New-York tribune. [volume] (New York [N.Y.]) 1866-1924, May 11, 1913, Image 66

Search America's historic newspaper pages from 1756-1963 or use the U.S. Newspaper Directory to find information about American newspapers published between 1690-present. Chronicling America is sponsored jointly by the National Endowment for the Humanities external link and the Library of Congress. Learn more

{
                  title: 'New-York tribune. [volume] (New York [N.Y.]) 1866-1924, May 11, 1913, Page 6, Image 66',
                  download_links: [
                  {
                   link: 'https://www.loc.gov/rss/ndnp/ndnp.xml',
                   label: 'application/rss+xml',
                   meta: 'News about Chronicling America - RSS Feed',
                  },
                  
{
    link: '/lccn/sn83030214/1913-05-11/ed-1/seq-66.jp2',
    label: 'image/jp2',
    meta: '',
},
{
    link: '/lccn/sn83030214/1913-05-11/ed-1/seq-66.pdf',
    label: 'application/pdf',
    meta: '',
},
{
    link: '/lccn/sn83030214/1913-05-11/ed-1/seq-66/ocr.xml',
    label: 'application/xml',
    meta: '',
},
{
    link: '/lccn/sn83030214/1913-05-11/ed-1/seq-66/ocr.txt',
    label: 'text/plain',
    meta: '',
},

                  ]
                }

New-York tribune. [volume], May 11, 1913, Page 6, Image 66
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Image provided by: Library of Congress, Washington, DC

Image: of 68.

Page

All Pages

Issues

All Issues Text | PDF | JP2 (6.4 MB)

New-York tribune. [volume] (New York [N.Y.]), 11 May 1913. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1913-05-11/ed-1/seq-66/>

