(^oates Reveals
Daintv Trifles
In "Potpourri"
Symphony Orchestra Heard
in Series of OftVring* by
John Gerrard Williams.
a Young Aspirant to Fame
C.arry Little Significance
Old-Fashioned Fragranee. as
Promined by l'romolcr?.
Mi*sitig in IVrformanee
>
By H. E. Krchbiel
In his second effort to win admira
fion for contemporancous English
musie, made .1! a eoncr-rt of the
Symphony Socicty .r. Aeolian Hal!
yesterday afternoon. Mr. Alfred
Coatcs made a chang" of tactics frotn
tho fortiicr in re of last Thursday and
Friday to the suaviter in modo. In
stead of another fcss&ult upon thr
tympani of his listcners' ear*-, as well
?t the tympani of the orchestra, such
s?s he made in Mr. Holst's sThgular illti
stration of the rauslQ of the spheres.
hc coocd as gently a.-; any sucking
dove in a set of htt!o piecs cailed
?'l'otpourri," composed by a young man
named John (ierrard WilliamH. There
?svero nine of these pretty trifles, and
ihcy did not. occupy many more
minutes. in performance than their
number. Qriginally composed for ti.e
pianoforf, they v er?> trartscribed for
orchestra by the compostr at Mr.
v'oatet's suggestion, as the annotated
program Informed us. The musie was
as innocuous as thr? titles of the dif
-frer.t pieces, and ns our eolleague of
many years. Mr. William Winter,
would ::i great probability have oh
served. wcre be alive and sitting in our
.hair. they left the interesting pallor
upon the cherk of modesty undi
turberi. . .
The musie did not "exhale a ramt,
old-fashioned fraKrar.ce," as the so
ciety's offieial annotator invited us to
think, and we were glad of that. It is
enough to hear musie, and wo are
\ earv of being asked by compo?ers to
.?: and taste it also. An eminent
Viennese cvitic once expros.ed his
borror at the idea of the a-sthetician
Vischer's speculatibn that there might
be ill-smelling musie, and intimated
: hat somethirg like it had been realized
in TschaikoffskyV violin erneerto.
That was at a first performance of tbe
work by Mr. Brodsky, and lhe concerto
has won its way to popularity since, 110
doubt, because audiences have lent
their ears and not their noscs to its
wpprecietioii. Sometimes we cannot
bc-lp but follow mad, flower-dressed
T.ear's advice and look with our ears.
as we did yesterday in "Scheherezade,"
but we vegret his request for civet to
sWeeten our imagination in the con
cert-room. and v. t? snielled r.ei.her
lavfinder ror thyme. neither pinks hor
cassia, neither roses nor musk, nor
rosemarv nor rue, nor lilies-of-the
rsllcy ih Mr. WilUants'a potpourri,
?Or which we could have found a prct
tier name.
No Tlint of Lavender
The dain'y '??.7: of melody. daintily
tricked ou: with harmonic and instru
mental devicc . were appealing to the
ear, but they left riddles utigUesSed
in resnect of their titles nnd poetical
.position-. We do not know why we
? erc asked to accept the. effect of a
-tained high tone. in the violins (a
, ".ial point Rbove the melody) as sug
.. ? ?ve of lavender. Last Friday the
..me effect pictured the Asiatio
teppes, and pefhaps simultanebusly
estetday* it was appearing to th.e im
*g:nation as a botanical attribute in
Aeolian Hall and an astronomical in a
i oncerfc room only a block distant.
Liszt and Bodaniky were making the
.-'tar of Bcthlebem out of it in the
march of the niagi from "Chfistus"
in Town Hall. And we failed to com
prehend the association of any cary
(inhyllftCeous plant With the little hint
. ? jartlaary mUsic which Mr. Willlaifls
gave us in th.e second of his cycle of
fraptnentF. It sounded as much and as
iitle like our dclicious carnation pink
? it did like rosemary and rue. ln
,'act. what was most obviously be
trayed by all the little numbers was
that they were ingenious.ly translated
nianoforte trifles. They wcre pleasant
ro listen to. but. of little significance
?:i connection with a British or any
other school of musical compopition.
Ros?ini's Serapbook liecallcd
Mr. Williams's r,o-ega\. however. di- -
. orcd prettier forms and cOlors tbttli
tbe musie, which Reaplghl developed
.-it of the i'ragments which Rossini
left unused in a ^crapbook and which
he had entitied "Rien." Out of noth?
ing, nothing might appropriately be the
motto of the ballet, whicli Diaghileff
made out of Rossini's left-overs with
the help of Respighi and Howard Carr.
? Such labored nothing.i, in so st range
a style,
Amazo th' unlearned and make the
learned smile.''
Apparently Mr. Coates spent so much
tiniO over Sir. Williams's flowers and
Rossini's dame.-, and in an effort to
put new significances .>r expressions
into Rlmsky-KOnsakoffV'Scheherazade"
that be left a good many rough edges
in the performar,c>' of the last. At
time* it soenvd a^ if the Symphony
Orcbcstrn was in danger of bccomii ^ a
rather ruiie and uticouth instrument.
? . ?--.
The Stage Door
^ll^u^ n 1 mncan prcs. nl - "The Ptea:
()i ;. Tehaclty" 01 th> Kelmon! Th^at.
rh'? ahnrhoon n? his first venturr .,
-.,??. ma nayc r. Tho play is from 1 h
Frcm h of < 'harles Vlldrai .
I?irst-nljtht<"rs have a tboice of thf(>e 1
new profluctiona lo-nlgrht. They a ??
