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There* s a pict?re aheatf, f^f?i* nmv?this week. The family on Thanks? giving Day, or the- f oothail game?or both. Aim! there is firm to be had, or perhaps eren a Kodak?or both. We can help yotrr selec? tion, or sell yo?-?or bash, ?hodepiwg, firmtimg <rtni ?* larging sjtks tmfitrhr i-msd. Eastman Kodak Co. (Bsa?HM Stockho?*e4?e.) &u\ Mm?htxm Ave. at 43th St ?ft Cheese is the most aomical "meat food** ne pound is equal twenty Cheese o ttnpor i ?vatante*: American, Pimento, Swiss, sold by the slice, pound or ?oaf, 8 VARIETIES IN TINS I^Look For The Label W1 ?jays ^Bernard ?Shaw: "Jliroat germs - "the ola mistakes of creation. '"TRUE to form, he re ?*? marks: "When a man puts a Formamint tablet in' to his mouth to wipe out a few million bacteria, he is trying to correct the old mistakes of creation." All of which admirably sums up the services of Formamint, the throat tab? let that actually hjils germs. At all drug stores. hl?amint trCHMKIUING THROAT TASUT? SAMPLES: To .litfuafat you uiih frvrnuimint we mill tend a trial Tube on isc ap> ef 4c in tuxrnpi to defray mailing cost. Addreii T\f Ba'ier Chemical Co., 113 W. i&.'i St., N. Y. City 1030?China ??*? plat? with htm? ptinted perforated tin cover? 910. THE THOUSANDS of good gifts at Oving ton's are a full palette of colors to gain the best expression of the art of giving. And the variety is almost as great as the different pictures that could be painted from the set of paints! OVINGTON'S 'T?O Gin Shop of Fifth Avotiuo" Fifth avenue at 3sth st. fey uaiua Warranted For? Wor-i Vermont Blankets Overuse 73x84 rait Immm Pair $14.00 ' Delivered ?t VViar Hour Pl.VK. BLtt. KO?B BOBWfcJEtS A? yvtxtt? VERMONT NATIVES' INDUSTRIES Er??sewBter, Vermont Bach Revived In Programs of Two Concerts i Friend h of Music O flf er Group of Cantatas by Father? Son's Concerto Feature?! by New York Symphonj Value Is Chiefly Archaic Failure to Preserve Sacr?e Motif in Former Man Effect of Presentatiox By H. E. Krehbiel We are net at all disposed to mak merry at one feature of yesterday' muaic, for that which we heard wa calculated to put ua in bo contemplt tivc a mood that when a fellow of ir finite humor remarked that "we at getting: back to Bach" we could onl reply that it seemed eo and wish thi we were making tha progress on line somewhat different than those marke j out for U? by our leaders. It wi I juat after the first concert of tk Friends of Music in Town Ball In t? aftornoon and we heard two enure cantatas and a violin concerto b ; Johann Sebastian, father, and it he I been reported to tin that all had gor j well at Aeolian Hall with a concerl I (grosso, we suppose) of Carl Phil ! Emanuel, son, at a concert of tl '; Symphony Orchestra. Though this Bach was nearer to or i generation, in manner, than his fathe ; and it is likely that his music w? i made to sound still more contempori neous by the transcription of It whit was played by Mr. Damrosch and h orchestra, it must still have be? archaic enough to convince the aud ence that there was a large infusion < , educational purpose in two of the si| I nlficant concerts of the day. This b j ing so, we pondered a bit on the que j tion whether the laudable purpoi j might not have been better served i , Town Hall if the vocal music had be< j of a kind intelligible to the listener ' To all of them we mean, those familii j with the German language as well i to those to whom German is an u: | known tongue. Why should the ca j tatas have beer, sung in Gorman? 1 i the choir English is a native tongu ! The hymns which it san? oifer no o : stacks to effective translation. Sor j of them, v;o believe, have found the i way into English hymnals. So far j the singing of the choir and two of tl I four solo singers are concerned t! ! sounds winch they uttered might j well have been Choctaw as Germa ? Only Mr. Header, an American, and Si Bender, a German, uttered words whi< ? were intelligible to anybody. Opera and Concert Confused Perhaps there were reasons for choosing the solo singers from the ! Metropolitan Opera Company. If so, i they had no artistic validity. No ar ] tistic end is achieved by transferring j the principle alleged to be dominant at 'the opera to the concert room. Aa u matter of faet, the rule of preserving ? the original language of the opera in the Metropolitan is not strictly obeyed. 