New-York tribune. [volume], August 23, 1920, Page 6, Image 6

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aIIpox on Liner
From Italy Delays
LaiMiingOyerlNiplit
2,002 Steerage Passengers
oh the Dante Alighieri
Sent u\ Hoffman Island;
A!! Aboard Vaccinated
The Italian liner Dante Alighieri,
"?i Naples and Genoa
day, wa ! del i d
ht because a case
?oil, nod her
? ngers wore sent to
observation. The
at? d to-day and
fternoon.
their hand
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was i ? h thoy had
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?Trlbuae Want AiJ?Paj?e.?Atlrt.
Hopper and Wilson To Be
In Revival of "Erminie"
IV o (.omediants Under Con?
tract by George ?. Tyler,
Appear Ahout Nov. 1
Francis Wilson and De Wolf Hopper,
probably the two most widely known
light opera comedians in America, have
been placed under contract by George
C. Tyler and will appear jointly about
November 1 in a revival of "Erminie."
The presentation will bo in one of
the city's largest theaters. The en
gagement will be brief. Mr. Tyler's con?
tract with the comedians Covers two'
years. The first season will see the
opera presented in Now York, Phila?
delphia, Boston and Chicago. In the
second season it will bo presented on
a tour from cons, to coast.
Mr. Wilson, who loft the comic opera1
stage for legitimate work after the
lost reviva! of "Erminie," will have his
original rolo of Cadeaux, while Mr.
Hopper will play the majestic Ravennes,
Hie two never have appeawed together
before.
"Erminii " first was presented in Now
York at the Casino in the SOs, with
Mr. Wilson as Cadeaux. In the revival
of 1903 Mr. Wilson again played his
orginal role.
The Stage Door
"The Bat." by Mary Roberts Rine
hart and Avery Hopwood, will ho pre?
sented by the Wngenhals & Kemper
company at the Morosco Theater to
night. Included in the cast are EfTie
Ellsler, May Vokes, Harrison Hunter
and Anm Morrison.
Speaking of the theatrical conditions
in New York, Mark Lucscher, of the
Irome, announces that that house
has had a larger attendance since the
of "Good Times" a fortnight
ago, than over before, with the excep?
tion o.' holiday weeks. More than 120,
000 persons have seen the new produc?
ts n.
There is on old crayon portrait hang
ing in the hotel lobby scene of
tnin'." Winifred Root, of 2 West
Sixty-si venth Street, has written to
Frank Bacon, star of the play, express
- delight that the portrait is of
herself, and probably was picked un by
janitor when her family removed
their old home it: West Ninety
? d Street and sold to a sccond
hand furniture dealer. Mr. Bacon, in
his reply, said: "! was not surprised,
you must know. ! used to be a
crayon artist, and thought it was one
of mine."
Sidney Blackmer, of the "Not .So
V o" oo ????, has roc? ?ved fifteen
with in the lost few months : r< m
authors who hope to have him appear
i ? . : w fks. Ho has refused thorn
' :ause < f the success of "Not So
Long A ,o" and its apparent indefinite
: tin in N'ew York.
Low Fields has placed Josephine
Rolfe, of the "Poor Little Rit/. Girl"
company, under eontracl to appear in
o principle r?le of his forthcoming mu?
sical revue called "Wild Women of
1920."
"] pi .'.;.' " will begin its road tour
it 1 ? Globe Theater, Atlantic City, to
Thc cast of "Nothing Doing," Barry
new farcical comedy, has
been compli I id. H includi s Florence
bcrt Ames, Hugh Cameron,
'? ? , ick Bcrlein, Morion Kerby,
Percival M' ore, Charles Halton,
R : ort Bentley, Edward Poland,
'? i i . Goodrich; Lawrance Williams,
: Louis La Bey. The piny is beinir
directed by Priestly Morrison and .Mrs.
Hen ry B. Harris.
Beatrice Whitney, a sister of
.' iliette Hoy, the latter appearing in
"Scran bled Wives" at the Falt?n
? r, has been engaged by Adolph
?Haul'!- to appear in one of his three
tie Night" companies on tour.