Drlftlngt, ' ln v hteh V iai A Rra<l:
... 1 [.t-(."i;' \lien Brady and Robert Whi
vrtcli ?t t>i^ Playhouse; "Lawful Larceo:
in i\ ttirh A. li. Woods Will pi 1 ? I Ma
par^t r.KwrcnAfl, IjOWftll Sherman and ,
. .... J)lri*hart, at the Republic, and "t'i'j
ln (ii^- dlouds," s musical comedy, -??' ?'.
Joseph M, <;a:'(.'i will present at tlo '
LjtIc . _____ '
Thts afternoon at the Lexington TheatM
Fi ??: L?tbcr will avu""**..- in "Tho Merchai i
,,f Venict." To-ftl|rh? for the nrsl time
'lurltiif M' present engaFeirfcnt h" Will b
: -rn ln "Othello."
"Snrtw Whit? ?f)d the Seven Dwarfs'
?:il b* revlved at the Manhattan Op?*r?
IIoiiFo thia mornirnr. tbo pcrformam
f-tartlng nt 11 o'clock, ln tli* ?.f!P.-n'.(.>.'
>:ul ewniop ?ver>f day this week ''ln Old
Kentucky" will b^ the attractlon.
'The JJadras Ilouse" moves from thi
Xclghborh6od Playhouse to tho National
Thcater thii .afternoon, when there will be
?, holiday inatine^.
"TtoO^ydeW Is at the .Shubf rt -tlr. .'-r.t
thig v, '%*..
'""hailti* Dillingham bepm.s his eighth y*ar
.-!?? the JlrectOr Of tho Mlppodrun.o tr.-day.
l>urinB C'iIs year the lilppodrome *lll pasx
r.a ::.000th consccutivo performance unde:
Uis iiircctior..
Has:! Rathbone has b?cn brought to New
York from l.ondon by "tillbTt Miller ?..
u'ay ?he nrincipjil man's i>art in "The
Cxarlna," b> Melchlor Lengyel ?i..l tjajoa
Blro, ln which I'uri* lifaiie vflll (?mr. Thi
:??? pcrformanco of lhe n!*y WllI lake:
i.acri ijLt Atlantlc City ou January 1G.
Mr. antl Mrs. ?"?oburn h?V? Bdquired tlie
riifhtK to "Th^ HrOnx Bsweaa," J.y Osslp
10W, frf.in <5eor?ff M. Cohan. Jt prob?
ably wiU be produced in March. u
trcn/* Caatie vrill be seen at the Orph.um ?
??"to-aier. Hrooklyn. t^-day ln "Mt's^
Dance." She comea ti thu Palace noxt
SfSak, Her paitner ia William Xtcardon.
i- ? ln? Vr-i- v*u4?YtNt r-i>tt;,prn\fni nhe
will return tn di* maktnft of motion ? l?
"I--- with i\r.v 0,Tn oonipnny. Her moal
?o.-.-Ilt nlvUlfo l? "Thr, R1.XO of Uu-V.-e
i ttlm . by Josci dC :. ii ? ?
"KreplnJr Up Ar.p?nran<." la belrig
piayed twice n day mi tho Bramhall r*lav
????<i-. this wpo), for ih- bcncflt of tho Hus
slan 1 ainlno l-'und.
I.oum CalvMt WU) play lUc part ol th?
barurt In r\ndri!Jr>\ 'a "li* \Vh<. i;,>i -
Klappf-d. Which tho Theater C.UIIU Will
prescni ?t tho Uarrlck no>i Monday hlfhi
V. K. M*tth*Wft, Who lur'-ving i? "??)),
':'"- i ?'???"?"??,.i ?? ?t iho KnioHerhoo^f
[heatef, will app*ar r- - iho h*?oin ,,r <),?
*VV.'1,;s',,':,">'1 "" J?"uar: "2 li. a IfaVMiy
I lulldog 1'' umniond "
f.uay Daaumonl ha- been add*d to th*
- ;?? ot "Rosa Maohree," u hlch opena al
tnc Lexington nexi Monda: ? en ng
, I'udloj Wilklnson, a- -otnpanl il for \o-a
la In St. i.uUo > llonpltal, rccovorlhg
"' "' :'-' operatloti for i.i |.o,,rl,, itiH li,
oxpecla to be ablo to rejolti Miss liayea In
three or fntir weeVs
l.?e Mlllar, who I* app*arlnK with l>o
| Diir ohjtPiti in 'face Valvir," at the e'ortv
h run s'.roi Theater, h?s Kiffnpu * , ,-j,
' '? to bc Mr nitrirholPln'a gonoral slafe.
-: *? '? " ror thi next Avo ycafH Mr Mli
:.,'.. ''?,' oi ? :. \ Ih Mr rmrlchatcln oincc
j iho ,,,-.??, Lover." which waa produood
I ? bout l Ix (ioa-mna n to
Huberman's Program 011
Violin W'oll Received
S<?loi?t at Society of Friends of
Music Concert Plays In
familiur Pieces
\ rcsurrection of unfamillar ^'ecer 1
was accomplished nt tho fourth concert.'
of the Society of (he Ffiendd of Music. i
yesterday afternoon at Town Hall, witli
BronUltito Huberman aa soloist in I
Spohr's Violin Conccrto No. 7, a work j
composcd in 1815. With tho familiar!
sequence ol" allcgro, adBfjio and rondo, j
it gavo the violiniet anlplo oppovtunity
to tlisplay both fcorte nnd technique. Tho
first movement ahoundrd in runs and I
fireworks, succeeded by ;i tuneful slow
movement and a gay finale which. as I
ihe program renaarked, recalled Ros-j
sini. Mr. Huberman's technique was
brilliant, while his totie was clear and
amooth arul. although not very full,'
sbunded to much better advantacre in
the smaller hall.
