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(^oates Reveals Daintv Trifles In "Potpourri" Symphony Orchestra Heard in Series of OftVring* by John Gerrard Williams. a Young Aspirant to Fame C.arry Little Significance Old-Fashioned Fragranee. as Promined by l'romolcr?. Mi*sitig in IVrformanee > By H. E. Krchbiel In his second effort to win admira fion for contemporancous English musie, made .1! a eoncr-rt of the Symphony Socicty .r. Aeolian Hal! yesterday afternoon. Mr. Alfred Coatcs made a chang" of tactics frotn tho fortiicr in re of last Thursday and Friday to the suaviter in modo. In stead of another fcss&ult upon thr tympani of his listcners' ear*-, as well ?t the tympani of the orchestra, such s?s he made in Mr. Holst's sThgular illti stration of the rauslQ of the spheres. hc coocd as gently a.-; any sucking dove in a set of htt!o piecs cailed ?'l'otpourri," composed by a young man named John (ierrard WilliamH. There ?svero nine of these pretty trifles, and ihcy did not. occupy many more minutes. in performance than their number. Qriginally composed for ti.e pianoforf, they v er?> trartscribed for orchestra by the compostr at Mr. v'oatet's suggestion, as the annotated program Informed us. The musie was as innocuous as thr? titles of the dif -frer.t pieces, and ns our eolleague of many years. Mr. William Winter, would ::i great probability have oh served. wcre be alive and sitting in our .hair. they left the interesting pallor upon the cherk of modesty undi turberi. . . The musie did not "exhale a ramt, old-fashioned fraKrar.ce," as the so ciety's offieial annotator invited us to think, and we were glad of that. It is enough to hear musie, and wo are \ earv of being asked by compo?ers to .?: and taste it also. An eminent Viennese cvitic once expros.ed his borror at the idea of the a-sthetician Vischer's speculatibn that there might be ill-smelling musie, and intimated : hat somethirg like it had been realized in TschaikoffskyV violin erneerto. That was at a first performance of tbe work by Mr. Brodsky, and lhe concerto has won its way to popularity since, 110 doubt, because audiences have lent their ears and not their noscs to its wpprecietioii. Sometimes we cannot bc-lp but follow mad, flower-dressed T.ear's advice and look with our ears. as we did yesterday in "Scheherezade," but we vegret his request for civet to sWeeten our imagination in the con cert-room. and v. t? snielled r.ei.her lavfinder ror thyme. neither pinks hor cassia, neither roses nor musk, nor rosemarv nor rue, nor lilies-of-the rsllcy ih Mr. WilUants'a potpourri, ?Or which we could have found a prct tier name. No Tlint of Lavender The dain'y '??.7: of melody. daintily tricked ou: with harmonic and instru mental devicc . were appealing to the ear, but they left riddles utigUesSed in resnect of their titles nnd poetical .position-. We do not know why we ? erc asked to accept the. effect of a -tained high tone. in the violins (a , ".ial point Rbove the melody) as sug .. ? ?ve of lavender. Last Friday the ..me effect pictured the Asiatio teppes, and pefhaps simultanebusly estetday* it was appearing to th.e im *g:nation as a botanical attribute in Aeolian Hall and an astronomical in a i oncerfc room only a block distant. Liszt and Bodaniky were making the .-'tar of Bcthlebem out of it in the march of the niagi from "Chfistus" in Town Hall. And we failed to com prehend the association of any cary (inhyllftCeous plant With the little hint . ? jartlaary mUsic which Mr. Willlaifls gave us in th.e second of his cycle of fraptnentF. It sounded as much and as iitle like our dclicious carnation pink ? it did like rosemary and rue. ln ,'act. what was most obviously be trayed by all the little numbers was that they were ingenious.ly translated nianoforte trifles. They wcre pleasant ro listen to. but. of little significance ?:i connection with a British or any other school of musical compopition. Ros?ini's Serapbook liecallcd Mr. Williams's r,o-ega\. however. di- - . orcd prettier forms and cOlors tbttli tbe musie, which Reaplghl developed .