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S^a?e aoo\rJ)rawo at ?ionpe aod^broad FROM AN ORCHESTRA CHAIR ?The ?\it o? Sarah Bernhardt in Its Lates. Phase?"1 lei First Divorce ? ?The Dramatic ?Season and \ olunteer Dramatic Guidance. ? ? ? ? ? ..t of s?pi In g. ? ? or her vlti ? ?- : '| : ? ? go. the ??I ? . . ' ? gain on? - posed th m. I: ? ng of ?1 ? ? ? ?: --. rn -, ? ' .? : ?he the action ol tl narkabl?. : ? M. II rnrl ?'.un ? ? ed Hi- ? ? - to ? I to 1 rio ppt n I :?? . ?? - - Rn l,i *ht!a. i mplo) >-.i i hem in i thriii - . it u to P . i i? thli ivee) ? ? i - i tram i itmo > ha I , i . i ; ,. I ah? ? lue to th? ?Ian.i. bspa .i of a.i t. ih? i- .?man who i mo > lha . ? dden -: .'. ell \\ uitii -n ' '.?? m- hint n t -, - .? ho . ... - ? fig ? - ol tu- o Id .- ??-.?a* Her I ill , ? Monda . .! . ' in and l ?; especia,,>, ha?? 'nu foi ' i Interprete? n Ls ?- H.*- -. ? . ii tii- a nisi meat Sir? it an imp not ,i. the III ? th? , Of 111" ll !' I OV.li a. Iii*<'u ril.i? <? .. ;i":i! niiVi ;i ol u i ni.i ble one, un - od playa that Hindi? IVak? ? : ?? ford and I Vt-iiow lack? snd I ? '??? Thai it refused boiim bod one? nattei glm - ruHii Ol ? - . . .1 ? ? - ... ? ? ..lien N" i tl . if RUH? : ? g - I.".il"- ! ? LAST PERFORMANCES. tt the Olobi d .? i . . i ? ? . . ? ... ! ? which hat p . d?rft ?| ? . ha* n?.i been ? v - I p. rsoi ha? ?? ?een Hila n " i ? m latio'ns 1 - tine? Till- ? ? ll W? ?:. "I ' ? ,. !-? ese ? , . ? < n i ? r ? ? alanl 4. : ? -. TABLOID OPERA. IV" ' remises oi manifold foi tl \, .- ?m. x i ? ,'1"" a, ho ?? -'- ?' ?'!? "i " ' ' ' '' ?'?' ? Bteln'i London op? r? ompsn) and who .,,... . operat ? ? Uli i ha ' i "t ": .>? im' ' ' ' Mold lira D ? ? , to pperatli ?tandards, bul ... ? ? I . ? ti TfiE Varieties ??its from Musical Corned' and Other Offerings. ? ? UNION SQUARE. t I 11 - ?X ? ? r II . rare, Duffy'i , ? . L'OO 'i : -,,...? - K? ? ?!> . it to dispi t gl.n ? palace THEATRE, -, I surrounding lime Pala? ?? TI ? , ?..???>? ? e will ppeat ? \.ni.|. \ ,il. ? i . - . . ilr. White i the bit? ind last we? ? iii-i i, M i' . nne and vc. allai Ml ? V era Ml? h? lena, one of the you gesl nd th? ibll< bll I .: ???.-? lal : . ... three y ?? ,.-..,, ..ni i,..i. . ?. il les of ?.m hi ? .?i .1 ? I ? HAMMERSTEIN'8. ? ? ? ? ? ' ? ? ' ? II?? a?i to Ihl 1 :. 10 ?.? .' i ? ? COLONIAL. ... : i S'ill ' ttcer. a >11? hei ? i . . ? I.Ill x'. , ?-.il . ..i i The Purple I .? i ?i Merc? Chris H : rouie?! ni"; t. ? .? i.l I . III.?i. lio . Ha . . i ? . i ni ma ? ... I . XX II FIFTH AVENUE .o? - i '.it h \.. . .?, . i...,, 11 Thompson n III api eai I poa ? ? 