New-York tribune. [volume] (New York [N.Y.]) 1866-1924, February 16, 1919, Image 65

Search America's historic newspaper pages from 1756-1963 or use the U.S. Newspaper Directory to find information about American newspapers published between 1690-present. Chronicling America is sponsored jointly by the National Endowment for the Humanities external link and the Library of Congress. Learn more

{
                  title: 'New-York tribune. [volume] (New York [N.Y.]) 1866-1924, February 16, 1919, Page 11, Image 65',
                  download_links: [
                  {
                   link: 'https://www.loc.gov/rss/ndnp/ndnp.xml',
                   label: 'application/rss+xml',
                   meta: 'News about Chronicling America - RSS Feed',
                  },
                  
{
    link: '/lccn/sn83030214/1919-02-16/ed-1/seq-65.jp2',
    label: 'image/jp2',
    meta: '',
},
{
    link: '/lccn/sn83030214/1919-02-16/ed-1/seq-65.pdf',
    label: 'application/pdf',
    meta: '',
},
{
    link: '/lccn/sn83030214/1919-02-16/ed-1/seq-65/ocr.xml',
    label: 'application/xml',
    meta: '',
},
{
    link: '/lccn/sn83030214/1919-02-16/ed-1/seq-65/ocr.txt',
    label: 'text/plain',
    meta: '',
},

                  ]
                }

New-York tribune. [volume], February 16, 1919, Page 11, Image 65
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Image provided by: Library of Congress, Washington, DC

Image: of 70.

Page

All Pages

Issues

All Issues Text | PDF | JP2 (6.6 MB)

New-York tribune. [volume] (New York [N.Y.]), 16 Feb. 1919. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1919-02-16/ed-1/seq-65/>

