New-York tribune. [volume] (New York [N.Y.]) 1866-1924, April 13, 1913, Image 64

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New-York tribune. [volume], April 13, 1913, Page 4, Image 64
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume] (New York [N.Y.]), 13 April 1913. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1913-04-13/ed-1/seq-64/>

Newspaper Page Text

WELL, THE BREED OF HORSES IS GOING
TO BE IMPROVED AGAIN
It Is Possible That the Fh
tened Bankrolls of the
"Bookies" Will Be
Improved at the
Same Time.
A.
??> i>? a resumption
Ing m this ?tat?
The .. ... "ith or rac
: elnl 1 ?
resume
it la provokii |
approval on on
opposition on t-'i?- othei Rai
tioi
for one thing, ?
optimist! ' ?icmai pro
They hold ?lightly, bul not wholly,
n that hOM
i> stimulating
?
?
?
gap bet? ? ?
in their attitude toward the "
Ing witho '
a firm hold ? n a |
the pproxlmatel
?elf I "U can di
su through tin-- apertur
v. Ithout i?i" king anything o
?
pi " ?il. the owner? of th
i rack? ma > inentl:
the < ?> m of th?BS
feverish ? :
!' -is. building ? '
gr.i\
m present then are several
looking tracks In this vicinity. With op?
i-:- two esceptlona the)
knccd-hlgli with weeds: theli
ken, and hi
. ra ted appeal testify, ac
? ording to one authorlt* t.. the i i
aMen**ea "f the racing altuatrton In thli
THEIR GLORY DEPARTED.
ol ra Ing thoroughbi
Jamalea there are now (Ifty truck horse?
of a certain asphalt company, Othei
track? a! o ? oh
Th . ? ow ol the lyetein
ich ?hen th? bookmakera were
Volk tracks. Th?
led no reg? I
ion? that cio*.\?i of bed? book?
i with
en "8 ' and b n the money of
counties? unfoi
bank account I naely decol?
? ?
Bookmakeri aympethlaed arlth the
? down and OUt" at the ?-rid of a
-
?ympathlaea with the trout.
The) wer.- a thorough!) demoralising
? ? Ktrava?
gance and crime. That particular gam?
?a men
and an evil memory. Vet only
- the centre
publii
; icted a ?'?
to I
\iai t consid?rai
., .,. ?| ,. i h In I
there is nothii ting
human frame, nothing i i eering to
I Is hi ??' a l"?r. ?
nt Park i
par uji and down the
veins with the finest and frees) action
lmacii.a! i?? The -/lew of ?? ssddle randera
'alned
thought on t)i?* tariff.
.a glimpse "i a Btrti g ol clothed
hois-,s passing; Indolently nt intervals to
... ....
m i" perspire, while the undulan.!.s
Hoping pont? s produ? et rapid ??
nous thai ? i
.-. ? ? , ...
? of an ? motional rloi.
ATTITUDES TOWARD RACING.
This part of the human ;.
objection i.? th- ... tting con? on
a v-t v much ing. r pot ' popu?
?
nor th? betting, bul
? ?
There are other? who do not op]
i ? ? betw? .a fri? nda, but
s ho do oppo ? king this an ? *
for . eh system ??
on ... that the de?
cisi?n ,?' ; B ion me Co irt practically
nullifl. - the ' etrack dli
law, which waa th? one thing more than
sny other thai put the ta--tracks In this
: business.
Th. the plunging
hoofs the daylight showing
ir of
attained wealth, the br<
?
rite te ' in a
? How
du ii sucked ii- poli on :
his pro ' ? ? ? ? : In..
t, betting is I
no money ?banges hands until after the
? man betting at the
track will ha ? ' to be known t
who is- taking th? a
wants i" bet
shorn t" i ? i and bai
? for him s ni be, If not i
?
, ma
?
I ?oil fan! He
, thing comp ir? d t II i
I of . that floi
?
....
for nothing In tha
. ? > oroughbr? d be
? ? , ? ? .
r a tur?.
. ol
i ?, tout
inda ol :
? ? I x\\ r ?.
r
'
I over th?
' the
?
Th ...
; reut deal
?
?. hora? ?, foi ? ? ?. always
1 win tier the animal la happy in
mind, and uni. thla and
tb. clear, 11 Ighl eyt d?*not< s bt-altb, I
useleaa to expecl him i?t show the results
h * would be ? .?i able of
Th? ? point* abottl a
\ hon -, conafd? red In oi
? minatlng quad
nip. d, COnstii ? .III" ?1 family of
< luviei s o?d, i of pach> d. ?
.1 r;I tOC to e.i n fOOta
bas < ailed the
? ,,t oi in. in,.ib ,.f ..
' ? .>n- in ti>- crowd lool
all l?
truggle m ?
breas) .. .1.
i - Important, but it mus? si o be remem?
i...i.d that th? ?hi i" ?? ?!
ndleatloni ol high <?i ion birth.
ii. ou i no! ha*.?? am ill eyes, ?el loe
, !.. . together, either This show.-? a taint
of inferior blood The eye al.i?i i>?. t ; 111
?if iir.-.
