New-York tribune. [volume], February 06, 1916, Page 3, Image 27

About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Image provided by: Library of Congress, Washington, DC

                
The < Md Master Again
Occupies the Foreground
\T'i?v the Morgan Raphael li ?? Boon to the American
\ Group of Venetian Painting
The Lambert Collection.
By ROYAL OORTISSOZ.
? - i ? '?'?? cd here thus far in n
.i momcntai j
...
i in recenl w ?ntei it New York.
n thai thi
. , ? i'ctm-li iii-t
ther lat?
I on > ?evi ?-'it tlirv i
. ? ? '
? - know tl
? . us it contains
prn. It i
ty f or t h c 1 a
in. On t; rfacc, indeed, it would
far great the ? Mr.
I
.... ' len
' ; ? '
The Precious Gift ol Composition.
.n ii(-c>'mpii?ri4'd
Rapt?--'' ' **?* '?' r-':;'
? -.
? ?
a \
Lavin ia, ! r of
?
. maiden in
fan, wlii a-h
?gain
lier, unm
lure a! Berlin,
? -i ihe up liver full of
LAVINIA. THE DAUGHTER OF TITIAN
. : I
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4.
'
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'
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tivi - ?
ihi i
?
..-.hit beatall
,i ?'.--? that so
igh to emu
utter
with a !
llicusung In
ong ainco the deb
icheri like
**?me, citing re, "Son
?f the
he. incul
Whf:*.
lonra "M?
? lirsl ap
11
- >. triompl
'
? ,.-????
QUO IH Ulli
? I
.
,. all, .!? g
? ton
?
? ?
I.e
??We 1? " r
. that
?Vuving, by y,, ,.(I ,,,Ut.r v[
ng tl a c-an
?
:
'
g
'
'
'
?
... Ven el
thei
?
mpanled by bref "au*
? ?
I' M.
?
? idea
? ? ; ??
? ! . ?
the mastei
?ii'.ugh
?
ling it? i
a,
' '
' ' ?
? n of the r?
?
. '
H ? re both vif?
?
Littli
paint?
v un M bLLOR ANDREA FRyANSCHI
(From the portrait bj ntiin il tb
ALONG THE RIVER
the picture bj Arthur Crisp in the Water Color So< ??? I ilbltion.)
f tl huai
pontifical aul
'.Il su
is the thini I .d pict?
?
: f Vermeer of Delft,
?
record
? r?an moment?. I hej
?
I duly ratified I
: Frans? hi." Il i ha
.
painting md si .
1 the i
-
' , :
I those
rather
.
art.
.
Americ
?..on formed by Y,r. Cal
tel ?n ho ?nli! ut nurtien, will liiv
peat stress up.m the old master
I hei.? are modei n pictures, of i
?...? si ng of nearly fmir hun?
dred ??'? orki of art, picture of all the
tu hools. The li?-' i ? ? with a couple
ut paint ngs bj V'erestehagin. Then
are numerous ipecimeni ?>f tli?
ion and Impreaslonist lehoe
f th? American Blakelock,
and n there. 1 >na ol the mi t <
g 1 ?.-1 in the modei n i
the pr. fa Pronehm in toi
I ero, Marcelin I " lb
i ? has his plaea N?
? ?r nri advance
?..- ! u\ p been si i
. : which develops
i ? 1
. . i ??".-,:?? gTOUO of 1
ai i n long Hat of
Botl ? II, Del Barto, Si
': 1 liria ill? 1 '?' ?
, on down to Bron
? : ... Dutch, FIi
,.- .i B are volumii
. , ?? ?li?
li paintings
the opi g f thi
awaited
ke?-n ntei * Lambert'
..- always had a wide repute and
stimulating to come face to
11
Random Impressions of Art
in Current Exhibitions
["he American Water Color Society?War Posters a
tin- Grolicr Chili?Pissarro, in More than One
Phase?A Disciple oi I.a Farge's.
By ROYAL CORTISSOZ.
\ :, been opened f or t h e bene I
I at the St ligmann galler)
thographs, cl by Mr
A. ttin. He inotsseui I ? entially i lodern ten
tyj i Fi ?rain, Steinlen,
Whistler, tt, I m I Lawson, John Sargent,
AJden Weir, Everett*Shinn and John Sloan. It is a piquant i
pan}. At the M thei t opened an e?
tun ? Vmericai by Mr. Jules
* ? ns by Mr. Elmer l\ re at the M
rnity sho i I by Miss
: ?? ,\ pallet y paintings and di
Win. nal ? ? of Craftsmen
are to go
. .' . g ''? i- in
: .; 'I he : Women
liters and I show ai the old Itlakeslee
.
