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ffljM PLAY LIKE CLINIC TT0idfag Subject Is Diagnosed IflRAMAS PRURIENT JB Russeii Lectures on How to Live a Hun dred Years and Die Young. Jj By Vanierheyden Fyles ..nichsrfl nenntti Depots Wilton LJdcaxo 1 Orce Ellbloa ' .AmulU Grdner I Roberta Taylor , Laura Uurt ... ,...,joYm Warnor d V,.Dodfon Mitchell '"jarnaret Wjchorlcj ..Clarence HindrBldo "' Mabla Morrison TTj EJ(tar Wallace. Georgia O'Ramey Tw""""' ThC Comian7 B. ifunoMia"a and Jean d'Miru. Holbrook Dllnn " Edward Elllp """" ,., Jolin StoTtej , .Vaughn Trevor Harrison Ford , sunler Hounhton. (Prln- Wllletle Krchw "" " Fannr Herti Holbrook Dllnn Viuuhn Trevor l j Wrd Elll. ,ZI7.. Holbrook Bllnn r" .... Wlllctte Kershaw Harrison Ford Frances LarrImore f.. Edward emis HUV' i eontdr In tr ts t t (Eaplrs Thtitrt.) John Mason fSin; Julian b'Estranse a, ,. J. Lawrence Patrle , ,. .Wllfrxl Prarcott , T. Wiener Perclval ",',', Sidney Herbert , .... John Duean "m ..,,., Wllltn Marlln Martha Kedman k" .., . Charlotte Ire ' , Emily Dortd , Ada Dwyer tin Is shlnlns when you ius words, you line! best k the curtains: the sub Iks neff plays that 1 needs itout will not bear sun fruh air. Four of them, Jedlaled a handsome new rMeh will doubtless be more rlli youthful playgoers than rtfl'i theater, Inasmuch be sen advertised fes a house aa of the offerings will sfldtm draniRtlo material it to younger playgnera." ir play, "lies Avarles," by i Britux, was announced for Vntc" riitlnes and as "only wfcut of a far wider campaign li iDllghtenment of the public Ui'n)Jecl of one of the great lu;ti to the physical and Mlilth, efficiency and happl rf.lhs Rtneratlons to come." M'fc performance had the in RMr advantage of having to go KlRHi theater to theater be tt.taild flnd one that would t.K Tlie result was that be W) aitlnee was given the de Mfr Hits was fo sreat that gst performances were an M"! ua when the day arrived, pw trovd swarmed about the K,1 e same unrcason WMilty with which Idle peo M" the ouMdo of a. house r on raid or murder has T?! Medical Review of HMttood "Ponsor for the play, ffrSS? mnde to keep Plifom the general public. Ert.Tft?1?10' wh0 """ere Kht lhlnHers who had se- wtra besieged. The the AOmed, even to epaces for KF, women, of course, pre- ET Jeve.r: H- "B- Warner Wmtlnee Idols had put on WtfJTL 'ard wore a Ri, Diamond Jim Harris and Lillian Rus- r2t.ther WCU- lool would question M. BPSa011?, Purpose in : h h'l worked hard Qi .J"f0"nance possible. Tui-iiK?1'" ?' such rrood lBk'Uiii.G?n3ner Dodson .fcM tfr r, .arace BlUston. likrfe Juraed out If tho tmlr nr 6 tuberculosis. MtsT.-r.51a"y other affllc- .ttov !?..ay.a aMe In book H1 TCld vS.10 wh, "Be their tMi, J? read by every lM?6J 3?' ePt the 'tttSoraof youn? SSltLd11' ttlltd n this 'lly ic(naRod Goods," ( k'nf. a drama at Bi. an ,iih?sls- t con- SSL1 the r?U,ler.eShth, dls- 'j?tom ihl A."ls wlBdorn t acts 8"' n& room tho SPt fta in mp,l,s" He forbids ? unntSL"". cxpla,ns 'rtly con.J "tncs to marry fk KL a ' Nevertheless, th.Jr find a half Hly hi?nihe Physician's irtL1 tSme aThaboIutely ii,bt other T . al??rd the ' n the baiVct at se S t,e ernoon the Kih Sth1;"-, Pale ,B,? SS1- a, fni e oPressionH man should look Into the moral and ' financial status of a prospective son-in-law without making anv inquirv concerning his health. The' perform ance was preceded bv an address by the Rev, John Jay "Holmes, of a leading New York church, In the course of which he quoted copiously from Ihc well-known, caustic preface written by Bernard Shaw for the volume of Brleux plays translated. In part, by Mr ,Shaw. No such mat inee would be complete without a word from Brother Shaw. At the end of the play, in answer to In- " slstent enthusiasm. Sir. Bennett asked Mr. Lackaye to speak for him; winch, never shy at such times. Jlr. T-ackaye stepped right up in front and did Among the things ho told us was that he thought "Damaged Goods" might do as much for the evil exposed as "Uncle' Tom's Cab In" did for the emancipation of the slaves. Mr. Lackaye has played Un cle Tom, and to great applause. Mr. Bennett insists the production was not made as a commercial enterprise; and I. for one, do not doubt him. But with managerial competition keen as It Is. it -would not be surprising to see one or another of our Broad wny magnates grab at a play that can arouse such curiosity. AFTER mere critics had hurried home and dressed and