Newspaper Page Text

MATTERS of ART
Some Studies in Painting, Ok
and Modern.
m m. tunny ?.Hier Beide "
endeavor ' ?-day, we arc nothing ?f no
o? a? ,,??}?'. Turning ftom the exhib?,
lions thai iu,\" filled the season to th?
;?? - of .iriistii- gubjecta which hsv?
appeared during the same period, on?
struck b) tio- solid usefulness char
acterislng most ?if them, Pine writing
bighfalutin as it mighl more enn?
ted, has followed th?
?d?: ilume, gol up chiefly foi
the s?k? of its pictures. Into the limb.
,?i ini.ioi??! iiihim. Tin- literature <>f art
is now pioilin i ?I, in the mam. by writ
era win. ink?- pains to accumul?t?
knowledge, who ar? careful to svold
- ol style ami win? seek. Anal?
. ? tlielr works put forili in
? ? venlenl shape thai Ihey muy
id. There are only a few
les, iii'iii'ii er, who
?-??ill think ii their duty t<? dlscour-tc
wtib thai .sot.,ic air Implying an In?
i? real in ii" - illed ' ?i
p. it-" alone "Tie lyptrcn] art i.k Is
addreee? ?i not only t?> Ihe si ?
but to the laj man.
An Illuminating Essay on
Technique.
V pie ?oui?! he ?itcl
ih.m ih. one supplied in "The ,
m i ? I ' ? i g" ?'; P. Putnam's
Mona), ti) M. ?" in..?- tloreau-Vauthler.
? ? I m m ? \.,? Ines In .1
modes! way thai gift i<?r the ludd sa?
..i. .?i abetruso subjects w Inch l
MADONNA iXD CHILD W i l H BAINT8
, ilion ' 1 " Zoppo it !
velona In ?Parla H
?linill? al d I?- ! th? pair,'
from the t." k
,.f ti-.e Dordogne t.. the worka
ni?..!, m m? ti ,i? Bigna? ai
a? ' ?? .i.,' - s,. < ,. poui i fcri
ble 11.i "f i* -??iniii?' fei ' ? ? '.ut:Iv?
t" keep m?- r ?'-?' - and so 11
eating thai alrnoel anj ?
.-? ail for i alntlng will find th
:,? ;il
.soriiini? a- a novel. H< "??
humanise his recondib i., n
trodu? g 11 ? historical or pei soi
the liathl lll'UII'll!. IVI
..ti g mod(*rn
Ktioraii, . ,,f :?
chemical proc? s.-s Involved In I
ami ?i his ."listani. ? lonati
. "f . "1"!
S d la p. '
?? "?mined t., n
? me ?imitar drai
:
: I ia .,
? aint.
? ! ?
?mi notll ? 'I that tb. a. l|.,aa o! f
?din? wtli?
1 i- : . i
km ?? ?? ha
R h,t? d to fmd out.
With I similar indes :
tb. experte).f * be mi ?tors M
m ? r carries on his
? d II unpedantlc anal- gli
<>t tli.it itrang? process whereby,
the generations p.unter- have ??">
n?s. have lost oh
?-rti.es. Th? have i"?-t. sbove nil, tin
nigre.ii? tils ?-f ?I,nablilt?. To a . OTtSll
< \t? til tin- ? .?Hinted fot !?>
th'ir eitiplo? int'tit of treacherous mate
rials, like bitumen, ''??t the author la?.
crnii'i stress upon th.- gradual
.ii..w)?ioiiiiii pi long aK.' of tin- simple,
tan-ful ??ml essentially conservatlv?
un tin??is ?.f th. i'en.ussam??-. The mod?
em BTtist il???-- ti'd ?'ttiuliit?' his |'!>V
i .-s|v,-ct l?>r his medium is
. ?un ? i nod. Thinking only <?f w hat m . ?
iitiiii.iiiat. i? satisfy ins eye, he aeta in*
palette and ravers ins surfa.es with a
lim- ilg**oa*ard "f the *,r<?l?al.li- influ? in.
?>i time upon the latter. We make BO
pretence of summarizing here tin- ? ri'i
. Isbas an - lions embodied in the
???linn. It is enough to slate thit
their validity is obvious ami that tin?
ai? rich in aid f.-r the painter. Tim
in*?, t.isly made illustrations, In
winch a given picture is a**ccmf*aaled
i.? an enlarged detail, exhibiting tin
?technique used, add mach i<? the lllu?
pniuatini ?power "i Hi?- last.
Two Types of the Modern
Realistic Trend.
a new volume m the s?riai ? f
? i ranch Artists ,.; trur ?Day" (Phlla*
de!;,hia: The .1 H. Lippinootl .'t.tn-,
panyi is devoted t" "Quatavi Courb? L 'I
Tin? ib the ?mi', to trbk'ta an ?\>re
alluding "id? last ?unda** In the ?li
n '?! ( ',il|?< ;?i?\. ni w In? !i an ur
:? i told through historien
mi?) descriptive comments on bis piel
,?i'. r being reprodu? i d li
g?'o?l plates There Is siso n blograph1
