New-York tribune. [volume], October 20, 1920, Page 6, Image 6

About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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Bodanzkv Gives
?? ?
Fine Concert in
Carnegie Hall
Some Lack of Fundamental
Solidity in String Choir
of National Symphony
Atoned For by Leader
Violin Concerto Heard
Francis Macmillen Plays!
With Notable Tone,
Charm and Lofty Sincerity
By H. E. Krehbiel
The program of th? second pair of j
concerts for this season of the National ;
Symphony Orchestra at Carnegie Hall
on last Sunday night and yesterday
afternoon embraced three compositions
?Schubert's "Unfinished Symphony,"
Goldmark's violin concerto and Charpen
ticr's "Impressions of Italy"? a group
of familiar pieces, ingeniously put to?
gether so as to offer the charm of con?
trast, display the merits of the orches?
tra and hold the interest of the hearers
from beginning to end. The charm of
contrast in one respect, however, that
of tempo, did not enter significantly
until after the beautiful torso, left by ?
Beethoven's spiritual heir, had been
played, for Mr. Bodanzky read the two
Schubert movements as if the composer !
had designed them to have the same !
pace, in general effect the quarter
notes in the Allegro moderato having i
substantially the same time as the I
eighth notes in the Andante con moto.
Now, it is easy to conceive of a quick?
ened Andante i the Italian word sug- j
gests alacrity, and Bach sometimes set
down the indication "Andante-allegro">
and a moderated Allegro as synchro
nous; but the spirit of Schubert's music, i
it seems to us, demands a quicker!
tempo in the first movement than in
the second, and so does one of the es?
sential elements in the symphonic
form. The need in this instance is
made the greater by the fact that both
movements are in triple time. It is
a curious speculation which dawns
upon us now for the first time that
Schubert's abandonment of his most
poetical instrumental work, celestial in
its serene beauty, may have been due j
to the circumstance that he. did not
know how to proceed, with the need of
a third movement in triple time, a
Scherzo, confronting him. He did not
hpve the example of Brahms, with his j
delightful intermezzos, before him. But ,
this may be wholly fantastic.
Band Has Fine Tone
Mr. Bodanzky atoned in part for the
monotony caused by the similarity of
his fundamental tempos by much free?
dom and elasticity in the progress of
the movements, sometimes with in
gratiating effect, sometimes with the
Opposite. A ritardando reiterated with
every occurrence of a melodic phrase
becomes cloying, even annoying, ,to perJ
sons who know music. It isn't healthy
pabulum. But this was more noticeable
on Sunday than yesterday afternoon.
The symphony, but more especially the'
picturesque Charpentier suite (the !
second movement of which was omit-;
ted in the performance), showed the
orchestra to better advantage than did :
the music of the first concert. There ,
is some turbidity in the brass phalanx,
and we fancy that more fundamental
solidity in the string choir (numerically
strong enough) seemed at times de?
sirable, but the tone of the band is
generally tine and remarkably ductile
under the hands of Mr. Bodanzky.
It is already plain that the men will
poon be electrically responsive to every
Urish of their conductor and that re?
viewers who have an eye more on the
good of art than on the prejudices of
the cliques into which the city's
patrons of symphonic music have un?
fortunately been divided for years
( though never so violently as now),
after paying the meed of praise due to
the playing of the men, will have occa?
sion to do little inore than discuss the
new music brought forward and the in- !
terpretations of the old. This ought
to provide enough interesting material |
for the season in the cuse of the N'a- |
tional Symphony Orchestra's concerts
as well as those of the Philharmonic
and Symphony Society and the bands
from Boston and Philadelphia.
But let no one give "till judgment
guide his bounty." Much beautiful
sound will enter our ears, as it did
yesterday, when, in listening to the
loveliness of the Schubert Andarte in
s'imc of Mr. Bodanzky's ecstatic mo
nunts, we felt like saying, as Beethoven
paid of Mozart's G minor symphony:
"You can hear the angels singing in
it!"
Macmillen Charms
Mr. Francis? Macmillen played the
fcolo part in the violin concerto. It is
a composition which he seems to have
made peculiarly his own. He played
it here last, we believe, at a Philhar?
monic concert conducted by Mr. Mahler
in 1911, and he has had few virtuosos
to contest his right to be considered its
supreme interpreter. It came to him
through his master, C?sar Thomson, as
it came to Olive Mead through her
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closed crotch. All fabrics, priced to
please.'sav"Superiors"tcyourdealer,
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The Superior Underwear Co.