Minnie Du Pico, appearing in "The
Charm School," will be starred in
o : i ry under the direction of Lea
Herrick and Robert Milton.
Ben Welch, vio? has just returned
from Europe, will begin rehearsals
soon in "Jimmie," the forthcoming
Arthur Hammerstein production.
"Marry the Poor Girl," the new
(?won Davis farce, will go into re
earsal this morning at the Morosco
ater, it will onon about October 1.
William Courtenay will begin his se?
ond season's starring tour in Thompson
Buchi nan's comedy, "Civilian Clothes,"
at the Broadway Theater, Newark, to?
night. Oliver Morosco will present
Mr. Courtenay in New York about
lary !, in Eleanor Hinckley's new
play, "The Clam Digger."
r ionel Barrymoro has contracted to
make three special films Cor Asso?
ciated Firsl National Pictures, Inc.,
it is annot ne .!.
Mine. Carmela Ponselle, an operatic
and concert mezzo-soprano, has signed
contracts .with Cus Edwards whereby
will be .'tarred in "The Gus Ed?
wards Revue of 1920."
Seats for the opening of the Green
Village Follies, which opens on
Thursday night at the Greenwich Vil?
lage Theater, will go on sale to-day.
In addition to staging "Immodest
Violet," X'^c new comedy, opening at
the Forty-eighth Streel Theater to?
morrow afternoon. John Cromwell will
- in a prominent r?le. William
A. Brady is bringing the David Carb
into New York for a hearing to?
il.' rrow afternoon, due to his inability
to obtain a theater for regular evening
performances.
R th Shepley has returned to New
York and will begin rehearsals .to-day
? ' ( "y Bolton comedy, "Wild
I herry," which Comstock and Gestwill
soon out of town.
Three Killed When Airplane
Falls 300 Feet in California
REDWOOD CITY. Calif., Aug. 22.?
Three men were instantly killed at the
'? -'? Field here late to-day
'? hen thi ir airi lane crashed to the
: d from a height of 800 feet.
The ?load wei c ( ft Prodger, thirty
two years old, o? Bristol, England,
pilot; John C. Nelson and Gus Jamie
n attaches of the Varney Aviation
: here. Prodger was a repre
M ve of a British aircraft company
'?,! "ti demonstrating the airplane.
On the Screen
"The Right to Love" at the
Criterion ; Other Motion
Picture Openings
"The Right to Love" followed the
record-breaking "Humoresquo" yoatcr
oay at the Criterion Theater with Mae
Murray and David Powell in the lead?
ing r?les. The George Fltzmaurice
production is the third nuper-motion
picture to be presented since Hugo
Riosenfeid took over the theater and
| transformed it into a long-run picture
house. It is worthy of the standards
1 set at the Criterion, hut it will hardly
have as long or as i.uccossful a run as
its predecessor.
It is engrossing, the story that Ouida
Berg?re lias written for the screen
from the play by Pierre Frondale and
Claude Farrere, but it is overshadowed
by the superb photography nnd by the
excellent acting, not only of the two
featured players, but of the other mem?
bers of the cast as well. Seldom have
locations been better chosen and sel?
dom has a tale been more gracefully
unfolded than in "The Right to Love."
Never is there a false note in the pro?
duction and never does the spectator
lose interest in the story of the young
American woman, married against her
will to ,a powerful but cruel English?
man, who installs a mistress in his of?
ficial residence at Constantinople.
Mae Murray Once a Dancer
Mae Murray, a few years a?;o, was a
dancer in the Follies. Her work in
"The Right to Love" is indicative of
the advance she has made since her ad?
vent as a motion picture actresss when
her ability as a dancer was mainly cap?
italized. No one would hesitate now
to cail her a dramatic actress of the
first rank. She knows the value of re?
straint and shows her knowledge. And
in addition to her acting ability she
screens beautifully. David Powell,
Alma Tell, Holmes E. Herbert, Macey
Harlam, Frank Losee and the others in
the excellent etist are splendid in their
respective rolos.
