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BOOK REVIEWS. THE POMtlK %>D THK GLORY. Bv Gr?(* MmGowan Cooke. author of! "Huldah." etc. Illustrated bv | Arthur 1 Keller New York: f>oubleday. Page A- Co. Washing ton: Woodward & Lothrop. THK love story of Johnm> I'on sadine and Cray Stoddard calls agair, to mind the fact that Grace MacGowan Cooke is a i apital story-teller. fasting about, one involuntarily d' es, for the ?ourct-s of this skill in a supreme art. | '?no is met at the threshold of the quest bv two outstanding traits of this en tertaining writer. The first is a familiar, day-by-day intimacy with her places and people. The other is the moral power to resist temptation. One makes for living pi? lures of these south-mountain folks, the other digs a straight channel of event undiverted by the enticements of any shore. Johnnie Consadine, beauti ful mountain girl, stung by an ambition alien to her Idle race, and Gray Stoddard, substantial factory owner and all around tine fellow, these, employed and em ployer. make the tenter of this delight ful story. Knvironed as these two are by the sordid activities of a cotton-mill town where women and children, as well as men, work long and hard, where rich women on the hill dabble in uplifts, j where the medieval spirit of the moun- J tain breeds bitter feuds, what tempta- i lions in these reforming days to make sermons about child labor and rescues, ? r to follow the rich lead of the mountains in exciting melodrama. The author does none of these things. What she does do is to distil each of these, very shrewdly, often humorously, in its essence of aim and effect, deftly subor dinating it meanwhile to the larger uses of her single purpose. In the heroine. Mrs. Cooke has created so line and beau tiful a girl that the reader will take up this story again and again, just to see Johnnie Consadine smile, to hear what she is saying and to find out what simple or difficult thing she is doing in her own buoyant way. THREK Rl VKRS| THK JAMKS THE POTWNU , THK Hl."DSO*| a retr? npeet of peace and war. By Joseph Pearson Farley, t*. S. A. Washing ton The Neale Publishing Com pany. An author achieves a thing of note w hen he succeeds in combining, yet hold ing clean and disentangled, both mat ters of large collective import and those of but neighborhood range and interest. And this is what Gen. Farley has done in the present volumne of recollections, covering here both the national crisis of civil war and the less rigorous affairs of local incident. With picturesque ef fect the author chooses as the Impulse of these reminiscences three historic riv ers. each of which, at one time or an other. was an influential part of his en vironment. Around these are gathered the rich local colors of beautiful scenery, poetic tradition, stirring history and im portant current event. The James cen ters about the childhood of this author. The Hudson and West Point contribute to his years of training and preparation. The Potomac becomes the scene of an active, patriotic manhood, with war time i I a? its directive influence Personal rec ' ollef tions of the civil war are becoming | each year more rare, more valuable Every such view of this event has weight. A special significance attaches to one s?> I spirited. so personal, so vivid as the present one. A triple extract of local ism will move this retrospect from south to north, following the three centers of Its growth. Washington loaders will find genuine and abundant pleasure in rub bing hlurred pictures bright through the interesting chapter on "The Potomac.' Additional Interest is given to the vol ume by the fact that the artistic color plates are reproductions of water color sketches by Gen. Farley himself. A LABRADOR srRlXi. By Charles TC. Townsend. M.D.. author of "Along the Labrador Coast," etc. illustra tions from photographs. Boston: Dana Estes & Co. It turns out. contrary to common im pression, that spring in the far north is a coy and elusive creature, caught only by subtle methods of pursuit and. more often than otherwise when found, proving to be not spring at aM but. instead, a quickly blossomed summer hasting to fulfillment. Mr. Townsend's delightful volume Is the story of his quest for this fugitive season over the mainland and among the coast islands of I^abrador. Quite in touch with the joy of his errand, the author misses no view, however fleeting, of the object of his search. He spreads the land out before the reader In most del! ntful may. introducing its plants and animals, its men and women in their activities and in terests. Not overtraveled is the road through I.abrador. so fresh information al?out the place and its people adds extra worth to an otherwise valuable record. AROt \n THK WORI.D WITH A BISI YKSS MAX. By Leander A. Bigger. Illustrated. Philadelphia: The John C. Winston Company. There have been so many around-thc worlds that, in these hurrying days, four volumes of another one Induce timidity of approach, despite the lure of an ex tremely rich livery of ?carlet and gold and an almost unlimited number of truly beautiful and excellent pictures. The Teal inducement to perusal, however, lies in the hops that this business man, as author, out of his experience and training will see the world from a new angle, with a spirited manner, no doubt, of presenting It to his readers- It soon becomes Obvious that this business ma* is on a real vacation, having left at home his entire equipment, save energy, which he expends in rapid movements and kaleidoscopic, unrelated views. THK STORY OP THK COXSTITITTIOK OP THK I'MTKD STATICS. By Rossiter