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[)evastated Homes of Beethoven's Ancestors ? To V\*?iat Extent Was Beethoven a German?? L]is Admiration for Democracy and England's In? stitutions?The German Vandals in Belgium? Church in Louvain Where His Grandfather Taught and Sang By H. E. KREHBIEL litt, ?bort'y after th? outbreak of 9mti (Jerman ?eeriters called upon * A**** ?{ Goethe, Schiller, Kant, . ->f,thover., Mozart and others of %?r!d'? Great Dead to bear witness ** ?-lory of German Kultur, a few Lji ?nd Er.g'.ish writers interposed -rltic*"**' thet Beethoven, at least, *%*' ? German. To many it looked a ?illy b*.t of chauvinism thus to ^ksck to the Netherlandish origin i tie Beethoven family, and a few ^_t% rtc* Beethoven's profession ' encouraged as a young composer and student in Vienna. Hers is on? of tho notes of the interview: "The first day P. I Potter) was with B. Beethoven i tbe latter rushed into politics and called the Austrian government all sorts of names. He was full of coming to England, and said his desire was tu see the House of Commua?. 'You have heads upon your shoulders in Eng? land.* " He composed the "Heroic-" symphony to do honor to the Consul Bonaparte, and ripped o*T the title page when he Mg??Cardinal .'? ? reception room as a Red Cross hospital. cor? for the Rhineland, where he was an, ?nd cited h.s long domicile in ttttt ss pro f of his Germanism. But , ti* Gf ? upon the great ??.poet wholly invulnerable? There n!(? La . '3 oftener in the [rasa mou-.h fonder of Latin quota *-? than any other mouth on earth) ml'bi betxe, ibi patria, though this nrhu tanght us that, so far as hun -*?ijj of thoni mda 7* G *rmans in the xlti States are concerned, conduct iiprofession "do no more adhere and to place together than the Hun i-aith Psai-7. to the tune of 'Green ?my**.'" Measured by the proverb, '?atioven ?jj never a German, least Ms German of the Prussian type in ?a, and that he was the w, I ?UKriarxs during his Vienna sojourn atfht to be known of the world. He ?at ?w?y from Bor.r. when he was not pit? twenty-two years old and never ??turned to it Daring the thirty-five ?ears of life wh:ch remained to him, tick he spent :r. Vienna, he was per ?"*** as unruly s subject *s might have ?o four.: Austrian Empire. Si explosion* --e imperial -?art were raaaj 37 '. lo-^d, and he was protected from the cor??a.u>nces which , heard that his hero had been pro? claimed Emperor. Yet it was to pre? vent him from accepting the p0*"- of chape!ma?ter at tht court of Jerome Bonaparte at Cassel that his royal and princely friends bound him to Austria by contracting to pay him an annuity. Even after he had entered into this obligation he sought means to evade it in order t r.g bit of evidence of his admiration for tho English people and their political in? stitutions is the fact that on his death? bed he insisted on having one of hii visitors read the whole of a speech made in Parliament to him. (I am writing this far from my records, but I that the speech was one of Can? ning's in favor of recognizing the re? publican government?! of South Amer? ica.) The evidence is ample that, ; at least, the blood of "brave little Holland" flowed in Beethoven's Was he so remote in ancestry and from the Netherlands that he co be considered one of her sons? In an prticle on folksongs written by Sir Charles V. Stanford in "The Musical Quarterly" he insisted on speaking of him as a Flamand, ar.d in a Maiir.es?The Cardinal's throne room. ?T ? ;-.