Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, June 06, 1921, Night Extra, Image 14

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Evening public ledger. [volume], June 06, 1921, Night Extra, Page 14, Image 14
About Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942

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Evening public ledger. [volume] (Philadelphia [Pa.]), 06 June 1921. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83045211/1921-06-06/ed-1/seq-14/>

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EVENING PUBLIC LEDGER PHIlJADELrHIA, MONDAY, JUNE 6, 1921 ,
V
OH
"
cCRe, D ally Movie Magazine
Wr .. V"
JISEN
6PH N1F ,
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NEWS, VIEWS, RUMOR
AND GOSSIP FROM
HOLLYWOODSTUDIOS
!Jy CONST ANCK I'AKMKK
Hollywood. Calif., Mny ,-,(i.
LAST night I wont over In KlniTiire
Itobcrts' houc for Sutuhi.v Miniiet.
She, yon ulll recall, ha boon bclovc.l
for mnny .vears on our Western Co.tI
starred under t lie management of Wil
liam Cort.
flic vvn the widow of thnl fnmoui
actor (if the old M'hool. Kiirciip Mi.r
rion. mill was married n car ago In
Frederick Yogi'dliiR. Itolhiiiiler. well
known as an netor in tin Kovnl The
atre of Amsterdam nnd Merlin, iind nl.i
for his work before (lie camera abroad
lie is now nlajins witli (ilnd.vs Walton
In ""'hritini of (lie YotniK Henri.'
piobably to be ret'tled. I hImi a bun
with Doroth.v Dnlton in a pit Hue about
to be released. "Ilebiml Mal." which
nlo had in It William 1'. CiirleNm and
lulia Kvvayne (Jordon. ('iindidl.v . I
can't ny mueh for tin- pirtuie itrlf.
but Mr. YosediliR's work liniiri'rd me
as beinc quietlv inecic
Kverj hour anil a half I lieai snnie
th'nj: new about the Actors' Kutiitv
doings at the Speedway, dune I This
time it's a book made up of original
manuscript by almost every fninou
writer we have in our niidt.
Mr. and Mrs. Uupert Hughes giive a
luncheon jeterday at which the plans
were talked over. Anions those who
lent their brilllnmo wore Ititii Weiman
(ertrude Atheiton. Sir Gilbert l'nikci
(lOiivcrncur Morr . anil I suppose Ilutli
AMghtman. Willium I)e Milk- and
Elinor (iljn.
I'enrhjn Stanlaws and a lot of other
nrtintH weie there, drawing pictures for
the book. It is a single cop.v and will
be auctioned off.
Hnitn'S another example of how the
movies nre moved add it to the
lint:
Stuart Paton took Priseilln De.in and
a company of forty people away up to
Oregon to shoot exteriors for "Con
flict " Yesterday they all troupcil back,
not a scene thot. Rain.
They arc now building what the
nerd in our vv. k. litnate
which. b the way, is nothing to brag
about.
Frank Mayo and his compaiiv came
staggering back aften ten da.vn nt t'nta
lina. They shot twor-ccne. Itain. It's
a great country ! " (
King Haggott is to direet Marie Pre
ot next in "Tlie Huttertlv." nnd will,
start some time later in the week.
Stuart Holmes is the heavy in Tod
riiownlng'ji productions of 'Tann
Herself." Mabel Julienne SVott is
Fanny. Karl .Schenek is the lending
man. Personally I never henrd of him.
but they tell me he's well known in the
East played with Marion Davies in
"Buried Treasure."
Vell be that as jt may. as Cieoige
Monroe says. Tod Browning is ccitimi
Jy particular about who watches h'm
shoot his old pirture. During the three
minutes I stood nearby, a person I took
for the nfiieinl bouncer asked me i
times if thereivvas an.vbody I wanted
to see.
There was. I was looking at 'em.
I 'AT AS patriotic as thev make 'em -D.