Piqua, Ohio
master, Fran? Kneiscl, who was the
first to play it in the United States.
That was back in 1890, when the work
was twelve years old. Cesar Thomson
announced it for a Philharmonic con?
cert in 1895, but trouble with his bow*
aim led him to .shun its stupendous
technical difficulties and he substituted
another piece for it. A week later*,
however, he played it at a concert of
the American Orchestra at Chickering
Hall, thus tttesting his admiration lor
it.
Elman has played it and so his
Jacques Hoffmann, but it is gencrallv
avoided. by itinerant violinists?for
reasons which may be surmised from
the C?sar Thomson incident. While it
appeared to us too much of n violin
istic show-piece when we first heard it,
it has grown in our estimation since,
largely through the performances of
A?r. Macmillen?those of yesterday,
Sunday and nine years ago.
Thoroughly fine and profoundly ar?
tistic were all these presentations of
Goldmark's music. If wo were made
to grieve because of occasional faults
of intonation, the player's noble tone,
his loftv serenity in the middle move?
ment, the dignity throughout and the
reposeful conquest of its technical dif?
ficulties made amends. Mr. Macmil
len's playing of the work is distinctly
a notable achievement.
The Stage Door
Galsworthy's "The Skin Game," at !
the Bijou Theater, and "The First I
Year," at the Little Theater, are the j
openings to-night.
Thomas C Dagnall's production of I
"Lord Richard in the Pantry," at the |
Criterion Theater, London, in which j
Cyril Maude and ?onnio Ediss have ?
passed the 350th performance, will soon ,
be brought to the United States.
William Moore Patch announces that j
"It's Up to You," a comedy with music, '
is expected to open November S for a ,
brief preliminary tour before coming j
to New York. The book is by Ailgustin
McHugh and A. Douglas Leavitt and I
the music by the late Manuel Klein and
John L. McManus.
Flora Sheffield, who plays the Ameri?
can girl in "Three Live Ghosts" at the
Nora Bayes Theater, has signed a three
year contract with Max Marcin. In the
spring Mr. Marcin will produce a play
by Zelda Sears entitled "Welcome
Mary," in which Miss Sheffield will be
featured.
F. Ziegfeld jr. has engaged the Fair- |
banks Twins for the Marilynn Miller- j
Leon Errol musical comedy which will j
begin rehearsals next week under the
direction of Edward Royce.
Sherry Mathews joined the cast of
"Jim Jam Jems" at the Cort Theater
last night.
Hugo Riesenfeld has engaged and is
training a large chorus to assist in the
presentation of Maurice Tourneur's !
production, "The Great Redeemer," at
the Rivoli Theater beginning Sunday.
October 24. The Rialto attraction will |
be "The Restless Sex," which moves j
down from the Rivoli.
Fay Evelyn was engaged yesterday ?
by F. Ray Comstock and Morris Gest j
to play one of the principal parts in j
"Afgar," in which Alice Delysia will j
make her American d?but as a star
early in November. Miss Evelyn has I
just returned from England, where she '
made two pictures at the English ?
studio of Famous Players.
The Keith Vaudeville managers will
attend to-night's performance of "Be?
cause of Helen." at the Punch and i
Judy Theater, as a tribute to Alan !
Brooks, who was formerly a dramatic
lieadlin?r in vaudeville.
Belle Bennett, who plays the princi?
pal feminine role in "Happy-Go-Lucky"
at the Booth Theater, has signed a
long-term contract with A. H. Woods.
Buster Keaton, Roscoe Arbucklc*s
former partner in comedy, will be seen
at the Strand Theater next week in a
comedy film entitled "One Week."
Lionel Barrymoi;c will be seen in "The
Devil's Garden," the feature film.
The principal feature of the first an?
niversary program of the Capitoi Thea?
ter, starting Sunday, will be Nazimova
in "Madame Peacock," presented by |
Metro pictures. Under the direction I
of Rev. Constantin Buketoff, twenty- j
one members of the Russian Cathedral ]
Choir will sing "The Lord's Prayer," ]
"Sonp of the Volga" and "Fiuchnen."
The Sclwyns will open their new
Apollo Theater Monday?night, Novem?
ber 16, with Frances White in Arthur
Hammerstein's production of "Jimmic,"
which is having a successful prelimin
| ary run in Boston.