Johnson. New York: Wessels & Blssell Co. Washing ton: Wm. Ballantyne & Sons. The convention of 1787 takes up more than a third of Mr. Johnson's study of the Constitution. This special emphasis points the author's purpose to examine this document in the process of its mak ing. in order to uncover more fully the roots of its spirit and intent. The various measures of the convention, the disagree ments, the arguments and compromises, gathered up with name and place and cir cumstance from Mr. Madison's notes on the proceedings, bulk in a national design, foreshortened temporarily here and there perhaps by local outlook and sectional distrust, but settling anally to the large intent of true nationalism. Rectnt criti cism. in certain quarters, of the Constitu tion as an Instrument unfit, and unfit by design, for free democratic development, makes this study of composite motive val | uable and timely. Many of the discus | sions might have been mad* yesterday, so ' cotemporaneous are they in thought and treatment. The author approaches the convention through a running description J of measures for some effective coalition and leaves it through ratification and amendment proceedings. An interesting l chapter traces the sour ?-es of the Consti tution. making clear Its evolutionary character of growth and adaptability. In conclusion the author sums both the greatness and the weakness of this docu-1 ment, the latter tenc'ing toward elimina-1 tion and modification a* the instrument seeks to fit Itself more and more perfectly to the uses of government. GOVER\XR\TAL ACTIOX FOR SO CIAL WRLFUIF.. By Jeremiah W. Jenks. P.HJX. L.L.D., professor of economics and politics. Cornell University. .American Social Progress Series. Edited by Prof. Samuel McCune Lindsay, P.H.D.. LL.D.. Columbia University. New York: The Macmiilan Company. As a part of the social progress series, the present volume turns to" a study of governmental actioA In relation to social betterment. The author bases the body of this discourse upon an analysis of so cial welfare, an elaborated analysis, using description, application and definition as its instruments. Following this is a scru tiny of the three departments of govern ment. not only in their powers toward the sociat whole, but also in th^lr accom plishment of ameliorative measures. If there be a flaw in this painstaking sur vey it is that of overcaxe in the interest of clearness, expressing itself in frequent restatements and somewhat elementary views, out of which issues a faint flavor of platitude. One interested in th!? sub ject and at all inclined to read a treatise upon it has passed out from the one-syl lable period and reacts with impatience toward a lean method where he expects a rich one. [Hi: WINDOW AT THK W HITE CAT. By Mary Roberts Rinehart, author of "The Circular Staircase," etc. Illustrated by Arthur I. Keller. Indianapolis: The Bobba-Merrill Company. If municipal and state government through the United. States Is as corrupt as is suggested by Mrs. Rinehart's latest story, thingft are at a bad pass In this country. This tale, which reeks of mystery from the fifth page, relates to the peculations of a state treasurer and the manner in which the political gang in control of affairs contrives to suppress the news of his disappearance and ultimate murder. Just who killed him remains unknown u> the reader to the very end of the story, and In the pur suit of the criminal and the solution of several subordinate problems the author leads her followers a meri^y chase indeed. She perhaps overindulges in the clumsi ness of her narrator hero, whose propen sity for stumbling over things in the dark Is largely conducive to the unfold ing of the plot. If John Knox had gone about his amateur detective* work more carefully when the lights wrre low he might have wound up the jnystery so quickly that it would not have been necessary to expend 378 pages In the un folding. In the course of this intricate and at all times interesting story there is evidence that the author has been studying the records of some of our worst managed communities. THE MOTOR MAID. By C. X. and A. M. Williamson. New York: 1 Doubleday. Page & Co. Washing ton: Woodward & Lothrop. Here the Williamsons get back to their familiar formula, an automobile, a pretty girl, a handsome man and a guide book. "The Motor Maid" carries the fascinated reader through Provence, transmuting into delightful fiction the romance of that ancient and historic land. There is some thing strikingly familiar about the mechanism which the authors employ as I a vehicle of story telling. The girl. I daughter of * Frenchman of long lineage, Is by circumstances impressed into serv ice as maid to an impossible new-rich Englishwoman. In the evolution from a Bayswater boarding house into a lady of title, Mrs. "Tumour"?new-rich for Turner?develops Into a screamine ab surdity. Sir Samuel, her liver pill-mak ing husband, is more human, but the contrast between tfiese two and their lady-maid and gentleman-chauffeur gives the Williamsons their best opportunity of some years to produce delightful ef fects. There is just enough of the guide book about "The Motor Maid" to be sug gestively instructive and diverting with out slackening the flow of the love story, which works to its usual happy conclu sion, arriving there by a swift and un expected climax. "The Motor Maid" will revive the interest of those who first enjoyed "The lightning Conductor," but who have not found in all the subsequent Williamson stories the particular quality which marked that exceptional tale. MARK TWAIN'S SPKKCHRSj wit ft