*. kafe brought down upon j ?a only by the reipect for hf? genial. ?"s*-*? wa? fait by everybody, down to ?-I humblest pel ce officer who heard U Ulk. **i U.< poUtiea he did, openly, **ttj ar.d often, for he vu an ardent ?"?eerat. I glance at a copy of a note ? ??xar.der Thayer while **?a?aTng --'-.rmation for hii biog ?****jcf B?e'.-.over. and And a record of 'talk had w.:h Cipriani Potter, the BgiMh plannt, whom Beethoven had Muile" by the ?ame dieting-uiihed Brit? ish muilclan and Mr. Cecil Forsyth, re? cently published, Sir Charles laysi "He ? Beethoven: ?n? i ' Flemish-Dutch ori? gin, ai the 'van* in his name, upon the us-? of which he was mo?t insistent, clearly indicates. The family belonged to the neighborhood of Louvain, and afterward to Antwerp; the last mem? ber died in that town during the last century. From Belgium to the Rhine was but a short distance, and the com? poser's grandfather and father mi MUSICAL INSTRUCTION Faust School of Tuning aTa ? ? ?H I A? Jt*m f-. Ige tar) timrrl (?rgaui. t'lajto. *_?d F1?r ?. H?r? p..altlona lluan ma rt\n till. ? ?ar n?*ok Free B-? (I H?MCU8H IT. ?OST01. MISS Iwl ?m\ On I v?im Cataras?. **k-st?ito ?o? oeita otATOtio. ?icital. *M WUT (to AVI. Tat. aitm tt'A val PEAVEY *'?.'" aruii-f ,,, r,Ai?i.?r,ii mall, a r. J***1?'-'*'? ?Ti.**>iO M IIJCLIO AVItUt. ?^WAKEFIEID hxt _*r* "um ????m, in wa*t ma at *"it?ci itAi t way. til. ?tai uve?. ?"?O VAN YORX tenor ^?""A'. 17' DIO Jl WK?T l?TM ST ^RUSSELL,,.... T** ItUfttU?! K?l?a? ^^tPifVairW ?,.,.;.?. !?; w ?*Mt. t?. *? ? G E R T ttmetft et aiaair?? - ?*? **? 7la* **?. ^_M*? LOW I' r?a*Smt el mr.0ug. teg** *~ " ""* ??a-.lM **M af-M-oa?* MUSICAL INSTRUCTION MR. a Mrs yrii a ai school JOHN DENNIS |f| t H A N .??* VOICE special Summer Session u'A-f? ?t *? T "fuallaj. "i Csrr.mf.? Ball Tel Cu-.? 1471 M - Il a.-. 4a..V'?l Ma.' <**? -? 1 r iHU-tlF-mv? ?[?p.* Va 70 CARNEGIE HALL. WOODRUFF D. VOICE PLACING. BREATHING. ???ti??. ??*? c*a?i?. c??c.fi ??d o?ata 171 wflT S7TM ST.. NEW YORK. *r FER RARO*"?", MM BROADWAY 'ENTRANCE AOTH ST.) - , 1,'inr? voices ACCEPTED. WRITE fOR VOICE TRIAL. BARIT'i- t TEACHER Of VOICE AND SlNCINf. ??U.'.r rai V.l.?. /u SJ-a?SSi ? 1 Mr-. Natur?." Ml CAR.VW/IB HAU., NKW VOBE. IHASKITTE ClllIflTT *?Pr?-**-? 1 NT. JOUI? CLLIUI <<??.'-?*? Ta>%a-I.a?r of Rlnjln? ?rai ?????* (*?portm?BI fil YV K-th H' trmmmm 'oi ???? CiOFTSCHIlJSVV?/.^ov, I KIIENT*!. M A. M ( '/S ?M Tal. 4717 L.a.a NI'.VV ?OKK rOLLBOC or Ml Ml. 118-130 r.\NT *?RTH HT. OROOKITN i;FRECKELTOH,Ji.:?'*-S The? Tel?*!*? r,a..*ry. HrrMklrntAoalstourm, lilCliaiei A??. i**???. ??? "???*???* ?A Louvain?The Church of St. Pierre across the ruins. grated to Bonn, to join th* court or? chestra of the Elector of Cologne. He belonged, therefore, to the country of nek, and was the second great Dutchman to influence the cause of i.i'rman art." I write subject to cor? rection (for a reason already hinted :t think that Sir Charlesjs mis? taken in saying that Beethoven's father went from Antwerp to Bonn with his grandfather. This would naturally im? ply that his grandfather had married in the Netherlands, that the composer's grandmother was a Flamand, his father wholly a Flamand, and that half of the "blood in the veins of the composer