New-York tribune. [volume] (New York [N.Y.]) 1866-1924, January 17, 1921, Image 6

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New-York tribune. [volume], January 17, 1921, Page 6, Image 6
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New-York tribune. [volume] (New York [N.Y.]), 17 Jan. 1921. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1921-01-17/ed-1/seq-6/>

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Concertgoers
Display Lildng
For Modernism
Two Composition-*? Revived
by Bodanzky for 'Friends
of Music' Lend Fantastic
Touch to Varied Program
'Grotesco' Is Reproduced
-
Brahms's 'Nanie' Serves to
Purge Minds of Listen?
ers of the 'Perilous Stuff'
By H. E. Krehbiel
At its third subscription concert.
ff-ren in Aeolian Hall ysterday after- j
noon, the Societ;* of the Friends of
Music returned to the mission, which
it steadily professes but frequently
forgets, and crave a hearing to music of
a kind to which ordinary concert organ?
isations, from indisposition or inabili?
ty, give no heed. Under Mr. Bodsnzky's
direction it brought forward two new
compositions, revived un overture
which long ago fell into undeserved
desuetude and, with the help of a choir
which had been trained for the purpose
by Mr. Stephen Townsend, of Boston,
performed Brahms'a "Nanie"?a noble
?nd exquisitely beautiful setting of
Schiller's meditation on the brevity of
life anJ the inevitablencss of death.
This composition, following upon the
heels of an orchestral fantastic by
Maliepiero, entitled "Grotesco," pro?
vided some needed lustral water which
f?urged and purified the minds of the
istencrs of the perilous stuff poured
into it by the Italian rpvolutionary.
Repetition Seems Unmerited
Properly approached, the "Grotesco"
is innocuous enough-, but, taking his
cue from the appearance of a score or
two of persons plainly bent on making
a demonitration in favor of modern?
ism, futurism, impressionism, cubism
(or whatever one chooses to call it),
Mr. Bodanzky announced that "in jus?
tice to the composer" he would play it
again, and did so.
Why a second hearing should have
been thought necessary was not obvi?
ous to the discriminating hearers, nor
did the composition benefit by the repe?
tition. On the contrary, the applause t
after the second performance was
neither as loud nor as long as after
the first. The composition is a per?
fectly frank experiment in musical car?
icature, which *Z*b by a series of vari?
ations on a themo (which in our mind
called up *n amusing memory of "The
Arkansas Traveler" to be playfully
grotesque.
The devices employed by the com?
poser are many?augumentation and
diminution of the theme, singular
flights of modality, weird harmoniza?
tion and instrumentation, eccentric
rhythms, unexpectedly startling dyna?
mic changes and many more. Instru?
mental voices are forced into unac?
customed registers, the pianoforte rum?
bles in its depths after a tumbling
glissando, the xylophrne Injects its
macabre sounds, the deep-toned gong
spreads a sombre quivering funereal
pall over the conclusion of the piece
which had begun with dwarfish glee
to the cachinnative effect of fiddle
bow sticks beaten against the strings,
the muted trumpet ever and anon in?
jects an uncanny phrase into the mass
of sound and so on, and so on untr
the composer's bag of tonal tricks is
exhausted.
Music for a Grotesque Dance
It is all extremely ingenious and
clever and the music would make a
capital accompaniment to a grotesque
dance of witches, warlocks, ghouls and
goblins, but p ayed without such a
spectacle after the diversion of ear and j
fancy is ever'one is inclined to ask: j
Cui bono?
As for originality there was less of
it in the piece than in the concertino
for clarinet and orchestra (the other
novelty) by Busoni. which was poorly
played, indeed, by Mr. Chiifarelli and
the band, but which would probably !
have made no deeper impression had
it been better done. As it was, it was
partly sacrificed, we fear, for the sake
of the bit of grotesquerie. As for the
overture, 8pohr's "Jessonda," it was
mercilessly murdered.
It was Schiller's love for classic lit
eratt**-** --nd a desire to hind the Ger?
man Hnrruage in tribute to the con?
tours of Greek hexameter verse which
led him to write the beautiful threnody
to which he gavo the title "Nanie.'" It
! was Brahrts's wish to pour out a musi
j cul libation to the manes of an artist
v.ho had be?_n dear to him that led him
to? compose music for the exquisito
lamentation. The artist-friend of the
composer was Anaelm Feuerbach, and
the score of the cantata, if we may call
it that, bears dedication to the dead
painter's mother. In Schiller's poem
there ?3 an echo of a Greek art form
of such vast antiquity that it may have
been borrowed by the people of Hellas
from the more ancient Egyptians.
Herodotus, listening in Egypt to the
Ma?eros?th;> lament of Isi.* on the
reath of Osiris ?recognized in it the
melody of the Greek hymn on the death
of Linos, mythical son of Apollo and
music-master of Orpheus and Herakles.
So popular was this ancient lamenta
t'on that the name of the musician be
came a generic term to describe a!'
threnodies on death. As fully as
Schiller did, Brahms entered into the .
antique spirit, and the performance be?
ing excellent and almost wholly worthy
j of poet and composer, the audience was I
privileged to leave the concert roorrl
feeling spiritually refreshed and up
lifted. i
-?
