New-York tribune. [volume] (New York [N.Y.]) 1866-1924, September 27, 1920, Image 6

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New-York tribune. [volume], September 27, 1920, Page 6, Image 6
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New-York tribune. [volume] (New York [N.Y.]), 27 Sept. 1920. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1920-09-27/ed-1/seq-6/>

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H?! Hum! Here's
Another of Those
Bedroom Farces
?t
Marry the Poor Girl," at the
Little Theater, Is Contri?
bution of Owen Davis to
Season's Inevitable List
J THE CAST
M.i**?-n.Wilbur Braun
Stet? Ripl*r.William David
Tom Harrison.Frank Allwortn
Klttl? Porter.Franc*? Mann
Mrs? Paddlngton.Gertrude Mattland
Wallace Paddtngton.Halbert Brown
JulM Paddlngton. ??*?'?'-?? 1-**;?
jack Tannor.William Roa?ll?s
Brajllov Llttlefleld.Harold do Bicker
AnT Wtnat.d.Nlnlta Brl.tow
Rev, Carlton Glbb?.Stapleton Kent
Roaa Cary.Beatrice Noyes
Sara Orogan.Mr?. Anna O Connor
The Hoy.Raymond O'Connor
ThaOlrl. . .Agnes O'Connor
Thtf'Baby.Still Another O'Connor
By Heywood Broun
everything which Owen Davis does
in ';his new bedroom farce callsd
"M*rry tha Poor Girl" has been done
before. This is a handicap. Also, it
has been done better, which is well
nigh ruinous. Merely as an exercise
in a certain form ?if dramatic tech?
nique "Marry the Poor Girl" is not so
bai; Mr. Davis has solved some of
his? problems with considerable tech?
nical facility. His play begins brisk?
ly i??d sufficient new twists are intro?
duced to hold up the interest in the
thiW act, which is one of the most
diflcult tasks of the faAe writer.
But none of this serves to make
"Mfcrry the Poor Girl" good entertain?
ment. It will suffice, we think, for all
theatergoers who l?avc never seen a
be?room farce and feel that they ought
to go through the experience just once
bettre they die. Of course, we do not
adroit the necessity, but then we hap
per| to have seen several bedroom
fartes. The piece is billed as "a per
fecfly innocent farce" which led us to
expect that it was going to be par?
ticularly outrageous, but although de?
void of taste it is not actually shock?
ing?
"Che story concerns a young man
who is thrust into the wrong room by
mi-7,a_ike while intoxicated and is there?
upon called upon to protect the repu?
tation of the young woman who has
fal'en under unjust suspicion through
the incident. A simple and repellent
little play is developed from this theme.
As nearly as we can remember there
is one .funny line in the first act and
twij in the last. This leaves the play
at least thjree up on some of the bed
roojn' farces which we have seen, but
its g?*d-,ia not sufllelcntly great for it
to |?<r{inscribed otherwise tnan as just
on?-more of those things. Every sea?
son- simply has to have a certain num?
ber of bedroom farces and this is one
of them. From this point of view it
may be said that Mr. Davis has done
his duty. So have the actors. Neither
medals nor court martials are re?
quired.
. ?
The Stage Door
Three openings are set for this even?
ing. They are "Don't Tell," at the
Nora Bayes; "The Tavern," at the Co?
han, and "Merchants of Venus," at the
Punch and Judy.
"Kissing Time," a musical comedy,
book by George V. Hobart, musical
score by Ivan Caryll and lyrics by
Philander Johnson, will open at the
Lyric Theater' Monday, October 4.
Among the principal members of the
cast are William ^Morris, Edith Talla
fenro, Frank Doane, Dorothy Maynard,
Paul Frawley, Primrose Caryll and
Harry Colemaa.
E. Ray Ooetx'a production, "Picca?
dilly to Broadway,^ will be presented
for the first tim?a_t the Globe Theater,
Atlantic City, to-night. The production
is staged by George Marion and Julian
Alfred.
To-night at Poli'? Theater, Washing?
ton, Oliver Morosco will present for
the first time Rachel Barton Butler's
comedy drama "Mom." This is one of
the plays submitted to Mr. Morosco
during the Harvard prize play contest.
In the cast are Minnie Dupree, who will
have the title r?le; Minna Gombell,
Warner Baxter, Lorin Raker. James L.
Seeley, Helen Weir, Averill Harris and
George D. Parker.
Brock Pemberton announces that
"Enter Madame" will move from the
Garrick next M on da v, October 4, to the
Fulton Theater. The matinee days will
remain the same?Thursday and Satur?
day.
