New-York tribune. [volume], May 11, 1913, Page 10, Image 50

About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Image provided by: Library of Congress, Washington, DC

                
TA <> RI ON 9 ? L AT L ? T ; Wl 1NK
COOL SUMMER SUITS
The Linen Suit Has a Rival in New Cotton Goods
Summer Suits for Afternoon Are Dressier
Than Ever.
Tne sudden Jump In temperature this
last week demonstrated very conclusively
? guita tu.i?le. from cotton fabrics will
i. far nu?,, ???nifortable during the next
ihre.- or four month?-, than those Of cl"th.
in fact, in this climate a ??!t of Unen,
Ion sponge, craah or one of the novelty
Mon gooda, I anaod among the
necessities xx hen allotting ahe clothes al
?son.
There waa .' time, and It wain t M
?. when suits of colton
materiell wen all decidedly negligee. To
they aie often as dressy and ?lab
orate na the mon oxpensUe cloth models,
and <iisi.! ? ay do. all ih?- latent
whlma of fnnhton. The cotton guita,
!.. lltvtded int?> two dis
tin.i ? i...-s? s. the very severe and simple
suits, to be worn in the morning and at
.xpnriii!-- ?venta, where the ?tr,.t tailored
ruatumea are dealrable, .?ml tim more
di?eee*- r*rentlonn, with their draped skhts.
??a\ colore?i gaahee, Jaunty litti? jacheti
and fancy collars and ?-.iff?. Both type?
fascinating, and th? dr. s?-\- guita are
?onsidered !n as good form as the plainer,
tailored costumes, provided the) arc worn
pi the nt;ht timo and place Tl??
however. that cotton is n??t a dreeay
fabric r Itaelt to a fcertal exten!
!?., that a suit of a cotton
fabric must neceeearily be an Informal
coetuim : I la la not the ? a>e in the
faahlon world to-day, anil cotton stutTa
auch a - ,,? ? pea etc., ai
? i i?x <!.i ??my, conservatively dressed
w.ini. ai ? ? .1 :?,ni Ilk
FOR THE TROTTEUR SUIT,
the trot,. ? . plain ta
rontume is the m?>st practical, it may be
made by the tailor. <<r houcht at the
ohope, and 11 la no* poeatbli t.> buy
suits in the large si,??ps with th?. same
gavera tailored lines and tinlsh thai one
would pay several dollars more f,.i
regular tailoring eetabUahment, many
Women prefer t.. tak>- this method ol
aaving time and money, Il la never quite
as important to have perfect linea Iti the
cotton sut as it is in the cloth or silk
contorne, for the taundreaa and the
?leaner are no reopcctcra of lines, and
th? beat tailored ltn.'s li?\ <? a wax- of
? rowing ??ut of plumb after g visit t"
eith? ? institutions. If ettl ?
the cotton suits Is to he m?de by the
tail??,, by all means lei It be the plain
one, for til?- dressy little affair has trim
mtng to overe?me any faulta in the lines,
and, lik.' It? rej.ll? a in silk, displays the
dreaamaher g lines thh season, rather
than the severer ones of th? tailor.
LINES OF THE SKIRT.
The plain suits are v,rv, very plain.
The -'ix,-- Lilt and narrow, fast
enlng either directly down th? centre or
a lltti?- t?. one side Occasionally these
ftraignt linea are broken by tucks, care?
ful!?, pre seed and perhaps stit.-hed, In
order to permll more freedom of limb
when th<- skirt is to be worn for athletic
"stunts." bul the lar?,-.- majority >.f th?
skirts ar. noted for their unbioken
? it? \ \? ht. mad?? really
unking bj th fact that It Is so v. r
pi?. Is fashioned f"?,n ?ponge. with a
rale? i ??>??; ? gh Ing I tion of un?
cut plush Th't? i not a t?r. ak of am
kind in the skirt . xcepl th? opening from
the kn?-e t" i Ih? I? it ltd?,
winch is buttoned by large pearl bnttona
When th? desire for greater width over? i
?on ? .er. she can lean down and
unfasten th?se Luttons TI ?? coat
plait, as tin al?rt decidedly cutaway in
i front, with the long sloping back et,?t
inc in a rounded point several
longer than tb? front. Been the larg.
