New-York tribune. [volume] (New York [N.Y.]) 1866-1924, December 24, 1920, Image 6

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'Don Carlos'o?
Yerdi Given-at
Metropolitan
Spectacular Settings and
Elab?rale Ballet Among
Distinguishing Features
in Production of Novelty
De Luca Wins Honors
_!_
Work First Produced in '67
Built on French Model;
Has Some Real Melody
Verdi's "Don Carlos" was givep for
the first time at the Metr?poli an Opera
House last evening. It is a vast <
glomeration of musical styles, for
Verdi, wnen lie wr >te ?t,
to adapt himself to the Fren lea of
grand opera. Ln its four acts and n
?cenes there is en to make
three operas. There is .-ist? drama t>
suit every last', including the p ma
ah?.! pageantry o:' ': : pa)
during i : Ina ti on, : ii il c:t
affair, a brutal murder, a ba let and
the appearance of a bei3evo!ei3i and
royal ghost, who. in : Unge
spiritual:.- 3, "g ? rum "th-j
other side-' in I ? time to s v ?
the hero from a disastrous quarter of
an hour with the Grand Inquisitor.
'1 in? story c-'-nes ? ? i in i ace
incest, but this Phedre-like touch is
dispelled, i'or Elizabeth is only a step?
mother.
Verdi was not the first to set to
music the adventures of the m
heir to the Spanish throne. The ?
subject was previously treated in "J
Carlo," text by Giacchetti, music by
Pietro Bona, Milan, 1847; in
Carlo," text Ly Beninzone, a '???
Allieri's "Fi?ppo," music by Ferrari;
in '"Don Carlos," opera seria in thi
acts, text by Tarantini, music I y ?
Her Majesty's Theater, London, June
20, 1844; in "Don Carl?.-." in sic by
Vincenzo Moscuzza, Teatro San Car] .
Naples, May 23, 1862.
Verdi's "D m Carlos" was written ' ?r
the Paris Opera, where it w
given. March 11, 1867, during the Uni?
versal Exposition, with M. Morere ; ;
Don Carlo?, M. Obin as Philip, M.
Faure as l'osa, Mme. Sass a*; ii'
beth, Mme. Guymard as Eboli, Mile.
Levieille as Teobaldo, M. Belval as
the Grand Inquisitor and M. David ; s
the Monk. It was given for the first
time in London at Her Majesty's
Theater, June 4, of the same year.
The first performance in the Unit i
States was at the Academy of Music in
t'ni? city on April 12, 1877, Max Maret
:*ok was manager and conductor. T :
cast was as follows: Philip II, Dal
Negro; Don Carlos, Celada; Marquis
de Posa, Bertolasi; The Grand Inqi
for, Gfirini; A Friar, Bacelli; El
'^eth, Mme. Palmiere; Princess l".
??Iiss Rastelli (lier first perfors nee
Teobaldo, Miss Persiani; Herald, Bar?
ber?a.
Opera Popular Only in Italy
The opera was n.;ver a success either
n Paris or Loii?1":!. Onlj in Italy did
;t achieve some little measure of fame,
?*.nd tiiis was parti;' due, no doubt, to
-?he fact that Tamagno appeared in the
title r?le. Here, with the exception
of the alia "O Don Fatale," which has
now and then appeared on a co?icert |
program, the work is practically a
novelty. Few remember the ear.1er per?
formances at the Academy of Music.
Two reasons other than the work's
novelty iray have induced Mr. Gatti to
introduce the opera i-t the Metropoli?
tan. There is the opportunity for a
'. uge spectacular display; I ? re ii also ,
*.he fact that amid t) I clutter
if the score Verdi > mele ; eeps
iut fr m time to tune in undimmed
.pierdo.*.
"There are three editions of the opera.
That u:.?ju at the Metropolitan is a
,. mr site f the three. S ?me cut;
have beer, mercifully made. (
tue -'y in aught have gone on for
twenty-four hours. Since the dress
rehearsal twenty minutes i
saved. Based on Schil er's tra
many scenes of the play have bee n
retained, although the loca y.j
leen changed. Posa i ?'? '.: i
as in the play. But .ve pt
into th* tcmb by'his u- est i Chai
V instead of being turned oser to th.9
Inquisition.
The strengest note in the dramatic
version ir the friendship between Car?
ies and Posa. In the opera the ?'
lo's love for i isized.
Politics is some ?
? lund and thero ??'
freedom for the o] ? ? ' I
But the oper
dull. The chas ;er the
??rand figures of Schiller's tragedy, but
the pompous puppets of opera, with at
least one aria apiece.