On the Screen
'Outside the Law' Pleases Those
? Who Like Crook Melodramas
With Chinese Sellings
By Harriette Underhill
"Outside the Law," with Priseilla
Dean as the star, was shown at four
Broadway theaters yesterday afternoon
and again in the evc:iing. Just what
disposition the Universal intends to
make of this picture later on wc have
not yet learned.
If you have ever seen Miss Dean you
know about what to expect in the way
I of a plot, for this vivacious star plays
I only one sort of character?a crook j
I ?and not a lady-like crook, either, who j
has been stolen by a conscienceless |
mother from a young Indies' finishing i
school, but a real natural, human crook, ]
the sort you might expect to find steal- |
;ng your pearl necklace. ?
The scenes are laid in the Chinese '
quarter in San Francisco, and the only ;
thorough gentleman and Christian is ?
Chang Low, a Chinaman, who quotes I
Confucius and believes that good rulers ;
will in time make good citizens. Just ?
as he has reformed "Silent" Madden ;
and his daughter, Silky Moll, all their !
faith is shattered b. the rest of the !
gang, who frame Madden and railroad !
him away to jail. This leaves Silky
Moll unprotected, but when they at- |
tempt to frame her, as they had done
dad, she proves to be one too many I
for them. She escapes with the jewels
and leaves them to pay the penalty.
Those who ?ike crook melodrama
with scenes in Chinatown ave certainly
going to like "Outside the Law," for it
', is much bigger than anything of the
kind we have seen. Right near the end
there is a fight in which nearly every
one gets killed. This takes place in
Chang Low's Chinese palace and some?
body back stage makes it realistic by
smashing china all over the stage dur?
ing the fight.
Virtue triumphs, Moll returns the
jewels, the villain is killed and "Dap?
per Bill," thoroughly reformed, mar?
ries the girh
If some of the long scenes in the
apartment where Moll and Bill do noth?
ing in particular for ages, it seems, can
be cut, we cheerfully recommend "Out?
side the Law," and if Moll was intend?
ed to be an enterprising young person
with a sharp tongue and no sense of
humor then Miss Dean is excellent in
her characterization. We say this seri
| ously. for no doubt a Siiky Moil in real
life would be just that sort of person.
I Only we are so used to seeing them
glorified on the screen that we're not
used to the ro-il thing yet. Lou Chanev
is, of course, excellent as Black Mike".
He also plays Ah Wing, a nice China?
man. Wheeler Oakman is the hero.
Dorothy Dickson is seen at the Rivoli
in a George Fitzmaurice picture, "Pay?
ing the Piper." Miss Dickson is not
starred, but if any one has a right to
bo certainly she has, for she dominates
the production to such an extent that
you don't think much about any one
; else while she is on the screen. It is
? not saying too much to say that she
acts as well as she dances and with
all of the piquancy and charm.
In the picture she is Barbara Wynd
ham, a young d?butante, who, the title
says, knows more about New York than
the Police Commissioner. She is bold
end alluring and blas? and almost
decadent at times in a most astonish?
ing manner. She certainly gives a
ENCHANTING TEA. ROOMS, A
AND IffiU
COFFEE SHOPS 'J**3
MRS. COP ELAND
8 WEST SOth St
CitiCLE 6923
SERVES
REAL
To-Ni*hi
FOOD AT A FIXED
Virginia UiUtrd Ham and spoon Bread
PRICE
BREAKFAST
8 to 9:10
LUNCHEON
12 lo 'i SO
AK'l EKN4JO.N TEA
WAKKL.ES?? to i
DINNER
? to 8
MABGUEMTE ^f?c^* ,
18 WKST ?1TH ST.
LUNCH 50c. AFTERNOON TEA. CHICKEN
DINMiB ?l. 00. AM. HUME COOKINI
M. HARDY. HOS i EriS.
VP ?AVrRIA INN,
?*-"?* I? BANK ST Luncheon 65c; dinner
*0c; strictly home cooking
?Til-I I H?vt lou Trl??J Marl* Esther a
VtTl. Chicken Wsffi* Dinner7
Tue;?!*;.??. Thu. ? ?aya * Saturdays I.unch
?on. Afternoon Tea. 13 Eu-tt ?6tU hi.
?4 W. 4? Ht. HrjuiieiTt
Pinner Thursdays, $1.00
TMF mSPY Tea R*??ni 19 K. 8? st
a? T.. . Breakfast. Luncheon.
?lei Dinner $1 Strictly honis cookln?.
LAURA MATILDA tea room
?i* W. (4th Formerly of Toronto. Canada '
Luncheon 75. Dinner, $1 ?.0
WARE COFFEE SHOP
6? tVE?-T 40TII STREET.
! nn< h-on, Oc. Dinner, SU 00 und $1.28.
CKICKI'.N DINNER Mon.. tVed. and Sat.
SCO"! ??H T** Room. 21 E. 47 S?.
?Ww I <?*n Murray Hill 6664.
Jareai'last, luncheon, tea, dinner. Scotch
paltry, aconcr,. abort bieacl. mutton pica.
~y7wTc. A. Cretona
ta W. 3(iih tit. Open 10:30 A. M.. 3:30 F. M,
Mt.' and Wamtii tierved._
rfgfSTheAnnFultou Cafeteria?i
I*f>J ""? I'UUlll 1TBHI - ',J VNW SIM ? I }
IJgj^OjWHlg SPrClAUi ! i-i-M ANO ^ :)MW |
ALOHA-Wbsra borne cooking la at. Ha beat
TBA ROOM Luncheon, 46c te 4?6n.
