Newspaper Page Text
NEWS AND NOTES OF PLAYS AND PLAYERS Opera in Buenos Aires fbe opening of theiopera at the: Teatro Colon not only marks the be- ; finning of the Buenos Ayrcs social ; ?id theatrical season, but that of all , those countries south of the Tropic of ! Capricorn.. Now if there is any one ; thing the Latin American loves it is | locial life. The poor and the rich let j nothing stand in the way of their pleasures end they enter into them, with a spirit and a vim that gets them the most from life. The opera, the races, the interna? tional football matches, the airplane ahibition, yachting and motor-boating all afford activities for a continuous round of gaiety. From May to the mid? dle of September the Argentine hostess il a busy woman. To add further to her social duties, she closes the town house, and if she does not speed over to London, Paris, Milan or Madrid, she ?ill spend her summer at some fash? ionable seaside resort or exclusive hotel high in the peaks of the Andes. The opening night at the Teatro Colon is a society event, unsurpassed ?n either Europe or in New York. The opera house itself is one of the most hetutiful in the world, and the people it Buenos Ayres pride themselves on it It is an edifice that requires an en? tire block, and is fronted by a beauti? ful little plaza, which gives the on? looker an opportunity of viewing the building and enjoying all its architec? tural beauties. On both sides of the hilding there is a covered driveway, M that the boxholder on arriving may itep from the automobile into an eleva? tor which carries him to his tier. Owing to the reversal of the seasons the Argentine society woman has the idrantage over the European and North American to the extent that she is first to wear the season's latest style gowns. Of this fact she is immensely proud. is a rule she goes to Paris during the months of February or March, secures her gowns from the best dressmakers, ?ho for years have made it a point to eater to her wishes, so when Bhe re? turns home she brings with her the ?tyles which will be in vogue in Paris, New York and London the following ?toter. To be sure, the Argentine society ??nan somewhat overdresses. She ??a? jewels lavishly, and her diamond ud pearl necklaces cause envy to some si our golden horseshoe set. She is also *erjr fond of face powder, very white, ?nd when the lights shine full -this fives her anything but a healthy^p rttrance. For those who subscribe for ?seats * the orchestra and balconies, the font of the house is the only entrance, *>d ?any of the new set of millionaires **e only too glad to be counted as or ??wtra subscribers. So on these gala sights one will see at the Teatro Colon '*? ?udience that not only dazzles the *W from the standpoint of*wealth, but *" ?udience that fully appreciates ***i opera. Even in the galleries and *Bong the standees fully three-fourths *? So evening dress. Moat of the people of South America **? ?f Spanish descent, but they are [, ??t fond of bright colors. One would *tok- the Colon operagoer would ??WO her hats and hair with gayest "***? and shawls of many colors, ?tt black seems to be the color most **"?? ?ven among the younger set. At * t?U performance at the Colon the ???fence seems rather cold. There is **?? display of the enthusiasm shown ?*?? occasions of the popular priced !