pockets un- aubdued to mis general
?cheme <?f -implicit'. f.?r tailored silts at
either aide g.*-? the only anggeatlon that
tties? ooni ? nlenci ? ha tt be? n g
NEW SHADES IN LINENS.
t.. p.,. the popularity of cotton ?>... .
or rath ne ma) prefer to il soignai?
it. liner, has msnx- ahoutere, who claim
that it '' cooler than Ott newer materials.
li certainly wrinkles and creaaes far more
saatly thai 'p?>tig? though the ramie
linen Is not as great an offendei li
reeped a.- th? French linen or the crash
There nr? some eery effective neu ahadea
In the smart linens this season, so novel
and so artistic that they have won tnanv
converts from the ranks of the ?ponge en?
thusiasts. The suit shown in the sketch
la faahtoaed fr?mi a stunning yellow lin? n.
naliv tilhiel, because it gives lust the
gilggeatlon of green which is found in
the unripe lentos,
LINEN SUIT IN THE SKETCH.
?\ i th? ? ami? linen la decid? dly
a?id pliable, kl is possible t?. drape It with
e?s. The drapery on the skii t i* ?ar
rtad a croa? th? iront to the aldea
th.* folds are rnark?d by large tOTtOtoa
shell buttons. These butions may not
seem practical, as they must tie removed
before- sending the suit to tin- cleaner?
but no buttons are improv.-d t??
Contact with the various Implements uaed
!.> laundreeeea and cleanara, and ?
of this kind seldom demanda ., vhril to
the laundreee the first season.
The ?-oat is ot,<- of thoM delightfully
Jaunty little affaus that slant abruptly
ftom one fastening at the bust line. The
back Is laid >n four box pleats of an inch
In width. These pleats are praaood foi
firmly Into the linen, so that they ar.
barel> nottooaMOj yet the> dress up the
back as fashion now demands The lines
formed by these pleats are continued by
a similar set of four on the skirt, which
are of" pr.i. tlcal value, as they allow a
certain additional amount ol freedom in
movement. The sasli on this coirX is given
a new twist by ..?infilling it entir. I] ,
back. It start" at t nm, and is
loosely knotted with a throwovor end.
Almost any ?oior may ht need foe tins
sash, on?- of the brilliant tints, if the
wearer would flaunt the futurist i olor?
Inge, or black, if she pr*ofO**g a more con?
servative contrast. A ?harming affect hi
*i
Ry Appoiatnun:
Tha
Goldsmiths & Silversmiths
Company, Ltd.
American visitors to London aie cor
dially invited to walk through the
showrooms and inspect the int resting
productions ol this famous house.
112, REGENT STREET, LONDON, W.
produced v'v embroidering th? ?r,<> is
vivid ton? ?
Th? vest, which perform? auch an im?
portant function on msny oi the new
coats, i? of black satin to match the
sash, or, if th? --ash display a a radlanl
heme, th? veal repeat? the domi?
nant note. Tin? wide eufl ar? caught
with a bit of th? -ash satin, and the roll?
ing .'ollar Is of the same shad- The
standing collar, or nu h?. la of plested
tulle, in s ptctty cream tint
These standing COllsra are a 1 app*- In?
aplrstlon, for they solve the problem of
|dressing tin- nek appropriate!) .-."'1 he
comingly. Nothing is more ugly than to
??.m'-i'i Wearing a luv -n-. ked fro,-U
With a coat When there is mi collar t"
protect th? kin from coming m eon?
with tl" rtdgl of the coat ...liar Si.n-n!
Ipk th.' collai ' tl > dresa pul ovet I ?
? of the '";,t i? a Bubtet litare which
la neith? i m .t nor attractive y* I In hoi
weather one h. Itatet to swathe th?
neck with n eleae fittinc. ?boned rallar ?
or even a tulle ruche on the i>r?l"r o'
the sntiR little fur collarette?- win, h were
?Mini i;i th? ??iiit-?r. The COilSr of Isce I
m tuii.-. stand ' i. an ?- from tv nn-k, ?
as the ??ollar on this s it -!-,- :;\r? a.
becoming, daint* .'feet, protects the akin
Bl the , loth .-1" tl,. ?nit
delighrfull* .i .i*'i comfortable a? the;
fin t. !?>?? collar of I "it'll .