1 Rus?5nii operas ?re sunpc in Italian;- so j are some French. Some, like "Boris ' Godounoft"' are simultaneously ?;ung in ! both. The public is indifferent in the j matter, because the public doesn't care ' fo." the -words of the opera, but only for Its music and its outward integu ! ment. : It, ?s diff?rent in the concert-room ' and in music like that sung yesterday, i The cantatas were portions of church ; services?the first, "Der Friede'sei mit ? Die" for the I'east of the Purification; the second. "Christen, ?tzel-diesen Tag," for the Feast of the Nativity, for Christmas. Bach wrote scores of these services for the Sundays and holidays of the Church year. They are gener? ally short, made up of recitatives, cho? rals (i. e., hymns), and moro or lem ?labor?t? choruses. How beautlfu mtfny of them are every culture? music lover knows. But except for th' hymns the texts are as a rule littl better than doggerel. Bach was no greatly concerned beyond seeing tha they were proper to the lesson of th | day and afforded stalking horses fo ' his music. Occasionally ho indulge ' In delineative effects, but when he di , so he put no insuperable rock in tl j way of a translation. Value Chiefly Educational j It is only for musical folk of a studioi ; mind that the cantatas ave good cone? ! material and they are likely to acce ; them for what they are?churi ? services. Now a query: Would not t! ' laudable purpose which underley y? 1 terday'a concert have been belt I nchieved if the text had been intel ; gible and the performance more 11 ! that which prevailed in Bach's tim I Suppose the choir had been like that ? the Church of St. Thomas in Leipaic [ one of men and boys.?and as * <?onc< slon to the occasion (and the mus: | both choir and orchestra had be nearly double in number thoee tl Bach controlled, say, twenty singers twenty to thirty instrumentalists. Si pose that the concert had been gh : (n a hall (or better, a church), with , organ and that the figured bass h | been worked out by an accomplis} musician, 30 aa to be something mi than a support for the voice? chorda! harmony. Would the ?udlen j which was a fine one and one of s? ' ous mood and inelination, not have joyed an artistic sensation very c ferent from that afforded by jest day's concert?admirable as it was the main? We think so; but some n think we are disposed to think curiously about these concerts. All the above is a Sunday m?dit?t in which and in the pleasure wh the concert gave we could not h indulged had it not been for the i that the Friends of Music gave a B concert. To i% Ms. Bender gave < tinction by his singing of the solo the cantata first mentioned t,nd Huberman by his playing of the e certo, and also the obbligato wh accompanies the solo voice, which the chief factor in the service the Feast of Purification, the cho having little to do in the cemposit In the eecond cantata there was quartet of solo voices?Mines, Per; and Telva and Messrs. Meader Bender. The contribution which ladies made to the pleasure of occasion was rather negative t otherwise. Bach's music must be a with a steady outflow of tcne? that of Mr. Hubennan'a violin obbligato and concerto?as far as sible away from the style supposei be dramatic at the Oper? House. sisal pacsages, ?ike the words, mus lucid. Concert singere trained in English school of oratorio shouk employed in such work. The concert began with -an ore tral transcription by Mr. B^danzk Bach'e organ choral prelude en ' tiefer noth schrei ich su Dir." Townsend's chorus sang with precii good balance of "-one and good ex| Bion. It may have had more viti of effect for the listeners in the cony than for those on the main f Acoustical conditions are also im tent in concerts of such unusual c acter. At the Symphony Orchestra's con given eimultaneonsly in Aeolian '. Mr. Felix Selmond, the scholtrly finished English 'cellist, played Bn t transcription of the Hebrew melody, "Kol Nidrei," after the concorto by { Philip Emanuel Bach, and the solo ?art of Strauss'* "Don Quixoti" after Respighi'e "Fountains of Rome." ?.