Work Is on French Model
The opera was not only written to a i
French libretto by Mery and Du Locle,
although the Italian version ig used ut
the Metropolitan, but according to the 1
model which, during three-quartera of'
the nineteenth century, had been known j
dietinctively as French grand opi ra, of
which "La Juive" and Meyerbeer's
operas are famili r examples. In this
school, lengl
ment of greati Verdi 1
the other essi tial, a tnd
spectacular, m h
neglected. B ssion i
to Frer.cn art and the homage p;;:d to |
t!.e traditions and c ve t
French opera, France :
ing "Don Carlos" as the tui
of his career. Hut it was not his first
French opera. "Les V?] li nnes"
: ad appeared twe ve - rlier. In
reality "Don Car!?..-" be! ?nirs to
I
Miller" to "Un Pi ra" ai :
including "Rigolet to."
The increased ri in orcht tra
tion which win to c m? :
glory in "Aida." ?
afterward, i?. ah
the influence of 4
"???er. The '
but the second i ch ? Prol
ably the ti i
Lined
Gloves
For Men
and
S?SsSfr Women
Th? Won?'? OrmUti LMthn n??r<M
404 fifth A?r.. V. V. 283 It w?j
Uoa/'-in?140 Trcmont -r,??
lxitiilou?-S!> li^e? .in Mrrat
Vl
?forest Otila 3nn
Forett Hill* Gardent, L. 1.
. /5 M'tnatct (actual running tim>-)
From P?ann?yl???nia Station
i Long lalnnri K li. Electric I faint
'/f.? v; i/i? m .-,< ?-.,.. , r? - ? ?i
hATi* I? ?a? ra/ M'.f? ,.?-i <-.-> if?.ru
e?:,t M - i "- ? ?
n.J. -.'??
m? o'r,., {fit
ti.r V% f.y. ; ,
F. J
HAWI.EY, Mg,.
T?l?(,l.on.. fSvuK/tM (2<M
A rmrty trlrrru.r K?Ult 1,,r thr \,?*j
PHus Ii?t?</?atto4 ?r.<i-,,.-..?,.. f,?? tia?*? (
I ? ind of t I .euer after one
- is that wh eh typifies the
hip between Carlos and Posa
and their common devotion to the cause j
of freedom. It is typically Verdian. ?
An example of the uneven merits of
the %core is the ?I fferenco between the j
two marches for which Verdi uses aj
band in the third scene of the j
tii rd act. The first, the march of the
condemned, has character and distinc?
tion. The second, the signal for the
entrance of king and court, again de- j
scends t?? the region of the common-?
place. This scent? is largely an affair [
of ensemble.
Some of the most effectue i3iimbers j
in the oncrn are the duet between Posa
and Don Carlos in the second act, |
Philip's soliloquy in the fourth, Posa's ?
air. and the duet between Carlos and
El leth, also in the last act.
Spectacularly the performance is a :
ph f"r Mr. Gatti's management.!
Nothing has been spared in the way of
costuming or mis? - en - scene. The
see ui's in the clo ster of San Giusto.in
the Queen's Garden, in the Rquare be?
fore Nostra Donna d'Atocha,,all are
: table achievements. The marine
ballet in the third act, one of the most
elaborate ever staged at this opera
house, with human pearls and oysters
disporting themselves among the
waves is another evidence of Miss Ro
sina Galli's brains and Inventive genius.
Sh In*; self has ample opportunity to
charm the audience with her dancing
II. She has never been more ex
quisite, more seductive.
Martinelli in Title R?le
Mr. Martinelli's Don Carlos is vo
cally sound, hut histro33?cally unro
? iai ? *? certainly never Byronie, a ten
tjency of tins unfortunate princeling.
The character awakens no particular
sympathy. He was only hal a man, a
neurotic boy who whined a good deal
but accomplished nothing.
Mr. Diuur's Philip, admirable in
make-up, was the must royal figure on
the stage. He was vocally on his
mettle, and carried the trying scene in I
t ;?? last act with telling effect. By far \
tue i3iost distinguished impersonation,
' oth as to singing and acting, was Mr. I
De Luca's Rodrigo, Marquis de Posa.
He san?.; and acted wkh consummate j
skiil, grace and authority. Altogether ,
?. De L?ea ?.; th?-? mast human, m.ist 1
sympathetic figure in the opera and the
nearest in artistic stature to the char
acter of Schiller's play.
Miss Ponsel.e's velvet voice was!
poured out with ceaseless tonal opu-:
ience in Elizabeth's music, but not un- j
til the last act did she succeed in;
h tiding a touch of regal dignity to her j
sonation.
.Mme. Matzcnauer did) her best to j
a sume the airs and graces of a' col- i
oratura singer in Eboli's florid aria
that opens the second act. The part
iies high for her. But the coquetries,
of !.3ve. are not her affair and she was1
better suited to the more tempestuous !
cenes that followed.
A large audience was interested and j
duly impressed with the scenic gran- i
deur and the beauties of the ballet.
