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ilWhen Technicolor Holds The Mirror Up to Nature Why Yon Will Find the Picture So Perfect That You Cannot Tell the Reflection From the Original By Harriette UnrJerrhill ?Doel shoot till you eee th* white? *f their ?ye?!" That ?? what Joeeph flesaath ?aid te Tir. Daniel Cometock ear* reaeatly, and probably both ef these were a* ?acRed that neither ?! ?h?m noticed that Mr. Scheuch waa ?atalating th? commander whe i?ee*d hi? sow famona order at th? tlm? of ?ha Banker Hill dlaturbanc?. Dr. Com Baoch repeated it te es yesterday, with eat getting th? ?IgnlrVane? of It, either, ae w? callvd hi? attention to it. It happened thoa: Dr. Constock la e?a? of the Inventors of the new Tech? nicolor prove?? which waa uaed in th? raaklng of that exquisit? new picture, "Toll of th? Sea." Joseph Sehenck 1? interested financially and etherwiec, ao whea Dr. Comstock had same finished ?ample? be begged for Mr. Sc-< hosest opinion. "I have only on? fault ta tad. The eyes aren't quit? clear. Try a little? more light and thea dont ?boot till you aee the whit?? ef thvir ?yea." Of cour?*, ?vary one who know? anything aboat picture? know? that photographing a ?cen? i? called ?hoot Anyway. Dr. Comstock took Mr. Schenck'a advice, and th? result la a pJet?re in nature'? own colora and without a flaw. Colored picture? always have fasci? nated ua. When we first began to re? new photoplays the Technicolor pro? duced ita first picture, called "Th? Between " Th? color In this ?arly ?ample waa a? lovely as one could wish and far mor? satiifsetory than any of th* vari ou? proc?s?*? which w? have aise? aeon. But tbar? were feature? about It wh'ch made It impractical; so everybody act to work again to try to perfect it. and if on? may judge from "Toll of tha Sea," which waa shown last week st the Rialte Theater, ?v? ?ucceeded. What w? ware moat anxiona to learn from Dr. Comstock waa why thia new Technicolor process ha? no fringes, flaahea nor deep shadow?. The actors on the ?ercsn appear to be real people walking about on tb? stage, not sba dewa on a aerean. The face tints are abaolutely natural and It 1? not neces? sary for tha actor? to put on any make-up, either. The exterior? are taken In th? ?unllght and the Interiora ?SB photographed und?r a strong arc Whatever i? in front of th? camera la photographed on the nega ? exactly aa it appear?, in eolor, and shape. Now, every color sat la th* result of throwing two ? lor? on the aereen, red and green, and letting the eye do the rest. One ?f the older procese?? had red and greas screens through which the pie? r's were projected. Th??e wer? In th? form of shutters, snd if at any m? tha film had suddenly ?topped you would have seen reflected on the aereen either a bright red or a bright green picture. Than there la the film which ia made up of two celluloid ?trips past? ed together?one green and one red. ftsfj another procea? had a red film and a green on? projected ?imultane oasly on th? screen by two different machine?, and thi? la why mo?t of the ? Ictur?? don? in natural eolor? are not dearly outlined?the picture? project? ed by thla proce?? are bound t* be a - ? out of foeu? either in the for* grasad or the background. Another eommon fault with colored picture? 