A. K and all that but I'd like'
to sr a few words on our attitude to- I
ward foreign films. '
I'll admit I still don't crave an? thing
snvoring even remotely of Germany,
hut here's a woman's argument if
the others can send us films flint will j
make us s t up nnd take notice will
force us to train oui aetois and ne- I
tresses and produce something that is '
art. let 'em omc. ,
It will probably be pietty haul on us
11 for a time, until we get shaken
down, but how h.ni. ) ,..nl. how
long are we to endure the jcllnw curls, i
the bah stare, the Huttcrings of well I
let'R be charitable. ' ,
But there is no art in youth I
Mistakes Can't Be
Corrected in Films
"D ICHARD IMX has something to sa.v
J-v about the general notion that a
fcrcen actor never experienres nnj of
the thrills tint a tago actor -els on an
opening nisht. for instance Mr. rK
who up to six months ago was on the
itage nnd is now a le-iding mini f..r
ttoldwjn. attended the showing m I,.,
ngcle recentlv of the first piriuw ;.
ever apieiiifd in. "Xot Guiltv." which
no mnue jiisl OHoie he mine I "he G,.i.
w.vn (oinpimj. On that ,icasio:i h..
managed to cpericnfc more thrills than
lie ever wants again.
'The orst of ii is." av, )lx
, thcie s nothing to do but sit theie and I
get excited on the stage von at 1p.i ,
nave a chance to work off vrur -ier -oi)Biics
1'urthernioie. in a'fiist Miht
on the stage vou know thai riyhr up t..
the moment the cumin tie, it's i,t
loo late to give ,1 perfcctlv brilliant , ,-. 1
Jorniance: hut in .1 pictuir. ro matter '
whnt horrible nii'takes vou 11, tiki . v..u '
,cant change a single gesture And ', ,
'.on t get a chnneo the next night to re .
trlevc .voursclf." 1
.JACK JI0lr
'Hu's on? of the fix turn uho can
Wc brother' iliuerelr." writes f'on-
Uacu I'aJqo.er,, and I haven't
:M ether five yet."
mm '
fftBk' Hvs a "Big Brother" '
WD ATS HONOR ROLL IN MOVIE BEAUTY CONTEST
ilANNA
DAILEY
v X-
a:
f ;
' -j.
:. .
. y,ltlvw'
.&' S
HELEN BARNES
2o3 Atlantic Ave
Audubort A c
MOROSCO TO BUILD
PERMANENT TOW
FOR MOVIE USE
" A MAN' maj be down but he's never
A- out," is the slog.tn adopted bv
the Salv.ition Army
,. , , , .
A man may quit but lies never
il.rn.ml. " w ., ..,!, ..f u... n..
and applhabie ', Ohver Mo,os,o
Back in the dnvs when u.tion i...
tures weie new this theatrical linn was
a part of the organisation vvhicii su
piieu movies to me tueatrcs lie ii
the latnous IMllas-Morcio in tin s.
Then he rpiil making nioviis -11111 lie
voted his time to the jpol.cn drama
l.cnore I'lric, Charlotte (ireenvvni.il
and Macljn Arlmckle were some of his
stars. There were manj otheis who aw
frmous tndnv . These pl.ijen su ii.ing,s
t.K.k their cu 'roni their einplover, for
(ley have not hi-on in the ,ii..v ns mini
cow . vvheii'their nitturesar. .1 1 out n. u.
lelcased.
TIM IIS and methods have . hanged.
Mornseo Produi Jons aie or,, e muic
be.ng made. I'irsi N.iiinnal will b" ie
snsible for their 1 please
"The Half Breed." which was wtt
ten by the pinducer. is the nrst pntur..
10 be mad'' after an nbseiue Trn 11 rV
I eld of production foi over seven seals.
As the vounj mini stk m ,-i',ir-
iicp," "That's piniii'allv 11 lifetimi '
The idr.'eis will nil be .e'uleu for
In... .,.,..,. I.I. . .1.
i'ii 11 j i. in. it, .. ii.iii.ti fun 1. 1 M
Ihe.r Unrr.ni h.miirs in "Tl, 1 1., If I
1'ieed" thcie will np,i";n Wlne'ei On I
man. Hugh 'I'liomn'on. .Insenh Uovliiu
Mnrv Ander-on
Ann .Mi'. Dun- I lent.
m il I' Stni.ioi. Heel.
ck 'I l. . It lilies n I e
v ill know ii to inov
f.l'is 'ill.'l, wink
will n'sii he spen in "
ss , j . v ,V( ( ,ec
wnicti is ir.e sfcnnd nMini"
These nin. ies uil .e mud' in Moms,
eotown. v.'ii.li i 1ipiii . nic-l up tl c n'.ir
l.i's Atielrs t will oci iljn .1 lol iIhi.i
live inn's the s. -p ,,f Imlepei d' n
Square.
