New-York tribune. [volume], October 03, 1922, Page 8, Image 8

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"FU the Face as well as the Head."
The Theaters?By Percy Hammond
"Malvaloca,", the Equity's
Initial Essay at Produc?
tion, Is Beautiful, Span?
ish, Worth While,
and Dull
"X?alvaloea," ?? play translated by Jacob
!*. FaMAtt jr.. from the Spanish of Rernfln
and Joaqu?n Alvar?? Qnlntoro. presented
at the F<jrt>*-?l?;hth Street Theater by the
Equity Player?. The ca?t:
Ms ?valor?..|.Jan? Cot?.-)
.limn??ta..Angela McCahlll
Mariquita..Mariette Hydo
Slater PUdad.,_,..Lillian ?lb?rUon
Tmxwn?.Jessie Ralph
Alfonsa.L?nor? Norvelle
Dona Enriqueta.fco u loo Cloaser Mai?
t ?ion lula.Margaret Pareleijth
Bister Consuelo.Grace Hampton
Slater Dolores.\.. i.nitv? Brownell
Slater Carmen.Edith Van Cleve
I<*onardo.Rollo P?t er?
Salvador. . ...Frederic Hurt
Martin.,.Marshall Vincent
Narraba?.Prank I. Prattle
Tto Jen-mo....,....Claud? Cooj>er
tobfto.Edward Cullen
Workman.?...John Parrlsh
That most vivacious of the revolts,
the Actors' Equity movement, made
public one of its by-products lort eve?
ning in the form of "Malvaloca," a pic?
turesque, romantic and symbolical
transaction imported from tho Spanish
stage,
Directed, played, financed and man?
aged by members of the association
the effort, as President Francis Wilsor
said, was a labor of Love, which is
after all, "the only thing worth labor
ing for." It was, as Mr. Wilson fur
ther informed us, beautiful and, in
doubt, worth ?while. But it seemec
also to be a little dull and slow-going
4 .? ? , ?
One might say that it was inconse
?quential, too, were he not remindei
that "Malvaloca" marks the beginnini
of activities pregnant with omens t<
the Broadway drama. It signifies, quot
ing Mr. "Wilson again, that "th
actors have come into part possessioi
of their profession," and that the
hope to shatter our theater to bits an
remold it nearer to their hearts' dc
sire. Among the few reasons for se
lecting "Malvaloca" for the rubric c
this reformation is that it contains a
Malvaloca is a sinning girl with n
good heart. And, like the cracked con?
vent bell, in the play she is put into
atonement's crucible and recast, so
that afterward her carillons will be
sweet and pure. Malvaloca may rep?
resent the Broadway Drama; and tho
fiery furnaces in which she and the
bell are created anew, the Actors'
Equity Association.
* ? *
To what, save the dissonant Drama
could Miss Jane Cowl, a3 Malvaloca
have cryptic reference when she recitej
tho aong,
The, little girl of whom 1 tell
fihould be recast, like a broken bell.
I ask you. At any rate, whether hei
r?le was or was not of the foot-note o
hidden-meaning type, Miss Cowl was
aa a Spanish light o' love, sad, soulful
humorous at times and always good t
look upon. She impersonated the pr?t
ty lady with most of the casual nuance
characteristic of a nice "loose woman,
as they say in the suburbs, and wit
all the tears and sorrowing known t
romantic retribution. Miss Cowl wa
very, very good, and she wore three c
the prettiest shawls that I have eve
fieen in tho American theater.
? . * ?
Mr. Rollo Peters also excelled as a
ideal Spanish foundryraan who wj
fascinated by Malvaloca's myris
witcherios and rendered desparing t
her unconventional past. He decide
at the end, to "recast her in tl
warmth if his passion and the depth i
his love." All of the Equities involve
did well, I thought, and especially M
Marshall Vincent, who as a blina, ol
proud mendicant had a r?le that 1
could put his brain as well as his tee
to work upon. A drone-like, slothf
Spanish masterpiece is "M?lvalo?
but not, I think, much of an ente
tainment.
6Yankee Princess9 a Real
Blueblood Among Shows
"The Yankee Princess," produced by
A. !.. Erlanger a? the Knickerbocker Thea?
ter, music by Emmerich Kaiman, book by
William Le liaron; adapted from "Pie
Bajadere," of J til Lus Branuner and Alirei!
I Gruemvald; lyrics by B. O. De Sylva,
j Bla-ied by Fred G. Latham and Juliar
| Mitchell, with the following cast:
? Prince RadJamI of Lahore. .Thorpe Rate?
j Napoleon St. Cloche.John T. Murraj
I Phillipe La Touretto... .Roland Bottom)?:
| Manager TrebUunde .Royal Trac:
. Pfmprlnette .'.Frank Doam
Colonel Parker..Georg??. Graham
Lewa Singh.Lionel Chalmer
The Rajah of Punjab. .. .Mortimer Whit?