>.?' "? '? M'Cormack Sings German For First Time in City "We find ich Trost' on Pro? grant at Hippodrome , Concert German song was an unfamiliar feature in John MeCorraack's Hippo? drome recital yesterday evening, and there were signs of careful preparation in hi? single number in thi? language (the first, it was said, that he had sung in public hero), Hugo Wolf's "Wo lind' Ich Trost." He u?ed his ful! vocal power and re? sources in striving to bring out the fullest measure of expression, and seemed well able to do this, while, as in his other languages, he had a dic? tion that brought out the words with unmistakable clearness. Still, he did not seem as yet thoroughly at homo in this medium, giving an impression of conscious care not found in the ap? parently effortless freedom of his numbers in English. The opening Handel aria, "Lascia ch'io piangi," and an encore number from "Boris Godunoff" were sung In Italian; elsewhere Mr. McCormack ad? hered to English. The first number seemed to require some effort; but his voice warmed up in the flowing ornamentation of an? other Handel aria. "Tell Fair Irene," and thenceforward was at its best, with the familiar McCormack clearness 1 of tone, capable of a wide range of volume and fine shade? of expression. His Irish songs had, of course, the reatest appeal for the audience; but e was equally effective in numbers by Jarnefelt, Merikanto and Tcherepniii, and both Irish songs and more sophisti? cated numbers were sung with artistic refinement. As usual, the house was filled and Mr. McCormack liberal with encores until "Tho Last Rose or Summer'' and darkness sent tho lingering audience home. As before, Edwin Schneider, represented on the program with "Only You," M'as the accompanist, while Rudolph Bochco showed a good, clear tone and plenty of technical skill in five violin numbers. Audience Shiverg At Metropolitan Symphony Concert Unfinished Repairs Let icy Blasts Sweep In, but Mu sic Lovers Stay ' to End | of Excellent Performance ! Yesterday afternoon was undoubted? ly cold outside, and it vas not much warmer inside the Manhattan Opera House, where the City Symphony Or? chestra was giving the first of its pop? ular Sunday cfternoon concerts, achiev? ing, on the whole, a success under ad? verse conditions. These were obvious. The repairs which had delayed the concert a week were still far from finished, especially those on the outer '^a 11, so that icy' draughts played around hands, feet and, noses both of the musicians and of the ! audience. Thi? jres not, of course,! the fault of the orchestra, as its man- j agcr, Arthur. Gaines, in thanking the audience for its support, explained, ! adding that the heating apparatus ' might have acquire^ temperament from the days of Mary Garden and Mr. Hammerstein. The glacial conditions, he added, would not occur in future. Dirk Foch began where he had left off eight days ago in Carnegie Hall with the "Tannhaeuser" overture, tak- I ing it mostly at the same leisurely ' pace as before until, inspired perhaps by the temperature, he led the orcheS- I tra in a closing sprint. In general the ? performance was smoother; the brasses I were still rather rough and a sour horn note was heard near the begin? ning, but the etrinjrs had an agreeable smoothness, showing up well in the ensuing "Peer Gynt" suite, "Fleder? maus" overture of Johann Strauss and the second Hungarian Rhapsody?this last a brisk, spirited performance. . With an orchestral concert in each of the three principal halls it wan obvious that the City Symphony would have to draw on its hoped for wider public for an audience?which it ap? peared to have done; while the audi? ence did not fill every seat, it was of a very fa'r size and cordially braved the cold until the end. The Stage Door "The Bootleggers" at tho Thirty-ninth Street Theater Ana "Liia" at Daly's Sixty third Street Theater will open to-nurbt. A private invitation ?reas rehearsal of "The Bootleggers" was hold last night. The Threshold Playhouse will present its third bill of the season at the playhouse, 571 Lexington Avenu?, to-night. James T. Powers in "The Little Kanjra roo" will open to-night in Stamford. The Grand Street Boys -will have a theater party at the Central Theater to? night in honor of Henry P. Dlxon, a mem? ber of the organisation and producer of "The Midnight Revela," a Shubert vaude? ville urlt. There will he 500 men in the party, and many of them plan to sit in tho tfal'.pry an a reminder of the days of their youth. Holiday feature? will be nrtdod to "Better Times" at the Hippodrome to-day. The features are for the thousands of chil? dren who com?; to the big playhouse at holiday times. The Keith vaudeville circuit will add its I ninth Ohio house to its string to-night, opening a new- theater In Dayton. Frederick Perry is to act the part of the "grin?o" ?r. Outhrie McCllntlc's production of "Gringo," by Sophip Treadwell, which is isoon to be presentad h?re. Edna Hlbbard will plf.y the part of his daughter and Jose Ruben will be seen as a Mexican. tVilllam A. Brady Is vesting In Atlantic City. Since the first of September he has made five productions hero, including "The World W? Live In" at Jolsor's fifty-ninth Street Theat?r and "Up She Goes" "at tha Playhouse. Br. Brady will begin prepara? tions this week for an early New York production of "La F!a.mme,,r by Ch?ties Mero. Rehearsals ara to begin on Decem? ber 1?. n John Golden announces a prise of flflO for the b?et "constructive" criticism of Trank Craven's comedy. "Spite Corner," in wv,j..)l ???