was Flemish, since his mother was a na li the Rhine country. Beethoven's | grandfather, however, was only twenty-. one years old when he was appointed court musician at Bonn by Clement Au? gust, Elector of Cologne, in March, 1733, and his son Johann, who was Beethoven's father, was born in Bonn in !7St or 1740. Ludwig van Beethoven, the grandfather, married Josepha Poll in the year 1733, but whether before leaving his fatherland or in Bonn I cannot now say. My thoughts have been turned to the f.nccstral home of the composer by an account of its devastation by the Ger? mans in the early days of the war now -> van Beethoven, of *.he Malines branch, in 1734, and the same year Cornelius was proxy godfather for Ludwig'? first child. Now we reach the point where our war pictures come into play, and we wonder how much German feeling would remain in Beethoven's heart could he read and see what the Ger? mans did to the ancestral home of his family three years ago next month. About seven miles northeast of Rot selaer lies Aerschot, where, between August 19 and August 31, 1314, the rec? ords show that 386 houses were burned, 1,000 plundered and l.'O Inhabitants killed. The villagers had offered no re? sistance or other provacat'.on. "After this destruction the Germans admitted tho innocence of their v:r*t,ms,-' says .Mr. Toynbee, after filling fifteen pages of his book with the heartrending de? tails. "It was a beastly mess," a Ger? man non-commissioned officer confessed to one of the monks in the church of Aerschot on August -9. "It was our rs who fired, but they have been punished." At Rotselaer 67 hou?es ./ere ana killed and 120 de? ported to Germany. "A girl who was raped by five Germans went out of her mind." A blind octogenarian was among the deported, and the sick wife Louvain?The Church of St. Pierre. g in Europe, entitled "1 ? man Terror in Belgium; An Histories :" Arnold J. Toynbee, lat t of Baliiol Co!'.. ? ?*7pany. i Th . m fi-om otTacial E and German reports and illustra* cop^ > is, ?ome of which pertinent to this discussion, are repro ?uced herewith. To explain their nence an outline of th? history of thi origin of the composer's family is nee essary. In the seventeenth century a famih IBS lived in the Be'.gia* v.llages of Rotselaer, Leefdal anc hen, all in the neighborhood o: I.ouvain. Another branch of the fam so doubt related to the first, livec in Malines. A member of the fir I i;y settled in Antwerp about lt>50. / son of this Beethoven, named Wilhelm or William, had eight children, one of which, Heinrich Adelard, was the father of the composer, who was named Lud? wig, after him. He was Heinrich Ad elard's third son, and was baptized in Antwerp on December '?3, 1712. Lud? wig van Beethoven, son of Heinrich Ad? elard, left the house of his parents se ? and went to Louvain, where he ,-ecured the position of tenor singer in the Church of St. Peter on November t, 1731. A week later the young man i he was eighteen year? of age) was ap? pointed substitute for three months of tho choirmaster I Phonaskus?, who was ill. When he went to Bonn I do not know, but the Electoral decree appoint? ing him court musician at Bonn ia dated March, 1733. He was a bass singer in the Electoral chapel and at : the Court Theatre, became chapelmas tcr at a later late, and died when the '. great composer, his grandson, was ? about