-****> when every one gives full vent ^?motions, either cheering an artist ^Sggg_ i ? m for five minutes or hissing him off the stage in short order. During the intermission at all per? formances the visitor cannot help but notice the curiosity of the men in the orchestra circle. To know who are in the boxes affords keen-delight, and it is not an uncommon sight to see, during an intermission, the orchestra pit practically filled with men training their opera glasses toward the occu? pants. The same thing takes place at the back of the house. During the next intermission those who had occupied the orchestra pit will exchange places with those who observed from the rear of the theatre. The Argentinos are very fond of the old florid Italian opera, especially those that call for coloratura r?les. "Lucia," "Hamlet," "The Barber of Seville" and such never fail to attract crowded houses. They also insist upon having only the best singers, although they delight in hearing new artists. New and modern productions must pos? sess exceptionally melodious arias or the opera is a failure. In so far as hearing the world's best artists the Argentinos boast that sing? ers like Caruso, Amato, Tetrazzini, Bori, Barrientos, Rosa Raisa, Ruffo, Crimi, Galli-Curci, Rimini and a host of others who are now prominent in America were known in Argentina be? fore they came here. There have been some American singers who have won success in Italy and who are also favorites in the Argentine capital? namely Edward Johnson and Charles Hackett. "Eddie" Johnson, as he was known to comic opera lovers here a few years ago, is a great favorite. He is known to the operatic world as Edouardo di Giovanni, and it is ru? mored that he will sing in America next season. The following is the repertory the impresarios hope to give: "II Tabarro," Puccini; "Louise," Charpentier; "Prince Igor," Borodin; "Les Chemineau," Le- j roux; "Suor Angelica," Puccini; "Jaqueline," Marinuzzi; "Rebeca," C? ear Franck; "Tucuman," Boero; ! "Gianni Schicchi," Puccini; "Petronio," \ Gaito; "Cenerentola," Rossini; "La ! Norma," Bellini; "Marouf," Rabaud; j "Samson et Dalila," Saint-Sa?ns; "Car- j men," Bizet; "Werther," Massenet; j "Thais," "Otello," "Favorita," "Il Bar- j biere di Siviglia," "Manon," "Falstaffo"; j "Orfeo," Gluck; "Don Juan," Mozart; j "Francesca da Rimini," Zandonai; "He rodiade," "A?da," "Les LHuguenots," "Faust," etc. It will be noticed that some of the productions have never been heard in this country, and perhaps never will be, for it is a well known fact that the peoples of the two countries do not always possess the same musical tastes. Puccini and Mascagni are great favorites, and any of their new operas always causes more or less musical excitement. JOHN LYM^AN. Margot Kelly Joins "Oh, Lady, Lady! !" When Margot Kelly makes her first appearance on the stage of the Casino Theatre Monday night as the modiste in "Oh, Lady! Lady!!" the spotlight man is going to have an evening off. They will not need a searchlight to focus on Miss Kelly. Her red hair is of the sun kissed variety, resembling the scorched corptassels in a field of waving stalks; it is brighter than the brightest rubies; it sparkles ?n the sunlight like the set? ting sun over the distant horizon on %v hot summer's day, and it is without doubt the brightest and the reddest hair that ever dazzled Broadway. Little Miss Kelly came from Eng? land two years ago with a farcical of? fering called "A Little Bit of Fluff." I AMUSEMENTS j AMUSEMENTS ew York International Edition of Science, Arts and Industries NOW PERMANENTLY OPEN ?