Chamberlain to Go Under Knife
WASHINGTON', Dec. 23.?Physicians !
attending Senator Chamberlain, of Ore- ?
gon, who has been ill in a hospital here ?
ince early in the week, decided late'
luut an operation would be nec?
essary. The operation will be per- :
formed, it was said, either to-morrow .
or Saturday. I
Great Performance
By Lionel Atwill
In "Deburau"
Artificial but IntcrestingPlay
by Sacha Guitry Splendid?
ly Produced by David Be
lasco at Belasco Theater
TUB CAST
Jean-Gaspard Peburau.Lionel Atwill
Marie Dupleselfi.El.il? Mackay
Monsieur Bertrand, the dlreotor
Bernhard A. Retnolrt
Robtllarcl.Hubort Bruce
Laurent.Joseph Herbert
Laplace.Rowland Buckmone
Junlino.Margot Keliy
Mme. Bebard.Paulino Merriam
Clara.Marl? Br.var
I lor.orine.Isabel Lelghton
Clement.Edmund Ourney
Thp "Barker," the Man with I he Big
Drum.Sidney Toler
The Money Taker.Helen Reimer
The Cnltnown Lady.Lylla Burnand
A Journalist.St. Clair BayfielJ
The Lady with the Lorenmte. Eden Gray
Charles Deburau.Morgan Farley
A Doctor.....J"hn L. Shine
By Heywood Broun
"Deburau," an adaptation by Gran
ville Barker of a play by .Sacha Guitry,
was produced at the Bciasco Theatre
last night It is not a great play, but
it is a work of such distinction that
some such statement must be made
at the outset. Particularly the state?
ment is necessary because there are
moments when "Deburau" seems a
great play, moments in which a thing
| now dead, which we call the grand
manner, is animated so eloquently that
; it seems to be again the one true and
perfect mood of the theatre.
This, we realize in our cooler mo?
ments, is rank heresy. Such piays are
among the lesser things which the
theater cat? do. But though "Debu?
rau" is a ghost it is an apparition of
sufficient stature to strike awe to all
beholders. If it had lasted until cock?
crow, and for a time we thought it
would, we haven't a doubt that with a
shriek of anguish play and players
would have di "appeared. And yet, 1. r
its little time it trod the earth with
surety and confidence, and passi in
soared on outstretched arms and folk
spoke verse and souls were soared and
hearts broke in rhymed couplets.
There are, we have heard, no actors
now living who can pay these, parts
in the drama if the old school, even
though the play be by Sacha Guitry,
who is, perhaps, a little more alive than
any of us, since he lives in Paris.
Then it must be that Lionel Atwill is
also a visitor who has been away in
some island of the Hebrides, for it
seemed to us that he was surely one
of the ?magnificent.?? whose names we
hear when p.aygoers of fifty-odd thump
upon the flagstones in the chimney cor?
ners and chide che young, saying, "Ah,
but then you never saw''- But now
we can answer, "'Why, grandpa, how you
do go on. You forget that we watched
Lionel Atwill in 'Deburau.'"
"Deburau" is a play by an actor,
about an actor and lor an actor, and
accordingly falls short, acco?ding to
our notion, of the most important
function of the theater, which is to
deal with life and people. Within
these limitations set by the theme
?-..-?
and manner of the dramatist, and still
more by the verse medium of the
adapter, Lionel Atw.U without ques?
tion gives a great performance, a
performance, it seems to us, which is
secosid to nothing see? in New York in
lecent years except thoftiphard III
of John Barrymorc. Atwill is always
graceful, eloquent when opportunity
is offered, and in the final scene, above
all others, profoundly and deepiy mov?
ing. We di/1 not th^nk of him very
often as a man, because evei, though
he spoke the verse of Granville Barker,
some of which is decidedly awkward,
with great skill and ease and a per
sur.sive air of not Viing conscious of
verse, we are always a little doubtful
of the authenticity of all men whose
feeling can be encompassed in rhyme.
Naturally, we have not the courage to
say that verse has no right in the
theater. But we do believe than any?
thing less than great verse is a handi?
cap. Some of Barker's ver?o is ex?
cellent, but too much is just pretty
gocd. Here certainly the poet in the
theater 6tarts from scratch or behind
: it, in competition with his moie literal
competitors. Pretty good prose may
even serve the purposes of great
drsma. Pretty good verse cannot.
Yes, without doubt we regret the
verse of "Deburau." It has at stretches
an exciting quality, but as the evening
goes on it beats against the ears line
imprisoned sea wnter. It hurts. Every
now and then a rhyme fairly leaps out
at the listener and hits him. We wish
they didn't do it.
The greatest glory of the evening
belongs to Mr. Atwill. When we say
that he gives a great performance we
have no intent of granting a grudging
tribute merely to a fine technical
achievement. We snean that it is ac?
tually one of those stirring and ex?
traordinary things which happen in
the theater now and again. And of
the play we hope to convey the im?
pression that, a'though it is not with?
out very evident traces of artifice, it
rises now and again, indeed often, to
situations and cxprfssiots which are
glorious in thrilling beauty.