Reggie.; . . . .Colin Campbe!
Chief usher .Valentine Winte
Odette Darlrnonde.Vivienno Pega
Marietta.,.Vivian Oaklan>
Fini.'.Ruth Le
Mario.Belle Mille
Yvette. .Elsie Peoke
Prince?? Odya.,. .Jane Carro
Printoss Rao.Margaret Morri
Prince?? Att lia .Violet. Val
JPrlncesa Lydana..Katherine Err?
TMncoBH Ranja.Evelyn Plumado
Princesa Sita.Prisco Pe Ver
Princes? Rita .Louise Joyc
Indian dancer ...... .Princess White Pe?
"The Yankee Princess" stepped
gorgeously upon the stage of the
Knickerbocker Theater last night, a
real aristocrat among musical shows.
It is royally voiced and dressed and
is presented, if not in the grand man?
ner at least in the light grand manner.
It exhibited Miss Vivienne Segal at
times in bauble merchandise to fill a
cart, and again in simple renown that
would have been considered cold even
in the Age of Gold. And it introduced
to an American audience a most ex?
cellent high barytone from the London
stage, Mr. Thorpe Bates?long be his
import from duty free!
The settings, of Joseph Urban'?
architecture, are worthy of enumera?
tion. The artist has recreated the no?
bilities of the foyer of the Chatelet
Th??tre, Paris; an Indian palace such
as stands upon your fretted left just
?as you enter India, and the high chest?
ed precincts of the Directoire Club.
And speaking of costumes, when will
the theater ring with plaudits for the
public chamberlains who robe it in gos?
samers and rustling silks? Why should
the spinsterhood of Mile. Geranium,
the costumer, and Mile. Cinderella, of
the booterie, be denied applause, that
spur of noble minds? Certainly those
who decked out "The Yankee Princess"
contributed generously to the pleasure
of the evening.
Emmerich Kaiman, who musicked the
piece, is that same Hungarian melodist
who composed "Miss Springtime" and
"Sari." He is spoken of as the suc?
cessor of Lehar, compqser of "The
Merry Widow." This piece is in the
mood of "The M?try Widow," and its
I high spot is a waltz with a charming
j new melody.
Miss Segal has a populous court of
! chorus girls, well graduated from
stately and strutting to little and
nimble. She and Mr. Thorpe are paired
in a number of scenes pleasingly dis?
posed to harmony and designed to
reconcile an American favorite of the
French opera to marriage with the
Prince Radjami of Lahore. B. F.
-?
"The Lady in Ermine"
Lavish and Tuneful
British Operetta, Welcomed
Heartily to Ambassador, ?s
Triumph for Walter Woolf
"The Lady In Ermine," a musical com?
edy produced by the Shuberts at the Am?
bassador Theater, with WUda Bennett;
book by Frederick Lonsdale ?ml Cyrue
Wood, from the story by Rudolph Schanzer
and-Ernest Welisch; music by .le.m Gilbert
and Alfred Goodman; lyrics by Varry
Graham and Cyrus Wood: stage,! by
Charles Sinclair; ballot by Ailau K, Foster;
with tho following east:
Colonial Belovar ."Walter Woolf
Count Adrian Beltraml .Harry Fender
Baron Sprol tl-Sprottl. . . Ignacio ? -Marl inet t i
Cout?t lsolani.Robert Galley
Major t?togan.Timothy Daley
Postal.Detmar Foppen
Count Busonl.-S'ell Evans
Mirko (ordorly) .Murray Minebart
Sultangl. Robert Woolsej
?Sophia La valle .Marie Burke
Rosilla .Heien SbtpmaT.
Angelina .Oladys Walton
Mariana .iWllda Bennetl
Jane Cowl
Leading woman in the Equity
Players' production, "Malva
loca," at the Forty-eighth Street
Theater.
Vivienne Segal
She sings the title role in "A
Yankee Princess," produced at
the Knickerbocker Theater by
A. L. Erlanger.
"The Lady in Ermine," boasting
enough authors, adapters, composers
and directora for a football squad.
same into the Ambassador Theater pre?
ceded by enthusiastic reports from
London, where it is playing at Daly's
I Theater under the title of "The Lady of
the Rose." Last night's audience took
?the Britiish reports at their face value,
?after Walter Woolf 's stirriug entrance,
| and sat back to enjoy a thoroughly de
i lightful operetta, lavishly?indeed, a
i little too prodigally-mounted by the
I Shuberts for the Ambassador stage.