gobbled the brief meal which Is all wo got time for nowadays, we ambled off to an evening of harlotry and murder. The four new plays that concerned themselves with these delightful sub jects dedicated a now theater called, with delicious Inapproprlateness, the Princess. Tt holds only 28B per sons, and Is handsome and comfort able In every way. Bills of short plays are to be prosented there, which Is a desirable scheme for audi ences and authors. Many literary treasures never reach the general gazo because of their brevity; they are dis regarded If used as "curtain raisers" and too good for tho taste of the average vaudevlle audience. Usually they do not get beyond book-covers, ns "The Twilight of the God." by Edlth Wharton, and "Miss Civiliza tion." by Richard Harding Davis, with, perhaps, a performance at a "benefit," On the author's side, such a theater would offer an arena for new talent, where a man could feel his way to larger accomplishment by writing in brief. Arthur Wing Pln ero and Augustus Thomas are among tho dramatists who served an appren ticeship in this way: though their early efforts were cramped by clr clrcumstmces, being necessarily de signed as trivial "curtain raisers" to the main play of the evening. The policy of the Princess eliminates that handicap. Success to ltl TTNFORTUNATBLY the germ of the French sensation play lias crept In. Kill It, Messrs. Princess, beforo It kills you. That sort of thing has been tried before and Invariably ljas failed Arnold Daly and Frank Keo nan are accomplished actor-managers who have done It very well and had emptied exchequers as their only recompense. However, Holbrook Bllnn, an excellent actor and a man of high Ideals, Is at the head of tho Princess scheme, as playor and pro ducer. So we have every reason to hopo the horror-plays with which tho start has iboen made will soon give place to pieces more worthy of so delightful a theater and eo Interesting an enterprise. Of tho four now plays, two are) farces and two melodramas; and all are concerned with vice. "The Switchboard," by Edgar Wallace, is a rather good Idea, that might have succeeded bnttar If the staging had not been so unimaginative. We seo only a girl at a telephone switch board, with a black cloth ns the back ground. Different conversations a re heard, "ae in the air," except that the effect is nothing more nor less than the actuality Heveral actors talking from behind a curtain. THE second play Is from the Grand Gulgnol In Paris, on which the policy of the Princess Is avowedly formeii. The French capital abounds with little playhouses devoted to "shilling shockers'' of this sort. "Au Telephone" Is tho best of them that has reached us, Tho houses aro called "theaters a coto" that Is "theaters on tho side.'' They cater to the taste of the localities in which they stand, somewhat in the manner of our motion picture houses, regu lating the degree of thrills adminis tered according to tho neighborhood. This Grand Gulgnol melodrama Is a translation of "La Grande Mort," by H. R. Lenormand and Jean d'Augu zan, called "Fear": and It. Is the be3t piny of the four. For people who en joy an exhibition of mental torture, punctuated with one murder and cul minating In two more, it should (be a treat. It appeals to about tho samo senses as a peculiarly heartless bull fight. The sole purpose Is to illus trate ablect, frantic fear. An Eng lish engineer is statlonod with ono companion on the outskirts of an army camp In Tndla, The maddening heat Is wonderfully suggested by the low celling and swinging fans of the hut, by the stretch of Bun-baked sands outside and by the panting, staring, spent demeanor of the mon. Tho rrlH are vividly renllzed by Mr. Bllnn nnd Edward Ellis, Tho en gineer Is In tnrror of the cholera epi demic, which Is gradually overtaking tho camp. He has sought courage In whlskv and quinine His companion is searching for evidence of cholera in tubes of blood. Ho scratches his finger. Inoculating himself. The en gineer Is horrified; and when tho man' back Is turned, he BhooU him in cold blood. The second scene 1b loss effective, because virtually a repeti tion of the first. The lone murder er's condition Is more wretched than before, If possible; his fear more frantic. A native who Is Infected gets Into the hut to hide from sol diers who would shoot him to pre vent a spread of the disease. His pur suers discover his refuge and fire