It W. 4?tb St. Dinner, 76c f ?..
GOLDEN THOUGHT ?*f??
Chicken w?f'!r. n.rnu uOokln?. 52 IV. 48 St,
-.-1
I The out-ol-the-ordnarv piare? of New York, wh?-re unique atmospheres
I and food peculiar to vuri?;d taste? invite ihc discriminating.
RESORTS
UKKW'OOD. N
? ft r^GF^&KSt
Laurel-iathe Pines
( LAKEWOOO.N.J.
! Situated ?meng the Pines and
ever lookint Like Carualjo
ti?**? Psln Cri'i "--UJ- o Gftif Cours?.
H<-*?hack Ridn jr. Mo'/ri-g '''?'turcsqu*
v. cka. Music Pr v ? Gara ?re.
New <?'? ***etro-hjr' ro?fi?r*i>y f'?lh ?ystasB
FRANK r ?Hl'TI . M n?ir?r
Bran?.??? .jfic-r/f OBO A HU N A ROMS
Mwmhe ? .*?'<?* York S M? Kx?-r. ne?
COI.r AT ST. AUCUSTINt
HOlU. ALCAZAR
Now OfHm
PONCE r>W LEON
Now O* ?sr)
rU>|WDA-8 JDBAL WiNTBl CLIMA'J
iNSTkTCI'JON
f9CMOO<
-T? **?*?*)< ?V
DWIGHT
*>!!'?? A lUiMT'J?. V, il I'""".* A'VnT'"". i**'1.*"
M<Jms s ???<> ?H tk? l??*Wt?i?? <i*s4?st.
"?Tr-io TW? wwnti -AM AJir ?u.
IMBr-HJC.'AKIAI,. fci..'ll?*. ?? *;vMu*il in?t?wtlwi
?fMsfisw ae-sssi, it? Wss*. J4U*. CoUibRkjs 1*70.
I
RESORTS
ATLANTIC CITY. N. J.
ATLANTIC CITY.N.J.
i AivAmfiPicarv Plan. Hotel
lof Dislhu'ticBVMvHReaiConv?'?At i
ruts rnoor <?a?aok
" HO'lhL
'CHELSEA
'???nipylng eutli? hlotk of .renn front V?
thi? f(t?liloiiiihlo Clieloen iterlhin.
J**? b"\ rhiiu ! ? n, w.ih u.'lvute bathi
(fresh and ?'a w..tnr). Mljfli Hum? nrfhea
'ra, oaf?, Brill, etc. Krarioh chafa, flolf
prlv|]<?ea. Autoa meet train?. Booklet,
uptn all year J. li. THOMPSON * CO
DANCING INSTRUCTION
MATVEUlS
f27 MADISON AV*;.
CLAM? +tin ' \
LE8SON8 *"Jt
W? k i?'?"'i? to *'?<! yiu t?
dun?? ?II II,? lni??l ID'i'l??
UariCW quirk); a i, I fitrMCtl?
10 LESSONS $3
I'KIVA-'B LKMHON?
1? A M TO 11 P. M.
wiTuuur wi'owruMtii.
finished performance, such as one
flight expect from an actress -with
years of experience back of her, and
Miss Dickson has no great beauty to
help her either. She is merely quaint
or chic. The other member of the cast
who gives a notab.y good pcrfornance
is Rod La Roque, ns the rich young
man. We can't think of any one who
could have done it better.
The story is about two rich people
who love two poor people, but the rich
ones marry each other and the poor
ones marry each other, and finally all
! an* happy and jolly around a Christmas
tree.
The story teaches you that there is i
; no Santa Claus. The titles are excel
! lent. Ouida Berber did the story.
i There is also the second of the series
of wild men of Africa pictures,, with
the lecture by Dr. Leonard Vander
Bergh. The overture was "Cavallcria
Rusticana." !
! At the Rialto Constance Binney is
! seen in "Something Different," a pic-1
! ture taken from Alice Duer Miller's |
novel, Calderon's Prisoner. There is
! nothing very different in this picture.
Ittis like hundreds of others?pleas?
ant, well acted and wrll directed.
Alicia Lea (Miss Binney) is tired of
her fat fianc? and a New York life, and
she desires something different, so she
goes to visit a friend in Central Amer?
ica. Here she gets m'.xed up in a rev?
olution, becomes a prisoner of war and
later a prisoner of love. Miss Binney
is charming as the spoiled beauty.
Ward Crane is the South American
lover. Crane Wilbur is seen in rather
an unimportant part; it seems too bad
i to waste him. William Neill directed
; the picture.
The overture is "Capriccio Espagnol."
Grace Hoffman is heard in "Theme and
; Variations."
At the Strand George Arliss is seen
in "The Devil." Betty Compson is at
the Capitol in "Prisoners of Love."
These will be reviewed to-morrow.
The Stage Door
Mrs. Fiske will be presented by Sam
H. Harris to-night at Henry Miller's
Theater in 'Wake Up, Jonathan," a?
comedy by Hatcher Hughes and Elmer1
L. Rice. Charles Dalton and Howard!
Lang play the two chief r?les in sup-i
port of the star. |
At the Republic Theater to-night!
