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NEWS AND NOTES OF PLAYS AND PLAYERS Wanted: Three Twins By Harriette Underhill Clifton Crawford suffers from stage fright! That is why he won't do "Gunga Din" any more nor sing "Come into the garden, Maud." And this isn't something that somebody told us who knew a man who knew Crawford. It is something which he himself told us. All of the interviews which we ever have read with Mr. Crawford stated, principally, that he used to be a golf instructor. So we made up our mind that we should not let this startling fact embellish our tale, and then it crept in?but it happened like this: It was in "Fancy Free." The first act was pretty.well along and Albert Van Wyck, alias Clifton Crawford, had not appeared. Every time you thought it was his cue to come on a pretty girl would rush up to the hotel clerk and ask for Mr. Van Wyck, and then he would non-appear again. The idea was finally forced upon us that he was trying to dodge the girls. Heavens! What if he should succeed in dodging them all night? What would the show he? We like chatter and pretty girls and dances by Jack Mason, but we do tire of them sometimes, and we never tire of Clifton Crawford. But he finally appeared, and then, in just a minute, the curtain fell on the first act. Or so it seem?L In fear and trembling lest he should' not recite "Gunga Din" nor sing "Come into the garden, Maud," we trailed him to his dressing-room and learned, firstly, that he would do nei? ther of those things, and, secondly, I that the reason was because he suf- ? fered from stage fright. We agreed : to let him off with Gunga if he would | but wander once more in the garden *ith Maud, but he remained obdu? rate, ?n one of his scenes Cawford likens himself to "a worm crawling I along on his little journey," but if he | is a worm he refused to turn. Never ? again would he recite nor sing, and i this is the reason?stage fright. "Why, do you know that at one of ; my recent appearances they called for { some of the old stuff, and right in the middle of it I forgot my lines?blew j UP' Yes, sir. Just as completely as though I never had heard a word of it before. I can't do the old stuff. I'm ' frightened, that's all, and I never . made a speech of any kind in my life ! until I had to make Liberty Loan speeches. I don't mind that, now, for . no one cares what you say, but it was ? awful at first. "Yes, I'm Scotch, and I've been here for twenty years, though I would have ; been back in England these many ? F?ars if I'd had my own way. I was I ?orking in a Dillingham show at the ?id Victoria Theatre. They decided to Put the show on in London, and *nen I expressed my delight to Mr. Dillingham he said: 'Oh, you're not! ??ing back. We Bhan't take the j chorus.' And so I remained behind ! and went to work in a haberdasher's [ 'hop. Fortunate for me, too, oy I probably should be in England now, earning, perhaps, ten pounds. * was born in a profensional at mo?phere. All of my people were *t?ge folk, and the only reason I be AMUSEMENTS LOEWS NEW KORK THEATRE f0.W5| ?lOl.A da.VA, "THE ONLY KOAl>."j Kv/iv.i. C " "BOi Ktm-y KwDlng at 8:13. KSS???!*.,NO '*'<*? MOKKOW (MON.) KV. 1 ?Y, ?l.K,s- 'AL. K. HAM. [ AUKiatai &*?&?. %A??ER' BUNCK ?Reserve?] "AMU*, ? 