-it of the i'ragments which Rossini left unused in a ^crapbook and which he had entitied "Rien." Out of noth? ing, nothing might appropriately be the motto of the ballet, whicli Diaghileff made out of Rossini's left-overs with the help of Respighi and Howard Carr. ? Such labored nothing.i, in so st range a style, Amazo th' unlearned and make the learned smile.'' Apparently Mr. Coates spent so much tiniO over Sir. Williams's flowers and Rossini's dame.-, and in an effort to put new significances .>r expressions into Rlmsky-KOnsakoffV'Scheherazade" that be left a good many rough edges in the performar,c>' of the last. At time* it soenvd a^ if the Symphony Orcbcstrn was in danger of bccomii ^ a rather ruiie and uticouth instrument. ? . ?--. The Stage Door ^ll^u^ n 1 mncan prcs. nl - "The Ptea: ()i ;. Tehaclty" 01 th> Kelmon! Th^at. rh'? ahnrhoon n? his first venturr ., -.,??. ma nayc r. Tho play is from 1 h Frcm h of < 'harles Vlldrai . I?irst-nljtht<"rs have a tboice of thf(>e 1 new profluctiona lo-nlgrht. They a ?? Drlftlngt, ' ln v hteh V iai A Rra<l: ... 1 [.t-(."i;' \lien Brady and Robert Whi vrtcli ?t t>i^ Playhouse; "Lawful Larceo: in i\ ttirh A. li. Woods Will pi 1 ? I Ma par^t r.KwrcnAfl, IjOWftll Sherman and , . .... J)lri*hart, at the Republic, and "t'i'j ln (ii^- dlouds," s musical comedy, -??' ?'. Joseph M, <;a:'(.'i will present at tlo ' LjtIc . _____ ' Thts afternoon at the Lexington TheatM Fi ??: L?tbcr will avu""**..- in "Tho Merchai i ,,f Venict." To-ftl|rh? for the nrsl time 'lurltiif M' present engaFeirfcnt h" Will b : -rn ln "Othello." "Snrtw Whit? ?f)d the Seven Dwarfs' ?:il b* revlved at the Manhattan Op?*r? IIoiiFo thia mornirnr. tbo pcrformam f-tartlng nt 11 o'clock, ln tli* ?.f!P.-n'.(.>.' >:ul ewniop ?ver>f day this week ''ln Old Kentucky" will b^ the attractlon. 'The JJadras Ilouse" moves from thi Xclghborh6od Playhouse to tho National Thcater thii .afternoon, when there will be ?, holiday inatine^. "TtoO^ydeW Is at the .Shubf rt -tlr. .'-r.t thig v, '%*.. '""hailti* Dillingham bepm.s his eighth y*ar .-!?? the JlrectOr Of tho Mlppodrun.o tr.-day. l>urinB C'iIs year the lilppodrome *lll pasx r.a ::.000th consccutivo performance unde: Uis iiircctior.. Has:! Rathbone has b?cn brought to New York from l.ondon by "tillbTt Miller ?.. u'ay ?he nrincipjil man's i>art in "The Cxarlna," b> Melchlor Lengyel ?i..l tjajoa Blro, ln which I'uri* lifaiie vflll (?mr. Thi :??? pcrformanco of lhe n!*y WllI lake: i.acri ijLt Atlantlc City ou January 1G. Mr. antl Mrs. ?"?oburn h?V? Bdquired tlie riifhtK to "Th^ HrOnx Bsweaa," J.y Osslp 10W, frf.in <5eor?ff M. Cohan. Jt prob? ably wiU be produced in March. u trcn/* Caatie vrill be seen at the Orph.um ? ??"to-aier. Hrooklyn. t^-day ln "Mt's^ Dance." She comea ti thu Palace noxt SfSak, Her paitner ia William Xtcardon. i- ? ln? Vr-i- v*u4?YtNt r-i>tt;,prn\fni nhe will return tn di* maktnft of motion ? l? "I--- with i\r.v 0,Tn oonipnny. Her moal ?o.-.-Ilt nlvUlfo l? "Thr, R1.XO of Uu-V.-e i ttlm . by Josci dC :. ii ? ? "KreplnJr Up Ar.p?nran<." la belrig piayed twice n day mi tho Bramhall r*lav ????<i-. this wpo), for ih- bcncflt of tho Hus slan 1 ainlno l-'und. I.oum CalvMt WU) play lUc part ol th? barurt In r\ndri!Jr>\ 'a "li* \Vh<. i;,>i - Klappf-d. Which tho Theater C.UIIU Will prescni ?t tho Uarrlck no>i Monday hlfhi V. K. M*tth*Wft, Who lur'-ving i? "??)), ':'"- i ?'???"?"