John Goldpn will present Grace La '
Rue and Hale Hamilton in "Dear Me,"
a comedy by Luther Reed and Mr. Ham- j
llton; The supporting cast is headed
by Robert Fischer.
To-morrow night Winthrop Ames!
will bring George Arliss to the Booth i
Theater in "the Green Goddess," Wil-1
liam Archer's play.
William Faversham in "The Prince
and the Pauper" has been transferred
from the Booth Theater to the Apollo.
"The Emperor Jones" continues as a
matinee attraction at the Selwyn The?
ater.
Heywood Broun will lecture on "The
Critic and His Relations to the Craft
of the Thteater" at the Plymouth Thea?
ter on Sunday afternoon, January 23.
under the auspices of the New York
Drama League.
Bird Millman has been engaged by
F. Ziegfeid jr. for the New Midnight
Frolic and will be seen on the New
Amsterdam Roof beginning February 1.
This will be the last week of "Mecca'' ;
at the Century.
1 a-?
Miss Kellojzg in Recital
Soprano Includes Four Operatic j
Arias in Program !
Miss Lucile Kellogg, soprano, gave'
her first recital in New York at the ?
Times Square Theater yesterday after- |
noon. It is said that she intends to go j
to Italy in the spring to prepare for'
her d?but in grand opera. No doubt i
it was with her future in mind that she |
included four operatic arias in her pro-1
^ram, Vissi d'Arte, from "Tosca"; Elsa's i
Dream, from "Lohengrin"; Voi lo !
sapete, from "Cavalleria l'usticana,"|
and L'Insana parola, from "Aida."
Miss Kellogg's voice is a dramatic
soprano of wide range and agreeable !
quality. She was visibly nervous at the !
beginning of her recital, but displayed1
possibilities of future accomplishment1
in her chosen field of music, the oper-!
i atic stage.
Albert Coates to
Share Directorship
Of N.Ys Symphony
Waller Damrosch Selects
Young Musician of London
Organization To Be His
Associate Conductor Here i
An announcement of the engagement j
of Albert Coates to be associate con?
ductor of the Symphony Society of
New York has been sent to the direc?
tors of the society by Mr. Flagler. Mr.
Coates, it will be recalled, came to New
York a few weeks ago and conducted
two concerts on December 30 and Jan?
uary 2. Mr. Flagler's official communi?
cation was couched as follows:
"To the Directors of the Symphony So?
ciety of New York:
"In accordance with the desire of Mr.
Walter Damrosch, expressed to me fre?
quently during the past year, that
there should be associated with hira
another conductor of high artistic rank
with whom he could share his con?
stantly expanding work, I am pleased
to announce the engagement of Mr. Al?
bert Coat?s, the eminent conductor of
the London Symphony Orchestra, of
the Royal London Philharmonic Soci?
ety and of the Royal Opera Covent
Garden, to fill the post of associate
conductor for the season of 1921-'22.
"Last spring, before Mr. Damrosch
sailed, I suggested to him that in
furtherance of his wish to share the
conduetorship of the New York Sym?
phony Orchestra, he make use of the
opportunity offered by his European
tour to look the field over for an asso?
ciate who would not only impart nov
AEOLIAN HALL, TO-NIGHT AT 8:15
CIIOKAI, SONG RECITAL
SC H V MANN C L U D
P?rcy Rector Stephens, Conductor. "
Tickets $2.20, ?1.65, 51.10. S3 Iloxos $10.50.
luc?. tax. NOW ON SALE.
/^t i *<\ T fW AEOLIAN HALL,
f A <\ I / EKIOAY EVO.. JAN. 21.
I - L\ \ / IMANO KECITAL.
V H <\ W i A Stelnway Piano Used.
%-#.* AX 1 >U Duo Art Roiis.
Path? Records).
AEOLIAN HALL. THIS AFTERNOON AT 3.
Maurice REEVE
Plann Rrrlfnl Awrlrnn TVhul *Stp|n?vay Plain.)
CARNEGIE HALL. SAT. AFT., JAN. 22,
at 2:30-2.1 Violin llcdtul, EFREM
ZIMBALIST
Beats at Boi Office. (Steinway riano.)
Aeolian Hall, TO-M'W AFTERNOON at S
Piano Recital by ARTHUR
SHATTUCK
Mgt. Loudon Charlton. Stelnway Piano.
elty to the American season, but who
would maintain the mu3icianly tradi?
tions of the Symphony Society.
"With this end in view, his choice
fell upon Albert Coates, who had re?
cently returned to London after a long
service in the cause of music at Petro?
grad and to whom an invitation to visit
us as guest conductor for a short
period this season was extended. Mr.
Damrosch s selection has been more
than-justified by the enthusiastic rec?
ognition of Mr. Coates's ability by both
press and public and I am glad to avail
myself of the option on his services for
a period of ten weeks of next season
which he gave to Mr. Damrosch last
summer before our orchestra left Eng?
land.
"HARRY HARKNESS FLAGLER,
"President."
Betty Compson
PRISONERS OF LOVE"
Capitol Grand Orch. Mats.
_S0-50c. NIghU 53-85C.
World's Largest and Most Beautiful Theatre.