mm latrodoetlm by Wtlllaia Deaa Howell*. New York: Harper & Brothers. Mr. Howells in his brief, eltfquent Intro duction to these reproduced speeches of the man who will be known doubtless for ever more by his nom de plume notes the fact that Mr. Clemens was a great actor as well as a great author. That is to say, he knew how to give the spoken word a peculiar vitality and significance, how to Invest It with the color of life. Mark Twain's nearest approaches to failure as a speaker were the result of his occa sional trusting to spontaneity. "He studied every word and syllable and mem orized them by a system of mnemonics peculiar to himself, consisting of an arbi trary arrangement of things on a table? knives, forks, salt-cellars, inkstands, pens, boxes, or whatever was at hand?which stood for points and clauses and climaxes and .were at once indelible diction and constant suggestion." Here are assem oied over one hundred of Mark Twain's addresses and speeches, delivered on all sorts o{ occasions, at banquets, at meet ings. at dedications, some long, some short, some characteristic of the inlml^t ble Clemens humor, others In more seri ous vein, on all conceivable subjects from the weather to the moral righteousness of the American union. Among them are the speech delivered at Oxford vhen he re ceived the doctor's degree from that uni versity; the address at the Aldrich me morial meeting; an argument before the congressional committee on patents, pleading for an amendment of the copy right law; an eloquent plea for the bene fit of the Russian sufferers at the Casino Theater In 1905; a talk on accident insur ance at a London dinner; an address o#t Joan of Arc before the Society of Illus trators; and so on through a long, de lightful range of personal reminders of the man. the thinker, the humorous com mentator 011 current affairs, the homely philosopher, the vigorous champion of causes and defender of rights, appro priately concluding with a speech deliv m99999999999999999999999999wwvvwvwvwvvwvvvwvvv*vvvvvvvvvwvwwwvvvvvvvvvvvvvvvvvvwwvwww'www* A RAINY DAY AT THE SEASHORE NOW we arc going to expend a little rambling loquacity on the subject of a rainy day, or rainy day?, at the seashore. We have an acutc distaate for fried eel p. for trailing effluvium of hair oil, for he-gossips and for several other things. But we confess that for general onnery ness. meaaliness and bedingedness, we award the entire delicatessen and the whole layout of zinc medals to a rainy day at the seaside. There is something adhesively, cling fully. demon!tionly-moistily mean, grisly, ?tlcky, goozly and common about a rainy day at the seaside that is utterly beyond the puissance of any pen or typewriter to portray. A rainy day at the seaside does not even serve to bring you to a state qf m< -Ilowed repentance. On the contrary, it arouses within you a mental condition made up of equal parts of gloomy pro test and flaming resentment. An autumnal day, with the brow.i and led leaves swirling in the ditches and ed dying garrulously along tlie street, and the wan. yellowish sun peering sort o" sadlv and good-bye-lst?!y through the thinning verdure? such a day lias a tend in-v to betake you to a consideration of youi '.itt!c .-ins (we hope they are little) and to stake you to agreeably melan choly reflection* a* to the briefness of existence and the mutability of human affairs and the now -w e're-hcre-a nd-now wc-ain't-nesa of the game of life as we know it. * ? Hut a rainy, seepy. sulkily dowufallish <Ja\ at the seaside only succeeds iu las soing your Angora and in arousing within your otherwise placid and uneomplain- | ful bosom an Intense, pervasive and all embracing dislike for everything on earth, the dome above the earth, the waters beneath the same and all human critters pifllishly mooching around on top of the earth, including yourself. 'Tis gluey stickiness plus, humid dis comfort in the form of a concentrate. Kumminess that makes for mania, at mospheric doggont ness that takes all of the glnj and uplift out of the human spirit; and two or three other and worse tilings that we can't Just remember at tlds moment; that's what a rainy day at the seaside is. On such a day everything goes wrong, everything grisly and ghoulsome and go?h-tired happens. The salt sticks in the cruet. You can't coax, cajole, bunk or bully it out without unscrewing the lid of the cruet. You can bang the salt cruet on the tablecloth, thereby causing those two young lydies from Muscatine. Ioway. at your table, to view you as a hijussiy ill-mannere?l and vicious-tempered per son; you can rap the cruet on the bottom thereof with your slapful palm; you can twist the cruet sideways and every wntchways, and get down on your knees to it and beg and imploie and beseech it and ask it. I'lease, Mister Salt, won't you cyme out and lend a little savor to this punkerino food, and bawl at it and seek to stampede it and disgrace your self forever and evermore at the table; at the end of all of which?nix! There's oitly one thing to do. and that is to un screw the top of the screw and pick up the gummy, gluey and messy stuff and toss it onto your fodder in adhesive chunks and gobs and let it go at that. * * * The rain seeps leadenly. surlily, gloom ily. drippily. everlastingly out of the low ?excessively low* hanging clouds, and the porch is wet and slippery and soggy, and the mosquitoes are flattened pre daciously against the scrcens, wolflshly aw ailing their chance to bore their way in. Your clothes hang to you like cold, clammy compresses, though the tempera ture is as mcaslly warm as the fetid breath