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m THE SALT1LAKE TRIBUNE, SUNDAY MORNING-, DECEMBER 1, 1907. , . ,7 h . ., . . ATTRACTIONS FOR WEEK. W- , . , . 3lt V. ' SALT LAKE THEATER Flor- 4 ' ' - ' cnoc Koborta In "Zlra" first lmlf I Sat' " I- of week with Wednesday matl- . . j 'A ! nee, 4 ?f?- - :,-.:" - GRAND THEATER "The Cow- 1 - 1 ! puncher" first four night3, bo- 4-- .;- ' ginning tonight, with Wednesday - matinee. Ricliards and Prlnglo's y 4 Georgia minstrels last three 4- i - 4 nights and Saturday matinee. - 5p, -i- . ORPHI3UM THEATER Advunced . s-Vi ' ' vaudeville all tho woelr. begin- J nlng Monday night Daily mall- " '"'s nees except Monday. t') ! LYRIC THEATER "A Mother's 4. '.'ir - vt Devotion" all tho week, with . 4 matinees Wednesday and Satur- h .. Si $ "ai $ &?v- r Ono of the most effcctivo and inter- 'fT , csting dramatic offerings of tho season is the engagement of the eminent enio ; 3iv tioual actress, Florcnco Roberts, at the ;'' Salt Lake Theatro nest Monday, Tues- f' day and Wednesday nights and Wod- ncsday matinee in. "Zira," a drama in iiiy a prologuo iind three acts, by Henry Miller and J. Hartley Manners. This is the picco that mado Margarot Aug v lin famous at a timo when her artistic r career was thought to be on tho wauc. -t So pronounced was tho success of the piece in New York that it ran for near ly two seasons, and became one of tho - most talked-of productions of recent years. Tho piny is based on incidents -' m Wilkic Collins' thrilling novel, "Tho ... . v New Magdalen," and in this new ver sion it has lost none of its power to . 'thrill." All tho former acting vcr- !". Bions, such as were used by such famous '.fj actresses as Anna Cavendish and Clara t.v Morris, wero cast aside by tho play- ' wright, and by following closely to tho k text of tho book, making only such changes as would make tho play rnod l', orn. they havo turned out, it is said, one ' of the most powerful and moving cmo- tional dramas of tho present day. It is a play constructed with consummate Eowcr and charged with vitality. Tho eroine is Hester Trent, the rolo en . acted by Miss Eoberts, a young English girl, who as a Red Cross nurse in tho South African war is trying to win ; back the respectability lost by false : marriage with a married man, into which she had been duped. Sho is faced t,', . with oxposuro by a young woman, Ruth Wilding, who is on her way to join her relatives in England whom she has J. never scon. A stray shell demolishes , tho building in which they arc stand- ing and apparently kills Ruth Wilding. ; - . v ricstcr sees tho opportunity, and undor tho temptation takes Ruth's clothes, her - .,' name, and her papers, and with them ?'. ' buries hor own past, ouy to bo con- .. fronted in England ultimately by tho 'tj'r " woman whoso placo sho has usurped, iV-' and who lias rccovored from her in- fl' ' ' juries. Tho rest of tho play concerns 2.' tho .battle botween tho two women and Hester's final victory over herself, which in timo brings tho happiness sho ' ' sought and fought for. As Hester " t-- - v . Trent, Miss Roborts is said to havo .- t," - attained tho greatest artistic achievo- . S , ' x. ' r : ; " I 1 SCENT! FROM 'THE COWPUNOHER' At the Grand Theater, Four Nights, Starting Tonight. mMwF. .'-C- up .qflim ; FLORENCE ROBERTS la "Zira," at the Salt Lake Theatre, Monday, Tuesday and Wednesday, and Wednesday Matinee. mcnt in her career. Sho has been sur rounded with a carefully selected cast, and tho production is handsomely mounted with a wealth of detail. "Tho Cowpunchor," among tho best plavs of tho season, opens a lour night an J Wednesday matinco engagement at tho Grand theatre tonight. It is by Hal Reid and under the direction of V. I Mann, which is a guarantee of its merits.- Ono of tho most amusing in cidents in tho piece and somothing unique in tho way of an ontranco, oc curs in tho first a'ct. Tho cowboys are assembled in front of tho ranch houso awaiting tho arrival- of tho new ownor, a young girl from tho East, who is ex pected in tho stage coach. Hearing the approach of the stago, they proparo to givo tho tenderfoot a genuine Western weleomo, by showing her a mock lynch ing. Throwing a nooso around tho Mex ican's nock they string him up to a tree as Gcraldino stups from tho coach, ex pecting hor to faint or show some signs of feminine weakness. But Bhc coolly calls their attention to tho fact that tho noose is fastened under tho right car and suggests that they chango it to the left as the man would hang easier. 'This turns tho laugh on tho boys and establishes hor a warm favorite at once. "Tho Cowpuncht'r," written in Hal Raid's inimitable style, affords all the characters many .opportunities to dis play cleverness and versatility. The play is lavishly mounted throughout and bears evidenco of Mr. Mann's per sonal attention and supervision with all tho wealth and beauty that the stage carpenter and scenic artist can portray. Tho scenes arc woven in and about Arizona and Mexico, in a stirring and adventurous manner, dealing with cow boy HL'o on tho largo cattlo ranches. Good plays aro constantly being pro duced dealing with Western life, but rarely does one appear equal to "The Cowpunchor." In order to fully appreciate a min strel show, one should tako a position in tho theater where ono can get a glimpso of tho gallery. They say twit laughter is contagious, and to see the "gallery