Dav d Belasco is the producer and
i "Deburau" is the finest of his achieve?
ments within our experie3ice. He is
always shrewd in the production, ami
in the last scene he ts Inspired. On
the strength of this evening he belongs
| at tho top or thereabouts. We mean
| for the moment. After all, before the
? month is out there may be a little more
, fire from heaven, though it has never
| actually rained down w thin our time,
I and it may light upon the head of some
I one else. The cast is not remarkable
! throughout, but it is enough for any
? manager to have been wise and farsee
! ing enough to bring Lionel Atwill and
j "Deburau" together. More than that
l David Belasco would have earned
! trumpet calls and drum beats if he had
I dene no more than to devise the han
. diing of the final scene.
Hubert Druce is excellent and so if
j Morgan Farley. The rest are good
; enough and Elsie Mackay is beautiful tc
1 look at.
The play concerns the life of Jear
| Baptiste-Gaspard Deburau. clown and
? pantomimist. It tells how he loved anc
1 lost and how he left the stage and cam?
i back. It shows how he finally came tc
! he hissed and how he put his son ir
his place and stood in the wings whilt
' the announcement was made to the au
! dience that now they were to see a ne?
i and greater Deburau, and he continuel
' to stand in the wings, thrilled anc
maddened moved to "by and to tears, as i
the same audience rises to applaud and
to cheer the new Deburau,
The* Stage Door
Arthur Hopkins's production of "The
Beggar's Opera," scheduled to open
Monday evening at tho Greenwich Vil?
lage Theate., has been postponed until
Wednesday evening.
Juliette Day has been engaged tc
play her original r?le of Plum Blossom
in the coming revival of "The Yellow
Jacket."
William Faversham will give a spe?
cial performance of "The Prince and
the Pauper" at the Booth Theater this
afternoon for the benefit of the Sev?
enty-ninth Street Settlement House
Prince Philllppe of Bourbon, cousin of
the King of Spain, who has just ar?
rived in this country, saw the star's
performance in the Mark Twain story
last night.
Pat Rooney and Marion Bent will
make their debut as stars in a musical
comedy when Wilner & Komberg pre?
sent them in "Love Birds" at the Rajah
Theater, Reading Pa., December 31
Seventeen years ago they made then
d?but as a vaudeville team in the same
city.
F. Ziegfeld jr. will entertnin 35C
wounded soldiers on the New Amster?
dam Theater Roof this afternoon
There will be a dinner and a special
"?erformance of tho Ziegfeld Midnight
Frolic.
Last nfght the Hippodrome's annual
Christmas tuee was illuminated and th(
region around the big playhouse has
now taken on a distinct holiday at?
mosphere.
There will be a conference on syn?
thetic drama at the MacDowell Gallery
! next Tuesday evening at 8:30 o'clock
j It will be illustrated by the Greenleaf
Players.
The Actors' Equity Association ic
I making plans with a view to obtaining
I remedial legislation re.7-arding the ex
| ?"ting railroad rates, which the asso?
ciation terms "excessive." It also
i plans to seek a readjustment of thd in
| come tax of authors, artists, play
? wrights, composers and others.
Concert Swells Fund
! The first of three subscription con
? certs under the auspices of th?
Alumni Association of the Institute
I of Musical Art for the benefit of
the Margaret McGill Scholarship En?
dowment Fund was given last evening
at Carnegie Hall by Mischa Levitzki,
i pinnist, and .Sascha Jacobsen. violinist.
I Both artists were in excellent form
arta a large audience gave its support to
this worthv cause. The prorram ii3
cluded "Brahms's sonata in I) minor.
Op. 108, atifl C?sar Franck's sonata r*
A 3najor. Each artist also contributed
| a group.
Mr. Levitzki devoted himself to
; Chopin. Mr. Jacobsen's number in
! eluded composhions by Rachmaninoff,
j Godowsky, Grasse and others.
-m-_
Senate Gets Treaty With Siam
I WASHINGTON, Fee.''23. ?A new com
? mercial treaty with Siam was trans
mitted to the Senat? to-day fry Presi?
dent Wilson. The ExecutiT?, fa an?
other message, asked for authority to
call a world dairy con?jyess t? meet in
ttasi.ir.gton at a date yet to be fixed.
Chinese Yield to Consortium ?
WASHINGTON, Dec 23.?Opposition
fa China to the consortium recently ar?
ranged has largely disappeared, Pe?
king advices to the State Department!
said to-day. It was due chiefly to m?
willingness of the Chinese govemmen*
to yield to foreigners in the. matter o*
the fund's administration, the me-i&a?!
saicL <Mie
Cre?m
^ Wheat
1 is a highly concen-j
V trated and ?conom?
ie ic food. One pack-.