A dress rehearsal of Pony Sarg's
| marionettes in their newest production,
; "Rip Van Winkle," will take place this
evening in the Salmagundi Club. The
play will open Saturday in Hartford,
| Conn., and, after a tour of six weeks,
the little wooden-hea<'.ed actors will be
brought to Broadway.
"Hitchy-Koo 1920"
Brings G. P. Huntley
Back to Our Stage
English Comedian and Hitch?
cock Share Honors in Mu?
sical Show; Old Wheezes
Often Shine Like New
By Heywood Broun
In the middle of the first act of
"Hitchy-Koo 1920," at the New Amster?
dam Theater last night, Mr. Raymond
Hitchcock interrupted the performance
and advancing to the footlights said
that he had an important piece of
news for the first-nighters. "The audi?
ence will be pleased to learn," he an?
nounced, "that Philadelphia has
reached its quota for the Third Lib?
erty Loan." Later Charles Withers, as
a country chairman with a list of no?
tices to give out, issued the following
statement: "Mr. Thompson, the man
who used to drink so much and didn't
show it, will be buried on ThursJay
afternoon."
The rest of "Hitchy-Koo" is hardly
as good as that. The material, if re?
garded critically and dispassionately,
is undeniably old and frayed. There is
difficulty, however, in regarding it in
any such spirit, for Mr. Hitchcock, end
even more, Mr. G. P. Huntley, manage
to animate many a familiar wheeze ro
such an extent that it falls enticingly
upon the car. In other years and in
other places we have watched the scene
in which the customer came into the
druf* store to shop for stamps and
after much deliberation decided to take
the one in the middle of the sheet, but
it was never so funny as last night,
when Hitchcock was the clerk und
Huntley the customer. There was also
considerable amusement in the song,
'B'uggy Riding," as acted out by
Hitchcock and Julia Sanderson, par?
ticularly as the personable Miss San?
derson exhibited unlooked for talent
in broad clowning after the manner of
Ray Dooley.
As is the custom the performance
begins with a short informal talk by
Hitchcock, who describes the plot of
the piece. It proved to be a colorful
and beautifully costumed musical
play with a minimum of dawdling.
There is some excellent^dancing, par?
ticularly by Florence ~0'Denishawn.
Not much of it is novel, although the
final scene which pictures old New
York durinj the height of the cam?
paign between Cleveland and Blaine
is ingenious. Perhaps there were two
campaigns between Blaine and Cleve?
land, but this was just one of them.
The scene afforded an opportunity for
a stirring choral number, in which all
the girls assumed ?fTe r?les of march?
ers in a torchlight procession. It also
afforded Mr. Huntley, aV a visiting
Englishman, an opportunity to inquire
wha all the row was about and upon
being informed that America was elec'j
ing a President to remark, "What; on
purpose!"
There is some fun of a/very rough
and tumle nature in a burlesque melo?
drama, engineered chiey by Charles
Withers as manager, ticket taker,
orchestra and announcer. We can't
remember anything about the music,
so it can hardly have been either an
affront or a sensation. We have a
feeling, however, that Charles Steven?
son sang some of it pleasantly and
danced equally well. It is also our
impression that Miss Julia Sanderson
sings not at all well, ut we are just
as certain that nobody else in all the
world tries so prettily and pleasingly.
Like Babe Ruth, Miss Sanderson is an
attraction even when she swings and
misses.
To adopt the convenient method of
rating musical comedies somewhat
after the manner of history examina?
tions, "Hitchy-Koo 1920" o?irht to get
about B minus, which is a good safe
pass.
Five Men Are Indicted
In Albany Coal Scandal
.- ?
President of Company ami Ac?
cused City Employees Plead
Not Guilty
ALBANY. Oct. 19.- The grand jury
that investigated alleged irregularities
in the purchase of coal by the city
from the Montgomery Coal Company,
which recently was petitioned into
DE?DMEN
lili?l?ai
bankruptcy, to-day returned five in?
dictments. Those indicted are:
William F. Montgomery, president of
the coal company; Stephen C. Voelker,
an employee of the company; George
W. Oliver, superintendent of the Al?
bany County Courthouse; Joseph F.
Ryan, formerly master mechanic at the
city water works, and Edmund Mul
downey, a city employee connected with
the office of the City Sealer of Weights
and Measures.