??,.i ?? ?t iho KnioHerhoo^f [heatef, will app*ar r- - iho h*?oin ,,r <),? *VV.'1,;s',,':,">'1 "" J?"uar: "2 li. a IfaVMiy I lulldog 1'' umniond " f.uay Daaumonl ha- been add*d to th* - ;?? ot "Rosa Maohree," u hlch opena al tnc Lexington nexi Monda: ? en ng , I'udloj Wilklnson, a- -otnpanl il for \o-a la In St. i.uUo > llonpltal, rccovorlhg "' "' :'-' operatloti for i.i |.o,,rl,, itiH li, oxpecla to be ablo to rejolti Miss liayea In three or fntir weeVs l.?e Mlllar, who I* app*arlnK with l>o | Diir ohjtPiti in 'face Valvir," at the e'ortv h run s'.roi Theater, h?s Kiffnpu * , ,-j, ' '? to bc Mr nitrirholPln'a gonoral slafe. -: *? '? " ror thi next Avo ycafH Mr Mli :.,'.. ''?,' oi ? :. \ Ih Mr rmrlchatcln oincc j iho ,,,-.??, Lover." which waa produood I ? bout l Ix (ioa-mna n to Huberman's Program 011 Violin W'oll Received S<?loi?t at Society of Friends of Music Concert Plays In familiur Pieces \ rcsurrection of unfamillar ^'ecer 1 was accomplished nt tho fourth concert.' of the Society of (he Ffiendd of Music. i yesterday afternoon at Town Hall, witli BronUltito Huberman aa soloist in I Spohr's Violin Conccrto No. 7, a work j composcd in 1815. With tho familiar! sequence ol" allcgro, adBfjio and rondo, j it gavo the violiniet anlplo oppovtunity to tlisplay both fcorte nnd technique. Tho first movement ahoundrd in runs and I fireworks, succeeded by ;i tuneful slow movement and a gay finale which. as I ihe program renaarked, recalled Ros-j sini. Mr. Huberman's technique was brilliant, while his totie was clear and amooth arul. although not very full,' sbunded to much better advantacre in the smaller hall. Robert Volkmann'a second Soronade for strlngs, which began the program, was in four movements, an opening allcgro, followed by a light. rapid move? ment which gave Mr. Bodanzky and thc; orchestra a chance to display various I nuances in v-ianissimos a Valse l.enle : and a march. It was picasant. mclo-' rlious, easy-golng iitisic, putting nol strain on the lntellect, and was well i performed by the strings, which eare fully followed Mr. Bodanzky's varia- : tione of tempo tuid volume. The ".s'ong , Of th* Shephefds" nnd "March of the '? Three Holy Kings" from Liszt's "Christus" oratorio added a seasonable touch to thp pefformance, rather long drawn-out, hut well performed, espe cially by the wood-winds, which had a' pl-Ofnlnent- part. Thc audience was! moderatc in si-^e, but. quite satlsfted. Tax Closes Algiers Film Shows AU'ICRS. .lah. 1- Al! motion pic turfe theaters in tho Province of Al giera closed definitely with thc coming of the new year hecause t-f the imposi tion of an additional 5 per cent tax j bringing the total levy to 33 per cent nf the irross rpceipts. The closing af- I fects four thousand musicians and two I thousand other employes. On thc Screen 'Three Live Ghosls," al the Rivoii. Suffers From IMenio ric.s of the Plav By Harrieiie Underhill A George Fitemauficc verston oi I Fi'OderlO lshani'a play "Three Live j QhOats'' i.s al the Itivoli this week, In v.atchlhg t)il? story Unfold Oti the BCfcen onO is iilled with wotidor thnt tie <lagc production should havc been so mucn more cntertaining than thc photo play when thc tule seems enii nently fittcd for the screen. There is so much that can bc amusingly por trayed in tho film version that was only lalked nbout. on the stage, and yet, as we romember it, "Tlifao Live Ghosts" wpft nbout the best play of the neason, and so much could never be said for tlio picture. Wo have come to believe that books and plays screened are seldoni i-atis fa-'torr. If tlie scenario writer changes the story. those of us who were vio Icntly attached to the original vefsion are made unhapny. If they leave the story as it was. those who did not know the story in its original form say that 'here is no action. So there ypu nr?. When there are so many people palpi tuting to write for the screen, v.hy not do only new stories? In tlie fifst place, any one who had to foi