three years old. It was from his j grandfather that the composer inher? ited his gifts of genius and character. He treasured his memory throughout his life, snd laid great-store by his por? trait which he received from Bonn when h? w?s already a famous man in Vienna. Th? family of van Beethoven living in Maline? comes into history in KM, and member? of it also went to Bonn, ?vhether before or after Grandfather Ludwig is not known; but he was a ! witness to the marriage nf a Coraoliai ,' of a physician, who had been dragged ' out of bed, died on tht way t o . ht printed here the Church ? ??here Ree ?lled the pal ' A lit? tle bit singular, is it not?perhaps sig should ha ? the mir.*? Mr. TojTC *. sum up the horrcrs i ?u at Louvain, which fill seventy of his bo ? it *??< ta is summed up thus: "In Ma lines | German stroyed 1,500 houses from first to last and revenged themselves atrocioi. the civil population. A Belgian sol? dier saw them bayonet an old woman in the back and cut off a young woman's breasts. Another saw them bayonet a woman and her ?on. They shot a po? lice Inspector in tho stomach as he cam out of his door, and blew oft the head of an old woman at a window. A child of two came out into the street as eight drunken soldiers were marching by. A man in the second file stepped aside and drove his bayonet Into the child's stomach. He lifted the child into the air on his bayonet and carried iy, he and his companions still tinging. The child screamed when the soldier struck it with his bayonet, but not afterward. Th?s incident is re? ported by two witnesses. Another i woman was found dead with twelve bayonet wounds between her shoulders [ ami her waist. Another, between ?ir* j teen and twenty years old, who had j been killed by a bayonet, 'was kneeling, : and her hands were clasped, and the ! bayonet had pierced both hands. I also i saw a boy of about sixteen,' continues j our witness, 'who had been killed by a hayonet thrust through his moutl .' In the same house there was an old woman lying dead." Our pictures show what happened to Cardinal Mereier's state and throne rooms at Malinea. There Is no evidence that the great genius In whom the Beethoven families which went from Rotselaer and Mahne? flowered was g.ven to study of the Holy Scripture?, hat once he wrote in a let? ter to a friend : "Today I will give you ,-. text from the H ble: Taittla children, I love one another!' " Electric Time Signala A new kind of tima signal has re? cently been installed at the. Hector Observatory, Wellington, Seeor Zealand. Three electric lamps are mounted in a vertical row on the obnervstory *!?? staff, *"? feet apart: the lowest green, the middla red and the highest white. Ili" lights am switched on 50 minutes, ;o ??lavtea and 5 minute?, respectively, befeft the hour of the ?ignal, at hour they are all extinguished s'mul taneously. Tho ?lgnils ar? given at 20 hour?, 21 h?ur? and 23 hour?, Green wich mean tin??.? Scientific American.1 Brewer Was First to Make Accurate Map of Japan The first man to make an accurate map of the Japane.?? Empire was a na ? -.?a named Ino ("huke, born In 1717. His early trade was that of a brewer, which he followed until! HOO. ?massing a fortuna*. He then asked pei-mn?)on to m?ke a ?f the Island Enpiro, el h ? .