Distinguished by the. rich barytotv:
| notes of .Mr. Woolf the charm of Wilda
j Bennett's presence nmong the rich set?
tings provided by Watson Barratt anu
a romantic story of true operetta
type, "The Lady in Ermine" ranks well
up among the musical production?
which have come to New York. Fol?
lowing on the heels of "Blossom Time"
at the. Ambassador it had a high mu?
sical mark to shoot at. The aim wa.'
true. The score is graceful, tuneful
and splendidly sung by the two prin?
cipal members of the company. Miss
Bennett did excellently with the role
which was to be Eleanor Painter's.
Being tin operetta, you know that
the comedy was of the expected type,
of ripe and mellow vintage. Robert
Woolsey, excellent comedian that he is:
found it difficult to rise above the
material which fell to his lot. His
antic feet and facile expression
helped him create amusement where
his lines did not. Even that old one
"What is the saddest thing in the
world? A Sunday in Philadelphia,'
cropped up dyring- the course of the
proceedings. Mr. Woolsey danced nice,
ly in duet with Helen Shipman, in ?
trio with Marie Burke and Ignacic
Martinetti, and in a quartet with the
three. Harry Fender and Gladys Wal
ton also made an attractive couple.
Zita Lockford came over from th<
Winter Garden to lead the ballet of th<
second act. She fared not as well as
she does in her acrobatic dances. Th<
ballet was pretty, but marred bj
crowding. The Ambassador stag?
creaked under the strain of holding
the numerous company recruited by thi
producers, and the ballet and ?the
ensemble numbers were cramped. Thi
Century stage, where Walter Wool
made his two previous appearances fo:
the Shuberts iri "Florodora" and "Thi
Lart Waltz," would have better ac
comrnodated the players.
For Mr. Woolf, last night's premier,
was a personal triumph. Of that h
could have no doubt following the ova?
tion which the audience gave him at
the <-n<! of Hit* second act. It was no
h Mia 1 first night thing, but & re%l
demonsrtation. Attired in the uniform
of it colonel of some operetta m?harchy,
he was a handsome, dominating figure.
"Land -o' Mine," which he sang at his
entrance, accompanied by a fine male
ensf?r.ble, enlivened an otherwise
drowsy first act. He was good in his
second act love making with Miss Ben?
nett, and their duet, "Mariana," was a
gem. Misg Bennett's best song was
?'When Hearts Are Young."
. ? ? ' m ? ??
Sir Harry Louder Again
Wins New York Audience
Scotch Comedian Gives Some
of the Songs That Made Him
Famous in Old Days
Harry Lauder's back again. Just as
funny, just as quaintly original, just
as magnetic as of old, the little Scotch?
man, with the marvelously amusing
legs, opened his American tour here
last night at the Lexington Theater to
n packed house, and before he had been
on the stage two minutes Sir Harry
had his very good friend, the audience,
in a mood for which other men would
give millions. But it is the gift he has,
this cajoling his audiences into split?
ting their sides at his slightest nod
or caper, and he has lost none of it
as the years have gone by. Indeed, like
another Scotch product that used to
be well known in this country, he
grows mellower as he ages.
Sir Harry's repertory last night in?
cluded "Doughie the Baker," "She's
Ma Daisy," "Singing Is the Thing to
Make You Cheery," "There Is Some?
body Waiting for Me," and others from
his well known stock. All of them
were applauded to the echo. The pro?
gram also contained five vaudeville
turns, on the principle, one supposes,
that a turkey must have trimmin's.
At the closo of the performance- Sir
Harry presented bis personal friend,
Colonel Walter Scott, who is head of
the Caledonian societies in the United
States and Canada, with a gold pen
that-once belonged to the Duke of York,
The latter asked Sir Harry tt> auction
it off during a benefit in London, and
after it had been bought in by Lord
Invernain the purchaser presented it
to the comedian. The gift to Colonel
Scott was made in appreciattion, Sit
Harry said, of the many services of the
former to him.
Miss Tucker Hits on All
Vocal Cylinders at Palace
Broadway Welcomes Sophie
on Return From Her London
Success; Good Holiday Bill
Sophie Tucker, with worldly weeds
:ui(i mondaine manner, came to the Pal?
ace Theater yesterday, lifting up her
voice generally in praise of the land of
the free and specifically in favor of
home and mother, the little old shack,
the rod schoolhouse and the cows and
chickens. She was returning from a
foreign strand, and saluting, as ii
were, her own her nativo lt?nd. She
san? in minstrel raptures of one lov?
ing Sam, the sheik of Alabam ; of losing
a v-onderl'ul man and of the superioi
melody of a grand baby compared to ?
baby grand. Wriggly business indicat?
ing that search for grand baby f.nc
baby grand need not proceed beyonti
tha stage of the Palace. London likec
Sophie, but Broadway loved her.