Montgomery, Ryan and Voelker are
charged with false audit and grand
larceny, and Muldowney and Oliver
with receiving gratuities from the coal
company. The men were arraigned
later and pleaded not guilty.
.. . ?
Rich Negro, Born a Slave,
Blames Finery for Unrest
Too Many Silk Shirts and Good
Times, He Says; Opposes
Soeial Equality
ATLANTA, Go., Oct. 19.-?Bom a
slave and now reputed to be one of
the wealthiest and most respected
negroes in the South, David T. Howard,
seventy-one years old, to-day celebrated
his golden wedding anniversary and
made it the occasion to give some ad?
vice to members of his race.
Beginning on a legacy of $150 left
by his former master, Howard now
owns a business rated as the fourth
largest of its kind in the city, and
financial institutions readily make
loans on his name.
"I never wasted time, never went in
for wild oats, never saw a baseball
game, and never danced a step; but
always attended to my business," said
Howard. "No social equality for me.
No sane, thinking negro wants it."
The negro to-day, Howard said,
wants better justice in courts, better
accommodations on railroad trains and
more schools for his children.
"Too many silk shirts and too much
good time," said he, were the causes
of racial unrest.
Young Pianists in Concert
John Duke and Miss Ruth Clug
Show Marked Ability
Two young pianists appeared ?tl
Aeolian Hall yesterday. In the after
noon John Duke exhibited a aervlcca-!
bio technique, combined with a good j
deal of maturity in interpretation. Mr. '
Duke already thinks for himsoK, and
is not a blind follower of the marks j
of expression instilled by his teachers.
The Brahms Sonata in F minor was
well played with an oriffinality of con?
ception not always shown by young ?
players. Other pieces on his program
were three Chopin numbers, Debussy's ;
"Clair de tune," Saint-Sa?ns Caprice
sur les air de ballet d'Alceste and |
Liszt's Hungarian Rhapsody' No. 12. ?
In the evening Miss Ruth Clug proved !
to be essentially a technician. Her ac- ;
complishments in this direction arc
above the average, and with so good a
?tart in the mechanical management of
her instrument, time will no doubt '
ripen her powers as an interpreter.
.
Second Pavlowa Night Tame
The second night of Mme. Anna Pav
lowa's season at the Manhattan Opera
House brought the American d?but of
Miss Marie Oleneva in the ballet from ?
Massenet's "Thais." Miss Oleneva
wore a chaste costume and her dancing
was of a very ordinary variety. Nor j
did the ballet offer much that was in- :
teresting. The feature of the evening
was the second ballet, "Snowflakes," '?
with music from Tschaikowsky's "Nut?
cracker" Suite, in which Mme. Pavlowa !
and Mr. Volininc were the chief char- :
acters. This was followed by seven
divertissements, which included the i
charming "Gavotte Pavlowa" to Linckc's
music. j
Last evening's program will be re- ?
peated this afternoon. This evening;
.Mme. Pavlowa will introduce a novelty, I
"Autumn Leaves," n choreographic
poem arranged by her to music by i
Chopin.
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AT FORTY-SECOND STPEET
An Open Letter From
Ambassador Jas. W. Gerard
Oct. 16th, 1920. ;
My dear Morris Gest:
Last night I went to "Mecca" and never in any
capital of the world have I seen a spectacle as mag?
nificent, as tastefully and correctly produced. The
ballet is the most beautiful scene I ever saw on the
stage. My warmest congratulations. I am sure all
America will make the pilgrimage to your "Mecca."
Anyone who does not, misses the greatest sight of
the year.
Yours ever,
(Signed) JAMES W. GERARD.
NATIONAL INiTITUTlOM
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ALL THIS WEEK LOUIS B.MAYER, presents
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Internationally Karoous Novelist ?n<l Feminist
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81
CARNEGIE HALL tf? OCT. 23 0*!s
Ml si? \i, EVENT OK THE SEASON
GOCOWSKY?ROSEN
NO STBINW
UKLE
KNABE riAM) STBINWAt l'UNO
Scats No? on Sale ?t. Bol Office. $1.00 to $;.:,0 i
Nu UAli TAN. Mit. lUcnsel le Jonc?. I
Loew's New York Theatre & Roof I
Cont. U A. M. to 11 P. M. Roof to 1 A. M. i
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Loew's American Roof tirV etT ??tf s1 u
smith * Cook, P'-arl Abbott & On . | y^J] Se?t?