Mr Morosen when sppp m ) .- N.
oris nth e "Mil Its 1 1 Binni- h
peisonal rcj.res.Mitntivp, her time cntni
sintii. nlrtiut I iioicntovv n
"I have bought." he .s.i.d . ti .
of t went j a. res in the heart of l. s .
gele- Mi ii c ate lunldtn i . ir
vv itluii n . it. .' It sv ill In a 'i "
winding Mipet- It svill linv) ,i ..nt
vhlrh will 'dp . I'.nh.'iiiin.
"Allium th... iciii'i' will i id i ii i
stieds ie,iieseiiiin the sinets of I. I
the i outlines of the sso rid 'I In . w I
he built up of pirmancnt bin .1 ngs n,,'
the usual innv tetoiMi i.iaUesI Mr I
of the-" s u.pi i hnvp us rh ips .i
ir stauinnls h ,nnu'niriit jli'Ps II .
will be shoos su. h as ni vn 'il .
Ill l'ail wheii the rxi.nl Il I ...
tuibelov. of M, ilirTne will l .. -Th"
re will he in. iMlian mi r r I n.
nihioiijprti's, ..it nhipcts fn.n ; u,. ,io ,
I i.tenr e vv ill hi ..n snle In i r
' 'I ii'ie " n I. mi )'. lulls', i . .
l(iisinii stiP.t, a .1 1 im ! - in . i
1 liiii.'se .licit, a stre.t frr i . It. .. . i.
( lllciltt.l, sin . f.lilll IIoiliill, . I
"And e,n !i n 1 1 1 vv ill I ,r p s fp,
.'iid ii'sinmniiis. .is tipi.nl .1. n. mg
pliiciH, it.s mid loin tii's i, nn . .it.
ii.iinli.v mid I i vn it iipirspiit- up
v ill be all p'Tiinnetil build i.- v .
shops, with refreshment !la' - '
l.v mg ipiuitivs.
a
WJV SIIAI.I, have a wonderful dunce
V pavilion. Till will he iipiodue
tion of the fniuoits Hall .f Mirror- of
erunilleH. 'I'lieie will ne the bigge-i
inovlng-pii tuie thealii' mi the I'm-ifii '
'o,ik In mil nter. I
"The-c biiildingx v ill gup mn ,. .
i ir nindi'i t on . i.iii'.nii' n li'iit'v the
M 'I'lt'oll' we need. 'V tjn..t huililing I
in r t it- nn I i ' i t iiv I'f'ti'.g ., i
Im .1 In fit. i Ii Inn . u .il 1 1. ,i
I ll.lltllhiV IK HIIIPlI HII'I i III ' il
' limtraii of Miciiiliir: SI.'i(Mlli"l for
bitililing n eiiicc inuai an I huildiug-i,
Mil'h n hapieiiN quite ofthn, wo fhnll
have a s'Teet in Venice lrttlmts gondolaB
nnd Us palodes, ready to fiJnttantlr.
y . " siaFn . 1KJfJ'(1MHK 'U "
'
-. s"" V I
x nrf 1
lKt S vK jB'h . . iiris'-taE
ii .wr'Tur, p
fc S.S s
And the building being solid, snb"tan-
fill, permanent, will look much niort
'ike the leal thing tl nil the m.ikesliifls
f 'nnv.is nnd fi.inu'woik, p.iiuied ti
look like th ival thiiu
"W" anticipate tliat Moro-cotown will
ne n giear .vttrnrtion Its vaiied cafe
life, its theatie, its bnllroom. vviiirh wi'l
be rented out for dances, parties, p,.
djns. eti . its Bohemian life, its stu
diii, it quaint torcign iiIuims) ucic and
ts beautiful foieigu hoj will draw
iovds of psple.
1 "All of which will help adveiti-e
Moiosro pillules eei,vii-i 'ind mill.
