New-York tribune. [volume], March 28, 1916, Image 5

About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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?. S. JEWS JOIN
TO GET REPUBLIC
AND EQUAL RIGHTS
Philadelphia Conference
Hopes to See Hebrew
Flag in Hol) Land.
V WIM HAU ED AS
GRI M ( <>\< ILIATOR
ar Di fi< ?? bj ! nthusiastlc Dcl
t n's On Btesl
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ASHINGTON
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PennsylvaniaR.R.
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JEWS GIVE $75,000
TO HOME FOR OLD
I !? u of (lifts Cheered at Dinner
for Daughters Of Jacob.
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NEW JEWISH CENTRE
NEAR CENTRAL PARK
Pians l ormed for S.ioo.ooot ofn?
p ?site Buildin?* in bSth Street.
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ASKS NEW CIVIL
SERVICE SYSTE.M
M? rton Committee Calls for Rc
.rii/ation in Stale.
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LITERACY TEST
UPHELD IN HOUSE
Vote 225 to S2 on Immigra?
tion Bill Clause. Despite
Wilson Veto.
SENATE TO GIVE
LARGE MAJORITY
Amendment to Prevent Asiatics
Entering U. S. fhrnu-'h
( ?inada 1 ail?-.
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POLLITZ SUES TO OUST
DIRECTORATE OF N. Y. C
\\ ith I.-U Shares Contests ( hole
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Democrat! to Hrar Gen. Wood.
*.? Leonard
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"rafter tli
ben of ?
AN engineer o? ircognizeda ithorit} nays:
"Probably the Mercer i- the moal Euro?
pean engineering ?ob made in America
. being ;i liiv'-i efficiency four of consid
? rabie power, h&\ ing a capacity for very i i i ?_?? h
. (i?'??), and ?'i very high accuracy of ?ninh on
all pari ."
Models For AU Need?
Whiting Motor Company
1802 Broadway, New York City
I Mi. ? ?nlr?l *t??.. Nraanrli. V J
GUEST OF THE CLERGY
\mba???d<?r Morfjenthau Tell? ( burrh
men of T?rke*,'.*? Miaaiaa*.
? - Morgenthau, Aasba
re guest of 1 r at e ?
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The Kev. Kehei . I
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MEETING FOR CREY?ATI''\"
*M??-.,?.er* Will Urn-ar?.) \S. tioo ol
Ml l emeter , s by 8
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. ar Crane:, r, playing the Rrrordin? Picno in : ? ?
??i this v.ay ??nit Dun-Art R-- tt made
AN INTERVIEW WITH SE?OR GRANADOS ON
The Duo-Art Pianola
(?Sai * er of the French Academy, a tnerr.i* ? ne'e friend of
Spanish Re .\:i*.''? t ?? is the ccmvc<er of t!i? first thorougKlj Spm he -compos?*-. * .* first
ope I at th? Met -politan Op??ra Hctisc. K'irsv York??.v ?..?,???.
4 ?SEKOR GRAXADOS. the distinguished Spertts? com/?os^#
^ Jut?a dar\t slight, .ntcr.se man?listening to one of his
own piano performance:, reproduced on the Duo-An Pianola,
exactly as he had played it a wcc\ before. The notes were rip?
pling upon t-he Keyboard, as if touched by unseen hands?now
falling lightly a*, leaves, now charged with indescribable spirit and
power
"It wtts at a dramatic inomen:?that in which ? saw him first
?' That picture I can never forget
'As phrase by phrase oj his radiant musse swept along,
granados' face was rapt with wonder and delight. T^ow he
would listen motionless, now?as, if it were impossible ro contain
himself?Ins jingers would mot?: as if they danced along the key
board }s[ow h\s head would sv\\ within his hands, now tt u'otdd
br raised m sheer arnczcrnei.t oj ddigjkt.