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} VIOLA DANA m "Blackmail." Keienred >
COLUMBIA ?i?FT^SlA*
JINGLE JINGLE r^?^Neai
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I.VSPrf Th'?- ?d f" ? W, of n-r. jots. x:i*
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HO 'SLUMP' HERE!
Audience Delighted With
This Season's Latest
Musical Comedy Sensation!
EDWARD ROYCE'S PRODICTION
K?SSIM TIME
Wltfl
WILLIAM NORRIS and EDITH TALIAFERRO
"Abounds with pretty songs?
In tact, 'Kissing Time* has every?
thing."? Alan Dale.
Maxlne Elliott
JM TJJKATni!.
S 39 Kt-, n'r Jt'way.
_ ? Ere.?. S:30. Mat?.
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A ROMANCE OF THE
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AT ALL BOOK SHOPS'ESS
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Mary Robert* Rinekart
BHMMT
CKARGT7
IV' IaIIi .s:. Kts. 8::iu. I'n
Mata. Ton;.'w A Bat.|Hry. 4H
fT?f VrkVI Theatre. W. 4.1th Ht. Ben. 8:3?.
OleJUv FIRST MAT. HATCRDAY.
OPEHINSTQ-NIGHT .%
XVXVUAM BRADY
(In Aaeeciatlorj with Iteandean. London),
Pr?sent?
THE SKIN GAME
JOHN GALSWORTHY
Produced by BASIL DEAN.
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TheUNWRITTEN CHAPTER
77iW?S SQ. THEATRE
W. 420 ST. rHOXB BRYANT 21. EVrt. J.JO.
POPULAR PRICE
MAT. TO-MORROW
KEGI'LAR MATIXKE SATIRDAY.
THI.1TKK ;5TH ?5T r,c< 151
Mato. To-day (Pop ,t sit : i*
BOOTH_
PLAYED ONE YEAR IN LONDON A?
"TI1.I.V OF BLOOetSBUBY.
ELTINGE &?S
FLORENCE REED \\WMSEM??
VT HE MIRAGE" l-lil ' 'T mk??JMMM
REPUBLIC ;/^ :
BROADHURST ?i?\y?Tr.^T*S*
MATINEES TO-MORROW A SATURDAY, 2.2S.
ji??*fiL HODGE o/?iL
"HOLDS HIS AUDIENCE IN THE HOLLOW
OF HIS HAND."?Sun-Herald.
CASINO POPULAR ^MATINEE "TO-DAY
ZIMB?L!ST*S_l'la.v with Music
BeiftBOGK BUK*
AS*HOnsSlf ?JtlKffAS'.f BK/HVT^
THE B?B> Ma?
GARRICK. 65 Uast 35th St. Plirr y ?322. j
Errs. K .')0. Matinees To-m'w a?'l Sat. 2::t0,
The Theatre Guild presents Plnski's comedy
"THE TREASURE"
BtXXK fWBtPTOV **esents m
mm- GILDA VARVtSl - ??
FWTER M^DAmF
M-NORKAN TRJVOB flu
FUltTON MA'S ;y? 5. ?^r 3 KM
FRAZEE S?4?d8,*^5 ' "
MARGARET AKGLIN
In "TIIK WOMAN OF BRONZE"
SELVVN SSMiftSrVV
^1FRA?K V^ ?WMtfSlORL C0?DY I
JSUNErJKI?IE K!
"It 1? funny, humanly, riotously funny."-?.V. V. Bvp. Journal.
"Forced scalding t?-ars frum hard.-nf*'! oves o? New Yorker
44
OVER THE HILL"
By Wilt Carleton. rroduced by WILLIAM FOX. Directed by Harry MiUarde.
TUFATDT Twice Dally?all seats reserved.
lUljninCi Matinees 2:30. 25c to J1.00.
B'..,-- S. A7al> C?. FJvenin?;? 8:30. Sat. and Sun.
Way & 4/(0 bt. Mats.. 50c tu $2 00
."n neiphborhooil notion picture theatre will
how Over the Hill during 1920, 1021 or 19?2.
44TH ST. THEA.
100 TO (08 TIVFS
WAY DOWN EAST
PRICES
PRINCESS v^>;.,r.r.d^. v$
ERNESfTflUEX-BLUEBOSISET
N K \Y YORK'S I. K A I? ?NO THE A T B K S AND SUCCESSES
Famous ?etssco Successes
?MDIDT "'??.' * ?nth St. KvC?. ?:.m
umrinCMiiij.x^'i To-day, Sat.. 230.