Morosrotnv.li fninoiis fmm me (oiistaiit
showing jn ihousands of thr,itre
... "''at interests me lnlf Is ,ho f.,rt
v ,.., Him kiimi'i ii iMissuiif ii pin-
'ouco Moroseo films at half t lie lost of
ether nvo.l.i..erM I. hil ,' ' .i, ' . .. ...
!";rry for making-,, pi.ture and it
"" T ITV!"!? .f !!L '!! mn,,,T """ ll
E;;wj'"
hllv ' ",,'": ', , , . , . . . V...". J '
Here Are Qualifications
. , . ..,r. ,,
for ACIOr III It Citterns
BrciC KiFs5 the Innl ri.l.nr.
1 . c , ,. "ard-nditig.
lianl-tlgllting I OX slai. Wns ills
Hissing ih. fundaiiieiila
. 1
iiualificatioii-
for success in l.liolonl.n s of Wisi.tn
ihiicIi life that is, ipialilicatious olhei
than heer htstnnni.' .ihilitj.
"'The matter of tiding naturallv has
n big place In my . onsidernlinn." said
this siipp.li hniseniiiii "Aliiiust nuv
man miii leant to ml,. Ilm ,,. ,in certnin
so-called stunts in tiding. But the poi'it
is, can he. if eitj hied nnd from the
east, learn I.. do these things without
I seeming ifforl in other words, with
ease nnd gia.e"' William Hussell cm
I do it : so cm William Fnrnum ; but thev
uie exceptions
"I'n'css a man is 'raised on bnisp.
t . i . .
ai'K. as ii vve.e tin- expeit lilitu-e
..
'Olli.W . 1
ninetv -iiiiip times in n linn-
dred can d.t'.i snmeihing in the nuin
ner of rt lu.'V. iii.-nt that be-peak Int.
trniiiing and i ffu t thnt is absence of
the ease vv Inch so plensinglv appeals t
the eve '
THIS SIIOllS
H
I. it
I n plioiiigniiih thnt shows
inn. Ii nf n xtinlin set vi.ii
" hi lb. cie. n At th
III. V
... 1 1 nn - ilv
I. ft in.il
,'h' ei i v.. i aim in in. 'ii
slioiitiiig it f ( run two ilifleient loi iilliuii.
nnd flic oik vvlilih gives the hot pho -
loginphi' cffcit will he chosen for in
clusion In tlio linished lijnv
Overhead nnd to tho right aie thj
ln-i..,. Ilnl.t. T II.. ......... .. ,1...
mNy&r?rm8mBFmB
jt- '. , 'rci'w-Si ' .7kk2&&L& Jx'&Z&Zfop1 ?rWMm)
&z& III I i
I.
1 "'XI
TooneWille Trolley's Skipper
. Will Teach
Dan Mason. J clcran of Screen, Offers to Instruct Contest Win
ners in One of Most Important Branches of
Moving Picture Acting
1 II)ij 7 I.Y the gills icho inn in this Movie llcauty Contest arc goinfl to hme
the br6t nll-iouuil education in the tcchnio of sciccn work that could pos
iihlii be i.iiaaincit. HV'rc alicatly printed the qcnerous offers made by the offi
cials nnd niaiibtrs of the company nt lictzieood,
7ior offc i have ineliuhd evciy phase of Inotion-picture acting except the
one. ixtumcly important one, of "making up" for thr peculiar requirements of
IrttiiJio .oi
.oic ne are in a position to oftcr fm imaliiable phase of the icorh-. I he man
irhn ha lohniteeicd to iahc the yiils under hii icina and sham them haw to
make tlirnnrltei photoiiraphkally hraittifut it the famous "skippcr" of the
'I tiuiieii.',r 'liolley romcdicsDiin Mason.
MAKING up for
in itself. It
the movies is an art
is entiiely different
fmm stage work and a girl who en
tered on a sri with rouge on her chcrki.
or white powder on her faie would be
( based out of the studio.