of a captured .iaguar Even the outer clothes of the women folks seem to stick to them. . And the erstwhile skillfully. ..powdered noses of the women folks now are shin In* llk? dim. oily beacons. And all of their freckles, which are just plain cute on a sunshiny day, now are magnifledly yaller and haw'ble. just haw 'ble. And their hair lungs in disagreeable little dampish wisps, particularly around their sunburned necks. \tnd you say to yourself as vou prowl hatingly around the place tha\ you must ha" been insane to *ve loved them all so intensely as you certainly did only yesterday when the sun was shining. The gray, gray sea rolls in greasily, dun-huetshly. somberly, catafalqucly. and rumbles with a gloatful, hoarse rumble on the beach, through which you can catch Its basso cachlnnation, as If It were saying. "Ye-es. b'jee-blast-ye. it Is rain ing. and it's a-goin' to keep on raining, and I'm glad of it, and whatcha g?in' to do about it, huh??boom, ka-booin!" and the greasy combers curl over on the soggy beach, and you hate yourself and the rest of the folks about 1?> or 13 cents' worth more, and you meditate whether a death by strangulation or even by the frowned-upon delirium-tremens route wouldn't he just about the ticket, considering everything or nothing, and the state of the case, and the circum stances and environment. ? ? I The very clouds give you the long, low, I rakish hoot out of their drippy investi ture In the grisly firmament, and they seem to be saying unto you, "So you don't like this wet stuff, hey? Kicking about it. are you? Going around with a grump on because we're tossing a little moisture your way, eh? All right?watch us now! Ker-drip-drip-drlp?whlshy!" and I then the roof of the hotel dump at which you're stopping begins to make a noise like the inside of a shot tower under the horrendous Impact of the Panama down pour. and the gooey fly lights on your nose and inserts a hydraulic drill therein and won't be brushed off for more than one-nineteenth of a second; when he re turns to the identical spot and proceeds to drill yoti some more; and the words "Night's Plutonian shore"' pop into your obsessed mind, and you say to yourself that it's no wonder poor Poe took to the sosh thing so enthusiastically if he'd ever spent a rainy day at the seaside, and Oh. yes. And all of the young 'una around the place are moved to a strange, weird, pounil-poundy, a slate of thumpful unrest 011 a rainy day at the seaside. You've got to stick around the hotel, you know, unless you want to creep up and down the slidey, slippery Boardwalk in th** drip-drip, and so you get the full and complete benefit of the rainy-day un resifulness of the young 'uns. * * * They run-run toh, how they do run luni around the wet. slickery-slidey porches, making boomfully maddening, hoilowlike noises on the planks with their ?ute little sandal-shod footems; and all the ti>ne they run there (or in the hall ways above, it's all one to them) they txude and emit tympanum-wrenching squeaks and shrieks like unto the noises emitted by a tlcck of l>elated birds gor mandizing on a long-deceased okapi somewhere in the regions of T. R's Mountains of the Moon. And. if you scowl involuntarily at the uproar, why, their mothers instantly Krasp the signif icance of your scowl as they see it, and they say. even in audible terms, that you're one o' them nasty mean, horrid brutes o' men that hate and loathe and despise pore li'l innuhcent children, and they i?ass the word around among all the mothers that If they don't watch out you'll be easing a little powdered glass into the pap or milk bottles of their ofl >pring the vairy first change you get, and you become as unpopular as a would-be purchaser of maltous products at a X Yawk maybe-French bill. And oh. chaff! The kin-nocking bees that hold their sessions around the ex change* and parlors and dry spots of the porches of the hotel dumps on a rainy day at the seaside! The an\il-ness of it! The liit-'lm-w ith-a-pickax-nats (or her. as the case may be) of it! The idee being, y see. that there's noth ing whatever else to do on a rainy day at the EC&zide, but kneck. Bo the/ do it. They mooch off into detached groups, the lie-knor-kers as well as the lydv hammersmiths, and they pes the bunch coming and going. ? * * All you've got to do Is to pass disheart enedly through the exchange of a seaside hotel on a rainy day to fetch the clink clank-clangor of the anvils upon you; how you didn't get home till after 3 o'clock this morning because the couple that has the room next to yours heard you when you came In and you certainly seemed to that couple to be in a peculiar condition because the way you bumped against the furniture in your room was something awful and it wok* up nearly everybody on your floor and then too you tossed your shoes on the floor as if you were try ing to wake up the dead and then you snored and groaned in your sleep some thing tur'ble and it's no wonder consid ering how you jftend all your time o* nights at the Old Berlin and it's a miracle ho*- your wife manages to stand you at all and deed they'd train you if they had you and they'd jes' like to see themselves letting a man belonging to them carry on so and did they notice your dissipated face anyhow and isn't it a wonder a man can make a living doing the way you do, and Oh there's that horrM made-up girl that pretends that the elderly woman with her is her aunt and chaperon but she can tell that to the marines or Sweeney because they don't look one bit alike and that bold creature has all of the married men of the place on her staff and it's a wonder