through a window, ending the Eng lishman's life as ho had cut off his companion's. STANLEY HOUGHTON, author of thnt admirable play. ''Hnd'0 Wakes," reveals himself Ip a differ ent mood in "Fancy Free. it is n frivolous and witty trifle, somewhere bfttween farco and satire. THE nastiest of the plays comen laat. Lest any of us Indulge the hope that Its story is oxcopttcm nl it is called "Any K pht. It was written by Edward Ellis, who, with Mr. Bllnn. Wlllette Korshaw. Francos Larrlmoro and Harrison Ford, gives the plav an excellent performance. It deals with soma of the seamiest phases of the underworld. THAT wcll'knoivn actross, Jour nalist and wife, Mrs. oxander P. Moprc, of Pitts burg sometimes known as Lil lian Russell wns the magnet that, has drawn Bwarms of women to tho Fulton theater. And naturally; fpr did aho not promise to reveal, with klnemacolor illustrations, "How to live one hundred years and die young"? 4 Dr Jckyn ' ' at the Bex today, Monday and Tuesday. "ytrUITITUDES of girls, from 17 to 70, "dropped everything" to hurry 'round and hearken. Elevated trains rumbled down, from Harlem with their loads of excited shopgirls, chewing gum; the subway disgorged rrowds of stenographers from the Bronx, who had tolled In downtown offices all day; the tubes and ferries from" New Jersey" and Long Island brought suburban housewives, and grandmothers In black alpaca. All were alert, Invigorated by the pros pect" of the disclosures that would make them one and all as beautiful as Lillian. You've got to give her credit, boys. ITtfllEN the girls had all not seated and composed their nerves as best thev could, a gentleman in even ing clothes (Miss Russell Intimated later we should say "man" or "wom an") appeared on tho stugc and an nounced that the first film had been selected by Miss Russell bocause It showed that the blossom was as beau tiful as the bud. In the pictures, lilies, nasturtiums, carnations nnd other flowers, in their natural colors, burst from buds to blossoms. A string orchestra discoursed the sweet est melodies ever preserved In sugar by Nevln, Tosti & Co. Everyone whispered "How sweet!" and "Ah!" and "Isn't It lovely!" and when the climax was reached with the blos soming of an American Beauty rose, tho girls gasped in ecstney. Then, and not till then, were we in a fit mood to gaze on tho American Beau ty herself. But Lillian allowed our expectations to palpitate a little longer. A four-minute Intermission four more minutes of waiting four minutes before the plainest of us would bo transformed. AT last the deep-blue velvet cur tains with a golden L. and R. embroidered on them, separated, and Mrs. Moore of Pittsburg was before us. She Is thinner than she has been lately, and as radiant as over. Her gown was of turquolso velvet and white chlTfon embroidered in silver, with a diamond sunburst care lessly dropped here and there. Her manner, as of yore, was that of a queen of our chlldhood'B dreams. "I have been before you some of you. that Is for more than twenty voars as a beauty," Lillian began In dulcet tones, "but I am here tonight with a mission. I want to show you all how age may be arrested. Years nnd ago do not necessarily go hand In hand. Years aro of the calendar, age Is a thing of the mind. Any woman who says she does not caro how she looks usually looks the part. Our appearance Is our introduction to the world. "Every woman could be and should be beautiful from the cradlo to the grave," tho Pittsburg bride wont on. "It Is tho fault of others If a girl Is not beautiful at 15; it Is her own fault If she Is not beautiful at 45." This statement visibly pleased all the women in the audience who had palpablv passed 05. Lillian smiled benignly. "Each of you has somo beauty." she resumed; thn waited till the girlish flutter had subsided. "No ono Ih favored more than another. And," she added, with a jowelod hand pressed against a few sunbursts on her loft breast to denote soul, "tho greatest beauty of all Is the beauty of tho mind." This was comforting to some of us, but the girls appeared more Interested when she got "down to caes." "T have four rules for beauty,' she Informed us. "First, take a mental bath every morn'Mg. Cleanse the mind of worry anc all evil thoughts. Think onlv of tho beautiful. Second, exorcise for a solid hour every day. Third, watch your dlot. Don't starve yourself: e-t three good meals a day, but keep an eyo on what you