Starting with pageantry in which the
King of Wealth, unmindful of his
daughter's desires, separates her from
her knight from the "Land of Heart's
Desire" and marries her off to the rep?
resentative of a powerful country, a
marriage which would brine; him more
wealth, the story shifts to the real
characters and shows the results or j
the arrangement The American girl j
has become Lady Falkland, wife of Sir
Archibald Falkland, Director of the I
Hobt in Constantinople, and a stranger '
in her own household. Sir Archibald ,
has installed Lady Edith, his mistress, j
in the same house, and is contriving to
have his wife obtain a divorce. The
only thinp that keeps Lady Falkland I
in Constantinople, facing the insuffer?
able situation, is her love for Little
Archie, her son.
Colonel Richard Loring, her knight
from the "Land of Heart's Desire," ar?
rives at. Constantinople to take up his
post as military attach? to the Amer?
ican Embassy, and secures a house di
rectly opposite that of the Falklands,
with the Bosporus intervening. He
renews his acquaintance with his for
.mer sweetheart, and one night he dis?
covers a conspiracy which has been
arranged by Sir Archibald to dishonor
his wife and take her son away from
her.
Colonel Kills Sir Archibald
The colonel kiils Sir Archibald and
is cleared of the crime by his irienii,
the Marshal to the Sultan. Again is,
the Princess, the daughter of the King
of Wealth, united, this time forever,
to her knight from the "Land of
Heart's Desire," and, with Little
Archie, the trio set sail for America.
Hardly has a moro perfect example
of a blended program been seen than
?Jo.t which is being presented at the
Criterion. The overture, "Orientale,"
by Cui, strikes the keynote of the en
; > to. o.mont, and is followed by a
scenic picture of Constantinople. Then
Ci mes toe prologue for the feature
picture, called "In a Seraglio," with a
dancing girl, a singing girl, a dervish
and a guard. "Don't Weaken," a
Paramount-Mack Sennett Comedy,
completes the program.
One misses the art of Robert Louis
Stevenson as a teller of stories in "The
White Circle,'' presented by Maurice'
Tourneur on the screen of the Rlalto
Theater yesterday as an adaptation of
the author's "The Pavilion on the
Links." Stevenson's powers of descrip?
tive writing easily match and even sur?
pass t'ne possibilities of the screen.
The iatter, of course, can present
faithfully the exact picture, physically,
th ? ?'? e author conceives in his mind,
but the shadings f.nd nuances of a
i master craftsman are out of the ques?
tion with the camera. Therefore "The
| White Circle" disappoints those who
are familiar with, the work of Robert
Louis Stevenson, but this docs not mean
| that Maurice Tourneur has not pre
i sented an interesting picture.
"The White Circle" is a tale of ven?
geance tile vengeance of the Carbo?
nari, the powerful secret, society which
fought so valiantly for the liberation
of Italy in the 60's. The mar/, of
death H the white circle. Huddlestone,
entrusted with the funds of the Car?
bonari, has speculated, and when the
time for their use in buying guns and
ammunition comes they an- not avail?
able. Accordingly he is marked for
death. Northmour, an adventurer,
agrees to carry him oil' to his pavilion
on the links provided he is given his
daughter's hand in marriage. Fearful
of death, the old banker, who has mis?
handled the funds of the Carbonari,
agrees.
Far-reaching, however, is the ven?
geance of the Italian society, and Hud?
dlestone dies a thousand deaths of
fear before the messengers of death ar?
rive. Clara, his daughter, has not
consented to the agreement to marry
Northmour, but has fallen in love with
Cassilis, a rival of the adventurer.
Huddlestone is killed, and Northmour
renounces his clai mon Clara, leaving
her for Casilir, and goes off to seek
further adventure on the field of battle.
