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On the Screen *Tbe Case of Reeky," at the Mallo, and 'i Accuse,** at Strand, iUedioere Pictures By Harr-tte Underhill When tv0 were Quito small our music tracher used to furnish us with what ?Were called simplified copies of "lam 0 Shan!-.- and "Monastery Bells," s id wo 1 a led simplified copies so much ! we resolved to outgrow them. So tve did, and now here again at our time of life we aro receiving simplified __ copies, 'or nearly every picture which taken from a stage play is a sim Iplifted eon;.. If a thing is suggested . a play it has to have a ni>:o dia? gram with i'. when it is put on the 4,'reen, for fear the ppectators won't understand it ss well as the audience "did. The picture which we saw yesterday at the Rialto exactly illustrates our meaning, and the case in question U "The Case of Beckyi" a play by Ed ward Locke, which was produced by l'avid Belasco Usually when we find fault the producers wiJl up and tell ?b that the material in the play was v.ot suitable lor the screen. Tney can'fc tell us that now, however, for we rc . i ?emh r dent in the play, and V ad looked forward eagerly to teeing them tr ... ferred to the screen. Becky and Dorothy weie dull per? sonalities belonging to one your..? girl. The reason Dorothy was thus endowed ? witb ?? disagreeable personality, Becky, * was because i hypnotist had carried her mother about with him in a giasa vise in a continual state of hypnotic cleep before Dcrothy was born and the * ? ltfui-nce was pre-natal. In the play ? Dr. Emerson, whose wife ehe bad been hefore -ohe was lured away by this - Balzamo, gets at the truth by hypnotiz * \~?g Balzamo, the hypnotist, and forcing Mm to reveal every thing. This was a t'aaeinating scene and it is left out of ; the picture entirely. Here Dr. Emer rOTi threat is Balzamo with a pistol end then digs up a ghost to b*unt him till he commits suicide. And in the play Frances Starr did some remarkable characterizations. xVhen she would feel Becky taking pos 1 ?ssioii of her body she would gradu . Rlly become impish and suspicious, and vhe would always insist on having her vails very shiny. "Dorothy hates "em - shiny," Becky would tiay. "I love 'em that way." eke would reply, and would . .lecorate herself fantasti-cally and dance ind slr.g ribald songs. But in the pic . tare what happens7 Why, when Becky appears the simply becomes violent. * There is no illusion o? a young lady with a dual personality. You simply think you are looking at a young lady in a bad fit of temper. Constance Bin Tiey, who plays the "art, is not to blame. It ia the way it is written. Of ? ourse, they had to make it obvious so it Would be understood. But gcrte, all gone, are thu mystery and the charm of the Belasco performance. The things which veut not revealed until the end of the pla., ate put in at the beginning of the picture. It i=i like telling th poii of a ctory first and ~sTeTn ~wTy~ h a ll 109 Cist 14th 8trs?t EXHIBIT OF PAINTINGS ON MUSICAL SUBJECTS By American Artists October 6. : is ]?. tl 10 A- M. to i-.i-O P. IS. Admission Fro? then going on and telling: the begin- i iiing of it. Glenn Hunter is the lover, but we | like him better in boy parts than we do j in lover parts. Montague Love is good as the wicked Balzamo. Frank McCor