*HJE BAST 177TH STREET SUBWAY STATION AND THE BRONX RIVER OO Arr?FS ot ??**?'bU?. recreatloa feature?, *?? ^?V^AxJEiiJ a^j amusements of the better clans. CONCERTS RV THE SEVENTH REGIMENT BAND. 1:80 P, M. and 8 P. M. WU/? ACULAR OPEN-AIR ENTERTAINMENTS AFTERNOON AND EVENING. LARGEST AND FINKST SEA WATER SURF AND j SAND KK.KH BATHING POOL EVER CONSTRUCTED. WMMING RACES AT 4 P. M. TODAY AI??A8,OCUB a??K?? ?ROXX PARK SUBWAY TRAINS TO 177TH STREUT STATION? LJ&RFAi'K UNE LEADING TO H'EST FARMS SQUARE. N. V., WE8T -* BOSTON? 1S0TU STREET STATION. "Getting Together" Has Two Regular Soldier-Act ors r There are two genuine veteran sol? diers in the musical war play "Get? ting Together," at the Shubert, which is presented under the auspices of the British and Canadian recruiting mis? sion. One of the characters in the play, Lieutenant Gitz Rice, is vplayed by Lieutenant Gitz Rice, a veteran of the first Canadian contingent. A Scotch piper, who is a picturesque figure in the recruiting scene, is Pipe Major McKenzie Baillie, who has been forty years in the British army. These men are in actual war service, because they have been detailed to duty with "Get? ting Together" by the British War Of? fice, and they merely walk off the street to assume their stage duties without the necessity of changing cos? tumes or making up. Lieutenant Rice was with the first Canadian contingent in France and saw twenty-two months of very hard fight? ing, and, starting as a private, won his commission in the field. In the first Battle of Ypres he was with a battery of four guns, two of which, with a majority of the crews, were lost by direct hits. One shell exploded within two yards of Rice, but he es? caped injury. Later he was gassed and invalided home; then attached to the staff of the British and Canadian recruiting mission, and by the mission detailed for duty with "Getting To? gether." He is the author of the songs in the play, three of which he sings himself, including the famous trench ditty "Keep Your Head Down, Fritzie, Boy," in the singing of which the audi? ences at the Shubert are joining with considerable zest. Pipe Major Baillie served with the Royal Marine Artillery and the Black Watch. He was in the bombardment of Alexandria and was in the Soudan when Great Britain was endeavoring to relieve ..Gordon at Khartoum. ??-m In Vaudeville PALACE?Fritzi Schcff, Charles Pur cell, Edith Taliaferro in "The Best Sellers," Ryan and Lee, Marion Craig Wentworth'a "Bonfire of Old Empires," Bernie and Baker, Moss and Frye, and Garcinetti Brothers, novelty hat throwers. ; RIVERSIDE ? Sophie Tucker, Jo? sephine Victor in "Maid of France," Johnny Dooley, Fitzgerald and Senna, Gould and Lewis, "Art Impressions," "Motor Boating," Joyce, West and Mo ran, and Richards in "Dainty Dancing Types." ROYAL?Rooney and Bent, "Too Many Wives," Williams and Wolfus, Ames and Winthrop, Edna Luby, "Melody Garden," Scarpioff, Russian boy tenor, and Varvara, boy pianist, and Frank Shields. LOEW'S AMERICAN?H\ll and Ro thier, Al. B. White, Hippodrome Four, Dolce Sisters, Nan Sullivan and com? pany, the Hayatomas, and others. In Brooklyn BUSHWICK ? Clerk and Bergman, Eddie Dowling, "Nature's Masterpiece Ideal," champion woman fancy swim? mer and diver of the world; Dudley Douglas in "Some Bride," "The Avi ate-Her," De Henlere