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w Gy ?ara Marchall Cooi^ fur Priceless Pelts JUDGING by the fur wraps prepared for this winter, the good, old-fashioned fur coat has passed into the discard. To be really ?mart our fur mantle Bust be In the form of a cape or closely resembie a dress or, If a coat at all, decidedly of the wrappy type. The fitted sleeve Is seldom seen in the latter. When there is a sleeve H is cut as part of the garment, ?ornewbat on the raglan style. Some of the very newest fur laments for 1920-'21 are being made In what is known in Parla as tije robe mantean style; that is, the oaat la almost in the form of a dresa. The leading furriers have taken this tip, as it were, from the big dress? makers of Par!??, who are having remarkable succss with these coat dresses. Prom fur to organdie is a far cry, but in fashion vagaries the whole gamut 1s often sounded, anei so the robe manteau is found in orgar.die and in priceless fur. The last word In cummer frocks, worn st the Trouville-Deauville races was the robo mar.teau in organdie snd the first fur novelty wrap for winter is in the re)he mantean style, Moleskin as Thin And Pine as Satin A CHARMING wrap of this char acter is shown o:j the figure second from the left at the tup o this pag?. This mantle is almost a' exact copy of a dresa :n every line It is devel iped in moleskins as thi. aid fino as satin, with trimmir.; bards of dark Hudson Bay mink There ':? a muff to match as heauti fully tailored au if it were of cloth Another fur coat in the form o a dress Is shown just at. the left o the mod', described above. Thi: too, Jh of moleskin, worked in band lich f-i.nc horizontal, bias an ihevron lines. The quaint snu shoulder cape is new in its slantin lines. One of the most interesting dc velopments In fashions is eeen i the fur coat of the present day. . few years ago designers would nc have thoughl of draping fura in th ?ame way that they Would chiffoi Very many < f the now fur wraps c the mar.1.le type show almost price less pelts arranged in the form < draped rapes. Following the grei popularity of silk i.r.r] eerge m*ntl< nuring the early autumn season is to be expected that furs mad? : these stylen will b* equally popula Both capes and coa's are made "fern, one falling over the othe These do not ripple, but wrap ? drape gracefully about the wear* rhe Flat H;in<:ring Back Is Now Decreed A LL of the new mantles have very fiat hanging back, whi eives a square appearance to t ?Iffure, although the front oft crosses in a diagonal line and wra the figure snugly. This Is just t difference between the coats of \i ?inter and those, of 1920-'21?th indefinable something which mal ?ill the difference between being the fashion or out of fashion. Caracul is a fur well suited these square hanging designs. lovely new wrap of natura! carai made in this way has a deep co! and a straight band of fur arou the bottom to form a trimrni There are no slcwes, the ar ?mlng through slits at the Bid At th? armholes the pointa of 1 ^flares are turned hack and h toned in envelop? effect. Considerable care was expem *> the lining of this wrap, wh 14 ef beautiful brown and yell brocaded silk, with part of the l Csded design embroidered in yel breeds, The buttons were sclec ?Hh quite as much attention as \ ??en to the lining?an example toe thought given to every li <*?*n la the clothe? of to-day. T *** * ?ray galaJita to blend 1 the soft coloring of the fur, and arc pear shaped, carved In a beau? tiful design. t^ Hudson Seal Holds Its Popularity ANOTHER gray caracul wrap, being shown among the newest models, is made in the form of a straight cape, but has bands of the fur placed around the waistline to I give the effect of two tiers. There is a deep hanging kolinsky collar . which really forms a little cape in I itself. Hudson seal Is as popular as ever for general wear. There is much to recommend it. It is durable and inexpensive in comparison with many of the other furs as well as becoming. The sketch at the lower left of the page shows a smartly tailored fur coat developed in Hud Bon seal. This model has a big cord ; girdle, which pinches it in tightly ? at the waistline. The cuff bands. shoulder collar and skirt hern show i the fur worked in bands. I For those who do not care for the all-black coat there is Hudson seal combined with ether fur. In the . sketch to-day is shown a tightly girdled coat of Hudson seal, with a shoulder cape collar and cutY bands i of kolinsky. Lovely Redingotes Trimmed With Sabio ""pHE fur redingote is seen in a variety of forms and is being made in a great many combinations of furs. Among the more extrava? gant coats are lovely redingotes , developed in unborn lamb, trimmed ! with sable. They are in fitted lines with the exception that the hips I flare slightly Just where the pocket openings fall. Ib th? chcice ?# skins we have considerable latitude. Almost every sort of fur is used for the hand* somest of wraps. It is several sea? sons since there has been such a lavish use of moleskin in coats. There aro wraps of Siberian squir? rel trimmed with skunk?a durable old-fashioned fur, which has been brought into the limelight again both as a trimming and for small furs. There are coats, of caracul, beaver, nutria ? in fact, almost every fur is used. Among the almost priceless coats are those of chinchilla and Russian sable. Then there is mink?one of the most popular of thi3 winter's furs. In addition to being fashion? able ft is durable?a most desirable quality considering the present prices of furs. The placing of the skins appears to be a very iropor ! tant matter, for in this way new i and unusual effect? are obtained. If the wrap is not made in tiers the skins frequently are placed to give the effect of tiers. A wrap created by one of our American designers is of Eastern mink in straight cape effect, with two bands of the fur set below the collar to give the effect of three capes graduating in size, the collar forming the first. The skins are arranged horizontally on either side of the front and