low I'eryl Mercdr in the rolo of Mrs. Ciubbins has a sorry time of it. for thut marvclous actress trave a perforinanca that could not be equalled as lhe tipsy old swee.the.art. Then some one has thought it necessary to arid an epi logue showing all restored to their right minds and etntions and .linitny Gubbihs and Miss Woofers as butler and maid In the household of Spoofy. It is jr.st onc oi" those things which make people who are suspicious of motion pictures say, "There, whal did 1 tell you?" 1'or a tlnting and indulgenl l'an it does not matter. Kdmund Gouldlne has come from be liiiul the eainefn, where he usually is concealed as author. adapter or direc? tor, ahd he plays the barfc of .limmy Gubbinn. We felt like shouting, "'Attri hoy, EadiC!" for ho gives a grem performance. tt is too had he cannot he persuaded lo stay on the right side of the catnera, fOr we consider him a better actor than writer. Of course, J Mr. Goulding will not agree with us. t'iare Greet is Mrs. Gubbins, and if we had not had Beryl Mercer in mind r.o doubt wa should have enjoyed her | performanco immensely. Anna Q. ' Nilasoh is the heroine, ahd the stranpe fart of it is that we cannot even re member lvis in tho play. Perhaps she was one of the persons who appeared only in the dialog'ue. Norman Kerry is the American. I Billy Foster, and Cyril Chadwick plays j thc part hc originated here on the stage. Me is excellent as Spoofy, the ' earl, who lost his memory In the war j ar.d then wandered back to rob his i cwn house. John Millcrn is eeen in the pielure in a character which was not used in the play. Ouida Bergere made the scenario and : tho picture was dlfected by George Fitzmaufice. It wa-; his lirst. pfodue- . titon made in England. The picture is i good entertainment, and even if it isn't ! as amubing as the play there are, per ItApp. plenty of ponlil* who Will ttot know that, because they havo nol Been th" play. Tho Rivoli's fourth birthday httnpoiiR along thi:4 week and a Bpecial bill hafl heeu arranged. The overturc is "Tnnn haUser." Victorina Rrigher does Snnn Ish dances, The prologue is "On the Road to Mnndalty," with Kdouardo Al bnno, GracC |,e*l|e and the mnle i|inir t"t. Rustcr Keaton ia ,;een ln a'comedy, "Tho Playhoufio." Aiinoiigii w" never bu\e read Fnnnie IlurSt's story. "Just Arouml tho Cof nc.r," we have an idea that Frances Marion has followed the origtnhi pretty closely iu making her adaptation for lhe screen, which is (he feature at the Rialto. While tho story cannot really bo said to dontain any scrccn material, the picture has a strong appeal and, ns with all of the Fannlc llursl stories, the appeal \h cardine. II is difficult to make a si:;-roel picture about a widow Who has A young son and daughter who work as mi'sstnger boy and thcater tisher and nothing cl?C. Mrs. Rirdsong is afrald that. her daughtor, Essie, is not sufc in the big city at night, and if she could only have scen Joo Ullman she would havo felt. that bar worst fears were renlized. .hio was a bad lot, but a good aetor; ln fact, he made the picture, as far us we were cOnccrned. Edward Phillips played this part and he gavo a de lightfully real characterization of the ticket speculator, who war, Kssic'f beau. The first part of the picture dtagged horrihiy, and il. was not until this Joe Ullman came into the field thal things began to liven up a bit. All (hose first scenes about' Jimmie de fendiltg his sister, Jimmie taking his girl for a walk and Jimmie shaving were dull and very much overacted. Besidcs the performance.