Tito Rialto magazine nnd a Sun?
shine comedy, "Slipping Feet." are the
other film offerings. "Sicilian Ves?
pers," by Verdi, is the overture and
Lorenzo Grimaldi, baritone, 'sings "Le
Cor," by Flegier. John Priest plays
Sullivan's "The Yeomen of the-.Guard"
on the organ.
"Democracy The Vision Restored,"
will be presented at the Casino Thea?
ter starting on Tuesday.
"Humoresquo," transferred from the
Criterion Theater, where it had a rec
ord breaking run, is at the Rivoli this
week. Emanuel List, Jean Booth and
chorus are heard in "Eli, Eli."
Let any mnn carets his faithful dog
and Whisper into the ear of his horse,
and, according to the opinion of most
of us, you havo a man worth while.
But. let liim fondlo his dumb friends
as Tom Mix does in "The Untamed,"
the William Fox production at the
Capitol Theater this week, and there is
surely going to be a rousing response,
The splendidly presented film in which
the rough-ana-ready "Whistling Dan,"
an adopted k^-ii of the owner of a great
ranch in the Far West, successfully
battles against outlaws when the
safety of the ranchman's daughter is at
stake, stands out as one of those un?
usual productions in which sentiment
is not overdone and in which the real
character of men is portrayed without
photographic trickery.
"The untamed," which is called in
the announcements "The Story of n
Man. a Horse and a Dog," is especially
interesting to New York audiences,
since thore are so few persons in this
city who ever have experienced tint
loneliness of a Western ranch and the
principles by which men live out there.
As realistically produced on the screen
as if you could hear the blows and the
very curses of the outlaw gang leader
is the fight scene shown. After "Whis?
tling Dan" has unknowingly caused
Kate, the ranchman's daughter, to fall
in love with him, there is an attack
by the cattle-stealing band's leader
upon the young hero. "Whistling
Dan" is beaten, but the time, finally
comes when he meets his enemy and
not only wins his fight, but through his
strength ( f character as well as his
strength of arm causes Kate to indi?
cate that she could feel content to al?
low him to protect her the rest of her
life. It is then he realizes that
there is something deeper even than
the friendship of a dog and a horse.
The end is inevitable. And it comes
quite naturally.
Others in the cast who measured up
well in supporting Mr. Mix were
Pauline Starke, George Seigmann,
James O. Barrows, Charles K. French
and others.
The work of the orchestra and organ
was splendid, and there was a twelve
minute presentation of gems from
Balfe's "The Bohemian Girl." Oldtime
favorites, such as "The Heart Bowed
Down," "I Dreamt I Dwelt in Marble
Halls," "When Other Lips," and the fa?
mous quartet number, were presented.
A ballet is oTe^ed by Mile. Gamb?relli,
assisted by ! lias Harding, York, Nilcs
and Bishop. Selections from "The
Firefly" also are included. The grand
organ played "Blue Bells of Scotland."
Th? re was a comedy, also the ni us and
scenic reels.
We may see, if we like, just how fast
wo are traveling toward ruination, also
just how tilled we are with compassion
and goodness, and how certain we are
of going to heaven, all in one short
hour and a half, placed before us in
actual black and white, with scones of
our own little old Now York to add to
the reality of it, by going to the Lyric
Theater this week and viewing "While
New York Sleeps," the new William Fox
production, which has opened there for
a two weeks' run. It is an unusual
photoplay. Unusual for its fine photog?
raphy and for the splendid direction.
If should interest every man, woman
and child in Now York, and it is highly
valuable, it seems, from the educational
standpoint, too.
We see Broadway, with its "crimson
night life," and we see the work of the
city's great institutions of relief and
aid. We see the gangsters' hangouts
and th!> great gray skyline of lower
Manhattan Island at sunrise. Wo see
theater entrances and galleries, as
backgrounds to certain parts of the
acting, that give to the film enough
local color to make it more than an in?
teresting story, and ail through the
piece is woven a story that, difficult as
it would be to reproduce in a few
words,, is one of excellent conception
and execution.
