New-York tribune. [volume] (New York [N.Y.]) 1866-1924, April 13, 1913, Image 44

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New-York tribune. [volume], April 13, 1913, Page 4, Image 44
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume] (New York [N.Y.]), 13 April 1913. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1913-04-13/ed-1/seq-44/>

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MU91C?L unTTseccMMsm
GLANCE AT THIRTY YEARS
OF OPERATIC SIDESHOWS
Experiments With Cheap an
English Operas?A Lesson
That Experience
Might Convey.
[few York
... s of Walt?
Parker, M
?
-
. .. ? ? . !
? ?
: ? [S York.
ii Kind, "municipi
I
-
?iilllill?
nt of whi
. ' ;
?
? .
?
g which ' ?
?
?
ha
fath?
?V ? it courae,
J ewent uni?
. .-oil?. I'-ii'.n that Neu ?Oi >
? ? ??
Itan Opera O ?
in thi- week for twenty-three areeb ?
0? tli'.ii'.
l'Ke it. ban existed evei -
"invented, son;.
. ie tii'
itanci
??.
wr<v*ks. Wh
pu? menta, if ? man
tttl? ht
? sger te folio*? i., ...
the veriest a - th< iris].
it lead them Into a debt ? . n? |i
I the philosophl .?i Laond'ir
^whereat be rejoiced because ol the pi ??
'..on which
from hie situ
.the reos
lare.
??
different explanation m ind i?t
itatlt
Metropolit i Com pan) and the
mmltt the < lit) ? 'lub. They muai
! tb?.':K:.: ol fil
?
riiy? I an instltu?
badge ol
? notion. This, at
erlth th? i owning
? ipany?
rtl) by
?
??
??i lbs
of ? our ? fn tbs
Mr, ?rau, srhi n
v. hieb en .. now,
the mot
I
?
:
older*, ho?
I
mom or I?
?
THE "POPULAR CRAVING."
. ?.
tie ' city
itriotlc
romp whet the) bi ?
? aving.
i ?oes s" m s
?if the narrative whleh will be told pr?s?
not, ir ... ... how?
convie?
i . a-o?. i, iii'ir? da per.
i eople try to get Into
? llalli
and ni"! al
11 th? : ? Is I
Iple "f
; ? t to be
Ii
? - al
? ?
? ? i ?
st "i ft"ou lbs fact in !
fei opolttan i ?
< t of I
? m the manner In v. inch I
ril is produced in? ie m p. ? poiteruuely |
there is n?? w,i4- in Mrhleh
'?ail : . ? ? !'" bj p
Will the public bti
, ? iras? 1 ii 44 ill l*e an
swered by our ea ra on Into l?"-;i
history. Mesnwhll?
which has bwil taught - ind tlmei
let it remembei.-?i that opera In .t
? ateti hsa a! .v..;, s been th?
and the fed of the wealthy and ariete
i ratlc ? ? That the populai d? all
to enjo ' cultivate ti t
.!? sli e t
.-44 im with t ? ratlc current. The
? ?
-
? . . iv. n? aa away I
. Opera H?
the privil?ge of braring a tern of it
? nai singera, which would dlsap
i .ear a - a matt? r of ooui I the pop
I ular clamor would cease VVItn?
dr. J 'i ai th.- Man
, . ,. .
it
I TI ? Nen Thesti ?? VVitnesi
the fee!
? i ? and fi ..n
.....
? ral public, a S a
? ? ? ? ?
Meistei sing? i end
i score of In*
? irii n ma] be pi? k? ?i ?. ii of th?
i narrative e hi? h folios - 1 hsi i
om a memory which is fairly
? ? ? ? ? i
? ir pi- 4 in the Metropolitan
sided by ?'omen.; i... oi dl 'I ? ?
"n j, .? hi. h deals with n i
opera, is? not told;
ere operstl? aideehowa into ? hlch
??.1er wss not lured and which lefi
no tra rapbooh B ,t lha
i ? i "? ?i is < ompleta "i." ign to aerv? la
aa
DUAL. THEN TRIPLE, RIVALRY.
The Metropolitan Opera HouaH v?.. ? -
built beci ?M ??: Hi? growth ?.f a atrtclal
? emenl In Hem York for which no pro
vision could be made mi th? ,,:,i g< ,,.
of Muatc, Ti,.- nos opera ?aa -?n inter?
hut it foughl vigorously, backed ;.y
larger in.ua si reeourow than 11,...-..- poa?