'i I.?* riKiutti ?.f the well I
large, allowing ample r?"?in for th? i.'.
and living him a determined and ?tuer?
l,eti?- I U| St the sain?- time pi? I
amiable expression tnd >?? ? horse thai
' ? ?a agre? ibh ? (pression mas be In?
dot? r.t. too lazy to lift his feel up fully.
wheraaa ?he st. p i hould h?* fun of prtd?
Bo it is mo i mi y fui any one
bookmaker who wl hea t<> t.et intellli
tudy, amon ? other t l on of
the h?iij'- ?
i ? ndulum.
Doee h< it t t*ry "1
off!" without tic le ?t coi tralnt, hi
.\r.rnl?*?l a f.i ? I po i'l'- and moving
itralght fore ?rd In a I I a to pi???? ??
that th-* animal i in tun?
: pirll of tbe occaalon?
iiI? i- ga BhouM be wet! tx ? ? Tl ?
I gallop i
thai all the legs of thi . lUld move
dly, the hind ?mes with mor? l
than th" foi?-i. E in < 1er I
?i bound, be prop? lied
is far l
AS TO THE ANIMALS LEGS.
if paii of '???? lima all fi re off
th? ground and gathered under him In a?
? i" ?? a pi".ip ...s posstb
!? U .-I .' bel "a thai ?? ani?
mal ?? m f? ?i a n ?? t "Iwlli ... a tl
The loud and hoof
?, . though I
ipiiortunlt) "t .
ing t" the gal I? mlrabl) rei
Many Will Watch to ?See If
Senior Member of Firm of
Racing and Gambling
Can Do Without
Old Partner.
by l?ellini In ih?-opera of "ttomnainbuUt,''
just pie\|..n- to the entra?e. .,i lu*dob*e
upon the stage.
Th-re are aeversl other thlnga to know
about a hors-. Th- head should be light
and lean and well set on, the n
large and dilating, th?? windpipe B|>uclu-*a
and loosely attsched to the nek. an*
lb- shoulders should Ii- well ?t the cheat
and be oblique and well covered with
muscle, bo as to rsdta ? Ion in
ping.
The Shape ??! B hois,, ?v. |n fa ? ?f
con Iderable Importance, Kul ?he imnbi??
is that they win in all liaprs.
i ni.? ma- ois - i a h"r . in d< tail i.nd
dlacover no fsuli a III. an; part, bul thai
-a? i. i f good proportion snd the wiioli to
harmonUe, 44m.; .1-1." 1. deform!) at
.1. a. li m
< >n- ma) bet on htm
And then that hm?- lira .in,'..- :.rl
th.. mov? menta thai <?rv
I . ? .4 O
bus on ore ? '.I?? mo ing '"U. lh?l
? With th. tWO leg "I He "(If : ,?
atad h- nia? m- II: lia I a!, hour alt, r
th- la.-1 tram ha left ih- race 1 ??',, ? tor
home.
That la ". e ol - ,
|| no ..n ih- anar.ir,:
n oi a borae 11
44 . I i alai .
:.-i the palpitating
. m? dt< ..1 . . 1 oi
, 4v of ma -1 taint* ?
? DISCONTENTED THOR0UCHBRED
Suddenly, f^r t.i- knn.vn i -aM B 1 *
1 .a ?- w-iii 1...m" diBcontmted. He rnay
l.-gtn bj - ' ObJfrCtS "r
th- track " B* s'ldlcnlv* turn?
ing around t<> the right.
11- ma), while th? 1 I ra t:vri
pletel) around tin-- or four Un ? Ii
? o 1.. t..r.- be con? lud? I ? a 1 1
4.. ird .- ? stops during a l
? Id.
..pi-.- Is induced to ?**,
termlned ! 1 te
, but he BOffsra in 1 ? * . '
Tl.- otii.4 thing i" 'i" st 1 I
...
. . #
? '
?
II 1 '
'
1 :'? d. and
j upoti
'
th- Insptrstion of much ui.
? 1
-
'
' ? ..lit! 11,1. .1 en ?e* -m Ii |. .f
.SAYS HE CAN COAX THE
SOUL OF A STRADIVARIUS
INTO HIS VIOLINS
Y - h"f)>' c*n -1" ' i-?' ??ru
-?- a ? bout ?t. i su hen 11
iCk in th?* morning until i I
king on my violin?, trying- to
inak? ? aa the Stradivari In?
spiration keep? m?- going i know it.'
the words ?if Hans Tietgen,
? ?crinan- ' lolln link---, Wl
? \
-i??th afreet r re -Mr.
Igen 1 tr) ing to discover ?i ?
. ? ? ., which I?