'ni on? *a< I pla) lot, "An O son ' Tin- pie?? o rang . , ? m? i, Mr, Th.paon hai 11 ei pro? ted ... .i i"? ? lile, containing ai 11 . .i i,, . ? M,?,? and .i wholeoome m.i \.m In lm| .?i.me joe? pli leffei ??,? and ompni i tic , om< 'H' ? Hboul it this th?s ,,,, , '. , . i . ? i , ? , ? :., ni rodu? ?? -i nco if hi? ?Vi |< -?; ' ? ? NEW Y - i ? ' * ? loh ... pis ? Uaidi d pro BRONX. Keitl ? ? ? : note nn iwenl ? first tlm? ? I-. ? \ ' . I Y? ? ' plci ires si ' ? ? and ia !, ai-., . shoi i -. I. ?lei* Six A ' . loaalres and ... ., '? i. ? IN THE BURLESQUE FIELD. Bert H , ...... .. i ii i|. i ?vlll 11.. > '-. ? bin Theatn Hoi To ? ? ? m mi?! ,. ?work I ! Piedl ii--" '?? Mi i- ki ?. * II - nt. 'I. ?? m, a I i ? -i i! -, ol cenei .a an?l Sect? bee) "ffni ta of mu *?- i ting vi Bakei ,! - i... Tour, f] org? i Clark, i.l.hl'. Berg. Mabel 1 ' ? ! ? formera. T re is a .III '.-;? , ,,!,. up NEW PARISIAN COMEDY Maurice Henn?Kjuin*s "The1 Honors of (vai ?Humor o? Divorce?Amusing Situations, Brisk Dia? logue and a Happy Ending. The idevilli ? - r .-i, ? - ' ? Bel in-, ? ? ? ? ? - out 111 ? ' ??? ??'? ? the i.t . I? - - ? not, i . -.,,,i ,.? ? . ? th? ?*-!: ?baud - i ?? * '-ut. ar fond. STORY OF THE PLAY ? ; . ? ... ? ? i forts and order? pxlatenc? wed ? ueity and aet-ui torn? i| to pass h< i. ?I at i: ; Kersal. ttei i?- n..,! 11 ? . ,,w m ? hla Parislai to t.lk. fun? triiri? Of in ? - ottled ?artmenl a hirlwlnd <>: .. ties. P ? lectt i 01 dance? ? beatre . Un mi. i ? thii ?? ? Ipatl ". an) "1 dldn ' .- , !.. ...- -, ,.' : ; ? ? flirt? ' '....s - m . -, dang? roua ??: i . ; . ; Stanl.' the bi ash,, m the pis reaenibl M Andr? \ - ostum? ball la i i pi p iratloi i . orkmei sppesi Pi v.'-i-i.- aska tone "Whj i told you nhei ?? ? ? * d 1 ? ??-,.. ? ' ; . - usual! Rehea n iguette, . i ' . ?? ihe fortlfl .'t:-',"? ' i-- to ? ? - il n", le m per? ? ^ m th? i room becs i taking oft he? ? ?I ? ? .. i ...-i i While i ? oom at! m al him and ; t to I ont dii I ? ?-? ? ? ber the the Pi*, . Jitsl look ? ood beavei i, com? . ; DIVORCE AND HAPPY ENDING loluti? I . , full well thai ? ??: n ugui ite i? i"-i suaded to viali 3 i ? ? ??? ? d ?.in. ?????? B i . |i lite ? ??'ni' minor ti,.' i?;., ?i i ? i i? w minutea .?it Ins ??. oil n mllllnei. h ii?.. ;,.? ?ordlng t?. .? ,. ... spondenl in the action i?? !>? brougl !'? -? h.-i hue band, Thla I I?, lc the "h? ors ol ?? , Bui ? !,.,' -I,.- t,. tin "I? I I .-. : - ?. . ' .i ? .. ai - i- i.? be thr appai, ntl) guilt ? n,..-. ni ?>' ? -n. .nu. nt ?! ? o ? ? unit 10 1,. .toll? lit Th? >. .n. . ,i onto g ? t.? obtain ti'?- ' honora" of toe ?lav ai* i k;\. rlee ??. ?tio:. ? ..n- k> enl) reliahad i as well i a ?..-i t?:,-ii m the game, and afl the ? ? ? iiu.i. ami mon f".??i "? Hugl - ttO i? ml l',?'-.l'-ii' fall I. agi eo t" * ? ? ,ui?r?i L - I i"\... an. n .?i' ii-1 ambition y | :!'.- .,1) >? I -? ' I'll'