. ) Its i iv.??. and won. A bb? 4 and
- companj ai d the Oei man 1 ? gima
which followed buried Mapl?*son and PatU
in tu?- ruins of the classic )?>.m?- ol opera
n Bdbl !i*n sti' ? 1 Before th? iwo
houses "i" ii.-.i i".' ti..- .???-. .in.1 round of
their be,ttie, m ? ?.nbi . 1M4, Ibera ap?
peared "'1 the ground a iivm t.? both In
the abap? 1 a -*o?called Milan Grand
. 1 lian .i.,iia 1 ompany, which gave open
weeks at iti<- Btar Theatre.
.lam?.s Barton K"4 and Horace McVicker
and 1 hi 1 ? v> aa much
that wsa sdmirsbl? In theli organtsstlon,
the nucleua .?: which t?.??i probal ) drift?
. .1 up, aa s., ina 114 <?p> ? at Ic huika ?.? ??
n, s., .th Amei i? a 01 Meal. >>.
The compan* contained an adml ..
tenor named Qlanlnl, who afterward
? ?n.. ? i Colonel Mspleaon'a tureee "Th<
expet Ited In financial failure."
-'?.Man ill II.s "< 'hSptl . ? '
Opera" sententloualy, "bul it lntroduc?Ml
to New V n k the South American opera,
II Qusrany,' b) Beftor, Oomea An
Am. 1 lean ' it noted, all ell one
from 1.?low the equatoi "You tee ' 1 ?
?zed the' Brasilia n Conaul, sftei ?srd
v ntatfve ?d hla < oui li .-. at
ington to the a 1 itei. "we prod h a
thing 1 ? aid I ? i;i as
1 m .i and Walla? a gave a
1 In Bng . ?h (a form
?if opera which al leaal four general
of New 1 - ? id slreadj knos nj si
the I' fth av< nue Th??tre; th? n <i sap?
d in tin- depths in the fsll of IMS
1., 1 -> introd .. ' d < termas oj ? ra
. ? tha T talla Thestre, and kept It up
44 n h th? asm? l< lasliuJea thai hai ? ii
44,-i\ ? Gtei nsn lh? att i. ala f?.r
-?are; but there wsa >." un-lei -1
Calendar for the current week.
ftUNDAV?MetroDolltan Opera Houss l:M p m.? symphimic ror-cerl und? l ?
,. ,. linn ..i fllanoi Toscanli ? ? ?' ?set ho ven i Mi h ?Symphony:
. ., . Hall, a |. m . raf? ???? n '?? I ?' ol i. ig? n? ? iye B.1K p .,, . . ?
h? ii..- Italian Plill armonlc Bo? Ie?
Monday-Carnegie Hell. I.W ' rarcwell recital ol , Culp. slnm-r;
.\i.-?i..i ..uta?. Opers m. x i -in Italian opera, l-a ntt
T'jesday?Carnegie Hall I P '' ? rerltel bj Klena Oerherdt; Horace Mena
A ?toril ... Col urn bis I nh - "? ?tel
Wednesday- \i? i.litan Opera Ho - . s p. .... English opeig
, r?fale* I fall 8:.Hj p. m.. concert ol Hie Columbia I t I ?-???. ?
WURtDAV?Metropoliten Opers How ! n ... ?? man opera al popnlni
.??,., ??[.. ?/;,,,..?..-i?,,.- R p m itall r. .s, "Don i.? inali Carnegie
,,,,.,. ni the m ?? i
'tridav?Metropolitan opera Hou* -'" m... s?-mphi?nl? cet ind?
,,,,,,,, ,,. ?.?,.,,,,i Toscaiilnl. ?? :-" i ? ": Iteethn n- .Nintn S niplion
Caiiieixle Hall I IG P m concert ??i Hsrriet War? - mmim o? i
Opera' House *? p, m ? Hellsn ???? ?a. ?""?? le-illan it II ? IS ,
,, Bong i?- Itsl n\- Idell? l':1'" '-"" ""l i;'1'1 ''?"': /
SATURDAY-.M.poll tan 0,-eia "" ??". -' ?;. '"- tost matine- of the seas i
rtussian opera In Italian, "Boris tnidunoff . n n m last tierformsnc? o|
i he season Italian opera at popuder pritee. ?'AMa* Hotel Piece, i:M p. m.,
i?, un? ?.i pianoforte mu? ' bj Mm? Pek* ben,
____?___
g o| nature until I
\in"ii an ' M" ?! ' mpsi
. ? .
' sit ripecl
44 I.
itHklria. I.
rtighout 1 ? - ?
i . , . . sal
dation t.?? ra in Et
uf '
?| heodoi ??
operation o ? ? i
I lion >.f siiu.'..!* ?.,??'. nal ?
end of i ? ' ? ? t*wo
'
thai
nail? .-..it w hi? h wa I een up?
? ?
a Bien? h if .1 1 id b? ?
1 pon II 'b. Bina of it..
? ? ed it, ind? r the l
Natioi 0 ? . in n -
guag? ol It? pei foi man es s
it then tmei
1. pertory, and it? most slgnll
ilion t.. Ihs local 1 ??-? s not ti ?