around the collar to make a trimming band. There are no sleeves, merely slits through which the arms pass. It is lined wtth a beautiful Mack and gold bsocaded silk. A Mink Wrap Like A Traveling Coat ANOTHER mink wrap, in one piece cape effect, has the skins placed to give the effect of stripes running around both the collar and body portion. Trimming bands of the fur are on either side of the front and hang in wide loops, which are arranged at the waist?ine so that they may be used aa a muff. Like an oldtime English travel? ing coat, with little shoulder capes forming the sleeves, is another mink wrap. The body is in cape form, with a ten-inch trimming border achieved by placing the skins diag? onally. On this- model the collar is really small, not more than six inches wide in the back and becom? ing gradually narrower in the front until it disappears at the waist? line. A striking taupe and. tan striped satin hand embroidered in black and gold forms the lining. Among the evening wraps are ; some new and beautiful models of ermine. A particularly interesting one shows a straight cape of the fur hanging almost to the wa?sthine in the form of a deep yoke, with & choker collar. The remainder of the wrap is white satin, closely banded with ermine. The designer's idea in making it after this fashion was to produee a cloak that would hang in softer lines than the ordi? nary fur wrap. An exquisite shade of Chinese yellow satin, veiled with pale rose chiffon, ?a used to line it. .The lining is trimmed around the bottom with a narrow band of the ermine and a ruffle of the rose chiffon. A Rus? sian sable, made in strips oa the order of the ermine cape just de? scribed, has a cape collar in place of the high collar. An, unusual evening wrap of er? mine, with small raglan sleeves, has cuffs and a collar of Hudson BaJ sable. The skins are not cut. Th< whole skin is placed about the wrist Two animals, one placed above th< other, are used to make the higl collar, the tails hanging over th< shoulder. Upper roxv left to right?Fur coat made in the form of a dress. It is of moleskin worked in bands which shoxv horizontal, bias and chevron lines. The slanting lines of the shoulder cape are netv. Tur mantle of moleskin with trimming bands of dark Hudson Bay mink. Tightly girdled coat of Hudson seal with cape collar and cat} bands of kolinsky. Lower row left to right?Coat of Hudson seal which has a big cord girdle pinching it in tightly at the waistline. The cuffs, shoulder cottar and skirt hem show the fur worked in bands. F?r redingote of baby lamb trimmed with sable. Fur wrap of the mantle type developed in mink and trimmed with kolinsky > - Crowning Plumes THE most striking feature of the new fall hats is the profuse use of feathers? For about six years the French have been working on imi? tations of aigrette to be substituted for the real feathers on hata ex? ported to America. On July 1, 1913, the United States government ruled against the importation of the feathers of certain birds, among them heron and paradise. Aigrette plays an important part on many of the French hats. As the American buyers cannot con? sider models with this trimming, the French set to work to make an imi? tation. The imitation of aigrette, which is ealled in this country burnt goose, is so realistic that it is difficult In some cases to distin? guish it from the original. It is used in many different ways, stand? ing straight up about the brims of hats, bent in loops, or made into long flowing ornaments that sweep away from either side of the hat. 8uranne Telbot has Just completed a small turban of black panne vel? vet, with a brim turned up closely all around. Across the front are spraye of burnt goose, sweeping down almost to the wearer's shoul? ders. Feathers that trail in an exaggerated fashion furnish one of the newest methods of trimming. On some hata they are at least twelve inches long and look like huge in? verted question marks. Ostrich Plumes in Delicate Spirals A PROFUSION of ostrich is seen on hats for afternoon and eve ? ning wear. It forms entire brims as i well as Innumerable kinds of orne ? mentation. To speak of ostrich feather trimmings brings a vision of the old-fashioned trailing plumes that weighted the hata of our grand? mothers' days. The modern ostrich trimming, however, in no way re? sembles these oldtlme garnitures. It is made Into delicate spirals, bent to form all sorts of Interesting orna? ments and bands, as well as lovely lacy brims. I Elaine, of Paris, makes a small I hat of brown panne velvet, with ? slightly mushroom brim, and place* little spiral ornaments of ostrich completely around the upper brim and one beneath the brim on either side, to give an Egyptian effect. Lace is used more profusely than I ever. Hats are made entirely of it. Ever so many of the beat models show the draped lace veil as part of the hat itself. This is not a new fashion, as hata of this type were shown all last year, but they did ' not attain any degree of popularity. This year there seems to be a great demand for them. The Turban Is Seen In Many Variations T^OR general wear the small he prevails. Many variation? o: | the turban are seen. The turbai ] is never really out of fashion I Something closely akin to it alway ? remains in millinery. The infiuenc of the Far East on recent fashion has given prominence to the turbar I j Many of the smaller hats ar . draped and soms of the velvet one are chirred. Medium sized hat ! show brims turned down after th | manner of tho always becomin i mushroom Ehape. f For country wear there are sma hats of bright colored oilcloth j We have had oilcloth hata in plai ! colorings, but these show a gay cor : bination of a number of differei : hues in one hat. These are usual small, with close fitting upturne ! brims. ( Small hats of short haired fu are being prepared for early winte Fur and ribbon are frequently coi ?j bined. Usually brocade?! or metal j ribbons are used. Quantities of r ; bons of all widths are seen, not oi j in conjunction with furs or veh [ but to make entire hats.