- tii ? |laaa tl al la ur bn ak
,, ... | "f cceot i h. ii.--.'. |..
kaa i.,. n Bucreaefull) appla >i to tho
ol tomp ? hlmro i f*u uaa
In ,..| Ul.|i - . ontainlni > ? ilamp,
? B ? lt have ai i
ln Incn aalni lha ? lastd Ity <>f
, . Kiufi This t . mpllah by
magni la nnd oahte t-. thc or
1 olnarJ ?!, Slul t'l-"1.*-.
ART_]N_r\ARIS
The French Artlsts and Some
Other Bc-dies.
Paris. May 2.
The ll'Oth cnntial Falon af the French
Artlsts contalns o\4R2 numbera in Itfl
.-.talogtie. There are more than three
thouaand patattnga ar.d draarlngfl and
nine hnndrad worka of M-iipturo. lf
ona beais in mind that just now, exclu
shc of tiie exhiblt|r,ns of Ingrcs and the
Dutch aevantaanth eenturf rna*rteri an>i
of amaller ahowa thera are more than
nrt.en thouaand ixtcturea on vlew in tbe
tWO great sal'.ns. and ln those of the
humorists nnd Independenta, the prodlg
loufl Bprlng Bli "*"*"*dU*?tlon may be ap
r, ,1. Tn- beal waf t" deal wlth
th,- Balon of tho french Artlsts. a
is tho official art falr "f tha year?a sort
"f Baatllfl of academic palntlng and
r ire?is to tak" a brisk hand gal
lop ihr.,ug!i its fortf-two larga rooma
Bnd around itr a, re ar.d a half Of stati
. ?-. architectural dealgna tr-ravings
a- ,i .1.- oratli. ecta in pcrrcelaln,
: ?.,'.-.- ood and textiics.
t Impoalng an.i perhapa th"
Dneat work is thal "f M. t'"tm.-n, who
has palnted for th- Petlt Palata thr. -
celllnga and t.-n larga panele, praaenUng
,,., Bubdued t< Bra '?:' blue and oranga the
hi tlcal hlatory of France fr.tm the
Gallo-Roman perlod to the preaent day.
m coi on haa developed wlth wonder
ini j.. ? ? r aad barmony bta conci ptlon
of a . ky, "'he , louda of
?? t,. borrow the palnter'a own de.
s' ripl lon, "reaolvi I i Into ele
i and of eventa " This
i, i.i" is masterfully carrted out
ol htatory ta thua alm
: it< ,1 x\ith t ifl happleat
t. Th" flgun s form pro
?: n rai la through tha
ng ta 1 t of thfl
Ui ii. in the i entre la I
oath ln tl '''? nn i Co irt
Nai . ; \- -. ml ly and
Con ?? people, draj
,. .. i ? ro the !? ft
? the RevoluU. n." ln
I :,. . r ipd, Chai tta < "orday,
llmo. Talllen, Mme. rU amlar, Thdrolgna
,]. y. i, "T, n .'ome
,. e v wlth 1 hawtte aad La
r la uelln. On hlgh
i | ? Bon tparte and
? ? \ maller
ted to 1 exploli
;, : '; .. ? Un, Jeanne
d'Al Louta XI, Hi nrl IV, Rlcl
XIV, ' tc. Ct lllng N ? 3 '!?
,,,,?!, i -. progn m. Human Intelllgi ni ??
, the Mlrror of
Truth. Thi re I gun a of Ingi -.
Corot, Balxac, Victor Hugo, C
[d< i I
tatioi ' m, ? li ctrlclty, t--'1 g
raphy, t lephones, a itomobllea and aero
..,..-_ is. Ten
panela i i ; ' -
II .i ea Gi ? thi Pi rlalan Tlnto
retto. Then fl. 'han a hundred
Prida*
at the 8ali o." It la the a
,,, thi Uon Noti 'l men and
v ,m. . gatl ered togethei The < en?
trai flgureja thal of M k i- ? ' ? ll1"
... tr. o. N' ar ;it hand, atanding or
? . b , i ial ri r mlntati - Bf. I >u
'ardiB-B4 I'.ni' ta Undi u r nt Flna
An ? and the palnt. ra Karplgi - Caro
: i iran, I '? ? ;-;" ? Bonnat, Flan
Bai ii. t. Paul Chabaa, Mlta. Dufau and
othera Promlni al among b group of
theatrlcal celebrltlea ar.' Ifmea Jeanne
Oranl. r, R'J ' ?" Oullbert.