Just what the saxaphone situation is
does not appear in popular chronicle
but the raids of jazz bands must hav<
put an awful crimp in it. What Pau
Whiteman didn't do to it has surelj
bien executed by Vincent Lopez. Th<
volume of sweet moan produced thes<
days by record makers, revue builders
concert impresarios and cabaret mei
must have the saxaphone world pantinj
and calling for help. Lopez, a masterlj
bandsman, a genuinely gifted musician
continues at the Palace. He employs!
original scenic effects with jeweled
lights. There is not only something to !
hear but somewhat to see. A sort of
Lopez lazuli. Net Wayburn has a
"Dancing Dozen" who go in for speed
and dash. Bessie Barr?scale had trunk
trouble and did not act. But she showed
her pleasing person and crowded the
stage with curtsies. ?
Helen Shiftman
In "The Lady in Ermine," a
Shubert production, at the Am
battador Theater.
Vaudeville at Central
Theater Really a Revue
Blanche Ring Is Sprightly as
of Old; Charles Winninger
Also Takes a Leading Part
The show at the Central Theater,
now the Broadway home of Shubert
vaudeviUe, isn't nearly so much a vau?
deville bill this week as it is an out?
right revue. Blanche Ring and Charles
Winninger are the principal players
and are to be seen all through the
program beginning, middle and end.
Miss Ring is quite as sprightly as she
was twelve years ago in "The Yankee
Girl."
Those in support, of Miss Ring and
Mr. Winninger include Bert Baker,
Frank DuTell, Edgar Atchison-Eey,
Leonard St. Leo, Mary Elby, Carrie
Glenn, Pat Kearney, Pearl Stevens and
Carrie Glenn.
The revue part of the entertainment
?and thr-.t iw virtually all of it?is
staged with considerable elaborateness.
It is entitled "As You Were." and as
is the case with most revues has a
long string of people responsible for
its lyrice, its music, its costumes and
head-dresses.
a??????
"Chuckles of 1922" Prove
A Big Hit at the Columbia
Jean Bedini's "Chuckles of 1922," for?
merly the vehicle of Bobby Clark and
Paul McCullough, who are rehearsing
for the new Music Box Revue, came
to the Columbia Theater yesterday
afternoon for a week's run. The charac?
ter of the production is familiar to
Columbia audiences. It is one of tb.e
best on *he entire circuit. Cliff Brag
don and Coo-Coo Morrissey have the
principal comedy role. Jane May
George Christian, James Johnson
Norma Barry and others are in the cast
On the Screen
"Remembrance," Created En?
tirely by Rupert Hughes,
Hymns Praise of Father
By Harriette Underhill
However unsatisfactory nur explana
tion may be to others when we tell
why a picture is not ?food, those ex?
planations are always quite convincing
as far as wo are concerned. So it is
rather disturbing to find that we did
not like "Remembrance" as well as we
expected to and still are not able to
identify the causa of the disturbance.
It is liko the doctor who says "Put
your finger on the sore spot" when
you tell him that you have neuritis in
your arm.
Wc don't seem to be able to put
our finger on the sore spot, but it is
there, nevertheless, b?e?as? the pic?
ture leaves nothing to be desired in
the first reel or so and yet the finished
product is unsatisfactory.
When Claude Gillingwater says suc?
cinctly "How much?" to each member
of his family as one by one they ap
piof.ch him at his desk the picturo i.i
perfect, and so it is in plenty of other
scenes too.
This "Remembrance," at the Capitol,
is the first picture made entirely by
Rupert Hughes. He wrote the story
and also directed the making of it 'nto
a ph-otoplay. In this he receives nobl-3
support from that most excellent actor,
Claude Gillingwater, who makes Pop
Grant a figure quite as appealing as
was "Mother" in "The Old Nest." It's
about time some one said a word for
the fathers, although we como from a
family where being a male meant that
you were a lord of croation, and that
all you had to do to produce hystorical
nerriment among the female membors
of the family was to be pleasant some?
times.
"Pop" Is a Merchant
Rut. "Pop" Grout was not that sort. He
owned the biggest dry goods emporium
in town and he never had the time nor
money to dress up. The rest of the
family climbed the social ladder until
finally they dressed for dinner, which
was announced by a butler. It was at
times like this that "Pop" lived with
his memories. He thought of how
"momma," young and strong, after
cooking the "supper," used to say,
"What we got is all ready on the table.
Coming?" But he never dared to men?
tion this to the haughty dame who now
presided at the table. And then he fell
ill and, during his delirium he talked
his memories and "momma" and all the
children vowed that they had been
brutes, and if he should be spared they
never would do so any more. They
gathered at his bedside and had said
their last farewells when "Pop" sud?
denly opened his eyes and said, "Gosh! '
Then he got better rapidly, and '.hoy all
remembered their vows and stopped
being parasites.