<??-* Kennedy ia ?tarring at the Little Theater. Mam Hume, director of the San Francisco Stftge Guild, has arranged with Brock Pemberton for the Guild's presentation of "Six Characters In Search of an Author" as Its first play of the 19"3 season at the Plaza Theater in S?n Francisco. Air. Peni berton is now presenting the play at tho Princess Theater here. Schwab & Kussi!, producers of "The Gingham Girl," now at the Earl Carroll Thrxtcr, are planning a melodrama 83 their next production. .Daniel KusslI is l now at V?r!( on th? dramatization of a. novel which win furnish the play. "Bavu," the play v.-hich Earl Carroll j wrote to open his new theater, is now h*'nr made 'into a motion picture by Universal. It Will be called "The Attic of Fell* Bavu." Wallate Berry hag the title rolu, created originally by Henry Herbert. West Harlem Easy Victors . The West Harlem Football Club eas- ! ily defeated the Bay Ridge eleven by o goals to 1 in the New York Stat?! League game at Harlem Oval yester? day. Forman shot three goals in suc? cession for the winners in the first half, thereby clinching the victory. After the restart Kelly and Neil added a goal apiece, making it 5?0. With five minutes to go Murray scored for Bay Ridge. Wide Range Marks Concert Program of Philharmonic Scipione Gtiidt. as Soloist, Admirably Renders Bruch Fantasy ; Brahms Sym? phony Is Well Received It is * far cry from the serene medi I tations of Brahms to the dance of i Salome In tho Stradts opera of thut ! rim?, That was tho distance traveled ! by tho Philharmonic ai its concert ! yesterday afternoon in Carnegie Hnll, ! with Liszt and Bruch marking the ! milestones. Scipione Guidl. concert toaster of I the orchestra, was tho soloist of the afternoon, and gave an admirable por formance of Bruch's Scottish Fantasy. Mr. Guidi in always something more than routine in the brief passages that I occasionally fall to him alone in the various orchestral works which the so? ciety performs, and at; the violinist of the New York Trio he has often won praise for the excellence of his cham? ber music playing. In the moro pi o tentious offering yesterday he ac? quitted himself exceedingly well, play? ing with excellent tono and styie mid with a poetic feeling that avoided the excess of sentiment so easily read into Bruch's composition. He was heartily applauded and wo? n chorus of "bravas" from his associates in tho orchestra. Tho first section of the program was d?voted to the Second Symphony of Brahms, which thus had tho advantage of playera reRted and refreshed Whether for that reason or not, it was played with the most caressing warmth of tone. Mr. Stransky conducted it and the large audience listened to it as if they still considered it far more than merely a tender memory, in spite of the pronouncements of M. Pierre Lalo, delightfully discussed in Mr. Gil- j man's progrnm note. If it ic facing sunset, its sunset colors still burn with a steady glow. Perhaps it is u mid? night sun. Liszt's Symphonic Poem, "Tas3o, La? ment and Triumph," followed, and con? trast and balance were further given the program by the music of Salome's dance before Herod; which brought it to .- close. ? ii ?i Emeralds Gain Two Points Defeating the Victorias by 5 goals to 1 at Howard Field, in Brooklyn, the ' Emerald Football Club gained two . points in the New York State Football ! League competition yesterday. Me- j Mannus. Hughes and Kano scored in the first half for the Emeralds, who j led by 8?0 as ends were changed. Lsn- ; ahan, of the Emeralds, scored twice in j th? second half and Vecsey ?cored for Victoria, On the Screen Toll of the Sea" at Rlalto I? Perfect Color Picture; "East Ib Weat" Filmed By Harriette Underhill Jt was just our luck to have to go to see "The Toll of the Sea" at tho Rinlto Theater, and now wo are afraid that it hns spoiled us for nil other pictures of a similar nature, it is so beautiful! In color and in production it is one of the loveliest, daintiest pieces of art work that you could find. It seems to bo just a little bit of life lifted out of the Orient, framed and sent here to delight thn eyo and sadden the heart. We had not dreamed that the old, old st--y of Mme. Butterfly could ever again wring tears from us, but this story called "The Toll of the Sea" did just that yesterday. We aro one of thou? persona who cannot enjoy a picture if the people n.round us rustle their programs or eat lemon drops or fuss with their furs, so when wo found oursclf wedged in between n fat man who was so expert nt chewine gum that he made it crack loudly caen time he set his jaws in it and two girls who combed their hair snd lauHied all the timo wo felt that "The Toll of the Sea" was not going to get a fair chance. And then at the end of it, after poor little Lotus Flower had been swallowed up by tho cruol sea which had once given her her lover, we turned around to sec where our tormentors had gone to, and there they were still chewinp and laughing. Where !s there another picture that could ma're us oblivious to such surround? ings? The people who have made thir, new colored picture have done something so beautiful that it is rather nwe inspiring rnd critic i siinr? it is like dissecting a butterfly. Never have we seen such perfect color as this, and while it seems almost like vandalism to tear it apart and say: "it wns made by the Technicolor process which consists of," etc., of course it is necessary to give credit when credit is due. If this proce?a is not perfect then, nt least, we could find no flaws in it. None of the fault'! ct' other co'or proc? esses are apparent. The tones are soft and lovely; there are no fringes nor flashes; the outline is clear and there are no deep shadows. Also, ob? jects appear to posse's another dimen? sion, and it seems as though you could reach ont and take tho hand of Httle Lotus Flower. That Oriental beauty, Anna May Wong, is tho Ch'nese bride who loses lier most honorable husband. Never before have we seen either Anna May or Kenneth Harlan do such splendid work as they do in this picture. No wonder Lotus Flo-.-or broke her heart mourning for her "honorable mun." If being photographed in color can do this for an actor, where is tho hero would would remain Just a black and white shadow? We predict that "Toll of the Sea" will incroano Mr. Harlan'? fan mail 100 per oert. Then, In addition in the color and thr. oast, there In the direction. This is by Chester Franklin, and we doubt if Ilex' Ingram could have improved on it. "The Toll of the Sea" .seems to US th? perfect picture, and v.' : do hope that there will bo plenty ol* other person? who Will derive from it a pleasure equal ;?> our own. It has ft frail, spiritunl quality v*liich provide!? a iioill Bati.ii'ying Interlude it. ft prosaic world. Fiances Marior did tho ?tory and J. A. Ball bar. charge of the photography. Besides Anna May Wong and Kenneth I Harlan, Beatrice Bentley 1? a very beautiful American wife, Baby Moran a ch?rmirig young son and Etta Lee and Ming Yung are cunning as the two Chinese gossips. Hugo Riesen ? eld has fitted aome hauntlntr music to it, and the prologue is sung by Miriam Lax and Adrian Da Silva -sh? us Lotus Flower and he as the American hero. The overture is "Samson and De ! lilah," followed by nome classical Jazz. I "The Mirror," showing the first Wright ? airplanes, and ft Mack Sennett comedy called "Teddy in Bow Wow" complote the program. Do hot miss "Toll of the Sea." If vre had known wo should have chosen another tim? to go to the j Strand to see (Constance Talmadge's new picture, "East Ib WoBt." Miss Tal ! mndge Is one of the most likable of all f the stars. Frank, kind, non-egotistical, and such a sense of humor! Therefore j It would not bo possible for us not to j like her in anything she did. She has ?had some pretty bad pictures, but never i have we failed to enjoy tho atar's per? formance. Therefore, while we do not think that "East Is West" is a good I picture, <wo do think Constance is a ? good actress. ! "If Eant Is West" is merely a ekit | thon we are wrong and it Is a good pic? ture. You can laugh easily just as you can at Ben Turpin?almost us easily | as you can at Charlie Chaplin, but there in no sense of reality, no hint of tragedy in it. You know that Ming Toy Isn't afraid of Hop Toy nor of Charley Yong; she is jutt having a lark; and we remember when we saw the play how worried we were over the perils of Fay Baintor. Of course the fact that w? hud just come from "Toll of the Sea," where it is proved conclusively that "East is East and West is West," may have had something to do with the s'tate of our mind; but then, after all, they ?prove that East is not W?el, for Mint/ Toy is of the West and not of the Eu Of course, Billy Benson could never do anything so unconventional us marry n Chinese gir!. Oh, yes, indeed, Ming Toy turns out to be of Mav fliwer stock and all that sort of thinir. This is no surprise to any one, th? surprise being that she could cot?