Newspaper Page Text

By Grenville Vernon
America has a national opera; It Is
not "Mona," it is not "The Canterbury
Pilgrims." it is not even "Shanewis"- -
-t i8 "Madama Butterfly." It is our
?tional opera not because it contains
gtrains of "The Star-Spangled Banner"
? because its tenor is an American
jjgvy officer, but because our public
has adopted it. A glimpse at the
ncestry of the Puccini opera will show
ti,, reasons for its popularity with
our public, especially with the feminine
portion of it The great-grandmother
of the "Madama Butterfly" of Puccini
?nd Illica is the autobiographical ro?
mance of Pierre Loti, "Madame Chry?
santh?me." Now M. Loti is a French?
man, and romanticist as he is, he has
the annoying Gallic habit of facing
facts. The result is that he has paint
sd a charming little portrait in his
"Madame Chrysanth?me," which, how?
ever, would never, never appeal to the
devotees of ice cream sodas who form
the major portion of our Amer?
ican matinee audiences. M. Loti's
mousm? is a practical little body
who frankly sells herself for a
stated period, is not at all heart?
broken when the period is over,
has no ex?H"-'tati?n or apparently de?
sire that her trial husband shall ever
return to her, and is last seen counting
the silver dollars he has given her and
knocking them with a hammer to see
if any are counterfeit. Quite impos?
sible, of course, for an Anglo-Saxon
feminine audience. We want our ribs
tickled so that we may guffaw, or our
hearts stretched so that we may in?
dulge in an orgy of tears. The quiet,
world-wise smiie, at once melancholy
and fay, we do not understand. It an?
noys, it irritates us, it offends our
moral sense. We must have our illu?
sion triply strained, lest unhappily it
should contain even a grain of the
good red earth.
"Madame Chrysanth?me" gave title
to "Madame Butterfly," the story by
John Luther Long, the grandmother of
the opera, and the Anglo-Saxon?let us
say, rather, the mid-Victorian?meta?
morphosis was complete. In the story
we have all the requirements for Amer?
ican popularity?passion disguised by
the wedding ring, the deserted wife, the
wife's fidelity unto death. Whether
these are any more common in Amer
ica than in France we leave to others
to decide; at all events, we insist upon
them in our novels and our plays. And
then, of course, there is?The Child!
Mr. Long's story had offspring in
the piay of David Belasco, America's
supreme theatrical alchemist. Need?
les! to say, Mr. Belasco played up the
"heart interest" for all it was worth,
??i ?cured a success in all portions
o? the English-speaking world. The
play of " Madame Butterfly" is the
mother of the opera. It is of interest
to note that the opera has always been
a greater success in Anglo-Saxon than
in Latin lands. In Italy its premi?re
was indeed a failure, whether because
the music uses Japanese themes, and
was therefore not wholly Italian, or
because of the na?vet? of the story,
opinions may differ. Puccini rewrote
some of the music, and since then the
opera has gained popularity in its na?
tive land, but it has never held the
position of "Boh?me" or "Tosca." In
America, however, we worship it, and
to-day it is given perhaps twice as
much as any other opera. In New York
alone the week before last it was pre?
sented by three different companies?
at the Metropolitan Opera House, at
the Lexington Theatre, and at the
Park Theatre.
The first Butterfly in America was
Elza Szamozy, an Hungarian soprano,
who sang in English at the Garden
Theatre with Henry W. Savage's com?
pany. Miss Szamozy's impersonation
was an admirable one and was the talk
of the town until three months later,
on February 11, 1907, Miss G?raldine
Farrar presented it at the Metropoli?
tan Opera House. From that night
Miss Farrar has been the Butterfly of
Butterflies. Announce Miss Farrar in
"Madama Butterfly," and the suburban
trains are doubled, the Bubway over?
flows, and if it is a matinee, between
the hours of 6 and 5:30 Huyler's turns
itself into a maelstrom. The handker?
chief industry owes to Miss Farrar a
gigantic debt.
But there have been other Butter?
flies. Vocally the most satisfactory of
all was Miss Emmy Destinn. Miss Des
tinn sang the music gorgeously and in
Eastern lands her popularity would un?
doubtedly exceed Miss Farrar's, East?
ern poets have a way of referring to
their heroines as "Oh, moon of my
delight." Of later days Butterflies
have flown in upon us in swarms. We
have had blue Butterflies and green But?