COMBINATION SUIT IN SKETCH.'
Ol ill ?'- . ?: "1.1 ? I
terlala which mak? many ol ? ? and
cloth rastumea ao smart u i i" ,
"st'ini'- ..f cotton fabrica. One of
tl,-- favorite contrasts m coloi i. th"
?Vite skirt nn?l colored Jack? I 1
k> ? i- tl-' most popular. Horn
tlroea the akiri Ii piped ?ritl yellow, as
If to Mm? that it ?ras really m? ii l
to . ompl? te Ih.stum? si d ?
.-.?i odd skirt, t.. he worn ?? nil sn*
I hi costume In 1 Ich show i
it of color by ha
skirt in white and the coat In a dull
Chinese Mue. The skirt 1? psrtlculsrly
fetching, for it I? very .-hi", and jrei so
simple ti at it ,-.in i" laundered with very
litt ? difficulty. Th. fronl pan? i I?
brought to a point in a clever manner
and the sllgl t draping Is caught to the
?Mea Of the pan? I and taken care of bj
small tucks. By rounding the front
op. Mi g at the h? m | ?? id.f .
? arrli d oui In ;? '-"0?. rvativ? ana
Ii offensli ?? fashion.
Th.- tH'-krt >.f .'hi?ese blue ?ponge I.? de?
lightfully jaunty and jrouthful. It is one
"f those qilalrit ?vhifil*-]? illit ies Which ..???
their ca<'het to an aUda?ciOUa cut, for
tl?re is not a particle ?.f trlmn | *?
drrs?- it up, it might he. t be described a?
a (.-lorifitd bolero, l?>r it d"< not even
reach the waistline in th. front, bul
?-lants abruptly away from the fastening
at the "V" of the ne.-k an?) fiar? ? in a
sa'i'> fashion ovei the hip.- The ragl?n
r add.- to the genei 'tit air
of this little Jacket, snd the ileev?
, at th- '.,-? | ould? I " i-ii. The
col ar la raised In Ihe bach in s becoming
manner, and a pra- t?. al on. aa well, foi
ti,, .,?-- b d thui prate? t< d sgals I IM
rayi of old ?-"!
STRIPED SKIRT AND PLAIN COAT.
Another popular ramMnatlon Bhoa
skirt of a strip..) ?ponge or Hi.nd a
i, ..m ..f the plain good? Fot Instance, th"V'
i skirt -nay be of blue and wait? ?striped
linen and the ...at of MlM Unen with
? res sad i uffa "f the striped mat? rial
I Still another combination calla for the
'plain skirt ami brocaded Jackets Tl
uncut cotton velvel and Iwoche, sponge
or ?otton mat. i.is ?, a Ii ;- ?? ?arlou?I)
called, mak-- ven ?handsome Jackets,
??ven entire costumes, and sre dress*
enough to wear to af?< rnoon t?
similar social-function?. Th? IWrd w>r\ In
th. ?ketch i- wearing s costume of this
kind ?aith a skirt of ih? plain wMte
?pong? an?) a )a< ket of th? mal i
Tl < .-klrt 1- draped ?<> the l?ft Bide, !?,.*.
ing the ?tralght, unbroken lin?- at th.
right. Which I? al??a?.s effective.
There is Just a hint ?if I ? R issian
. e m th>- coat, though the rais, d
WSiStline if? more typical of tin- l.mptr.
'style This rie?v line is mark? d b) COfd,
; which Is twisted to make motif.? at either
ski.- of the ha? fastsalng There is a per?
ceptihle baKKiness and blous? y loOSSOOSS
to th?? upper part of the. Jacket, though
the skirt portion fits th" hipa amoothly,
with the sUghtesl hint of s Bar? at the
- ,.- - Bk nder women with girlish
??iii be enthusiast!' over the box plea)
?which tak" sway the very plain effect ol
lit- front-. The Inevitable .olor not
lerit by the rever? - and oufr.-. of cretonne
This fad for utilising cretonm ha de
v, loped so rapidly that the more dating
d? ..lois do not hesitate to fasMon * ntire
.cstutii' *- ii?.m ?t. while Jackets ?ne every*
day oc<iirr.iic.-s. They ar. ex?**ee?iingly
effective and ?rill add i" the gayety ?l
mblagea thta aummer. in
:.,-t. the sard? n parti? ? ol IffU will I ?
noted m tl * annal? *.i th.- future as *.?" ,
dirfui studic- In color, foi Hie green land?