gods" as thoy laugh at the boisterous fun on the stage one cannot help but join in tho delight. Tho Richards & Pringle's Georgia Minstrels do not cater to one part of tho house alone; their performance is to please tho masses, and from reports of tho crowd ed houses this organization is drawing, they socm to catch tho public fancy. One thing can bo said of Messrs. Rusco & Holland, is that they havo tho knack of putting together a minstrel show that has no tircsomo waits, or acts everything goes with a hurry and ex citomcnt. "They will appear at the Grand theater three nights and a Sat urday matinee, commencing Thursday, December 5. All headlincrs! Now, that's going some, but tho Orphcnm will certainly dolivcr the goods tho coming week from top to bottom of tho bill, as these IH acts are new and novel, and come here IH having won laurels and favorable com- mont from all quarters. At tho head of tho nrogrammo comes C Lille Bcrzac, with his trained ponies and the famous original mule "Maud." This act is said to be the greatest laughing hit in vaudeville. Wherever it has been seen audiences havo laughed till their sides fairly ached at tho antics of Maud, tho "he-haw cyclone," in her acrobatic ef- forts to prevent daring amateur donkey lH busters trom getting astride her back. B A more absurdly runny performance JM than tho gjTations of this trick mulo ,H and the stolid insislenco of Bcrzac's throo assistants to accomplish the feat 'H of riding her is seldom presented. Bo- sides Maud, there are thrco clover little Shotland ponies of highly-trained intol- Jjt ligoncc. James and Sadie Leonard and 'M Dick Anderson appear in a hysterical i Roman travesty entitled. "When Cae- JM sar Scc3 Her." This skbtch is a satire of "Caesar and CleopatTa." The an- 'H achronisras introduced and tho absurd- ity of tho whole thing keep the houso roaring. Next comes Emma Francis and her Arabs. This turn 1b made up -H of whirlwind dancing and wonderful athletic stunts. Theso Arabs are from Africa, and their tumbling feats aro said to bo marvelous. By tho way of varictv, Georgo Austin Moore will ren- 11 der cnaractor and negro song3. Mr. flH Moore cannot bo ealled a "coon shout- ex," but he sings syncopated songs that , tho world has been tanght to believe 1 aro thd legitimate evolution of the old negro melodicB, in a way that is good '4 to near. Ho is a handsome fellow, ha.3 - a good voice and knows how to use it. Ho has brought with him ono new ' 11 song, "Sam Johnson Don't Livo Hero No Mo', that will bo whistled all over .B tho strcots before tho week is ended. H The Tivoli quartotto aro soloists and harmonists, who havo had a triumphal tour throughout tho country. A samplo criticism of their work is this: Tho quartette singa till the audienco is '-'M aroused to the highest pitch of en- thusiasm, and while clamoring for ad- ; ditional oncores tho quartetto bows its ' thanks and retires. It is a splendid or- . ganization that sings well and with tha most consummato taste. Thcro aro Jl f ow guarlottes so worthy of the demon- JM stration given yestcrdaj'." Allen Wightman comes billed as a clay mod- AVJ eler and pastel painter. His skill ai a modeler is said to be somothing won. dorfnl, while his pastol work is of tjni Bl most artistic kind. The kinodromo pic- turca and Mr. Wcihe'a orchestra are -. 1 sure to keep the place in popular favor 'H j thoy have won in the nast. A thrilling story of life in the moon- "flTJ shino districts of the Tennessee hills: a tale of love and a feud, wound around a mother's devotion to hor family, id told at the Lvr'ic this week, beginning iH at yesterday's" matinee. The melodrama- OH loving patrons of this playhouso ara rapidly being won back. When tins houso was turned over to vaudevilla H theso patrons of the "legit" turned ;H their footsteps toward other theaters, Frederick Moore, who heads the cast r:B and also directs tho play, has a large ,H following in this city, and Manage! Grant was fortunate in being able to secure liis services. The story or "A , Mother's Devotion" is built around tha struggles of a moonshiner to make an unproductive strip of ground meet their ; humble needs. Tho mcmbors of this family try unsuccessfully to make thuir . JH farm land pay. Their faces pinched , H with want, a "still" is planted in tho recesses of the mountain and their out- .M law whiskey finds a ready market. They , , livo in constant fear of tho revenue men and aro bound closely together by this common inlorest. Pathos and com- ' lfl cdy minglo; tears and laughter go hand 'M in hand throughout tho piece, nml tho AM human interest of the story is felt keen- IfH ly by the audience. The managemens ?lM feels very much gratified because ol tho KM heaw atlenilanco during the past week, iM and offers a list of plavs for the com- rH inr two months that will rival m inter- tm est anything before put upon the stago jm of the Lyric. That delightful comedian, Max Fig- 'H man. will drive away dull care at tho Salt' l.ako Theater soon in the great New York comedy success, "Tho Man on tho Box," dramatized trom Harold H MacGrath's boek of tho same name. Iifl There hasn't been a comedy written for HM vears that has afforded such unquali- r)H Vied and universal satisfaction as this charming account of the j-oung army lM oflicnr's adventure with his lady love, and thcro has not been a comedian who -lH has made such a tremendous lmpredsioa ''H