? ,<?? for tt*e beaotifu] toi
fain? menta. .\t last be thli I
.,r. i he haa ;<? niicd t" the
Unit? - ? ?
ban r.tion
Of ?oui me p? - ?
tiia' violins : ||
? remona'p but Mr. ]
. ,if the battle?If h<* didn't think
I never perauade anybody ?
think so. a hundred yeara fron?
hilt ?he WOrld
temed 1 r lo all
?. it
? m tJOV? r t
.?-.. |f|
? ..
that I ? ?loliri mal.
-... ?
? ' at! or Su.
With hlrr
a l?t t? r waa Edwin G
b?iKi violinist, who. when Mr, Tl?
?:. | ghtl) a a
l
Ivariua, a Quarnertu? and %- ? ? ? I ? i ?
Of Mr . un rnak?
' I would Uk? r ?
of th? : M r Tl? igen,
e Stradivarius "
? I an
try?"
"ii- played Hi
Mr. ? and
then mine. After he had play?.
m aura t
? r? n ??:.'! 11 ?
??| don't s?" how it la possible," the
-. mai k< d to Mr Tietgen, "<
mOd? : ..las
an old master."
Mi Tietg? n
d "An Instrument la at .? best in
four <?r five VI?:? ?
? U hy'."'
"B< auae the i to
m a r ? ? ? ? i 1. and
the a eai and t? 11 In oi hei waya In
?
-v. nlafa to do with the
' *? 1
Of ? n ?
? ? be right ??
I 1 ;t the v,.r l t im
n detent
quality. It gin
When <:r-1 sppll? i the van
Irate and l
of th? ? ? '
body ?if th- it.
d tlblllty I tone, a
.... ,. ??? ... , i
which natui
.
brought to B uni f01 m tency,
BTSStly pi a of
Inothei eff? t of the rsi nil h la t<
? ? : ? ? that n ? ' .
in the w.?-i and a hi
pr,.du"i!on of 'wolf notes.' i use th?
to h.i,i. b ti ? t rp and '?
< 'remona to ft? n the I a? ?
i of ii,*? prii of mixing
bard SI d BOfl RM tala '.4 h', a
making bell . he rnlsh also pr< ? ?
ib.* wood in ?i rlgli ? ondl
Uon for a
i ol (in tone
i on Id.
? i i. . t I,.
441,.. i and di '? 'i i d< ., t appl? ? t
util the a*? '.m h- .i
"What do yo. ""
bed
'
the ?t
-
?
..?rient
I don ii ti '
I. . . . ,
1er I
- ? ou ssa toe pi i) of i olora h?
y a? he t o- :,'?.! tl- vi? - - ?
nd then tl thei
?
remet
?
? til r- !n top ???'?I I I
! to be ? ?
'
? t ?i?? amooth, rteh aui I
? i pi i\ m?.? a i?"' the ?????i it--.
Id iik. i?? hear the dtl
between I I the
ttet : I ? .|
ill .1 I
tuned up both instrument?
11 "in ., r. ? ' hot en
? i t ?>n i be Ibjhl ??! ? thi n ??n the
w hi' ? ? i" it? r-"" he
?after the wrttei ? ? ? ed
nk
\ mlling In ai pro1
I | ' ? . It i :
II
the D and V
i 'our dlatln it ton 11
?I.
ii.?? thai i
1
l
im ma
? ? tbl
?
1. with a bi""i sun--?
!?? b "?
' I :
nark? i "Hon h?i | ban
.i "Lli ?
Hi i : mall round
, ....
i . ? play,
thai "m... rgan a i
aatd, In astonli hmenl
matter ol
? ?n ii?- rea thing
i .ii leal pi? - ?
Mch ll? pi.i? ? d m the ?-ame p.i.
.i in.
til.?- a hi
the t ii .
. v. ' liana 11 pik d again,
old - tan at Haa
; like hila '
wi it-r look? at
lovable .?id !? ? -
h ?le llf? was arrapi ed up In bia
"1 car. BStd II u s
1
: '
"When .
u m question.
i buj :t in ?
....
back."
.
"In i
' l'o-sn't It gl
"i. g; but ' en any of II
II, I 44IIS II! t.,
but i..( brittle . : not too
v>.i that
place foi four of llv?
beat. Th? top n I ..ud
in- - hard wood. Th- a d< - ....
mad- m the name
. to Improv? the looks ..i-i the tone.
"The baas-b u must be of b a ood
tiuiii ti ? top
.nd post at little pi? ? ? of .- n i
4 oil see inside of the fiddle LU?. ?
bridge) muai Ix rained
I s.:-?'.-!.mm
from the top i" ' i
r thai ' i*
and
willow
I ?1M
? ?
do the) uot?" a
"A? h, t
i few
...
I
the
*'
?
i ...
?l
the folly ? lb
will
?oak
-
? Tl ? ?
no . .it
'
? ? .t to
?
i
th?
( l "in inn.-?! un ?i? ?ntli |i < |

New-York tribune. [volume], April 13, 1913, Page 4, Image 64
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume], April 13, 1913, Page 4, Image 64 About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume], April 13, 1913, Page 4, Image 64
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924