The latest addition to the cast of
"Broadway Brevities," which comes to
the Winter Garden on Wednesday even?
ing, is that of William Sully and Gen?
evi?ve Houghton.
William Fa-ersham in Mark Twain's
"The Prince and the Pauper," will open
in Montreal to-morrow night.
Charlea Dillingham will present Jo?
seph Cawthom in "The Half Moon" in
Wilmington to-night.
The Theater Guild announces that
Edgar Stehli has been added to the
cast of "The Treasure," which will
?/pen at the Garrick Theater on Octo?
ber 4. Mr. Stehli was for several years
associated with Stuart Walker and en?
acted the r?le of Bildad the Shuhite in
"Job."
The Garden Players will give two per?
formances of "Pomander Walks" in a
natural setting at Forest Hill?, on
next Thursday and Friday evenings,
September 30 and October 1.
Walter Damrosch returns to New
Yoric tonight to see Margaret Anglin
in "The Woman of Bronze" at the
Frasee Theater. After the perform?
ance Mr. Damrosch will discuss some
future musical plans with Miss Anclin,
these two artists having already worked
together when Miss Anglin revived the
Greek plays in Carnegie Hall two years
ago with the symphony orchestra un?
der the leadership of Walter Damrosch.
Inthe cast of "Jim Jam Jems," John
Cort's new musical comedv, which om?ns
at the Cort Theater next Monday night,
will be Roscoe Ails, Midgie Miller and
their Jazz Band, who for the last few
seasons have been a headline act in
vaudeville.
f I ?5?lt0,,,-?i-?h?*'"<Wn?ry piar*, of New
I ??"-.*TV-r/??'" ?*?'?*"? atmosph?re an?
!___;?>_.. 7??"?""?"? airnoapnere an?
?fflto?ll??^ WUa l",e* ,D,"U th#
111!!15 *Mti-,i or tub
m GREEN TEA POT
?lOHA w_?e fc*n, ?o?_in? i, fct lt, *,*
I?mn?R??? LSWd-IS?, 4? t? ?o?^
M w. <7t_ Bt._ ?-laser. Tie te |?
?turnen? -ram? *ba wmm
JUW ftoehe'l* Jfcraaet*
IS* r?u_*__ tUed
weetftMMM bom? ci?okou ? )? cart?.
THEPiROUETTES4W?*t??tiM
UStkMS, ??. iHil Mi?,'a?:'
"Tip* AHUM CHAIS. AT* ?S# BAM"'
IM tMl Mtli Ht.
tfrnttcheon? and tea? a ?pedal feat or?,
Aniett? Mtu to I'.t for all kl-de at
?rivet? entertains?.
On the Screen
"The Jailbird" at Rialto Thea
ter; "Madame X" at Capitol $
Other Openings
Douglas MacLean, in "The Jailbird"
at the Rialto Theater this week, is un?
faithful to one of the strictest tenets
of the motion picture industry. In the
final scene of the entertainng photo
play by Julien Josephson the smiling
Douglas docs not enfold winsome
Doris May in his manly young arms
and press her lips to his, a slow fade
out marking the end of tho film. Oh,
no, nof Douglas. He goes back to jail
to finish his bit, not, it mu3t hje re?
marked hastily, because he does not
feel that way toward Doris. The em?
brace will come later.
Who evev heard of a motion picture
scenario, enlisting the services of a
handsome couple like Douglas MacLean
and Doris May, without the traditional
close-up? Such a scenario is a rare
specimen indeed in the motion picture
industry and "The Jailbird." therefore,
is refreshing in its novelty.
Excellent entertainment Is this
Thomas H. Ince production. One can?
not help feeling refreshed in the smil?
ing and clean-cut presence of Douglas
MacLean. He gains his effects easily
and naturally. He is a screen actor
worth seeing. "The Jailbird" is a well
written story involving real charac?
ters?country bumpkins and slick
crooks?and the contrast.is well sus?
tained.
Kid Dugan, or, better, Shakespeare
Clancy, is a safe-cracker with will
power and a conscience. He makes an
easy getaway from confinement and
foes to sleepy Dodson with his pal,
keeter Burns, to claim his uncle's
estate. It amounts to about eighty
seven dollars, a run-down country
newspaper shop and a parcel of rock
strewn laVid. Shakespeare tries to go
straight, but fails in his efforts. So
a gold brick is planned for Dodson
which has been hostile to him. A fake
oil company is formed and a shaft
driven on Shakespeare's property. All
the townspeople subscribe. Just as
Shakespeare and Skeeter are ready to
run off with the money real oil is dis?
covered on the property and the for?
mer Kid Dugan is hailed as the town's
greatest benefactor. Success is his,
but in the midst of it he departs and
goes back to the penitentiary to finish
his bit.