Robert Volkmann'a second Soronade
for strlngs, which began the program,
was in four movements, an opening
allcgro, followed by a light. rapid move?
ment which gave Mr. Bodanzky and thc;
orchestra a chance to display various I
nuances in v-ianissimos a Valse l.enle :
and a march. It was picasant. mclo-'
rlious, easy-golng iitisic, putting nol
strain on the lntellect, and was well i
performed by the strings, which eare
fully followed Mr. Bodanzky's varia- :
tione of tempo tuid volume. The ".s'ong ,
Of th* Shephefds" nnd "March of the '?
Three Holy Kings" from Liszt's
"Christus" oratorio added a seasonable
touch to thp pefformance, rather long
drawn-out, hut well performed, espe
cially by the wood-winds, which had a'
pl-Ofnlnent- part. Thc audience was!
moderatc in si-^e, but. quite satlsfted.
Tax Closes Algiers Film Shows
AU'ICRS. .lah. 1- Al! motion pic
turfe theaters in tho Province of Al
giera closed definitely with thc coming
of the new year hecause t-f the imposi
tion of an additional 5 per cent tax j
bringing the total levy to 33 per cent
nf the irross rpceipts. The closing af- I
fects four thousand musicians and two I
thousand other employes.
On thc Screen
'Three Live Ghosls," al the
Rivoii. Suffers From IMenio
ric.s of the Plav
By Harrieiie Underhill
A George Fitemauficc verston oi
I Fi'OderlO lshani'a play "Three Live
j QhOats'' i.s al the Itivoli this week, In
v.atchlhg t)il? story Unfold Oti the
BCfcen onO is iilled with wotidor thnt
tie <lagc production should havc been
so mucn more cntertaining than thc
photo play when thc tule seems enii
nently fittcd for the screen. There is
so much that can bc amusingly por
trayed in tho film version that was only
lalked nbout. on the stage, and yet, as
we romember it, "Tlifao Live Ghosts"
wpft nbout the best play of the neason,
and so much could never be said for tlio
picture.
Wo have come to believe that books
and plays screened are seldoni i-atis
fa-'torr. If tlie scenario writer changes
the story. those of us who were vio
Icntly attached to the original vefsion
are made unhapny. If they leave the
story as it was. those who did not know
the story in its original form say that
'here is no action. So there ypu nr?.
When there are so many people palpi
tuting to write for the screen, v.hy not
do only new stories?
In tlie fifst place, any one who had to
foi low I'eryl Mercdr in the rolo of Mrs.
Ciubbins has a sorry time of it. for thut
marvclous actress trave a perforinanca
that could not be equalled as lhe tipsy
old swee.the.art. Then some one has
thought it necessary to arid an epi
logue showing all restored to their
right minds and etntions and .linitny
Gubbihs and Miss Woofers as butler
and maid In the household of Spoofy.
It is jr.st onc oi" those things which
make people who are suspicious of
motion pictures say, "There, whal did
1 tell you?" 1'or a tlnting and indulgenl
l'an it does not matter.
Kdmund Gouldlne has come from be
liiiul the eainefn, where he usually is
concealed as author. adapter or direc?
tor, ahd he plays the barfc of .limmy
Gubbinn. We felt like shouting, "'Attri
hoy, EadiC!" for ho gives a grem
performance. tt is too had he cannot
he persuaded lo stay on the right side
of the catnera, fOr we consider him a
better actor than writer. Of course, J
Mr. Goulding will not agree with us.
t'iare Greet is Mrs. Gubbins, and if
we had not had Beryl Mercer in mind
r.o doubt wa should have enjoyed her |
performanco immensely. Anna Q. '
Nilasoh is the heroine, ahd the stranpe
fart of it is that we cannot even re
member lvis in tho play. Perhaps she
was one of the persons who appeared
only in the dialog'ue.
Norman Kerry is the American. I
Billy Foster, and Cyril Chadwick plays j
thc part hc originated here on the
stage. Me is excellent as Spoofy, the '
earl, who lost his memory In the war j
ar.d then wandered back to rob his i
cwn house. John Millcrn is eeen in
the pielure in a character which was
not used in the play.
Ouida Bergere made the scenario and :
tho picture was dlfected by George
Fitzmaufice. It wa-; his lirst. pfodue- .
titon made in England. The picture is i
good entertainment, and even if it isn't !
as amubing as the play there are, per
ItApp. plenty of ponlil* who Will ttot
know that, because they havo nol Been
th" play.
Tho Rivoli's fourth birthday httnpoiiR
along thi:4 week and a Bpecial bill hafl
heeu arranged. The overturc is "Tnnn
haUser." Victorina Rrigher does Snnn
Ish dances, The prologue is "On the
Road to Mnndalty," with Kdouardo Al
bnno, GracC |,e*l|e and the mnle i|inir
t"t. Rustcr Keaton ia ,;een ln a'comedy,
"Tho Playhoufio."