mack is the doctor. The scenario was made by Olarkson Miller and tho pic? ture was directed by Chester Franklin. On the picture program also ore a post-naturo picture, "Le Voyaguer," and a Chester comedy, "Snooky's Blue Monday." The overture is "William Tell." Mary Fabian sings Rimsky-Korsakoff's "Song of Indis," and Eduardo Albano sings the Prologue from "I Pagliacci." Jo? seph Alctssi played "La Paloma" on the trumpet, and eo infectious was the melody that the old bald-headed man in front of us wiggled his head and snapped his fingers in imitation of castenetd till hij wife chided him into tilence. Yesterday afternoon we went to the Strand to see "I Accuse," and when it was finished wo said, "So do I, I ac? cuse the French of making very bad pictures," and yet they err in such an ingenuous way that the feelings which they arouse are not so much impatience at the stupidity of the thing as a gentle tolerance amounting at times almost to forgiveness. The actors and tho di? rector proceed with a pleased compla? cence which can only mean that they think they are patting over a big idea. in1 great shape. .'? Accuse" is what the hero is always shouting whenever he sees a ruined vil? lage or a ruined lady, lie mean:- that ho accuses tho Germans of every con? ceivable atrocity?which it not exactly a new idea. Yet, ?I is a war ?tory, and all the scenes are shown in the trenches and on the battlefields, just an they have been shown In hundreds of other pictures. la the end the hero goes mad and bo describes to his listeners how he saw the dead ri'jo from Flanders Field and accuse the v/orld of not being worthy of their sacrifice. It ?? a grcw eome sight, only by that time many of tho people in tho theater were a.-.?eep. So if the picture was intended to carry any message it should_ ha-, c come ear? lier in the day. The story latt3 for six years, but it seems much longer than that. We might have forgiven them for show? ing another war picture, but wc could never overlook tho fact that it was woven around the most tawdry sort of love affair, where some terriblo men were in love with a startled heroine who had a wart or a mole on the bridge of her nose and a doubly chin. Such little defects should be attended to before she has a close-up airain. One of the men who was in love with her was her husband?well and good. The other was a poet?not so good. He wrote a poem "To the Sun," and the first timo he read it to lits old mother she fell asleep. He refuted to sec the handwriting on the wall, however, and insisted on reading it to her again when he came home on a furlough. This time she died. When the heroine sees that her Jean's mother is dead sha bays: ?'He must truly love me,' as he allows vay trouble to precede his own." The titles are all a:; bad a: they can be, though probably the fault was in the translation. Whoever did them may have known French, but he cer? tainly did not know English. It is nearly as bad in thi;i respect as that Italian picture which was shown at the ifippodrome early in the bcar,on. i It is not bo bad in other ways, how? ever, and neither i? it as bad a-, "The Spirit of '76," a picture made from a Civil War story. The audience received it very polite? ly, though a laugh wag not entirely ?oppressed when at the end of a har? rowing deathbed sceno