IfM. ii- nrl Rocheforl D nd Uonta,
llaurlce Donnay, Gabrlel F n I Ar?
thur Mi y, :? in-- a en. T Uon la
elaverlj worked o l ao ?? - to i ki
admlrablfl .!? ratlvi picture, n plate
xx i'1 llfe and n I M Oi Un baa
?ucceeded 1 ; ? - en thal ta in?
ter. Btii g to i""i' at
Among lh i ? -' ' '
tho aaion ara the
King fjeorgi V I y M. Geoi ge S.
portralta by MM. Bonn it, Baai net,
Gabrlel Ferrler, Plameng, Patrtcot, Mile.
Delaaaalle, Loulse AbMma, D
Lauth, Hubl ell i1 ?? i ? fau, Alme
Iforot, i "I,,- ? e, i 'ayron, Paul A I
Laun na and IVatti U i Tl e t > n< rabta
Harptgniei h traea wlth
ii!..- iIgor. Thi '?? an aai ? lli nl
acapea by Rldgway Knlght, Aatoa
Knlght, Alezta Vollon, Maurlce Chabafl
and Gulllemet. Thera ara atrlkingly
...... riBi Bpanlah i alntlnga bf '/.??.
,?! flnd Hi!"'!'a. Tl;.
I ntlng hy Bandor Landcau. rann
lng "Daa b," la full of charm
I ,? frv *-*he view ol N- v. i*i rk froi i
, ?,r gardi n, by Hofl auer; th. I
i
Gcorg H ' ! I: Two I I I
! bi ir T i|lett< " by Rl. hard Mllli r; tha
?gaa bj by Wa h n; lha
!? . . . grln." bj Laa ton< Parkor;
the "Relli ? ''? ' ''?'?' ttan)." by
II irt n I the "Brlae,"
bi in. hi s of a ln i. by
Anna Klumpki
,j, ni e thal I ? ?? amei I an palntera i
, ,, ,, ;..,. mo t rank :-, tli. galon
im n< i Artlata
i . aectlon < ontalna t ?
mai kably good founl iln bj Mlaa Janci
exhlblta a raptli atlng
? Diarui ' and a gro ip ol Btnall h,.\>
Paul Bartlet! aandi i bronaa Btgtuetta
., aoman Tha llgun i ol huBtera,
,, ,.., and ??? ""'iu.' n fot tin fountaia ai
li. rivi i bf fnit rk M afi
among th< xm"' '" ' ptor"a
aorkfl Thi I tatuetti I i:i- h
_f_ in,. - , . full <,f laoxi-i.i? nt and
?rai > I > rufl Dallln i largi bronai
t . trlgn groupi "Th" i;, rj IndjAft'l
Prayor." I.elor.ging to the ?ity of Boa?
ton, ls gn a'lniirable work. Tii" "M"n
of the Gongo," by Hi rtr*irt Wai I, is
ttuthful and Unpreealve The frollc
?*Ome llcurii!'.'- of the "classi.- <ian. . ." hv
Jacquee Loyarri, make an axqulalte oen
tn pi. ? e for a dlnlng table, Perbai i
nnaal arork among tha aeulptura to tha
large, Unpreaalve monument in granlte!
commemoratlng the rictlmo <>f tbe cataa
t**Oflbe ? I tbe army l.alloon Bipubllque,
by Henry Bonehard. Thera are grace
and str'tigth in VlggO Jarl'r. flgUTe, th
"Adolrsccnt."