-; or Mr. Phillips as Joe good performances were given by Margaret Seddon as Ma Bird soijjj nnd Frcd Thomson as "The Real Man." l.ewis Sergont, who played Jimmie, is much given to exaggeratod action, and Sigrid Holmqulst seemed to us eolorlej,s as Kssie. "Just Around the Corner" is a p? fhr-tio. little story which will probably make you weett n tear or two uniesS you are terribly hard-hearted, but which is nol. anything extra as screen eniet'tainment. lt would be niccr, prob ably. in ita original form. Franc.es Marlon directed the picture as Well as doing tho adaptation. When llngo Riesenfeld revivrd "T,a Tosca ' aml titted it to the musie of the opera every one said. "Oh, how fat I'au linc Frederick Used to be!" And now Mr. Riesenfeld has done the same thing with "Carmen," and every one says", "Oh. how thin Geraldine Farvar used to be!" "Cafineii" was Oraldine Far rar's first picture, and it was the best thing -he ever did. It makes an ex ceedingly full half hour, with the won dei'ful musie of Bizet's opera fitted to the scenes. 1'edro de Cordoba is t'ne first thin Escamillo we ever saw; also the first. one that ever looked attract? ive. And Wallace Reid a'3 Don Jose' lt. seems so strange to see Wallie, the eomedian, in ? solemn, tragic and up rig'ht role. The production is inlenscly inter esting from every point of view. This and the feature picture and a Mnck Sennett comedy, "By Heck," are the. only things on the program. At the Capitol, "Theodora," the 1 T O M O R R O W The First Business Dav of 1922 On Tuesday mormng, January third, 1922, rhe Gidding business will open in thc new Gidding building on Fifth Avenue between Fifty-sixth and Fifty-seventh Streets. So radical a move of an establishment which has come to have so much importance is far more signiHcant than the merc change of a business location. Like the movement of Tiffany, Gorham, Lord & Taylor, Arnold Constable, Altman and other centers of retail trade of the hioher type from the Union Square to thc Murrav Hill district, and the opening of great banking and office buildings at Forty-second street, " it means a new epoch m the life of the com munity. The House of Gidding has a very real mean? ing to women of fashion the country over. It is fitting that the new building should be at thc very center of the world that women of fashion rule. To the business neighbors wc have left, to the Messrs. Dreicer, Budd, Miller, Straus, Hol landcr, Starr, Thorley, Redfern and Lichten stein, we say "au revoir'^ to our new business neighbors, Bendel, Duveen, Stein & Blainc, Bruck-Weiss, Cartier, Clark & Weinberg, Jay-Thorpe, Revillon Freres?many of them old friends?we say "bon jour." And to the women of New York,_ "Welcome." ' m >attA? $6th$treel~51th Street ^ondorv j Ooldwyn plctuie which inn so long at tho Astor Theater, is (bo feature or 1 lhe pi-ogniie. Ititu Jollvel plays tbe |iille role. Itecn\i!>e nf i I -, lenglli there ii rs io. oi hei n J in i' ni ui ?-?. Tha ovr f lure i ? Vi'idi'" "Fot'za dei Destino." Henry Wortlmer reelten thp prologue, The lisllel ciilpM in Men in MiH'ihiiiitil' : from Hnliei de Sylva. Al tlm :-!i-iin,|, fllchard BnrthclmoHB j i. .'-een ln "Tol'nble l)a\ Id." Mai'ie I're : ? o i in ,,i lhe i mi riil in "jlon'l tlel Personal," Those will he reviowod lo< morrow. Slrauea lu l<Wlwell Concert Rlchltrd Mr.'UK.; in.-iile lhe fiU'eWcTl nppearutiec of hia present Aincricnli tmir last cvoning at, the Hippodromo. Dr. St raui h i (iinlucteil lhe Philhnrmonic Orchestra in a program which included Beethovcn's fifth Symphony. lhe over ture tn "Taniihauscr, and his own j symphonic poem, "Till Eulom piegcl's Uistiga Strelche." The solnlst was Bronislaw Hubcrman, violinisl, who played Beelhoven'.i violin eoncorto in j I> major, (Ip. 61. -.. CliuliuiMiic lo Sing Jun. 12 j Fi'oiio:- Chnlinpine, the distinguished ; Russan artist, who has nppearcd on : twn occasions this sehson in "Boris j Godunoff" at tlie Metropolitan Opera ! Hoilse, Wil| ],? ),,,;ir,| Ugj,in j,, ([,,. ;j|l,. ! role of Moussorgsky's opera on Thui's I day evening, January 