the "heavy" A Long Island Romance by Sumner C. Britton The Girl? The winsome, lovable country lass for whose heart and hand the villain commits the most dastardly deeds in DREAMY HOLLOW The Hero. A He-Man. A Captain of industry ? not a namby - pamby sugar - coated lounge lizard, but the sort of a man who deserves the sort of girl he battles for in DREAMY HOLLOW The Villain* A brainy, capable man of affairs whose overween? ing ambition leads him to at? tempt to overthrow his best friend and steal both his busi? ness and his sweetheart in DREAMY HOLLOW The Detective whose keen ana? lytical mind foils the villain's most carefully laid plots. When he gives the villain the third degree you will shiver \vith breathless interest in DREAMY HOLLOW $1.75 Net At your hookdealer*? World Syndicate Co., Inc. 110 W. 40th St, New York City Remember the Name, Dream]/ Hollow, by Sumner C. Brilion "ENCHANTING TEABOQMS RESTAURANTS AND COFFEE SHOPS THE FAIRFAX LUNCHEON DELICIOUS HOME COOKING FOR o, 80 NASSAU ST BUSINESS WOMEN AND MEN 0) onbhiohtup rr.A Roosts A W VI 17 \ n Chrl4i./..j>b?f St. t???S /l.V.> dIiI^/\ ,-,.., x/>r.>n.i Tut. Cui?*?. Prtr?u Room fw agecUl Ptrti??. SCOTCH TEA ROOM B??^'V? ?i'tr/t? Lo ' '. -?.'^'?"ft '???? H??a? to?'l? Y. W. C A. Cafeteria ?* IV. %'.'?? Ht. Opon 10::?O A. .M.. V-30P.ML ?!r? into Woman Hrr.ed. THF. ' M. S. TEA ROOM, it Veaay at, b?ii'<w Churo b ?t. tMTt'.y.'.'.- i- M Home '-ooitin*. PfliBSFTTIt "A *7 Hl'ft'i' a'Kh (Jt rUIH?t lllft y ;; ; ?,?J:. .?r 11 oo aJtmoon T?? iSeo a U Cir* awn*?. R,hUR i)g LIS e -''?'.'' T ?f<>:...,iATK pl:/< r.". - KMlAKyam.IK ? u arreutityjn n.k.uti :?>:;?, KWiT AI/KAM? THE DINNER BELL oa ckotb trt. Food of di?ttnfitlon. .Joint? ?nve.J from dtrin?r Hfijr?u. Uptown Dinuor Bt.il i.lot?d till Sept. I?.. PEPO'S RESTAURANT l?ft Went 68 St., Near 7il? Ave, Italian and Ai. ? r,-.'n->, BO ?? und 76c I' - ?< "" EXCELLENT LUNCHEON. T?a *n?i Dinner *?>cv?^ <i:?ly ?il the Am?t'l< can t nmmlttr>? for O? ? u? I u 11-U 1'riujir, ?o JK. 88th ht. No Up?. Mari? tctkiev Il*???orunt, IS r.mt ??th ?l arie r,iinn , ,?,?.,,,?? ? ,? , wrt# Vlm. W*sr, * t? i. Wliolaaum? lion.? C'00k?d K?od. ?Hjr*b M "Com? Abo?Mj"' b? w mh i? 1X>". I! Luncheon, ?fc.j. Dlnn?r tit? *ii?-rn?.K T?a. A Ian a U cart? ?arvto? THE WILLIAMS "?St?tb?NI ii4oi?i rri/rov v.T.. <"i? night TI/K. BB3T OF FOOD. UOMB COOKBD, whispers, "I wish ? could see my dog." ? It seemed a strange wish, because he! never noticed his dog, so far as we j are aware, when he had u chance. liis | h< ; h stays were quite filled with ? scenes of how erurl he was to the i little woman who had married him ! when she wns a mere child. With a hatband like that we do not see how she could recognize an utrocity when she saw oric. At any rato she was missing for four years and when she came home she carried with her a husky child, whose father she said was ont- of a number of Germans. The husband refus?? to believe her and saya. "Nay, it i? the poet's child," and he is about to kill it when he sees the light. Whereupon ho girds his loins again and goo? forth to battle onde more. This time he is successful and is killed, and the poet and the heroine and the child live hanpy ever after. ilI Accuse" was written and directed by Abel Gance. Il is released by United Artists and presented by the American Legion, neither of which or? ganizations we should judge had very good taste in motion pictures. The overture is "1812" and there is an effective prologue to the picture in which the mile quartette and aome pleasing dancers participate. "Footlights." with Elsie Ferguson, will continue at the Rivoli. At the : Tapitol the feature is Tom Moore in "From the Ground Up." This will' be reviewed to-morrow. The Stage Door - i Huyes In "The Wren*? ?W.ll fcn ?