and Delere in "Pianoflage," "On the Fourth Floor," the Shirley Sisters, and Jean Duval and company. NEW BRIGHTON?Bessie McCoy Davis, Walter C. Kelly, Elinore and Williams, Bennett and Richar.ls, Ralph Dunbar's Tennessee Ten, "Ten Minutes of Melody," and Harris and Moroy. AMUSEMENTS AMUSEMENTS Mat. Daily at 2 25, 50^ 75c. 2,000 CHOICE SEATS, 50c. Except Sat. and Holiday?. BROADWAY aw> 47~STI EVERY NIGHT 25,50,75c. $1, $1.50 11,000 ?RCH. SEATS, $1.00 Except Sat., Sun. and Holiday. TWO BIG CONCERTS SUNDAY, 2 and 8 P. M. Beginning- Monday, July 1st. ENGAGEMENT DE LUXE FRITZI SCHEFF The Brilliant Prima. Donna _In a New Repertoire of Superb Selections. EXTRA ADDED FEATURE EDITH TALIAFERRO & CO. in "THE BEST SELLERS," A Musical Fantasy in One Act by Kenneth St Roy Webb, The Outstanding Success of the Actors & Authors Theatre. EXTRA ADDED ATTRACTION ben RYAN & LEE harriette In the Comedy Skit, "Hats and Shoes." Marlon Craijjr Wentworth presenta "BONFIRE OF OLD EMPIRES" A Patriotic Play. EXTRA FEATURE SIGNOR ADOLPHUS & CO. in a Classic Dance Offering-. EXTRA FEATURE Ben ? BERNIE & BAKER ? Phil Syncopated Funsters. EXTRA ATTRACTION MOSS & FRYE "Laugh??What's the Idea?" GARCINETTI BROS. PALACE NEWS PICTORIAL ENGAGEMENT EXTRAORDINARY CHARLES. PURCELL Star of many Broadway Musical Successes, in an Attractive Offering. NEW BRIGHTON ^Zftal** ?BKIGHTOX BEACU.-WXk Jnly 1? -Tti? HAUAVAUA. ti?ttL, *-' BESSIE MeCOY DAVIS in a period dance review assisted by Thou. Conkey & Henry Coote. WntohTfA biKtk?Cfl ?"i^LoriFi?'milCkrS im? & HKKETS GALI,AGHKK and company of ten In "The Girl on the Mayatlnc.' .ELINORE&WlLUAM?l 1 HAfcftlfl & K?KteV-' Wll.yRKlVDt' BO\sTWlTT& WIXTiEB ^WSLTER t J?EL?Tl KEITH'S RIVERSIDE At 96 St. Two Big Sunday Concert?. Week July 1. SOPHIE TUCKER and Her "Five King? of Syncopation." JOSEPHINE VICTOR in "Maid of Prance." JOHNNY DOOLEY Lillian Fitzgerald _|_Cold k Lewis "~ BenyVCUffordi_| "Motor Boatiai" Joyce, West ft Moran | Rickard? COLUMBIA BTH WEEK HELLO AMERICA! AND STILL CROWDEDJ TO THE DOORS EVERY1 AFTERNOON and NIGHTI ?TW1CK DAILY SEMON M&ta. 13-25-SOc. I t>.Ml>Kl.NG Ntghla 25c to $1.00. I PERMITTBDl AU?REYM.KENNEDY'S lYMPH? THEATRE 95tHST.& BROADWAY Commencing To-day TAYLOR HOLMES IN "RUG?LES OF RED OAF" * SYMPHONY ORCH. OF 52. Prices: Afts.. 25c Children, 10c Nichts, 60c. Loares, 00c. Boxes, 80c msmmmmmmsmmamBm LOEWS HEW YOR< THEATRE f?. f?>% Coot 11 EMILY _ M. to 11 P. STEVENS, ' M. Roof "to T A. "at A Man'? World." Loew's ?roer can Roof EWry aWing at ?St - II i All Seat? I Reserved ?!.-i K5. SO Hippodrome Four ??-J and.7 other big: act?. ? AMUSEMENT PARK OWOSITE WEST ISO^SL r&RRV 6m Water Suri Bathlug. Now Opeo. Shuberts to Move Theatrical Centre Up Another Notch With the erection of the new Apollo Theatre, at Forty-seventh Street and Broadway, by the Messrs. Shubert, to be completed this summer, the theat? rical centro of New York has been moved another notch further north. The Shuberts were the first to establish a first class theatre a3 far north as Fif? tieth Street and Broadway when they erected the Winter Garden, and this was followed later by a number of the? atres in Forty-eighth Street. The Shu? berts have contributed more than any other management to change the theat? rical centre of this city to different localities. When they first came to New York, fifteen years ago, their the? atre was the Herald Square. This was followed later by Daly's, at