This is a new angle in motion picture
production, one that gives us a thrill?
ing reproduction of what may be going
on right at that very timo all around
us as we watch it unfold itself ( pro-;
vided we see it late enough ?it night i,
and from certain little scenes laced
into the story from time to time, gives
us cause for pride in this th" world's
greatest and most beautiful city.
There is action in a well-regulated
suburban homo, thon a blackmail thread
is woven into it and connected with the
underworld of the city itsoif, and
finally a fight against warehouse thugs
on the lower East Side. The story is in
episodes, and the same persons cleverly
portray the characters in all of the dif?
ferent scenes. It is one of the read
motion picture treats of the season.
There will be matinee and night per?
formances daily.
At. the Strand Thoater this week
H. W. Griffith's photoplay, "Tiio Love
Flower" is being shown for the first
ime. A review will appear in Th
Tribune to-morrow.
"Earthbound," the Basil King story
of life after death, continues to draw
large crowds to the. Astor Theater,
where the film is to continue its run
this week.
Corinne Griffith in "The Whisper
Market" will be seen, beginning to-day,
as an added feature at the B. S. Moss
Broadway Theater, whore the California
Bathing Girls, continue to appear in
person and on the screen. It is said
some new poses by the young women
of the West Const have been arranged
for this week's program. There will
be a comedy and news reels as well.
Colon 1 mi port? German Toys
Seventy-eight largo cases of German
toys wore imported into Colon in No?
vember and December. The invoiced
vaiue was about $2,000. They came
from a firm in Hamburg, being shipped
via Amsterdam. The. toys are being
retailed from -10 to 50 per cent, cheap?
er than American toys, and it is re?
ported that the wholesale dealer made
a profit of 200 per cent.
??kv.Sb'^SHELBURNE GIRL^,
an ei-aborate production
nVlC'F. M?.MTIY AT 7:tl0 ?>i U:3?
Lient. J. 'UM ItKYM.N'S
FamoiiH "Black Devil" Jazz Hand
Dancing .A.ft'n'n3 & Evgs.
HOTEL SHELBURNE
Ocetn r,
?y. Brl?hiiiii Uf?c!i, N.
,&Ti?rW*mmB-&s&esmBKm?'
("* ???T ~WY? 4^ ~W~W "ST ~W 1" 9 t"**
.HUtiCHlLL '?
OPENS TONIGHT
Fhe Sumrnci weeks have been devoted to applying the wisdom of experi?
ence to the development of the most essential things in dining agenda:
KOOD Ql'AUTY I ' " ID CO? >KKKV
i'i " >D Ql .-. S'TITY li M ID SERVICE)
And the greater demand ioi mind recreation during the dining hours has
? idled ami amplified with a program of superior cabaret, a perfect
dancing floor.
Music /in.'/?* charms?and we have the music.
"More Than ?. Restauranl??4 Broadrvay Institution"
Broadway at 49th St.
Labor Asks Repeal
Of the Rockefeller
Foundation Charter
Committee Fears Influence
of "Money Interests" on
the Education of Their
Children; Action Urged
The State Federation of Labor's
committee on education recommends
in its report, which is to bo submitted
to the federation to-morrow at its
meeting in Binghamton, the repeal of
the Rockefeller Foundation's charter.
Peter J. Brady, chairman of the com?
mittee, includes in the report a state?
ment attributed to Frederick T. Gates,
formerly president of the Rockefeller
General Education Board, that it is
the intention of tho board to teach
children "to do in a perfect way the
things their fathers and mothers are
doing in an imperfect way in the
homes, in the shops and on tho farms.''
It is the belief of the committee
that this and other statements Mr.
dates is said to 'have made show that
the money devoted by the. Rockefeller
Foundation to education is intended to
graduate from its schools children who
will be satisfied with things as they
are and content to attempt no more
than their parent? attempted.
"Wo urge trades unionists and work?
ing people generally," it is said in the
report, "to be on the alert and ex?
tremely careful of the Rockefellers
and other selfish money interests and
prevent their interfering in the prepa?
ration of courses of study or the selec?
tion of members of educational bodies."