-?i to-night at the Gaiety Theator. The Theater Guild will opeti lit season at. the Garrlek Tl?eator to-night with "Ambush," a comedy by Arthur Rlchman. Charles rn'.liisrliam will present Alla.-\ I ill .el In "A BUI of Divorcement" this evening at the Cohan Theater. Oliver Morosco ivl?l offer "Love Dream?" tills evening at the Times Square Theater. At tTi# Greenwich Villar? Theater Ar? nold Daly'? repertory r.oro.?'?ry begins its j">awnn to-ntght vltta a duuble bill. "The Children'? Tragedy" und "l'ha Vac Dyck." Robert; Warwick ?n "Tn the Night Watch" la the attraction this week a.t the Shubert-Rivlera, "Welooms Stranger ' remain? for an? other week at the Bronx Opera House, In Brooklyn, the Montante Theater has Franelno Larri m o re In "Nice People*' aa the current attraction. "Irene" continues for another week ?it the Majestic. The premiere of the Italian film, "Theodora," echrduled for to-night a.t the .'ir'or Theater, baa buen postponed !?> 1" ri day, October 14. WlUtaru Hodge In "Beware of Dogs." now at i.hc Broadhurst Theater, will h? ferred to the rhlrty-ninth Street Theater on October 17, on which night Arthur Hopkins will present Lionel Barry, lucre In "The Ciaw" at tho BroadhurcL T'.'.chsrd Walton Tu ly is directing re hearuala of "The Right to Strike," by Ernest Hutchlnson. The vlay will open In Washington next Monday, preparatory to ita prea;ntaUou on Broadway. The N'ew York American Beagne base? ball team will b* guests of A. VI. Wood to-night at the r>erioran:e cf "Back Bay," Eltinj? 1 heater. Members of the Baseball Writers' Asso? ciation, who are In New York to report ihr? "world's series." will attend the per- ? ?ormsnce of "Main Etrect'' this evening in a body. Middleton Superb In Light Songs as Well as Classics Baritone Best Known in Ora? torio Appears in Varied Program at Aeolian; Ga?li CurciSings at Hippodrome Those who attended Arthur Middle ton's recital yesterday afternoon at Aeolian Hall were a:Tordcd the rare op? portunity of listening to a singer whose art closely touches rjerfiction. Mr. Middleton, a barytone long associated with oratorio, disclosed as fine a mas? tery of songs in Italian, French and German as he did of the music with which his naino has been largely con? nected. Hia voice is in itself a pleas? ure to hear, but this pleasure is en? hanced by the singer's admirable knowledge of tho art of singing, by hia firm control of breath, pure phrasing, clear diction and interpretativo intel? ligence. Mr. Middleton began his re? cital v.ith Handels recitativo and aria "I Felt the Deity Within" and "Arm, Arm, Ye Brave." This wan followed by the same composer's "Where'er You Walk," Mendelssohn's "I Am a Roamcr Bold" and songs by Secchi. Lully, Brahms, Hermann, Kaun, Speaks' Forsythe and other composers. From "Lung? dal caro bene" to such an ad? mirable trille as Strickland':) "Mai: Lindy Lou" the singer's program v/a? nothing if not varied, but hia singing remained uniformly excellent through? out the afternoon. In the evening Mme. Amclita Galli Curci made her first appearance of fh< season in the ".formal setting of th< Hippodrome. Her program was Iiglv ."