44 huh hS - ri"l t.< . ri Ina rd of sil
Rubinstein'? N ? 1 srhlcl
its second ?eason al th? M? r<
Opera Hou
Meanwhile ? 'olonel Mnpleaon hsd goi ?
1.a. k in 1 ?ondon a ?otet I? .1 man
a little vain, p.*' hapi b?...... of I 1
dial m?'i 1.o. which i." waa auppuaed lo
.: th? onl Impresa 1 ,?> ?? a
ceed< 1 m getUng Into dsbl io
Mm.. Adelina PatII S;*-i.ar tngelo 441...
1 . , ... .n Ma |. ? -"" - s ???-.??;? n aati
? "1 a ?. as,m . Hi ?.I I th th?
1 smnsnta >.f M iplei on'? con
other .11 tists. 1 ...i uiii^.i 1 vid. ml fron
I la ' Bid.1. ?hi ii hsd I? fl
win n \>rdi'a "1 1.?.in..,.'.: an-1
"Luisa Mlllei 44? 1. populai ..i ?
pabulum th. re n> ga\ 1
sncee, at which, so ,t v*a- 1 ithorltatlvely
repoi te.r at the time hli re? elpts
? one third "f hi? espensei ? 1.1 >?< be
oin? d the m.-.a.1 n
MME. PATH'S TRIUMPH.
Affei iii. cl.' the 11 ? ;?-i ma n
Mason at tha Metro ? 11
ti.mlng "?' Mr Th.?mai n th hla am
bltioua '"it misguided fore?*?, Mi \
who Mad li bei 111 In 1 he ; ? - ea
..i the establlahm??nt, ram? back with 1
company headed by Mme. PstfJ. Hh??
who oould not prevail agslnal th? Metro
j polltsfl ?...A.m v? hen In "i posllIon mad ?
.1, ... - 1 mph 1 n si \ perform :
? ib.- recelpta w. . ovei ?. and Mi
a
I Abbe* scorcu 11." IP"' si..'>-4 4? n, .li al
i t. iai.-.i an opeiatlc enti rprls? ncl
r ?;? , the .in.-. 1 auaplcea ..' ;'.?? owners
of th" Metropolitan ? ?peri Ho 1 1 He
d ipllcsted it Ister, aa w? aha I -??. but
mih i.. ? gust ii" '"ii.m" d a ?th '." nsm
.,1 Hatti. sa pdtsasnt h name then aa
Carneo la nos n.-t us waate no i.li
I on ti.. doing' "' tha Nut ?".ir. : Opera t"_m
pan] m tha nest iwo aeasonsi th-fj ara
I not a pleasant roemoi v.
1
'
??n ht
?
- ?
great '
?
II
! S.I p
-i .
?
. '
(ai
Rut the pu
r
In Jun?
i. i.?.
...
?????.?
.
Mr. James
.
'? I |
?
I
a . > . i isT opers
In Kngll ? i Ihei i a? ?
?
In i?. m . t?lrt." T .
? i
n
cess tin ni ir
ti.,- ni? ???'
FURTHER EXPERIMENTS
i .. uni ' from th? * reeked
An ? i lean ? ?p? ? ?? ? 'ompan l gan ??
appear Ip the tlieair? i
iini.i .1 ie p., ? be
had ? ? - - 11.
n'a briet end Ittl i
......
had I. ?. n !.. Il ROI ' Ml
11.i.i.na i i. in '. . ?
n.,.1 ? . i... i uli t . lei m.,
?.?.o at the M.-' opoliian Mi * '?,??--. on
Mm ?? ? i with an
it..,. ..o . omp in ?? which Paul Alban .
.-... ill .1 .III '!..'. .4
r.!.. " ? .ii and i!?? stti ndu.n
the nights In which Pattl did not
a as i< or in? ? - pltlfijll small
. it? ol thi boa uffli ?
. i. t ... n \iban
v.i -i'., i ... is In his
prime and he brought II
? . ht ft "m y ? i ill end Milan
': !? . i'atii . . . '. an I
? It? i-, thai or ll nhcil? \. far? .i
?. n in ? ict? '.. i \h . i lamm? i il In "i
?.! a ? ompan?.i i i op? i ?
i : i ? . .... ? , i., il not tempt
?
In ? ?? !?.??? i Istl ?.. .o i ..i ..n n. ni. m
id? ? to ii ? n ?. I ? i i . ? nal i
"f II" ? .: ,.,..., |? .lui},|,
A eon son. a i l'aslm II
Hein, at Iht l-en? ran s
: ... |. . the Hi it p '
I" .? ? I ;|
serfs ' sft " ?-. .?i n,,. ii?v
irked th?
i .n sn Improvtoi 'i stagi la I bs ? "i?