<al ami critical i reface, w hlch m Ih?
presen! Im tan? e is supplied by M
j.? ?.m . r.? nedlt? , ',:?? reflets! - witl
gome amusement on the changes whlcl
im \? . ".? ? r ih,- artistic world sine?
Courbe! fought his resolute fight Plm?
j was a i" h h* s? ?in? ?i ti," ? erteal reve
?m onar] >t no! ;? downright nnan hl* 1
I To-day, with the Cubists and theii
?friends rioting about and Indulging Ii
, "intimidation and bulldoxe," ho -.
i not mer? I < one? rvntive bul almo t i
i ? ri louai ?."
To the disinterested lover of srl ii0
?. neither bixarre nor ucs*
demie, i?,,, .i very cool end sane i ? pc
win. saw th?' truth and painted ii In a
?i. .in.I honest way. And lo
his ti ni h ii?' Joined ;, quality n hi? t,
imik. s ii i m s.'?'in ?ven ., iitti?? roinantl?
| beside the less distinguished, more pro
I sale painters ,.f the s. in>??is- now cur?
,\l. Benedite rather piquant!)
. xplalns the soun ? ??i \? hat is tin?
i ami uiipr. salve In I "t '.our
? ? i Dgth," In- a) s. ' liea in the
i ?? i thai th? effusli i m tu "t in- l? m
: i mu t i'i- t.-. t?'?i liitti from th" ' i
? ?f retUsm Mi swaggt i Ing, bt .?
ham? 1er, ins sacrifice <>f every?
thin?; to his own peraonallty, w ,'?
ti nsiated in in- Interpretation of Nat?
ure Into a M?t ol heightening, enlarg?
ing exsggeratlon which gave him ?i
ng for style. Tins saved him from
i Imitation, ? \.<? t ? op) me. r?- port?
mi: ri? ssv everything Isrgely, bi
i? . h es and strong con?
trssts.' Although w? ma) question
tin- somewhal whimsical mode by
i, he t? s? le i it a" ms) congrslu?
le on his ? on? lusion. it
; .i end hspp) ehsi actei Isation
of what H Is thai makes Courbel In?
W? ha? e glam "?i ai th? diff? ience
this r< bell Ion again ; foi mu?a
snd thsl a hi? h i trated b)
I of tl - in the re? enl Armoi >
?uii'.t bul K" ??ii thinking
.m a hen we tak?- up 'Th? !.?
Post-Impressionist" ? Hough ton
Idifflin < 'ompan) I, ? ? olume offei Ii .
? fsmllisi
ndi nee of Vln? enl Vnn 1 logh. it
Ii- a ompaiii? ?i as we suppoee wai
me Of ' In usual |?.i | |
? ? Mi An?
tin n? M I. idOVlei, ill a port? Ut,
'long prefae? takes i"?tii himself snd
Van ? ?"Kb u itii ail the m 11?
woi Id. Tins in, i oducl mil i.??v. ? ? i.
:.i?n eaall; be akipped. The lettere, too,
contain a good deal thai la negligible,
i?m In the main the) are worth read
' I i? all) 'I" no1 know how i
paint" sayi the paintei "Armed with
,, wbite panel i take up b position In
iront ? i the spot thai Intel ei ti me,
? ontemplate a hal lies i" for? me, and
.-??y to myself, "Thsl white psnel must
! be turned Into something.' Dissatisfied
, with my work i return horn? pu! m
panel ont of sight, snd after tsklng a
lit? i ? - i? st, go back to my work, aim I
with qualme to see what it look- like."
i The paasage la typlcsl. it is eloquent,
,:e others, of 1 an ii"?ii a incerti?
tude, almost pitiably m contrast with
lili; BAT? I Kit, A si I DY.
?i i um tin {minting by Courbebj
N.CO?.K \i.siii:i:
(FToni th? portrail ' V'estler.)
i the magnlnceni self-confidence oi C<
| bet
There we encounter again lhal w
of knowledge, thai half-baked, fi
bling hai.it. to ?? hich we lu?? e rep? at
i? pointed as the central wenkn? sa
the Post?Impressionlsts and ??11
allied Innovator! In thi late ?lisii. m
"moi.ment." Bui ii Is n"t mer? I)
i?i.i.?? of Van 'rOffh'g Incomplcten
.1? a paint, r I b.it this book i-s tO
read His was, after all, ;? dee
pathel Ic * an ei and I here is a methl
touching In the piel tire thai the letl
?give of a man ? aguely cherishing i
Id?ala or al an* rste Une imp
ami loyally trj Ing to a n si from nati
an.l from the old masters th?
beauty In Brt. W ? sen ?? the well mas
Ing blunderer when we read, "In pall
mt; l observe no system; I lash i