<nd included songs by Fourdrain, Hahn Rogers, Carpenter and three operath arias?"Ah, non creda," from Bellini'i "Sonnambula". Co mad scene fron Thomas's "Hamlet," und the mad seen? from "Lucia." Although her \oico wa? not at its best the usual agreoabl features of her singing were in evi dence, among then: tho softness aui purity of her extremo upper nptea There were, other features, us familia if not to agreeable?wanderings fron pitch, and a marked tendency to slui particularly unfortunate in the openini bars of Hahn'u "D'Une Prison." A times, too, Mme. Galli-Curci appearei rcant of breath, so that sin eul phrase in haif to rcmed tin de i iency. At the same t:me, in Carnegie Hal] Mischa Violin, a young violinist of th unconventional variety, was giving a re citai. Mr. Violin vrai Loara here lae season, and hia playing has not soar^-i to greater eminence, although from th size of t?.o audience that crowded th hall it would apear that be ha3 man; enthusiastic admirers. You Must Register to Volel Register to-day if you want to vot on November S. Polls open to-day, Tuesday! Wednes day, Thursday end Friday from o p. li? to 10:30 p. m. Saturday?the last da ? the hours are from T. a. in. t 10:30 p. m. Keith Management to Foster American Ballet ? As a part of tho B. F. Keith "third of a century" anniversary, E. F. Albes will lend the influence of the Keith vaudeville circuit to the establishment of an American national ballet. Ger-1 trudo Hoffman has been selected as j the artist to open the activity. Begin ning in Washington to-day at the Keith Theater she will devote a morning a week at the theater to interviewing candidates who are interested in danc? ing. These dancers will have the bene? fit of Miss Ho?rman'3 appearance and advice as well as an address on a na? tional ballet, which will be illustrated with the aid of members of her com? pany. Tho same program will be fol? lowed in every city Miss Hoffman visits. Theatres Under T'ita Direct vf Uugo Riesenfeld TIMES SQUARE Beginning Sat. Oct. 15 Elsie Ferguson As th? Lovers in "Peter Ibbetson" A Gccnr* FUrma.art-ft.? Production Based on the Novel hy George DuMaurier and the Play by Nathan Raphael A Paramount Picture 2 Performance? Daily 2.30 and 8.15 Tltssr-uxA Seats on Sate !7ou) Prices: Week Day Matin??? 50c, $1. Eves, $1.00, $1.50 Sat. and Sun., $1.00, $2.00 War Tas Extra Mail OTdc-r^i Filled Last 3 Days-?"THE GOLEM" j l'??L I ELSIE FERGUSON1 S S V h I in "FOOTLIGHTS"; ,?/? A Paramount Picture. At 40th St, r.lvoll Concert Or.h. ' TIMES ! SQUARE j Centlnc?os !Noon to 11:30p.m in "The Case of Becky" FAMOUS EIAI.TO OE.CHXSTBA Hugo Riesenfeld and Joseph Z-fttera d?ndur.th\a I The TJitoxzfrt <I(ep7f?Jitdng IPian? is itsrtp obtainable in a very ?mal! Grand. ThecAeoTtan Small Grand cDuo<Aft, but little over five feet in length, is a complete 'DwcArt ^Kfpro ?ucing fPiJno bringing to your home the- playirt? of the greet pianists, la prke is SliS}.. ^Reproducing xPiano DO you know the wonder of the Duo-Art Reproducing Piano? Today, let us say, your