?cap. ??iii art :- a background to throw
into relief all the vivid COtoringl of the
Futurists the l'os'-lmpi. ssi.uiist ,!nl
other rabid color enthusiasts.
?
A Powder Box Bag
A pretty and useful gift which may be
made at th.- la-t iniiiut?? is .i baii for the
potador box. Use s yard of four-inch rlb
iioj, ?n .. pretty flowered ?i.-siim, cut in
third?, lay <>ne p].i the rather and
together by briai atltchlng, Do
?.i.- when a i a JMned, and gathei
th. end? enough t" be sown to a ptr?
cular piece ol "ardboard j1? inches la
diameter. <vt two of these and covei
with th? ribbon Hating attached on?
which will be the licht side ga the
seam ??di not enow cover ?Aith the other
circular bit An Inch from the top sol
o. beading lust wide ?m-nuii to
hold th. draa -tniiKs and feather oi briar
stitch H on Pul int.. n a b..x of pow?
der, and the whole nanos g very accept?
able pi
THE MUSSULMAN SKIRT.
The new bilhouette is also produced by
i the so-called Mussulman skirt. On this
| skirt tin- drap': >' is brought to the front
?and to the waist line, producing a raised
IWaist line ?--lieh is i.clth.-r graceful nor
?iiiii?;. but is ne?? 'Ihe ??.list line, by
the way, la m ?/arm?te as ever. On tora
cos) inns it is raised to the extreme Em
. pirt position, on olh? is it falls almost to
hip length, snd occasionally la strikes th?
normal. It is not confined "!,!?. on an
I exceptional model is th? glrdl? so tight
that the triK ??.n-t of rather days Is BUg?
-rooted l?? allowing tin ?aau-t t<> expand
to its tullest proportions thr idea of the
corsetlesa tiKuro is more perfect1? simu?
lated, aril the hips appear to dln\nish in
fcizc. **>
SUMMER SUITS IN COTTON MATERIALS
ABOUT NEW FOOTGEAR
The woman who i?.????- ? u the re? ?,
tatlon of being well dn led i uel i-'iv<?
,'?.. igi t and att? ntton ?
?'. i . - footgem It la It
behind the ihlrta of t?? daj lll-fltl ?
i?ia? ke.i she? with rui
.,.,... ..........
,,,??,.,. ? to t?,?
f? ? ? It :
ind Btoekli I lo b
.-i good looking v"\kn; In fac? l
t eacl ? InU i-,r il ?
the erhole, and the ha
be ruin??! fr?.,,, the faahlon trlewi
foolu? ,?r
The blach, White and tan sho?.? ..f ??t? ? ?
? ?.aplace b? side tt,.
??r.?i footgear of th? hour, an?i the ?
i up their hati.i'- tn horror ai the
\ ulgarity pf color? d ihoee, a I
It, a year or ao rearing
th. m uttt, tii? same n???,? i. ?? ? ?
i toward the ,?
d wi.il?
T?. i,. sur?- one i
looking black and white '""'??? ". both
higt, buttoned bool and pumpa, bul Ihej
on? 'h red .. ehl? in?l p-to del?
ta th? repli, peaking
'. ??? sho.s li mlgh!
?,?il attention to a r.? ? material which y
:,.,t a h ather at all. hut a w :
doth in appi .-i, ?.;.' ? thli loth do*
ea bu ksk?,i. m i m de and ? lean -
quit?? as eaally, though tt ?? manufacturer?
insist thai :t la Impervloua i" water, mud
or duet it is uned for both high boot?
and low ?-;,?,..s. with buchlea ??f tif?- mate?
rial a,.?i covered b<
There are a.-?? clever combination? ?r (
?' I He In the I '??'
s play i patent
, ? g leather ai
...... i \. th
le; or, ai lb? af hi?
.
white I. ..tt,? r .. ? . ? ? i in 1
....