Twenty ninth Street and Broadway; the old Princess, and the old Bijou, in the vicinity of Thirtieth Street. Then they moved further uptown and turned Thirty-ninth Street into the theatrical centre by taking the Casino Theatre and building on Thirty-ninth Stneet the Thirty-ninth Street Theatre, the Max ine Elliott Theatre and the Princess Theatre. Next they took the Broadway and built the Comedy and the Lyric theatres, thei'eby invading the neigh- ' borhood of Forty-second Street. She Was Shanghaied Shortly before the Selwyns opened "Rock-a-Bye Baby" at the Astor The? atre for one of those all-summer runs which along about next November is going to start the pres3 agent to fig? uring what he'll give away at souvenir performances, they announced chat as far as possible they would bring some brand new faces to Broadway. And that sophisticated thoroughfare smiled, shrugged its shoulders and said, "Where, oh, where do you expect to find these hitherto undiscovered dainty bits of youth and beauty?" Broadway is still wondering where they came from, only it no longer shrugs its shoulders. For the Selwyns kept their word. And here's a little tale which will let Broadway in on the secret of where one at least of the pleasing little strangers came from. Her name is Evelyn Farris and?and, well to put it bluntly, she was shang? haied. Just as surely as in the old, wild days along the waterfronts when j sailors were sometimes pounced on and ' whisked away to a sailing vessel bound for China, so was Miss Farris pounced on and put in "Rock-a-Bye Baby." As it happens, Miss Farris is a New York girl who hadn't a single, solitary desire to go on the stage. That, too, despite the fact that, like most New York girls, she is pretty and pert. But her own scorn for the stage wasn't shared by some of her friends. One of her girl chums had actually run away once and had a little experience with the "drayma." And the girl chum was one of the first to be engaged for "Rock-a-Bye Baby." Rehearsals had been under way a week or more when one day Miss Farris accompanied her chum to the theatre. Demurely she sat down in a corner, well out of the way. That is, she sat there until Edward Royce, under whose direction the play was staged, chanced to look over and see her. Right then and there did the shanghaiing take place. "Here, young lady," said Mr. Royce a bit brusquely, "come over here." Before she realized what was hap? pening, Miss Farris found herself put in line with the other girls, and too surprised to utter a word she began practising a new dance step. Three or four times during the long afternoon she tried to get a word with Mr. Royce to explain that she didn't be? long there at all, but each time it was futile, and then, just when she had about made up her mind to suddenly dash out of the place, what did he do but stop the rehearsal and point to her, saying: "Girls, why don't you do it the way this young lady is doing?" After that?well, honestly, one can't blame Miss Farris for letting herself be shanghaied. ? International Exposition The New York International Exposi? tion, which opens to-day at the East 177th Street subway station and the Bronx River, has a strong bill of out? door attractions afternoon and evening for its first week. It consists of Alfreno, high wire artist; Mme. Torelli's Comedy Animai Circus; Lunette Sisters, aerial dancers; Laddie Lamont, Miss Gertrude Van Deinse, soprano; Emanuel