she doesn't see what folks think of her and the funny part of it is the men folks the poor crazy sillies think she's perfectly beautiful and go around raving about her even to their wives whereas her skin is Just as muddy as it can be when you get close to her and it's no wonder she wears veils all the time and she's got the mak ings of a pretty good squint too when you get right close to her and oh yes her figure Is all right but isn't it scandalous how short the skirt of her bathing suit is and how in the wide wide world men can see anything in such a creature is just the queerest thing that ever Well, anyhow, our Idea of nothing what ever to live for is a rainy day at the sea side. and this, all in all. will be about all. CLARENCE I,. CTLLEN. Why the "Skipper" Stays With a Ship as It Sinks THE other day a Spanish ship went on the ro<ks about Gib raltar and sank. The skipper of the steamer, although he had a chance to save himself, chose to go down with her. Why? This is a question that often is asked by folks ashore. Why does the captain of a vessel so often elect to go down with his vessel when she gets into that tinal stage of sea trouble? The answer is that it is an old. old tra dition among skippers that they shall Stick by their ships to the finish: thatj they shall go down with their ships if and when It comes to that. There isn't any tincture of bravado about the tradition. The skippers look upon it as quite a part of their game. They regard the business of standing by their vessels till the finish, and after ward, as quite as much a part of their duty as being on the bridge in a fog or rough weather. The skippers who feel themselves di rectly or even indirectly responsible for the loss of their ships actually want to go down with their vessels, and they make this business a sort of suicide. Not so with the skippers who feel that they are In no wise responsible for the loss of their vessels. They have no idea of com mitting suicide by sticking to their ships. Their one idea is to stick, that's all. * * * Now, there may be a pretty fine shade of difference here, but it's a difference all the same. To put It in another way, the skipper who has lost his ship through what he knows to be his neglect wants the waters of/he sea to cover his head; whereas the other captain ia actuated solely by the tradition which, whether it seems senaible to the common or landsman view or not, ahsolutely requlres the Commanding officer of a sinking vessel" to remain by her until the very end. Naming no names, a few years ago a big Pacific liner running between S?n Francisco and Yokohama hit a sub merged rock while groping her way toward the Golden Gate In a fog. Now, the skipper of this steamer had -no right to try to get through the gate in that heavy fog. He had passed the .Farallone Islands and he knew pretty well *here he was?thai Is to say, that he was with in only a few miles of the gate, and that it was his business to drop his mudbook and wait for the foe to iitt before proceeding any further. But ho had made an unusually swift voyage from Yokohama and he wanted to break a line record by getting into San Francisco bay at once, and so he tried to feel his way through the fog past the gate. It was a bad bit of fumbling, and he hit the sunken rock several miles above the gate. Nearly the whole keel was torn from lils ship and a lot of lives were lost. Including the life of a consul general at a Chinese city and his family. Most of the passengers were tucked into boats and carried to safety before the steamer went down in such deep water that they've never been able to find so much as a hatch cover of .her since. Just as the last boatload of pas sengers was pulling away from th? steamer the skipper, a man who had sailed all of the seven sras nearly all of his life without ever making a mistake before, was seen to place a revolver to his temple and put a bullet in his brain, and he was dead when the steamer car ried him to the bottom with her. There, of course, was a case of a per knowing that the end of the world had come for him; so far as his ever be ing anything again in his profession was concerned; and he did about the only thing that was left for him to do?not wanting to become a commission less cap tain, which is, to a skipper, about equiv alent to betng a beach-comber. Had he permitted himself to survive he never could have explained his mistake. He never would have got another command. As a man born to the sea who had been a skipper for a quarter of a century, there was simply nothing else for Mm to do. according to the master mariner s point of view, except to make his finish coincident with that of his ship. * * * It must be said, however, that even the skippers who know themselves to be In no way to blame for the loss of their ships have a certain tangible incentive not to mind very much whether the ship that they stick to manages to stand up under them after the disaster or not. A skipper who has lost his ship, it should be understood, is forever a marked skipper. Tliere isn't any way to get away from that or to dodge or duck It. He's marked. He's pointed out as the man who lost his Mhlp. It doesn't make much difference, either, whether he was to blame or not. In employing skippers, of coufse, the preference is ever given to the men who've never been known to li?ve an ac cident to the ships under their command, and the skipper who has lost hl? vessel, even when he hasn't fceen ia the least to ered at a dinner given December o, 1W?6. in NVw York to celebrate the seventieth anniversary of his birth. None of the Twain book? so clearly