And Dun Mason should know, for
he lias h'cii in pictures, long enough
to lememDer w lien pictures were taken
nn ,h( tops nf buildings, the mofs being
used as Still IDs
..t. i
. J'mper make-up for the camern is
j' i "' '', T " Z Vo I
Ptry t he various emoti.Ins." hi sJnvs
"M.itlnn-picture Mm records only two
I have spen m.m.v stage celebrities.
thoioughly coiivcisant with the nit of
oiiih.'-iip ior loiiiiignis, wan. into a
studio and ruin whatever liances thev
,ial "f 'uplicntiiiR their cniiei, in thV
,.illPInll ,milto ,, fn,H, tn )Pa)lp
lml l.nht ,'nli.r. lil.nl..i.rnnl. ..Ml.. 0...IC
- !'' iu .. iiuc iiiiu'
dink . olors black
'One. too must be more eailing
wnh make-up for the tcrc-n than for
the Ntago or street wear, for the eagle
i.ve ..f the (amera detects and magnifies
the slightest d"fect on the fine. .
'
't"pnCA"Sn so much depends on
' proper make-up. Iam willing to
ink. tliec winning contestants under I
mv .aie and initiate them into the'
seciets ot grease-paint nnd powder im
til tlicv have mastered the art them- I
e.vfs tissure you I nin not tai-Mini;
iin.v pleasant job," for. after two hours
in the dressing room evcrv mniniiu
piaiing on my own make-up oi evc
l.i . i w and vvhiskcis, I feel tiled enough
to take ti.eni off and go to bed
I have In en in picluies off and on
sin. i' their beginning manj .vents ago
and I am still a student of mnkc up
Methods nn continually changing and
HOW MUCH YOU SEE 0!S
lilt ,, ih dm i tor, s?ivl"g hU instiue.
Hi. n n- I'.e iiiliuti piugiiVci v
I'll.' while mm I ingle iiniiinil Ihe two
I'.'.iiii- hi the . ei'lii nf the n null
culi invv nun h of it show in the cum-
luns Thnt ii nil thnt will appear on
the Rcicen Inter
Hut, of cpurbC, tho wholn set has been
arcfnllv built in it entirety so that
"long tihoU" can be mndo us well,
Movie Beauty Contest
Facts in Nutshell
ryiHE Bctzwood Film Co. wants
to find three girls of a fresh,
nttrnctivc type for their scries of
"TooncrVille' Trolley" comedic?.
We have ngrccd to find these
girls through a contest. To enter
simply send your photograph ad
dressed to "Movie Beauty Con
test," Evening Public I.taiccn,
Sixtli and Chestnut street?.
The winners will be employed
first in minor parts at $40 a week.
The best of the three will then
be given the leading part in the
next film nt $100 a week. The
other two, if they show sufficient
talent, will be further trained
with n view to filling the leading
part later.
The jury to decide the winners
consists of two famous artists
Leopold Seyffcrt, portrait painter,
1730 Chestnut street, and Mijs
Harriet Sartain, principal, School
of Design for Women, and thtee
noted photographers William
Shewell Ellis, 1 G 1 2 Chestnut
street; Elias Goldcnsky, 1705
Chestnut street, and Theodore T.
Marccau, 1G09 Chestnut street.
The contest will close at noon
Saturday, June 18.
Girls "Make-Up
DAN MASON
new lighting effects require new make
up effects,
"When I first enteied the studio the
make-up problem was the greatest one
with which dncMors hud to contend. At
that time players were using the ordl
tiiirv musical coniedv or stuce make
up ejes lienvilj headed with ninxarn,
lots of black over the evcllds and heavy
led lips thut photogiaphcd a black
smudge,
' As n result, it gave rise to the im-
THE SCREEN
,i
Tins pntticulnr Mrne ia in the '0
Vcvv U Hliidln. Dlirclor 'Jun-low
tiihlvu wns screening "Know m.
.Men In which I'cnrl White is start t-l
, That h I'cail In the vvhlto siiunrc ai i
bending over her la Wllbcrt lAteil hpi
leading man. Tlio director I. viin.
filblyn, who is about 0 burnt Into a
Varbcl volcapp if, thp love ncene Uo.b
P
FOR YOUR SCRAPBOOK OF STARS
f . fT s V,;',JBWs5?r,Y' '
., fs. .'; '-j r..nWiMfy- i
J 1.. . i - - ' ,. .'AV
NORMA TALMADGB
pression that the screen wns a cheap,
impossible imitation of the stage.