The report also recommends legisla?
tion to establish a minimum salary of
$2,000 a year for teachers and the ex?
tension ?f state aid to rural schools
and for Americanization work among
aliens. The passage of another law is
urged to make the election of all mem?
bers of boards of education compulsory.
Other recommendations include legis?
lation to provide dental, medical, optical
and surgical treatment for school chil?
dren by the state free of charge; the
preparation of school lunches at n nom?
inal price; cumpulsory education for all
op to (lie ago of sixteen years; the lim?
itation of pro-vocational training to
pupils fourteen years old or more and
of vocational training to pupils sixteen
years old or more, and the (diminution
iif much of the ceremony now surround?
ing public school graduation exercises,
so that pupils will not be impressed
with the finality of that event, but
will ho encouraged to continue their
school ?no;.
JTEVT YORK'S LEADING THEATRE?
| H?W AMSTERDAM THt~ATB?.
| MATS. WED. & SAT., 50c TO $2.50,
HIMH<.lillH.l.nniMillHj
KNICKERBOCKER ?,3.? SSjft
POSITIVELY I \ST WEEK
SGIRU SPOTLIGHT
LYCfcUiYi "'A T?orf ?lV,e^ow
l)\Vii> HELAS. ?- pretient?
- in "THE COLD Jj
DIGGERS" Hop,?
Si i \ \ 11 ? >>
IIS CLAIRE
.lOIIN (?OLDEN presents
..., i? s- Kvu - h .Mit*. Wed. ?v s.
?usa ;?
B ??oke WHITE'S
I SCANDAIS op i92o
asjw.tt.ANN PENNINGTON?
Cohan & Harris $?.\v?5A??.
EVt5 8 20-MAT5 THUB? c, SAT 220
uzmy MUJ? '&iui
Si I i^l?ff'T' S?* Efe &Wf> V^ii *W&*
8M JAME& fO?>3EO
THF SEASON'S? TPIUMPH
t?&VU?J SATINS"
J Ai,D A R01LS iJGYCr CUOJ?US Qf BROADWAY BEAM ft
?Tc'hn Dr?T?XyvZi?ers
k\mmi\n lincolh
cort ',',o.:v?vt:^v;o
?pip?: Liberty V; \<ii\% I?"* ?-"
S?r A,.-'The Wight Boat'i
8% j V 0 L I i "Humoresijue5'
? t| i,'? iv at ! Emami?l Llsl & Chorus
?tSM mi -; I IU] "1,1 onciiESTBA
KlM ?T A 1 T I? I Mftu ' rourneur'a
|| I A L I U ??hs Wh;|e C:rc;e..
Sfi r.nns Sa. KlALTO OUCHBST?A
mmmm^^^?mmm ',',S!!H''''7,i;;:;,:A,a,? nml
Another Griffith Sensation!
AUDIENCE at STRAND THEATRE
STOOD AND CHEERED
D. W. GRIFFITH'S
"THE LOVE FLOWER"
tranD 47^aT All Ihis Week
America'? Foremost Theatre* and lilt?.. Direction of I,?JC A .1. .J. BXIUBKB.
WINTER 6AR0EN B^_tt,?_!tL_:
MATINWC TO-MOHKOW AT 2
CINDERELLA ON BROADWAY
Whart Dalaiaa Bloom and Audlanosa Grow Wild.
03 Kt. tc r.l'.W.
VI). Col. 88'JO.
Atop Century Theatre
3 DHTerrnt Munirai rrwliifllor.i Nightly.
fRICES $1, $2, $3
.'?iff*! HeaiiUful (?Iris In Tin, WurlU.
rnicB? *i.oo, $2, %a, ?n.oo.
Dining anil Dancing In Own. U 33 On.