-? her identity as long as sho did. Wh; ' on O&rth wou^d ever make them Kill ' she was Chinese? Any one can J??; an embroidered kimono and her hair i] a pigtail or twisted over her ears. Probably everybody went to see. Samuel flhipman's play, and every or.' knows the therne, thouTh it is C?ttaid crably jazzed uj? to suit the OCp?afon -1 '"" ' i"!+b what f? known as sure? fire stuff. It is also filled with beruti iu. sets, wonderful nhotoT-'tphy and ??orne mighty good acting. This is con? tributed by the star and by W?.*ner Oiand, *ho is simp'y mar"elous nn *he sinister Charley Yong We remember the original Charley, and Mr. Oland ?3 not onlv "^om(.*\\ir,g just as good"; he is something better. Others in the cast who do good work ...... "-"?<,,,.,?( R,1rnrt Hs Biliy Benson, Nigel Barrie 0* Jimmy Potter, Winter Hall and Lillian Lawrence a1? Mr. and M it. Benson, and E. A. Warren, Frauk Lanning'and Nick de Ruiz as China? men, good, bad and indifferent. Frances .\r^r?.>n r.i>i(](? th's S*t*%iBrf<>. also, from the play by Samuel Shipman and John B. Hyrner. Sydney Franklin, who is, e, a ?other of Chester, di? rected tho picture. The overture is, of course, "Madame Butterfly." Robert Armbrust er gives a demonstration of one of those me? chanical pianos which go right on play? ing when the pianist resttf. 8fi? ?t the most interesting thing? on the pro? gram in the Fokine ballet called Fan? tasie Chinois. It is danced by a lot of barefoot misses in Oriental gor geousness who flourish long and dan? gerous looking swords as they dance. At the Capital the feature is "Hun? gry Hearts." "Singed Wings" is a* the Rivoli and "What Fools Men Are" io et tho Cameo. These will be r*. tic.-cd later in the week. Mile, Sorel to Stay Comedie Fran?aise Company |# Give 8 Extra Performances ?iwjng to the success of Mile, /-'it?,' bee associ?t?? hn th? Com??? cftiHo Company, Lee Shubert kse made special arrangements with ta* French government through the French Minister dea Beaux Arts, fay eight additional performances in New York. beginning December ?. A theater has not yet been selected, but wail orders for reservations may &*. addressed to tho Thirty-ninth Streif Theater. The repertoire will he: Monday and Thursday evenings, 'ft* Demi-Monde ; Tuesday evening' gg? Saturday mfttinec, "Le Duel"; Wf-rlm?. dny and Saturday evenings. "Carr.ill**j and Friday evening, '?'Le Mis??. ihropc." Today at Luncheon ask the waiter for a bottle of Lea & Perrins' Sauce, 1 se it with your soup, fish, meat'and salad. Ask for LEA&PERMHS! SAUCE I THE ORWINAL WOPrCESTcRBHlpr, M AMERICA'S iyiyB>TOST Tino ?TiirH ANP PITS. p'"F("r"<\ of i.KK ANH J. J. Kin'IlERT""" lirio. W.NTER GARDEN &?!| ? ? LAST U NIGHTS. POP. MAT. TO-MW. I' The PASSING SHOW of 1922 l'rewnt- um I'M WILLIE &EUGEHEHOIWRD !) c e*t im y p?&.i' %k sac St. 8:?0. >I?U. WM., ThanK?. 4 But. BLOSSQM T?IWE Boo SEAT? I 500 Hi AT? I 7<M> SEATS nt 5<)c at S 1.00 ! at ICJ.oa SHUBERT VAUDEVILLE Tni l>al' ?:ig * t-.is. ucn i n?i? and ?'way. liEC-INMNO MATINEE TO-DAY. WHIPPLE RIGGS & & HUSTON WITCHIE ?? MIDNITE REVELS AND ALL STAR VAUDEVILLE RILL r??nt e?d & Tout. rk. W. Kv.l nOOl M?ts. Tun., Cfin'ury num mm?, tu?., nigs & ?at Rny Comrtock and Morrh fi'-st announce From >lo .?<>.--I'urin? LohUOlt | 10th Month?Extra Mat. Thaaka'g. G?S'NO ?9th > ??lit BVay. TOrtf?. R:?r>. Mats. Wed., TiMiiik?.?'* A Sat MUSICAL COMEDY SENSATION SALLY, IRENE and MARY With Eddie Dowlin? and Oroat fail. DCCT CE?TP EVS- ?2.50.'K.\-cr;,t. rtut. & btOI OCA 10 WED. MAT. W.IHoliday?. BB?4DHURST Matj. TU&nkairlti'A ?at. SPRINGTIME OF YOUTH THK "PERFECT" MTSICAL PLAY. 39TH ST ^:VTO-NIGHT^ MAjDlSOfc COREY Announces iBOflMCCBS a Timely C?mfrtJy by WM, A. PAOE. AQTtj BT The?... W. of B'y. Kr?. S:80 **?? lud?) Hats. Thiiikaxlv.r.s & Sat. SUPER MYSTERY PLAY. WHI3S*ERING? WIRES Maxine Elliott's IS?Al^8*5 Extra Matin?? Thanksgiving ?ay SAM H. HARRIS preen'? JEANNE EAGELS in "RAIN" jt'iranrttil on W, S. Maiurhe.:?'? "Mus Th>vrnp BUrcd by JOHN I>, WYiAAAMH. JOLSON'SSSth ST. fefc?rt *? MATS. THANK8HIVINO DAY aJid SAT. THE WORLD WE LiVE IN *r?LT The apngatton of the <''<;nt ury. 45th, W. of -B'Wajr. fis. R::7tT Mat*. Wad., Thk??. Day 4 Hat. ?.AJ3TJ?TEEK "TO LOVE.'' by Qeraldy. BIJOU GRACE GEORGE Norman Trevor ? Robert Warwick PLAYHOUSEA^riayl'lat "Delightful musical comedy, well artel, dnnccl and Bung."