.', e . ; ; -,
? | I ?
and ' ? ?l
black, a vet ?? elf? ctl lion to
v.. .?, all ? ? : ? ,. ? * ? '
navy blu? silk stocking with .? t.?i clock
and ? mp of and red;
another, equally ehle, I ? ol
White -Ilk With br:.- lit gn - un?l
pumi paten! ? and bright
, ?. ? o i?? ? ?rith
I
-
i sing
rich 1
i
,
t ti? morning pi omenade ??? I a 1
? amp ?i ;
ght shad?
I'l . ,.? ? .| S'lC'le "I h? till!tO ?
ol the ? mall, to ind, fiat ? ? ? .tct,
, |? of i anted i ? \ f. \>
uppera are s. ? n, ueuall) In a
or t?t? d? ,.. re and ? hite bul ar? woi,,
only with ... t im? di p?a Ing l i same
??on,bin.,,.on of colora
TO MATCH THE COSTUME.
i the .?ft. t no?.,, th? i ?? I-- nothing
smarter then th satin pump matching i
'h? col.f !!??? ? oelum?
A BREAKFAST JACKET IN LANSDOWNE TRIMMED WITH LACE AND
TASSELS. THE CAP IS OF CHIFFON TRIMMED WITH CHIFFON
FLOWERS.
? the ?mu?,
lg, ? u in no! i,, sit.? to ??? dor n p di
rtume Th? ?
I fain, lacking the dar?
_? ,. of 1 ? ' 'olonlal pump, and an gtt
, ,i a -I,. gey toucl le of rhlne
.... .'.?t note
r these i n;,v' ;|
matching th?
Mtln of 1
, . . . ?nkleta. by tl
? ..f the aenoatlon-lovlng
i .m i? ? a? li
rather toe
fo?. ,.. ? bu? th.- effect I?
I with ? g drena Ti,?? mor?
,? will fancy t>. ol
i. ., k retv? l erlth ri eeton? nUd? s ratio r
. r i get li
THE GREEK SANDAL.
? ? ?hi? afternoon ahoe
w ht? i? com? i tofo vogu Introdu?
?
..,. dal, w iiti ni,!.?,i, cree ad and wound
around t1?' ankl? li I? not going to ?"
., difficult undtrtahlng i"r any woman t?
,,i,,,.. ,,.,. ? ? i. !.,? .i i sh? ' Urea la g
pair of Ma? i? pat? ? ? I? ath? i p imp with
? t black iii'ii,?' ", gre
train ribbon about half an Inch wide, if
she dealrea to weai effeel with a
whit? linger!? frock aha ma) autatltute
col..i tu?i??.ps i?,.,!? hing one of ti.
, . coa turn? Ti,. ribbon is
sewed t" either aide ol tha ?front of th?:
pump m.?i wound around the ankle, it
m.f be tied m a perhy iitti? bow or
drawn through Bildet it i? poentble t.?
tuy the ? ?lid? In 1 his country in aei .:
.?.i.i design? Home are "f platinum sei
w ,th rhlneaton? i and othei ??' ?Jit a tin
? ??im i d atom ???
Anotti., i,, inme ? f?
[?. to I of Oxford ti? s artth
part and the tongue
:?' ??n t- then en? ?i h
si... would ordl
,i..iiiv be laced, but Inalead of txint: a
? m.?li h.ixx ii. i ire wound around
the ankle and tied higher up i
m be us?.) Witt, them
lull icceaafully a with the
pump.., and two ??r thi? ?? pairs are ??if? n
i" ?I .,i oi .? time,
SLIPPERS OF METALLIC BROCADE,
'i h? in. ' p. pulai even ng i h p r? ai ?
'.i aailn ? ? etching the
gown and the stockings a little nearer?
i uwev?,. are the illpp ra ol metallic Joro
?.??le with large buckles of brillfautta or
? ? ea hnrmonlalng with th.' tinta
: .?t through 'h>- brocade. The lovelleel
sllppara are thoae of gold and attver tis
sue ?a it u ins. ,i ,.i ChantUI] lace, either in
white ?.' black, and a ,f tins offacl u.-r..'