1? th? fact that it i? almost impossible to lighten them. The shadow?, being a combination of red ? nd green, appear darh brown, and the area are about the color that natura appear? when you view her through dark amber gln??e?. "Now why." we a?ked of Dr. Corn stock, "are ths outline? in your pic? tures clear and perfect a? In life?" "That ws? the first thing I realized we muet overcome, and it was diffi? cult, but at th.- ? our cam? era take? ?imultaneou?ly and at ex? actly the aame angle two pic* one of which will record red, yellow and orange and the other green, blue and violet. Then we print thi? negative and alternate the saleta, at that there ar* two picture? on the ?id? by eide exactly alike, but diff?r? as ?ensftivene??.. After that this s passed through a dye and the ent tones In the f.im will take *om? colors and reject others. thla film is projected on the screen you ? at effect which you aaw in 'Toll of the Sea.'" It ??era? natural to ?uppo?e that ' ther? are two pictures, instead f on?, recording each pose that the Ulm mu?t be run off twice a? fast a? th? ordinary film, though we forgot to ask about thi?. The second thing we aked of the inventor fa? "How ( managt to keep your picture? ?o light asd th? tints so delicate* Th? colors are nature's own." "And ther? is another trr.ng with which w* bad to reekor.. And Dr. Ceeasteek replied: 'That i? because we experimented until w? found th? right ort ?f film. It is what I call pan? chromatic film and if a ?hadow i? grey . does not record it as black. It was a lang and tiresome investigation thia search for th? film abaolutely ?u.ted to tha purpose, but we have found it a trouble that th? layman knowa try littl? about. Did you know that celluloid changes ita shape and aixe all th? tima a? the weather changes? That waa eomethmg that gave u? a great deal of worry, but we have it ?o perfect now that if the turn ?hould ?brink 20 per cent, which, ai ?our?*, tt ?rill not do, we could ?till have the picture intact when it was projected at i? all there ?e to It Just be sera that you know how to ?hoot two picture?, a red, ornn<;?, yellow on? and a green, violet, blue one, from exactly the aame angle, that you haeg the correct ?ort ef film aad that yen know new to correct tr.c ev'.l? of ?hr and you may Juat go ahead and make aastare? aa feeeotiful a? Technicolor. And Dr. Coma-tock ?ay? that it will 1 poaalbl? te hav? ?11 picture? in te futur* mad* in the*? beautiful eoloi sasssea the eeat 1? not prohibitive. N one will b? allowed to go ahead an aa* thi? prrocoaa by himself, but Techn color will photograph any picture t< any company If the company ?o desire At U?at that I? the ?*wy w? und?r?tan it, although ?t proMnt th? M?tro h? th? right? to tha on? perfect aampl which Technicolor baa made." "A Blind Bargain" Shows Advantages Of Screen Over ?Stage One of th? gT??te?t two-fl?t?d, knock 'em down and-drag-'em-out fight? ev? put oa nightly behind the foot light wa? the on? In which John B?rrymor< took a 50 per eent?at least??han when he wa? playing In "Kick In.' There have been other r*th?r juie: ???to** on the ?tag*, but that on? eer talnly la good enough for th? pr?ter,' purpo??. Th? present parpo*? I? to atete an equivocally that flghta on th? a poker ?tag* may b? good now and than, bnl they dont hold a candi?, ?a th? ??yin| goes, to tha flghta before tha moJor picture camera. On tha ?tag* th? adore