?Eve. Post. UPSHEGOES ;AM8ASS*D0r1:'%.:"t&,??I International Musical 8iieres? |THE LA*>Y IN ERMINE I With W'ldn Bennett sr.'i Walter Woolf t.OOI> BAU'ONY SKATS ?1.00. ?2 illllDCCTTn?^' Juh- w- of ?'y. Str.8,-30. I vflUDi.nl Stats, Thanksgiving ?nd Sat. GnegNWiCH Y?s,*,a?e Follies i ? Fourth Annual BELM?NT^o48-^?MS- BT8 THIN ICE COMEDY HIT MuT'k?r'?A8it.' SOLID TilJ.lATRB, VVU8T 4? 8T. OPENING RITZ WEDNESDAY NIGHT (THANKSGIVING EVE.). SEATS NOW. SAMUEL WALLAru i>rascnta THELAW A Now .Melodrama by Elraer U Mea. Frum a story t'y Hajdi'n Talbot, D>crteil by lister l^-ii?rsan. With Alma Tall, Arthur Hohl, Warburton Gamblo. A. H. \Tan Duran. William Ingur ?nu, Hn<m Hurilkk, Aloxamlfir Oiialuw, Walter Walk?-. Han? Robrrt, Chas P. Dates, Frank Wo?tsrUm, Valerie Valarl?, Joseph P? Staphani?, lUchard Stevenson. (. W. (looiiricli. John V. HiK-he & otlior.. First Matine? Saturday, 2:20. SELWYN THKATRK. W. 42<1 St. K?((5. S:S0. Mats. TUCKS, anct SAT.. i:HU. h Harne.- m\ Alexander ?ERNARD&GmBR US! PARTNERS AGAIN T!i.,4lSt.,Rof B'y. Btb.8:S0 Mats. Thanksg'g Oaj GOiVSEDY A. A, MILNE'S The ROMANTIC AGE ?7 .Mont?un? GIa?a and Juiej Eckert Goodman. | Prince??, 39th 8t. I??. 8:45. Mats.Tke?.IHy & 8*1 -__-| ?j^ rJ?w>ck P?*?l>?rton'ji ProdnotloA West 4?il HL Evening? at, 8:30. | W^. ' ne (?reutest play I'm ?ver aten." ". CHARACTERS -^v? Rowland. t, ,\?, SPRCH OF AN AUTHOR P4rpwaeHo'8 Sensational Dramatio Xovclty 1 REPUBLin Matrv.Wwl..T?\ur?.Ar B?t. at 2:Z0. Abies Irisli Rose The Play that Put ? In Humor CI TIM?C Theatre, Went 43d St, ?hiJ. 8:30 M.llilUC Matinee? WED. and HAT.. 2:30. AL'S HEF?EI H t) By DON MAHQUI8 B! VRfiftlIT??' West <?5.""?5ven!n'fV'?:Se. fi? ? 111 UU I 11 Mat.s.Thaafo;g'gI>ayASat. _J MATINEES WEI?., TH.UH8. and SAT. Frazee Thea< 42nrt, W. or Il'wty. HvcnlnR? 8:S0. By W. SOMERSET MAIGIIAM, UATU?EES THANKSGIVING and SAT. GarrickThea. West 4.-.I!) St. Breninis 8:S0. Mats. Wed..,Thur?. * Sat.. 2:80. i EXTRA HOLlDA? MAf. THURSDAY Bio a UBT HIT tN TO W.V / THE LUCK LAST WEEK *faf NATIONAL ft N g ' . C5 ?Wcst 8S Street ^H P I.retiiii?s S.30. W. of ?'way. KveR. 8:30. Matinees _ \\>d.,T1itik??. DayAdat. Extra Mat. Thanbgiving Day. He-fln- T?T?C f?ch C SEATS nlnjf IWCO?? MCI?? w TO-DAY "FASHIONS FOR MEN" XrZ Molnar a0oV,or' "Liliom" with O. P. HEGGIU ?is~SQ. eV-!I&.': "HAS CAPTURED NEW YORK.'?? Ch.innlnfr Pollock's Poworfu: Play, MATIK'CSR THUB9DAY i. 3ATURPAY at 230. nKnOSTNOmiU ACWeV?WeilT Of TH? Off EM?T? D0?GIASFA?RBANKS HCTHEATR3 WW?MrVp sr. JOHX HITS Madge KENNEDY In PRANK CRAVEN'S R?OT I ITTI P W. 44 St. Kt.S 30 a.? I I a??> Mats. Wrxi. & Sat. ?? " Ross Bernd " L0NQA&RE By Hauptmann Mats. Wstl. ?ad Sat. S:3.-. A Love-dram? of Joys and Thrill?. At Rf?fiTU W. 45 St. Bf.SlS?. The WUU I H Mats. Wed. & Sat. Kxtra TlianUngirliiE Matlneo Both Xneatres. D.W.6r?'s 8ui?remo clasaiu of the tilma For One W?ek 1'ti'SfiimlwK Mon. Evo., Dec. 4, SELWYN Thea., W. ?I2d. Twice Dally. Seats on Sale To-day. m/ ? -W??X?AM ^oi P^enta0"8^0' "THE TOW? THAT LAST WEEK ' P. W. GRIFFITH'S bB ht G Orchestra. N??hta. Jl.OO aucl ll.Jfl; rlliHfci'J. a?lctny, 50c ' it. ?Its.. 56e 6 II. Hippodrome, Sun. Ev., Dec. 3, at 8.15 Seats Now on Sale Prlo? SI. S.J.50. J2 %-? s? anil $3.00 (plu? io-^ Tax). Aeolian Hall, Wed. Aft., Nov. 29, at 3:15.! r~ v'?ns Recital'?BLAISE Mfft. JSvelyn Hopper Stein way Pla.no. iVOU'8,h8edW58'??aS ^? Paramount Picture: H'.v.40?t. Rivoli Concert Orchestr" Aeoliun Hall, To-morrow Afternoon at 3. BERYL RUBINSTEIN PIANIST Mgt. Ijoudon Oharlton. Stelnway Plan Special Req B? Organ Rerita|_ Wednesday I)Iov^ber 29th A'anamaker Auditorium, 2:30 ?L ^IJ^-rt Bureau Wana.,^ f-aS Moai IS St. ? IALT0 THE T0LL^f SEA' I l^-^-^VfHV'BBBriDJE ti!? SENNEPk' COMEDY l'amous .Rlallo Orcn^ocra AEOLIAN HALL, TO-DAY AT 8. Piano Rocita.1? MAIiGKETI?; SOMME VlBt. Daniel Mayer. Steinway Piano. IjAMfi KIRKWOOO noSlE FROM HER SENSA? TIONAL LONDON ULCCBSSKS I Seat."? at Box Office. . Mtolnway. B.S.Mo ? PYRAMID PICTURES Uo., ?HViear? C?"?:.SSHgCKOSrK'il State ?"TM?Lma""^ ?W* ?', * .J5 Ht. ?W Wrtfoja "Goln* S B'y at 61?t. M A it K Constance Talmadge In "Ea?t Is Weit" U'y &. 57 8t "^ Strand Symphony Orchestra and the Baunou? I OKS-NL HALLET SKI A It K b^ TR?N0 Opeoa H;38 A. Id. I itii JANE -NOVAK V!iCltr,.,l- ???w Siralisht" EIHHE FOYER a?ui othara. Th? Ev?-ninpr .Twjrjia? said: "Wo UMually fry to pre ?i*rv? a stony reviewer'? face, but w? Utvghrti till xve wer? nnhamwl of ourselves." The Texas Nightingale With .?OI?YNA HOWTAM). ' Cut UiCliiUln? CYRIX KEiaHTKEY. AT TUB FMBURL* ?'?-?y * 40 fit. Ev?. 8:20. KM r IIIC. Mat/i. Wcri..Ttiurs.&Sat.. 2:2.") 3M?TS.THISWEEK^S&-J 'New Antterdaro Theatre at 8:1C* PO?