New Wurka in Every Medium.
ei unusual in errangen?
that, ? very
trei tretched trul
? ere are t? o pictur? ?
\i' .1 Crisp, of coui ?? I ghly deeo
\ g the Ri
? -
pe? i attitud
"The Di ? ' ?
'lifcht .?uhj.
i II Platt'a contril
'? Brit tan) Home,*1 ? an int
tingl] ligl ted peu-!,'.- interioi, a
1 ,-i si Mai
if the (ludion shin..?.
German il fluenee both in eo
i : i Quai \ erte, Bru?.**?
'.'. arrea Eat?
?'en'1 I and <*a!:n in i t r? lh
veh ety I If il wen? not qu
? n patch* i. ti Roj Browi
?? ild be a 1
too ? pol
i ' i:'.'.<?i ? i i i . .
"The Mill
ist fa art of beb
tory I
nee. Tl
P ige," by ' laude II. Ihr-*, ?
? ful.
I. A ' re of irr*?
\ r ol
I -
|] ? ? ?? :
eivi i the ttudnul Prize and
'?or.
The particular thought which itrik?
nf '??i
i lub - * i
1 rani inspired h
tome of hi
test ??.ork. "I ? ?? i ??? : ? by thl
li there are aom
ficenl Fe
rren hi -o well ut;der?tood th
.. .-. -'ton i
... of It ii
uch ? ? I ? i
rative < tching
? ?
?
hand, Hi
-
i. rid h<
... . . . , - .
eno in I
:- per ? ? - thl It ll
- i tho it a til i thi
groupe I tog ? r in the right 1
i,iound wil id ma
r m . h' l ?
died "The
'?nlv i man** ia also
?? riklnar In its arrangement an.I
ike 1
? ?
? if quite a different I ; ?? are the
? ?
? e agi Elve, 1 l Ira
?ib.-ive- reproach. "The Orphan-' ?>hy'
I is probably the most striking. The
? ur.' (Irn-ari 44-ifh f,,--. trr.irh dell?
? <?1 ! i rii;
. In this
?
post? t of merely
li tterlne*, 01 | ? ? hich !>?^k
rreat art hut they are
ni. ni deep humai Inter? I
-,
i. i ..? ;
?
? .
taken on a
? .r?-,i '.f rev?
?
.
her roug
net ? rowed
i ? ? -.
tream not appear <o tilt ?oddenl*
t"Wnril the i'.44i.r left hnriil c,rnr .,r
the canvas. Bometimei Sir Hassane*
virh irri ?,t. lh<- ||d? of ??????,
"in-...- atloi ? .. '? ..'
?? x Quality, 'ri,, paint ngi s ..
u.. i,'." ? .1 r, ahovs the avi
?
'I '.'.ii artist sn ,? the Fol?
' ?.',m gallery. One room i' v.-i:.t
the worn: "f Harry I.. fr,'Tr.,;,n id-,
? ?< are spt t.. eoi
sunlight, u good out of doors fi ?
and i on "The Bun Brida*?.
'I oledo," and " I he .1 scar, Cut
? i-,,...,
and '.ie plea Ina In color snd an
llour, Wash ?riKt..' .
i : m- fe< ,ir..- ??' apac? and is an inter
.... | .. ....
"<?n t'-..- . 01 nectl? .-, ' in a h ich th?
?rti?t baa mads s i lever arrangi ? ?
..t' the tream. "Prli
? i. snd t.' - thi picturs I
two.
? here Is John
Wenger. If? i* a mar of ?tr?na
ir.. ? pai I. I done In beaut i I
ii . . .
:
; i i. ? ? ?i ! ne i. Ev<
I :
Ev? ? art :
te i
It is a? ?'? ith ;? fun
? . tree,
Mr. A. '.. Rchulman, art Inetruetor at
? ", ,,:' New V.irk, u
?.-..... ? n of hia dra
and pj ? the ngtoi '
In both medium ? h ? bo? i n pi
11,m tor dark, ombre ma - ? li
? : irt, tree? made
battling
In his paintini
?
? .
ir, thi
p of tree? bi. >? i ed mai j tlm? ;
, ? . . ??
?i.i .i ,;? eorati? e effect, arhil? ir. i
he appear? to b< ??.,-.
ntlng in ?.'k'. twsntjf :.r?rj *?.".