not onl) have an opportonlry but most flghi every weekday night, not counting i coupla of weekday aftemoona; on th? ?creen they only maul each other once or at moot, allowing for rehcar-u.1? two or threa time?. Th?n th?y'n through?In more -way? than on?. Ir a whole lot of sereon fight? the par ticipanta couldn't have put it on agslr ?.o ?ave their neek?. Yet their on? en? deavor is multiplied ?l-tty or ? hundreii times and keep? repeating lt?eli through a? many projecting machine? the world over, for nobody can ?t?? mate how many year?. If? the ??me way with ?at?. The?, can't wreck a big ?et?really wreck It that I??on th? ?tag* every night, nr* counting thoa? aforesaid two matine? afternoon?. But they can do it in th? movie?. And they aure do. It*? th? ?am? way with ?cenery Great artist? paint It for th? ?tage Super-flne ]?n?e? e*n th? real thin? for the movie?. It'? the ?ame way with crowd?. Or the ?tage they get a couple of dozer chap? at a dollar or to the evening t< moan l.k? ]o?t ?oui?. That make? i couple of thousand in a mob. Thlrtj or forty of these moaner? make a mil lion. On the ?creen they h?ve th? million. They've got tha whole land ac?p* In which to herd th? million They only hav? to herd 'em one?. Ant the Job 1? don?. No moana ara necea ?ary. Tako fire?. They hare real one? it th? movie?. Train wreek?? What d< a eoup!? of pa?.enger trains amonnl to in th? expense? of putting on a big plctur?? On the ?tag? the hero is planning tc rob a bank or do something equally exciting, but the heroine praying foi him In London is invisible, unies? ?h? write? ? letter, or ? little bird walki on th? ?tag? and tall? about It Ir th? movie? ?ueh a altuation 1? e?s> You can see what'a happening in Lon? don??nd the real London ?t th?t? on? minute, and what'? transpiring Ir Oshkosh th? next minute. And did you ever hear of the ?am? actor, playing two different part? meeting himself and talking to him? self with every appearance of realitj on the speaking ?tage? Chance? ar? you didn't. But If? being done, an?i I one of the most artistic ways it'a beinj don? lately wa? by Lon Cheney, th? "man of a thousand face?," in Gold 1 wyn's "A Blind Bargain." "A Blind ? Bargain" is coming to th? Capitol i this Sunday, and that'? what re? called tha matter to our attention Lon Cheney is an insane doctor ir on? character and a victim of th? doctor's insanity in th? other charac? ter. The two character? meet fre? quently, but-?nd they ?ay it'a be? cause of tha miracle called "doublt ire" and the clev?r u?? of i metronome to get the timing right? the probabilities ar? that few specta? tor?, if they hadn't been warned bj their program?, would know that tht i two figures on the ?creen really wen the ?am? person, "A Blind Bargain" trachea on? of the big truths of thi? new age we're living in?if it doean't teach ?nything and that it that the movies have tome attributes that the stage never has had, never can have, and never have. Th? movie? h?v? the world for a ?tage?o?J Dam? N?ture herself for a ?cene dcaigncr; the power of I showing action in widely ?eparated ; cpota at the ?ame time; the advan? tage of only having to have players go through th? name violent ?cene one? 1 at it? beat and not on many consecu? tive occasions; the Privileg? of d? ttroy.ng acts after one ust (witness the use of 200 b?rrela of aoap, a gaa tank and what not in that ?am? "A Blind Bargain" for instance, to give :tv? effect of a soap bubble ballet); ?.cd the advantage of permitting the tame great player not only to play in two different roles, but the power of deception that serves to hid? the ?ub terfuge, and rxak? both character? lases? a? real aa if thi y had ?been played by two different pcraon?. The movie? may b? a coupl? of lap? behind th? ?tag? in some respects, but they might be s?