Doris May and William Courtright
givjathe star excellent support.
Tne Rialto Magazine and "The
Cure," a Chaplin revival, complete the
motion picture program. The orches?
tra plavs "II Guarsny," by Gomes, Rus?
sian Isba singers sing a group of Rus?
sian songs, Arthur Cerino render;-.
Saint-Sa?ns's "The Swan" on the
French horn and John Priest plays
Wagner's "Waldweben" on the organ.
If one 1$ of a precise turn of mind
and at all familiar with the writings
of James Oliver Curwood, it is not at
all difficult to set down the ingredients
which go into a motion picture fash?
ioned from any of his novels. "No?
mads of the North," r?t the Strand The?
ater this week, is no exception. There
are always long shots of dense forest,
storms, the cruel Hudson Bay factor,
the tracking of a murderer by the in?
fallible Royal Northwest Mounted Po?
lice, and animals which are almost hu?
man. These are some of the necessi?
ties of a Curwood picture which come
readily to mind. But it is not to be
inferred that "Nomads of the North"
is not an absorbing screen melodrama,
although somewhat lengthy.
The work of a bear cub and a puppy
and the photography, especially in the
forest Are and waterfall scenes, are
commendable features of the First Na?
tional picture. David M. Hartford, the
director, has produced some excellent
effects.
"Nomads of the North" is the fa?
miliar triangle story of a primitive
setting. This triangle involves two
men and a girl. The vengeful, tricky
villain. Buck McDougall, son of the
Hudson Bay factor, seems to have all
the odds in his favor, but Raoul Chal
loner, simple and honest French-Cana?
dian woodsman, triumphs after many
and seemingly insurmountable difficul?
ties, and wins Nanette Roland, who har
loved him all along bnt who was almost
forced to marry McDougall.
The work of four characters, the
three mentioned, which were played by
Francis McDonald, Lon Chaney and
Betty Blythe, and Lewis S. Stone, who
played Corporal O'Connor, of the Royal
Northwest Mounted Police, is splendid.
Lon Chaney especially makes a pictur?
esque and winning figure, aided great?
ly by the bear cub Neewa and the
puppy, Brimstone.
Other screen offerings are the Srtand
Topical Review and "Dynamite," a
Mermaid comedy. Mary Mitchell, so?
prano, sings, the orchestra p'.ays the
prelude and selections from Puccini's
"The Girl From the Golden West," th?
Strand Male Quartet renders "Dream
ing Alone in the Twilight," by Moore,
and Shubert's "March Militaire" is
played on the organ.
Pauline Frederick, starring In "Mad?
ame X," the new Goldwyn production,
had her first showing in this film yes?
terday afternoon at the Capitol Thea?
ter. It is by far the finest single bit
of work she has done for months, and
the collaboration of her acting In this
hlghl-f emotional French masterpiece
and the stage direction and production
by Samuel L. Rothapfel, form what may
be called the acme in motion picture
presentation in Now York City.
The highest peak of artistic attain?
ment in the week'a bill, from the di?
rector's standpoint, no doubt, is in the
rendition by the great orchestra and
Sudworth Frasier and Lillian Ellison
of Miserere from "II Trovatore," used
as a prologue to "Madame X." As tho
orchestra plays, the characters of tho
opera make their appearance on a dim?
ly lighted stage, the scales of justice
rising hi^h above their heads, spark?
ling in the hidden lights, and almost
before the music is ended the curtains
I part from in front of the screen and
the drama is begun. There is charm
in this excellently directed bit, and
the value of the picture itself is en?
hanced, if we may say it, at least 50
per cent by the opening touches.
Miss Frederick, as all those familiar
with her work will know, is intensely
real in the acting of the part of the
outcast French wife, driven from her
home because her husband has found
her in the arms of another man. Her
appeals that she be allowed to see her
ill child just once more, and her char?
acter work as the woman who has trav?
eled the "road to God knows where," as
?he is found six years later in a resort
in South America, are particularly well
done.
Somehow, as one watches the work
of this star in the part of a distressed
widow, or middle-aged woman he hopes
Miss Frederick will "stick to her knit?
ting" and abandon those light, would
be girlish types she has tried to do in
other pictures. She is not of the type
nor age for ballroom beauty, and the
sooner she concentrates on such -Sarta
as she is playing in "Madame X the
better it will be for her fame and, no:
doubt, her pocketbook.