home is devoid of music. A3 f*3r as benefiting you and yours is concerned, music is dead?a lost art. All the musical wealth of the world?the masterpieces of the classics, the glories of the opera, the tender old ballads, the bright and sparkling dance tunes of the day, the familiar hymns, the songs from musical com? edies -exist, but not for you. They wait to be called to life but in your home you lack the means to call them. And tomorrow your home becomes a mine of music treasure -a veritable Golconda of music, wealth and richness through the Duo-Art The great pianists of the world become your intimates - your household friends to please, inspire, soothe you with their incomparable playing. All the music of the world is yours?every class and every kind, to suit your mood and all occasions. The very Art of Music is ycur possession. Is there any way that your home could undergo a greater or more beneficent metamorphosis? Could anything be mere wonderful than a medium capable of making such a change? Steinway, Sleek, IVheclock, Stroud, Aeolian end famous Weber Duo*-Art Pianos. Grand and Upright. Pri?es from $795. Convenient Terms AEOLIAN COMPANY ?Makers of the "Vocalion?the phonograph Supreme AEOLIAN HALL-29 West 42nd Street ZESI IN THE BRONX IN lUtOOKlYN IN NEWARK I N F OH DM AM 367 E 149chStr?et 11 HaibusH Avtr. ?D5 broad St. ?70 H. tunihum Kd. AMTH?ICA'S FOKKMOST THEATRES AND H?T?, D?RECTION OF LEE ANI> J. J. BWTBERT NONETTE ?LLFBSD XASS3 & CO. GEORGIE PRICE BRENDEL & BERT LEAN ?* MAYFIELD ' WILSON * LARSON ?OLGAM?SHKA & CO. ; THE PICKPOUDS holt"& rosedale DONALD 61 SITES ! ASCO CROTHJKB3 REGAL & MOORE JOE NIEMEYER AND COilPAjrr VARDEN & PERRY BERT HANLON *?* CLARK & ""* ARCARO 2:13 P.M..-TWICE DAILY?8:15 P.M Csniensed ferslon o' tl-.e Qroa?? aj ciu^ca] ?U"OH, WHAT A GIRL!" ?r.?Qr*t>C4?C?fJ53/ M? MATIXLE TO-MOKROW. NBW NATIONAL BS^?V?t"!? The Greatest Play of the \ear. 11. j MAIN "? century mktykmjitstiki*. THIIAST?ILEAHOR TIMES SQ. T?TEA , \v. <:> st TO - NIGHT at e : . OUVR MCitfSCO THE NEW MELOt>Y D RAMA SELWYN?^-^;^^ THE JOHN DBVW ? ?t MRS. LESL11 i-.\KTCa f?lRfil P KSTEIJJ3 W1NWOOU IflfluLC. KRNE6T LAWFOBD with mis CELAT CAS .JOHN H ALUD AY ROBERT RENDEL WHU?* ^?csMresri?ggima ? POPULAR MATINEE WED.. 50e. TO 52.09. * mnn THEATRE. East or B"way. *^aST Etb. 8:30. Mats. Wed.* Sat. l-i'". s Gr??.t Eipsciations.?Times. LIKE A KING 'Punch. Pen. Pathos ?. Humor. -Telegram. AM B?SS?D?T^iS?: "??' Tb--? 49tb, W of B'y I WED- A^D sAT* Greatest Musical H?t of Ml Tiroel ^?SOMTIME TNS CQMt?Y WT/ ' POT ?sen COMEDY s?aui^;;&! ?a L0NG?CRE ~~ IN?CL?1PE tf. -rue- o*y r*>?c? BUiaKAB0S8T?W!F| RITZ TOBgy-JgSKBff w.? .mi WM.ni Ml jo_a uoidf a prwriu THANK-y U?8Ettt? G??SSMmHilOlET KH&LE COOPER?? UTTLE THEATRE ( ^g Y(rst<4St. ? Matinee? Wed and 8* Hi 1st Year Q?RRICK - *-^--tB'y-Flto0? l?: Ets. 8:JO. Mati Thurs. & Sat. AMBUSH A n*?> TnZA?RB GUILD Prod'.tolians I OPENING TO-NIGHT ?lit? Children^? Tragedy ai SsM r n? Van Dyck '<*?*? "^ ??fe AMKMUg PALY ?w? Wt HOIMMi GREENWICH VILLAGE f?UIWi921 f-EATS AT BOX OFFICE. POSTPONED OPTING to the grant tumimt of defcri! vork Docenai; to translate title? from the Italian origin*!, and t* hsre farther orchestra rchearwa?