Aiinoiigii w" never bu\e read Fnnnie
IlurSt's story. "Just Arouml tho Cof
nc.r," we have an idea that Frances
Marion has followed the origtnhi pretty
closely iu making her adaptation for
lhe screen, which is (he feature at the
Rialto. While tho story cannot really
bo said to dontain any scrccn material,
the picture has a strong appeal and, ns
with all of the Fannlc llursl stories,
the appeal \h cardine. II is difficult to
make a si:;-roel picture about a widow
Who has A young son and daughter who
work as mi'sstnger boy and thcater
tisher and nothing cl?C.
Mrs. Rirdsong is afrald that. her
daughtor, Essie, is not sufc in the big
city at night, and if she could only
have scen Joo Ullman she would havo
felt. that bar worst fears were renlized.
.hio was a bad lot, but a good aetor;
ln fact, he made the picture, as far us
we were cOnccrned. Edward Phillips
played this part and he gavo a de
lightfully real characterization of the
ticket speculator, who war, Kssic'f
beau.
The first part of the picture dtagged
horrihiy, and il. was not until this
Joe Ullman came into the field thal
things began to liven up a bit. All
(hose first scenes about' Jimmie de
fendiltg his sister, Jimmie taking his
girl for a walk and Jimmie shaving
were dull and very much overacted.
Besidcs the performance.-; or Mr.
Phillips as Joe good performances were
given by Margaret Seddon as Ma Bird
soijjj nnd Frcd Thomson as "The Real
Man."
l.ewis Sergont, who played Jimmie,
is much given to exaggeratod action,
and Sigrid Holmqulst seemed to us
eolorlej,s as Kssie.
"Just Around the Corner" is a p?
fhr-tio. little story which will probably
make you weett n tear or two uniesS
you are terribly hard-hearted, but
which is nol. anything extra as screen
eniet'tainment. lt would be niccr, prob
ably. in ita original form. Franc.es
Marlon directed the picture as Well as
doing tho adaptation.
When llngo Riesenfeld revivrd "T,a
Tosca ' aml titted it to the musie of the
opera every one said. "Oh, how fat I'au
linc Frederick Used to be!" And now
Mr. Riesenfeld has done the same thing
with "Carmen," and every one says",
"Oh. how thin Geraldine Farvar used
to be!" "Cafineii" was Oraldine Far
rar's first picture, and it was the best
thing -he ever did. It makes an ex
ceedingly full half hour, with the won
dei'ful musie of Bizet's opera fitted to
the scenes. 1'edro de Cordoba is t'ne
first thin Escamillo we ever saw; also
the first. one that ever looked attract?
ive. And Wallace Reid a'3 Don Jose'
lt. seems so strange to see Wallie, the
eomedian, in ? solemn, tragic and up
rig'ht role.
The production is inlenscly inter
esting from every point of view. This
and the feature picture and a Mnck
Sennett comedy, "By Heck," are the.
only things on the program.
At the Capitol, "Theodora," the
1
T O M O R R O W
The First Business Dav
of 1922
On Tuesday mormng, January third, 1922,
rhe Gidding business will open in thc new
Gidding building on Fifth Avenue between
Fifty-sixth and Fifty-seventh Streets.
So radical a move of an establishment which
has come to have so much importance is far
more signiHcant than the merc change of a
business location.
Like the movement of Tiffany, Gorham,
Lord & Taylor, Arnold Constable, Altman
and other centers of retail trade of the hioher
type from the Union Square to thc Murrav
Hill district, and the opening of great banking
and office buildings at Forty-second street, "
it means a new epoch m the life of the com
munity.
The House of Gidding has a very real mean?
ing to women of fashion the country over. It
is fitting that the new building should be at thc
very center of the world that women of fashion
rule.
To the business neighbors wc have left, to
the Messrs. Dreicer, Budd, Miller, Straus, Hol
landcr, Starr, Thorley, Redfern and Lichten
stein, we say "au revoir'^ to our new business
neighbors, Bendel, Duveen, Stein & Blainc,
Bruck-Weiss, Cartier, Clark & Weinberg,
Jay-Thorpe, Revillon Freres?many of them
old friends?we say "bon jour."
And to the women of New York,_
"Welcome." '
m
>attA? $6th$treel~51th Street ^ondorv
j Ooldwyn plctuie which inn so long at
tho Astor Theater, is (bo feature or
1 lhe pi-ogniie. Ititu Jollvel plays tbe
|iille role. Itecn\i!>e nf i I -, lenglli there
ii rs io. oi hei n J in i' ni ui ?-?. Tha ovr f
lure i ? Vi'idi'" "Fot'za dei Destino."
Henry Wortlmer reelten thp prologue,
The lisllel ciilpM in Men in MiH'ihiiiitil'
: from Hnliei de Sylva.
Al tlm :-!i-iin,|, fllchard BnrthclmoHB
j i. .'-een ln "Tol'nble l)a\ Id." Mai'ie I're
: ? o i in ,,i lhe i mi riil in "jlon'l tlel
Personal," Those will he reviowod lo<
morrow.
Slrauea lu l<Wlwell Concert
Rlchltrd Mr.'UK.; in.-iile lhe fiU'eWcTl
nppearutiec of hia present Aincricnli
tmir last cvoning at, the Hippodromo.
Dr. St raui h i (iinlucteil lhe Philhnrmonic
Orchestra in a program which included
Beethovcn's fifth Symphony. lhe over
ture tn "Taniihauscr, and his own
j symphonic poem, "Till Eulom piegcl's
Uistiga Strelche." The solnlst was
Bronislaw Hubcrman, violinisl, who
played Beelhoven'.i violin eoncorto in
j I> major, (Ip. 61.
-..