<d to be a nose ahead in others. If not, how about tboae h.a trlonlc fights? ? "fit. toff* on thr Screen B. V. Schulberg. pre?:dent of ?re? ferred Picture?, ha? ??cured the ?creen right? to "The Broken Wing," Paul Dickey? and faeries W. God dard? comedy i'lfti. Agnes irres i **\ fj In "A Daughter of Luxurr," et the Rlalte "Covered Wagon'1 Is Paramount's Most Ambitious Effort The making of Fmer?on IToogh'? "The Covered Wagon" undoubtedly i? Para? mount'? moit ambitious production un? dertaking, and in th? filming of thi? epie of the West, adapted for the screen by Jack Cunningham, James Cruxe baa taken one of th? most difficult direc? torial aaslgnmenta in motion pictur? hiato ry. Early last month Cruxe left for Baker, Nev., accompanied by 100 tech? nical assistants, the vanguard of an aimy of 2,000. who are to ba In camp for nearly two months on an Immense 200,000-aer? ranch. Later the aame week Charlee Ogl?, Alan Hale, Eme?t Torrence, TuHy Mar ahall and Guy Oliver went dir Antelop? Iiland in the middle of the Great Salt Lake. There they were met by Director Cruxe and are now en? gaged In ?taging a big buffalo On thi? island i? the largr?t herd of American bi?on remaining in the United State?, the proup num' nearly 500. Thia I? the herd whose ex? termination by hunters wa? threatened a couple of year? ago until a ?torm of protest from all part? of the country intervened. Following the completion of the ?uf falo hunt ?cenes thi? company will re? join th? throng at Baker, where at the Baker ranch the other big epl?ode? ??.f the ?tory o? pioneer life are to be filmed. Some of th? eutitanding fea will be an irarr.en?e prairie fire, attack? by Indians up?n a larga vil? lage which is being completely built on the prairie, the breaking of horaet and oxen for ranch u?e by a group of 100 cowboy? and the trek of an im? mente wagon train aero?? the plain?. To transport the throng of | and mas? of material fifty railroad car? wem required. In addition to these about one thousand Indians, tquaw? and papooae? have been migrating over? land to th? Nevada location. The Baker ranch now look? like the ?how ground? of a big circu?, with it? score? of motor truck? and prairie schooner?, tons of supplie? and equip? ment, hundred? of people of all type? and thousand? of animals?in fact, eliminating th? modern motor trucks and electrical equipment, th* acene of activity is quite comparable to those of the early days of the wagon train? during the great gold rush. "Spider and the Rat*)*1 Cwoen on the Screen Bennis Zsidraan. the child producer, i? at it again. Now he i? going to do "The Spider and the Rose," and just because he has fourteen stara he is going to put them all in one picture. They are Alice Lake, Gaston Glase, Robert McKim, Noah Beery, Frank Campean, Edwin Stevens, Joseph I ing, Otia Harlan, Alt? Francis, little | Richard Headrick, Andrew