01 il Mi BIO ACTS. M. 35, 50 i came a golf instructor after I came to America was because the managers were not sufficiently impressed with me to give me a trial. I could have managed all right if I hadn't had to eat, but, unfortunately, I did, so I went to work, doing anything I could find to do. That was the time when I thought that the original made-in America article was the marble heart. But I've changed my mind since. America has been very good to me. But I want another 'Three Twins.' Can't you find me, or better yet, write me, another 'Three Twins'?" Write "Three Twins"! Why, man alive, we couldn't even write one of them, but we didn't say so. Touched by this pathetic appeal, we promised to try; so any one who has twins, pref? erably three, for sale may dispose of them to Clifton Crawford. "Man Who Stayed at Home" Not Improbable The recent advent of German sub? marines along the Atlantic Coast re? minds one of comments made earlier in the season about "The,. Man Who Stayed at Home," at the Forty-eighth Street Theatre. The plot of the play is centred around the activity of Ger? man submarines which have been or? dered to destroy American shipping and transports. Until now people have not treated the play seriously. "It is very exciting and interesting, hut, of course, impossible," was what they Baid. With war no longer 3,000 miles away, "The Man Who Stayed at Home" has an added appeal. Not only does it out? line the German determination to de? stroy American commerce in the At? lantic Ocean, but it points out that Teutonic spies are on all sides. Last Tuesday night one hundred members of the Department of Justice in. New York attended the performance of "The Man Who Stayed at Home" In a body. The entire story of "The Man Who Stayed at Home" revolves around a se? cret plant for wireless, hidden in the chimney place of a summer hotel, and installed to report the movements of troops. Sunday Vaudeville One of the best and most thoroughly diversified Sunday vaudeville bills so far offered to the soldiers and sailors spending their week end in this city is announced for the Casino Theatre this afternoon. Mabel Beardsley, director of the amusement department for the New York War Camp Community Ser? vice, has formed a programme consist-, ing of the principal characters in "Biff Bang" and the orchestra, with the leader; Earl Fuller's jazz band from Rector's, featuring Ted Lewis, the singing comedian, John Dooley, come? dian, and others from both the legiti? mate and vaudeville stages for to-day's ?matinee. "Your uniform is your pass" will take the place of the regular box office, the entertainment being free to the men in uniform. AMUSEMENTS MIDNIGHT REVUE sTll,30 "THE ENI> OI-' A PERFECT DAY" Where Bmart New Yorker? Nightly Gather DOLLY SISTERS Have You See? I GEORGE THE DOOLEYS? ! WHITE OTHER TOUNQ UTAHS AND 80 Moet Ueautlful Girl? In New York. I'huno Colvirobiu shoo for table nervations. Urov? Open for Ueneral Dancing 10:30 P. M Postcards That Cost $10 Unlike New York and other large I American cities, there is no centralized j theatre district in any of the South j American towns. In Buenos Ayres the best theatres are spread about all over the city, and the stranger who has been living in and near the business section will be surprised to find that some fashionable theatre is located miles from the Colon or Coliseo. It Is claimed that having no centralized district for amusements is one of the discouragements of ticket speculation. But speculators in the Argentine have found little profit in the game. The government does not hesitate to get after all such brokers, and any one caught selling theatre tickets at an ad? vanced price is fined or jailed. j Again, the public has impressed on government officials that the opera and drama are not things for brokers, mid? dlemen and thugs to control. Any public officer who favors such knows that he stands little chance for re? election. It is a pleasure to go to a gala per? formance at any Buenos Ayres theatre. If the house ha3 been sold out one can depend absolutely upon it. There