1:'. t. lt. Miller To BoOpcraictl On ; ST. I'AFI,. Minn., Jan. I. ClnronCc. j R. Miller. secretary of the Republican Mfttional Committee, will bo opetftted ! on fnr appendicitis al ;i hospital here to-morrow morning, it was announced j to-night. Mr. Miller. former Reprc sentative in Congress from Duluth,was j strleken while on a vlsli hero, His I condition i.. said to be cril ical. METROPOLITAN 8bEuRsAE MATINEE TO-DAY al I. PAnsifAL. I lou clilll, lllius.", Dlilur, 17 /.l.y TO-NKiMT. ^ i AMORE DEI TRE hE. Po Marth lll, li.,- . ,? Manlmir. Mtiranzoi i WED.. m S. ZAZA. I'a-iar. ] I.-.\ arl. I:,-. n. ?'.-tml, De I... n. p.aila. ,\i,,,., ,,. THURR.. nl (1,1 itmi I, L? MOI f)'YS. At< l'u1lS?llo; (ilgll, |),e ' --. Ki tl |fi WolIT fi., ?i 7 r. LOHENCRIN. .1. ril ,i \l '?"? ?>l -??mi im Ii. \. illphl . hlnpfl llmlalitt SAT., ? fillTTIiRFLY. Fatrftr Kori I Mnrtiii" M S. nill, I'altrliilc I \r.'ia m SAT.. it S -; . ? , !?..,,..,, , . h ,, CAVALLEHIA RUSTICANA. i- i . ? i -|. I'ltlJ. I'li '? rnlM ln PMiLlACCl. ii.ii i , ,, Mr l-ll '?, \Mutt |, Mohtil/nn NEXT. MON.. S 30. NAVARRAtSE. I irrs iVIml. Itolltkr Wolf ORAcnLO. 1>. rl, A ie- ij ( rminlp*. p.si II |H |., \|,,, u, .... HARO.MAN |.. .,-,,, , .K;, Irldrty j;r'gat 8:13, JMW. I *?$ 1( im WlM) \KI.\S and SOXGS Ui MOZART sl'Ht BBR'I Tlll MAN'S GttlfcU v.'oi..ff ( Ie. re ? iIknny i.im *?MI, t-'AJtLtiY'S MGI ! r.i.t !; liAMni; wAiA ? ? ' i io i; . .i-. . si :way >'5 tt r/. Plai o Aeolluii Hall, Tlnirs. i;Ve., Jnn'y lU'SSIA'S Ciltl. VTKST TKNOK M.-r =or(,V.k> I'lofflH.n lieki ..,!:, Onl - Mg| .1- ? hU sawyc: 1 Aeolian Vo ttlloii i\- .1 Sleilnvaj IM, o CArnei'ie iiai.i.. toxight, n\ s:i.-. ?lut.Aii.Ms memorial? ELLYNEY, Pianiste* Soloist PHSLHflRMOKfO ORCHESTRA WiLLEM VAN H00GSTP.ATEN I'fMwi Hall. ft?iulp.y Exk., Jan. 8, it( 8:31 I Imil .i;..i la?1 ttelital? lilil.S \ m iu m \xx-br \iims i>i:o(;n \m Mll.MiAA!) \. Ut>s al PI.,,. nl , . ' '?? ?'??'?- ??' >'? m - ift'U c Mfrt Ijalliril M . PH1LADELPHIA ORCHESTRA ! lOroi.l) STOKOWSKI. ( oiiilu.-ho l'l.l-:.V\ GERUAKll't', Kopfuno. CARNEGIE HALL, This An., 2:30 vpll.iv HKCITAL Afie'.V; c",'. " !' KTETXWAY PI.VXOi Al, Seats Sold. standlng Room Tlckets I :30 Today. TOVIX IIAI.I. Tisis M i i |;M?u %, . I'iaxo iiki itvr. OOWMrVA ',S v/'.VA' i 7-/ov D.l'l ?> BOBI RARHY ftflAJDS or A!VIER!GA lt)":?cViov> c<- B.S.MOSS ; CONTINUOUS 9ai?APOPUU\P. TO MIONIGHT lPRICE.-3'i 3f.^'.0.r OUCMfcSlR*. i Al S'lv.yn Thfatrt, Sun. rv<-., Jan. 8. ?t it3o W. L. GEORGE in a rernarkablp ImHurr "Till, IXTEMJI.'EXCE or WOMAN" Tlrltets al 1'.- - ?: O.ITiee- l%pulai- Pri ;e'<> V H*P Afe ^niUMni k.' KKKCUT!HIWO anYU:%\Y, I a f^J&HiUJV^I i HOUDINI. SOPHIE TUCKER 1*7 1 IVV4 1 ?- CO.. HARRY CARROLL & CO., LEW nOCX-JTAUER. JOE COOK, nnd othr>is. ? LOEW'S--? OOUCLAS FAIRfiANKS: ST II T F H'wty A In "THE TllREfc MUb I H I E 45111 St KETEF.RS." Klslo Wlillc, UOlit. 11 A.M. to 12 I'JI-|l'l\ll Adauu ai.il tiiris. . ENCHANUNC RESTAU AND COFFi TEA KOOMS Y. W. C. A. Cafeteria t$ W. 36th St. Otfen 10:30 A. M., T-.OO 1*. M. Men and H'timni SerreU. SCOTCH TEA ROOM &&t?\Sk 4'hota Lunch. Dlnnrr, Aftrninon Tra. Home mad? laasi. Ecotcb. uconea. thortbrrail. Pa^try & inutton pltl HNF TRPP tjUheliebh T5c, *5e, Jl.OO. ruib i ntt Bim,er ji.no. $1.23 $1.13 211 W. 43d ST. A i,A CAltTJJ Al.l. DAY. mTYBEE ?.' ?,AST :i0 ?tree*. 1 ? Mfct Opp. Martiu Waalilnjton tioiel. New Yorfc'g most bcauiwul tea room. Luncheon. 50c. Duincr. 85c. o-.t-u ou buiiclay. POINSETTIA TEA ?.?0M',47 WESi;39th st. ? v^ot^u* 1 ?i-i I'lioup l?!i(a,'re 7'J01 Home1 cooked illnnor. 85c. (likken and waifio iitn ?ar. 11.00. LuucImou. 