A Marimba band accompanies tho'
showing of a Prizma Pictorial visit to ;
Guatemala, Central America, in the
forepart of the program, and there is
? dance auite well worth seeing. The
band itself would be sufficient "extra,
added attraction" for the usual motion
picture theater. But there sits the
seventy-?ve-piece orchestra, Just the i
same, waiting for the "little' organi?
zation of a score or more artists to
finish and take itself out of the way. ;
A Spanish dance by Angela Compana
was far out of the usual motion picture |
theater class and would grace the W!?*-j
ter Gardeh or the Follies. There was!
an overture, consisting of selections i
from "I PagHaccI," with Erno Rapee I
eondoettng; the Cepltol News, a Rus
sian mazurka by Mllo. Gambarelli and
Alexander Oumansky, and Hy Mayer's
comedy, "Such Is City Life in Sum?
mer."
There is one particularly fine point
about the screen production of "Held
by the Enemy" at the Rivoli Theater
this week. It will do radical South?
erners no good to throw tomatoes or
other articles of combat at the North?
ern heroes. This applies to the other
side of the Mason and Dixon line, too.
It has been said that in the long stage
productions of William Gillette's story
of the Civil War?it is more than fifty
years old?no fewer than a hundred
family feuds have developed right in
the theaters where it was shown and,
in some instances, the acton; them?
selves did well to escape attacks of va?
rious kinds?verbal, vegetable and so
forth. They may throw all they like
this week. New screens will be erected
on almost a moment's notice.
Jack Holt, Aj,.ies Ayres, Wanda
Hawley and Lewi.s Stone, to say ifoth
ing of the dozen or more of others ap?
pearing in the cast of this favorite
stage work, acted their parts with
poise, and that is about all that is
n"eessary to "put it over." Like
"Uncle Tom's Cabin" or "East Lynne,"
its. very name attracts and assists it.
"The Big Show," a Chester enmodv
and the news reel and regular musical
numbers by the Rivoli orchestra com?
pleted the program.
At the Astor Theater the Fox film
adaptation from Will Carlcton'*- poem,
"Over the Hills to the Poorhouse," con
tinues.
"The Restless Sex" contrhues at the
Criterion, with "A Melody of Flowers"
as a supplementary number.
"Way Down East," the successful D.
W. Griffith production, continues its
run at the Forty-fourth Street Theater.
At the Lyric "While New York
Sleeps" continues.
?
Shildkraut Forceful
In "Kreutzer Sonata"
High Artistic Standards Set by
Jewish Art Theater in
Tolstoy Play
The presentation of Tolstoy's "Kreut?
zer Sonata," dramatized by M. Katz, at
the Jewish Art Theater Saturday night
reflected in every way the high artistic
standard set by this playhouse, and to
which that portion of the theater-going
public which seeks something more
than mere amusement on the stage has
been afcustomed.
Mr. Katz's effective dramatization of
the great Russian's novel retains to a
very large degree the force and pathos
of the original work, and in the hands
of Rudolph Shildkraut, who played the
role of Pozdnysheff, it fairly quivered
with reality and deep emotion. Shild
kraut, who won his original laurels as
an actor on the German stage,, showed |
his remarkable dramatic powers all the
more because the language in which he
had to express the ideas and character
of the Russian hero driven mad with
jealousy does not lend itself particu?
larly to the portrayal of Slavic charac
ter. This obstacle was easily o-rercome
by Shildkraut, who, speaking the Jew?
ish lines, was no l"?s the Russian
bourgeois portrayed by Holstoy.
What can be said of Shildkraut can
also be repeated of Anastasya Orzhevs
kaya, who played Helen, Posdnysheff's
wife. This actress, who is a newcomer
to the Jewish stage in America, indi?
cated histrionic ability of the highest
grade, und shared with Shildk.'au* tne
applause and enthusiasm of the audi?
ence.
Lazar Fried as Trouchatchevsky, the
musician who fans Pozdnysheff'S jeal?
ousy, and drives him to murder his wife,
did creditable work. Anna Appel as
Maria, Helen's sister; Bina Abramowitz
as the nurse, and Jechiel Goldsmith as
Yegor, the butler, contributed gener?
ously to the very successful perform?
ance.
? "-a ?
Hungarian Colleges Restrict Jews
VIENNA, Sept. 26.?The last session
of the Hungarian Parliament, by a vote
of 57 to 7, adopted measures which will
restrict Jews from entering all higher
educational institutions excepting in
very small numbers. The measure is
the result of the efforts of the anti
Semites, who were led by Minister of
Education Haller,
tfct t?n of a rsftable dealer
?rid the world* best Gasolin? B
Every motor highway
and byway throughout
picturesque New Eng?
land and New York is a
partofthe long"Socony
Trail",
evert/Callow
the Same?