Among tho most amusing and clever
groupa of artleta orbo each yaar eahlbft
their patntlngSi paatela. ?ketcbag or
works of BCUlpture ls tbal ktrnwn as "I.i
Parislonno," 4\h>>so "salutmct" ia nOW
open at tho Allard Gallery, In th-* Rna
dos capu'ines. Th" catalogue comoriaea
133 4v,,rks. Tho <-haractr risti.* feature
nf thi.s aoclety of young artleta to the
portrayal of Parlalan women of every
typo, ranging from the great lady of thi
|*aubourg Batat-Oermatfl to tho frtaky,
hatleas ,' mldinette" or tho l.ew it'-hlng
profeaalona] boauty of tho musio ball or
racecourae. *\moog tho leadora of this
movement nre MM. Abol Truchot, L.'-vy
Dhurni' r, TaacrMa Bynava, Paul-Alhort
Laurers, Ix.uis I.. er.ind, Hochard and
Charlea r?lr. "no finds here dar.rg
BOveltlea fn tccLinlo,u? slde by slde with
?trictly acadeinle fonnvlaa and <onvon
ttonal matboda The Parisionne arttota
without ox'-option have developed thelr
fa.ultlos for flecorntlofl to a very high
dogror. A panol for a lady's boudolr
repnteentlng a nude femalo ropo-lng. is
remarkahlo for harmonious compooltloo
and soft. delicate rotinomor.t of its color
schornc. It ls a arork which placea Its
author, M. TancrCde Bynave, among tho
na\o already been prodaead in the daiiy
Pflpera 'mr- of th*- most i 1 armingl''
jdrawn of theae le ? pteture of two old
ladios bef ?? a .!? I i, 0H0 saying to the
other, "After you, madama i am the
youngerl" Parhapa tb n * interest
itiK feature in the axhtbitlon le the mus
...rk by M. Mlguel Zanmobaa,
i draflaattc i o*:. who, ion of a
i; tar, la aa BdmlraMe draftamaa and
.(.l'.rist. H. .'. rdtlbtta m wai I
of forty aketchea in giiaallla to aoeoin
li poem "The Noi i ?\rk." Each
BBlmal or btrd emerglng fr-.m the ark is
' ..'.-.i with humor and deacrtbad by
blghly amualng coupleta. Tl.e ptnk pif
"taika back" to the parrot, tho ir.ib
? itb the glraffa end bum
?ther Bnlmato do atrange and fur.ny
deeds, and dellght not onlj chfldran hut
their < Idera. if. F ? naad Bae haa ana*
ceeded ta earl u Voltalra in ten
pictures, ea. h ?,f \shi. h i.;. baaed upon
?K'tne ironlc Interpn trrtim, < (
' from Voltalre'a writings. The san.- i r
? ? aa Ironleal pi rtralta of Baltae, and
o ii'pictB Oabtiele d'Annunalo v th
? reaplendont fJoaree ta hla buttonhole
and PadereweW playing brldge. M. Job
createo an amusing etfnet wnu his pl* t
uree wltb eleetrta licrht Maurprtoes,M For
Inatanoe, there i? a eanvae arlth a gron
ailler of UQ9 dolng sontry duty befOfg
|a cottaga. The ggactator pnaaee b but?
ton. iih' renpofl a Wtadow files <.pt. and
one ieea XnpoKon etudylng maps by
| candlellght.
M. Juleg Orfin cxhlhlts a daoomttva
j panel to be placed above tbe doors of
i an American barroom In the casino of
Monto f'arlo. A procossion of Clodlon
' llke cheruba Come Bplnr.ing along, each
beariag somotl.ing for the customers?
I one has cl?ars, another cocktalls, a third
A FOUXTAlTf.
fFrom tha i ilptura by lf ; Janel gcudder.)
1
foremoal group of leeeratlve palntera
, The portralu I :? U. Paul-Albert Lau
rena are full <>f charaeter and ha ?
| tinctlon of motive. There to tru.- plc
ti rial .haiiri in "Oavroi hette," the llttle
I alnted by lf. Qaatoa Hochgrd. If,
1 chari* - i Ur exhlblta a ci ntr<. ?? oa In bto
cult for i dlnlng Inble, i ompoei I ?
.. amall Ri rea of danclng sirls
ting i ? ball* t of "Copttell i," as
-..,,, ,..: ih.- >!.;t;i of the Grand ?v ra
i- ii .. arork of exqulslte grace and ?
.. . r-.. mpraaoion of n< iplrited
i i v,- aay champagnellka- iparkle
and a. tlvity,
paril ' ta/O exhU'itl'-ns "f
alr* .-iv deacril i fl, in th"
Palala dea Modea, gad the other more
I'rilais de C.iaoe.
This dlvorca haa Imbued bath groupa
nith a apirlt "i emulatlon that haa ir,i
to hai i ? rei ilte. in tha aalon flral nn ??
d ., ipirll "f Irony, at tim ? almost
cruel, prevalto* *" ,nt- oaton of the
PbUIi le Olaci the huraor la genlal and
t.l ? ? Here on- flndi watar
? - i ;mtint;.s, drawiag
: ira by MM. Abel raivre, Bam,
Capb Ilo, Job, Mlguel iSamai ? -- Cndi '.
julea Oriin, !'- wompa, Jean Rajfi
... Bridge, Umberta B i
... . Bac Caatelno, R i
biiie, a ? Oulltoume, ??-'?? dt, Fer
ar.d Otto :? 1 I
..!.t. ? ir I ? ? I
ouml ? the catalogue, bul as many
,.-? theae numl ? ? BPria doaen
. ? |a iaf0 t.. . itlmate
\ pOgTBB POB THB HUMOrl
s \l.'i.\
i ' '?? ? '
. , .. . ;? '.; BMM I' "i '? I
-., ..r B i. h .i
il humo* t ?.n
?!? .-t BPI Blllflg,
? ? gbotind, Thi.- I'..-.!