?...' sufficiently elaborate the Lace ?~ son,.
tlmea embroidered with sparkling etonea
i ha bIIv? ? t lasu? slippers are r? ry often
worn with white etlk atocklnga Ineel with
Inca to mat? h ?ial ?,n the ? I ii |?i.?. .nul
embrold? ied ??is?, m handg. while
the gold slipper? have Btochtnga match
? ...ih. m s'l.ni.. alan trimm? d n Ith
? i ?-i,il rolderj
a fnd recently Introduced by a society
leadei m Wasl?ngton promlaea to hecoma
p..'.?liai with women who like ti??? unusual
rtevetope*] in .? eonaervatlv? wai Thla
? ?? ??if , . i ; ,.r white --ilk atocklnga
with ti,? monogram embroidered on thi
ankle, The monogram ahould be a dupll
. ite of th.- one need f?>, marhlng the ata?
tlonery, lingerie, iir,?n. ei, to,- the clever
woman ttaea tha win monogram it, dlf?
? /?? ??n ait arttdea aha m ly ?i. Ire
.. i.i Individual p". reanlona
THE VOGUE FOR BUCKLES.
' law.)o nu tun klen, for lh< y are
.i n m ai an) time dui Ing
the \" ii ?? ? i : ?? \ ogue for bu? kb s ,?, ,.,,,,
?.? i,h the ahoe Instead ?>f harmon?a
mi; with i< ha? brought into eslatonce
the lir.c metal bucklea eel wit), oolored
atoneg or baroi ? > MOria t" i.. wirn with
l.iaek pumpe, an?i ,lie gilt buckles, aluo
witii colored atoneg to trim the r***4o**g4'
pumpa Om of the moot rra'-tn-al new
lea is offered aa a aubatltuta for the
. whtcb will rust denplte
the .a,, thai may he taken ot it, and
reason Is \ery un'b'sirable
for t ta an) damp nla?-e This
new buckle t1- made of imitation sheil and
Is completely covered with sunken rlune
gtonoa cloaely gtjrroundod byeltghtly r*"o
? ?'..? ? . ? ? ? ? nail I r ??1?
met I men used Ineteud of
? ?' A- t the point ? ? . ?! In?
?
r ? i ? .' . . -x ' ? ? xx ax-,
g ? revival ol favor this ?=ca
son. -?? i a ? rd ?tj ?? of bucJde g rig
I the gan of i onatructton show i a
It lOll of I'ulgari.in stones with
points In cither silver or gold. Tho eolor
scheme of thl? buchte mahes It adapt
fot a sho?. tu any color <>f leather
Snug White Skirts
The softest materials are beirg i..?.ed
I for white underahlrta The overahlrta ar?
no nnrron that the white skirt of neeaaoiiy
must b? us sheer is pontble.
'I be more exp? nMve skirts are slashed
to .? depth Of ill inches In the flounce to
ut-sur., ?ase in walking Beading is use!
to bead the flounce?, which are being
worn this season Heading, too. ?< xx >rn
f.? ? dge th?> skirt it-.
, ?,:?? and three-quarter yarda is the
whttli for the fashionable ?kirt. but th. >
ar?- also lie:n?r iii.i'!?' tWO ?anls wid?'.
New materiala auch a? Oxford cloth ??
Cotton rep. are used, and in addition soft
Bnlahed piquea,
Wlic,i lli.-s-- COttOn g""?l< are used it is
advla ible nol to use under Houncee. But*
lonhole ?pnlloplng and fancy hematltch
i Ing mak.' admirable edging? for these '
t skirt*
Silk Corsets
? Older aomen delight in pretty things
i unit?, as much as the?. <iid ,n theii
younger days, and there la no reanon whj
the) BhOUld not Indulge 'fus natural long?
Ing Ii will be awnhened when they see
the ?laintv- new cometa In pink auedlna
nul in t!,?- silk tricot These niHV seem a
bu .a?, but thej are ao very pretty and
delightfully feminin? that they are sure
I to be adopted by lovera of the beautiful
of ail agea Several atylea i,a\e been
1 fashion?-?! from thes?- tWO materials, so
that ti.Id? r aromen may And an) type
eultabfe for them, A simple but affective
tints!, of shirred ribbon or a silky braid
gtrea tha decorative too? h To wear with
these corsets there is a brassiere of silk
finished in the same wax There are no
hoties in tins brueetere, the cut produc?
ing the necessary ?;.pport for the bust
Hat Trimmings
Flowers fanes feati.ei ornamenta of I
tiurnldi?'. COQ, vulture and tiackle, ?.ullls, I
ribbon an?! ostri.'li fOfttherg ate the fa-!