The House of The Seven Gables, Saletn,
Mass., made famous by Hawthorne's
book of the same name. It was built
in 1662.
MOTORISTS, commercial truck
men and farmers?from Salem,
Mass., to Osvvego, N. Y.?have come
to depend upon Socony products.
Thus, ordinary demand has become a
responsibility which the Standard Oil
Company of New York is constantly
striving to fulfil. This is the reason for
the steady growth of Socony service.
Refining processes, like motor con?
struction methods, are always being im?
proved. Socony gasoline is made and
tested in accordance with the most
recent standards of accuracy?insuring
uniform cleanness, constant mileage to
every gallon and absolute dependability.
There is a difference in gasoline?-just
as there is in coal. It will pay you to
discriminate.
Socony is a straight-refinery gasoline.
It vaporizes quickly, but it is more than
a mere easy-starting fuel. Owners of
large motor truck fleets use Socony
regularly because it is uniformly high
powered and clean-burning.
Look for the red, white and blue Socony
sign.
STANDARD OIL CO. OF NEW YORK
REGvU.S. PAT. OFF.
M OTO R GASOLINE
-,? ?gajjgg w .-.
B?ffet Crill for ?Ladies & Gentletaeu
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Henea I>?l"y 6 to 9 B ? ?"" **
After-Theafre Suppg>>, $1.28
REISERWEBER'S
Columbus
l"lrcle
and SSth St.
JAMES OLIVER CUfeWOOD'S
_?t?elk
A.SENSATIONAL PICTURE OF THE NORTH*ND
J&&A STAD. CASTincludin
LEWIS STONE E XON C
A FIBST NATIONAL ATTRACTION
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AMKIUCA'S FOREMOST TKEATfcBSB ANS? METS. M-CJECTION t?S ?J__5 * J. J. SHUBER2
P*OM-NA0t afewe ft'f.inV'
CENTURY THEATREp-j?vf
BIG PARISIAN REVUE IN AMERICA
Acknowledged by all the Critics of
New York to be the greatest
Show in the Werld
S Different Musical Production? Nightly
CENTURY) MIDI .TIGHT
REVUE,?J R?UNDERS_,*&
Price? 51, %%, $3) PrSee? fl, $2, S3. $B.
Dinine ?and I?a?eln_ e to closing.
B'way * St-l S_ f
??tea?. Mat Thare.
?vvnOAbnC Hrst Matin? Wednesday.
BEG. TO-MOR'W EVE. at 8.20
William It. Friedlamler Present?
THE XKW MISICAL COMEDY.
"PITTER PATTER"
Book by Will. M. Ho*a_ti. Lyric? ?ad
Music by WHJiam B. Frier-Hand?*??-.
B??*il on **Ci?*o?ht In the Hain,"
by William Collier ti fin-at Stewart.
UTTLETHEATRE
W. 14 St, Er?. 8:_t?.
Mat?. W*<M. A Bat.
OLIVER M0RO8C0 Present?
Owen Davis' Perfrctlu Innocent Fare?
THE
POOR GIRL
Ermlnp at RIO
and SAT., 2:20.
with
CASINO BSW-if5Er
ZIMBA LIST'S Play
H3__Iia_?_
BEAT, SELLING It WEEKS AHEAD
CENTRAI ,?>"*?? *T * ?*'*?-'? *>?"? ?:w
WhltlrlHI. Mat:ne<>? W<M. snd Sat 230
CENTURY ?*\?b. ?,
62nd St., nr. B'way.
Seat Sale, Wed. 9 A.M.
Most Important and Greatest Event
of the Entire Theatrical Year
F. Ray Comstock &? Morris Cest
ANNOUNCE TBS
Z???e'&b. Next Mon., Oct. 4
THEIR FOURTH*ANNUAL SPEC?
TACULAR PRODUCTION,
"MECCA"
By OSCAR .??CUE, AUTHOR OF
"CHU CHIN CHOW" ^
Music by Percy Fletcher.
ara^ph^Scenea^bv Michel Fokllie
sTd E. Lyall Swete
POSITIVELY THE WORLD'S
LARGEST AND MOST GOR.
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WINTER GARDEN
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W'tfi the World'? Great?-?* T fiitii?iil-i%
EDBI? CANTOR 6EGR6E UMAiRE
and BERT WILLIAMS
And EDITH HALLOR. Aiao M Bre-slt? Sautta?.
OPENIKG W-JI6HT 830
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MAX MARCTN Pr???nt?
"Three Live ?hcsts"
A N?r* tConedy'ln Throe Act?.