Moroscoi''?iusETTflniglits*3To i f booth swb b*-.i-..?w-|
H'Af'KNUAI.S A ICEMFBB CO. I'rewut I AM'Ab??spr?*"W3 _.?s,_?n/Hk.J
AT
8:30
H'Af'KNMAI.S ft KHMI'KIl CO. I'reaaut
A New ?iTlirniTI??s^f-/nin,
Play
SHUBERT
hart
00(1
41th. w. '/f Broadway.
Matlnort Saturday - 15.
SEAT SALE TODAY.
?taS WEDNESDAY EVE. f?
RORERT COUBTXEIDGB PreaenU
%Tha Latnt London C?m-dy Hit.
P. RAY COMSTOCK and MORRIS GEST Present
LO N f. A P D F Tboulre, 4Sth BL, Wort ? B'way. Brenln?a * .to.
W 11 U/_\y 1\ L Matin?-? Wednesday and BaUirdajr 2M
Smashing Comedy Hit
A
/-?iB} ^^_<^.
"WHO ?aid we
?nr? the
weaker ?ox ?"
The CAVE GIRL
By Urn Author* of 'ADAM AM) KV A*' airl "POLL. WITH A PAST."
"Full of Laughter." I "Highly Diverting."
? Times, j ?Sun-Herald.
"Captivating Humor."?Evening Telegram.
"Decidedly Amusing." [ "Merry Sport."
?Globe. I ?Evening Post.
"Never a Dull Moment."?Telegraph.
2V2 HOURS OF SOLID LAUGHTER!
I'.p-adway. Ev
tho o9 1 H J 1 RLEi I Matinees Wednesday BJid Saturday 2: >
A Comedy You'll All Love
Ily tlif Authors of "THE! ORBAT LOVER" and "LOMBABDI, LTD." '
"Dramatically moving and "Clever line? and they all reg
pidaxreiqvte." Sun-Herald, istered. Cleverly devised."
"Genuinely entertaining?ex- ; ?Alan Dale in American.
pensively mounted."? y ?mes. "A triumph."? Tribune.
"Full of atmosphere." ! "Romance and adventure in
?livening Post. '< glittering heaps."?Teleqram.
ROMANCE ?COMEDY ?DRAMA
39th St.. nr. P.'way.
Evenings at 8:.".0.
Mats. Wed. & Sat. 2:30
he Greatest Love Story Ever Told
WAGENHALS & KEMPER CO.
Presents
By AVERY HOP WOOD and
MARY ROBERTS RINEHART
"SERVED WITH PAPRIKA SAUCE
BROUGHT A B!fi DEMONSTRATION
STORY OF PRIMITIVE LOVE. HATE
AND PASSION."? The World.
"REMARKABLE FOR ITS CHARM
GRIPPING?TH Rl LLI N G?LE FT AUDI?
ENCE ALMOST BREATHLESS.''
- Eve. Son.
"THRILLS FROM SPAIN?ALTO?
GETHER SEDUCTIVE?A STORY OF
HISSING HATE, LACHRYMAL LOVE.
PANTING PASSION. WILD COURT?
SHIP AND STILL WILDER RE?
VENU-."?The Times.
"FULL OF THRILLS?LOVE AND
JEALOUSY. HATE AND ENVY
ABOUND IN THE THREE ACTS.''
?Sua-ilcr-ld
SEATS NOW SELLING H WEEKS IN ADVANCE
6REENII/ICM wf?m?s?,
_? J _/ St*i/j Ac*- or Sa/e.
55!'"!
? '
m
R-^ 431 ri S?, '?
?l\l???^M$?????S ' lYRIt r,xe NOW PLAYING
William I'*o_ Presente
?il
DROADHUW? TH??.w<i_
EV3 S 50 MATS
S SAT 2
lACKr/SCft?
<rC"Vlf50V /VOV?LTY
.1 sensational cincmelodrama of metro?
politan Ufe in three thrilling episodes.
Twice Daily ; ?? Prices $$t s_t.& s?n ,50-75-$!
SPECIAL mi. T0-M!W
VU.I 1 \M A. RRADT Pr
? ?" ??MM0?EST VIOLET '.