presents the man. for here is the real Clemens, here are his ideas and his ideals, and here his con cepts of this complex existence of which he was in his peculiar way a most elo quent exponent. THE POOLS OP SILEXCK. By H. Pe Vere Stacpbole, author of "The Blue lagoon." etc. New York: Duffield & Co. The horrors of the Kongo have so strongly moved Dr. Stacpoole that he has devoted this, his latest work of fiction, to their exposure and denunciation in per haps the most effective form that the plea for international intervention has yet been couched. While preserving the out lines of the novel, the author lias none the It?s effectively made of this book a campaign document. He sends into the heart of the dark country a. young Amer ican physician, just from his post-gradu ate course of study In Paris. He accom panies a great game hunter, a man of immense wealth, of limitless courage, of unquestioning cruelty. In the Jungle of the Kongo disaster overtakes the expedi tion. and. In consequence, the two white men return to civilisation, the 3'oung phy sician aflame with indignation at the hor rors he has witnessed, the other peculiarly changed as a result of a blow on the head. Apart from the interesting psy chological study afforded by the change In Capt. Berselius, the story discloses a re markable state of public indifference to the atrocities practiced upon human beings in the pursuit of profit. Dr. Stac poole's eloquence is burning In its in tensity. Here In brief Is the Kongo story as related by the young phsiclan to his employerb daughter: "He told of the hostage house at Yandjali. and thewretch ed creatures penned like animals eating their miserable food: he told of M'Bassa and the hostage house there, with its iron rings and chain*; he told how all over that vast country these places are dotted, not by the hundred, but by the thousand; he told of the misery of the men who were driven into the dismal forests, slaves of masters worse than tigers, and of a task that would never end as long as rub ber grew and Christ was a name in Eu rope and not a power; he told the awful fact that murder there was used every day as an agricultural implement, that people were operated upon and suffered amputation of limbs, not because of dis ease, and that their sex and age?those two last appeals of nature to brutalitv? had no voice: he told the whole bitter tale of tears and blood, but he could not tell her all, for she was a girl, and it would be hard to speak even before a man of the crimes against nature, the crimes against, men. against women and against children, that, even if the Kongo state were swept away tomorrow, will leave Belgium's name in the world's historv more detestable than the names of the unspeakable cities sunk in the Dead sea." THE WIJTXIXG FIGHT. By Herbert Kaufman. Chicago: Owen W Brewer. For some time The Sunday Star has contained a weekly contribution of help ful optimism from the pen of Herbert Kaufman under the heid of "Sign Posts to Success." In "The Winning Fight" he has assembled a number of these brief, vigorous suggestions, some of them hav ing appeared already in this paper, but the majority of them being new to its blame, must await his turn; and it's often a long, lot.g wak. too. On the docks of Liverpool, for instance, you'll see, often enough, this or that wist ful chap, who Is pointed out to you as skipper So-and-So. who lost his ship in the Indian ocean, or wherever It might have been, and who's "waiting for an other ship." And most of them keep right on waiting, forever waiting, for another ship. The simple fact that these men are on the waiting list shows that they were guilty of no negligence In losing their ships, for, had that been the case, of course they wouldn't have been on the waiting list at all. but would have had their masters' papers revoked. The custom of the sea In this respect is. in truth, no different from that of the land. The locomotive engineer who sur vives a bad accident which has l>een caused through no fault or oversight of his own nevertheless finds that he has re ceived a black eye. professionally speak ing. that will last him pretty nigh as long as he lives. The goodies, the dain ties. so to speak, are dished out to the men who have had no accidents. It's the old human story that the world was made for winners, not losers. * ? ? Then the skipper's relationship toward his employers is another thing that must be taken into consideration in scanning this matter of why they stick to their ships when there appears to be no vestige of hope left for their vessels. Most mas ters are men who have passed through all of the grades from apprentice up, and from the time a ship's boy first puts on the jacket of an apprentice the sacred ness of his obligation to his employers Is dinned and dinned and forever redinned into his ears. Ships' boys associate only with the officers, and the officers are eter nally instilling it into the lads that their first duty as sailormen must be to their employers. By the time a boy has passed through all the grades and finally attained a master's papers, the idea of his respon sibility and his loyalty to his employer has become a sort of a first tenet of re ligion to him. Well, this being the case, the skipper whose ship is slipping away from beneath his feet cannot but feci, no matter how utterly blameless he may be, that he hasn't made good for the trust his employers have reposed in him; that fate, or the hand of God. or destiny.' or something of that sort has been against him. and caused him to become derelict in his duty to the people employing him. Positively