*. MATS. TH1K-. A SAT. C0R? ? THKA., %.. MERTON evek ??. a ? i's?*. W?d,, ItTi- & s OF THE MOVIES ?wwOUNN HUNf ER-HOREMO VAS? AKTUi'K HOPKINS presents JOHN BARR?M0RE ' "HAMLET" . W. ? Si Tiiurt. aii.l Hat.. 2 DALY^S 63d ST, | Tftgj<j|| StTD?flOHT FKRFOMTO? WED., 11:4*1 sja -s?.A?r COMSDT -PEOPLE--? 1 SPECK MAT. THKRS.??RZ'V. MA. LIZA sr HARRIS Th" w ! G5.? COHAN THEATRE E'way GCQPVCOMAtIS COWtOAflS LITTLE NELLIE KELLY EXTRA MAT. THANKSGIVING OAV " VANDERBILT ffi? &1^ KXTKA MATIVKK THANKSGIVING Mat*. Th!, \V< WEI?.. Till RS. & SAT. m?H?!IH THE GINGHAM GIRL ci EM DI BISSAU THEA. T Are. & V, Sfc?j AnL bAnnULI. Mat?, thtjbs. * .-at.' MlIBf AH ^??sr eves e?_. ri WVllr W9 fl*rs WS 17 (/SAfj K>^ oeo. ?rt. cowan pstesenrs TM? HIT CP TH? TQWtN KXTKA MATI.VKK THANKSGIVING. ffJfL J I I f jM f JP If S TteTORCH-BEARERSli^Ml or hikvkioi's comedy ta?? a Howutic success "Post 4 MATINEES THIS WEEK: WED, (POP.). THIBS., FKI. (POP.) and - \T THEATRE g'tt/AY <ir 4-6th Sf TOMORROW NIGHT 0PENIN6 OF THE REGULAR SEASON CMAM.ES WIUNOHAM rueseirrs A Ml SIC Ah ENTERTAINMENT Till BUNCH and JUDY fcrcsic v.v jkbosoe kern BOOK BY ANNE CALDWELL & HIGH FOKD. STAGED BT JTBED G. luATHAK. With FRED and ADELE ASTAIRE JOHNNY DOOLEY RAY DOOLEY GRACE HAYES SIX BROWN BROS. lau.Tiiu.kss'g o* Sat. "Real blueblcod ainonq showt."?Tribune. A. L. ERLANGER'S Musical Production, The YANKEE PRINCESS (From Kaiman'? "DIE BAJADERE") With VIVlKNNEi 'lltOKI'E! JOHN T. &KGAE i B.ViKH i .UCKKAi I VPCIIM w?t 45th st. Bfieolnca at $:S*. LIVkWlTl Mattneas THTJRS. A; S.'T.. J:8ft. THE IRRESISTIBLE COMEDY HIT: DAVID HKt.ASCO Pruscr.ts 'SHORE LEAVE" FRANCES STARR IN Hryaiit ut??. ?..Th.A-S.it. EQUITY 48TH ST. 5 Entire 2nd Balcony TIES. MAT. 25?. "HOSPITALITY" SS? JT-rlT'S WORTH WHILE: SPKC-i; THANKSOIVINO DAY MAT. 2:?0 r?7j~T?IM THANKSGIVING (ThOrV) MAT. PUL, IV ft Regular Matin?? Batahlay. . et>wA#o sr% r>ovce-s HANGE OiQSSOm GAIETY m B??rlns?i8:30, Mat? Wed.. Vtwiv. & Sat. I P. Hop?t?e? y JOHN GALSWORTHY ASSOCIATION AEOLIAN HAKE, TO-NIGHT AT 8:S0. IIINKEE?KOCUAN SKI RVfHNSTKIN?WlUM .K K - ?OS? Seat? now ri Box Ofllce. Stetnway Piano F. C. OOPPicus?. M*oa*er. CARNEGIE HALL. TUES.-EV. at 8:30 gjfic E Coneort to ntiasla'? Gr??teiit Slnotr Heals $1.05 to $8.85. at Bo\ OIT. Baldwin Piano. M|t Metropolitan Musical Gurrnu and S. rlurok. H?iYA-13EIHESMfiDFnLIVEAHD BREATHE BEFORE Y0 R EYES! So wonderful it wHI thrill and entrance yon Technicolor Presents ?f ?? A rail Length Matare! Color Dram Released by Metro ALL THIS DIA ITU Broadway WEEK HIH?. IV & 42d St J flTY SYMPHONY ???rnto?.e il4ii. iu?n^itA at 8.30 eOWN HAUL, NKXT WED? ACT. At :!:0t?. ?LENA ?ERHARDT fe Irahms lat Symphony; Beethoven, Ov -*on?r? No. 3S jBehubeit, 8o?uh ans? Roms, W>o. 88c at Ho? Office. Arthur J. Ualuo?, Mgr ITS SOMtf STQ?Y 5? ?imamt .' ^Awfw?Trulh* ?) <s 68UCE- m?JA? /?r * HENRY MfUiffS r*w *?wf^i?uer?r ' ? DCLHObU Matinee? Tour?. &ad Sat.. J*?L ? 417th Performance To-night DAVID BELASCO Trcsecta a? JJLRIC ^KM?' Greenwich Village f^i ?jj%t$$?? A "FANTASTIC"fR?CASSEE" with .TAMES : MABEL BOBB? _WATTS I ROWLAND : EDWARD? MUSIC BOX K?fSfc?Sl METROPOLITAN Hot*i To-nijht, i:*5, Tristan. Mateenauer. Gnoffet Taurh-jr. WhitehM. Bentar. Bodanaky. Wed., 8:15, Tot? Stadt. Jeritia. Telte; Fr?!?. rold, Sri?uuemV.ir?. Mai?et Bad?. Boda.-.jkj'. ? Thurs. TltinxsgT^MaX t: 2. $1 to $5. CarTf mes. Saaten, Mario (debut). GfcU!; Mart?- | celll, Ue Lupa Hwwhuan?. j .iur?.. 8:U, Ls Traviala. Bor1.. GalU. G:f i aiilse. l'icthi. Bada. laoranioaL Fri., BUS, Tcica. Jt-r?tis; Jota;son, Scottt riwiii. tfatttacUu Mora-'i?.?-.:. S?t., 2. Oon Caris?, lirait*. Gordo?. GaCL Mar?nel?. D? Luc?, Cuallaptn. Rothier. PapL S?t., 8. Top. Trices, ?raselo. Borl: Oaiale?. HqaCU, lHiur. Moiatt&uni. Paollaecl. Eet ? ber*r KIu?s?co, L>ani?o. Tapi. Next M??, et S. Hem?? et ?ulistte. Bort. D?!a.. iio??; Gig-11, I>? Luca. Rothisr. IMdu?. Haaseliuei ? i FM. Aft.. IH?. 8. at 1. B?DClC?l " ?*> l;" j Matlne?M?t te $5). ran?lrak ?norrovi j Matstiiauer: Tauch?. SflUdar. WmtehflL ?i '.uisoiiUorf. Guatafoxt. lledanzky. H AROMAN' P1A.NO l/SKD. GHTI ?T-2.20S 8Eft mm WAS m FLOWER PHILHARMONIC Jeaef 8('??sxy eoodwctto* aaETROroLiT?t CPEKA HOUSE. To mcuro* ?ve.. 8:80. TCHAIKOVSKY ?H* SVMPH?NY Uulniistflti. 4tJi Beethoven Concerto I Ciwneate Hall. JPai. Aft.. Doc. 1, 3:00.1* vi.i'^m ?s v m phony, 1st Time. "SehehertwatUf* 8at. Eve., Dec S, 8:30. tortoi. ?' F A T H K T I Q ?j K " Dec. S, B'kly? Aeademy. Steinway Pianf| COL??SSA"?^ ?Ia^s:_?(NI0^ KM_ \?m }m 8?t?Bnat to^f?J Luncheon ?Se. Dinner $1. A La Caxto Bartiea Al??'. I ti*ciai ancien WaSlo Lunciwoti ?i. vrmmt tlJSf;