, .m? .?s ?? ith Irregn n nd
th.m stand." Bui we are a?
more sympatheti? spirit when we h.
him ex. laiming, "i want to painl h
manit). humanlt), and again h
m.iiiii??." or when i ' - a in
ambition in thi ?? i- ? i.Is i
simply paint ms bedroom. Thlstim? '
i olor sha!' ? hing. I!? im an?
ils simplicity n s?mil lend -
gland St) le, Bnd shall BUgl
pea-.- and slumbei to the si ?
ii i? a ' f.. ii "tu thi bebt i. worth) of
Chardin. Thi pity of II Is that, net
having thoroughl) learned hi
Van ? ...lili could not realise ins id. ?
gin? en letteri full oi good fe?
mg and of a pure enthusiasm, make
melancholy monument t<
and ?. If?the si ted talent
A Classical Work on Nort
Italian Art.
A pi ' ? i" is ??h ? ? la being i ndei ?
to the student bj th? house of Mum
m taondon and the house "f Boribn
In N< --?' Y..1 k. E rs ago the
publish! r s pi oh ''?d .? m ??? ? dltlon
. the invaluable "Hlstorj oi ?Painting
I Italy," bj ' 'i on - and ? at al. asel
: The; ha? ?? neai Ij i omplet? d lhal Hi
. nt< i prise and i?*.'-? the) bat ? I
?mt m three handsomely printed ai
lavish); Illustrated volumes g neu ?-?i
ii..ii ,.f thai other great book b) tl
same aul or? A Hiator? of Palntin
I m North Italj ? ' This i- Ind? ? .1 not!
ing nun .- m ? 11. ? ? 11 a ? it.il him
Th.- niij^uiai edition i- more than fort
yean old. Since it appeared the lu.-r.
ture oi the gubj? 11 has In? i ? as? *i enoi
mously m bulk, snd contains much h
which tTowe and Caval?i*aselle woul
have <i< lighten to profil But Mr. Tai
cT4?d Boreniue, who edits and annot?t?
the jin-s? m edition, while aasertini th
appositeness oi ins functions neverth?
' bss records thai "it is remarkable *
how man? instances their Instlnctiv
i |g] 'm i ? idgmenl hag ?been full
confirmed." We ? apt clali) g ppn clal
that phrase, "i h< Ir Inatlncl Ive i Lghl
boss ot Judgment." because 11 la fo
ib? |r Judgment <iuit> as mu? h i
theii extisordinarj ma?- oi facts ihs
Crowe Bnd Caval? aaelle are t" b? treas
tired. We turn foi example, i?t tin
chapt? i on ? vi pa? clo and im upon i
rrasssgi iik- the folloa m
u it ho il a n) i"" 11?', "i fan. he ?? s
' lei tile ''i Inv? m inn and lllusti ation "i In
cldent, > a i m st i.' impulal ve In the i oncep
' li"ii and undei Ing "I iii"V.im nt \Y:i i
! gr< ater stei nnesa i han ? liovannl I :? llin
! bul ?? Ithout bis nob)? n? si In b. i
? rivalled Bigi.:i, ,n -,, hemen. ?? an?
. abi uptnesi "i .-?' tlon ?V? cannol find on?
i Insta nee In ?? hich he ?a? rifl? ? d I
to Bnished detail though few could sui
pass him in minute ornameni .,i draper)
or architecture , Conscious at all
Him- "i ins pow? i '" put ? v. i ? p.h t "i
s picture m us pi.?i e by local tint as well
as by lineai perap?ectlv? he ne?
firnii attempting the m.-st difficult efTV?-ts
?,t sunlight on Fields, on hills1 on water
or on'bulldlng. H, ?aa? rough In
bis touch, dusk) and red In Heah tone,
coarse snd black in outline; bul whal he
lacked in ?entlmenl ,-i color wai eomi?en
sated b) the application >.f sclentinc ia??s.
I and in the tnidsl ot bald, staring pri?
mai :- .'. h. i. no attempt is made to fuse
and I lend the palnl I s pits one i hade
against the othei and produce? harmonic
chorda
There is more is this ? hapter on fa- -
i>a. clo ? hich we would lit?.*- i<> quote,
but the foregoing ??mi rofllce to illus?
trate the just and sensitive , riti, ism of
tii.se authors, their s??jft penet**atic*a
to tin- true artist ?rorklng always ?"
m -lib the starj tell? r In this type -.f
Venetian pain! ing It j? g lung gfOrk,
ranging through the rich school of
Veal?.. smong all th..-. ot in r potenl
groups ?m the mainland al Padua and
Mantua, si Vicenss and i-vrmia, and
so on through an en? banted Land in
??hich masters flourish Lnnumeralile