eat. Fourth, take plenty of sleop." THIS final rule led Lillian to a very comforting thought on age- As everyone sleeps eight hours out of every twentv-four, slip pointed out. and as sleep Is practically death, the "gentleman" or "young lady" of lo is really only SO years old. Cheer ful Idea, isn't it? But at that rate 'of figuring Thomas A. Edison, who sleeps only four hours a night, must be In his hundredth year, while Sleeping Beauty Is an Infant in swad dling clothes. But Mls3 Russell did . not pursue the thought. "Just to show you what one can do," she said, "I am going to let you see the pictures of ono day In tho life of a busy and happy woman my self. And my regime Is simple enough for any woman to follow. Where upon sho retired, with Impressive ele gance, to a throne at ono side of tho atage. and sat there In tho shadow of a mass of American Beauty roses while the homo life of Mrs. Moore of Pittsburg was laid baro In motion pictures. WE saw hor first In bed, slumber ing serenely. Then her maid came In. and Lillian awoko with a smile. Then a glass of hot water, and to an open window to ' greet God" and tako her breathing exer cise After that she breakfasted and rested for an hour, "reading, or an swering letters, or writing an article." aa sho explained. This was followed by an hour devoted to exercise, with hor trainer and ho. -I-yoar-old niece. "Handsome man, ain't ho?" sold a gum chower In back of mo. "The lit tle girl is not my grandchild," said MIbs RushcH from her throne. Bend ing exercises, throwing the medicine bnU and knocking spots out of tho punching bag wer0 then Illustrated. "Punching Is my favorlto exercise." remarked her majesty from tho shadows. "And I recommend It to all married women." ((Evori a queen will I have her little joko!) "It la something they can practice at any time ' They can even practice It standing at tho top of tho stairs whim their husband comes homo late, 1 can guarantee that wives who uho tho punching hog will find that tholr hus bands com home much earlier. This seemed to call for a picture of Miss Russell's current husband, but none was chown- The second section of the discourse was less consecutive In thome, but none the less onjoyod. Giving her turmtolao train a slight kick, sho told un how a young lady coujd be well dressed with only ono gown, ono coat and one hat. and tho pictures showed Miss Russell In the role. She woro a cont that cost S3G. a dreBS for which , she had paid 522, a hat at $i, and a bird on it that had not cont anything, because it aS a present. She had been out to tea or for a drive. Then ah removed the yoko of her dress, turnrd the flleoves up to her elbow, til nned a rose at her waist, bent the hat into a- new xhape, turned hor fur coat with the lining outward, and waj? the perfect lady for dinner nnd the play! BY this time tho most timid nnd nelf-consclous auditor from Har lem or tho Bronx was at her case: Indeed, was qulto set-up about her eclf. But there was even more en couragement to follow, not to men tion authentic Illustrations of how a young lady should pour tea, should sit, should walk, should re ceive a gentleman In the evening, and so on. But the most comforting Information of all came with Miss Russell's dictum: "Never woar a million dollars' worth of Jewelry at one time." The admonishment fell on sympa thetic cars. "That may sound cruel," the American beauty admit ted, "but I'll show you. A tiara weighs down the hair, makes the face look heavy. Earrings broaden the face. Collars, however handsome. pres. the flesh upward and give one a double chin." Whereupon, a reel of pictures showed us. by means of Lillian herself, what a. handicap to beauty a million dollars" worth of jewels Is. And with this great truth Im pressed upon them, the shop girls and housewives and grandmothers and stenographers fared forth toward the Bronx and Jersey City nnd Jamaica Plains, with happiness In (heir hearts and contentment In their souls. "D C. CARTON'S pleasant comedy of "Liberty Hall" has been resurrected to AM In the gap at 'the Empire theater made by the failure of "The Spy" to arouse enthusiasm. And that misfortune, by the way, has brought good to the public. In asmuch as it has released Edith Wynne Matthison to reappear In her exalted and Impressive Impersona tion of the title role In "Everyman." in a revival of that, ennobling morali ty play at the Children's theater, made by Ben