W age will make nine
i quarts of delicious
' cooked food. Can
[you beat this for
economy?
AMERICA'S FOREMOST THEATRES AND HITS. DIRECTION OE I.EE * J. J. SIUBERT
SEATS NOW %0oVbhw/e'k"s9T
IN'ri.f DING NEW YKAR-'S EVE
[ PASSINQ SHOW ??i
Pre?entln?
"*'-L!E and EUGENE HOWARD
?"MARIE DRESSI.ER? HARRY WATSON
and 200 OTHERS
OPENING WED. NIGHT, D?e. 29
Broi
Fb.
WINTER GARDEN ^^^?
fiFiWTIiaY TH?ATRB. | Et?. 8. Mattil.*?.
WI.I1 1 Utl I 62<IAC.l'.W.iTom'w A W*d. 3
MAT. ?O-m,w^,t,5"c.,7Bc?$1)$1.5D,S2
LAST FIVE WEEKS
V. n?v (Vm^v-k and Morrl? Cest PresKtt
MOST SENSATIONAL bflr/l/l A
SLUCF5S EVf fl KNOWN Wl F I I A
IN THE WORLD *?*?V?t\*\*?Th
Musioal ExlravijtBM ?f Ik? Orient
COMPANY OF 400?11 BIG SCENES
ENTURY Pramenada
HtVN-Wni Mg? US il 36
for Dining inO Dknclnc
; t>-Pfil THKATTk B?<js. ?I 30. Mats.
UL.H k n?W47lh A B'y Tnra'wAW?**. 239
M?T.?O-M,W,i;.^50cJ5c,$1,$1.50A52
la Ray Cnmctock A Morrl* Ont pre?-?nt
-don ? Pari? Sensation
In The Mun'cal ."??h?*-?
?A F CAR"
?n N?-v? Tnrk hy ?tfnrm " ?TelCfram
Th?>fctr?i. *3th, W. of B'y. Eve?., 8:3?.
\im"w A Tues., i 10.
Mat?. Neit Week: Tue? , Wed.. Thnrs.. Frl. A Pat^
WILLIAM
*v????li. lilis.. >v?i.. iniin?., rn. ? ovl.
FAVERSHAM
LAST 3
TIMES
?W??WTHE PRINCE $Si PAUPER ; CAS??O
|HE;RYHULL %MA
| r;n\? ComedT?Tr*un-j ? WjlCJI WC Afe YoSSB
TE? ?ErcMAR?0?
MATINEE CHRISTMAS OAr
ZIMBALIST'b fl.w giTH Mtsi?
TO-DAY-^pec?alMat.at2:30 _.
"THE PRINCE AND TRE PAUPER" [n^XJ=%? *Y^Y3
Benefit ois 79tti St. Neighborhood Ho?S3: ^>~^J-. ?-?L._LJjJ
BELMOfrf'
Ticket? $2 A $3. at Box Offre.
BS VMfttITU *?& Rt. Wesl of Bfoa?1?*?y
rkltnUUJn Matine** Toibw. Tim'* *Fri
LITTLE OLD 8EWY0HK
Matlnao? To.miM-row ?ni Wednesday at 2:30.
BMWtC The?., ?Mth St., W.
, DKTCJ of B'v.?. Kfi. ? ??
M?I GHOf ft
-fcSgSSw*.'?E8S? :;-:.-.-=-.3S?<-7*.^.-.- ^
A SCREAMING COMKDY"
?Telegram
MRivmu/.
? ai t?r? ? _ -?-% H
BEG (i MON. EVE.. DEC .7?SEAT
BRO? K PKMEERTi
ZONA ff
GALE'S
IISS LULU BETT"
DELYSIA
L., I I Lfc-.
> htA
W. 14th
rn ? ht YEAR
hat-' IMAT8. WED. and SAT. at 220.
Heat?
Now.
LYRIC?MONDAY, DEC. 27
JaWSfaiffli ii lA
"HER FAMILY TREE"
MAXINE ELLIOTT'S
?g* | SPANISH!
?MONTH I LOVE
CHRSTMAS MAT. TOM'W, 2-25.
HENRY W. SAVAflE offer?
MADGE KENNEDY
If
HERSE
til?
?Il
CORNERED"
DRAMATIC SENSATION OF SEASON"
?'Journal.
1QU t'f THEATRE, nr. B'vtaj. ????. I;3?.
?JOifl <J I ? M..iiii,-m Tom'w A Wod.. 3"30.
B ii N . A M I
"SAMSON AND DELILAH"
TAULINE LORD
"cUl 1 ?1 &.'?? T Tlina.. -HtliTw. of B'v. Ets.S 3?
ai\Ut>UW i Matlneca Tom'? & Wed., 2:30.