- . ? eighteen ?.ear?. He hml thirteen assiit ant?, andlthe result* were incorporated in fourteen volume?.. All instrument? u?asd were of ? huke'? own design and conitruction.?East anal West New?. EDITH STOREY OBLIGES - < By HARRIETTS UNDERHILL EDITH STOREY ha? taken up her habitat in the Metro studio, <-?rrying with her her fund of magnet? ism, talent, experience and charm, ar. : now every one is wondering if she isn't really engaged to Antonio Mo? reno, after all. As ?oon as we found that we were going to meet our favorite screen actress in the flesh we mad? up our mind that that question would be the one we would put to her. How ever, Edith Storey isn't the sort whom one can ask personal questions, and so it was not until she introduced th? subject that we found courage to say: ! "Well, are you engaged to Mr. Mo 'reno?" Her answer was ambiguous, but for those who are interested we will give it exactly as she gave it to us: "I think it is not a wise idea for a screen actress to stick to one leading man." She smiled when she said it. "You know, according to the film fans, I am a woman with a variegate<l past. They have been making my er? 1 rangement? for me for year?. In this caae they are gentle; they have al? lowed me the luxury of a long engage? ment, but, when I was playing with Earle Williams, they passed up all ? such formalities. One morning I woke up and learned that I was married to ' Mr. Williams, and then when we parted and went to separate itardom they had to do something, so they divorced us, There really Is material for two good scenarios of the lurid kind. They could be labelled 'Wife in Name Only' and 'Parted by the Public' Mr. Mo reno is delightful to work with, but 1 think it is unwise to have one leaJin? _a,?I ?-? man for all parts. It restricts an actress in her work, for in selecting her stories she is bound to favor those whose hero ha3 some resemblance to her hero?you understand I mean th? leading man who has been assigned to her or to whom she has been as? signed.*' Miss Storey has a beautiful speaking voice which makes one regret that she must always be seen, and not heard, and it was no surprise when she told me that she had been on the stage for years before she chose the silent drama. She made her stage debut fif? teen years ago, when she appeared with Eleanor Robson in "Audrey."' As Miss Storey is not yet twenty-five years old, it will readily be seen that she was not very big at that time. However, she immediately made an impres i on the powers that be, ana she was soon assigned to play the leading part in "The Little Princess." For thrcj years Miss Storey remained with that company, and, having outgrown her ba**y part, she essayed some of the more grown-up parts, and was net found wanting. During her career with "The Little Princess" she play?' 1 every part in the proaiuction. Her ?vor?, in this play was followed by an engagement in "Rebecca of Sunnybrook Farm " That was the last stage pro? duction in which she was seen. Since that time she has been steadily climbing the ladder which leads away up into the stars, and has portrayed all sorts of characters, from Glory Quayle, in "The Christian," to the lightest comedy roles. Her best work, however, is done in emotional part?, and this is the sort of pictures In which the Metro intends to have her appear. Edith Storey is like a child in her enthusiasm. She is just back from Chicago, where she visited the cjn rention and made public appearances, and she was eager to talk about her experiences. "I never had made a public appear? ance before, and I wa* really quite de A MIS EM ENT S AMIS EM FATS Mat. Daily at 2 25. 