terflies and purple Butterflies. Miss
Marcella Craft was first heard with th<
San Carlo company. Her impersona
tion was poignant, though her voice a'
I times seemed worn. Miss Maggi?
1 Teyte sang it this season at the Park
? She looked the part and sang it beau
? tifully, though she was a little han
and sophisticated. Perhaps M. Lot
would have recognized in her hit
Madame Chrysantheme. Then Mis
, Claudia Muzio attempted it. She wa:
i a Butterfly gigantica, a sort of Jap
, anese Tosca. Of course we mustn'
forget the Butterfly who, press agent
both of Mr. Rabinoff and of Mr. Cam
panini have assured us, is the "rea
? thing"-?Mme. Tamaki Miura. Mme
Miura is a real Japanese, but that sh
,' is the "real thing" may be doubted
Cio-Cio-San, after all, is an Amenj
can who sings Italian music with Jap
anese trimmings. The "real thing" i:
Cio-Cio-San probably remains Mis
Farrar. Perhaps, too, there isn't an
"real thing," or if there were w
wouldn't like her.
SUNDAY
Aeolian Hail, 3 p. m., concert by the j
New York Symphony Orchestra:
Interlude from "Au Jardin de Mar?
guerite" .Roger-Dueasse [
Arioso from "Le Roi de Lahore". . . Masuenet
? de Gogora
Eicirpta from "The Damnation of
Faust" .Berlioz
-?timber Song and Serenade of Mephisto
pheles
Emilio de Cogorza
Dance of the Sylphs.
Will o' the Wisp.
Rakoczy Ma- -,
"Symphony N"u. ',".T?chaikowsky
C-megie Hall, 3 p. m. Concert by
tai4 Philharmonic Society:
Overture: "In Bohemia," Op. 28.Hadley
??te No. 2: "Indian," Op. 48_MacDowell
?raphomc BaJ!a<Je: "Tarn o'Shanter."
?_, Chad*ic';
anapsody >.'<rgre,'4 for piano and orchestra.
Powell
- John Powell,
??riten-i. for orchestra.Rub;n Goldmark
Hippodrome, 8:15 p. m., third con?
cert by artists and orchestra of the
Chicago Opera Company:
Overture : I Veapri Siciliani.Verdi
Conductor, Giorgio Polacco.
Art?; Cavatina,, "Barber of Seville". .Rossini
Giacomo Rimini.
Ana: "Printemps Nouveau''.Vidal
, # Yvonne Gall
Aria: Una Furtiva Lagrima, "Elisir
?Amor?" . Donizetti
. Ueaaandro Dolci.
invitation to the Dance.Weber-Berlioz
^^ Conductor, Giorgio Polacco.
.'?ftertore: "Barber of .Seville".Rossini
'?rant*44*.Martucci
????aroUe: "Contea d'Hoffmann" . .Offenbach
. ConducVor, Cleofonte Campanini.
Aria: "Che G?lida Maniana," Bohemr-..
Puccini
.. Guido Ciccolini.
""? Gioconda''.Ponchielil
, , Meaara, Dotai and Rimini
????: Ueti Signor, "rgonotti".. .Meyerbeer
f. ?"?.-'Ji?a Lazzari.
???tttetU: H .:,.????? . Verdi
Hro?. Gall, Lazari, MM. Ciccolini, Rimini
'?up ?,-?? Cir?runsaUnee.Klgar
Conductor, Joseph Raffaelli
Great Hail of City College, 4 p. m.,
?'?n recital by Samuel A. Baldwin
J***o iron-, Sonata, Op '?, No. ...Beethoven
r?W m K flu'.Bach
??a Mi-mior, Garden.Diggl?*
P^utU . Oo&-d
??* Morning.Grieg
tiLr>*lh.Grieg
.??let^r.. Nuptial* .Hollln
OtrU
Uta to "Ol^-ron"....'.".'.'.'.'.'."..... W?l,er
MONDAY . L
?oiian Hail, .'i p. m., pianoforte re
pSbyHerge Prokofleffs
**S_5**",l*t*' '? rn'""r.ProkoflefT
b?ify ...Hcrlabin
l!fc__, itf "' ,', . .iv-rlabln
vSbL^ ?? .Kcriabin
'??Bat? ??? '''" S?<4?r'" Pieces?
' ' "-W.Tachaikowaka
*>MtJ!c_f ?: m" n"r'K r<!CilBl by F?r?
f_M__L_?rfi _* l""'1"" .o. u. PtmrokiM
??fini'??, ^?-ra Ulla. A Ix,'ti
gBrtT **'* i"-'?-"4'"-?'-4'.A. Fako?i?H
S*"??!?.,f- Oupare
?*?? i???- '_.' . .f;- Do-bu*?-/
F?*!.! /'" ' _ .*'? M?b?
h ?'? my ? """ '*'*?'""" ..... Ma_-?net
E<g|5* <"*"?* .K. Maat
'*W? vie. , .C, Kcrrt t
?*??? ?,w '- Trotand
u ^\t.\'".r,t.'? K""?i'i
_Catrti U,V!,,ji!1 loaliemUri U> Kignor
jH?fc-M?V__. ". ?<;- <--??'"-"?
W ?^'t,*,44*.A. F,?u_l-Pe?ia
TUESDAY
Aeolian Hall, 3 p. m., pianoforte re- j
citai by Margaret Tilly:
Toccata and f ugue.Bach-Taussig j
Theme and variation?.Mozart !
Sonata in F minor.Brahms
Revolutionary etude .Chopin
Nocturne . Chopin
Scherzo in C sharp minor.Chopin \
Druids .Marion Bauer
Jeux d'Eau.Rave',
Etude . Saint-Saens
At 8:15 p. m., concert by the New
York Chamber Music Society:
Quintet in E flat major.Mozart
Octet in F major. Op. 166.Schubert
Suite in C major. Op. 6.Gooesens
Suite "Through the Looking Glana," Op. 12
Deems-Taylor
Carnegie Hall, 8:15 p. m., concert by
the Russian Symphony Society:
Symphony No. 5.Tschaikowsky
Piano concerto in B flat minor. Tschaikowsky
John Powell.
Nutcracker euit? .Tschaikowsky
WEDNESDAY
Carnegie Hall, 3 p. m., concert by the
Russian Symphony Society. Tuesday's
programme repeated.
Great Hall of City College, 4 p. m.,
organ recital by Samuel A. Baldwin:
Hosannah . Dubois
Chorale? prelude, "Adorn Thyself, O
Fond Soul".Bach
Sonata No. '?, in A minor.Faulkes
Gavotta.Padre Martini
Vision Fugitive .Stevenson