1'HE BOHEMIANS INC. Announc*
??lU?fS?\91O0
?SthStV^B??CWDWr'
Kxtra SThur?. &
Matinee?} SEATS NOW
%AF
V
APOLLO W4S' 42fst Evsn|"?s 8:2?*
FRANCES** "TLfi
WHITE ,a Vil
With BEN WELCH ana Star Caat.
GARR?CX M^'-SS^SVfr
HEART REAK HOUSlf
A Co-erty bv BERNARD >HAW
3 MATS. NEXT WEEK: TUES., THURS.. SAT.
PLAYHOUSE mv "~~
MATINEE EVERY DAY
NEXT WEEK fs
POPULAR PRICES (EXl I . -
MARY WASH
10 "Thy Name Is Woman"
THE BROKE? WIM'
N'Kff voiiK'S i:i(.i;i\t TiiiiiiM
bijou '%?:
4 MATINEES NEXT WEEK
WED.. THJRS.. FRI. & SAT. ft?
POPL'I AR PRICES EX?
THE SKiN GAME
IIY -lOIIV (. M.SUilll ' (l\
^SELV/YN wi,t i2i,St" E?enl,i?s at ?, ;20
^ FRANK T?'nVeVE
\ Mu8lic'orL?i, "TICKLE ME"
XT
\
TIMFS SO
THBA., W. 42dSt. Ev?. 8:3?.
TRIDAY. DEC. Jl
RENCE Ti/T 1
E E D
SPECIAL MATINEE
?FLORENCE
Iv R f n i?
M I RTAEG E
44TH ST. THEATRE
Ettnlngs 8 15 Ma
The D. W. Grirrilh M
WAY DOWN EAST
k^fe
FF1AZKE
West 4 2d St.
Ma".?. \\"cd. A Pal
Ki-gi. 8:30 ?Phone 31
" t.. 2:;'i) 'Bryant
'THE WOMAN
fK9HBZ3dO!C BilNM
AM? lOMjlf LMKHA?'t *??.Vr?
TKC BAi3> MA?
l?nocK PEMBEI?TON )
? RILDA VARESI ?NORMAN TREV0B fn
NT ER MADAME
?'eaU 6 WrakR Ahead. Mat.noes Toiii'w & Wi-u
OF BRONZE" j Republic &? Daddy Dumplins
LYRiG
WILLIAM
W of B'way. T?r!c? Dal!?
m 2 HP ?T?nlni? I 3?
ELT^NGE
FULTON
DAILY MAT?
LONGAvFE Mat?. TOM'W ?. WED
We ? IRth ~- ! ? ? ?3:30
M?U. TOM'W ar: I Wl i
XMAS WEEK. SEATS NOW.
D?ER THE HILL TfMaTTHTIi
-leton. Directed by Harry Millard? ! !?? I ?? 1 <J I A ?fflm 1? t ft?,. J RJH1
The Ri-la-iina Musk
'attee
f-v n -an. R:20.
<t W
I Co mud y ?i
Fu
1 pr
7U L L subscription
, including war
lowed on
OPERA TICKETS
OrTX. TYSON & CO. 1472 B'WAY.
ESTABLISHED 1S59
100 B'WAY.
ERNEST
TRUEX
4080 Bryant
9100 Rector
:ITERI0N .""W
Broadway at 44th Street
Jess? L. Lasky Pre?ent?
William De M ?Ile's
"Midsummer
Madness"
"One of these rare pictures that
deserves a second visit."??V. Y.
Herald.
A Paramount Picture
with Jack Holt, Conrad Nagel,
Lois Wilson, Lila Lee
From Cosmo Hamilton's n?ivol
"Ills Friend and His Wife"
*100 for 250 words
How would you have the photo?
play end? Write the Contest
Department, Criterion Theatre.
flbi\//^f ? LOIS WEBER Produotlon
e i v ^l,Ito please one
^"?'way at 49t.h WOMAN
A Paramount Picture
RIVOLI CONCERT ORCHESTRA
Special Performances for Chil?
dren at 10:30 A. M.
at the RIVOLI
Commendnfl to-m'w (XnlW Day), 10:30 A. M.
Choice Motion Pictures
Christmas Fantasy?Chorus
Daily to Jan. Is', Inclusivo
Patrons ,:-,,,/ remain through first regu
tnr pi-rfo m "i, . irhich bei/inn at noon.
R1 AL i O Bt?t Daniels'
Time? sq. Oh, Lady. Lady !
FAMOUS KIALTO ORCHESTRA
METROPOLITAN SSSE
TO-DAY MAT. at 2. BUTTERFLY. K-rraj.
Kornla; Chamlee, S<*otli. Bad??Moranront,
T0-N,("HT at S. LA JUIVE. Kajfm SiMtnej,
i'. i aniso. Harrold, Ilothler?Bodanzity.
SAT. at 2, MEFISTOFELE. Alda, l'criit?
(debut) : Glitll, Mardonea, !<a?ta? Mnranzr.nl.