50c. Alio A .a fario Burrlc*. MEET MB KOR LUNCH NOVA TEA ROOMS 47 Church St., 86 liroad St., 118 Tcarl St, AJUKfMCA'S I'OHKMosT Tltr.ATftKS AM) him. mfiKf Tfotf oi i.ih Avn r. 3 -miTitr JOtSON'SeillSt, R't'X'iW^'/S HOUOAY \I\IIMI TO-IIAV WINTER GARDEN ' ^,:;V.,,f6 Tli,,' * C0': M,LT?N MAYES. "MARMONY ppnf.irj |] ' ' ON, HATTir AtTMOrt |I|<1 CARLOH l IIOI.IOAV MATINKK TOKV INF/i. FOOIf nOWLINr;, mlli. anna COflFE ANf. OTHER SfAtl ACT? WAIB^ 44TH ST. THEATRE , vMDi'WoftTVtfAtt VPB?1?"?8 * 49th ST ; "" .vi inrriai ??5n2S ?'>"'"' "Ad ACTfl. ! 9l" ., ' " ??< ?'? flKKOlAUMMWa SPECIAL AODeOATTRMOTION W. ..f i:r.(ij- i ife1? :?:* M v {'im . ' ? fr .? ii'ti.inw ii.\TiM;r. to-dAy fred'kTbea'uvais ulllIU JBI j.H I Ffl jLCJ lyric ..?.M'M.n.1FT""\,"dUn ?"""? Y.??VC,V; ".'?'?''?''?,'' JFACE VALUE' J*M5s*' A MELQOP^MA "THE LONELY TRAIL" j ASTOR ???) * ?*; . ambassador i ?? flQt tl>\V MAIiNKK T(tlMV BEPUBLID '?.,'--,,,, *- "'*.''M. VnTHE SQUAW MAN WT^T. ln "LAWFUL LARCENY." \ffn Toilij WoT*"Jk Hat ' HOTjIOAV MATINKK TO-OAY. .-""?"" r, DOVER ROADt-h^"^?'041' I * BELMONT TOM 0PKN8 MA IINKK TO-I>AV . I'.Mi Bl^SSOAVTIMi; t.lti A!i:si MrsKAl, HIT OF ACIfcHI SHUBERT T""*" ,V!" w ??' '?'"" ' ?'?? " :f) "UU1'IXI MaHm . TODAY. H ? Ofllj MARftAKKl Hil m V< e I OV. > II -Ijr IO| \\ W.t.A> ll) ? I !, '. (: , EMADRAS HOUSE urAdiri'tfcfnisa!; chas. cherr* HE ".~ ? ,A, NATIONAL THEATRE III UI ? ? Ar I.- . A. I' ???i . -: I I J st- I'ltON K I'lf. \ \ ! . , EKTIK DHCHISTfiA 12.00 EHTiftE BALCQIT {)? Grcenwich Village Follies K50^^ft LSS; wm, ,. au..Wa? r'Asr. J?1!? LETb'ER1 '3S.H2 irlOK^A.^ IW^nMhM TEI) LEWIS. IRENE EftANKLIN, 10E ?. Mutlnoe I ? . M'.-"h?nt of V*n!<?. T VfaEL^g**>>&* ^7/^J/"^'^^* CROWN. ULA 9HAP.0N. fiORDON OOOLEY. ' '" " Oth*!lft. Toil ? ,v Iri l>- . Macbeth. iK&WUIC, ' <tffrf!WQItL mri!) MII.L.YIAN. ROBERT IMTKIN. " ! ^"' Tamlnu of th? ?hr.*. U - RIsXb?'-r * ^'' ? - ' ? "^'"^ U Hamlrt. H?l M..' . Jullii. r.ilnw PPIMf^^S ? ? ' > <1~ sil! ?iiKmt IHKAI WK, Utll, >V.of nw,.,v Hiimlrt. !'?i M. ? JmIIu. r,.^,,, - M r? I i;i>M ?. ri.\', H ! OPI r^R I Itn-K PKIWCSISS ,':"; MKHMn3MSiS*L; a r ., I'l.i- "CMltl.sTAlA.s ?AkOi>" AV?JJV,^?-. DON T GP.T i.i "iivmi ikihn" PRE'/OST PERSONAL" TUE8.. _WEDV _TH_UB8. and FRI. of 3 P. M. j ?, L'N'lVEttHAI, PHoDt'CTK >v ? Ea THIS MORNINf, nn-l SATURDAY at IJ. W0R0SC0 JRS 4^..*1a ^nlT 53S HOI.IbAV MA1TM.K TO-IIAV, 3:SO. r BOOTH | TOOAY. 1 MATB. THIS W?c< AY. WED. and SAT. 2:30 RLISS" G08DESS A ri.AY or Aini.M' i-.:; 3 !NA CLAIRE i . : ii i. m j ,,,, r BLUEBEARD'5 eTH W1F" RiT2 iLILIOM KEEPO 8TANPEE8 ON TIPS OF THEin TOE8, - NORABAYES^-'r^Ov';- ; l llOMi>\r MATINKK 'in-nw T 1 \-'. 7i = ; SELWYH ti ?^muwMur KOBK.. fl b I IiAWFOfiO UWI" Itl.Mi' l KXTRA HOMDA1 MATINK1 HiM\ COMEDY *;?1I1PETROVA-!Soh ii'ir.iiisv r:. * *-* * *% - * ?* - \i <??!. <% ->u'.. . ?Il" T.lAi i l. M (THE WHITE PEACOCK" MaxineEIMotts ' .', '.vV1 wSP&'w w?.?, ?; MOUNTAIK MAN Play. Seincthinij llvp and .-iprralln^. ?Robi rt '. . . ofa a, ilDAI MAI INKfJ TU I'AT. Thank-U JOHN GOLDEN Preceilti _ Theh v 'i 'iy ll::tli [.ACGHINO At'OIKNCE ^^ 337t!i TIMKof l LONGAGRE ' -r V7 a > : TLE SPECIAL HOLfDAY I^AT!^EE TODAY n ii MAGti) BY WINCHBLL SMITH ?Arlhur HcDkim Presents* Lionel Barrymore '.-':-? Bra?dtiuf5t Th?., W. 44th. E ? ?'. '.,?'??. . -?' v Tliurs. 'k Sa Pauline Lcr^ ' ? "Anna Cs'-'":'-"?" TICKETS 10K ALL THEATRE3.50c ADVANCE I'.KAM II (J1KKI7 I IMI'S IU ll.m\<,, Sub\Y?y 1 eii 1 ?.i;\ \: ?0S( ?' TYSON&CO. --". ii at 49tK St. ANNIVERSARY WEEK A.dolpli Zukor prescnts ^LIVE JGHOSTS" ' t.rii, Vilztnaurice. Production Buster Keaton's Newest Comedy illllll.l C'OXCEKT OltlMI.M'KV ALTOsSS "JUST AROUND THE CORNER" Geraldine Farrar in "'CannerT Mftck Sennctt Comedy "BY HECK" lilllllS KlALTO OtKllrHItU TIMES stji ARE JESSE LASKY Pr?;enl$ CEC1L B. DeMlLLE'S "FQQL'SPaRADISE" Twlcc Dally ::J0 8:30. All SeaU Rtwrvfd. i3V6.28IISt.fl Halllotl &? Cllfton, I'liuae & Mar I.*m irtll, <: I t :. ?. 1. BETTY COMPSON "THE LITTLE M1NISTER" fttAR GftMl AND BIG VAUDEVILLE llr Wc Vlrfiiiila * West, Xola st. Qaitc Co.; Harry & Tiim )... '? 