Variations de Concert .Bonnet
Deep River .Negro Melody
Song of the Volga Boatmen. Russian Folksong
Isolde's "Denth Song".Wagner
Aeolian Hall, 3 p. m. Pianoforte re?
cital by Guiomar N'ovaes:
Prelude, choral and fujrue.Cesar Franck
Nocturne, fantasie, Op. 43; two ma?
zurka?; scherzo. Op. 'JO.Chopin
Nocturne .G. Faure
Phal?nes .r, Philipp
"I^a Soiree Dans Grenade," "Lea Col
line* d'Anacapri," "Minstrels". .. .Debussy
THURSDAY
Aeolian Hall, 3 p. m., pianoforte re?
cital by Ernesto Berumcn:
Organ Fantasy arid Fugue in G minor.
Bach-Liszt
Prelude (from Partita in B flat).Bach
Ballet of the Happy Spirit*. .Gluek-Friedrnan
Rhapsody il B minor.Brahms
{jallade (in form of Variations.Grieg
Romance ?an? Parole?.Gabriel Faure
Allegro de Concierto.Enrique C ramio*
Nocturne: Le?ghinka.Kerge-Liapounoff
At 8:15 p. m., violin recital by
Emily Gressor:
Concerto (a minor). Vivaldi-Nftchez
Concert/) No. 6 (B flat major).
J?cqu??x Pierre Rode
Hyryin to the Sun (from Coq d'or).
Rimsky-KorsakofT
Tambourin . Gonsec
Valse Sentimentale .Schubert
(?. b. c. arranged by Ham Franko)
Polonaise Id major) .?. .... .Wlenlawskl
Andante Cantabile .Tachalkowsky-Auer
Rondino .Vieuxtempt
Carnegie Hall, 3 p. m., pianoforte
recital by Arthur Rubinstein:
Toe<:?U and Kutfu?.Bach-Tausig
Wald?t*ln Sonata, Op. 68.Beethoven
Hrhrrv, In C ?harp minor.Chopin
Non-turn? in K njiarp.?.Chopin
Ballade In A flat.Chopin
Wrrifilf. .Chopin
Polonaise in V ?harp minor.Chopin
VA Albaicir.Alberilz
'I runa .Alb?nl?
L? Cath?drale ?m?lout??.Debus??
l.'Uln joyeu*?.D?bu?ey
?rthur j?ubin?iein
Pianistt?teo\\4n Hq?I
Nocturne for the left hand.Scrlabine
Rhapsody XII.Liszt
FRIDAY
New York University, 8:15 p. m.,
song recital by Reinald Werrenrath:
SHAKESPEARE SONGS.
"She ?lever Told Her Love*' (''Twelfth
Night") .Franz Joseph Haydn
"Blow, Blow, Thou Winter Wind" ("As
You Lika It").Thomas A. Arne
The Willow Song (Othello).
From Thomas Dallas Lute Book
"Who Is Sylv'a?" ("Two Gentlemen of
Verona") '. Franz Schubert
"The Sea," "Sweetheart, Tell Me,"
Edward McDowell
"The Way of the World," "A Swan,"
"Thanks for Thy Council".Edvard Grieg
OLDTIME CONCERT FAVORITES
"Punchinello".James L. Malloy
"Beauty's Eyes".F. Paulo Tosti
"The Sands o' Dee," "Gypsy John,"
Frederick Clay
"The Irish Guards'? (Kipling),
Edward German
"Song of the Street Sweeper,"
Stanley R. Avery
"From the Hills of Dream"... .Cecil Forsyth
"Khaki Lad".Florence Aylward
Aeolian Hall, 8:15 p. m. Song recital
by Mme. Peroux-Williams, soprano:
"Toglietemi In vita ancor".Scarlatti
"Gia il sole dal Gange".Scarlatti
"Intorno all' idol mio".Cesti
"Voila le gai printemps," "Veill?e Ma?
ternelle" .Chansons anciennes
"Volez, zephyrs amoureux".Rebel
"Lamento," "Chanson Triste," "Tes?
tament" . Duparc
"Au.i temps des Fees".Koechlin
"Sur le Steppe." "Quand la hache tembe"
Gretchaninow
"Hopak" . Moussorgsky
Credo --"When I Bring you Colored
Toys," "The Sleep That Flits on Baby's
Eyes," "The Seashore of Endless
Worlds," "Light," "Finis".
John Aiden Carpenter
, SATURDAY
Carnegie, Hall, 2:30 p. in. Symphony
Concert for Young People:
Andantino and Scherzo from Symphony
_ No. 4 .Tschaikowsky
?Hungarian Fantasy .Liszt
Harold Bauer
Andantino from String Quartet.Debussy
"Children's Corner" .Debussy
Harold Bauaer
American Fantasy .Herbert
At 8:15 p. m., concert by the Sym?
phony Society:
Symphony No. 5.Beethoven
Concerto for Piano and Orchestra in B
flat . Brahms
Arthur Rubinstein
Music Notes
Rachmaninoff will play an al! Rus?
sian programme on Sunday afternoon,
February 23, at Carnegie Hall, which
will include compositions by Scriabine,
Medtner, variations on a theme by Cho?
pin and a group of his own pieces for
pianoforte, all of which will be heard
for the first time in New York.
As pianist and as composer of music
for piano and orchestra, Mr. Rachmani?
noff is known to the musicians of this
country. Besides his well known prel?
udes and concertos, few concertgoers
know that Rachmaninoff has also
written operas, chamber music, can?
tatas and many songs. Among his suc?
cessful operas are "Aleko," "The Miser
Knight" and "Francesca da Rimini."
His cantatas and songs include "The
; Spring," for barytone, chorus and or?
chestra; twer.ty-four songs for male
and female voices, "Humorous Chorus,"
' for mixed voices; "Fate" (to Beetho?
ven's Symphony No. 5), voice and or?
chestra; "Letter to Stanislavsky," to
commemorate the latter's services as
founder and manager of the Moscow
Art Theatre, and twelve anthems on
early church themes. "The Bells," an?