And now it has come to us where
the fault lies. We can put our finger
on the spot. Mr. Hughes takes five
reels to tell the beginning of the story
and only one to straighten everything
out. Complications are adjusted in a
single title, and the loss of some im?
portant papers and their subsequent
discovery lead nowhere at all. Neithei
does the hint of the mysterious woman
who had loaned money to J. Pennoek
Grout, the eldest son. [This may have
been in the cutting, because we saw ?
"still" in tho lobby (no not that sort,
which portrayed J. Pennock with his
mother grasping the arm of a str?ngt
woman who was about to discharge i
pistol at hor son. There was nothing
like that in the story. But the cuttinj
would account for the peremptory dis
missal of the various complications
Mr. Gillingwater does the best worl
he ever has done on the screen a;
"Pop." Kate Lester is very good a:
"momma," and others who help ari
Richard Tucker, Cullen tandis, PatFi
Ruth Miller, Dana Todd and Nell Craig
The overture was Tchaikovsky':
"1S12," and during the playing of thi?
the colors which were blended ou the
curtnin and proscenium arch wer? the
most beautiful w? ever have seen. It
seemed that Mr. Rothafel we? in a par?
ticularly joyous mood, for the samp in?
ten?? lighting was a part of "The
Fortuna! Teller." Victor Herbert'? opera
in tabloid form.
Thi? is one of the moat effective
things that ha? been done in a long
time, with the Capitol solo daneir?
and singer?, the ensemble and ballpt.
Thalia Zanou and Oumansky also do
"Three o'CIock in the Morning" with
a violin accompaniment by Frederic
Fradkin. The comedy is a Hal Roach,
called "The Fire Fighter?,"
"A Woman'* Womin"
"A Woman'? Woman" is a pretty
good picture, but there are n number
of things in it which we wish they
would change. Mary Alden is appear?
ing in the title rolo and the picture is
the foature at the Cameo. Neither of
these fact? are among the thing? we
wish to have changed, however. Mary
Alden is always delightful, though we
do wish that she would get to doing
some of those young and beautiful
roles which we predicted for her. She
is too young and attractive to play
mothers always, even if ?he does do
it better than any one else. In thi?
picture Mr?. Alden has a careless hus?
band and some difficult children, anH
she finally decides to branch out bv
' opening a tea room. She does so well
in thi? that, somehow, she finally goe?
to Washington and make? a groat deal
of money speaking about, things at
women's clubs. Incidentally, ?he takes
an apartment in a fnshionable hotel
and wear? gowns with chinchilla on
them and hat? with paradise. Hatband
has become attached to another woman,
and Denzie, that's Mary Alden's stage
name, says he may have his freedom.
She also is receiving proposals from
Senator Gleason, so what was our sur?
prise to find father still lounging
around the new apartment. Denzie ex?
plained that she didn't want to get the
divorce until after her daughter was
safely married. How dreadfully un?
moral these conventional women can
be! And then, after the other woman
turns father down because he has lost
his money, mother takes hirn back
again.
The picture may have had a lesson
in it, but it is one we never should
care to learn. Al?o we have an idea
that in the original version a boy was
murdered and a young girl led astray
right before our very eyes. Proba?
bly the censor? have been at work, and
it is annoying. When interesting
things like that happen we want to
see them.
In the supporting cast are Holmes
Herbert as father, J. Barney Sherry
as the Senator, Dorothy Mae Kail, who
is excellent as Sally, the wayward
daughter; Rod La Roque, who alio is
excellent as her lover: Albert Hackett
M the young son and W-, .
th? Greenwich Villa?? da,,,!!.*? *
The romeeyi, , vT*,?.^:*
Tenderfoot s Luck." with Jimt^l
br<,y-^T,l?P ?,v"tw? ?? from % A
tune Teller.' "?? ?
"Tr.fling Women." snotiie? 5
gram masterpiece, opened ?t ?w k
Theater last, night. Th?\, ? **?
this picture will appear In Th.^T^ *
to-morrow. * ?J^
Socolow (.ase Inquiry ^
A Mcrot hiring in connerti? ?,
Justice Francis Martin's char?.
iN'ew York detective? aided ?JJtj
i police in the Kidnaping of Walt ^
colow frorr? the Supreme four? ' ^
i ?n, Sppt':rn'b" \ wa" hegun y?>
before Third Deputy Can ^1
?Joseph Favrot at. Policy H?.^?11-*-?-*
l The accused policem?n ?IT**
[repr?sent?e' by Alexander'l P a**-"
? counsel, are Lieutenant James Je? ??
?and Detectives Cornelius Bro?,' r?*
topher Kdly, George Giliw- 'y***
lliim Van Valkenhurgof ?V
squad. Affidavits of Baltimo.* S
I men, declaring the New York ***'*
?men had nothing to do wttfcffcM
ductien, were presented. StiT*4
able that Justice Martin win t," ?r*
! to present his version of ?>?.'. ?*W
1 Bryn Mawr Holds Misg Btrir
Fails to Justify ?50,OOo? i
PHILADELPHIA r?. . ?**?<
college. wl ?Mi
In the demurrer it ig contend,,- i
Miss Barker has shown no a2?$ i
sustain her suit, in that her a?,C :! I
I do not placo upon anyone ???? I
with the institution re-*pon?!k--.!.7, f
the circulation of reports thit??,~ I
suspected of petty thefts tntX
rooms of fellow students.