are no chances for purchasing tickets at some hotel or side door shop at three times the original price. There aro ? many games of chance to be played in j all Latin-American countries, but the- i atre tickets are the property of the public. A few years ago a certain ! American came to Buenos Ayres and j went into the novelty business. He opened a unique little store on Calle Florida, and in a short time attracted I considerable trade. Not finding busi? ness as profitable as he would like it, the brilliant thought came to him that a few opera tickets sold at advanced prices might boost his bankroll. One morning there appeared in his show window a basket of picture postcards. The cards were marked $10 apiece. Such a price for a postcard naturally attracted the attention of the curious. One man, wanting to "get wise" to the newcomer's scheme, entered the shop and offered to purchase a card. The salesman stated that there was a prize with each purchase, and when the sale was completed a pair of opera tickets was handed-him. This was im? mediately reported, the proprietor of the shop arrested and heavily fined. When asked why he had taken such a chance he stated that he was of the impression that a merchant had a right to sell his merchandise at any price I he pleased, and if he wanted to give his purchasers a couple of theatre tickets as a little present, it was no business of the law whatever. But the | Argentine courts could not see this ! man's side of the case, and the fine im posed was sufficient to convince him ; that ticket speculation under any guise j was not a business'that would yield profit. But it is to the newspapers and their music critics that the theatregoing public of Buenos Ayres owes its pro? tection from ticket sharks. "La Prensa," the most powerful of all South Ameri? can papers (and one of the most power? ful in the world), started a crusade against ticket speculation years ago. No matter how small a man may he in business, just so soon as he attempts to make money out of theatre tickets "La Prensa" will come down upon him so hard and create such public opinion that it is best for that person to pull up stakes and move to some other city. Some of the theatres charge very AMUSEMENTS KJEITH'S RIVERSIDE At 8? St. Two Big Sunday Concert?. Week Juna_1?. The American Comedienne Miss IRENE FRANKLIN and Mr. BURTON GREEN In a repertoire of New Bones. _ Crawford* Broderlck|Kennoy * Nobody "CHARLES WITHERS & CO. in 'Tor Plly't 8ake." Ma?folT-lVADIE A GYG??O'? Ir. Their Repertoire of_ Clsiwlcal M a? toi pi euer ; duran | Eddie I WUltau? & N'ewell I Miller Duo | Kerry RAY SAMUELS "The Blue Streak of Vaudeirtlle." low scale prices, and when a house establishes a reputation for fairness the manager sees that it is deserved. It is true that the Argentinos know more about the people of the States than Americans know about the Argen? tinos. In all the big technical schools one finds numerous South American students. These students aro frequent New York visitors, and, as a rule, they spend money freely. They are fond of our theatres, and when some of them are forced to pay outrageous prices for tickets such news soon gets back to their homes. The Argentine stu? dents are fond of their northern school chums and many an American boy owes his good position in Buenos Ayres to some classmate. The one advantage the South American student has is the learning of the English language. JOHN LYMAN. JIOSHANARA one of the features of "Sinbad" at the Winter Garden AMUSEMENTS AMUSEMENTS Mat. Daily at 2 25, 50^ 75c. 2,000 CHOICE SEATS, 50c. Except Sat. and Holiday?. B-r-KBitrs BROADWAY'AMP 47*"ST EVERY NIGHT 25, Se, 75cJH, $1.50 