MATINEE TO-PAY AT 8:30.
"Exceedingly Amusing."- ?Tribun?'.
"CalltheDoctor"
?pi icpa win -uti- st ???s
OCU??U?M,a, Tomwand Sut.
"1'nrommonl.v I "inf." ? Times.
"ONE"
Krlward Knoblbci
?~ VPC??M Theatre. W. 45th St. Bt?. ? so.
Ul?CUlTl Mau?. Torn?- and Sat.. 2:30.
"(iorgeouslv Kunn.v,"?Tribune.
P ?lPC 'THE GOLD bt
uminL diggers"t::^
.< 30,
2:30.
i ncommoni,v i
FrancesStarr.
NEW AMSTERDAM ?A RlfiT"
EVEKY ONE HA Y8: n My* *
$&f MATINEE TO-DAY \%??
HITCHOOCK-SANDERSON-HUNTLEY
"HITGHY-KOO I920v
v.'i-Hcp??Hflsro^i? -ion I'-'r-,
mm! AMSTERDAM ROOF- - NEW*
?ART. HiCKMAN ORCHESTRA?
Mor?? fun than a b?* of monkey n.
THE TAVERN
Mtt?.t t;ilke<i of jil;iy in y ?tar?.
?I'ST '4. ST F\rv
Mats. Today & Sat
GAIETY. H'wny & 46 St. Mata Today an? Sat
JOHN <;OI.DEN present?
mmoH
CEOM
C0IW5
ErOiJuction
Mit COHAN
C?EO. fAUfly Tt4FAT PE - 6 .VAY /i 5Sr
rn. ^ V BU J?sHS EyES ? iO MATS'*! DtSW
PRODUCTION Of mil > in? . ' ?
- -'? ? ' '? ??
i%M%g8m mssoBS
THE TAVERN
MYSTERY. MEEODHAMA, SATIRE.
GLOBE. MAT TO-DAY AND SAT
BU1' !n
TOP"
ie stone ?T.r
ARNOEIl DAEY us the. Vagabot
'MiWH HAIIRIS KW, 5;; ".'.'-?
WrTFIimiifiliH^
with tiKOKOE SI UN Ex'
f^ADT WFSTA8?ST EVE ??? ?70
*?W K I MATS WEPeod SAT J 20
JlMJAMJEIti
W? SMA.SHIMO hWSICAL. HIT
THE TAVERN
.lust Mtiftly n thousand hutch*.
^?t?Yo:P0P.MAT.FRI,^S$1
."WINS" "BECAUSE
?-world OF HELEN"
Alan BrooksW1NS etX4USE
Theairo. I'olumliuj Circle.
I'liono Columbus 9390.
Krs. 8:20. MaUWt.j. A- Sat.
FIRST M?T. TO-DAY, 2:20
"Miss Hayes gives an enchanting per?
formance?Her attack and stroke in
comedy are like that of the incompara?
ble Marie Tempest; probably we will
all go on comparing her to Marie Tern
pest until tbe day comes when sud?
denly we and ourselves speaking o?
?owe newcomer m a young Helen
Hayes."?New York Times.
l^tuarl Chillis Carpenter's New Cmnc<l.v.
THE TAVERN
The surpris?? mutins of the yfar,
KNICKEBBOCKE? !m&8W&
GEOMCOHAN'S COMEDIANS
cx
(/J/YT IT A GRAND OLD NAME- ? ")
THE TAVERN
Thi* i>!ny you'll never forpet.
^????WiM? LlDtf ty Ma?. Today* gat. 2':3(h
^VrjJ^sNIibtBMt'l \ffl&
THE TAVERN
Don't leave N. Y. without seeing It.
HELEN HAYES
"Probably Miss Hayes can do 'Bab'
a little better than anybody else on the
American stage." ? A'. )'. Tribune.
"A companion piece to 'Seventeen/ "
?A. Y. World.
" 'Bab' is a worthy successor to
'Clarence/ "?A'. V. Sun.
*' 'Bab* will visit with New York for
a long time unless all signs are wrong."
?A'. }'. Eve. Telegram.
?PARAMOUNT PICTURES
CRITERION "r!^ t
^?^?????a? m" ^???? ?? ^^ * ' Continuous Not
Cecil B. DeMiUe's
Theatres under Direction of Hugo Riesenfekd
44th Street
loon to 11:30 P.M.