?"Mon Dieu, it \s my portrait.1, he exdai
"His exquisite 'El Pelele' ceased 'Se?or Granados,' I com'
menced, 'would you call that a perfect reproduction of your com'
position 7 Docs it match your own on?jr.J performance m every
?subtlety and shade7'
?It is my portrait?it is my portrait he kept repeating, as if
yet sn the thrall of what he had heard
'"Is there even the slightest .;*. of the mechanical m thus
reproduced performance''1' I .:.-H Tlcaz: be very frank'
'"7S[o:hmg?nothing/' There could he no quection of his
earnestness It is all so truthful, so li/e-ji^e, so exact a replica
of my very touch I ? ? in Barcelona could
detect ?<- difference.'
"He paused, and after a rr.omcnt he said, Tes, tt is so human,
sa personal to me that, as I have listened t.? it in a dcr\ened room.
I seemed to see myself sitting at the >\eys. 1 seemed to feel the
very touch of the keys m my finger-tips.So perfect
even do 1 conceive this in ' that I thin*\ that those who
knew some pianist m hu life-time could almost visualize htm once
again?call him to very sight through the tremendous suggesti?x
of himself which rises in rhythmic utterance from the music-roll
that unfolds his an through the Due An Pianola.To
me it is a wonderful fairy story come to rrality.'
A DESCRIPTION OF THE DUO-ART PIANOLA
'"Bar, do you not admit, Se?or, a certain prejudice by muss
nans against all pianos which are not played in the accustomed
way?by hand7' I a.
"I admit that such a prejudice existed once.' replied the great
composer thoughtfully. 'I .?nit even to this prejudice myself?
once But that time has gone \o prejudice can Uve m the
hearing of this niaTrum?rnt. Its expression \s equal exactly to
the expression of the artist who made the record-roll As well
might one be prcji heed against his an itself1'
?"But, as apart from his ability to reproduce the anists rhyth?
mic characteristics or his touch,' I enquired, is its tone ex cry
thing t)ut coul a J from i piano7'
?Tht tone of the Duo-An Pianola.' replied the composer of
?Goyescas.' tone of the piano which is played by
hanJ la additions. Let-me even say this
So art niral very way do I conceive this instru?
ment to be that I hesiCatiON '?n recen mg U into
my own Cons ic in Barcelona'
?? 'And, ' '?his finger rose to emphasize his
t ? -rl{ab\c ideal; which must hate
led the C m >any which could evolve wh an mstnimeni It
suggests of an artist with his wor\?an artist
who is never satisfied with less than perfection.
-7 ? must he b\cthat ? or whatever may
secure men tthtng can secure tuch truly
* for its basis the highest
art: I ?s the courage to achieve them
"l honor them rit And I consider they have achmed for
music an in this Dm-An Piayiola an endunng monument uhose
matmitutit can scarcely be realized."'
I have read this interview in print, and I ein only say that
fa-thfuily it re I y views.
FIRST?The Duo-Art Piat
strutnrnt which aut m
the playing of great turen
TI,roii?{*h this wonderful it tt ? ?
may hr.ir in \ OUI ' N n I
k ire ....
Hamlinuri:. < ?abril. wil
a constantly inen i ...
tamou.?- \ irttiosi ?it t?if? pj
-I COND- The I too V* ? i
Pianola of the finest type. It is an it
' which you, yoursetl
? *? ly without musical tr unit
lelighl I
I i ?IK I' The Duo-Art Pianola i
forte of su [?reine mus?
-????nw ty, We!? r, or Steel
in act? n and appearance with the fine :
*.'ni have always known.
f ?'H- \rt i- driven by
Pianola --
iling, i M effort
? ""Aeolian
' ' ? "' . ;n Hall.
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Demonstra! i how
? ? lay.
7*7 Interesting Booklet* " Bringing toYou the Message of Great Music" Sent l pon Request
AEOLIAN H \ I !
IN NEW YORK
it) **, \V? i 4; i -?
THE AEOLIAN COMPANY
\ N HALL
v -SRI ?? >kl "1 \
ii I Avenue