ami luxuriant Wlr-erever wc go \?.
folloa two inc.mi|.ara1i|i- guides, ??In..-.
. i -million never made them hesi j -
handed, who kindled t.. their work
??ith an infection? ardor. Mi. I'...r?-niii.?.
equally reapectfu] ami alart ammtat'
i ii?m wperlaUvel) wall. Htg ?aotoi .??> ?
j.a.kcd with m-iiiil Information, with
fa? la and a Ith i rlU? si citations w a
do n?.t know which t<> sdmlre the mor .
hi- Industi i or his Is? t, Tins book
ha- bei ti ;? ? l?sate from the date "f its
publication, in it - pre -< nl form Ii ?
ialue is <i..ui.ii.i.
A Fine Tribute to the Art of
William Blake.
The cull for William Blak? ha pro
?I'l'i'i ; ??in? queer i.ks i.ks onl)
too much m inn ?moil' with the most
"Rlaki an" of his ow n w ril Ins . I
stratu ? .?i and no! bj sn)
un i a ell balan? ? ?i Agur? In Ihe ins- ,
of English art, enthusiasm has
promoted g k.I d< al "i ?.? ? i :?? nee
about him. But now snd then som?
'i-iil w ith him
.-a nel) .- ntributor to I he sub?
ject i Mr. Archibald I
m ho well ' 'in. ?i th? arl : ,? , -
some i i 01 ? ? ig? and
now put f??rth in "Thi Kngi
\\ illi.,,,1 i: .? ' I h? I! igl ? ? M If?
Ain i '"ii?i anyl s vol
?1?ut and colle? im will hall with entli
satisfai Hon. This is rea II) i ?
it
'.i'.l'-s in the i lgh( ord? i
all of th?
B 1) -' ..i
Blak. . and th?
i of foil? ? - the
I - ? ngrsi ?iit:- aft? r his on n d<
? . ol prlnl d<
? ? ther of pi ?
a in? h h<
ami AnaII btful and ?.
? i ?. baffling plat? - Th? twenty-Ave
or tint 1) 111 ?: '
Mi ni.AS VR8TIEII
(Prom the portraP or Antoine Ves tier)
.nul in ever) a a I he book la
beSUtiful!) Iliad".
in its bulk, which i- i?. as* In tin
number of pistes 11 describes, II test!
Acs t.? Blake's pi odlglou Indu ti ?
Hi- name signifies, for those who h ? ? ?
not ? - \ i 1111111 > ?i at nil . losely Into ins
, in.? i a iiilln r impulsiv ?? \ Isionar)
?.?. bo lefl a ?;.I mail pui I""? less
fragm? nts behind him. Then Is, i?? be
mu., much in Hinke, boil, llterarj ami
artistic, that Is amorphous snd without
weight, but ins genius knew Its ion?
in. n oi discipline snd self.trol,
and a ? .m etlgfaVCt parti? uiail\ In- i?
..ill' us to this side of his llf. Going
slowl) through Mr. Russell's Hat, oik is
bound i" be Impressed bj Blake'a sbll?
It) as a craftsman pure snd simple,
H? km w his Instrument ami could use
h wiiii ,i ?iiiiii. thoroughgoing author
h\ peculiart) Inter -iIng ainn one
iiniiks oi' the waj In win. b, a ? be gres
older, be allowed in.- Imagination ami
Ins hand to run riot. Mi. RUSSSII do. s
w?ii i?, melude among ins reproduc?
tions a pi te ait ?, < '"? - w., y snd <>n?
aft? i Hogarth. They show bow Blak?
COUld Dill bis m.un,Sl ?tilts Into liai ?
go t<? ss), w Ikii be ? hose, ex? i
? ism?; a touch wonderful!) sure ami
express! vs. Btil 11 i ??, "i course, for his
own invsntlona thai this estslot
has pond over "i" w.uks. It
Blake's originality, bis lofty, spirit
i/. .1 , ,,ti. ? 'puons, his curious iii,,ki?
st) le triumphing over nil ins Ihn
nous that make the i""'k worth wl
His faune will always suffer .from
Incoherence, ins Incomplete?
wa- g man of n< nlus who affin
himself m vagrant Aashes, nol In
sustained Aiadits. Bui the Aashes n
always a haunting spell, and ei
volume thai, iik" tins one, t< mpemi
ret i\. - |nt< reel In him, is s voluim
i.rdla II) i? eel ?, d.
Antoine Vcstier and His Pi
traits.
.\ paint? i m.e' be a m< mber ol
In llllanl .-? I.I. and, pai adoxlcaliy,
i im i \ er) reason, a? hi? re some! h
I? ss than his plop, r fam< ' le shs
ins trails, perhaps, with too ma
others Wh? re numerous men i
I'.niii m? m ell, all of I !" to in mm h I
same vein, an exeeptlonal amounl
i- i.! for? " is needi ?I '?? detach
given Agure in the group from Its si
roundings. Some such reAeetlons