AMERICA'S FOREMOST THEATRES AND HITS. DIRECTION OF IJEK AND .1. J. SHCBEBT
MnterGarden ?l^^ri??**?.1
POPULAR MATINEE TO-DAY
MMWEZm
I'm.nting ^??jg & ?Ug9M HOWafll
Greater Than Ever I
pmSTOCK^ ?ORRIS GEST>*.j*v>f
" CHAUVIS?^
JNNMM;
awe ; /vwai
trtNpoiv
PARI 3
COLj??OO EVS.8 30luAT5.TUE.c5At
MATINEE TO-DAV 2:30
CEHT?RY
THEATRE, 63d St. & Central
l'a ri; Weet Tel. Col. 8800.
&&.<> GRAND OPERA
To-nioht. 8:15: TRA.VI ATA?Lucchcse. Kllnova:
llHi-ra. Terras!. Wed.: BOHEME?Fltelu: Fabyan;
Boacaccl, KapUck. Thurs.: BUTTERFLY--Miura.
De Mette; I?os?-acct. Va.llo. Fri.: Double Bill?
CAVALLERIA RUSTICANA ? Axnian. DoMotte:
iinrra. liitorrant*. Followed by PAGLIACCI ?
ciiarlebola; fainadas, Balleatef. Pat. Mat: CAR?
MEN?Janiun, Lurches?; Moecacvl. Valle. Sat.
Eve,: AIDA - Rannoid. Ci? ne rus: P'atuadas, Kap
lii-k. Orch.. 50; Chorus. 60: Corpa de Ballet.
PRICE? SOc to $3.
pBELWYN THEATRES ON W. 42d ST."
TIMES SQ.
SMASHING COMEDY HIT
THE EXCITERS
with ALLAN DINEHART
and -T-ALLULAH BANKHEAD
Eva. 8:30. Mata. Tliura. & Sat.. 2:00.
APOLLO
I FRANK T1MNEY
I IN A MCS1U1RL COMBOS
DAFFY DILI
I Baa, 8:30, Mat?. Wed. & Sal., 2.30.
SELWYN
BARNEY ALEXANDER
BERNARD?
... ??
| H ft WORLD'S
ill ^TURH,NG
Kvs. S:S0. Mata. Wed. and Sat.. 32.
R BLANCHE Mg CHARLES
ing i Winninger
BERT BAKER & CO. SlVAS
MATS. 23e to SI (Ettcept Sat, and Holidays).
EV9. 50c to $1.30 (Kx. Sat,, gun, ft Holiday?)
JOLSON'S59thslOT\v^wXla?aR,:30
GREATEST Ml'SICAL HIT OF AGE.*!
BLOSSOM TIME
MATINEE TO-MORROW 50c to $3.00
?OTU CT Tbea.. W. of B'way. Big*. 8:39.
13 I II O ! i Matinee-? Tom'w & Sat.. 2:30.
4? WHISPERING WIRES
Mata. Thursday and Sat., 2:30.
THIN IGE
An Unequivocal Comedy Hit !
Arthur Uopkinn Present?
ETHEL BARRYMORE
By
Haupimaun
t. Eva. 8:30
Mats, Taux'? and Sh?, 2:30
West. 46th Street.
Pop.Mat. To-mor'w
TO-NIGHT BANKERS' NI6HT
BIQQEST HIT IN TOWN!
a
LEAVE HOME"
By AVERY HOPWOOD.
RODOLI'H VALENTINO ?aid?
"It's a Peach, It'? Great."
Then.. W. 45 St. Ev3. 3:30.
Mats. Wed. arid Sat., 2:30.
Opens TONIGHT
at 8:30
A Document of Emotion
By L0UI3 K. ANSPACHEH.
Direction R. fi. HERNDON.
IS MARRIAGE A TIN HALO?
A?iJRA??AilfiR Thca- 4!>;h- nr B'way. Eva, S:20
MM?AOOAU?fi Matinees Wed. & pat.. 2:S0.
Tho International Musical Succ?s?
MATINEE TO-MORROW. Beat Seats ??5
BOOTH ^nSThurs.Eve.s^o
"REVUE MARIA
RUSSE" * K0?SNEZ0FF
SEATS VOW ON SALE.
fi?^IWil ?"ml' ,uul ,!V-,,V- Rentosa 3:85,
uMOlNiU Matinees Tomorrow aud Saturday
ESSUSr* SALLY, IRENE ,u> MARY
with EDDIE DOWI.ING and u great coat.
mm ELlWTT!S,MtT^^ fat- II:
DRAMATIC
"Audience nearly fell
out of its ?eats laughing
fit 'THE TORCH BEAR?