Greet, who Introduced It and Miss, Matthlson to America, a decade ago. & TT was just twice as long ago that "Liberty Hall" was first acted In this country, during the second sea son of the Empire. The moro im portant roles were assigned then to Viola Allen, Cyril Scott and Henry Miller, who were young; to Agnes Miller, who has been living In retire ment In London for some years; and to W. H. Crompton. who Is dead. Small parts wore fillod by May Rob son, by Einlly Dodd, who returns to her old role, and by Adolph Klau ber, who has slnco been recognized for many years as one of the most astute. Interesting and Impartial writers on dramatic topics In America. He Is the critic on a New York dally and the husband of Jano Cowl. T4TARTHA If EDMA'N, a beautiful and accomplished actress from Sweden, who made her debut here last autumn as leading woman with John Mason In "The Attack," more than fills Viola Allen's place as tho elder of the two proud English girls who, on the death of their father, not only find themselves penniless, but driven from their ancient homo because It Is part of an entailed cs itate that goes with their father's titlo to a distant, unknown relative. J. Lennox Pawlo Is satisfactory as the kindly old London bookseller, a middle-class uncle of the girls, who has been always snubbed, but now comes forward with a home for them. Charlotte Ives, as the younger sis ter, and Julian L' Estrange, as her ardent and poetic suitor, aro no bet ter and no worse than Agnes Mil- Plays and Players (Continued From Preceding Page.) States with a greater faculty for tak ing the life wo live and its daily prob lems and putting them upon the stage with telling force. The Henry B. Har ris ostate, under whoBe management Miss Stahl will appear, has surrounded Iter with an excellent company and every part will be played for its full value. Mr. Klein reckons "Maggie Pepper" among his best plays ana Miss Stahl brings to the interpretation of the char acter the best art uhe has yet offered, our playgoers. From the first perform ance tho play wbb Teckoned as an as sured success", bo there is no reason why ''Maggie Popper" should not go on in definitely penperiug her audiences with peppery English otherwise slang. She is a saleswoman in a Now York de partment store. From cash girl she i gradually rises to be assistant buyer. By a trick of fate sho is made head buyer, confidential adviser and general business head of tho concern. But it is not altogether fair to lay this succeBs of the girl to fate, for her keen busi ness sense and understanding of busi ness conditions wore really the reasons thereof. Prosperity comes to the store under her direction, then the true woman awaTcens with her sho is in love with her employer, but her lovo is too true, too honest to let him sac rifice himself for hor. How aho comes to realize that true love can do no wrong is one of the big thrills of the. play. Throughout "Maggie Pepper" .runs that delightfully breezy slang that has endeared Miss Stahl to audiences throughout America. But there is much of pathos in .the three acts and in these emotional Bcenes MIbs Stahl is as powerful and effective as in the lighter lines she is amusing. The tlay is not onljT clever, but it is elaborately pro duced and the typical characters which appear in it may be fbund transacting business on every work day in tho de partment stores of tho land, bo thoy big or little. DRAMATIC NEWS AND COMMENT There still are rural communities in Scotland whero it is considered wick ed to go to the theater at all, but such communities are rapidly disappearing, says William Lennox, a Scotch player in tho role of Weelum Sprunt in "Bun- lor and Cyril Scott used to bo. But why does John Mason mako himself ridiculous by trying to impersonate a young man? He Is unquestionably among tho most accomplished aotor3 of the period, but he was born many, many years beforo Lillian Russell revealod tho secret of how to appear youthful at a hundred. ty Pulls the Strings." Mr. Lennox says that while theater art in Scotland has been very much retarded uj- the objection of the church to the stage, tho determined opposition of the kirk to the theater has beon almost entirely overcome. "There is today in Scotland," says Mr. Lennox, "a very eager activity in dramatic literature, especially in Glas gow and some other largo Sootch. cit ies. This company was established a few years ago by Alfred Wairing, an Englishman, who enlisted the support of bo many Glasgow poople that the Theator Eoyal is really what might be called, a citizens 3 theater. In it the modem growth of Scotch talont and ability is spreading its wings, ovon across tho ocean into America. 