other of his compositions, based on
the poem of Edgar Allan Foe, for solo
voices, chorus and orchestra, was per?
formed at Moscow in March, 1914, when
Rachmaninoff conducted.
"St. Erik," a society for advancement
of Swedish music, announces that the
third concert under its auspices will
be 'held at Aeolian Hall on Saturday
evening, March H.
The object of the concerts of this
society is to introduce Swedish com
I posers to the American public. On this
occasion Count Axel Raoul Wachtmcis
tor's compositions are to be introduced
; exclusively.
Axel Raoul Wachtmeister, of Sweden,
was born in London, where his father
I was the Swedish Minister to the Court
of St. James's. He received his educa?
tion in Sweden and studied law at
: the University of Lund. He took up
the study of music later and spent
three years at the Schola Cantorum in
; Paris, where he studied with Vincent
d'Indy. Wachtmeister has been in
I America many times, lived in Los An
?: geles for several years and has resided
.in New York for the last four years.
? Among his compositions are included <i
?nonata for violin and piano and one
II for 'cello and piano, several works for
, j chorus and orchestra, songs, recita?
tions, etc. His publishers in America
?are the John Church Company, Cincin
j nati, and the Boston Music Com
j pany. Concerts by Wachtmeister in
j elude many cities like New York, Phila?
delphia, Cincinnati, Chicago, San Fran
cinco, L?? Angeles and Paris. Hi.i
music ia modern, but not. ultra-modern.
The father of Fernando Carpi, tenor,
who will give his first song recital in
New York to-morrow, was also a tenor,
and made a tour of America with Ade?
lina Patti over thirty years ago.
Mr. Damrosch regards Roger-Ducasse, |
whose interlude from "Au Jardin de
Marguerite" will be given for the first
time in New York at the concert of the '
Symphony Society, as one of the most'
se^rious of the French school of com- '
posers since the death of Debussy.
Following the Symphony Society's
concert next Saturday evening, the or- i
chestra will leave for a tour that in- ;
eludes visits to Baltimore, Washington, \
Philadelphia, Pittsburgh, Rochester, i
Buffalo, Wilkes-Barre and Scranton.
The fourth and last Campanini con?
cert at the Hippodrome, a week from
to-night, will be given by Mme. Galli
Curci. On Sunday evening, March 9,
this singer will give her first song re?
cital in this city.
When John McCormack appears at
the Hippodrome next Sunday evening
his programme will contain several nov?
elties. One will be the setting of an
unpublished poem by John Hay, at one
time secretary to Lincoln and later
Secretary of State,
The first performance here of his
fourth sonata in C minor will be a
feature of Serge Prokofieff's recital to?
morrow afternoon. He will also play
his own "Visions Fugitives," ten piano
pieces taken from a suite of twenty
published under his name and inspired
by these lines of Dalmont, a Russian
poet: "In every fugitive moment I see
entire worlds sparkling with beauty and
myriad rainbow colored lights." Mr.
Prokofieff will play Tschaikowsky's G
Major Sonata in memory of the twenty
j fifth anniversary of his death.
At the conclusion of the concert by
i the Russian Symphony Society on
1 Wednesday afternoon the orchestra
? will leave for a tour through New
England, the South and Canada, re
: turning by way of New York State in
time for the last pair of subscription
? concerts, on March 25 and 26.
Eleanor Spencer, who will give a
piano recital at Aeolian Hall next week,
is a pupil of Leschetizky and Harold
Bauer. Before the war she played
with leading orchestras in Europe.
This will be her first recital since
her return to America.
Maximilian Rose, whose first violin
recital here will take place next month,
was born nineteen and a half years ago
in the province of Bessarabia. When
he was three years old his family
came to America. They lived in hum?
ble circumstances on the East Side of
; New York, and soon after his tenth
birthday Max began the study of the
violin. After his father's death he sup?
ported his mother and younger brftth
: ers by playing in caf?s and restaurants.
, For the last four years he ha3 studied
! with Alois Trnka.
Clarence Adler, pianist, and Cor
? nclius Van Vliet, 'cellist, will play at
i the Music School Settlement, (56 East
; Third Street, this evening at 8:15.
! This is the third in a series of art
? ists' recitals at the school.
- ?
For the opening night of the new
course of Free "Operatic Nights" Dr.
Fleck announces "Carmen," with a