Arhuckle. Harry Northrup and the Inimitable , Lou!?? Faxende. "The Spider and the Rose" is a mag ! axine story, written by Gerald C. Duffy. ! It is a romance of the rid Spanish I day? in California, brimming with dra jmatie situation and action a? well a? atmogpheric beauty. E. Richard Sei i adapted the story to the screen and i Jack McDermott I? directing the pro? duction. Glen MacWilliama is the ' cinematographer. ; Cart Complete for Ratlin's Picture of "Vanity Fair" Georg? Walsh ha? bee*, added to the j cast of "Vanity Fair," which Hugo Bal I lin ia making for Goldwyn. Thi? will I be the first time George haa played ' anything save a "stunt" role. Other? ' in the cast are Mabel Ballin as Becky Sharp ard Hobart Bosworth as Lord I Steyne. Walsh will be seen a? Rawdon i Crowley. TUCY FEAGIN --l'"N lei r??s* il a M. Tues D?r I. ?KOOhl.i.N AMI SEMENTfl MAJESTIC w???*:,. Tin? WKKK TH* N. T W1XTER HARDEN CO '8 tern anm.il he view PASSING SHOW of 1922 n too err mm . TACi.E ov EAlilii. PSXaSKTINO HOWARD t or atrpsit-a 1?3 CLUtUOl ? ?./I ,,( ?M Elsie Ferguson fe **OBica*f," <rt ihm Rtroli Vaudeville rALA( R?Marion Harris, Four Mor? tons, th? Donere, Gordon Doolcy and Martha Morton, Clark and B?*rgrn?n. Ted Lorrain? and Jack Misto, as? sisted by Margaret Darles; Will Ma henty, William Halllgan, In "Hl?jh Uwbrow"; other?. RIVERSIDE---Raymond Hitchcock, Irv Ing Fiiher and Rene? Robert and Giera-Dorf Symphoniat?, Bert Levy, "Around th? Corner," other?. COLONIAL?Iren? Franklin, Lewis ?nd Dody, Jo? Browning. V?l?ri? Berger?, "Oklahoma" Bob Albright, Mauiie* Diamond, Jo? Robert?, other?. EIGHTY-FIRST STREET-Bert and Betty Wheeler, W.?iam and Jo? Mandel, Owen MeGiver.ey, Dotann. in their own speci?!tlas and In "Th? W?ger," an afterplec?. "Ebb Tide," film. r'OKDHAM-Flrat half: Miss P?tr1 cola, Tom Patrleola. -with Harriatta Town?, othera. "Singed Wings," pie ture. Second half: Aunt Jemima and B?nd, othera. "Ebb Tide." TON Fir.t aelfi Deagon ?nd Mack, Plsano and Landauer, other? ?rond half: Ona Mun ton and company. Mignon, oth?r?. - Impo??ibi? Mr?. B?ll?w," ple - | BROAUM AY -Cecil? W??ton. Miller and Mack, Allman and Har? vey, Kennedy and Kramer. Are ? Brother?, others. Reginald Denny, In "Th? Kentucky Derby," new ? ? ture. tkaJfl "Cre ' -? M'a'laee Reid. in "Clarence." Second he, politan Dancers, others. "Trifling Women." R S STATE -First half: Queens and a Joker,'' others. "The ??a of N'ew York." picture, ond half: Grace Cameron, Sonia Baraban, other?. "Trifling Woman." !'*.!, -Twe-!-th Century Re? ihert vaudeville unit. Four Marx Brother?. Olga Mishka and otherv PROCTOR'S FIFTH AVIATE?First half: Franklin Farnum and company, - rUM Tilton, Boatoek'? Riding .school, others. Second half: Cali? fornia Rambler?, Henry and V other?. not TOR'S TWENTY-THIRD STREET rst half: Aunt Sally and her Ala? bama Boys, others. Charlea Ray in "Th? Tailor Made Man." pletur- - ond half: Gus King's Melody Land, other?. "Ebb Tide," film. PROCTOR'S FIFTY-EIGHTH STREET First htlf: Louis Seymour and com? pany, Sandy Shaw, ethers. Hope Hampton in "The Light In th? Dark," picture. Second half: 8tell? May hew, others. "Ebb Tide." Pie tu re Theaters A-?TOR "The Town That Forgot God," Fox production. Sixth week. CAMEO-"The Super-Sex." adapted from a atory by Frank R. Adams. Robert Gordon, ( harlett? Pierce. Tully Marshall and ethers in tne caa*. A Blind Bargain," a Goldwyn pictur.