* for the impressive some? C' l~fcT TM\/*"V1V ajmoaDrir8 "?t*1 regret a postpone r-LFJLiJLrlT ill meat of the ?q*a*scree!a sfxxxsdo Produced by the Hhdtme. Ctsstmatsfgsnfica iSaJSstgss Until Next Friday Evening* October 14-flbi SEATS FOR TONIGHT -GOOD FRIDAY EVE?0?re Astor Theatre "?skss. l ?8TH 6T. Thin. Bra. 8:30. MtO.Col sPay.Tjui .Sat. ? 'WMTTIU.wrCEMAPPlEP' i BEfcl?5fi^3SgBNS AT TOE PLAYHOUSE *"".' " . !S THE BIGGEST FUN HIT IN Man? eau Arthui Xtra Hopkins Mat. rrc?,ntn Wed. MAnjORI? i a "Daddy's Gone? A-Huatloff B] /?>? Aims. Anthot of "'DaclaMe? " Plymouth S2?T#?S"Wrt MaUne? v. s( b'jB Day. An absorbina !o-n itory played vttli Irrcii^'Jble chai-m?the romant!? hit ef the seamen. BfJO?S?^-?^s^!;fo:? ^^lW^^ K?W >? VE.4.H? --*""? "WITHOUT A DULL MOMUNf."??;un. cvTwve cft/infitott . BOOTH fia ^&.*i &. 1:% |/ Il ???? JHE GREEN iRUSS GODDESS CASINO ?wt:e^o_jv\ftT?; titeo? %&r vy? Si M??MffS R/lTOff m t-EATS NOW EEIXXNG ^^T.lUv?: AH?A? RSPUBUG alan 1*1 fit.. ?:M. DOUGLAS UUOM^ GETTING GERTIES CARTER EITINSE?!-^* '" "** TITB4.TEB, 42d t: , W. of S'jij. I TWICE OAILT. 3:30-8 5". ' ?-L..X1AY MATD-'EES a- .. Helen ?LJyi\^?A3 Macke?te?r m ?B y?\ AB i*. NCIS^/ PLAV >V rANKIlt UUO.ST rHEi ! BE. B>17 a? vmii wSBffiS I ??SKft?aasss?fca C E N T R? L ?ontinuou* Noon tolla? TM. MARIE PREVOST '""T^ MANHATTAN! TO-NIGHT. "LUCIA DI LAMMERMOOR," I-uc chese, ICUnova, (v.rnllo, Viriano 1IJ ?51?<i: Cord Perool TUESDAY, "LA. FGRZA DtL DE8TIN0." Saroya, I'aeji. 1 ir.rnusini. Royer, Pe BiifJ, Oi-ii, Tell and Carp? da JU'let, Cond. H?~mm. WEO, MAT.. "CARMEN." Fm:anl, Kelll?, Toramialul, Virit-o. Teil ?si C?trpj Je Balle! . Ct<i:d. Peror.t. WED. EVE., "LA ROHEME," S&roya, KelUe, Boscacel, P.oy er, T.<*t Biasi; Cond, Perool. THURSDAY, "MADAME BUTTERFLY." Flt?lu (Guest) .Pas?. Beeeaod, Marr; Coad. Faroe). FRIDAY. "RI?O LETTE." Lucclioo, IJa?l, C'oralio, Ro-rer, ?>s Blaiil. Oorrt; fond. Perec!. SAT. MAT..""HAN SEL AND GRETEL." ?fritte. Mario. Kllnova. French. Vio Hierapolls; Cord- Hall?-.-. "PA? LIACCt," Oiari.i'ool?. Boscacel, Viviano, D'A" i"??J^i1;"T':, Con<l Po?al. ?AT. EVE.. "LA biOCONDA," Amsdm, Frascuil, Psggi Tcn mas?ii, Royer, L^ Biaii. Cerri; Cond. Peroni PRICLS 500?53.00. Phon? Lonjacre COST. I??HEADLINE FEATURES?10 Dacaualled Aai-w?er*. HARRT VOX ? C?. ! FRANK UN ARDELL & CO EFLVBfeT F- BAU.. BERT A. BEITY WHEiXJER. Otilara. PRE-EMINENT In?Araationt! Entertainiawi? ' ^?v;v,,T: ALL-STAR BILL ~~GKo~x?i?axTS""KE^:i cT-' | HerscheU M'-iilare, fiully 4 I Thomas, oths., &. Feature : P hotoplny, '.N o Woman Know?. ' S.VRTT, NORMAN. The (Yeolu Fashion Plate." , AI??A.V KAUZ & CO. VA^aH^STfl via. Seabuty. Bea Wold?. 25m caasaza "Parlor. Bedroom & Bat". Harry Deli, Eddie Foyer, trivia a- Norton. Polly Moran, Jean? ette Kean. Koesoo Midgcta, Ballot Four, and other?, HOBART B?SW0RTH in "BLIND HEARTS," and SUPREME VAUDEVILLE. ~MRS. GENE HUGHES. Burke & Durkln. Greenlee&Drayton. IkiuIb Hart's Dream. Hobart Bo.vwort!i In "Rlind Hearts." nu :lng Contesi Thur. Xlght. V alter Fiaher & ( ?o . Cun ii ... - i A Bennett, Frances Bell ?. Boys, Bert Stoddard, Toylaad Fo?lca, Pan-American Pour. H o h art li^s worth lu "Blind Heart*. " M A H K RAN a B'WAY AT 47th ST. ("J'Accuse.") Releu^o?! by UMTED AilTTSTS CORP. ST1?A>T> SYMPHONY O&CHESIRA. OPWCESC?T?HTIO; S GREATEST SUCCESS -?rntonirt Ev? World SET T9SE?HI? TAT. TO-O'AYJl Best Seat? *' BROADWAY & Ai ST. Con. Il A.M. to 12 P.M. AFT. 303. NIGHT 50?. it:. SU . Sun. A Hoi.) "OARMFNTS OP TBVTH" GARETH HUGHES Toele . . lashlon Mlnetrel? other? FAYEMARBE^,oV,5-n,?' HRNBQ1E HALIj, Sat. Aft . Oct. 15. at 3 AMERICAN DEBUT <? ? LLY NEY PIAN?6T1B Ticket! R0o to J?.50. (Chlokorlng Plane.) Mgt, International Concert .Direction, Ino. TOM MOORE From Um Qround Up." i?.Krro??l(Fr?niJi Soprano) t'pplt.