SK\TS VO'.V OX f?:\l K
CENTRAL TUGATR? \WZIZ?L_8tt'
, ^CKA?LPS FURCa? '
"* ??t~""''">,f JA"1'!? iwm___ **-?*A
_ajwrx . W [I ?alt _9 rj_ JCJflr^lt-J'
ENTER aVSADAfVlE
with GILDA NORM \M
VARES? " I TKKVo"
GARRiCKr'\^ **% Fy
ELT????? ' M.?.W: p.;:, ? ?g _?
"LADIES NIGHT"
REPU BLlU Mat-,'. Wed.' (Pop ) 4 Sal
"A Gripping Dream Play.
Beautifully Staged and Costumed"
"THEWOFTHELftl'
HUDSON ? ; : &]
TAYLOR HOLMES *
"CR?8KE? GAMBLERS" j
nil
Wa_aftmtt$?ft^^
Powerful
Blow
A l
Bolshevism
FIRST TIME ON ANY STAGE
(BROADWAY AT 39TH STREET)
TO-MORROW NIGHT, 7 to 11
Continuous Daily Thereafter \ \nQ nVV4
Afternoons, 25c-50c ? Evenings, 25c-50c-75c-1.00
Red
Blooded
Stcry
American
To the C ore
DRAMA, THEME
AND TITLES BY
scenar/oLby NINA W?LCOX PUTNAM
directed WILLIAM NIGH director of ?my four years in Germany?
STELLAR ) J H. GILMORE, LESLIE AUSTIN, WM. NIGH, ALBERT TRAVERN1ER,
CAST HAL BROWN, CHARLES SUTTON, MISS MAURINE POWERS, MISS ELSIE
INCLUDING j DE WOLFE and OTHERS.
Hatred
Strife
Intrigue
Cunning
Creed
Power
All for Naught
Long after others to come
have been forgotten
THIS PHOTOPLAY
A Gripping Human Story
Only
That
Which
Is
Based
on
Love
Can Endure
.!_?> ' ?'ii-ii "i1-****"" >r'~
L?EW S New York Theatre & Roo!
Cuut K A. M. to 11 V. M Roof M 1 A M.
?MARY PICK FPU I Mn 'SV PS."
Loew's American Roof V;v-o i> ?tV'i?
HAMPTON ?v BLAKfl, DOL'OLAS I ?1. Soatt
??LINT A ro . CARLTON & I'.KI. ? ,
MONT, 3 ?lKL REVUE & Others I Reserved
H B.F. Kpith*? ; NORA RAYES
r ?! ??.P ! Eduardo & Ettas Cansino,
I HLHUC ; joe Laurie, Jr., other? &
B'w?y and 17 St. , Virginia Sheldon
Mat? Dally. B5-I1. I PEARSON &_LEWIS
LEON ERROL
n U.K. Keith's
Riverside
WHITING * BtTRT
Herman Timber^
B'waj sad ? 6Ui St? I Bradley ?i Ardtn?, others.
6^i^;|3o???5 Selling ? waeka in odvonc?
v. t I.LI ? \l f '.ix present?
TOM MIX
Isr?l ? (^ iviiuiiui Ti.
v. ^".T?fP*? R'*'-' Tarkiniton "Edgsr"
1 B-VAar* 4t 31 i?;iwi Comedy Capital Orchestra
Bvo?. NO HIGHER
?bL- BROADWAY ?^jim
WEEK
CORINNE GRIFFITH Is
PERSON"
"Tho Wttliper Markst''
AstorTheatre "?if"
Broadway & 45th ?tre?t picture
EAKTHBOUND
Produced by G0Ll>.. YN PICTURES lor?*
* ?* at
... - ? ? ? ?" .
If IMA FREE CIRCUS
VG**&Y J?lAr<V AftiTiumn? ?ill? f?^D"
COLUMBIA, lit- ?t 4T Kt. Tvlc QfcUyi^j ^uVj
THE BOSTONIANS ?Pop. i n??l