CliuliuiMiic lo Sing Jun. 12
j Fi'oiio:- Chnlinpine, the distinguished
; Russan artist, who has nppearcd on
: twn occasions this sehson in "Boris
j Godunoff" at tlie Metropolitan Opera
! Hoilse, Wil| ],? ),,,;ir,| Ugj,in j,, ([,,. ;j|l,.
! role of Moussorgsky's opera on Thui's
I day evening, January 1:'.
t. lt. Miller To BoOpcraictl On
; ST. I'AFI,. Minn., Jan. I. ClnronCc.
j R. Miller. secretary of the Republican
Mfttional Committee, will bo opetftted
! on fnr appendicitis al ;i hospital here
to-morrow morning, it was announced
j to-night. Mr. Miller. former Reprc
sentative in Congress from Duluth,was
j strleken while on a vlsli hero, His
I condition i.. said to be cril ical.
METROPOLITAN 8bEuRsAE
MATINEE TO-DAY al I. PAnsifAL. I lou
clilll, lllius.", Dlilur,
17
/.l.y
TO-NKiMT. ^ i AMORE DEI TRE hE. Po
Marth lll, li.,- . ,? Manlmir. Mtiranzoi i
WED.. m S. ZAZA. I'a-iar. ] I.-.\ arl. I:,-. n.
?'.-tml, De I... n. p.aila. ,\i,,,., ,,.
THURR.. nl (1,1 itmi I, L? MOI f)'YS. At<
l'u1lS?llo; (ilgll, |),e ' --. Ki tl |fi WolIT
fi., ?i 7 r. LOHENCRIN. .1. ril ,i \l
'?"? ?>l -??mi im Ii. \. illphl . hlnpfl llmlalitt
SAT., ? fillTTIiRFLY. Fatrftr Kori I
Mnrtiii" M S. nill, I'altrliilc I \r.'ia m
SAT.. it S -; . ? , !?..,,..,, , . h ,,
CAVALLEHIA RUSTICANA. i- i . ? i -|.
I'ltlJ. I'li '? rnlM ln PMiLlACCl. ii.ii i , ,,
Mr l-ll '?, \Mutt |, Mohtil/nn
NEXT. MON.. S 30. NAVARRAtSE. I irrs
iVIml. Itolltkr Wolf ORAcnLO. 1>. rl, A
ie- ij ( rminlp*. p.si II |H |., \|,,, u, ....
HARO.MAN |.. .,-,,, , .K;,
Irldrty j;r'gat 8:13, JMW. I *?$
1( im
WlM)
\KI.\S and SOXGS Ui
MOZART
sl'Ht BBR'I
Tlll MAN'S
GttlfcU
v.'oi..ff
( Ie.
re ? iIknny i.im
*?MI, t-'AJtLtiY'S MGI
! r.i.t !; liAMni; wAiA
? ? ' i io i; . .i-. . si :way
>'5
tt
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Plai o
Aeolluii Hall, Tlnirs. i;Ve., Jnn'y
lU'SSIA'S Ciltl. VTKST TKNOK
M.-r =or(,V.k> I'lofflH.n
lieki ..,!:, Onl - Mg| .1- ? hU sawyc: 1
Aeolian Vo ttlloii i\- .1 Sleilnvaj IM, o
CArnei'ie iiai.i.. toxight, n\ s:i.-.
?lut.Aii.Ms memorial?
ELLYNEY, Pianiste* Soloist
PHSLHflRMOKfO ORCHESTRA
WiLLEM VAN H00GSTP.ATEN
I'fMwi Hall. ft?iulp.y Exk., Jan. 8, it( 8:31
I Imil .i;..i la?1 ttelital? lilil.S \
m iu m \xx-br \iims i>i:o(;n \m
Mll.MiAA!) \. Ut>s al PI.,,. nl , .
' '?? ?'??'?- ??' >'? m - ift'U c Mfrt Ijalliril M .
PH1LADELPHIA ORCHESTRA
! lOroi.l) STOKOWSKI. ( oiiilu.-ho
l'l.l-:.V\ GERUAKll't', Kopfuno.
CARNEGIE HALL, This An., 2:30
vpll.iv HKCITAL
Afie'.V; c",'. " !' KTETXWAY PI.VXOi
Al, Seats Sold. standlng Room Tlckets I :30 Today.
TOVIX IIAI.I. Tisis M i i |;M?u %, .
I'iaxo iiki itvr.
OOWMrVA ',S v/'.VA' i 7-/ov
D.l'l ?>
BOBI
RARHY
ftflAJDS or A!VIER!GA
lt)":?cViov> c<- B.S.MOSS ;
CONTINUOUS 9ai?APOPUU\P.
TO MIONIGHT lPRICE.-3'i
3f.^'.0.r OUCMfcSlR*. i
Al S'lv.yn Thfatrt, Sun. rv<-., Jan. 8. ?t it3o
W. L. GEORGE
in a rernarkablp ImHurr
"Till, IXTEMJI.'EXCE or WOMAN"
Tlrltets al 1'.- - ?: O.ITiee- l%pulai- Pri ;e'<>
V H*P Afe ^niUMni k.'
KKKCUT!HIWO anYU:%\Y,
I a f^J&HiUJV^I i HOUDINI. SOPHIE TUCKER
1*7 1 IVV4 1 ?- CO.. HARRY CARROLL &
CO., LEW nOCX-JTAUER.
JOE COOK, nnd othr>is.