? ?? i hall, and hevl ?? bettei rast ami
? ? ii Wim the thiiit
Hammemteir ?|?il ?ifii i Ihtreo p\ i form?
?iron on ;?.? ? Ifl I) ? In an
in the lummei ?>i imi ? ^? the painter m
al ove ni" atsge of the M? tropolltsn
fOI ? I, . air a al prOdUCtl.t' Ml. Al''"'\
44 ho had again becom? tha l?*?sea "f tua
boxiat . itarted ? lire a ? 11?, lu? pipe o>
en ! Hi" Interior wsa ao aerioualy
damaged thsl the atnckholdsra ?are in
?oui ? i apace sa t" ?4 hether or not It
a ..i m while t" rebuild, it wsa at
thsl The Tribune ?ame for?
: with a n commendstton, a hlch baa
mann? : b?*>?>n acted on alnee, it wot
g . pose me mon? : i d men of New
? ,. ?.. r? iton and Chi? ago who are ana?
lona in he!| In l ? ad an?*? mi ni nf art
?elate th? ma? Ivea and endow
Ion n opei i i -? s on of Mi month*
.. ; v i?-, dtati lb ited among th?
.i, . i ... i ? ?eery tn
., ,;. , to ? ; ? ? '"'*' P r' ' ' mani
Ith foreign artiste;
|g montha and long time
, ontr ."t-*- ?<,,! ' mat ;* ' aatly better
i. nn? t ban w< ? under the poll? y
pursiii ?i o ti . M? tropolllan dl.*
. ? , a?], a i,. rmanenl ??n?i.i4v
isaible th" ?
? .-ni ol a public Bplritl d ano I M
the fix Ina ?f ? N -' standard of
i . ? ?? ? ? nt a Igrg?
ami hi" ..?I poli? y," Pel bapa thla la .?
?m,, on at I i " >? " ' i ? lo be arlahed,
though the tin." cities nos ha'..- their
own ' ".ni'.'n.e-. which are Interlocked In
nteresti tn Boms est ni
HAMMERSTElN'l FIRST HOUSE.
1 he Meirop lit an a ? ? nol rebuilt si
unce, i nd th? ra a aa .i era thai a in
the aint? Mi Hammerstein opened his
. o.. ? Rouse, o Mth
Bi dwa and Sei ?ni h
av. nue, >i Jan isr) fi >'" I le hsd n i
gnnli .mpsi
. - ? ??? n Kn| llsh, and brought out
|hl Mo ikon -
1 - i rythlng looked
id.era-h ? .:
? hlch Mi '
Thei s ?/ai
m Ha lein wesi d
t ii fortnight ib* i
tnd ' abandoned t .??
? i. - i. npsny a as n?.i g
i, ..i sum" g?Md
? ;.;.. that are likel)
o l ? ? I In Ei gllsh, if rama of th ?
mu. 'aik<"i about
. . n H ? wea
i . ..
h ?
ta '. ial .s
sai renl
, . ...
? ??, it i?
I not n i appeal that
??:? . ? i'i.-r .if
, fad ?hick fon
Ire of good
vet ?orne
? ? ? a It an sri
.... rhree reeuli f?
? "? ' .!'??.. UHU p? 1h
'
- ?rlth?
?
?
r a i man?
tha Metro
ed of his
? r return <>f
PROFESSIONAL ENTERTAINERS
ESPERANZA GARRIGUE
Mt; ?M i?! M.
LULEK
i.iilrn.r Hi: I ?.'ml ?
PHILIPS
I tare lOMTI N A l> M
THEODORE von HEMERT
It \???.|l < \\ I ?. V | I
? in I ills?
I.- I III?.-. I 111 "?'
WOODRUFF
i. i"
M ? .?.
JOHNSON
t? M
STUDIO HALL
irsa I
l 1MIIII
HOPKINS
Mt; IM ?lM.IM,
If 111 Xi ? r t
,,k' I Bll _PI_f -'IRMAN
HXRITONK
t(_D L-sl ?_- %ea _ _, ?? ?
? mm **** ****? "????'??**?? JOHNSTON
I.,; I ? 'nil ?I Itr.n.U , n
ni me r?;?.?
UP? i: \ I <?.
?im: a n w in. gene gate
> ! II I II \4 1 M I
II \??,M I \\ I \ S | |
, , p
-.1* lllveralile lirl.r. I
ARTHUR
D
. | | I || on f? r
i ;i .??-?i tlth at.
V.? ...r). a- S I
<?.| ?Mil II I III?l
mi _ "
III Mil ?TTI
Mm ? ? pi on?
UM ? 1.4 If.
I) is .... i .... h h c ru ?OH KarUm.