it Is a sort of worthy madness this sense of duty which skippers feei toward their employers, and if all hands ashore possessed the same feeilng it Is a dead sure thing that land employers never would have occasion to complain of their employes. Thus, the weight of tradition the ever-present- fear of being blamed! whether blameworthy or not. the keen if unreasonable self-deprecation for having failed to make good-tliese are the things that cause a deep sea captain, when the big bitter hour of his It* arrives and his ship Is on the edge of dissolution to stick along with her with little or no'de alre to be saved. C. L. C Good Farms on Bering Sea. From (Jollier's. The gardens In southern Alaska will do everything expected of a garden in Michi gan or Massachusetts. Cranberries, rasp berries, strawberries, salmonberrles and blueberries grow wild a n<f abundantly in the Yukon valley and the valleys south of it. The gardens in the vicinity of Nome on the coast of Bering sea raise onions, radishes, cabbages, cauliflower, lettuce beets, etc. The foliage is large and strong and the roots flrm and tender. The green of the leaves is more vivid and tender than plants raised in the states. The I red of the roots and radishes is a deeper red, the flavor is delightful and mild ?K0V?ument ex*>erl"i^ntal stations report that there are no heads of lettuce raised heads rLlserf t1^atthca" comPare with those ncflds r&iscd in the fsr north ?e?tda>' *;tn come, and that not far distant, when Alaska will offer to the \ast rar>ges such as he once h*statM- and which ???, ?r?i?n th * li rap,d Increase of population?the old ranges having been ?!h,,iUPit P , ?rmJng lands, a condition ix nicn it Is claimed accounts to a cons id the great increase In The Question of stock aising in Alaska can not be doubted, for the experimental stage passed away over a century ago, when the Russians, by no means a thrifty class in land cultivation, successfully reared stock of all kinds. There are many successful dairy and ?lock farms in Alaska ? today. readers. Mr. Kaufman has. one mi*ht at- j ! most say, invented a new philosophy. It , is in truth o!d in spirit, but new ir its ' manner of presentation. It i? the doc trine of work. success. confidence, honesty , and faith. It is a "preachment" that all 1 sorts and condition? of men may under | stand. There is no tine writing, no at ! tempt to turn a literary phrase or pro j duce a rhetorical effect. Hard, heavy ' hammer blows are these, blows aimed a: slothfulness and discouragement sad doubt, blows calculated to stimulate tne real man and to urgo him or to action for his own roo?1. The truth of each of these short talks with his reader Mr Kaufman drives home with sharp, crisp sentences, whic h have an aphoristic qual ity. often homely in the figures employed, always illuminating In their significance. No man can read this work without feel ing stronger and better equipped for the tight in which optimism always wins. KXCHAXTED G?Ol'XD| ? e?iaede of tfee life of ? you* m*i. By Har ry James Smith, author of "Ame dee's Son." Boston: Houghton Mifflin Company. Prudish persons should softly tread past this "Enchanted Ground." Here is no tale for those who dread to see life In its ugly realities. Yet whoever reads it sympathetically may derive from it a broader sense of charity for those who err than they felt before, and may acquire a more judicial atti tude toward those of whose tempta tions they are in ignorance. This is the story of a young man newly come to New York from the somewhat rigid atmosphere of New England, to be gripped by temptation in the great city, to fall morally, to lose heavily, then in final revolt against his weak ness to shake off the shackles of In dulgence and finally to regain all that he has lost. Mr. Smith presents only a few characters for the purpose of his story telling, a fascinating little cos mopolitan woman, who. with all her frivolity and immorality, is neverthe less capable of a great overmastering affection: a self-sacrificing young French woman, who in her Greenwich village boarding house tyrannises over her olp father and mother, yet with the kindest heart in the world; a highly accomplished scientist grap pling with his thirst demon, that has wrecked him in the past and now men aces him once more; a beautiful, vain, unstable young chorus girl, for whose sake her hard-working sister enlists the services of Philip Wetherell. There is no denying the force of Mr. Smith's style in dealing with so complex and difficult, a theme. He takes his place among the strongest of our present day story writers. BOOKS RECEIVED. THE "HOW DOES IT WORK" SERIES ?MODEM* EXGIXES. By Thomas W. Corbin. author of "The How Does It Work of Electricity." New York: ft. F. Fenno A Co.. THE CLOSED BOOK j Other Pee?a. By Leolyn Louise Everett. New York: Wessels & Bissell Co. Washington: Ballantyne Sc. Sons. ? THE PUBLIC IM RECENTLY ADDED BOOKS ON HISTORY. | Scmf very important ?t the same j time very readable work* 011 American i history have been published this season. I One of the most scholarly of these i* < Bruce's Institutional History of Virsinja I in the Seventeenth Century. The volume ' on Quantril' and the Border Wars one of breathless interest. In Which the author fortifies his statements with a mass of evidences. Ancient History. Dati*. W. s. An Outline Historr the no man Empire 144 n r. to ;tT* A D.|. FMS-lttto. Driver. K. R. Modern R?-sear< h as Illustrating the Bible. FK61 l>?". Fried Uender. l.udwlc. Roman Life and Man ners t'lHlrr the Farlv Empire, r. I-J. WW mx Helbi*. W'olfmnc Guide to the Pabtyr Cut lection* of < Ia*-i.?l Antiquities in Book. IWo 6. FFKH3U. United States History. Brute. I*. A. Institutional II lnyrr of Vir ginia in the 17th Centurv. 