CARNRGIB TOMORROW {T?S?.?**'
CONCERT OF MUSIC FOR PIANO
Rachmaninoff
TICKETS NOW AT BOX OFFICE.
Direction C. J. Folej. Stelnway Piano.
pHILHARMONlQ
CARNEGIE HALL, Thnrs. Eve., at 8:30.
STRANSKY Conducting
LEO SCHULZ, Violoncellist
MAHLER SYMPHONY NO. 1
Friday Afternoon at 2:30.
STRANSKY and HAHLEY conducting
ELLEN I?ALLON. Pianist
Program In.-lutlc* TILL EULENSPIEGEL
HADLEY SYMPHONY, Youth and Ulfe.
Sunday Afternoon at 3.
LHEVINNE. Pianist
FELIX F. LE1FELS. Manager
?ARNEGIE HALL. TO-NIGHT AT 8:15.
* MITNITZKY
lU'SSIAN VIOLINIST (American Dohut)
Mgt. Ilogor do Uruyn. Baldwin Ptano
SIXTH BILTMORE
FRIDAY MORNING MUSICALE
.Grand Ballroom Hotel Blltmore, .Ian. 21, at 11.
ISOLDE
NINA
MORGANA
MISCHA
LEVITZKI
MENGES
JOSE
MARDONES
Tickets at Blltmore Box ?Office (Balcony Floor).
Mgt. IL B. JOHNSTON. Knabu I'la-io.
NATIONAL SYMPHONY
WiuEaHEWGELBERGG-*?*?
CARNEGIE! Thuru. Aft. Jan. 20. at 2:30.
HALL I Sat. Eve., Jnn 22, at ?>:15.
BRCT-iroVKN PROOKAM
soloist L E VIT S K. I piwist
Tickets at Box Otnce, $2.SO to 50 cent*.
THE KNAJ'.B IS THE OFFICIAI, PIANO.
DDAMUAI I m E- 27,h S(- **t*- R:-10
DnWilIrlMLL, Opening Tliurs. Erg., Jan. 20.
Tli<? IMPORTANCE ot By Oscar
BEING EARNEST Wildo
Poultry Show
Madison Square Garden
Jan. 1S-22, 9 A. M. to 10:30 P. M.
TODAY
By William Fox
C. F. Jamison, General Manager of the ELGIN MOTOR CAR
CORPORATION, was in New York last week attending the Auto
Show. With Mrs. Jamison, he saw "OVER THE HILL" at the
BROADHURST THEATRE. He said: ?
"during all my years as a theatre pa?
tron i can recall no performance that
i have seen which overshadows 'over the
hill:
"It is entertainment, lesson, a comforter, and touches
Chords that few dramas do. I am glad I devoted one
of my evenings to attendinn* this play."
Mr. Jamison is one of the four hundred thousand people who
talk the same way.
TWICE DAILY. SEATS FOUR WEEKS AHEAD AT
THE BROADHURST. 44th Street, West of Broadway.
'0f
"Take the
vdoin in the Revels oF
MARDI-OPAS
STOP over in New Orleans on yonr Sunset
way to California and fea^ your eyes on ?the
gorgeous spectacle of MARDI GRAS, that famous
carnival which started more than two cen?
turies ago when sixty-eight inhabitants cele?
brated the founding of their city.
On February 8th you can join in all the carefree revela
of Rex, Lord of Misrule, and enjoy the marvelous pageant
?of the Mistick Crewe of ?Com us--the gorgeous display
?of purple and ?gold -the beautiful floats, confetti, cos?
tumes, masks?the fun and revelry.
You can visit the old French quarter?see relics of the
Spanish regime and the picturesque markets?dine at
famous restaurants and enjoy the quaint ways and
byways of this "Gateway to the Golden Southwest"
pulsating with life during this gay season.
SUNSET LIMITED
New Orleans
San Antonio
Los Angeles
San Francisco
California
Every mile a Scene worth while
A mild, sunny route all the way with Observation Car,
Through Dining Car and oth?*r comforts of modern
travel. Triweekly Sleeping Car Servi? to Globe, Ari?
zona, for the Side Trip to ROOSEVELT DAM on the
APACHE TRAIL. Daily Through Tourist Car Service
between Washington, D. C and San Francisco.
For Information and Literature address
SOUTHERN PACIFIC LINES
A. J. Poston, General Agent, Passenger Dept.,
1?5 Broadway, Ncv; York City.
Cortlandt 4800.
'?"-?S**.
! _ AMERICA'S "FOREMOST TMBATmi? AKP HIT?. DIRECTION OF "LBB ? J. J. 8HTBKRT ?"
The WINTER GARDEN'S
Greatest Laughing Hit!
?*????? WILLIE & EU6ENE HOWABD
MARIE ORESSLER?HARRY WAT80M
EVGS. 8:15. MAT. TO-MORROW, 2:15.
CENTRAI THEATRE.lBres. 6:30. Mat?.
Vt.11 I nMi. 47th & B'y.lWed. & Sat., 2:30
NEXT MATINEE WEDNESDAY, 50c TO $2.
F. Ray Comstock A Morrts Gettt Preiont
The London and Paria Sensation
nCl Wfi*! 9 *n 'rh'" Musical Show
?ELlSIA "AFQAR"
j "Han taken New York by aforra."?Talagram.