'Bunty j Pulls the Strings' is one envoy. I n doubtedly there will be others later on. "Among tho best modem authors ot Scotch plays is Dr. Neil Munro. He is a novelist of distinction the author of 'John Splendid' and other novels that have placed him among the first four writers of English fiction. Hi play, 'McPhereon,' is a very fine ex ample of the peculiar human, natural character of the Scotch play. Another promising Scotch playwright is George J. Hameleca, author of a Scotch comeuy called 'Barbara Grows Up,' which is to be produced soon in the Little the ater, Now York. More rocently, a little one-act play called 'Jean,' writ ton by Br. J. Colquohu, of Glasgow, mado auite a sensation. It. ia a drama of lowland rural life in Scotland.- " 'The Woavor'a Shuttle a three act comedy written by Anthony Ruley, of Glasgow, is another interesting study of Scotch types that are to be found in the large carpet factories ot Glasgow. Then, of course, there ia J. Bell of 'Wee McGregor' fame. He haa written a number of Scotch plays that have been highly successful in Glasgow and olsewhefe, but his great est success was with a play called 'Oh, Ohri&tiana.' Amorieu knows James Matthew Barrie best of all, perhaps, be cause of such splendid contributions to the world's dramatic literature as 'The Little Minister,' 'A Window in Thrums' and several other master pieces. A lot of people thought at Xirst that Barrie was the author of 'Bunty.' truly a flattering compliment to Mr. Graham Moffat, who has leaped into interna tional fame through the medium of 'Bunty Pulls tho Strings.' Mr. Moffat, I am told, has "been deluged with or ders for more Scotch plays, but no mat ter how many ho may write iu the fu ture he probably will always be known as the author of 'Bunty.' A new play of his, 'A Scrape o' the Pen,' was pro duced recently in New York aud 3-ion Free Copy ' 1 Awaits You ywjf H It la of groat value to every- tyClfiA HQ one who ever entertains, 4mMjiJ Iff containing, ns It does, a r(Vufuf5r HU choloocollootlon of appro- xSrfeMW5r?v iff prlato toasts for almost TOjfrd MSI every oocaslon those smWimR&v&M V3I little BparkicB of wit ylftwMiWSBjC 81 and tit blta of aentl- fffitfEVM I'M mentthatyouflndso w'WiimMiWii. ' Idl hard to remember. It '&QiisMfmn ' Iflfi also elves many excol- vSwcSti Ientroclposforcocktalls .." Ja? and othor fancy mixed C-" drinks made Irom tho famous TJ m Quaker Maid Whiskey jf ! The Whitkey With A Reputation . jffi B The stimulant of bu- . ml promo quality Gold gj Mcdslsfromthreegreat -'inl expositions back Its J9l claim as the world's ereatoatwhlskoy. Fully Complying with tho National Pure Food Law ' A single trial will con- fffi vlncoyouof tho rare qual- M2 ity of Quaker Maid Wills- - IK : koy. It will satisfy you aa D no other whiskey everhas. '&vl Yon Can Get 4 'Quaker Maid" h JffBk? J At Any First Chm Bar, Cafe, Wj?t ffl-'tftljjjl Club or Drug Store ' Mel pittpHJ Write today for your copy fe? Efevfep of the Toast Book. A postal ; hj oard will do. Address '-i 1 1 4ag S. Hirsca Distilling Co. ' t 3apj Kanta City, Mo. j don. It is said to bo a variation of i Jfl Enoch Ardcn with a setting of new and fa alluring local color. - I "Tho opposition to the stage in Scot- v, 1 land is waning fast. The ministers fj have been won over. Whereas a gen- - h oration ngo there scarcely waa a the-A ater in all Scotland, now "oven the vil- lages have them, or at least have halls j whore dramatic scotches aro presented, H either bv local talent or traveling com- ffl panies.0 - K9 Mr. Lennox says that while Scotland" Bfl is not particularly pleased to think . Ri that through the instrumentality of- nfl 'Bunty.' London and America have til--, . mm ken a" host of her best players away ra from her. still their coming means a' Bfl justification of Scotch art and Scotch- " M literature and has permanently con- ., H tributed to tho world a knowledge oT M the sterling, rugged principles of Scotch. Bfl character and ot the ability of Scotch M actors. flBj JUssTRIGHT COAL, nil kinds, care- fl fully screened. Alliance Coal Co., 11 WB Main street. Phono Was. -1443. 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