SAT., H 3*. (Pop. Pri?es), AIDA. Destlnn, Lazztrl
K i?:.-,- n llel.ii ?a..M"-'i" ? -Rimbwhpk
SUN. Evo.. S:S0, Concert. 2IMBALIST, Vio'iin
i.si; Peralta, Perini ; Zerola, Manlunss?llagema:?..
NEXT MUN. 8P L MAT. al 2 (?3 lu ..?i.
BLUE BIRD. East?n. G rdon, Sundellus. EUis.
It'.'lli.T. ?Tinlj ITS Wolff.
MON...- Ir> PAGLIACCI. 1 icstlnn ?Caruso. Amato
? - Morui?onl. CARILLON M?GICO. Wahl?I'apL
WLI).. ai r lj, TRISTAi?. Malzenauer, Uur
mba II. Wit-' n i'.!a.>s Hnlanzlcv
THURS., .it 8:15, TOSCA. Farrar; Olgll,
i* i;l, Halatcsta, Ananiati?Mora?uoni.
KHI. MAT. .i L. PAI33IAI-. i.-. il Gordon,
Ru is; S mbach, V.iiltelill!, Rotiler, Dldur,
i-tul-mi Liodanzky.
F RI. al -.. MANON LESCAUT. Ai.la, Telva;
Murtjielll, I)c I,uea, l'al-rinlerl?l'aid.
IIAIIDMAN l'IA.NO USED.
NEW YORK SYMPHONY
I nnri-rrcsTRA
WALTER DAlVlROSCH. c?durt.r
AKOLIA.N HAI.I,, Next SUN. AFT. et 3.
A Midsummer Night's Dream
SHAKESPEARE
??lili Music 3>y MENDELSSOHN
DAVID BISPHAM
will r.'iul the play, assisted by
I! \( III I. MOKTON liAKKltt, Moprano;
Chorus of Women's Vo1c<?h frmn the
OHATOIHO SOCIETY OF NEW YOBK.
Historical Cjelc at ?Turnerl? Hull,
Tliurn. An.. Dec*. 30- -Frl. Eve., Dec. 31.
FIRST APPEARANCE IN AMERICA
ALBERT COATES
Gueat-Conductor
l3"rom Hie 3?.?yal Opera. CoTent Warden,
and Londun Symphony Orchestra.
British Program, Including;
. FliHi performnnce In America ui
VAI (?HAN WILLIAMS'
"London Symphony"
Tlekots at lim Offices. Georgs Engies. Mgr.
MAO. SQ. GARDEN, Sun., Dec. 26,
?? s 13. Tlckeln 25c tu 5-3UO Now at Box ofll.'o
MALE SYMPHONY BAND
MISS SOLLER... Conductor
FRANZ KAI. PKXnoiiN. Violin: T.EAII LEABKA.
S Min?. ItKltTA HIV1KHK. Umo: MILLO
1'li'e i). Baritone; SKROBI KADAMSKY. Tonur.
-DIRECTION JI'JMl'S HuPP
c
0LUMBIA ?S ITISVfXiREi."
DE. LEE WROTHE & His Best Show
PH F. Krilh'a
?LACE
H? y *n I C.CO
Mm Dally. !ltt!
THE 4 MORTONS. ?MORTON
A CLASS. CLARA MORTON.
MME. BE8S0N A CO.
Ilarr e'?"IIalf an Hour " WM.
A UORDON DOOLf.Y A CO.
KKW YORK'S LEADING THKATRKS AND Sl'CCESflBS
CMDIDC B'way & 40lh St. Eves. S:3'?.
Cifirinr. Mat,. Wed. & Sat., :
FIRST MATINEE T0-M0I3R0W AT 2:15.
"One of the plays all lover? of the
theatre should see and see again."
? Timen.
"The latest delightful product of
J, M. Barric's genius."?Post.
"Br.rrie t his x ?Herald
CHARLES FROH MAN Presents
In tho New Play
MARY ROSE
J. M. BARRIE
"The haunting beauty of 'Mary
Rose' is felt after the theatre has
been left nuies behind."
?Eve. World.
"A spellbound audience."
? 2 t?f ?jram.
"Barrie at his best."?Telegraph.
FIRST" MAT." TOM'W." 2:15.
MIXED MARRIAGE
ES!MS?3B!G
v.
"HUDSON ?fJr's-V/i eSR'\m~
THE MEANEST MAN
IN THE WORLD
H? CQ//AW jn the title role
yP?WAN W$M$?V'-43**
-4
K.-.TTivt^s.Wf"
THE TAVERN
#?f*TrsT MYmras-r of tms???,
ARNOLD PALY as the Vagabond
H KNOT MILLER'S THEATRE, 1:34 West 43 Si.
Ergs. 8:20. Mats. Tom'W & Tlitire., ?l:-?\?.