11 SE8S0E HAYAKAWA i'l "FIVE DAYS TO LIVE.'' Ey*.?S"fga>'?y Cstifbyie * uiige, Swdtr *? !tfi.*l3TL,?3 M" ,M; ''"?? y,ll;;!1 *' i'awriv, ImI'JjIPIS i:'! '' ,,v^v'. K*<-l'li'r.'- & )''ir, MnMKAUiaAa 1 Ic. It.iiicrl A ftobcvt. ollirrs iPAPK&iexl ??sue Uayakawa Lti -Tire DavS ?'?.? to nte." ie*w TomoRnow night 8:t5 WlCt r?: v T^qtA! rG3 '*:!. SUNOAVa prflffils ? IMMOOTAl BU B BL.tr &! akkam&Smikt KATB CLAXTON rnlUCdi r.or. ah Otii mi? si SEATS NOW sr.:,;.tM;'' JTEA.ROCMS RANTS EE SHOPS TEA UdOMB BROWN BETTY1"; S7 Harclay 6tr?e' -? DeilClOU High (.'Imm Lunchaon I'lacfe mr ?n-l Woinen. tr?et, Noar Wooln-ortk lildf. peclala Dally. ?8 E. lltlt St THE UREEN WITCH Luncheon, r.n,.-. chicken Dinner, Soc. Home-made Pioi!. eioSeil Hunday. Vllb9VI.l1 I hnme coolttni fof buslh#M ??? And woaao. ts FULTON ST.. curuar WiiUata Si KESTAI'HAiMTS ~~~ EXCELLtNT LUNCHEON l>a and Dlnnrr bervetl dally at the Anieri* I can (otntnlttee for DtfTUNtnted Erance, 16 Kawt 30th Street. No tln?. Mario Fn?li*rK<",','llurant' 13 E*1"* 3?tl> ?*? mane csiner luncheon ? l.? Carte Din? ner, C to 8. Wholesome Home Oooked Food. SiTllFs 1 "Come Aboardl" 12 W. SlOt ?? INN. I Luncheon, 66c. Dinner, $1.??. AtteiDoon Tea. Al?> a la atl* airrlaa. IX B n TORK'S I.EiDISO Ti!EAT!!E? AND 3 l* C C K 3 S E I EMPIRE -?-..*? :'.v.v : ^ - : ^ i - ^ , , .:.tj; fSLL MATS. SH5T SEATS $2, S-r?S^"^ WiSliartu Gillefte ^LYMM|LLERLflJ **?...,.? The Dream Mtker LE9M A|J?Sgi |(M< KKlVltOl Kli; ,. " EXTRA iTOLlD.AY MAliXEJ IOI \ ?* Bulldog BrunnnoRsl' MemYWuems^i i J- , ? i? '? \. i . ?; vr i!;i.u ??-. I. "HERE' A TIP FOR TH EATRE-fiOERS > :Saya Ptej :?- . t: . ? . ?? , -,,., . ? "GET 'DRUMMOND.' DEAD OR ALIVE . XS~? ' *I,AI*' TO GO TO THE KKICK ERBOliKER?EVERYBODY 13 DOING ! *" msMii m >.. m . m ? e ... ? ? - -- /MATE l' I'OIM I ni; HOI.IOYI MAI ' OPAT. GAtETY' :*.,:,, ;?: %-:? Otto Kruger :'.,.'.. V'v-'rU:' * EmjmettComi>ar. "offac '.IIMMY S'\. Margalo Gilhnore VALENTINE" Mary Bolaad ? ??? ' ' IJEXRY'S A ::?- : ??*?? ?;..-. mal on' "THE WILD CAT" I'AHMBX, - i Belasco L."s.^ ILYCEUM ^s?||; MA 1. TODA1 2:20 ?! f* r-. Ti)I) \, . ?:30 s,c M * '- '- * SHL'Ffu AL0N8 Extrt Midnight Performanca Wefl. Datid Beiaaco pwienta" D*?lil Bei'as ':: . ENHRE %-ICNEL **-/*'# In "THE CirtAXD fclfcWtf * T *? ? k//u ?ot. G^MXOHANS COMEWAMS ilA/.p-.K. Waat 4Sd <t. j- THI M . TODAY DULCY fiOODMopNINGBEARIE manhattan opera house rlfcW itMHh MAT, TODAi. SenaaUon althe (llLOBE MATS. TODAV, WED ,GEO >XO?'?HITE.*' Jhi< At'lr IN t?M? M.XTI IHY." uh-J ;??? ???! . ?. ji. THEATRE B , - , . *THE PERFECT FOOU' ^ -,p&/vr-. M.VTINEES TODAY WED. ? SAT., 50? to ??:. SAM H. HARfflS' ATTRACTSQNS CORT W Btft 41 St. Te! llrjknt 16. Mat?, TODAY, \V?d. i Sat. EXTRA HOUDAY MATJNEES TO-DAY. HUDSON^;' fo Un. Mra II. Tt IlarrU. Ma'.-. Tooa.v, WcU. & l*ai. MUSIC BOX '.V?,t. 4:.ih Ptreei. Ta'.fpl-ou* Brja'ii '????<) Btfiilu?? 1:15 Matl-iafi TH DAV. Wr,|. A Sat WALLASE EDmNGER and MARY NASH MGAPTAIN APPLEJACK" i"MI8S FERGUSON HERC IS AT HER LOVELi S?T --'.? i .-*. ELSIE FERSUSON ?AtA?B* ^rl'iS-s' "MUSIC BOX REViJE" William Co'lifr. San) Oernarit. Flerftito Mcrr? Wi!d? Brnnalt, itjiil Santl?y. I?v Sawv-r. many etf.pr?. Ktncv-I b> ' ' HK>T MI sir HIIOW KVER MADK l\ AMKKU f !S?3;JS "SKCYUNDER LOVE" ii A Uicft and /?acj Comedy Drama ?Saftffisr MARIEDORO* by WILLIAM HURLBUT, with FREDERICK PERRY 1^1 A 1AI THEATRE, 5 POP. ^?fefl*iBB* WED. R ! il WB W. 45th St. MAT., | al il n f & 2* k ffl 11 ? 8.30 | ^ 10IH 1 ? SAT. H1PPODROME, Next Sun. Night, JAN. 8 ai 8.15. Con^rt by JOHN M? Cormacfe, TlcKcts $1.00, J1.60. 52.00. $J.D0. Seats Xow. Richard Bsrlhelmess Al RMHIh ,? -ivi-ablr- Tml.l.' ^B>?y t 47 yt. ^ struni.1 Symphoajr <*!?*. N. Y. SYMPHONY ALBERTCOATES coxdcc^w JK^.^J: Carnegie Hall EIFETZ (Only X. y. anpearance WltH qn-b*BtWB ? ill -K. KI.HAU. RCHlABtNSi