FIBS. MATINEE SATCBDAT.
MaxineEIKott'sC
^*^MN#?<MM*>^*a-?MMI<^M?l?.%?^^
TilEATiUB.
1? Ht., n'r B'waj
ire*. ft:?. Mais.
W>d. A Rat., 2 3ft.
"HELD AUDIENCE BREATHLESS.'
SPANISHL?VE
'NOBODY CAN AFFORD
IT." ?Alan Dale.
TO MIS?
Amerlra?.
45th.tV<VBRCWW?l'
_*/ES?5?*n^Vtt_Si?2?
?Yl?ff BbO.1
filil? Uni
The?., 4S St.. W. of B'y. Sri. S SO.
Mats. T^I-y ft Wed. (Pnp.). 1:30.
??.m?
il __?*^?3???__
OlHkrNf3 TUl/BS NIOUr
SH?BERT te^AWifrff
The Bohemian? Ine. Annocne?
iUltfoFiBIO'
}J?t..JS. of B>. En ISO.
Mau. WeU. and ?Sat.. $:*,
t_l?_iinUia! ?UUl M_,s. xVed. *g_t.. 2:15
"Another 'Pe_ o' My Heart'??Hos Irre
?It-Mble heroin?."?AT. Y- Suh-Hsrald.
rada y Best Thing?
with EILEEN HUBAN and CYltIL SCOTT
"New Comedy Delightful."?Et*. Journal.
PLAYHOUSE
ALICE BRADY
"T" Ann Ascends
"ACHIEVED POSITIVE 6L0RT
?Alan Dal?, American.
QPPQRTUM/TV
Every Episode is a Punch f?U?
AfiTU CT Thea.. Juat K. of P'y. _-,
?t?B ill ?Jli Ma?n?-?>a TUurs. and Rat
Eta. IM.
2:M.
J
i?0_6?COK BUK?
??WMUHMI- ?*T
TH% BAfe IMAtS
44TH ST. THEA. "Tf,.,^1"
FIFTH TREMENDOFS WEEK
D. W. GRIFFITH'S
"I? DOWN EAST"
SDlfaCCi r.i. A ?at. A Sun. Mat?. line '
riliUl.?! $2. All other Man. 23c t.j $1 50
Because It Is True
After a.!!, truth it the moit wondenfui thing about art. Seeking
truth, William Fox hat drawn back the curtains o? drtmi, and
let us see life itself. It passe? before ut on the ??rreen, pulsing,
throbbing, a living thing. Through smiles and tears we behold
and wonder. Every man, woman and child, teeing, ha* praised
it because it made him feel, made him live.
Every critic in Greater New York bat praited tkis tktag .n&
calied it great, because it U trae. Tkis wanderfo! tkug it a
drama of iove-.lvine, nade froa Will Caxleton't ?soenu
VER THE HILL
Produced by
WII.UAM
FOX
ASTOR
THEATRE
B'way A 45th St.
Directed by
HABRY
MILEARDK
All Sa?-at* Ftesei-ved. Price?: . Matin???, 8:30, i.e to Ml.
Evening. 8:30, Saturday and Sunday matinee?, SOe to 91.
Q-tnTU THKATRK. 4STH ST F7vijs. K en.
QUUIil Mat?. Weil. (Top.) A.Sat.. .30.
??!
na
PLAYED ONE YEAR IN LONDON AS
"TILLY OF BLOOMBBURY."
CI T? M fir Then.. Wont 42(1 St. Ktb?. ?:?
CbllflUEi Mat*. Wed. (Vop.) A Bat.,
c?eat.' a H'oiks In Ad?an?:??. M*t?. \Ve?i. an?i Sat.
rill ?fftll TliPatri?, W. 4Bih St. Brga. 8:40.
rUklUn Mnttneea Weil, ami Sat., 2:30.
&msmwv$s
Wit!. ROLAND YOUhii?J?.^rrS OAt
[IMSC-HSB
? LAST WEEK-1
See The Humor, Tragedy,
Drama of New York Life
in
"WHILE NEW
YORKSLEEPS"
Produced bv William Fox
Plrpcted by ?"'harl'-M J. Brabln
St. and
dway.
LYRIC THEATRE ??
Continuous Noon to H P. M.
rrlce?' Miit.s. 25-50c; Nichts. Sat.,
Sun. and Holidays, 60-75c-$l.
CDA7C9. ^'^t i-2t\ St Kvgs. ?:30.|Pl_ine 31
rl?HtCC MaU. Wed. & S?t.. 2 U Bryant.