?or...i model of trimming. Plowora ate
the moat springlike, and this season they
pi omise to lie plentifully used. They may
lie need as garlands, in i lusters, or a- OfM
single, large, beautiful flower. At, ex
quiatta Boater Illy, porchod on the bring I
of a leghorn bgt,*made .? moot ?'ffe.'tive ?
trimming.
Cluatera of vnrl-oolorad flowers m the ,
pretty, dull, almost faded tOttea are seen .
on many of the new hat?; sometimes they |
form the base for a mount of aigrettes or
feathera; again they win nestle either
under, or on the edge, of the brim, aa Is
Illustrated in the leghorn shown in the
iheteh. Thla garden hat which is enno*
Ing a t?it of anvi at Palm Bogota, ha.s a
? rowu of cretonne? the colors a? soft as ?
if waahed In ".? tha bruah of an aitist. |
The brim la <?f >?-!io?? straw, with .? tac* i
ing of bl,n k chiffon, and right b?'re at
i, iiliuii BhOUld be ?ailed to the xalue of
black facing? In bringing depth and mys
j tery Into tin; ?>.s. On one ? ?lg?. of the
i brim, aa If It were about to drop off, there
la a cluster of the dull iaiu?J tww.
WRAPS FOR
I THE SUMMER
Saucy Coatees of Many
Materials Are Popular
This ?Season.
The fascinating little eoatooa ?'i h ar.
too whimsical and saucy i? t-, ,?..?4
coats, are Winning moi- .onverts ?vej.
day. Their chain, .<? ..,?,,(,, *j3
appeal, a promise uf ;. Kirli--li effect, 0n
the slender. Iltbe figure they ar.- delig{
ful. hut th- woman ??1th p.- | .|M
will find them ver Inapproprlat? They
are fashion.-! from sann --r taffeta m th?
?bright colors, and fake ti,,- ? ?,,, ,,f llu
?vhite jackets which WON worn !? - 3J
With black sat n skirt? They .-? ,r.
tlcularly fet. hlnn in th- tul- . ,Z
citron shad. s. ??? Icii lav- . -"-t.on
of ydlOW. A Stunning crea
taffeta ha.? a ?ollar of cr.-am ? o .,r?.' ij_,
lists and two Mils "f ?ream la?*? rvhich
till In the. V m the front. In v? nj 1
the same way that the guin nt
last seasoi
Another low tarap, und o e thai ma?
be ??njoyeei by those ?xho mus? eavg th?
little coate,, alone, i? of I ..- and wt.it?
silk or chiffon, heavily bead -a ?f.
fed Is v?*-.v attractive, and - ? a,
gach ??raps mav be worn in th? ?Vfrrasj
as well as in the afterm-on. ..r ?*-.. t,;caj
social fun. tioii.s as garden pert!*"* Tha
'il p? r part nt the ?rrap - ... E
! material and th? er of th.?
?alack. Th.s lo?acr portion s ? ??? m .?.y
lupple to prrm't oi drai ng, :? trie
"Pi" r par? i? perf? ctlj tin- Th. .. ls ^
.-..liar, ami the wrap fSSl .?,?
bust line with ?? cord of b ida looiei**
t? i it? ?; into a knoi
Belli another ?delightfully t
Wrap i- "f* Bllh grenadine, a ??? Hotel
design outlined In silk thread i'.,rtii-t>
laii) <!???? , model of this m it?nai
reflecting the ?oral pink shade. The wrap
Is a long oi,?-. reaching to th? s?v?*-.
? Ighths l?sngth, ?rith the <i
Into n "mthered floui ?'?oior-d
chiffon. Chiffon Ii drapoti vor ? ? ?* shoig.
'iers. giving O soft, vol 11] . .- t arKj
folds of the chiffon fall in ml'i- . over tie
hand.
The Vogue of Tulle
Quantifie-, of tullo are being -.?<?! this
? ear. Th" ab It Id? a : I
rnlng for the hat ?a pi.-he of tulle of ?t
artly the s.un?- ahad? larfs
stunning hat In purple WSS g -
Atting t?ie head closely, it had a high
pe;?ke?i relUlg I ' r,
an?l standing erect, rerj n
headdre - Indian ?? arranged. A
bow of i'"" ? ? * .i
queer ?id Chines. ?
tinge, trimmet! the hat In th? - "da
cluster of tiny pink ? ?'
aa<ced "u the brim s 111 |
the front.