; cast' under the direction of Clemente
do Macchi.
Because of previous bookings at the
Selwyn Theatre for February 16 and
23, tho Clef Club Orchestra, of sixty
singing Bonbon Buddies, has postponed
its Sunday night concerts this week
and next. They will resume their en?
tertainment on Sunday, March 2, and
I will play every succeeding Sunday even
j ?rig until May.
A Plea For
The Russian Anthem
From An Enthusiast
To the Editor of The Tribune.
Sir: Your article in The Sunday
Tribune on our so-called national an?
them was good reading. I have written
Senators, Congressmen, magazines and
papers for years urging our need of a
national anthem, tut without result.
There is a bill before the House now,
sponsored by Representative McFadden,
of Pennsylvania, to make "The Star
Spangled Banner" our national anthem.
It is a hu_e mistake. I play the organ
occasionally for meetings. For "The
Star-Spangled Banner" the audiences
lise perfunctorily, as though it were
painful, but never sing, while if "Amer?
ica" is played they sing spontaneously
and heartily. It is perfectly true that
a national hymn should be tho re?
sult of a choice by the people, and yet
with "Dixie" and "Marching Through
Georgia" the most popular tunes in
1 America to-day, I doubt the success of
such a method of evolution. Of course,
I we have had competitions galore, but
! the result has always been one prize
i poem to which composers were invited
i to set music, regardless of its lyric
! value. The result?nothing.
I have proposed to certain Congress?
men that Congress invite poems, select
; ing all of value and offering this com
! pilation for musical setting. Then let
these also be published and distributed
broadcast for comment. I think some?
thing might come of it. At any rate, I
could wish that some one with your in
? fluence might stir up the question. I
am no Russian, but when I play the
| glorious old Russian hymn, now in the
! discard, ? am thrilled through and
through, and I want something like it
for our own America. W. H. P.
New York, Jan. 26, 1919.
AMUSEMENTS
T H K A T R K ,
Slat St.-I.ex. Ave.
Phone Plaza 402?,
LEXINGTON
CHICAGO ?JEg#
GRAND OPERA
Cleofonte Campaninl. Oen. Director.
TO-NIGHT?-CAMPANIN?
CONCERT, N. Y. HHTOOHOME.
_r,KX I N'GTON T H i: ATRIO?
Mon., "Crlspino e la ??ornare." Galll
Curcl, Straceiarl, Trevlaan, Arimondl.
Cond., Campaninl.
Tues., Werther." O'Sullivan, Pavloska,
Shalow, M a? ueriat, Huberdeau. Cond.,
Hassclmans.
Wed., ThulH." Cardon, O'Sullivan, Bak
lanoff Huberdeau. Cond., Campanlnl.
Timm.. "IMnoruli." Galll-Curcf. Caro?
lina Lazzari, Dua. Rimini. Cond., Cam
panlnl.
Frl., "Carmen." Garden, Fontaine, Bak
lanoff, Shallow, Huberdeau, Tell. Cond.,
Charller.
Sat. Mat., "Madam Butterfly." Tatnakl
Mlura Laniont, Bouilliez, Pavloska.
Cond., Polacco.
Sat. Mght. "Trovatore" ( popular pri?es).
Peralta, Dolcl, Van Gordon, Klnilnl.
Cond., Polacco.
PHILHARMONIC
JOSEF STKANSKY.Conductor
Carnegi?" Hall. This Afternoon at it.
ALL AMERICAN PROGRAM
?1 POWELL
HADLEY, "In Bohemia": MACDOWELL,
Indian Sultf-; CHADWK'K, Symphonic
Ballade "Tarn O'Shanter"; POWELL,
"Rhapsody N?gre." for Piano and Orches?
tra; RUBIN GOLDMARK, Requiem for
( irehestra,
! Tickets ut Hoi Office. Fell. B". Lolfrls. Mgr.
C?ntno\e Hall T"fH- KvB ? Vfh- ??
caraegie nan ?>ri Aft Fel) ,9
SYMPHONY
SOCIETY.
of New York.
MODEST AI.TSC'HULF.K_Conductor
soloist JOHN POWELL. Ame,c*n
Composar-PlanlH
Symphony No. S
Plano Concerte
Nirtaraeksr
Seats 5p0 to }2. Mat. D-nlcl Marer. BUeff Piano.
Tschaikowsky
CaineKle llnll, .Sunday Aft., Feb. 88, at 3.
Rachmaninoff
CONCBRT OF MUSIC FOR PIANOFORTE
All Russian. All llrst time in New York.
Tli-kul? $-.50 to 75 cts. On ?ale now.
Direction 0. A. Kills. BtcluHray Plauo used.
C^ro?t/rt 15 ee Ire.Ptanist
Victory Concert by the
Sunday Campaign Club
The Billy Sunday Campaign Choir
.vil! give a victory concert at Carnegie
Hall to-morrow evening. The pro
crramme will be as follows:
Chorus, "Song of the Vikings".Faning
Sunday Campaign Choir
Solo, "Sing to Me. Sing".Sydney Horn?
Mildred Reardon
Part song, "O, Hush Thee, My Babe,"
Sullivan
Sunday Campaign Choir
Trumpet?, "The Soldiers* Chorus" (from
"Faust" ) . Gounod
The Edna White Trumpet Quartette
Chorus. "The Bridal Chorus" (from "The
Rose Maiden") . Cowen
The Sunday Campaign Choir
Selections :
(a I Romanze . Kronold
(b) Souvenir . Prdla
(c) Scherzo . Goens
Hans Kronold
Chorus, "Light Divine" ("Cavalleria Rus?
ticana") . Mascagni
The Sunday Campaign Choir
Addr??6s, "Some ot My Experiences in France"