\ Mi. Ml! I
'IK .VI BIC
.? LP I?
p. hear?? i.i I MTH ?T.,
?til VI hum' lo \ \ Ml i.-iill I IHITKI.
I It \SM IV
'
?i:> ti. m ?. mi: in. ?? \?. I6iti v v
MORSE
?M Mil I II I?.. ? ..lare,|
4 ... :.l an.I III.In?
n.. m . i i alert sisera
Mal ' nualc and al
an? i-t- 11..
? 4, \\ Kell- Ms
ACCOMPANIST ?.#._?
PAUL GUNDLACK
;:n \?<?i nuiii ?>irr.'i Pli.m.- IretoMe vim.
| UUII ???N 0? ?_?_??_?# , r,,?rr_Hr,.||?U
\,|ili.-44 i?,?? I I M(| MOST UK. Ve?. l??rU.
I'll.,?..- leOI ?loriiini'-iiile.
HULSMANN TRIO %%???{*
? . i ; i and piano ?alec
.?Mr.?. I reilrrir llnUniniin,
?2.1 - I'hoi ?? ...Hit .?nliirnl.ua
SPECIAL PROGRAMS I ?RRAMncn
AT HOMES I kmHm
? ?.?.. .M.?' Rulorlu? ." n?i,|). 1 \v **tii
HANS MERX "r",r)r;r","r
.41;-? .r geta-rtesja x Kam., i \v .in h gi Par.
- Ml 1. ? "? ??III?? I |2fl || 4 ,v
?.II II I Will I'MIN.
ACCOMPAIUIST
I-.? M V v || 11 | \\ ?,?,?. T'hun-. a.*!?-* Rivar
MI.MII F?i>I*ET ""'"'? '" '""??' *??"
1 n.in??n?. i oatum? . <.r?.iu>iii# H, i.i
minor C. Baldwin ;:;;;;;:,
I ?Hi HI., x.*
?is i ? ? i?: pianlsi
11.-. Ma 11,m
in: w?*.i f.'ii.i si. -phrase rheUe* SOSS,
in.hi..i.,n WILLIAMS
Clarence EDDY ;/;:;,;,.,.
REIMALD WERRENRATh inirMiir
Mi .i .,, mi ' n ? . ? i \v :iiii si . v y
r.usrae ?VIIFRT7 '"??"?>? ** Way ?r>la .??_""
nut nit*, ?aid, ,,.?,,,1 ,Ke?.,,,.,,,,
'..' .1 ail ' a. ?i. Ki? Hall, 47s * i ,,
.MoMILLAH^^^'V-^.v-*?
ACCOMPANISTMi- Kal'-J?SoWwif kx
MM UK I II FAROE,rrn,U ?***?_ ?'???Hon.
LHmnu- . ir?*ai nui, fa,
AOVBRTIHKMKKTa v\f IUBS(*1UPTIONg
i.,i fh? Tribun? i-..-I4..1 m Hi?. Vatawa
.?Hi. ? ? ? I ai la .?.I?4H . I . 144.-, n ;?ilin m,,|
17th -i ? until !? ... i.? i? i> m Advertise
I.It- I? .14...I ,11 III.' full. 144 UlK lliail.il ?ifliCfa
m Maillai i.i!?.?, ii n ? it S n . I... 'a |> 111. ?,/;
PU ?>iii ave., a. a tmt, mat ?< I ISM ?iiii a???.
Ott Un. m : UM goti tl'h *?? ? ????? nteal Uri
at., batveea 7Hi mut Mti avea . ?Ml w?*?t
r.'.'.ih -i , MM. M ?ve? U'W 1st a\x-, near j
tin h || , HI last U?iiil?.
i the Italian iegime und? i Abbey, ?'?? lioel
j fel A Orau, i irn? i his sttentlon t?> Eng'
I llsti opera, and. becked by Mr, Qeorg?
I Qould, dira? t. ?i a season si the Oread
, ? 'pera Houe?. beginning In Ma). IM, [tu
mosl notable achievement ?.i.? the pro?
dii?-ti??n of "Paglfecd," which, ilk?
"Cevsl . la Rusticana." became a Bxtur.
in the Metropolitan Opera a-? soon as it
had effected |n entrence there. Foe s
time the enterprise !"-?m<'ii t?? flourish, bul
ai the ?rid h went the way of ail vagr?*m
I operatic flesh. Mr. Hlnricha, who wai
directing opera In English in Philadelphia
and conducting th? performgn?Eeg al the
?.tan.l m the fell of IM tOetober), gr< \
too smbitlous to be satisfied with the
Weax Si.i... H?- t.?..!-. his company to ; ??