1,000 ORCH. SEATS, $1.00 Except Sat., Saa. and Holiday?. TWO 1HO CONCERTS SUNDAY, 2 and 8 P. M. | Beginning Monday, Jnne 10. ENGAGEMENT DE LUXE?THE STAR OP MANY BROADWAY SUCCESSES Christie McDonald Assisted by IRENE ROWAN and WFMJLAM HAIO In a musical fantasy, "CUPID'S MIRKOK" EXTRA ATTRACTION?THE FAVORITE BLACKFACE COMEDIAN JACK WILSON Assisted by BBN'N BARR and GLADYS MOFFATT In "AN IMPROMPTU REVUE" Extra Feature?The Unsurpassable Exponent of Choreographic Art ALBERTINA RASCH PREMIERE DANSEUSE ETOILE Asslstftd by M. CONSTANTIN KOBELOFF and CORYPHEE? REGINA (Extra Feature) RUBY CONNELLI& CRAVEN in the Washington Square Players' Surwaa, "MOQNDOWN," by John Reea. HERBERT ( Extra Feature) HILDA WILLIAMS & WOLFUS in Their Comidy Classic, "HARK! MARK! HABK!" T> \T>? I ADDED ATTRACTION Si?n? JACK DONAHUE & STEWART ALICB JJflUa. I_In tha Big Scream. "NATURAL NONSENSE" KARL EMMY'S PETS EXTRA ADDED FEATURE. JOS. HART presents HOBART BOSWORTH In "THE SF.A WOLF," JACK LONDON'S IMMORTAL TALE OF THF SPA WITH AN EXCELLENT CAST OF PLAYERS. Ever See a Fat Vamp? There's a very pretty, more than plump Nemesis in that youthful comedy "Seventeen," at the Booth Theatre. She gets Willie Baxter?or rather Willie gets her?when he comes In late to the party and finds all the other girls with their dance programmes full. Agnes Horton is her name and teaching school was her vocation until Stuart Walker met her one day and found her suited to her present r?le. Miss Horton does not shrink from the epithets "fat" and "enormous" and the ; signs of compassion that are wafted to Willie Baxter. "I don't mind being as big as I am," said Miss Horton, in her dressing room, "as long as there's a place on the stage for big women. And there must be. Count them up, there's any number of them." Miss Horton does not intend to be a comedienne. She wants to create a new r?le. But the play, ye dramatists, has yet to be written. The play must be romantic; none of your soul-search? ing up-in-the-air tragedies. And this is the most important item to be kept in mind: the play must be woven around a fat heroine. Miss Horton is looking for just such a play. "Why not?" asked Miss Horton. "No one ever admits or even considers for a moment that a fat woman has a heart and wants just the same things that other girls do. But that mustn't be the topic of the play. I want to forget that I'm overweight and to make othera forget it, too. You don't laugh at all the skinny, bony people on the stage; but let a fat man or woman come out?the audience laughs before he or she says a word. "And if you think fat people were [ created solely to laugh at, look up your history. There's Balzac; his j weight didn't prevent him from writ I ing. There were heaps of fat kings. I And living at the present time there I are a dozen men and women who are ' both fat and famous. One's a writer? ; Irvin Cobb. Another is a poet?a ! woman, and they say she has a special ' chair she takes with her when she : gees to a banquet. Think of Tetra zinni. It never affected her voice. ; There's Trixie Friganza, of course, and i Eva Davenport; and even Ellen Key, judging from her photographs, isn't a small woman. I don't mind being classed in such good company." But, all joking aside, Miss Horton is ambitious; and since sh.e has given up all hope of ever changing her style she wants to hear of any opportunity for work along serious lines. "Yes, I know the saying, *Nobedy loves a fat man?or a fat woman.' But I've noticed that everybody likes them to be around. Did you ever see ar fat vampire? There's an idea for you," said Miss Horton, delighted with the inspiration. "I want to be a fat vam? pire, and a successful one, too." AMUSEMENTS AMUSEMENTS AMUSEMENTS NEW YORK'S LEADING THEATRES AND SUCCESSES 294 TO 301 TIMES L Y C E U Presented by DAVID BELASCO AT THE as W. 45 ST., B' Eve. 8:3?. Mats. Thurs. & Sat. at 2:3?. CAST INCLUDES: L.ENORE TjLRIC, WILL IAM COUKTLEIGr*. BER? NA HD McOWLN, THOMAS FIND LAY. PEDRO <ie COR DOBA, EDWIN HOLT, CALVIN THOMAS. FUL? LER MELLLS11. ARTHUR J. WOOD. JEAN FERRELL. NUBS.HU e Distinctive beautiful P/jy/lOJSe' TeLBrranl-74lO Ewsa!