? LOEW'S--? OOUCLAS FAIRfiANKS:
ST II T F H'wty A In "THE TllREfc MUb
I H I E 45111 St KETEF.RS." Klslo Wlillc,
UOlit. 11 A.M. to 12 I'JI-|l'l\ll Adauu ai.il tiiris. .
ENCHANUNC
RESTAU
AND COFFi
TEA KOOMS
Y. W. C. A. Cafeteria
t$ W. 36th St. Otfen 10:30 A. M., T-.OO 1*. M.
Men and H'timni SerreU.
SCOTCH TEA ROOM &&t?\Sk
4'hota Lunch. Dlnnrr, Aftrninon Tra. Home mad?
laasi. Ecotcb. uconea. thortbrrail. Pa^try & inutton pltl
HNF TRPP tjUheliebh T5c, *5e, Jl.OO.
ruib i ntt Bim,er ji.no. $1.23 $1.13
211 W. 43d ST. A i,A CAltTJJ Al.l. DAY.
mTYBEE ?.' ?,AST :i0 ?tree*.
1 ? Mfct Opp. Martiu Waalilnjton tioiel.
New Yorfc'g most bcauiwul tea room.
Luncheon. 50c. Duincr. 85c. o-.t-u ou buiiclay.
POINSETTIA TEA ?.?0M',47 WESi;39th st.
? v^ot^u* 1 ?i-i I'lioup l?!i(a,'re 7'J01
Home1 cooked illnnor. 85c. (likken and waifio iitn
?ar. 11.00. LuucImou. 50c. Alio A .a fario Burrlc*.
MEET MB KOR LUNCH
NOVA TEA ROOMS
47 Church St., 86 liroad St., 118 Tcarl St,
AJUKfMCA'S I'OHKMosT Tltr.ATftKS AM) him. mfiKf Tfotf oi i.ih Avn r. 3 -miTitr
JOtSON'SeillSt, R't'X'iW^'/S
HOUOAY \I\IIMI TO-IIAV
WINTER GARDEN ' ^,:;V.,,f6
Tli,,' * C0': M,LT?N MAYES. "MARMONY ppnf.irj |] '
' ON, HATTir AtTMOrt |I|<1 CARLOH l IIOI.IOAV MATINKK TOKV
INF/i. FOOIf nOWLINr;, mlli. anna
COflFE ANf. OTHER SfAtl ACT?
WAIB^
44TH ST. THEATRE ,
vMDi'WoftTVtfAtt VPB?1?"?8 * 49th ST ; ""
.vi inrriai ??5n2S ?'>"'"' "Ad ACTfl. ! 9l" ., ' " ??< ?'?
flKKOlAUMMWa
SPECIAL AODeOATTRMOTION
W. ..f i:r.(ij- i ife1? :?:*
M v {'im . ' ? fr .?
ii'ti.inw ii.\TiM;r. to-dAy
fred'kTbea'uvais ulllIU JBI j.H I Ffl jLCJ lyric
..?.M'M.n.1FT""\,"dUn ?"""? Y.??VC,V; ".'?'?''?''?,'' JFACE VALUE' J*M5s*'
A MELQOP^MA
"THE LONELY TRAIL" j ASTOR ???) * ?*; .
ambassador
i ??
flQt tl>\V MAIiNKK T(tlMV BEPUBLID '?.,'--,,,,
*- "'*.''M. VnTHE SQUAW MAN
WT^T. ln "LAWFUL LARCENY."
\ffn Toilij WoT*"Jk Hat ' HOTjIOAV MATINKK TO-OAY.
.-""?"" r, DOVER ROADt-h^"^?'041'
I
* BELMONT TOM
0PKN8 MA IINKK TO-I>AV .
I'.Mi
Bl^SSOAVTIMi;
t.lti A!i:si MrsKAl, HIT OF ACIfcHI
SHUBERT T""*" ,V!" w ??' '?'"" ' ?'?? " :f)
"UU1'IXI MaHm . TODAY. H ? Ofllj
MARftAKKl Hil m V< e
I OV. > II -Ijr IO| \\
W.t.A> ll) ? I !, '. (: ,
EMADRAS HOUSE
urAdiri'tfcfnisa!; chas. cherr*
HE ".~ ? ,A, NATIONAL THEATRE
III UI ? ? Ar I.- . A.
I' ???i . -: I
I J st- I'ltON K I'lf. \ \ ! . ,
EKTIK DHCHISTfiA 12.00 EHTiftE BALCQIT {)?
Grcenwich Village Follies K50^^ft LSS;
wm, ,. au..Wa? r'Asr. J?1!? LETb'ER1 '3S.H2 irlOK^A.^ IW^nMhM
TEI) LEWIS. IRENE EftANKLIN, 10E ?. Mutlnoe I ? . M'.-"h?nt of V*n!<?. T VfaEL^g**>>&* ^7/^J/"^'^^*
CROWN. ULA 9HAP.0N. fiORDON OOOLEY. ' '" " Oth*!lft. Toil ? ,v Iri l>- . Macbeth. iK&WUIC, ' <tffrf!WQItL
mri!) MII.L.YIAN. ROBERT IMTKIN. " ! ^"' Tamlnu of th? ?hr.*. U - RIsXb?'-r * ^'' ? - ' ? "^'"^ U
Hamlrt. H?l M..' . Jullii. r.ilnw PPIMf^^S ? ? ' > <1~
sil! ?iiKmt IHKAI WK, Utll, >V.of nw,.,v
Hiimlrt. !'?i M. ? JmIIu. r,.^,,,
- M r? I i;i>M ?. ri.\', H ! OPI r^R I Itn-K
PKIWCSISS
,':";
MKHMn3MSiS*L;
a r .,
I'l.i- "CMltl.sTAlA.s ?AkOi>" AV?JJV,^?-. DON T GP.T
i.i "iivmi ikihn" PRE'/OST PERSONAL"
TUE8.. _WEDV _TH_UB8. and FRI. of 3 P. M. j ?, L'N'lVEttHAI, PHoDt'CTK >v
? Ea
THIS MORNINf, nn-l SATURDAY at IJ.