Oarden Theetre sed art ? fashion which
has prevailed widely ever since he In?
tro iue?>d 'h. do ible bl I, "? 'avail? rls II -
i . gna" and 't. - n That, hewevi r
Is all M.at need be mmembered sboul his
snterprlse. In two areoks he confs ised his
' failure and went baeh to Phlledelphis
The Tribune said In explanation thai M
Hlnrii '?- i" md thai b? could nol ?
the . handsome ? l?entele s hl? h hi
....,?
? trend ? ipei s i lou te to the Thi a?
tr... \? th il 'i no*
make ths patrons of th? Oarden Tl ?
k'i.i Its elass believe that th?
anees whk h he gees arere worthy of
t heir support si rag ilei theetn
.ti ?'..? for ths best seats) In Noven
little i Ipple xx) ivas ? il of
I mystery as t<? it- raison <i Mrs wei
b) the m lianizati'iti <?f a. eumpatr. t> p. r
f.'iiii Qounod's "Philemon st Beucls" m
Bngtlsh at Herrmann's Theetra, a tiny
plsyhouss in Broedwey. '? ****** not sndun
long?
The spring "t" UM was big irith p ?? ?
win n ths friends of German opera "?ruf
the representatives ? I German opera, .\r.
end Walter Damraeeh, wi. .
oi h been a? live el the Metro
?Opera House during the ?German r?gime)
atlon for that foi m . ?
lertainment. Moth men bed vblubls
' poii. a:.?I an effort WSJ mad., by rr. ,
rtds to i.mi- them togeth? ? I* rv.;.,.
' Mr. .-*?>?.n t'..,K up r-oncert work bel Mr
i ? - ? -
though it looked Inadequate ? <?? en?
to go i?? <;? ? mai
? ./?? a ... mpanj. with s htcti he ?? -.
? son on Pebruary :i. lkt*\ it
- .n Neu Y?>i !< ind was s
' Inglj - I at the M? tropolltan i ?p?re
? . lern..,.?
?..i the '.' ? ?tendard with
BOgt year M
I '.m l t.. ?-o to th?'
thOUgh he dl'1
not do - ? ? ? .: * si
?.- "i nt to continue ?-till am -
and h pai s ni. Churl <? ?
of Boston, gavs Italian and ?w
men i or g season ai the Metroi
- being ."
I iiiiliiiii.'.l mi tilth page.
MUSICAL INSTRUCTION. MUSICAL INSTRUCTION._
-\..t all m?? I.""* *? rti-t-. '??it tret? ana "?? ka tonghi ta ?in* artistically.'
HAGGERTY-SNELL Teach-Srus0ifcVooal
210 W. 107th St,
i\ \ ? m 1.1
? - -.
PIANIST
ERNESTO CIIS
HOTEL M-.PSKIl.LF.
Brnadwa*. * 103d St. N't.
GREEN
VIOLIN gOLOMt
UM?? uncen .. .'?r.ViP.
I WMh M.'lr..|inli?an l)|iera II?>.:-.<? **r< '"*?'?;"?
1 *HIII*N 11*11. \*ral ltd Ai. ??t mho MSO.
! Ilaahl^nie. .'lim 7lll *?. I'h' :T??\.
FREDERIC A. WETS
PiAHitn ***** 11 M Hi-.H.
. - Kiiiuel leeet} I HereM ?eaet.
m;i ? *i?\M.ll II M I. N v '
LOTTA VAN BUREN
PIAKOPPRTg *M? IHMU'V.
vt imi or ti *?<?' ? ? h*i EB.
-n: **i s| ?in-ill ST. ?''?> ?????"r
ll-rt'rai.il 06 BERIlI "'?'.
Teaebsr sf Pi sds Hetaeel Metropolitas
. )?,. : ? Si i ? ? ? ' ' l . ' ? !?!*?
Bj id .?. W>jl T: i *?? S ?_
Clementine I II C If "T^V!,,.
I , . . Il al H 1eM?lier of ItlS
letedoux li V V 11 |rt of ?aala?.
MISS IDA M. HOW \
I *t I |ll\ MilMI I UK HI ?.INM.lt??.
Studio Hull SI I ?? - !2_Mad
rD*?** JAHN M"??5?-?if*
i n PI n in.truiili.n.
-.-... I " . ? ? ? ,
II* Kl*' il D 1 E R ?'''???'?**?
? fxt V x\ tm 11 i,,.ll>;, ,,,.,,
M ?
JAMES BALSAM \&S
Il * Mil Dit I t |\*?l Kl I I IIIS | Il \ l( MON*
-*i I mo inn ????i IUTH ->l
i PEAVEY
I *.?.l-.?tln- ? ?""????I ?,,l , ?.? ,,.
Il* W. SSTH ei n * ? ?: '! ' ; ? ?
SS t ii.-n-i \\e.. R.;.i?n Th??n. ;i; I v '
. BLAND '*""'?"