SELWYN THEATRES
ON WEST 4 2d ST.
To supply the demand
for popular priced ?eats,
THE PRINCE AND THE
PAUPER will move TO
NIGHT from the Booth to
the larger and new APOL?
LO THEATRE on West
42d St., where seats may
be had at prices from 50c
to $2.50, with two popu?
lar priced matinees Wed?
nesday and Saturday.
WILLIAM FAVERSHAM.
cc| WYN ***? ?*? S2?- M"*u
DCLV? 111 wed & sat., 2:20
Frank Tinney ?.
?d'y1 "TICKLE ME"
8ELWYN THEA.?SPEC. MAT8.
TOdAY1* 2:;*0, also TO-MOU'W.
I UUH I T({t-k. A FRIDAY. 2:30.
The Provincetown Players
with 4"Alt! KS G1IPTN hi
?FMPFROR JONES
FLORENCE Edtiar Selywn's Play
Reed in "The Miraee"
TIMES SQUARE Tfl?|*|AY **
THEA?SPEC. IU-UftI ?jo
?iLSO TO-MOR'W & WED.. 2:30,
AND SATURDAY MORN, at II.
MIXED MARRIAGE!
Notable Cast. Price? 50c to 12.00.
44TH ST. THEATRE ?,y
EVEVIVOB, H:15~MATIXEE8, 2:16
"The theutre refcountls to cheers,
whistles and yell? of delight."
?Eve. Mail.
D. W. GRIFFITH Presents
"WAY DOWN EAST"
Symphony Orchestra, Vocal Accompaniment
All Seals Reserved. Ruy In Advance
?-nilCE West 42d BL fa?, t:3? IPbtma SI
?FnA&CC Mat?. Weil. & S*tt., 2-.SO ?Bryant
BUuaJUffiLII-MT
GREENWICH VILLAGE (??.i1?
THE BEGGAR'S OPERA
CHESTERTON
At 1 irnc9 Square Theatre.
Friday Mut., Jan. 21, 3:30, "Shall TV?
Abolish the Inevitable?"
Sunday Kvc, .Inn. 23, at 8:30, "The
Perils of Health."
Sunday Eve.. Jan. 30. at 8:30, "Jerusa?
lem and the Jews."
Sunday Eve., Feb. 0, at 8:30, "Litera?
ture us Lincfjaice."
Tickets at Box Office or Office of
Lee Keedick, 437 Fifth Avenue.
METROPOLITAN 85KS
TO-NIGHT, 8:15, MANON LESCAUT. Alda;
M?rtinelll. Scott!. Malatesta. Bada?Papi.
WED. at S:15, TOSCA. Karrar: CllRli. Scotti.
Malatesta, Aiianlan. li.ola?Moran/.oni.
THUR., 8, CLEOPATRAS NIGHT/Alda, Gor?
don; Kingston?l'api. COQ D'OR. Garrison, Sun
deltu?, tiulli ; Diaz, Didur, Holm?Bamboschek.
FRI. at 8:15, ONEGIN-, Muzlo, Perlai; Mar
tlnelli. De I,uca, Didur?Bodanzky.
SAT. at 2. LUCIA. Carrisou, Berat; Gl?*li.
Duntse. Mardones?l'apl.
SAT.. 8, Special l'erfVe, ZAZA. Parrar, How?
ard. Kgener; t'rirul. Du L?ea. Bada?Moranzonl.
NEXT MON. at 8, LOUISE. Parrar, Berat;
Hamild, Whltehlll?Wolff.
HAKDMAN PIA.VO 17SED.
CRITERION ^t^lon^o^fo.
"THE INSIDE OF THE CUP"
A Paramount Picture.
i y A I i Gao. Pltimaurlco Produetion.
BwayTt "PAYINGtbePIPER"
4 y t li St. 2nd Series Wild Tribes of Africa
Beg. Sun., Cecil B. De Mllle's
P^tff-on "FORBIDDEN FRUIT?
3 A L T 0 Constance Blnney
TIMES "SOMETHING DIFFERENT**
SQVJAKJE FAM0U8 RIALTO ORCH.
Loew's New York Theatre & Roof
Cont. 11 A. M. to 11 P. M. Boof to 1 A.M.
WM. S. HART, "The Testing Block."
I A??/? Am or "ran Mus'c <"'' **?? w B'<"V- '
tiOew s American u^u, ?^ery ev. at $:i5 i
"Are All Men Alike?" I All Scats :
ICuma & Co., Imperial ', Anger & _
Acci?n, Knorr-Rella & Co., others. I Keierveo
?"FTKcltirH I ADELAIDE! LINA
LB - - ; & HUGHES ! ABARBANELL
A I? b I Hobt, Kmruet Keane, Beth
Berl & Co., Gallagher & Kol
Brynnt 4300. ley, Goo. M. Bosciicr. oths. &
Mat?. Daily 25C-?1. I MASON it KJ?EB,
C" QLUMBIA It?^ffflRC?. '
SPORTING WIDOWS AL All
<U?0D TINES
^ ;, ^HSPPODRQH!
rfV#r*?^**y | Ev?8'IO-iO0OPEOPLEH00NOVELTIES
DAILY&tZ?b~. V-?i
RUSALEM
OPULAft PRtcts so^to* z..mnm
CENTURY THEATRE?FRIDAY, 1:30.