W0R0SC0 JRS 4^..*1a ^nlT 53S
HOI.IbAV MA1TM.K TO-IIAV, 3:SO.
r
BOOTH
| TOOAY.
1 MATB. THIS W?c<
AY. WED. and SAT. 2:30
RLISS" G08DESS
A ri.AY or Aini.M' i-.:;
3
!NA CLAIRE
i . : ii i. m j ,,,, r
BLUEBEARD'5 eTH W1F"
RiT2
iLILIOM
KEEPO 8TANPEE8 ON TIPS OF THEin TOE8, -
NORABAYES^-'r^Ov';- ; l
llOMi>\r MATINKK 'in-nw
T
1 \-'. 7i = ;
SELWYH
ti
?^muwMur KOBK..
fl b I IiAWFOfiO UWI" Itl.Mi' l
KXTRA HOMDA1 MATINK1 HiM\
COMEDY
*;?1I1PETROVA-!Soh
ii'ir.iiisv r:. * *-* * *% - * ?* -
\i <??!. <% ->u'.. .
?Il" T.lAi i l. M
(THE WHITE PEACOCK"
MaxineEIMotts ' .', '.vV1 wSP&'w
w?.?, ?; MOUNTAIK MAN
Play.
Seincthinij llvp and .-iprralln^.
?Robi rt '. . .
ofa a,
ilDAI MAI INKfJ TU I'AT.
Thank-U
JOHN GOLDEN Preceilti
_ Theh v
'i 'iy
ll::tli [.ACGHINO At'OIKNCE ^^ 337t!i TIMKof l
LONGAGRE ' -r V7 a > : TLE
SPECIAL HOLfDAY I^AT!^EE TODAY
n ii MAGti) BY WINCHBLL SMITH
?Arlhur HcDkim Presents*
Lionel Barrymore
'.-':-?
Bra?dtiuf5t Th?., W. 44th. E ?
?'. '.,?'??. . -?' v Tliurs. 'k Sa
Pauline Lcr^
' ? "Anna Cs'-'":'-"?"
TICKETS 10K ALL THEATRE3.50c ADVANCE
I'.KAM II (J1KKI7
I IMI'S IU ll.m\<,, Sub\Y?y 1 eii 1
?.i;\ \:
?0S(
?' TYSON&CO.
--".
ii
at 49tK St.
ANNIVERSARY WEEK
A.dolpli Zukor prescnts
^LIVE
JGHOSTS"
' t.rii, Vilztnaurice. Production
Buster Keaton's Newest Comedy
illllll.l C'OXCEKT OltlMI.M'KV
ALTOsSS
"JUST AROUND
THE CORNER"
Geraldine Farrar in "'CannerT
Mftck Sennctt Comedy "BY HECK"
lilllllS KlALTO OtKllrHItU
TIMES
stji ARE
JESSE LASKY Pr?;enl$
CEC1L B. DeMlLLE'S
"FQQL'SPaRADISE"
Twlcc Dally ::J0 8:30. All SeaU Rtwrvfd.
i3V6.28IISt.fl Halllotl &? Cllfton, I'liuae & Mar
I.*m irtll, <: I t :. ?. 1.
BETTY COMPSON
"THE LITTLE M1NISTER"
fttAR GftMl AND BIG VAUDEVILLE
llr
Wc
Vlrfiiiila *
West, Xola st. Qaitc Co.; Harry
& Tiim )... '? 11
SE8S0E HAYAKAWA i'l
"FIVE DAYS TO LIVE.''
Ey*.?S"fga>'?y Cstifbyie * uiige, Swdtr *?
!tfi.*l3TL,?3 M" ,M; ''"?? y,ll;;!1 *' i'awriv,
ImI'JjIPIS i:'! '' ,,v^v'. K*<-l'li'r.'- & )''ir,
MnMKAUiaAa 1 Ic. It.iiicrl A ftobcvt. ollirrs
iPAPK&iexl ??sue Uayakawa Lti -Tire DavS
?'?.? to nte."
ie*w
TomoRnow night 8:t5
WlCt r?: v T^qtA! rG3 '*:!. SUNOAVa
prflffils
? IMMOOTAl
BU B BL.tr
&! akkam&Smikt
KATB CLAXTON
rnlUCdi r.or. ah Otii mi? si
SEATS NOW sr.:,;.tM;''
JTEA.ROCMS
RANTS
EE SHOPS
TEA UdOMB
BROWN BETTY1";
S7 Harclay 6tr?e' -?
DeilClOU
High (.'Imm Lunchaon
I'lacfe mr
?n-l Woinen.
tr?et, Noar Wooln-ortk lildf.
peclala Dally.
?8 E. lltlt St
THE UREEN WITCH
Luncheon, r.n,.-. chicken Dinner, Soc.
Home-made Pioi!. eioSeil Hunday.
Vllb9VI.l1 I hnme coolttni fof buslh#M ???