MARGARET ANGLIN
m "THE WOMAN OF BRONZE"
BROADHURST _j^.sV.VM.V&
i forvr?r-? THE guest
HUDbCOF HONOR
"HE HOLDS HIS AVDIEXCK IN THE
HOLLOW OF HIS HAND."?f>'u>.-//?*ra.?/
REPliEna TOBA. W. 42d St. E?-c_ g:30.
ncrU-l.IV Mat?. Wed. (r??p.) ft Sit, ? ?.
Maw. Wed. (Hop.) ft Sat. 2:?0.
?
_jL_L
JJU
WB
.?A BDI I* If ??"? W. S'.th. YHmy 1*22. En?.
URnrfiUf- ?:30. M.u. Tliurai. & Sat , 2:30.
BROCK PISMBERTON pr?*-f*<*nt?
?ku^iENTER MADAME ?r^o^
Movp? tp tt-?a F?j)ton T?*-??tr<? Mon . Oct. t
"A play mare agreeable and more en?
tertaining than any of thote producto
in .Vrt/i York this xeason."-?Alexander
Wooilcoft in The Timen.
LITTLE OLD NEW YORK
riymoutn uat?.Thurs.?\sat., ?.z?.
princess i& ***?:*?' r"y !*
and Sat.. 2730.
mimmxtt
Ernest Truex n Blue Bonnet
GOOD SEATS AT $1.00 AN? ?1.5t.
Popular Priced Matinee?,.
IB^lttKMff???BF'f
To-night at 8:15, "Lohengrin." (In Italian). Anna
Fita'u De Mette? AfO't'?il. V.u.. iv.n.l K- ????':
Tu??., "Cavallarla Rusticana." Gei lie, Rarron.
ClbelU. D'Amlco, and "Paaliaccl," Keltie, Corallo,
Mallestor. Com??.. Marola sua i dero.
Wed. Mat., Topular Prices, "Taks of Hottmann."
Fltelu. Vlrarlno, l*iccli?ae. Aenntliil, ?>rri. Valle.
Wad. NI|M. "Faust." Ma' "rer'ie ?amara,
Corallo. De BluL Valle. Cond , Merola.
Thurs., "La Ferza dol LK-s?iiin. Freeman,
De Metta, Agoatlni, BaUester, Curva De Blasl.
Cond., .Mero 1 ii.
Frl.. "La Travtata." Lydl* Lipkowsjia, Clbelll,
Hasler, Manley, Valle. Cen?1.'. Sodero.
Sat. Mat., "Carman." Gentle, Keltie, Homer,
ClboUJ. Vail?. D'Amlco. Cond. Merola.
Sat. Nlaht, "Aida." Rappol.t (Gurst), Do Mette,
i.'urallo. Bnllesicr Cond., ??ulero.
Prlcea 50o to 12.50. 8eats now aelllng.
JVOLIjHELD ?v, ENEMY*
1 l! Til ! I>< ?I GLAS Mr Mi \>
SALIU I "T!i.: .?all Bird,"
Prifprinn THE RESTLESS SEX
MIIICI IUIIwith MARION PAVIB8.
B'way at 44tli St. Cont. Noun to II !' M.
PB.r.K.olth'4 I G KO. WHITING & I
? L A C ?l RADIK i?l HT & CO.. '
" *" ? ** ** Itobert Unmet t Keane. Santley '
Kryam 4300. , i? a,..-r..a. nther-i &
Mat*. Dally 25-11. I fej-lvt-Kter Scliuffer.
Kurjl Norinun, "The
lucaeinc ? ('r'',,I<* Fanhion Plate,"
IVEffSIDE I ? T ios. E. Mira. Hen .
Bemie, Morris & Campbell. !
Irving & .lack Kaufman.
B.F.Keith*?
VERSIDi
B'way aad II St.
HB. F. Keith's FOIK MORTONS,
AM?LT0N Mr?,;,r0?MrV?T'
B'way, 14? st. Corinne Tilton Review.
Pop. Price* I25c-$1 Y reite Rucel, others.
JB. F. Keith".
EFFERSON
14 St. E. of :* Av
Pa?. Pricaa J5c-ll
Herman Timber-;,
"Trin to Hitlund,"
4 Queen? and , .loker
El Cleve, Dolly Kay. '
Toney & Norman, others.
Mr BROADWAY i\V
Cont. Perf'm'ee. Mat?. 15. *"*>. Sic. Evs. 7?) 40 60e
B. F. KEITH VAUDEVILLE?10 mSES 10
Loew's New York Theatre & Roof
Cont. U A. M. to 11 P. M. Roof to 1 A M.