?S*Em**a~agA u m-r nuini < i l<?v
? il . - ? . ?
-Ml.;* k-l I F 1 I l'him.i rssirher,
I'UIINK H ?V t-t t?? \, , i.iii;i:,lli?t.
KssUsars Siedle, im Seat h Portland ?.ve.,
"FRANZ LISZT" ^SS
i *? miriiii?. ri.t.K? r*-aebbsg.
| tiabl -, \' ' .*. 10 I hlnl *?rnnr.
COUCCT PI IDk'C
CliNCOI wLAiil-.C
??. ,, , f. TROMBONE
-..; i ,.? ' mu ?l '. i; 4
sic. p n n 171*5
i. UUUllO
?.ri un? * i ??-. i *-r n?;i n -i
?. JOSTY HAMMOND
1 It.iimn l.iiiiiiiiiillnii" i p| -,1 r.i gll King ? !
i S|i?.ikiii*i In m ? r i ? , , .?.? ? M tropolltaa
I II i ? 1 - ? -.... N. V
MAX BfcNDIX
Stadl? r... '? MHS
v.,,.. - : ? . . songi
* ml VN INSI Kl ( THIN
K?6LER
* ->, ni l>:?< her. I'h
" v i .? ????? ?elebml
.i Bertis fea? her,
Muri'lii'-i Method liiiiuhl lU t X ird si.
ALEXANDER BERNE
ri *nisi
III IKUKM I I. *l *l I IOsKIIV.
'..... ,.: i ?.' . r ? i iltnont -.: r
M m?- pro A
V*\\* * LRtt ef glnglns
'... ..-? ?? i- . ' ? ? . i: i-i?i s?
CT|||DT r of 1 cutlon i? ?
Mary OIU?l.1 malle Art Classes Tors a
Vu i.m ? m S' ......i mm t'ai | h .
VIRGIL PIANO CONSERVATORY
H \ M VIRflll Dire? tor, 13 U 7Sth Sr
HENRIETTA SPEKE-SEELEY Sach?h
i i 123 Hi., ?Amtvt lit ?. ?oollian Op. ? . n- ,-??
| ?aiUsus. BOGERT teeefss?et Blnglns*.
-i-, nn.t i:-. ii iii leeJlaa Hall, v v c.
mi*.*. D v,' D M V P1AX181 v\|?
|llltl?K*ll DgI%leEi TKMHKlt
:-::.\ Bruail? .. roi SOth Ht Bon and iiinr.
i.l si A* BCngCB ".i- ?I'd I'" !??"
l. OtURtn gtelnway Hsll
? mi Hsll U - ? 15 I SI . w ...i md Bat.I
",?'* ARENDRUP Sg/g,"
\ ? " v.. BTl DtO ' -'?-' w i?'?*? T .?? ? il KTRKK1
>*,*, TOR PAD IE rSSl
gtttdlos MilTMH I \KNI-:i.lK IIVII.
WILLIAM C. CARL
l.l II.M*NT OKI.AN SCHOOL, 14 ** . l'.'lli Et.
.???... de PERSIA -."SSS.. ??%?!.
lOMIIII- ?V IC!? ll'Als. : ;s \\ Il 'il. SI
C. B. HAWLEY r?,S5B?.or
|\,n Mniiiii, \...!..'.ti Hsll, :;i w?"i l'ti st
y.ii.*sr. BERNSTEIN Pi??VffA
Tli?? R igoas Bei -.?r.m Ti lo, Tel !'????" Moi ? Ins
THEO VAN YORX TBafOB
VOCAL gTl'OlO, ?i WUT MTH st
mus. R?PUniiD v"'** ?X???'tins S9B.SN
HILLIH PWUlim?--* Ht. il v?M Mail S.|
HAUSIRa^ iffl?
W. J. KITCHENER
Toar he r Bs nie. Mi??'?l?Un. ??uilar IS7W. S4 Mt.
JPATCPU * i'doii? ?*H? **?>l<?l?i Uni i, %
. UUIOUn in-.iruot.on. loin Uadlsoa Av*
??aiua? initsrtnn ?*??"?*?- ""l Teacher. TOei
,r, **E*m\EE farnogtoHall Mon.AThur. !
?Xm CONSERVATORY K?'-,M^rT*??i?;|
ROBBBT HOECH X,!V,;,N ''???00,
?IVl'VII _(?:i Knit ;i.t Ht
jkssig cryiicD tk?th?r of .simhno
O. lLlini.B '.' \v. lilth St. Mon. ?tr Thur?.
iieotge Kiy Concert Organist. Instru?-"
Heiiry 1#S?* 1 '.?on. 341 W??t 58ih 8t.
RUSSELL METHODS
SUMMER SCHOOLS.