these .h m. ii? ?I b) Ihe experiem e
Antoine Vest?? r, ? n ? Ightet nth i enl i
l-'i ? n? h por! rail paintei a li<> m s??i
strange wa) has suffered Inexeusal
i,? k l? ? i. Lud y l Ulke, for exampl?.
her careful i?,,?i falrlj exhauatlve bo
? ?n i in artists of lu p. i.... i. ?i??? ,
et "n ni' m nui linn Ifi i lila abilttl
Won liini Inuli ."?pillant \, at ail "\?i
i ? fore tin R? ? olutlon, .?lid he held i
ou n ,i- ,i iiniii.u m isi and painter
lar g? i poi n.' its mu onl) In the s or
h loi.i among i he erltl
day. M ?'iiari.s ? ?hihi?.m. recognlsii
i ? -? . ?? ? with ?'lithusiasi ?e s) mpalh
has recentl) sough! t" ?rehabilitate th
< otiipaiati? ? '. i? i gotten srtlsl m ti
muni- of ? onnoisa? urs. In ?, long pap
contribu?? d to the "1 laael le d? - Beai
Arts" he ?paints a charming portrait i
Vea tier and do? s lum I In |US< I, ? ' hi
he d? -? r- es,
11?' has found an Ideal occasion f?
his tribute m the assembling <>?' en m
usuallj large numb? r of hlth? rto ui
published portraits b) his mast' r, poi
traits whi'ii in now not only d? ?< rib?
but Uli n.? tes m excellent reprodu?
tnui.-. Veatier, win. was bornai Aval
Ion In 174*1 and di? ?i ai Paris In Is
appears t?? have been throughout hi
long lu'" a lov? r "i tin- dornest!? itiei
undlstracted from the ? harms ?,f hi
? ?w n hi arthstonc i his ac! Ivll le
. ourtly patron Ovei snd ov?
Bgaln he painted hit wife and childr? n
and more than on ? he painted himself
mably for th? Ir d< I? - tation Hii
tiall) mundane school. He ?irew witl
? ii in- mod? lied witl
he had, lays M ?ulmont, a marvelloui
? ? : icing I : ? '
?
He km w ail about the tastes of th?
hen oi to ss) snd
his m ? ? the , hit. m m ?de ..?
forms I
the ?-sorti nted In I
his a if. ami lu- n.
I ii mmemorated, with all the
? ,i in VOg
? ?? i ? ? : ?
Ion onl) when he wanted t.. cul Just
the rlgbl Agure In the Salon, sfoetl)
il udled th. m. mi. i- ol in- famil)
i more In) Imate spontaneit). and
lality
among th. particular canvases thai he
1rs ? ?r?. -. i bat u. ' rulmonl bi inga oui
V'esl ler'a s ill? m m? i Its,
I'll. -? ?a.lit ,,i |, -, ling SB ?? ?'II
...? of execution. Tin.? accomplished
l'r. le bman had B rai .- m.i st ?i \ OI er
IllS toll, g Til. 1? BUtj Of lllS ?? Illl-S |g
Mpsclall] ? "iiiini lid. .1 in the pr, .-, ii!
In lb. in .I in In ib In at*' I
graya he approved hlmaelf a gkilful I
1 i ompoa.-r of fine liarmonkra Also, he
I PUt Character Into Ins portraits, ami il
I is for their mere.) human vitality as
Well as lor ib.-ir grace of design Bltd
general te? hnii bI exc? II? n< * thai they
are io-?ia\ worth) of admiration. In
' the portrait of his boh Nielas, the
young architect, he cottJbines ?i clgggl?
cal beau) y <?i hue ami form ?? Il h an
' ' Str.Iiu.ii ||) solid icilism. thus
I powerfully llluatratlng the tradition
",i in nur I .ni- cu 11 - non?
bin ? i.. nil- ,n tin? pi.i< e, apropos ? ?r
the great portraits b) David and
Ingrea The sami nuthorltatlv? fusion
of two precious virtues Is to be noted
, in the ovni portrait of his daughter
Nicola The love!) glri >s shown b?*
i.-ic ,, batata washing h? r hands, end
I the ?? hole portrait br??atheg of the
I natural sentim? nt th? articen move?
tu? ni in.--, p.naide 11--ii?. tu familiar a
motive; but it has. too, all of the re
finement and dignity ?which might b<
expected in a drawing-room subjse
Slows. .V. Oulmont speaks of the tin?
painting of the basin and similar ob?
jects in this canvas, <?t' M?S exMuisit?
notes of white, r??se and green in tin
costante, of the pure flesh tints, and
ends b] do?Tibirig the work as g tmit
de foil e equal to ths beal productions
of \'ii4??-i.?>nruii, Qreuse and Lsbille
Qubird, it is not to?? high praise, and.
indeed, ?m?, is half inclined i<> better it