Homer Rodeheavor
Solo and chorus, "Inflammatur" ("Stabat
Mater") . Rossini
Finale, "The Hallelujah Chorus" ("Mes?
siah") . Handel
Concerts to Come
February 23, Maxino Elliott's The?
atre, Sascha Votichenko. February 25,
Carnegie Hall, Helene Kanders;
Aeolian Hall, Eleanor Spencer. Feb?
ruary 27, Princess Theatre, Mme.
Ruana Boguslav; Aeolian Hall, Olga
Samaroff. March 1, Carnegie Hall,
Mischa Levitzki. March 3, Aeolian
Hall, Maximilian Rose. March 4, Car?
negie Hall, Elias Breeskin. March 6,
Aeolian Hall, Roderick White. March
15, Aeolian Hall, Misses Rose and
Ottilie Sutro.
AMUSEMENTS
CARNEGIE HALLfASt.
AT 630
WITH THE "YANKS'
TO-MORROW
MONDAY MATINEE at 3
WITH THE "YANKS'
POPULAR PRICE5
50* to
61.50
METROPOLITAN OPERA
Mon. Rt 8:15. Boheme. Alda, Homalne; Criml,
ScotU, Dielur, ?egurola. Cond., Papl.
Wld., 8:15. Pa?ll?ecl. Eastoiw Caruso, Montesanto,
Werrmirath (dobut). Cond., Moranioni. Foll'd !>>?
Petruschka. llalli. Holm, Bonnclio. Cond., Monteux.
Thur?. ai !.. Double Bill: Cav. Rusticana. Mu?o,
l.azaro. Chalmers. ?Cond., Moranzoni. Cexi ei'Or
lfarrli'iitns; Diaz. Dldur.?Oalll Holm. Cd., Monteux.
j I Frl. Mat. at 2 t$l to $:.). Carmen. Farrar. Ko- |
| | malar: MartlnclU.WhltehlU.ScgTirola. i\\ .Monteux. |
Frl. at ?. Proph?te. Muzlo. Mat'zenauer; ? in..?,,
| Kotliler, Diaz. Mardoiie?, ticlilcg?.'!. Cond.. lioiUiu ,j
Sat. at a. Barber of Seville, narrleutos; Mat......
i De l,tica. Mantones, Malatrsta. Cond., Papl.
! 8at. at 8 (73?; to t?,). Aida. Rappold. Matzenauer;
'? Crlml, Chalmers. Dldur. Cond., -Moranioni.
TO-NIGHT ZIMBALIST
/?? .it B.in Celebrated Vlollntst.
Concert at 8.?U | CLAUD|A MUZlO
! eTtVe'rc?estra"' S0PH,E BRASLAU
Ecomo!. hagemIn THOMAS CHALMERS
UAltD.MAN PIANO I'SED.
CARNE?IE HALL, Thurs. Aft., Feb. 20.
KKCITAL ARTHUR
RUBINSTEIN
POLISH PIANIST (Debut)
I Management K. K. JOHNSTON, 1451 B'way.
I Scat? now on bale at. Hoi Oli.ire. Ku-lnway lMano.
CARNEGIE HALL, a^'? March \
LEVITZKI
Farewell Recital
Seats 7Eo to 12. Mgt? Daniel Mayer. Baldwin Piano.
Aeolton H?U. Friday F.vg., Feb. 21, at 8:1?.
SONO KKLITAL?MME.
Mgt. Antonia Sawyer, Inc. Steinway Piano,
..?iiinin II.mi?> luir?. I've.. Veil. 40, t?l ?tl?.
VIOLIN UKC1TA1. UY ?.M1LY
GRESSER
Direction Daniel Mayer. ?tUff Plana
Calendar for the Current Week
SUNDAY?Aeolian Hall, 3 p. m., concert of the Symphony Society;
Carnegie Hall, 3 p. m., concert of music by American composers
by the Philharmonic Society; Metropolitan Opera House, 8:30
p. m., opera concert; Hippodrome, 8:15 p. m.,' concert by the
Chicago Opera Company; Great Hall of the College of the City
of New York, 4 p. m., free organ concert by Samuel A. Baldwjn.
MONDAY?Aeolian Hall, 3 p. m., pianoforte recital by Serge Proko
fieff; 8:15 p. m., song recital by Fernando Carpi; Metropolitan
Opera House, 8 p. m., ''La Boh?me"; Lexington Theatre, 8 p. m.,
Italian opera, "Crispino e la Comare"; Park Theatre, 8 p. m.
(and all the week), English operetta.
TUESDAY?Aeolian Hall, 3 p. m., pianoforte recital by Margaret
Tilly; 8:15 p. m., concert by the New York Chamber Music
Society; Carnegie Hall, 8:15 p. m., concert by the Russian
Symphony Orchestra; Great Hall of Cooper Union, concert of
Irish, Gaelic, Welsh, Manx and Breton folksongs; Lexington
Theatre, 8 p. m., French opera, "Werther."
WEDNESDAY?Carnegie Hall, 3 p. m., concert of the Russian
Symphony Orchestra; 8:15 p. m., performance of Byron's "Man?
fred," with Schumann's music; Aeolian Hall, 3 p. m., pianoforte
recital by Guiomar Novaes; Great Hall of the College of the
City of New York, .4 p. m., free organ concert by Samuel A.
Baldwin; Metropolitan Opera House, 8 p. m., Italian opera and
Russian ballet "Pagliacci" and "Petrouschka"; Lexington The?
atre, 8 p. m., French opera, "Thai's."
THURSDAY?Aeolian Hall, 3 p. m., pianoforte recital by Ernesto
Berumen; 8:15 p. m., violin recital by Emily Gresser; Carnegie
Hall, 3 p. m., pianoforte recital by Arthur Rubinstein; Metro?
politan Opera House, Italian opera and Russian opera in Italian,
"Cavalleria Rusticana" and "Le Coq d'Or"; Lexington Theatre,
8 p. m., French opera in Italian, "Dinorah."
FRIDAY?Aeolian Hall, 8:15 p. m., song recital by Alice Peroux
Williams; Metropolitan Opera House, 2 p. m., special matinee,
French opera, "Carmen"; 8 p. m., French opera, "Le Proph?te";
Lexington Theatre, 8 p. m., French opera, "Carmen."
SATURDAY?Carnegie Hall, 2:30 p. m., concert of orchestral music
for children; 8:15 p. m., concert of the Symphony Society;
Aeolian Hall, 8:15 p. m., concert by the Institute of Musical