? i r ?a. ?: v ??? , ? . tu... ,
? ..- r
- ? :
??i ni- aas. ? MiNK.it h in
HENRYVH0_DEII HUSS
I'l ?Ml \M? MIM. I*r.< UM?
Kpeehll t ..?Kai f.ir rrill^.ai.lllHl l'iinil?.
??mili., ??teint?a? Hall, N. \. ? it?,
m ?im; vi i 11 l i ruoM- mi i i;i.??? ;iM
Mme. ?pIW \ ? W A\ i.i:\m?.ti<
R..,3i?c CHAL?A t fgssg?
< ??A? ?I
loi: ??ri K \ Voie? 1*1?. m? n -.??ialti
>iinii... IS Ka?i Mfjh -t.
LACHMUND .' v "v
knWIIIIIWIIH
rit???.ni wsii i . Muni to < i \??*?ii m
>?> MEHAH STUDIOS
\ *>< imoi i ?u; x (Ml i.
1 .lin Dennl? 3 ' ?' M I ?s.
??la.li... :n l'arnegl? Hall, X. Y.
VIOLA PALMER '..V:
IM < ?i'l Ml MM lt lt\ K A K AIX Kl?! 11?.
Phillip MHfsil vMitit
VIO M' " '
\ an D* lae Slitdl. ? l t'.iaiitl t? ? noms -Wb.
!?_ KURSTEI?IER ? ?
I ..iri|??>??*r ?in.! le?. \\er ? l*i n.n ?n-l rhi??*?.
tue narr ? Mta ax.
M?-i Helene Kieff-Pignol
I I \? Ml i; m *'4i,|4?.
HTt'iitn isa WKHi .-?ii ?-i . xa:?
DR. CARL E. D?FFT
il M H KR ?m ?? ?LIM..
,i i mo las u ? >i .? ? n -1 ? t '.? lORK.
t'jnetr:
Oratorio.
V-at-st In?i?-"? to-? "i-ratles MaH.?I ? ?*'?*?
ii,,,, ,. 11 : i. .. ml ? >>? Il ? etaea,
.? NU G 8
tl> A M 11 U ? M
mi i goroi n W ??il R ? "", *?? hiim;
U.V. Ilr-..l?.a>.
M l/MM .11 I U P P |f| \J
i..,.-eri.. neeMals l-sell? A? -??"*Jf ,fc
ata M inn. -i.
wA on " ?"??
VM.IIM III lYaUllU
Ml s|. M 111 M MV. .s il KM? nwn?mm
?
? IMVKRHIT1 ?KliKKFg B" "If
GRAND
. OV.-.I K\ ITOM Or Ml *??? n ??."'????*'':
MELBA ^.V^V.'.'m'^-'?
.:???!.: i "Corruccini:;Vhkh
,, ...Til s!
?n, BURNS ROURE?tV.!*
M MMBS rO.aWI VOin Miiti;
...?:, u -?'? . S
PlIlllC SPEAKERS TRAINED
BOLTWOOD
. . . ?'
ie,...n..e ?je Akina
*
\ ... il In-lri?. Ii.>n
?KM.!... WAINWRIGHT RSrS?
-*-*-- ^'" ? _- ai? r. '?..ni???.*
v .i?h '*'
1 l.'l \4 a. I M - N > ??
n sMK BEASEY
ALFRED b! SMITH fjs|
CONRAD KIND
SAM'L A.BAL0W1N
??.sapiOvV. -T.
.r- BKISIOL
?.t'M^vvARNER!,;;;::^
fmasu WOELBER A*
_. _a Ira.!"" ?
|?7 a*? .'???** JENSEN \?hhI *???
lii'iut:
**9-9^^**^^**^^**^~nnnm
,i niBi?."*"'*'* . ii?.?
? ii, . i ?rtr '? t?" "Aaverle.? ?_
1"-'"'".? "" ' -L _. ru...?
m\k\ p i N N E Y * t.??'?"???
r i iv?r ?*?:.,,,?,, ,.<?! i'.??r;
WINTERBOnOM
, Ml,.. I .rie." .??????????'
_pi N N
sIM.IM. I??K '?.V,'! V???II.*< H*?1*
? '7?- STINSON :
C, VIRGIL GORDON g^ggg
MUSICAL INSTRUMENTS.^
D. B. ROCKWELL, Bg?p
Mow Located at 136 Waat ?d ft?. *
Violin. Makiair
antt ??pair?
ing. Old Vlo
liaa. Caass. Bows. Tsstad
Strings und outfits of all ^^^^^^
kind?. Mr Rockwell I? l . y
widely known h? an expert and "Jl^1*-"
-*-?-l?ltna and C?U4?>

New-York tribune. [volume], April 13, 1913, Page 4, Image 44
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume], April 13, 1913, Page 4, Image 44
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924