?before a design as bewitching as is tins
portrait of Nicole.
\ ?sinr fell upon evil da>.s when Um
Revolution broke out As at. Outaonl
Iremarks, he belonged t?, the ?,i,i sristo?
'Titiii- regime, snd could hardly expect
l<? please those who cam?' into aiithor
?It) ?m its disappearance, Bui posterity
| is even n iw redressing the bslsnce. He
i- profltlng bj the reswskened taste for
the French school ?.f the eighteenth
JO, un: irishwoman.
(From the painting by Courbet.)
I
century, snd this critique in the "(;?
/? it? " will doubtless dei pen the Inters
, ?.f collectors in his art
The Last Shows of the Seaso
in New York.
Ms l towell ? lub, which niak'
... :i . ful i'i the -?i lists an?!
th" public all through th" w int.
through ns fortnightly exhibitions i
American works ?.f painting at
sculpture, wind- up ?; luccessful got
?-on with an exceptional display. Th
?- devoted t" wsti r i "!"i s, pastels si
drawings b) four groups of artist
: nd worn? n ?being about equal!
? nted. There ore a .i??/.,?n pain
?is m each group snd m tin compsx
.'.? tin', ail manner ??f typea. The Ui
includes th" names >'.' John W, Abo
ander, Robert Henri, Rboda Hohm
?Ml? bolls, Albert St? rner. < leot ?? I '
h ..m \s ..i.i. May Wilson Prw
, ton, W iiiiam -i. i ii?,? kens, P. Lu
llora snd Ifshonri Toung. Ths ?>
'' bibltion lasts until May 20
At the National Arts Club there |
exhibition "l -mall marbles an
bronxes by An?. : - ilptors. Th
:u Compon) is als?, showini
until May 31 a number of recce
small bronxes .u.?i garden piscos i?
American women sculptor-. The cm
(.-ut exhibition at th" Bnooooor t?a
I lery, which remains open until |fs
_".' is iiven to painUngs <?i* the Oran
i and to ?i number ><f animt
i Wiiii.un R. Leigh. Picture
? ? by i."on.u?l v
i ? uiii remain on ? lew at th
Americsn Museum of Natural Hlstor
until th.- end "t tin- month. Th.- ex
bibltion ??!' American pointings st th
Uontross Gallery has been ?xtendei
ami n ill not close until May 1" It I
announced, '<?:? th.' way, at this caller
th.,, ti,.- "Portrait" b) -i ?lden Wait
which wsa recently shown there Ii
:ii? exhibition of u." Ten Americsi
Paint, is. has been sequin d by th.
Syracuse Museum "f Fine Arts for it
permanent collecUon. The exhiblttoi
<>t Kngii-ii atslned ami leaded class
lately opened a' the Cottier Gallery
continue! Indefinitely. Downtown, Ii
it- now gall.ii?'s in Fulton street, th?
Henr) Bchultheia Compsny is cele?
brating its twenty-fifth ruuilverssr)
by holding ?? si??.? lai exhibition oj
American art. it Includsg painting!
Qeorge Inness, J. Prancia Murphy
!?;. I. COUSS ami Others, and there ar?
.i... .i n.nui ? i of modern Buropeai
? on vl< s \t th?? Km.Her ? ?\?i
1er) there are landscapes by Mis imn
lap Hopkins. Th.- KraUShsar daller;.
hov ; etchings by ?Seymour Hadan, ii
the runt Room of the Now fork PuUh
Library there !s an exhibition ??f the
worki of that famous seventeenth cen?
tal*) British engraver, William Palt?
borne.
Notes on Divers Artistic Sub?
jects.
winie affairs slack? n in our local
galleries the season is active enough
elsewhere. The collection of works
by Paul Albert Pasmara, organised m
Paris ami brought t?? the Museum of
Pine Aits m Boston by M. -lean Qulf?
frey, of that Institution, was taken on
the other day t" ti," Albright Qallery
m Buffalo; H goes thsnes to Chicago,
and will perhaps he seen later in
other American cltiss, though for
some occult reason it la not, ws be
llevs, to be preseiite?| in New York.
The annual show at the Carnsgls ln
gtltUtS in I'ittsburgh is upen now and
will continue until the end of June.
Beaton has lately received from Chi?
cago the exhibition which we saw at
ihe Armory this winter. The So.icty
of trYee'ern Artists, with us peripa.