?htW AMS?BiUAn
Z??GF5L? production,
le?m erbou _
NEW AftfTERDAH R??F^- -NfW
II??;F?LDK!3N!OT FROLIC
L?BERTY
"BEST THAT THE Ml SICAI IHEATKI
CAN I'ROYIDE"
Patricia
Coilinge c?mbdt
JUST
SUPPbSE
'LADY BILLY" ,*;;;.-?
HIT
? . .. V.l...;.?.. I, .11-1 ,
JOHN OOI DEN prese*, i
Lionel Atwill ?debwau"!
by Sacha Guitry, Adapted? by Granrllle 3',;irker j
LYCEUM &??T
INA ME? HtShJ
DnMmnALL MRts. tVe?!. and Sat.. 2:30.
'?CO? &H?5? I sisfl
LAST
WEEKS
CORT a
\*?
r
TUE "?"-,'/.'.'"?. ' ' ' ?? T
^ FFED5T0I"TiP? top
Ke*t* Now for Xtr? Holldaj Ma: Frt, I
I Punch & Judy ffl???? '
|?|S DOLLO'S WILD OAT
__ edy pa )! .\n VO
Extra Mats. Wed.. Dec. 29. 4. T"?.-v. Dee. ?
^s??RI0^?TTES;.Ss
Special Mats.?Final W'k : Today&Tom'w, u A.M.
VA*
?NHATTAN
? x F H A
ieS TO-MORROW AT 230 AND 20.
,;....?..- , "HAENSELAND ;RETEL.
Marie MaUfelcl as '
MON. EVE.. DEC. 27. 1" of 1 ''3.*j'J
Sen \ "WO DIE LEfiCHE
SINGT" \ : ? i . ? . '?'
DE& 27. 28. 29 at 2 0 "SNOW WHITE AND
THE SEVEN DWAI.F3. ' 1'
??CNl ERELLA." 1 '
Now Selling All pei
LAST 2 WEEKS
w,tb HELEN HAYES
PARK
BEG'G \:y?A
HOPPER
N
?TIONAL SYMI>HONy
arJ?R BODAN2KY ONon
NEGIE; TO-MORROW AFTERNOON, n? 2:3
HALL ; Sun. Ev ning. Oec. 26. at 8:15
MOISE1WITSCH
Prosrant?OI.I'CK, OTortnre. Iphlgenla In Aull?:
ULIERE. 8Irena; RACHMANINOFF. Concern? V
minor: WAGNER, Prelude. MaMerslnner*.
TUES. AFT.. DEC. 28. at 2.80
SUN. EVE.. JAN. 2 (Ben. I*nM?V BosJ) l, st 8:13
Violin VDC?Ci CD Mende!??ohn
Soloist J\l\E.l0LE.t\ Concerto
THE KNA1?E IS. THE OFFICIAL I'IaNO.
CARNEGIE HALL. Sun. Aft.. Dec". 26. At 3.
BIPOLITO
L?ZARO
Aaaiated hy Mercedea fadroaa. Pianist (St/-in
way); Uociot Cabrai, Violinist.
AEOLIAN HAI.I.. Mon. Aft.. I>
Guido AGOSTI
PIANO RECITAL (Stelnway).
C Alt N KO I E HAM. !._..,_. C
wed. evo., at Has, January j
ONLY N. Y. RECITAL?KRJKI)A
HEM PEL
Seata at Hot Office, stflnnay llano
Co?mm??ir1nf Monday next in
Bandet; Tu.. Jul.ua faenar; Wed
?UL. Mi-n-liaut of Venice. Wed.
HIPPODROME NEXT SUN. NIGHT
Al B IS
ANCATHOLIC BIG BROTHERS^
GREATEST PROGRAM OF I'M!. VEA1
KREI$LEK~ALDA
MAISSHA LEVITZKI
DIAZ?CASIIII
FRANK LA FOR
?NORM?N TREVOR?
S
Loew's New York Theatre and Roof
V'. ut. 11 A M. 10 II 3*. M Rouf I '? A. ??
BUCK IONES In "JUST PALS. ?
EDITH HOUEHTS In "WHITE YH3JTH.
Loew's American Roof ??J!J fe? ?? i*i
lituiikti Bros. Diirolti) Burton * ! All StsU
i a.. M?\ ii? D?n -en. B oUu I R...,.iJ
Ti-n.. ' iitok ??r t I? " Exwl v.'i i K???r??
M A It K ?* J VMBS ??1 mi 13 ri'R"
T R A N H ^?W
B w?y & 43 St. STRAND ORCHESTRA
TOSCANINI CONCERTS
Metropolitan Opera lloune. Tere., De?. ?4t|
St*?)? all location?), $I.?M> to *ilK?3j
i Normandie Hotel, Broadway & ?S-h StrM?
[ JACOBS OPERA TICKET 0F?1????

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About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume], December 24, 1920, Page 6, Image 6
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924