Th" neck ruche, mate ???
,-i ? on? Ijr fitting affali r to tgjg
fur C.1I1..1. tt' s of n s g
fashioned from the pilrp .- 1 : with a
lining Of blue tulle in I Bat M
the ribbon uaed on the hal it ???a
fastened in th? hue1. i
the blue mol ?* rlM ? ?? . ?? 1 ?
which fell r)ulte ? ? -?i
its small pink rosebud t
i? Imitar ruch. gj
In bla-rk. tete do
la ki Mp
betbaa ruclu I <i
stliT whits mousseline. Il m
f.ill. and from g distan I -*?
i Into thinking II *.?
ostrich rucha, it 1? m id m g >
Hi e* ami r*xtenda a moat to 1
a
Collar and Cuff Sets
t-'ets rf collar ?ni Cuffs ?rit** ' I
match are cxtier. |
aortes to trim up the linen i v
in.' fashioned from Im.: a i'U
- mbrolderad in vai ?
boll ?arrie? out lbs 1 to, asm
?aith a pearl bUCkl?
hp-id. -1.1 nel collar and 1 as '
? ? ? on siik frocks, si I "n"
pleated frl 1 adds thar ? ?
toi oh whi.-h many fastldloui
m.111.1 In th?-;r neckweai
Novel Motor Bonnets
One of th?? most tal if '?al?
for the motor bor.ncr la ? p -nee. It shed?
the oust quickly, and if oal
din aid the stains of tn rsl, It can ?
him d? red aril i v? i y Mo I oubl? and
with excellent resul On? i "]A**
these bonnets al ?*?
rnoney, Coro asould be wh I
them to ? a 1 rot? I ''r tn
back Th?* simp'.. -? ?'*? 0!
front portion, "f th??* new I irist at
Cubtst silk, with rosettei ol th. rong?
at either aide. Another style quatlj *??
?Impie, bai th? 1 uff of ? 1 ? ''??t?l ?**?
pipings and cover? d buttoni - t PeramM
BUM
Tn. morS tailored tvp. ? of .' 'n'
nets bave th? ?tit. h? d ? ***
and , an i..- worn for t ... ? - v,|th *
great deal ol comfort, Ii o:
and gi neral ?tyle th. r are ? - 'l-l*r
to the ?titch.-d m-- '- ' l]vlt*
of ?ponge and tinea
Th.- raffia bonnets an k ? -M !"
w, ight ami so very coo .-it??*??
04 .i lot day that th? ! :|!,ch tn
demand as during the previ -.-??>??
despito th.- fact thai thi * are no lonI?ra
novelty A charming effect can b? rr(>
duoed !??? lining them with a bright <"?
..nd Bilk and repeating the same ' ; ?
the bow of ribbon uaed aa trim* - ?r
In the un? cluster of sal
,-?
Waists Fasten in Front
Even one muat be happ> ' ??' ?l **
taahtoaal le to have waists button m ??
f: "lit- ^
Th.- cotton crepe waists are I ? " xcm* .
?I th? hour and crepe dc chin** waiits m
more i.opulai than ever Konian I ?**??? ;
buttons In all shades are used and '?'?'V? j
fancy touch quite In keeping ?ith ?"? j
fahrte of these amista .
Scarlet -'tailor ruades'' In ?ilk? ***
cr?pes, etc . have become "quite P? \
thin*? ? m I'ariH. ?Scarlet waist? too, M
worn if the w.ar.-r does not ?ar.? t.? t?''???
down her eostume with s wMts 00a *
d.iubt th.* hrilliant hue ?Mil lose "*
roirao In hot weather, hut untl tM"
"under th? red robs" I? ?? slogan m s*-?*;
. ? . 1 ' ?? bel ?'. ^_
J. & j. W. WILLIAMS
CARPET CtEMIK/i
! 353W.54fh%
Ol It OM.V PLA4
Eitablmh.-l l?7.v
io.. ~- aaai /.o?,??,!??