List, bary? tone, and Speedy, the high diver, who makes a 125-foot dive into the great sea water swimming pool. The 7th Regi? ment Band will give concerts twice daily. AMUSEMENTS AMUSEMENTS AMUSEMENTS AMUSEMENTS AMERICA'S FOREMOST THEATRES AND HITS UNDER THE DIRECTION OF SAM S. AND LEE SHUBERT, INC. WIHli?SG?P? Matinees Tues., Thurs. & Sat., at 2. B'way and 50th St. Phone Circle 2330. Evenings at 8. WMATINEE THURSDAY, JULY 4th-q?2 RE-OPENIN g~AT THE 44TH ST. THEATRE _ _ _ AUGUST 15_ AND THEN A VACATION FOR THE WORLD'S GREATEST INCITE! OF LAUGHTER AND INCOM PARABLE COMPANY OF 150 OF RESPLENDENT REVELRY Book tfuslc by WSflgBSfjl? IN A REELING KIOT Staged by J. C. Huffman. by Harold At'.erldge. Bigmund Bomber-r and Al Jolson. AN EXTRAVAGANZA OF EFFULGENT ENTERTAINMENT "Off to California" NOW IN PREPARATION THE P?SSlu? SHOW OF 1918 The Smacking Musical Success oVE TO HIS SUMMER HOME m WiTHAa JgflWS Address Now afidUSISS? ELTIN _B^C^ POP. PRICE MATINEE J?LY4IJ3 IheAt ASTOR TO-NIGHT RED CROSS BENEFIT WEBER & FIELDS TAYLOR HOLMES . "FRISCO" THE HYSONS FLORENCE MOORE GEORGE McFARLANE PRICES $1.00, $1.50, 46TH and B'WAY AUSPICES CHAPPAQUA BRANCH OF WESTCHESTER COUNTY MARGARET ROMAINE VAN & SCHENK BLANCHE RING CONWAY TEARLE LOUISE DRESSER NONETTE ALL-STAR VAUDEVILLE ADELE ROWLAND HARRY KELLY STELLA MAYHEW ALICE BRADY EDNA HIBBARD JACK WILSON $2.00. BOX OFFICE OPEN ALL DAY. MAXINE ELLIOTTS <fl THEATRE. 39lh, E. of B'y. Ets. 8:30. M?U. WeU. (Pop.). Thur. (Pop.) * 8U.. 2:30 EXTRA $1.50 MAT. JULY 4TH llth MONTH A. H. WOODS present? (In conjunction with the Messr?. Shubert) tS THE PLAY BEAUTIFCT. ?iimm By Max Marcln and Cbaa. Guernon. OUI IDC DT The?.. 4?th, Vf. of B'waj.l?w. Anlinrni Phone fcryant 8439. ?S 15 UIIUUL.III mjkj,, vv'ed. and 3at-, 2:15. EXTR?S1.50^??.JJ41JTHURS. ARE YOU SINGlNG'^eeprour Head Down Fritzie Boy"? BLANCHE ?, HOLBR?OK By Ian Hay (Major Beith). J. Hart? ley Manner? and Perolval Knight. Songs by Lieut. (Jltz Rice. wan PERCIVAL KNIGHT LIEUT. GITZ RICE BACK KIIOM TIIK TREX'rHKS AND OTHERS FROM FRANCE AND FLANDERS!! Soldier* 4 Sallirs in Uniterm Half Prl?#. Mat. July 4 (Thurc.) Only One Month Dis lant From an Un? broken Run of One Year in New York The Messrs. Lee & J. T. Shubert Present THE GREATEST HIT IN NEW YORK E John Charles Thomas CAROLYN I JOHN T. THOMSON I ML'UBAT Hook end Lyrics by Rida Johnson Young. Music by Sigmund Romberg. BROADHURST THEA. 41th, W. of Bway Phone Bryant 64. Eti. 8 Mnt?. Thnrs. * Sat. 3 GEORGE BROADHURST -Director CASINO LADY: LADY" "A MUSICAL COMED? MASTERPIKE* EXTRA MAT. THURS. (JULY 4) fi TM MONTH BO0TH??st452 .THE STUART WALKfcR CO IN ? mil M H BOOTH TARrtlN<3iT0H 5 C0M5DY EVENIH&S a30 MATINEES WEOtfSAT HO EXTRA. MAT. THI.W. (JVLX 4) 45th&Bway. Evs.8:30 Tel. Bryant 2?7 f. Mat.Wed. & Sat. 2:30]*< a _ I g THE ?HARTE?TMUXICAL 1 ? COMEtrY on BROADWAY ? ?*^LOUISEDRESSER EDNA?1BEAP,D B DOROTHY DICKSON CARL HYSON ? ? *?* THE PRETTIEST GIRLS m TOWN ? litest seats it Box Office 50*t?29? S TH ST. THEATRE, EVERY DAY AT 2:1? EVERY NIGHT AT 8:1? '?SURPASSING EVEN 'THE BIRTH OF I A NATION' ANO UNAPPROACHED BY I ANY OTHER PRODUCTION." D.W.6rittHh'j HEARTS OF THE ["THE TEAR FOLLOWS THE THRlLTT I THE LAUGH FOLLOWS THE TEAR" | Nights & Sat Mat. 25c to $150 Other Mats, (jjgg- ) 25c to $1.00 BUY WAR SAV1NOS STAMPS 4 I'll MONTH iiniht km "a* n.u stirs ti ' THE END OF A I>ERKECT DAY ? DOLLY I Have Yoo Smm ! CEORGE SISTERS i THE DOOLIES WHITE