Art; Metropolitan Opera House, 2 p. m., Italian opera, "II Bar?
biere di Siviglia"; 8 p. m., Italian opera at popular prices, "Aida";
Lexington Theatre, 2 p. m., Italian opera, "Mme. Butterfly";
8 p. m., Italian opera at popular prices, "II Trovatore."
AMUSEMENTS
AMUSEMENTS
v?s*?Y/rss/Af/s/ssy//?/ss//rs/s/////s/^^^
JOINT CELEBRATION TO COMMEMORATE
VICTORY, PEACE
BROTHERHOOD OF MAN
ORATORIO SOCIETY OF N. Y.
SYMPHONY SOCIETY OF N. Y.
WALTER DAMROSCH.Musical Director
Chorus of 350 Eminent SoloUtts Orchestra of 100
Friday Evg., March 7
CARNEGIE HALL Thursday Aft.. March IS
Saturday Evg., March 15
Tickets on sale at Room 1202 Aeolian Building and I1??x Office, Carnegie Kail, g
SYMPHONY SOCIETY OF NEW YORK
WALTER DAMROSCH. Conducto!
Aeolian Halt, Today at 3\??-??*???? ??*"?. ??'? **??? -*. m
DE GOGORZA Fs -RUBINSTEIN
Soloist
EMILIO
TSCHAIKOVSKY'S KO! RTH SYMPHONY
MASSENET, ROGER-DUCASSE, BERLIOZ
CARNEGIE HALL, Sat. Aft., Feb. 22
SYMPHONY CONCERT
for YOUNG PEOPLE
BAUER
BEETHOVEN'S FIFTH SYMPHOVT
BRAHMS B FLAT PIANO CONCERTO
AEOLIAN HALL, NEXT Hl'N. AFT.
BAUER
Soloist
HAROLD
rschaikowaky, Liszt, I
at II
Soloist
HAROLD
BRAHMS PROGRAMME
including Symphony No. t
and Piano Concerto, D MINOR.
George Engles, Manager.
}$ZZ2ZBBZZZEZmZZM2m&^
CARNEGIE HALL, Thursday evening, ?eb. 20
at
8:30
FIRST AMERICAN APPEARANCE OF
PHILIP GIBBS
correspondent for N. Y. TIMES and Ixmdon CHRONICLE.
"The Finest Correspondent 'Hjis War Hun Produced.'4
G. K. Chesterton.
THE SOUL OF THE WAR
Philip Gibbs has made the war human; he has made it real to most ut us.
He comes to tell as he wrote of the great things he saw in It.
Boxes $18 ? $15. Tickets $2.50 to 60c. Box Office & Agencies.
Management J. B. POND LYCEUM BUREAU.
Established by Major J. B. Pond in 1873.60 East 4 2d St., New York
Tups. Aft.
Feb. 18,
TILLY
MARGARET
Mgt. Loudon Ch?rlton. Stelnway Piano.
Aeolian Hull. Wed. Aft., Feb. 19, at 3.
?lilTOMAR? a?3*^
ovaeS
Plan? Recital Postponed from Jan. 4.
I Benefit I'rofessors* Ass'n Paris Conservatoire.
Tickets 50c to $2. " Mgt. Ixmdon Cliarltou.
HIPPODROME, SUN. EVE., MAR. 2, 8:15 |
CONCERT BY JOHN
McGQRMAGK
TICKETS 11.00, ?1.50 AND $2.00,
SEAT SALE THURSDAY, FEB. 27
Mgt. Chas. L. Wasrr.r A: D. V. McSweeney.
Aeolian Hall. Tuet. Eve.. Feb. 18. 8:15. 3d Concert
N.Y. CHAMBER MUSIC SOC.
of Piano. String and Wind Initnimen's.
Organization of Soloists. Carolyn Heche, Dir.
Program: Mezart Quintet in K Flat Ma.-or. Schu
bert Octet in V Major. Goosscns Suite in (' Ma?eerv
Deems Taylor Suit?-. "Through the Looking lii.i's'
AEOLIAN HALL ?/? Feb. 25 at 3
HIPPRODROME TO-NIGHT AT 8:15
CAMPANIN? CONCERT
CHICAGO OPERA A RUSTS & ORCH.
BIG
OPER?
ATIC
QCAR
TETTE
YVONNE GALL
CAROLINA LAZZARI
ALESSANDRO DOLCi
FORREST LAMONT
GIACOMO RIMING
COMHf TORS : ? AMPANINI,
POLACOO, RAFFAEIXI. JZ
BOX OFKICK OPKNS 12 NOON TO-DAT,
I TICKETS $1.00. $1.50 AND $2.00.
Mgt Chtus. J* ?Wasser. D. P. UcSweenoy
Piano Ilecltal ? (M
?SPENCER
Tickets 50c to fi at rtox Offli-c. Mg!. Trcl O. Renard.
AROMAN HAI.I., TO-MOR*W NIGHT
SON(? RECITAI, by PERN ANUO
CARPI
?Tenor Metropolitan Oj>eri? t'o.V
Tl.-kot* m ?ox Office 60c. to $2..*iO.
Mgt. Jules Daiber. Mason & llamlln 1'lan?.
SELWYN THEATRE
SUNDAY, FEB. 23rd, at 9 P.M.
DANCE RECITAL
Michio Itow-Tulle Lindatil
Jesttmin II o ?art h?Paul Tiieven?
KNABE-AMPICO REPRODUCING PIANO
Management Jules Daiber, Aeolian Hall
?HHBIHIBBHBHflHHHBHBPr
Aeolian Hall. Tur*. Evr., Feb. 2.%, at S:15
rtUAflfl
BERKSHIRE
TICKETS NOW AT BON OFFIC1
Aeolinn Hull, To-norrow (Mon.) Aft. at 3.
SECOND PIANO RECITALc?SERGE
PROKOFIEFF
Mgt. liaennel &. .Tone?. Stelnway Piano.
AEOLIAN HALL, TTuir?. Aft.. Feb. 20. at 3.
ERNESTO
MEXICAN PIANIST.
Met. llaenael & Jones. St?. Ir.way Piano.
Carnegie Hall, Tuet. Eve., Feb. 25, 8;15
HELENE
KANDERS
?3ON0 ?RECITAL. Se?U $2 to ?.Or- Now at H?*1L
TICKETS FOR
Philip Gibbs
IIKsT AM FRICAN I.ECTl'KK AT'
CARNEGIE HAIL. Thurs. Eve. Feb. 20 n%
I $:' i.o t.. 60a at Box Offloa, ARencl?? of
J. B. Pond l^tnum Bureau, 60 H. 43d.

New-York tribune. [volume], February 16, 1919, Page 11, Image 65
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Connect with the Library

Find Us On

Subscribe & Comment

Download & Play

Questions

New-York tribune. [volume], February 16, 1919, Page 11, Image 65 About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

Connect with the Library

Find Us On

Subscribe & Comment

Download & Play

Questions

New-York tribune. [volume], February 16, 1919, Page 11, Image 65
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924