i.ii? exhibition, has reached Bt, Louis,
where it romalas until Ma) 31 Prom
ibe Canadian Art Club ws have n
,.i\.?l an aun??un? ciiient of its sixth
annual exhibition., opened ia_* Pridny
evening in ti"- -Vit Museum at Tor?
onto.
Next Thursday morning the fourth
annual convention of the American
|-i?|.ration of Arts will he opened in
Washington, in the morning session
papers on an museums will ?? deliv?
iiv'l b) Professor P, J. Mather and
ollKid. la tlic uitetnoon, the dele
gates and their friends will be ta|r.n
about Washington in automobiles .
sec what has been done toward th
beaut ith ation of the city. There win
be a re.cpti.in in the evening, T??,??
next day there will be another rnonuag
?.-?ion. gi\?'ti to the discussion of |B.
dustrial art. ami in thi afternoon, af.
ter attention has been paid i., general
business, an adjournment will i?,
lakm to the White House, where th?
President and Mrs. Wilson will Wej.
come the foili-r.-?ti>m to .? garden party
Api-.ii?.- of Hi.- first topic which Um
Pad?-ration is to treat. w.? nia? call at.
I tantion lier?* t? a valuable little Ytoo^
? on the siiiijeit jusi pubUshed by (h?
s<rribnera This i.k. mtftled "Art
! Miiseumi and School.?.'' is rrroime-aj ,,
four |.-, lures il.-li?. f. .1 in the spring of
I last year at the Metropolitan Musss*
1 of Art ?is a ..mi s.- for ira ?irren l>y
! Messrs. Stockton Axsun. Kenyon (?em
?I Stanley Hal! ami Oliver S. T.,nk?!
It is full of practical stie?est ions look
ing to thi pitare iff. - which
might in- ma?le ?,f th?- museum coiicc
ttona by instructors [r? various depart?
ments of school ?cork, and it should b?
? of service in the Wka r exploitation of
museums everywhere.
l-'roni Uli K..st"ti Museum "f Fip.e
Ans where it is now published ?*onieg
cond number ni th.- third veium?.
?.f "The ?Print Collectors' Qu*utsrty,a
edited by Mr. pits Ro) Ci rriraftam, it
w Ith a chapt? "ine jn
r.irniation on the engraved portraits V
William Jacobag Delff and his father
In-law, ??ritten by Mr. L. i: M?
Mr. Martin Birnbaum writes oa ton
temperan Oaf man literatura, then?
l is an ir-.t.-rrsting paper bj .Mr. R. J.
Wickenden on ?Daublgny? ?ud Mi bbbt.
tin ?Hardie traverneg th? el ad aratt
'of s.imu.'i ?Palmer, adding i bibliofrs*
| phy and a catalogua There are the
.- tal perfectly madi - **.???
'ing the last touch !" a littl? | eriodi?*?!
? which justific-.i itself .:? Its first num
?her, and by this time must ha\e p*i
su.i'led many print i Olli t"i - that they
? ould not do without it. F'.. C.
Henry
Schultheis
COMPANY
Anntunc? litt OPENING -a'their
New Art
Galleries
at
14- Fulton Street
A tma dears tZAST of BROADWAY
?SEW YORK CITY
PAINTINGS PRINTS FRAMING
P. W. FRENCH & CO.
Rare Antique Tapes?
tries, Embroideries,
Furniture and Other
Objects of Art
6 EAST 56th STREET
D. B. BUTLER & CO?
Announce that they hate removed
(0 Madison Chambers. 601
Madison Avenue. Sew }?rk
Many New Mezzotints. Etchings
and Frames. Painting rclined
and restored. Phone 907 Plata.
Interesting Exhibition of
Art Work by the J.
Clinton Peters Classes, at
the Powell Gallery. 983
Sixth Ave!55th-56thSts.
Open from 9 A.M. too P.M.
A RT ADVERTISING
?** ON TIIK
ART PAGE
or TiiK
SUNDAY TRIBUNE
IS GOOD PUBLICITY

New-York tribune. [volume], May 11, 1913, Page 6, Image 66
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Connect with the Library

Find Us On

Subscribe & Comment

Download & Play

Questions

New-York tribune. [volume], May 11, 1913, Page 6, Image 66 About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Connect with the Library

Find Us On

Subscribe & Comment

Download & Play

Questions

New-York tribune. [volume], May 11, 1913, Page 6, Image 66
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924