Something to Think About'
By Jeanie MacpJierson
IVHh Gloria S&anson, Elliott Dexter, Theodore Roberts. Monte Blue
R
B'way at
IVOLhtthst.
"THE RESTLESS SEX"
K
With MARI0M DAVIES.
Hy BOHKRT W. fTUMUKIlS.
HIVOl.I CONCERT ORCHESTRA.
LJr\m~4 A V?/Square
CBGSGK MELFORD s
"BEHOLD MY WIFE!"
MUton 8111?, Mat*! Julienne Kcott.
KlUott Dexter. Ruasisjt I*t>a Kiffers
FAMOLS RLaXT? ORCHESTRA.
OSCAR HAM.MERSTEIN'9
MANHATTAN
OPERA HOUSE
THIS WEEK ONLY
PAVLOWA
THE IN' OM r tRARl V
AND HER BALLET RUSSE!
.Dally China' o1 Prnqr.v
To-day at 2 15. Mari?. Oli-n.v?
rtelm? in Ballet frc m "Thal?" M
Here) Mr..- I'a>-' m lud M 1 ? la
??Snonfiafu-? " anil 7 11
T?-nl?ht at 8:15. "Thal?" Ballet ? i "Autun>B
Leave?" ?Now i lion s'a;1 ' 1 ? ' 3?
l'avlou a )
Thursday Ntgiit S ? ? Egvptlan Bill't.
Mil M Cha
plnlana." with M- r I'::? rvri XI v ?
?: i s.-.ii "Mexican folk Dan^v
I .. .. Si livi ri- . ment ?.
Tri. NiaM "Gl*?ilc TV \ ? R< ?*Ht
C.impflro Glrlt, wltli M nu
\ .. i tic nui * Oivi
Sat. Mat. Sam? Prtnrum a* Tnur\ fcat
Nlg.t Hallet?: "Amarilla" "La Pari * '
H..;.. !? pin . P , Uuki
"The Swan" and "Syrian Da?o-, ti
Mme Parlous. ai l "???? ? ?? - ? ? "*
mien ? i.nn ?e ?
%gt MON. EVE.. OCT. 25 "
THE STORM
1000 SEATS $1.50
I'innu :>? Hal . <>l ?\ KB
DENT?N
Mst. Lo-udon rhai Ito
ABOL.IAN M MI. Mon Eve ? ? - ? i
r ano R< . "ni bj ? I ( II
COWLES
Mjrt. of i.ou?oii Charlton. SI i ? ?
toth season CARNEGIE HALL
5 Ilium. Bvsr. Concert*. 5 Sat. \ft. * oneerta.
Dieinnine November ' und '?
BOSTONSYMPHONY
ORCHESTRA
P1KRBK HIINTK1 \. ?nnflu.'nr
A f'KW SEASON TK KEf'l '' fl
I AT CARNEGIE HAI.l !
SfHMin I'riim $10. SI ..VI. $ii IS S lufre?.
'CARNEGIE HALL, TO-NIGHT
AMERICAN DEB? I ill KM
MIROVITCH
Rt'HSl \N PI \\<l \ lit ' I <?-''
Tlckat? 75c to %2 m*
Excl. Ms?. S. HUROKS MUSICAL BU ^?U.
CARNEGIE HALL, Sat Aft., jet 23. 2 30
EDWftRD JOHiSON
TENOR Chlcajo o:"> i I ? '
Aeolian Haul, THIN \? rERNOOX al JL
BMll PARAH??
PIAN > RECITAI I MASi ? !
HIP?LITO ;?',;;', :.;,V,V,,i
L?ZARO
SONG RECITAI I
CARNEGIE HALL. SUN., OCT. 31, ?t 3
ZIMBALIST
VIOLIN RECITAL.
Carnegie Hull. Kri?lu> Et?.. Oct. .'.' *<? ? lJ?
LAURENCE LEONARD
COENBAAD V. ?<)>. \.. cmsssmu -
Mp. Antonia <*?>,r l.i -? . *t* Paa?.
?|Jf>TlME$
BgrWlPNPMl
?Daa'f sjh? "?
? ft t,*EAT '
_4
r_ , mmmm m ___
i:r\ itr \t H *<
?KORI? iitt'l aiuCE" J
??..?' I ' i -.-a.
I Arlfi.l. 1,11AM) Ottw