39th ANNUAL
Benefit Actors*Fund
By tin THEATRICAL MANAGERS ANO
THEATRE ARTISTS OF NEW YORK.
"THE RECOIL," one-act drama, with Mar?
garet AngUn, Dorothy Donnelly, Uolbrooa*
Bllntl und Bruce Meltae.
"THE TRIANGLE," with Florence Rood. Ed?
mund Br?ese. Ijowell Sherman. Henry Ste
plienion, Krederkk Truosdell, Walter Walker.
"FANCY THIS,'1 a new musical travestry, with
George M Connu'? iiitlru "Mary" Co.
"PORTS OF THE WORLD." a society ?meal
paueant. With ;><> ladles and 100 sailor? ami
Marry ?.,'. Browne and Gladys llan.ou ami 100
Jackie?.
'TRAGEDY'S COMPLAINT." with .tulla Arthur
"LOVE NEST," with .ln.net Voile. J. Me
Oowan am*- the composer. U lllrsh.
"LOVE AND KISSES." WlUl U?-o. M. C(>h?n.
Win. I'livemliMin. Norman Trevor, fjrant
>Ilti-tioll. Frank Craven, Oilda Varea!,
Manen Coaklcv. Ann Andrew*, li?)'>ert? A
?old, ?'luire K?me?, Herbert ?Uorihell and
Helen Ware.
Nora Hayes. "Prod ?tone. DesIren Rnhonikl. Ada
Mue Weeks. Alphonao Kthler. "Love Neat,"
With Jain Voi.e iind J. MiOOWnn ?l:ilVH
Hanson OliM. Judel?. Hnvoy & Rrciman.
DoNiey's artists. Brown Bros, ?lid othur at
traeilon:! to h? announced.
PRICE8: 11.00 to $3.50 at Box Offiet.
No War Ta?.
Danlnl Frohman ..;,. .MaJiamr
Alexander Leitwich .?i?**o Director
fsCMTIIBSV "rnEATKE. IEt.8 Sharp. MU.
?Cil I Ulf I 82d ft C.P.W.IWed. ft Sat.. 2.
POPULAR MATINEE WEDNESDAY. 60c to $2
Last Week?Last 8 Times
F. Ray
Oomatock
and
Monja
Cost
Pr?sent
A Musical Extravaganza of the t?rient.
CO. OF 400 PEOPLE?II SCENES.
Positively Most Sensational an* Meat
Stupendous Sucoets In World's History.
MECCA
PACItlfl :':'-"-!l ?nJ R'way- Evenings 8:20.
WllOinw POPULAR MAT. WEDNESDAY.
ZTMBALIST'S HONEYDEW
Play with Music. nWIISIM.Sn
J
ke&Bxaea ?OSS'
"' ~ B?k? MAM
IJTTIJ5
THEATRE
West ii St.
Tis 1st Year
Mata. Wed.. Thurs. ft Sat.. 2:30.
AC T A II Thea., B'y ft 45th St. Era. 8:23.
9 I UK Mat*. Wed. trop.) ft Sat.. 2:25.
HENRY W. SAVAGE oiTera
,^@KCNNEBY
uafaeel e in the com?oy ^??ar** fea KB! em
HERSELF ???^'C?HatRED
.EONEf"'
Flour
POPULAR S5S"1W?""-BW
BROCK PEUBBltTOX'8 Production
zona MISS LULU BETT
BELMONT r^^St'ats1^.^^:
GILDA VARBSI?NORMAN
TREVOR
ENTER MADAME
W. 45 St. Eve
Matinees Wed. Thure. & Sat.
FULTON w 46 st- KVES- ": s-:;0
MatlnMS Wednesday ft Saturday at 2:30.
NORA TUTTft 4'tti Street, W. of
'BAYES ! libA ?'?ay. Eva, 830.
A SCREAMING COMEDY"
?Telegram.
?MAX1NE ELLIOTT'S It;*
Evgs 8:30. Mats. We* and Sat.. 2:30.
?INTERNATIONAL SUCCESS
?23 Weeks "Sr
The Greatest Love Story Ever]
Told. Filled with hissing hateJ
panting passion, seductive]
music and alluring dancing.
"A PLAY NO OfJE CAN AFFORD TO,'
MISS."?Alan Pale. The American.
"H0LD8 AUDIENCE BREATHLESS."?Sun.
SEATS8WEEKSINADVANCE1
Ol YMlllITU 4Mn Bt- w?**t ?r Broadway
? *U I ITIWM I II Matinees Thursday ft Saturday
LITTLE OLD HEW YORK
BOOTH? TO-M-W EVE. &
^a??ffi^"GEORGE ?RUSS1?
"THE CREEN GODDESS," By WlllHra Ar*
l'-lRsr MATIN BE WEDNESDAY.
REPUBLIC? To-nightat?30
JOHN GOLDEN Presenta
HALE HAMILTON ?d?M 9H&
A. SELFISH COMEDY
ElTHifiE ffitfgSBH
PpabayeS
i^-HHER FAMILY TREE V
5H?BERT ^S^S?KHa
POP. MATINEE WEDNESDAY
~ *?t" BOMOOAKB tNc. Aas^-,
SftEEf|nCRVRrA6?