ERS,' the most hilarious
comedy in town."
Mate.Wed. ft Sat.
P! AYHfHKF Jv-4S- bt-38?. Eva. 8:so.
"LM1 flUudC Mala. Tom'w and Bat, 2:30.
Mr. ARNOLD DALY In "ON THE STAIRS."
By William Kurllnii?With James Crane.
TODAY 2:30
TONIGHT 8:30
TOE WILLIAM FOX SENSATIONAL
nOOOPrizePhotoPlay
o'fltrlnally called
A LITTLE CHILD SHALL LEAD THEM
Watch This Spa a Tomorrow
for new title und i.ame of the
lucky , person who suggested it,
THEN GO SEE THIS GREAT
AND VIVID PHOTODRAMA OF
MODERN SOCIAL LIFE
EMHFJfOORRIGAH
"THE QCINi ESSENCE OF THRILLS!'
i"* | "The Old Soak"
j nClii- I By DON MARQUIS
i Dl VMniITU Wl'st *'?? ??W?* 3:30.
I ? *. I IT1UU I ti Matinooij Tliura. aud ?at.
:3S?agary
M?TiOaALlft*
POPULAR MAT. TO-MORROW
A?ARV? .,
44TH ST. THE A ** -"Ht- w- ~f w*v.
*?* I n O I a I ntAi Tarto? Dally S.-80-B-3?
WILLIAM FOX present?
OltHOCDT Thea., 44. W. of B'wav. Evs. S:30.
?rlUottll Matin?es Tom'w & Sat. at 2.30.
Greenwich Village Follies
Fourth Annual Production
nayre THEATRIC Woat 44th St. Kvgs. 8:30.
3RD
MONTH
Matin?es Tomorrow and Sat., 2:30.
I EAST SIDE, WEST SIDE
With MARGtERITE MAXWELL
OCD2ID3E?* West 43d St. Evenings at 8:30.
nCrUDLIU Matlnwa Wed. & Sat. at 2:30.
ANNE NICHOLS' Laughing Succ?s?,
?i?
Sanaa?ona? ~~^v?^^^^~ Triumph
"THE WORLD IS MINE
"] T?MfC Theatre, W. 42.1 St. Kvgs. K:S0.
.HI inUk Mata. Tomorrow & Sat., 2:30.
FLORENCE REED
in "EAST of SUEZ"
By W. SOMERSET MAUGHAM.
ST. ETerrtp? at R-30,
Tomorrow & Sat. at 3:80.
MAME KENNEDY
S SPITE CORNER
RITZ
?
TU KA THE. Mats. Tom or'w & Sat.
W. 48 ST. 2:30. Evenings 8:30.
y?
Claro Hummer's (?ay Comedy.
With LOLA FISHER & ALFRED LUNT.
TICKETS FOR ALL THEATRES bryan?
50c ADVANCE. ?*?
ORIGINAL
TYSON & CO
Established 1859. '
'llfflMCWOMftr
MAIN OFFICE
now at 148 W. 42 ST.
Formerly K7 2 B'way.
EHJDIDC "?roadway ft 40th St. Ere? , S:L'0.
CmrlnC Matine*--?. WET?, and ?AT.. ?-S0,
//?/Vi*?r M/LL?/?
RUTH CHATTERTON
in HENRY BATAILLE'S PLAY
"L4 TENDRESSE"
"A big play, a Krcnt play.
It"? then*o the essence or
life?way hlcirrr than llfi*
itself. for It Is love."
e
6W AMSTEfiDAM TKUTL
?OP. M AT a. w? ox. _
(OU. U4?. Mats. Wsd. a-ni fc
OPENING TO-NH.HT AT A-M
DOLLY JORDAN
with JOSEPHINE VICTOR
KNICKERBOCKER ^a^^!s
Matinees Wed. & Sat. at 2:30.
FIRST MAT. TOM'W 2:30.
A. L. ERLANGLU'S PRODI CTION
THE YANKEE
PRINCESS
^EQUITY 48 SL'?iOT
?fQ?/irypuy?Rs
S:aff 1 by
A?CC8XTN DUNCAN
Seats 4 Weeks Ahead. MaU. TOD>T*SU.
(Adapted from
Musical Success,
Kaiman'? European
"DIS BAJADERE')
? Mal?), loin.? & ??at , ? ..'?
?ii??on'a Bast Pia-,."?Tribu:
^jbowwoai?w?thy F?LTOf?
HENRY MILLEfi'S^,Auu,.?.