50, 75c. 2,000 CHOICE SEATS, 50c. >.\?-r;>r -ui and HnU.ia??. BROADWAY ??vio 47~.5r.tfn EVERY NIGHT 23.50.75c.$1.$1.50 1,000 ORCH. SEATS, $1.00 Except ?at.. Sun., Hill H..?.I-*/?. Cocleit Theatre in America?Oreited in Airy Summer Costume R-iri?jer?led |>y Immenie Ice Plant?DtBdooi !.-*mcrnde Free to All TWO BIO COM Kills SCXDAY. I * k r. M Btseiaala? *?T??n Mat., ?Tal? Beta. ?????.?ii.l Ilia Week l.v r?>??iilar Demanil of Hie U ,>rM'? I.reale.r llimlr rh? 1 ELSIE JANIS Tn p?(r'??t!o !7r.pr??sinn? of bar tavortt? otara laelodlag '?'?'.' Regara art bit rop? ?nr\ gum tnri j?*? sor? Beyee Lauretta Ttvlnr. Raymond Hirr-hroek. Etit'.e Fov. ?ad tl ?fa. Mis.? ' lessee HAI'PY is? ROOM EY-we BENT ?!**>?? . CHARLES WITHERS in "FOR PITY SAKE" -? on* Tiin - HERMAN WASSE.RM?NIAI. ?& Faniiie'STEDMAN DREAM FANTASIES PAR?SE FOUR KANAZAWA BOYS , ;ew and v It, BURPRJ ? "THE GIRL WITH THE THOUSAND EYES" sh? ??'? til?Sha knowi ill??la? f'-'-s ? * .-:??? bar Beeret ? Every mid-run ?ct out ?f It? ?atar. ? ? - ? tMKBICA*fl F??HKMO*?l THKVTKK- AM? HITS I'M.Kit THF. HIRFt TIOV OF *.*,\| -, Jt IFF SHTBEBT. IM. AMG 7 in:-' iiK\?i?.rir EVEMT ?.. -*-t?L?v*i. e 4), r)1, V1U ,f lS()> if Broaulivaj a, .?.^ ( .. HI s t\ l \l '?! *?' '?? Baat? Th i7 BieJO-U ?? MARY'S AHKIE :. IHKM FiNWtfh. .? rrra.-.V M.?tin-?e? ,\?*<1ne??1ay ?no* -*;?nir.ti?*. |tP" MONTH *>'?;>?';?>?*'? THE MAW WHO CAME BACK **e\t*-> s wf.f.k*: ?limn. In ii ?na? 8PBCTAL LABOR I) \V MAT. NEW COMEDY ?FRIEND MARTHA" Direction if Cdtai -?with Filmuml Hrer?e <>?;? It nJilrop K. Laeath I??*nny < bat? k. >i?*ven??D Mule lluilviii Collier .lohn !.. -?hin? *?\<lne? (.reenxtrre: Helen laiwell fW, i,? * Etta??] ??all?.., ErakaaM POOTW I H y ?W ? at -'-il? *-??> ?iiir-Mt**.*-. Lv o i r I I\lt \'Ti WEDNESDAY, AU?. S WILTON LACKAYE THE INNER MAN PRINCElSSl mi ?? ?10T4CT Th** ?"??* ? ?"'?*'??'?? a fln I ?? A I pi ?i'i p.- kt? Bra.lv ?~U Uli.? W U.I.IAM HARRIS. JR . P*?J?ar. la The BAYARD |_?.- . VEILLERS ???^S ?<-**-? DRAMATIC THRILL ?r P",^"^^ilT7^^",?-^o^a7, **^y?| *?crn<?>??? jua rr evtj?'jf?-ja |HS3m* '^?^?TaXj?-aJ ??4,?->ie?1 ??* ?^^WCRITERION pL^ I V T!^".6 v*? f"'44 * i>Ni\ r\,?> PKBrotuuxcn ie.it (.?lu mi"? I'nl?er?li? i.rin.l (Ipera. MONDAI 1 \ ? .11 I V M, * m?? \ wi-h Uaea Bot? ?ni. ?n.i All Si ir a-??. Of th? 0.1 ' ihl? rrrera V T:rr.-? ? ... mea?** art tat le I I . *>I>\, INI II I.V SI. I.??? perform? ( \ \ A l. I, ? R I v I?ITICAXA ?a i r \ ?. i i i i (i IVitri Claotfia Mari.?. Lula? VU'.anl. Leaea H ?'?. ill ??Flip? i;?i|.!??iil ?nil All P'?r i*a?t. r ???. , . . -a- ??. u.s ? W-H.J-?l?ll!*?F| lip H.? H.a.1?.. ?U.'l ?11 llca?t M-? 1?a NEW BRIGHTON MatEriT.?>1 " TV??lc R.ir ?falfag : 7 i7y ."1 GRANVILLE CUNNINGHAM MKItl IV, .V\**T*? .t TOWN? II \N- II \*>M "The SMITH & Night Boat" AUSfiN DAX r. r\NTA*?IK? THE I.KI.1MI THE FUTURISTIC REVUE ??,,, RIVERSIDE ? Twf? I' . DOLLY SISTERS ?ini ? v ? ?II- , ? NELLIE ?i SARA KOUNS ' Jo??LAURIE A BRONSON?Aleen In Ihatl ? *-**?' l"' "?" ' a. a ?:.a Kh.i. a e??liap?