And woaao. ts FULTON ST.. curuar WiiUata Si
KESTAI'HAiMTS ~~~
EXCELLtNT LUNCHEON
l>a and Dlnnrr bervetl dally at the Anieri* I
can (otntnlttee for DtfTUNtnted Erance,
16 Kawt 30th Street. No tln?.
Mario Fn?li*rK<",','llurant' 13 E*1"* 3?tl> ?*?
mane csiner luncheon ? l.? Carte Din?
ner, C to 8. Wholesome Home Oooked Food.
SiTllFs 1 "Come Aboardl" 12 W. SlOt ??
INN. I Luncheon, 66c. Dinner, $1.??.
AtteiDoon Tea. Al?> a la atl* airrlaa.
IX B n TORK'S I.EiDISO Ti!EAT!!E? AND 3 l* C C K 3 S E I
EMPIRE -?-..*? :'.v.v : ^ - : ^ i - ^ , , .:.tj;
fSLL MATS. SH5T SEATS $2, S-r?S^"^
WiSliartu Gillefte ^LYMM|LLERLflJ
**?...,.? The Dream Mtker LE9M A|J?Sgi
|(M< KKlVltOl Kli; ,.
" EXTRA iTOLlD.AY MAliXEJ IOI \
?* Bulldog BrunnnoRsl'
MemYWuems^i
i
J- , ? i? '? \. i . ?; vr i!;i.u ??-.
I. "HERE' A TIP FOR TH EATRE-fiOERS
> :Saya Ptej :?- . t: . ? . ?? , -,,.,
. ? "GET 'DRUMMOND.' DEAD OR ALIVE
. XS~? ' *I,AI*' TO GO TO THE KKICK
ERBOliKER?EVERYBODY 13 DOING ! *"
msMii
m >.. m . m
? e ... ? ? -
-- /MATE l'
I'OIM I ni; HOI.IOYI MAI ' OPAT.
GAtETY' :*.,:,, ;?: %-:?
Otto Kruger :'.,.'.. V'v-'rU:' *
EmjmettComi>ar. "offac '.IIMMY S'\.
Margalo Gilhnore VALENTINE"
Mary Bolaad
? ??? ' ' IJEXRY'S
A ::?- : ??*?? ?;..-. mal on'
"THE WILD CAT"
I'AHMBX, -
i
Belasco L."s.^ ILYCEUM ^s?||;
MA 1. TODA1 2:20 ?! f* r-. Ti)I) \, . ?:30 s,c M * '- '- *
SHL'Ffu AL0N8
Extrt Midnight Performanca Wefl.
Datid Beiaaco pwienta" D*?lil Bei'as '::
. ENHRE %-ICNEL
**-/*'# In "THE CirtAXD fclfcWtf * T *?
? k//u ?ot. G^MXOHANS COMEWAMS
ilA/.p-.K. Waat 4Sd <t. j- THI
M . TODAY
DULCY
fiOODMopNINGBEARIE manhattan opera house
rlfcW itMHh MAT, TODAi.
SenaaUon althe (llLOBE
MATS. TODAV, WED
,GEO
>XO?'?HITE.*'
Jhi< At'lr IN t?M?
M.XTI IHY."
uh-J ;??? ???! . ?. ji.
THEATRE B , - , .
*THE PERFECT FOOU' ^ -,p&/vr-.
M.VTINEES TODAY
WED. ? SAT., 50? to ??:.
SAM H. HARfflS' ATTRACTSQNS
CORT
W Btft
41 St.
Te! llrjknt 16. Mat?,
TODAY, \V?d. i Sat.
EXTRA HOUDAY MATJNEES TO-DAY.
HUDSON^;' fo
Un. Mra II. Tt IlarrU.
Ma'.-. Tooa.v, WcU. & l*ai.
MUSIC BOX
'.V?,t. 4:.ih Ptreei.
Ta'.fpl-ou* Brja'ii '????<)
Btfiilu?? 1:15 Matl-iafi
TH DAV. Wr,|. A Sat
WALLASE EDmNGER and MARY NASH
MGAPTAIN APPLEJACK"
i"MI8S FERGUSON HERC IS AT HER LOVELi S?T --'.? i .-*.
ELSIE FERSUSON ?AtA?B*
^rl'iS-s' "MUSIC BOX REViJE"
William Co'lifr. San) Oernarit. Flerftito Mcrr? Wi!d? Brnnalt, itjiil
Santl?y. I?v Sawv-r. many etf.pr?. Ktncv-I b> '
' HK>T MI sir HIIOW KVER MADK l\ AMKKU f
!S?3;JS "SKCYUNDER LOVE" ii
A Uicft and /?acj Comedy Drama
?Saftffisr MARIEDORO*
by WILLIAM HURLBUT, with FREDERICK PERRY
1^1 A 1AI THEATRE, 5 POP. ^?fefl*iBB* WED.
R ! il WB W. 45th St. MAT., | al il n f &
2* k ffl 11 ? 8.30 | ^ 10IH 1 ? SAT.
H1PPODROME, Next Sun. Night,
JAN. 8 ai 8.15. Con^rt by JOHN
M? Cormacfe,
TlcKcts $1.00, J1.60. 52.00. $J.D0. Seats Xow.
Richard Bsrlhelmess
Al RMHIh ,? -ivi-ablr- Tml.l.'
^B>?y t 47 yt. ^ struni.1 Symphoajr <*!?*.
N. Y. SYMPHONY
ALBERTCOATES coxdcc^w
JK^.^J: Carnegie Hall
EIFETZ
(Only X. y. anpearance WltH qn-b*BtWB
? ill -K. KI.HAU. RCHlABtNSi