In "Edge ..*' the \.',<..!-, So. '..'," the
the othei
;? ..re of
tun
. : ii mo? ' v h- "Sau?
ft, low
? ? .1 anil
? i ;? ni m, spheric. Th ?
? eace. We hi ?
painted in i
artisi ? ' of
*
. u a? Mr. Schulman.
? i .. ... |
:
... ? ?is* ?
..... . . .
... ? ? 11 i n|
Man" la a i ? - el
troag ren
MADONNA AND CHILD BETWEEN SAINTS
lamo ?la Santa i roce in the Lambert
' .
en exampli
? : 1870,
. . for 1
.
, t, to pictm
pei
hi?, di full com?
?
?? '
?
?
? ? .
best
? ?
?
i ? . - exhibit
! . more inti
'
it
HEAD I F v MONK
trait In
- ? ? )
are nu'.'.? charming in I . color?
s'. -i ? ... pii
'
? ?
?
?
. ? ?
-, ?
?
?
?
?
a
'
tig 111
near at hand
?
?
i ?
? ' r 1 .i.
?
-
sr of Cert
? -? ry were not a bit
* scratchy and did the aurfaca of the
' il work. "The Ray H trees" I
te a su ' - . ps ' ? ' t ? a"
led i? '?"-1. An unnumben d
: . ? ? ? ? .- |
On? ook ser?n
nels and t
agi eal
.1 .-? ?? ? ij
! lag ' i ? -
lit aeaihon la
: . : B I
- _ ? .,?'.?
Tl.* late W. i
?
? ?
i work
the Mi i..- gallery. I ?
,?
lid not I
rit, I t they an
?fter i
?
?then ? -
'- tears. The su
'
? . and there
re fleet i oi In
'thi
la "Th? I
.. rich color.
?t ? .? ! beral
th modi ? ' .
of the picture are
? ?? ? are
g to the ..- the blow
tire. Johi
- . tv. .i io '.*?'led portrait
reds and smoky bin?"?. It ii
res? snee 1
I ?. . . .
Stuai t Darin's ' Bs k
I it ?
I ve r?
: spe," by "?
g decors
I
? I
kable,
of rod
coarse in 1 itrong
: '
H .v triking
in rep
?
?. rich,
? i
V ILLAlaL AUX tiNS IKON*-. L>t. -WAN I ES
(ircrn the painting bv Mmrro H : trand-Ruel
I ....
bruts snd i great dog
f.
? ' I I ' !
St
II
p I .'
remari I frag
I , rr a I
tivs de
h rd?
\ . ? | a, ?
''?rrie*.
f media,
ntains**
? i
ST. CHRIS TOPHER AND I HE CHRIST CHILD
(1 .-?..::! ' ; . .
! and
:
' '
'
?
'v. Ir.
?
oth er da I
1 :'..ri'?-. Thi
f
i of 1
;.' ir- ? of La
'
' ? :
'
'
? . ? mbn
thi
?
? ?
There
Bf
? ig - i ? ? ?
?
?
ipi
? ?
...
ll.l-.r..
POR 1RAII Of A LADY
( F r o m h
the 1 .
er?ng ? onderfully d si 1 ?
ka o 11 e 11 i s
n-i'.l \? ith ti
...
? l
A pai' ? ?? ?
b represent
1 .. ? ? ! .
g the ordinary i
:
II
'
? ? '
ruj-a ar"
'
? ? "l?!and
?
-
cairn
? . ?
ting
.??er-,
- '
? "
promise.
From indiana, but Not
Literary.
. i
?
-
..
-
i
?a*
? ?
it th?
ot the
I I
?
but,
.
? it sas s
. . ' . id a
? ?
ga ? ileat a?
?
il
?
I pn
"i ?
'
.
beauties
i
t fat itant I woo
farming II .* ?.
u of lad
ana ti i me here and | rar at?
s .
I be? K than
.-. Ade, ?-.h'l
irked (
topla < Ii diana,
? ??
is ad
. .. .
? ?
: 'Dear >?' I
Mr. . I likes the s
?
- .
grand
I (I
- , a ?
c.h. ?hrich GfalUrfel
.-l ely I
?S* FIFTH AVINOE ?t -- M ?? k ?? ?OSK '
: r -...-?. -
Blue Dome Fellowship
An Exhibition of Pamtingi
DEWING WOODWARD
? ??
Arlington Art Galleries
??TO
i
PAINTINGS AN;) DRAWING.
A. G. SCHULMAN
of Art : . t Sett ?-or?.