? arlll remaln "i" n
afld Ol JUB*
U v.... i'.,i.re ? Khlblta ?-? me thirty
Bk< ti ti- ? and wfltai > okara, aome "i * M< h
? ampagne, and so on. A d >g purs'ies
... eal in the fon grauad The eanvaa ia
brlght In ti.ne and OOnvefB an imprc
si-m of splrited acti"n and dflfl iltry.
Realier-Dumafl flhowa an -arlglaal aer I
-s. cats. parrots, rats. donk-\s.
cameta, reataurant waltera, gtraCda ani
monkeya carved groteaquely in wooi ar- 1
brlghtly colored. M. Gaorgaa Palaa
a faaclful xxat.r eojoi af ex-Prrs'.i at
Rooocvelt flhi "tiiit wild anlntata ln
Africa. M. Dfl-acompa exhlblta aome ba
reliafa ln xxax of ni"dorn r .--r? ? rn 1
? enea, verf miich in the same style a;
th.- xx? ii known waa baaa-rellefi bf C*o
(iion in th-- i.'.ux.??. He has daveloired
.1 .-pe, |g| featura of h-imor bf pmmm o*
thla delleata medium. Boina af tba
humorifta have remarkablfl .'e.-nrative.
talent. Foramoat among these are M.
RoubUle, w it li his I./on Qubhotto
. i; if. Albert Oulllauma a ith his
huntlng panels for tiie Rotal dU <irand
at Banlta; M. T.,rn.--E-quius, wlth
hlfl groupa <?!" bfl"~*eleggad ebJld*-***, and
m. rltiincllaarhl. xvith his -aarrota apd
harlequlna nf, Setn makcs a modest
rontrlbutlon t" tt,. -aUon xxith hla "Ba
pronlos ar.d "simple line" por
tr.ilt . The rotrospectix.? eections aro
devoti l (?) Alfrad la Potlt, wtoai *atirl
cai Imagea bad i onal lerabla Bta*? iaa dur?
ing tha earlf dayi af Um Thlrd Repub?
li. -. ar.i to Jacquea \v .'?:.. **rhoaa deii
cately tom l ptcturea of tha "human
eomedy*1 aa aea n from tha boutavarda
and wl ? e">i*
aodi i ara at once buinoroua and senti
ni? i.tal. C I- B.
a
PR0F2SS0R AND FIREFLIES.
From Tha D indi i Advettlw r.
Prafeoaor Mr J. J Thofnaon. In eem*
tlnuing hla lacturea "n "Radiant Bnargy
and Matter" ;it t;;- Royal Inatltutton,
exhlbii ,i a diagram ahowlng tha --xir.ti.r
., i ,? amount ,,r radlatlna anerg ? x
pended In produclng a comparatlvely
amall amounl of light Hi ramarked
OUr ? l< tn- a. ' :?.'.:?-? rfl had BOl bflflflB
to aupply ua wlth
Un iiualit) of th tt of tn-- flrefi).
Httl animal had aolved the prol ? m for
Itfli |f. Thi Brafly waa th. moat i Rl li nt
llghl leer ibitt exlat< d The rt latlon
. ; i ? .. : al engin. ei ? and tha
i". ra at pr.*., ni "it- t1 . t tlv con
- .? anti -i a ? p and ? aeera
n.-\" them nothlng eaa than a ohaop.
liii.t to p;t\ i .r a
h|i ii pi' ?
,i quantltx. of light. Everj btt
nt th.- energ) expt ndi d by tha Brafly m
Ight wenl i" th ? right pl ? -
4. llou. it did
nol waate anythlng In heat. He tbought
'..Ini "i ..i.t be in findlng
some :- ,-tti:'" 'i Bome method ol i \
ih. aubetam > ? a hl< h produced
i ,.. llghl like the Brafly or tho
He add. -! thal tha faet th it
it roqulrad llghl t" ex.it- tha Bonaation
don B*aa aoi lm i>n ilst< ht a ;iii the
v i- u lhal ? kliaa fmm
" ? , ti-ml' al pi.s.
_-_-a ? ??
HELPING HAN08.
"Whal ara you ,l,.ing for the upltft,
I am tea lo pl iy brldge
\i,
oll tini ' I "ff anromoblles
ii, ,i ? ?? imong worthy per-ong."?
1 \\ aal Ingtoa lit-robi

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New-York tribune. [volume], May 28, 1911, Page 7, Image 23
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924