\ made from a by Barry Pain. Lor Chaney, Jaeque Una Logan anJ othera in Hm east. A single reel nlm explaining th ?tein theory; other films, oren vocal, b?!!?t and instrument?! sp?? ciale?-?. CRITERION-Mario.? Davie? In "Wnen Jacqueline Logan lu "4 Blind Bargain," al l/u? tapltot Knighthood Was In Flower," thir? teenth week. LYRIC Douglas r?!rbar.ks in "Robin Hood." K1ALTO Agnes Ayret in "A Daughter of Luxury," adapted from "The Im poitor," a play by Leonard Merrick and Michael Morton. Other filma, orchaitral, viral, dance featuree. RIVOLI Pife Ferguaon in "Ootcait," in which she appeared on th? legiti? mate ?tage. David Powell, William David, Mary MaeLaren, other?, In th? ca?t. Other film?, instrumental, vocal, orchestral numbers. SELWYN--D. W. C.rffith will r?viv? "Th? Birth of a Nation" for a beginning to-morrow. STRAND- Maurir? Te?fSeS**a produc? tion of "Lorn* Doon?." Madge Bel? lamy plays th- . and John Bower?, Frank Keenan, Donald M?' donald and other? are In the rait. A Fokln? ballet, other fli tral contribution?, and a vocal and scenic prologue. ? Thrrr Sucrr>?*r? in a Row I?. SeMon*, Scon? Thu? Far for Arthur Hopkin?? John BarrymorVs triumph in and a? "Ham!?t" at th? Sam H. Harm Theater w?s a triumph; also for Arth'ir Hopkin?, th? producer. Quite a?lde from the eulogistic greeting? of hi? direction, "Hamlet'1 marked the third ?ucees? which Mr. Hopkin? had brought to Broadwny in th? course of the year. In ten ree eaies, Rober mond Jenes thai Mr Hopkin?. I old Soak" waa Mr fir?t production. It wai one of the comedy hits of the ?es?on. Ther. came "Roi? Bernd." with Ethel : the performance being generally ac? cepted a? her b??t. Now come? "Ham? let," with brother John'? int-rpr melancholy Dane hailed a? the! finest of this generation. Only last week "The Old Soak' brated ita one hundredth birthday.' ontinues to bootleg la ? to make even William Ji-nnings Bryan ?e? the humor of prohibition, and th? hired girl continuo? to tell the ?ad ?tory of bar p~ H? waa a Lady!" In a ?eason which has been dia tlngu!?hed by much tine acting, it is doubtful if the perforr.ance of Harry Be re ?ford a? "The Old Soak" and Rob -nor as "A!" have been sur? passed. Mr. Beresford took Mr. Mar? quis's character and ler.t it a genial i reality which actually live? up to th? conception of the author?a rere thing, a? any author will admit. As for Mr. O'Connor, he la "Al," once the ciar behind the bar-albeit a human, easy? going cxar; but now n Juced comparative i?;nr.rniny of bootlegging, ?cepa alive ' the traditions o: . thing daur.t?. hn ?nd particularly not th? profession it for gre#d, be It under ?tood, but beeau?e of "a friendlv tng for lirjuor " You may say what you want about him, but "Al" has a sool. * Buddy McnacngiT a -tar Julius BteVa, president will shortly an? nounce a ?erie? of small town boy ?torie? featuring Buddy Messenger, the '?lad Among the supporting caat will be Marjone Marcel and Jo? ner. MARIOK ?AVIES CRITERION eajure-aj TMEM?^ fefls?t4^ WHEN TODAYISA KNNHTHOOD WAS ?N FLOWER BROOKLYN AMI SEMZNTB BROOKLYN I MONTAUK v.rm..s?^*.?a,. 11I.I.INMM. foMOKKOW NICHT ra? aT?u.eit-'' -m i" ai MARJORIE RAMBEAU ?a a T)tHon>*u\ Comedy ?* ma Sim "THE GOLD FISH" *P~ H? (.1 ?T.