Wallace Held, "What'a Your Hurry;"
Loew's Americas Roof 4?T?5 .t*?l
Harry H:nes. Pern* & IJit. Dr. Joy'* I *(i ?.?..
Sanitarium. 4 olha. In The*., Clara!*'1 ""?"
K. Young. For Uie Soul of Raphael I Rtierrtd
C?WI1
MADAME X."
"-?nrrlns Pauline Frederic?!
I'TMayer'iCapllolTratelaugh
?AP1TOL QUAND OUCH.
C<int. 12:30 lo 11 P. M. Mau. 30-50c. Night* 5.*>s?c.
COLUMBIA ?M^^IP?
"TWINKLE TOES"
A to Z fttinnniieement? ander the hemA
ln-r of "Builnaaa Cards" appear dally in
Th? Tribun?. Consult, that? (or your ?ee??.
-A****,
NEW YORK'S LEADING THEATRES AND SUCCESSES
Famous Belasco Successes
KMi*.l*.? B'way & 4<v:i St. Kvs. 8:30.
CIY'r'nlU Matinees Wei. and Sat... 2 W.
"EXCEEDINGLY AMUSING."?Broun. Trtb.
ifif?A! ^ Tur n^-OTftnis
Pv ,Te?n .\ ' hit
fiCI ftCCn West 44th St. Evga. 8:30.
DCLMduU M*ts. Ttiun. and Sat.. 2:30.
"UNCDMMDNLY FINE."? WoollcoU. Times.
FRANCES STARR in-ONE"
By Edward Knobloct
I VPETIirUt Theatre. W 4.1th St. Kvs 8 30.
Llt-CU TU m,., Tnur, ,n,, Sa._ 2 20
"GORGEOUSLY FU NNY."?Tribune.
INA CUIRE "oilS h.*
r! M?W AMSTERDAM THEATRt.?
LAST 3 WEEKS
MAT51WEDi*5AT50<ih,$232
? FaEW-rON TMC ROO* ?NEW
JZSKFEU MDNKIirmOUC.
BART HiCKMAfS ORCHESTRA?
PUNCH &JUBY ^^?!l?ilriS^r
BEGINNING TO-NIGHT, ?;25.
^'i?*" ! MEK^ANTS VENUS
rNICKERBOCKER. B'way. 38 St. Kvg*. It SI.
k ?-l ... ?? I) .MATINEE. Best Seat? IS.
RE?LLY-THE
?llT1- COHAN'S n^af?
?TO-N1GHT at 8.20
! MATINEES WED. A SAT., 1:20.
I Geo. M. Cohan's
PRODUCTION ?>F
The Tavern
] (By Arrangement with Brock & Pemberton)
! With ARNOLD DALY
GEORGE
I? BOOTlT TARKINGTON'?
Comedy for American?
n c ???T" Z ^?~ ! m nv >nn I tomeoy for American?
Mnsica! Sliowjnjown! ARLISS ? POL DE KIN
PARKTHEA. %^k ggrjg
GLOBE ??' Last Week
SCANDAIS op 1920
vtft AfW Paai^KMCTOr'
COHAN & HARRIS1^??, * ?* ????
AM H. BAKRIS present* ? ??* ?
I fr/^TeTo-'-if?AITI TMUC? e. $AT 2Jj
HEKRy H?UER js"
BLAHoa mm
8m ??>?*,, roui-,
-TMR . ?MiA??N? T??K/r*t>>>H.J
??I .'I!!'.".. Ml)\,
AAHON HOFFMAN'S Cor-.edy
JOHN GOLDEN pr?s.at*
?ANJt_JUL#,MMifl
CAIKTY, li'way, <? ?tT Mal?" WaST?7??TTTSU.
I Waft ??d St. Erg*. IM.
Mau. Wed. * Sat. ML
'? '?e ' I .,..<
SEATS TO-DAY
AT HIPPODROME BOV OFFICE
FOR THE AMERICAN DEBUT OF
TOM
BURKE
Grrmte?rf T.fvtrtB- Irish Tenor
(DIRTCCTION* WILLIAM MORRIS"!
?ffDCT.Mj, HiPP?OflOME
-ARNE?I* HAU* Sai. A?., Oct, *M*
111 UOLi'H
BOCHCO
Kl'SSIAtr rrOIANIST <De??Bt> ,?__
Ticket*. ftOe. to fS.OO. Now **t B?m <w?
M?n*?amant B. B. JehaatoK. ICn-rt?? Fl?a?
Sait SI? Mi
If. aUSATf*
Bid* D**T*

New-York tribune. [volume], September 27, 1920, Page 6, Image 6
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume], September 27, 1920, Page 6, Image 6
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924