SPECIAL PBICE MAT TOUTi
e.,7^r:.l? ^EDVA??D u/nova???*
INA CLAIREi M"*k!*?^
A.ND CO. ?iirludintr BRUCE McBAE,
In ths "PflEP03TEUOCSI.T CLEVER" COMEDY
^The Awful Truth?
West 45 ?t. ?>e> at g:W.
Mate Thurs. i- Bat., ":ao.
LYCEUM
r//? SEASON'S
SEA-GOIN' TRIUMPH
DAVID BELASCO presents
iK
a r. p?aT
POP. MiTS ?r?O. & M?
ALL
(fflGM?W
ISCANDALS
MATS. TOM'W, XHUBS. Fill, and SATURDAY.
IN NEW AND
OLD SONUS
COMPANY
OF ARTISTS
l*ir(*?ilon Wm. Morris
Mfc-lit* ?lid Hat. Matine? : THEA. 7 A
?2.*S to 55c: Other SO?i St Mats
Mats. $:.'.20 to Me.. Inc. Thur-, & Ha?
Tax SEAT? NOW. ,_
B?HF COttECnW Of NEW B?BHEJi
fr?zll: ?s? ^5 ,?V?t?f
WILLIAM C?URTENAY S
?HER TEMPORARY HUSBAND'*KS?
-EATS SEI.UM, g WEEKS
RPI A?ftfl VV*"-t 4''"h Sl- ""'"-re-ii-wi IX t?
?jkLRdllU Mats. Thurs. ai-.l S?t. t? J*
?MISS ULRIC OUTDOES ALL EXFiCI*.
TI0N8? EVEN THE WILOEST.'-T.a?*
DAVID BELASCO 1'resent?
mm uric As m
EARL CARROU^IflSHilM
?siiai
um?- COHAN
TitKATRE, *"?.?'* *?
Evvsii?. Mt*W?l.4.-a
-;r
.'KBLESSCKAltl
--.VES
roRB?
MfHPPODROHES?^?
MDA-L.Y MArfNtXS S-;l5-Nir>lTS-?:lS HI
Greenwich Village Theatre
With Margaret Lawrence
TUESDAY, OCT. 10 rSr
max spifiqa. ?m SS*1
fc'08.4 BAYES
hi s Ne* Mil?-a! PW.,
-('I EEN 0' HEART-4
?M.M? MAC'DONAI.U VVATSOX,
the Funniest Comediun in Town,
W His Come?]-.- of Scottish Churn-tera. ?
Hites." I
T. ir. ??. i
?? i..r. v.??lieu; V? -????' IJhil ?L-ilUri
SS!
I ?f-v?wrt rtU?UC?L COI
???ilia??);
lv ??osm *
? ai Dt?
World
A" "
H BOUNCE THIS BABY ON YOUR KNEE
?V3 fifi
H
3?? "Laughter
Plentiful." Te?
"THE AUDIENCE TOOK IT TO ITS HEART."?Tribune.
T1 HARRIS THEATRE ^Z^*?^?^S. W
Old Cap' Apple Jack Has Anchored for All Sea**
WALLACE EDDiNSER?f?ARY NASH
In WALTER HACKETT'S ?|
Merry Comedy
STAGED
CORT THEATRE
STAGED BY THE AUTHOR ANO SAM FORREN _ , tl?
IS VENINOS ?I M
WEHT 4?*> STREET.
I!?
. CECIL &.|V'-M?KL?:$
vUlMSI AiiiiHV*- ?*//
wit*: TH'ltl.ls MEIGHAN.
_ A Paramount Piotnrs.
BvorvboG*'* gain a to th* Rivoli now."
"ON THE HIGH SEAS." with
Doroihy Oalton ft la-k Holt, j
TDiSa A PoromouBt Pict?*-?.
SQUARE F?m?-u. ?lialto mr' fstra
D SALTO
ft -raws
l?"??(8W8iiW1eP!8ytHfor
?trand Sj-uinhofiy Or-h.
tti PEUT HUOHKS'
"REMEMBRANCE"
U way at S 1st Capitol Grand Orcheatra
Clot?? 7:00 to-nliht. Houw soit) out to title
Bate? to A m arican tankers' Convention,
MUIMBMKSS^
CHUCKLES OF 1923
S?nto*? RM. I E?iUSNT UMMMUf..
HIPPODROME, ; : Sua-Nifht $
Fopulur Concert by l.ic.nuud?MI Sf ??
E LBVIAN
Tk-keta $1 to $?.r.o ?; .v * ^??-?3r
Concert Under Exclusive lMractw" ??
Supreme Concert Met-, O" :!T'',L??ifc.
Ei.-^an Mjrt., S. Hurok. (.StalcWWj-^
M?mm Mv??
CiHTER?ON WMEU ?^fls 8
BROADWAY?<4~yr WilBIl 50? ???12''.
??KTHOOD
WAS IN FLOW*?
__ ?0