-> - t M,l H,_ M '?h the OHa-laal I ?at ?UK BBTaVnOM MC HTM \Y/A I TICO M?aei??Kra>-Ja-<?4t<l, Hamlet?rfcwr.4??,. t* rar Brooklyn Theaters MONT-UK Marjirl? Rambeatj In "Th? Coldflah " MAJV- mgagg How ard in "Th? Passing Show of 1W2." sTOtHWICK - Eddl? Foy and ta? younger Foy?, "Chin* Hiu? Plata," i Santo? and Hay??, Rita Gonld, 0?n? ?... Al Wehln,?n, William 'ir-er- ?n.l I'.ir.er, r.'her?. OH PU Kl M I It F!ug?l. Edn? Aug. "The Weak I and La?, Weber and Rldnor, Jack Little, Th? Stanley Brothera, Fear Tanarakl?, other?. *lll MM INMOST ? Fanny and by Watson In "Stolen Sweets," Shubert vaudevill? unit. Harry Steppe and Harry 0'N?ll. Berk?? and Brasil, DeKoch Trio, Five King? of >n, other?. ion, ? MIIIOPOI ITAX?Flrat half: Mabel Blondell Kevue. Tllyou ?nd Roger?, other?. Second half: Eddi? F? yer, other?. "Trifling Worn??" will be th? foatur? film all w??k Ml i ..natane? Talmadg* In "East la Watt,'* tram iba play te tassa ?i Khlpm?n ?nd Joba B. R-nr*. -mal ?sj a Oiitlviiifr lloiisef j ?pH fcaJ kr?'it ?nH Kva La Qellivnn? a r?tirn ?fifafl t m**kh *n** ^ product!??, e ig lo morrow rufm BRONX .,, ?^ n?M and Al??a. ?n rit^ to ?Chicago, will ?top off her? for, w?*k In "Partners Ai ? OKk'B IE EMPIRE II ??I 40 ? -T?i*?wlaa with *?."?Tribun? ???? n-IUr lhaa 'lUKLEll ra/lHMAN |n**au ZOE AKINS' BRILLIANT COMF.DY THE TEXAS NIGHTINGALE 10BYNA HOWLAND -Ml*. Il*? Une la * Kv? T?lr? I J'4>rau HowlatMl el?.* on? <>f Ih? itii?i ???!? a?l? liutHlrlnal p, Ih ? Mirm ?ry.' I teils it Awftil Truth' to 6RUCE fFSAE AT HONE THE GLOBE UriWSIA5T.?J WELCOME CWAfllfS OILLrNOMAJi'S KCW r1U3tOL flvTaJrOuNHCJlT "ITS A GREAT SHOW" I...I.II,.?- It* aid?, fnr Iaa?ht4 loll? iml xiiiilifil ?rxl <h*r**?hly it . \ aa** a* mrrrl?-?l ?Ik.?.* w? .nirroo mea aa ?vim fall of . ? ' ?ami? ral . i.rnorl? ?o rnU-rtavla.**- " \.- Iioanllr rrrotrn??ri<l lini>< !? an* ' Iv' '? all latvaSra-ga ? M?iij Urns'?-, ?inllr? *ad rhaeklo?. ' TO-DAY MATINEE I aiSHT BF.KEITrrS ftle?rawSLWAY'-YM, sa* ta au ???i?, ? f?-*at t-. ? ii < DM '.il \'l?-?? ?? Jrabany |ln*lry Kay Iiim.U? i n IWi.?. ( ompanr ot 100 ( 'imnli?n., ? la* IM? ?Il , 1 M. , w.warwriwtD*?t BE5T ArtttArl m^OL pu* k THE WHOLE WKV)5S-* ?0M2n.(MW(MHJB unusff?si1 NELLIE KHir ?jzab?tk mm out yam ut ru ivsax??7es?v KNICKERBOCKER, >?> A ll:h Ht Baasssi ?t ? .' "A real blueblood among shows. ?._ AL ERLANGEP "By all odd? th? moat amusing ?how the pr?tent wiion ha? o?*r*d." mir. Bei ?MYANkE?MERTON ? PRINCESSS MOVIES HUDSON Myp'A ?AT?. WCn a -ir THE HIT OF THE TOWN1 GEO. M. COHAN'S USA* "SO THIS IS LONDON!" MOM : \ f.K*?l ? ?I' Greer,wic? Village - starr* Leaa WHwn'i tt- ry i)h ' ) dam. S. Kauluu? m atare Cenaelly. -wrni W M K GLENN HUNTER FLORENCE NASF "A FANTASTIC FRICASSEE" mu i Miner m \ i j ? K i? i \Mi i iiUafSS i \ us., "~*^K K*S 2nd YEAR -PUNCH AND JUDY THEATRE Opening Thursday Evening, Dec. 7th Edward M ? ? THE DOORMAT I IieHfhtfuJ l ?tmerly Urania II ?. sill I llOS Dr. Frank Oinir ?a>s "\ dot \? something to Im? w:ilk.-il on.'1 Lenore Ulric ? KIKl LYCEUM LAST 2 ARTIIfrt II JOHN BARRYMORE "HAMLET" 8STTIN0S SV ?ein RT insKjuo > u.i.?i.irti ?*t p??rfi ? ?r( in ihr laeal awdectlea lluuilrt Itua ever hi "In all HkrlllMrfXl wr Ii.it? a nr? mjuX lUKti.ig I1 frtvcrmuon orn? \M HARRIS THEATRE i hursiU) ?i. . at 2 1? I BkXASCO Peina Frances Stan I" 'ShoreLeave' \mt*vi.wti? MS*r t.tz Arg *o] A.HvVOODS - . MAT<r,?E5 U/tD t? 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