"Without proper make-up ever.v
facial blemish would be iccnrued. such
as freckles, tan and wrinkles, nnd they
would register far more obviously than
tllpt' tt'm.t.l nni.eii nit'nt f,,,, flm .n.i-
era. Tanned skin would reproduce nl-
moat DiacK and freckles would be en
largcd conspicuously.
ItmilKUE
J- tricks
arc a thousand or mote
In make-up nnd I don't
pretend to know th.'in nil. There nre
certain fundamentals, however, which
beginners must know before tlvy can
hope to achieve a satisfactory effect,
"To professionals these things nre
known, but to screen nspirnnts they
constitute part of the many mysteries
of motion picture.
ritoTni'i.ws
Alhambrar!5, J E.sli
BERT LYTELL i
In "TIIK I'RtCI", OK IIKIlKMrTION
A I I ETUI7NV Pmnkford ft Allra'ieny I
C'ATIIKniNK t'U.VKUT In ...
"The Heart of Maryland" !
ADHl I f &2D A THOMI'SOK STS.
ii VL.L.V-' MATINI-K lMt.V
DOUGLAS FAIRBANKS
tn "TJII2M'l
ARCADIA .nT',! ,l0TvV
MONTH IIM'li AMI M lt TIU'R'VI VN In
"THE BROKEN DOLL"
AOTrtD rttA.NKI.I.N A GHLVltl) An.
Pij 1 VJrv MATIN pi: DVII.V
CONSTANCE TALMADGE
In ;f.O( KKl'EKBNC'K'"
RA1 TIMOR F r'iKT ai-timoiji:
tJAL.1 llVlWIMi:K ao hat mai
EUGENE O'BRIEN
In "linOADMAY .VVIlIOVr.''
T3CMM UT AND WOODLAND AVi:
DCIMN matim:i: haii.v
IIKV Tt'ni'IN In MI'.N'r.TT'K
"A SMALL TOWN IDOL"
BL.Ut.DlKU (nnt nimii- ' ulll I 1'
ANITA STEWART
In JTIUI Vir.IITIMI MIKPHKnnFK"
BROADWAY Kfii
MII.TOX ill,1,S n
"THE FAITH HEALER"
Broad St. Casino"roai ll&tl
ETHEL CLAYTON
in "tiik rntcr. or rn,iK''SioN"
r ADITOI "-'- MAHKBT ST.
L-rl lwL. to r in ii ii r st
ELAINE HAMMERSTEIN
tn "ronn nr.AK MAitAnAnrrr umin"
COLONIAL a -5 nil. A0,ea
THOMAS MEIGHAN
in "Tiinr.As until"
DARBY THEATRE "
(ii:onr.n vitzmwhti-s i'noiii(Ti(i
"PAYING THE PIPER"
EMPRESS
.tIN ST MANAV.L..VK
M TI' r n.n v
ELAlINt MAlvlMfclC) I tIN
injTHK rmsr (ik vn;"
FATRMOUNT nA.'.s''ilAlli
Winter Hall and Frnncelia Billinglon
jn"iiKARTs.nK Tnrvu-
PA Mil Y THEAT" 'Sit Market St
rMlVUL.1 n a V TO MlllNIQlir
Jane Novak and Monroe Salisbury
tn 'TUKJIAHnAniAN"
ifTW ST THKATHlV-nclow Sprue.
JOln sJ I . MVTINKK n Ml v
"NAZIMOVA" IIA
in "MAn.M.r. rKArprK"
FR ANKFORD" 47'r -y$
DOUGLAS FAIRBANKS'
In l III-. NI'T"
C ORP ow" MM'NTT ST
GLUBSuK,,.y.?vC',rt ''
"THE STAR ROVER"
COMPANY f J
sw erAut.if. r
GRANT i0" r'mAnr avk. "
CjKACHARLTkNAVA,W
In 'TEACKrui, VAM.EY"
"For instauce, it mav be interesting
to know tlint in order to round out
the cheek, you must put on the make-up
at the back of the face, la.vlng it on
heavily nbout the jnwline and extend
ing it back along the neck. To thin
the lace vou must nut the niuKc-ui)
lorwn-rt.
Prizes for Foster Home Children
The annual distribution of prizes to
the children graduating in educational
work nt tho Jewish Foster Home,
Church lane and Chew street, took place
jesterday. I.co lleimerdingcr, chair
man of the Kducatioiial Committee,
! nwnrilpil II.a t.rlpn ntnl itupi... Vnd.
bauin, president of the home, made un
address.