* Mali-munySat230 LAST WEEK BILLIE PURKE HENRY MILLER LOWELL SHERMAN LUCILE WATSON FRANK K. COOPER FREDERICK LLOYD in A Marriage of Convenience ^^^AUAftll THEATlte M. VAJWPJlr^ ewAy?w?43?st EVES 8?? MATS. WED am) SAT. 2-30 Tl THE SHACKIH? MUSICAL SUCCESS jBgokbaPKDteGaesaC Music bqSWO HE? THEATRE. W. 42 St. KLAW & EttLAXfiER. Mgn. E\enlncs. 8:15. M&tlnees Wed. and Bat.. I:15. PRICES 60c to $2.00 esccept Bat. Nichts $2.50. NEW AMSTERDAM LAST WEEK AT THIS THEATRE KLAW & ERLANGER'S RADIANT MUSICAL COMEDY The RAINBOW GIRL by Rennold Wolf (Founded nn Comwly by Jeromo K. Jerome). Music by Lou'.* A. Illrsch, CONTINUING ITS SENSATIONAL T~~l?^ SUCCESS NEXT WEEK AT THE ^^ GAIETY THEATRE ( 5SF$7 ) SAME BIG ORIGINAL CAST, CHORUS & PRODUCTION! SEATS ON SALE AT THE GAIETY TO-MORROW NEW ArtgTEROAM THCWTtE ROOT V. tkg?? St MgETtNC PlACt Of TH1 WM| JUNE 10th?FOURTH ANNIVERSARY GALA WEEK?SIX BROWN BROTHERS rsr PMJSIERD?M {THJEAlR?? ?S?XT;'T#l:U;RS;?^vATil9?A;'.:M. '?Kfii?Jfelfl r:'ST'-' E TG ..HT *EEKS OF FIRST.PERFORMANCE [ Wf?l??t?ffls' jmm%l AMERICAN somn OF RECENT YEARSi JIBEI??Y COHANs HARRIS THEATRE TWEAIP6->WA2??r Klawltriander Managers' Eves 820 Mafff Ved ?. Sah al- 220 COHANS HAD?S pro?enf 3 First in Mus i o, Lsuqhter, Fun? First in the Heart of Evenjone. ?FUL1 FULTON rriEATRE, B'way 4? 8t. 1'hone Bryant 700. Ets. 8: Mats. Wed. & Sat.2:20. ACTORS & AUTHORS Theatre presents Four One Act Playa BEG. TO-MORROW EVE., 8:20 "MUGGINS" wlth "Katnfeobd "THE BEST SELLERS" with EDITH TALIAFEBRO "NOCTURNE" "^?SSSS M. and Mme. Edouard de Kury?o In National Character Dances. "ART'S REJUVENATION with HARRISON BROCKBANK and HAL FORDE HUDSON THEATRE West 44th St. Estate of Henry B. Harris, Mrrs. SALE OF SEATS TOMORROW FOR * LADIES' ANNUAL * _LAMBS' GAMBOL EMBRACING ALL THE BEST FEATURES OF THE YEAR'S SERIES OF THE LAMBS' PRIVATE QAMB0LS AMONO THE MANY VOLUNTEERS. THE FOLLOWING WILL APPEALS'! FRIDAY EVE., JUNE 14th. De Waif Hopper Joseph Grismer Georg-e North Arthur Draxun Joseph KUcour O. F. Outcault Doyle & Dixon Frederick Burton Herbert Corthell Malcolm Duncan Eddie Fo.v Morcan Coman Edwin Milton Royle Frederick Ward? Ernest True* Leon Errol George McManui Tom E. Power? Ralph Ince Robert Ober Scott Wel?h George Howell Thomas B. 1'indUy Donald Brian Frank Belcher William Danforth Earl Benbam Kduard Farle K. H. ?uncirte - H. Cooper Cliff Frederick Tl Jed Prouty Rube Goldberg H msor Mcliiv Walter Cat let t Percy Wenrlch George Mack Edwin Mordant Frank Moulan Carl Gun forth Glen Hall Andrew Mack Raymond Hitchcock Ignacio Martin? Taylor Holme? Hy Mayer Claire Brian Oswald York? James Doyle Wm. J. Keller Efflngham Plato Frank < mi it on Sam Hardy Chas. A. Prince THE SAME BILL TOi SAT. MAT., JUNE 15, Y. M. C. A ?OR Th!S BENEFIT SAT- EVE" JUNE 1 5? RED CR<>SS OF the foi?owlngSUN. MAT. STAGE WOMEN'S WAR RELIEF R GAN I z at ions SUN. EVE., JUNE 16, ACTORS' FUND GLOBE THEATRE By & 46 St. Eva. 8:2? Mats. Wed. & Sat. 2:29 "Funniest Man in New York" Louis Sherwln, Glob? RAYMOND HITCHCOCK presents himself in HITCHY KQ01918 New Summer Kevut by ?LBN McDONOUCH and RAYMOND HXBBELL WITH LEON ERROL IRENE BORDONI ALSO A Chorus of 40 Under 20. A.M.WOODS Prmnd # TKI PUN FEAST fa .?MthFLQ&ENCE MOORE " BFPHHI ?fTWCATRE W42VSTI