-il Oran.i Orelaetlra A n ???rshall Neilan's 'W yr.vr ?ork's leading theatres an? s?ccchii ???? AMSTERDAM WESTj^ S*-Ev??tS VII WED. MAT. BKST SEATS S'~'. Se? in "BLOOD kil and SAND" I ?10 C?fl i ?2 Sfc >& Hl *AT5 WED &SAT SO*fiS?5ON0 &IE?FELDTP1UMPH A3ILYN M?LLER LEON ERHOL ffiH3 G?'ETY &,a Ere. 8:80. ??eta Wed. and Sat., ! 10 ??31T T0-N!GHT at 8:30 Booti Terkington's New Comedy Va George FawccII John Flood, Marion Abbott, Leslie Howard. ?arn Rccd, Pauline Annita: GEO. M, COPAN" THE B'v 4t? TO-NIGHT SS"? Charlee Dilli ?'.->., prete?u ALLAN POLLOCK with JAKCT BEECH ER AM> A ?"Ai'AK-.S CAST ? LEMBN'CK DA?flFi "? BILL OF DIVORCEMENT" PARK i * OF AMI RBOPJB>Tni.-C "A BACHELOR'S Circle ?'Tei??*? D. . I-.tanet MO>. OCT. 17. NIGHT" Pri?es, J.2.?1J to .sue., for Opei...'.| and M in-jl.nl'fiQ Saturday Ni[M. Wed. Mat. 51.00 te Me ; Set. Met. ?1.58 to JH ?I AT SATE OPENS IIllRf. , OCT. It Wed. te Sat. 2 30. DELMONT ** West 48 St. Ett? ?.00. MaUfieen Thure. & Sat., :-'J. MUSIC BOX 1T1West45St. Tel. V-rcaat U70. E?e?. 8 15 Mat:-.eei Wed. ?? Bat.. -??'?? iT?r'rTs ?West 4 2 St. ?5AM H. HARRIS' ATTRACTIONS >ELIGHTFUL, WORTH A DOZEN THR1 '-X l'y. ?Befe* "ONLY 31 ? with MARY RYAM ?? Richard ^ "You MUST Bennett See It." ."MES. IRVING BERLIN'S "MUSIC BOX REVUE" WITH THE FOLLOWING CAST: Ssni Bernard, Wiili?* Collier, Florence Mmire. Wild? Bennett. .Toeeuh Saiitley, Irf t>At\vcr, Irvine f?eri?n ano many others. fct?0fcf by Hauard Short _"WORLD'S PRKTTTE8T CHOKCP."_, it CYLINDER LOW" With ERNEST TR?EX KNICKERBOCKER UEXKV W. ^ ?-: LAST 2 WEEKS WAGE'S NEW FRODUCTION OP ?... z Ca*t Includes: LYT>U LIPEO^ ANQE1JS. ILKGLN'ALD PA8CH. SHANK I ?CETM. West 45th St EVRS. at 8:15. ! LAST3 WEEKS. Matt. Thur?. and Sat.. 2.13. "WONDEKFCLL? PORTKA\EI>." - Alan Pale, American. DAVIT? BELASCO Tree-rite VI i'f.S$ KLAW MARIE BORO 'SSS& NORMAN IK?AOH Enffu? Walter's American Masterpiece BELASCO?U? . :. LEXINGTON !T R-?, tu ?' LYNN FO?T?hC HENRY MILLER'S Mi s O'Nei ' ' i:; ~ ? "???-?. H? . Um other IRISH PLAYER?" JHE WHITE-HEADED BOT PETER GRIMM" LIBERTY pop/ mats. wed. ??* **T Lexington-" v IT George M. Cohan's Comedians ANO 51st fc'TR?l ONBWEEE OSI.? ( OM. weeks mou "never has mr. wakfielo been ?0 FINE."--Cha*. Damtor.. Eve. World, DAVID BET..ASCO 1"-'. ..'? DAVID if \<>r M A N I TO i \i Gn see I?ARHEL0 *e?n of ? ILL.U PETER GRIMM" I EXINl >N V I ANO 51st .- : REE P. ONBWEEE (MV i CA?. Mon. Oct. 17 O'BRIEN Bill gL0BE. M PO?Gl 63dst. uyAT^A%tt$:\ :: " punch & judyi??^ jgK SHUFFLE ALONli E Cry.. :'.: inieht Perl ? Tel. v . iHEFAlt AEOLIAN IIAIX, lilis AFTERNOON Ht :i MINA HA6ER CONTKA1 TO l?j;t. E\eljn Hopper. Mason & Har.-.'.'.n V .itj ! _l Amiliftn Hull. To-m'iv (Tne? > !>!,-. At R:15 FRANCIS MOORE I PIANIST. .M?t. ?VE1..YN HOPPBR. ?telnwav l'.ano, C.ARN! HE WALL. V.L?. EVE. at SM. <>CT? ANNA CASE Bopnu ? Ool? N T. S'^jh S*aUT5 ... ? BcutOffic? Ma*".. * ???vriS^ lianaarn!?.: t MSTROPOUTAN NH.l?!<^J[^I COLUMBEA jmSSft'Wtit?E T>,c New Bon Tons-?^, M"u-:d'a ??riea vet jrn? iaa-1 i'?m