I'llnTOI'I.Al.s
The following theatres obtain their pictures through the
STANLEY Company of America, which is a, guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
GREAT NORTHERN "r??,Vr$
rJiV UKi'lJ'"""''.'!.'!..'. '
inc. DKArUJlNli lKUrl"
IMPERIAL
C.OTtl & WALNUT STS
Mll "."III Cici T H II
BERT LYTELL
Till: MIM.KAIUNd l,.m "
Lelliari Palsvr Vtermantonn Ave Bml
,1-ciiign i aiace ,.,.,,,.1, MuiUi
4KAN I'Ufii: In
"BLACK BEAUTY"
I IRFRTY OAD , COI.t .MIIIA av.
PEARL WHITE
In "KNOW Ol'Il .11 W
OVERBROOK m lr!ord
JK.W 'fli: nnd lllfl T In
"BLACK BEAUTY"
--
PALACE
1214 M.UtKlIT STIIEUT
10 A .M tn 11 -I.'. I' VI
THOMAS MEIGHAN
"TIIK CITY Of NII.KNT MKN"
PR1NPFSS ,0"i I-HKUT STUEI-.r
i ,"'i--JJ s.ti) vi loiitr. p. m
WILLIAM S. HART
jn 'jo'mai.m'.v or Tin: miiintkd"
REGENT,UTT ii"TTH
, SIDNEY CHAPLIN
-"KIM1- tBCN AM) JOKKn
I RIALTO OEIIMANTOWN AMAtTT
WHAT'S WORTH WHILE"
RUBY MAIJET bTrTli;7Zv"fnt
"HEART OF A FOOL"
SAVOY 12U MARKIH- hTHKUT
nv.r.,: H M TO Mir.NinilT
'ASMALL-foVN'ibSL'J'
SHERWOOD K
, .JUSTINE JOHNSTONE '
i "t.ik ri.ATiiiNr. or nnoiiv'
STANLEY .. MA"KET A" 10TII
STANTON, fts!A1lFr A"" ti
LIONEL BARRYMORE
.JlJlLKE HN (MIIIIKN'.
333 MARKEW
VICTORIA "".-n "T .rrTI
WM. PENN '; ''m.
BEBE DAMEU ",e,,,r"
. . In"r" MKKKH tilTII .AV"
AT WEST CHESTER
RIALTO .$"& om vkr cunwoon-B
DOROTHY FARNVM
ANSWERS QUERIES
ON SCRIPT WRITlNfi
MICHAEL TmE8NXR!lTJ7-
tnost heartily for the tin, th,,
nave sn.ii in your letter. In m 1"
article I remember Mj ing that 4?!
writer wa.s a lonely task, I i
(Jinnged my opinion, since m'v comnV'
in writing the photoplay, wlmrcnl
articles in the Kviamt, n
I-nmiK... have given me so
their conipnnlonship. "
You nre r'ght-qulte Mfv ti h(
when you sny that among the 'thoimJ!
and thousands of people u,n ..
photoplajs. many of whom have crif.'l
there nre only a few upon vliom tbj
favor of the producer falls.
There is only one tenieily for H,t
ohslnclc That Is to do what nil oth
.successful photoplnj wrights in,e
to do, keep nt it !
In reply to jour second mir.tion h
not absolutely nccossarv t.. ,i..
nn ngont to sell jour scripts. althourK
to n person who allows himself to fc.,1
worried uy uusiness arrnirs, an aj(Bt
can often be a great help.
A course in photoplnyvvrlting, pro., J
vmeil it uc rightly selected, (an rj0 tou
no harm. This, of tourse, would' bj
preparation for the continuity of i
play, that highly technical manuscript,
in which every .scene and title lj Uij
out in the order in which it U to up.
pear on the screen. This has notiitf
to do with the writing of original r.!iJr
ior me screen.
You may be successful nt that, with
only n slight knowledge of continuity
writing.. These articles in the Ernnt
Pftiwc Tjf.nonn, or nrt'cles similar to
them, coupled with persistence ami ex.
perience, are the onlv "course," jm
will need, especially if .vou mpplcmmt
mem dv writing me treely about vvlut.
soever things may trouble jou.