?Q!.tlS/o?;i970
Seatu 6 Week? Ahead. Matin?es Wed an,is? |
HEARTBREAK
HOUSE
a comedy by Bernard Shaw
LOWGACRE ISS"^?^,
GRANT MITCHELL
in "THE CHAMPION"!
a Hat)[that one ?pinto at r ;% lor, Z? f
and ?rf!l irai? p/etwant menwriei ??S^kS
f/ie /?iia* turfam *ias Jrorrc(i."? The Sm.i
39th ST. aR%B^^|?
??SAMSON AND DELILAH"
with PAULINE LORD
PLAYHOUSE'^.'::,;'i\4?.
"Holds the onlooker spellbound"
?Robt. G. Welch, Eve. Tcleoram
MARY NASH
m "Thy Name Is Woman"
3 MATS. THIS WEEK^g?
^,?48th ST.J3&E??&?f?
"THE BROKEN WING"
_SEE THE CRASHING AEnppLANEI
DfiJOU Matinee. Wed.'"* ?at'1 ?-8?
JOHN GALSWORTHY'S
Greatest Play
THE SKIN GAME
I ft KW YORK'S LEADING THEATRES AND 8PCCES8E8?
EMPIRE "''*?*'* 4,--"1- -st- p**?? ***.'??.
RUTH
CHATTERTON
Matinees Wed. anJ Hat
J. M.
BARBIE'S
NEW
PLAY
MARY
ROSE
BCLMdWU Mats. Thurs and Sat.. 2:15
In the New Play
"DEBURAU"
Mr Sacha Guitry. Adapted by Granvillo Barker.
Lionel Atwill
LYCEUM ??i?*^W- ?*>' SI, Evgs. 8:20
NEW AMSTERDAM THEA.?Muta. H'ed. i S?t
MAMM-J KILLER
LEON ERROL
2 Box Off .ces Open Until 930RM
ONIHE
?or
ZilGFELDMIDHJOfiTFAOK
Mala. "Thursday ami Sat.
By
Avery
Hopwnod,
INA CLAIRE ? "ESSS?
Cohan & Harris J??KftiC SUS:
?V??H GEORGE iSIDXEV.
rUfU.
Henry Miller'* Theatre, 124 W. 43d 8t. f
Evgs. K:30. Mats. Thursday and Sat 2?, !
Premier Performance TO-NIGHT (
SAM H. MARRIS offers
Mrs. FISKE
" "WAKE UP. JONATHAN"!
A comedy by Hatcher Ilughea and Elmer F. iilo?. :.
PIltEt.inox UAlUilSHN (JKEV FlS?'?,.
K0(OHANi3BIG HITS
Hudson mvtrs^s? i?5
THE MEANEST MAN
IN THE WORLD
Mr COHAN in the title role
SeO^niJA AI THEATRE BW?V ? 4?*ST
THE TAVERN
WHAT'S ALL THE SHOOTING FO?P
*mmmm
CLARE KUMMER Presents ROLAND VOUNO Is
'unrli
Judy
T?e.-.t -e.
Evgs. 8:8(1. Mat?. Frida*/ ft Sat., 2:30. 4flth St.
ROLLO'SflLDOAT
GAIETY. H'y ?- 46 Kt. Ma?
.JOTfv GOLDEN
IAC?N?KiiT?
GLOBE. Evs. S 2 . Matinees Wad. an.1 Sat.
?FREDSM-w*.Tor
1t?J COL .,UC
li/S BIO iYiATS
?EOJP>OP)4NOfr//v>* A/,
rt/WO?Ot/S
LIBERTY
OfifOT THEATRE. Wust 48 St Bw?. it'?".
WWII I Mat:nee? Wednesday md ?-?t.. 2J0.
New York's Foremost 8tars
w MARGARET A T? VBTHTB
Lawrence s Byron
IN Tin H GENERATION'S
GAYEST CO.MKDV,
"TRANSPLANTING JEAN"
ONE YEAR IN PARIS
Special Mat. TO-MOR'W at 8, lort The?.
Mgt. Mare Klaw. Inc. Mr. & Mrs t'o.Vjn) prtatiil
Tues, ft Frl., ,lan
Also Sat. Morn..
MANHATTAN S 5 5 Si*
LAST WEEK: Ornian Comic Operetta SesJMi.
TO-MORROW?<i;mr:fr Colloctio Sof.. Ere A
Wed. Mat. (J'cp. 1'riMf). 'DIE FLEDERMAUS";
WED., T/iI*ltS & mil. Eves., -DER TROMPE
TER VON SAEKKINCtEN"; Hi' Mat & I"?-.
Final Perf'ce. "DIE FLEDERMAUS" ("Ifce Bit). I
ii
Thrills Unparalleled!"
Artistic Beyond
Compare
George
1SS
u
ASSOCIATED EXHIBITORS
PRODUCTION
THIS WEEK ONLY
-MAR. Kl
A NATIONAL INSTITUTION
BW/Vai47*ST. Direction JOS6PM PU?NKKTT

New-York tribune. [volume], January 17, 1921, Page 6, Image 6
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924

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New-York tribune. [volume], January 17, 1921, Page 6, Image 6
About New-York tribune. [volume] (New York [N.Y.]) 1866-1924