> Act? i tritt the idea, only I stipulated that I was not to be asked for a speech. So, really, all I had to do wa3 to walk out on the platform, be introduced, smile and bow. Not a eery arduous task, you're thinking, and I agree with you. but just think of ' what is coming in the near futr.r-? ? twelve new pictures ahead of me, the rirst one a s?'ven-reel 'heavy,' srd August coming on. Well, once upon a time some one called me 'the Be-n hardt of the screen,' and I've hs i to ? ? live up to it ever since.'* VMTSEMENTS AMl'SEMENTS WILLIAM FOX Pr-esen? and the \ BE A "KID" AGAIN Give the Youngsters the Treat of Their Lives Let them see th:-. spectacular pUtat*U*rJon of the world's greatest (airv storv. 1.300 amazingly clever children and i giant 8 = i feet tall add to its -.?^.ders. E??*?rl??ting a? Time ia this Picture for All Children betwe?n the Agea of 5 and 90. TOMORROW ?on)NIGHT8:30 Ther lifter Twl?M Duly. ? 30 i. IrJt TI?IDE BROADWAY ?5.46VT. /nATf. 25**50? - NIGHT/ 25V.? 8WAyF?r47*3T PeRiOcaAL. ~ OlRCCTiOfl HAR0L0 cOEl TODAY and ALL WEEK FLORENCE REED -v -, TODAY*' FRO,''*. THE SENSATIONAL STAG? SUCCESS ?Sy GEORGE BROAOHURtTT S AERAtiAn SChOntR. JTTRAND CONCERT ORCHESTRA ??neRy 6iOGRAPHy of *-v he-iri Zentay a 3t*cg Decaux viouiiMiST OlTHARS ZOOLOGlAL. ****"? ttACK SUNNETT KEYSTONE COMEDY "THE OANGERS OF A Q?lOE" rtEXT WEEK"The Slacker' ?ft Emily Steven S3R3QS.M "Alw?y? Worth While Broadway at 42d St. Beginning TO-DAY BRYANT WASHBURN IH "SKINNER'S BABY" OUR TROOPS IN FRANCt: First Picture? I * ? _ ->r I'1>KR?" r.\ -XI 11 HELENA M \-< 1IM I !i r. ?MR. &nMRS: SIDNEY DREW in "THEIR BURGLAR* "THE INCOMPARABLE RIALTO ORCHESTRA MR. KlirilM'tKI ? ***?'? T""'" * ' l"':' ' U W.RY" Mil ,?.. i ii.li r ._.,?? ?,-?...-. ? -- III.,11 .?ISh- * ?MANHATTAN OPERA HOI SE. ?v MB? TOMORROW iM0N.)NieHT.JULY30th /?". f M-i'hi'n uni Rabie* of France Aiap?-' I?? Mt -?-I?'?? Mat?T-,?:> ?ta Parla a.-. 1 D.?a. ed American Aflato? Auapl--*? A?r->naiiU'al S??*-1-?t*? o? Am?**!" ' >K? BENEFIT EXTRAORDINARY SCHUKANN-HEIHK LEONROTH1ER | MAX GECNA .--.- i_ Optra Ct il.--.? KATEVANNAH KATHRYNLEA t- * i* ?> omm e?a?o?m? pm? .JOHN O'MALLEY MAX P1LZER \ ? MYRIAMEDEROXE HELEN BADCLEY ? r. ?. a??..-??? Vira "P.? Dataai EMM BRICE WEYMAN and Aero Squadron rhoru?. Wr?au!lr.? B-jut, Dr B F. R-?:>r ? Tommy Draal, stA o*t-?r* r?**i??tra under -?lr*>-tlen -t ?If. Na*i?n Fruit? *?**-*ure Seats Earlv at Box Office Mr. 11. f *- ? .... I i Rixir LOEW'SNEW YORKTHEA._ atiere the (~rxi- Mtgm? Air Bringt Comfort ? : a M to 11 F M Roof to l A. M. Mary MU? M In ter. i'?- ?f tbo A Hey." Loew'? American Roof jjjj g ,.' ? ', Th- R?/Vt?a?lat .*??a*t Brr-eres Art Here. IWinnln?; T??-? ORROW (MO?.) M?.HT ??TME CREATE? OUTY 0??raa?*?. AU *?*ata Intel A O?. Mil.*?? G?*??? G~? K?.-f?.,l A GrMvIII? aal "> ??Mar?, -i. J3. Ml -fn-M-ituer WE AMCRICA? CREATIST FUT*?ouao PAWNEE BILL'S ? HINKFK BATI ,. r-ar'.r.a I?ara" *?i Atla-iM | r-illla? <*orcy isitwo FREE \tlr .?-lion? i?.-., i.a i * ,*Ul*T 1 liavnd F*. *. | t ?nrert. WEH YORK'S IKAOIM. TllKATRrj^ iCOIlANMIII?, '^?Aysr-, ' tMt^Arty'StAAy . V Mats *A-J A Pa' . ? '.*> "ThE BEST REVUE NEW YORK HAS SEEN IN MANY YEARS." in in'site *???? bt atan mw - ?. ?";->.? ? Staa-M r-y .lull.-. M - ?? A V T?.. .?.t kMSlSfSI RajTaond ?i.ic.K*,:k Grace La Rue Wm. Rock & Frances Whi'e Leon Errol Irene Bcrr,o?i? a \| /.? ILL *>T\K ItEVITV (H?)KM Winchell Smith & John L. Golden RfTORT THAT 553,297 MEN. WOMEN ?AND CHILDREN HAVE BEEN TICKLED TO DEATH AT Tyrn&S-Mii. heavy engagement still on gaiety;-^ rnr.> tiu> tit