The Authors' T.onguo of Amerira h
nn organization dcslened to protect th
rights of writers. The membership ftt
is ?J." n yrnr. For Hint sum ynu will
be furnished with a monthly bulletin
containing confidential information ti
to film nnd fiction markets. Morpovr.
i vou may call upon a lawyer rctainrf
I i... i.n I...... r,. n.int .n..i:
rights, royalties and contracts, free o(
charge.
In case of nnj wrong done you by in
unscrupulous agent or n produrer.'v-oti
m;fy call upon the league to defend jm,
regardless of whether jou ate a mem
ber or not. Write for further informs
tion to the Authors' I.eacue of America,
10 I'niou Siprnre. New York City.
I'AI'Ii SPII.LMAX Write tn the,
Authors League of America, -10 I nlon
Square, about copj right ing our photo
plnyn. Indeed, I do not mind tho heart-to-heart
talks through map. Bo not
hesitnte to call upon me for w haters
help jou need in the future.
rimTnpfMM
. comny y .
rAMmic,
W
The NIXON-NIRDLINGER
1
THEATRES
An"MI IP -3" st- "'l Alleghmy Am
rtVLlNUL MATINT.K DAILY
AI.I-STAIl CAST In
"UNCLE TOM'S CABIN" N
dci l-KtT .-.'JD
Anovn MAnKET
. Jb .1 uml a 4V. tn II
OCU.IV1W1X 1 , il0 A .1 xn.1 rt IVl. tt 'I
IU.1VAV TKAHI.i:
a nosr.M.un TIIEBI
"WHISPERING DEVILS"
CEDAR
liOTH I. CIIDAIl AVENUB
I .'10 (. ,1 nnd H 30 to It
l Vt HlllKNS In
"THOUGHTLESS WOMEN"
PHI ISFl IM Mrl.et bet r.Olh t 0U
VWIiOC.UlVl i an & a nml H 3) to II
JAMES (IMVKIl.tTllVt HODS
"hobel" or "The Trail's End
LEADER 4IbT,M-,.AlS
DOUGLAS FAIRBANKS
In "Tlir, NIT"
i JUMBO
1TIONT ST
.lumbo Juiu
t aitlAIU) AVli
on Tranktord "L(
AM-hTATl CST In
'SERVANT IN THE HOUSE"
F OH IQT ''-D ANI I.OI L'ST PTnEETf
1-vJUUOl Mn ,.,10 8 3i Kvc 0 30 to I
AI.I.-HTAII CAST
"WHEN DAWN CAME"
NIXON DJU AND MAn?fJ 78mi
SSHIRLEY MASON
In "Till: MOTIIKK HKAnT"
RIVOLI MD AND mVtInlt
TOM MIX
in 'itimv iiinir.n" .
STRAND
Ul.nMAVTOWV AVE.
.r I NVM.I'HTItEW
THOMAS MEIGHAN
in "tiik rs uoui"
AT OTHER THEA
TRES
aurora -,3-' urrr,n,:;.V: witt
LOUISE GLAUM
III "I AM (II Mlt"
r.rmof 6310 flmiantnn ".I
uv.iiiuilluVll MATINni. UAI"
BEN TURPIN
In hfllflt'i. "A NMAI.Ii TOWN '"UfiL
JEFFERSON 27fN-u.;l,fiTt1'
jamics oi.ivrii ciRooi)'
"KAZAN"
PARK
mum; vi; a DAirniN rt
DOUGLAS' FAIRBANKS
In 'TIIK NUT"
aPRI IPF tii and nrtucB'
,rf
4
W .&$& '
,L,
L,UUld. Ul-AUITI r;
1 lr-Aftf tflf.lT.'TVI ''j
,7 I
pr
" " """"I-
i K . sf
to tp,f- x
nntmt-,t, ...4,i
MmimiiifflMi&
.s.
' "'n''" v.' i.liBBBili

Evening public ledger. [volume], June 06, 1921, Night Extra, Page 14, Image 14
About Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942

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Evening public ledger. [volume], June 06, 1921, Night Extra, Page 14, Image 14 About Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942

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Evening public ledger. [volume], June 06, 1921, Night Extra, Page 14, Image 14
About Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942