2r. KW: HKMi. CnanninK. Edward. K lenient* Of United State* Historv. m-fSd. Conneller. W. K. Quantrill and the B"rder Wars. F*.tt-c7?i?o. Farley. J. I?. Three Rivers, the James, the Potomac, the Hudson. EtW41-r.ilSt. Hamilton. P. Colonial Mobile. FR73-H183. Parker. Jante?. Rear Admirals Staler. Samp son and Cervers. F*.T7 l*2jF?. Russell. H. R. Illustrated Historr of Our War With Soaln. 189*. FKI7-RWi:ta. Smith. P. II. Aeadla: A Lost Chapter Id American Historr. 1*8*. F829-8m6o. British History. Asbdown. C. H. Rritlsh and Foreign Arms and Armor. FVA-As-Tl. Benlaniin. L. S. The First George la Hanover and Ens land. 2*. K4.V?l-M4fl6. Compton- Rlekett. Arthur. The London Life of Yestenlav. F44L-C737. Ilnssall. Arthur. Modern England (1832 190?). F4.-?tWU277. Melville. LAWla. pseud. Brighton. Ita Historr. Follies and Fashions. K4.'>Br-M49. O'Connell, J. c. Irish in the Bevolutloa and the CiTlI War. 1903. +F839SI-Oc8?. Tovnbee. William. Gltmuses of the Twenties. F456I-T68. European History. Hollinas. M. A. Europe in Benaiaaaace and Reformation. 1 453-1*59. F306-H72B. Johnson. A. H. The Age of the Enlightened Desoot. 1M0 1789. F307-J6J6. Lees. R. A. The Central Period of the Middle Axe. 918 1273. F304 L517. - Lodse. E. C. The End of the Middle Age. 127.11453. F304-IJ123. Mastermsn. J. H. R. The Dawn of Mediaeval Europe. 476-918. F3M-M3N. French History. Harxard. A. C. P Louia 3fVI and Marie An toinette. F3927 H124. Hall. J. B. The Bourbon Restoration. F3943 H14. I.enotre. G.. naeud. Romances of the French Revolution. 2r. F.W3-I/.tO. Mark 1mm. Mrs., pseud. History of France. 1903. F39M144. African History. Boulger. D. C. de K. The Congo State; Or. THE SNARE OF CIRCUMSTANCE -BY? Edith E. Buckley* (ftmlilt br Uttte. Mm * B?mi'. U?1M) CHAPTER IV. Who Horsford Was. ' The village of Wlnton lies on a neck of land that curve* around like a bent fore finger pointing oceanward. On one side the surf pounds upon a stony beach at the foot of a stretch of marsh; on the other side, across the tiny bay. lies the county seat of Beverly. The main street follows the curve of the land from the lighthouse on the point well back on the neck; and there, in neighborly proxim ity. one finds church and post office, shops and homes. Where the buildings begin to straggle away from one another at the north end of the street, the road makes a sudden turn to the left to within a hundred yards of the bay. then northward again for half a mile, until it appears to be stopped by the grilled iron gates at the main en trance to Overlook. As a matter of fact, the last two hundred feet of this road is simply an approach to the main drive to the villa, which stands upon a bluff look ing toward Beverly, while the high road continues with a flourish to the right, on the other side of a small triangle 'of woods. The sun. red and uncompromisingly hot. was sinking into a line of sullen gray clouds at the horizon when t stepped from the train that August evening and looked about me. An uncommonly attractive girl, who had attracted and held my covert in terest during the trip and who left the car while I was struggling with a strap on my suit case, had vanished, and she and I appeared to have been the only passengers deposited at the little station. On the farther side of the tracks the marsh stretched In uninterrupted desola tion to the very sun itself It seemed. The rails glistened in a long, curving line to the left, and the train that had brought me became a diminishing object soon lost to sight. From the marsh came the monotonous croak of frogs and the cry of a wild bird. A chill of loneliness swept over me. and I turned with an involuntary shud der to find myself face to face with an odd-looking old man, who stood in the doorway of the one-room station. His face was as innocent of hair as a new born babe's, but brown and seamed with countless lines. He wore a wig of pale brown hair a score of years too young for him. and his eyes, small and shrewd and blue, met mine with an amused twinkle. "Purty scen'ry." he volunteered, cheer fully. with a wave of his hand toward the desolate marshland. ??To be sure. Can you tell me how far Overlook is from here?" The old man looked me over curiously. ??Overlook?" he repeated. "W-all", I guess I can. but p'raps you don't know there ain't nobody Ilvln* at Overlook now but the farmer." "Yes; I do know. It is the farmer I want to see." "Ho! W-all, it's a consid'able ways out there.". "Is there any one about here who will drive me out?" "W-all, my boy Hank'll have to take ye If I ?av so. an' If ye don* mind waitin' 'round till we can hitch up." "Thank you. I will wait. I dare say it will not take long?" " Bout fifteen min'ets. Say. I'm sta tion agent here, an' I'm going to shet up fer the night. That waa the last train till 0 tomorrer momin'. Don' mind com in' 'cross the road to mv house, d' ye, while we fix ye out with a rig?" "No; I will go." We took a few steps in silence. Then the old man looked up at me, curiosity overrunning every feature. "My name's John Hutton." he said. "Mine is Bliss," I responded. "Oood! Ye're from N' Yo'k, I s ppose?" "Tes." "iiuml- AV-all, tiiei c s my house." Ha spoke with pride as he pointed to a cot tage opposite the rear of the station. "An' that's my wife on the p'aszie. Here, Eliza Ann. this stranger Is a-goin' to wait while Hank hitches up to take him to Overlook." I declined the proffered chair and seated myself on a step. Hutton disappeared immediately, and Mrs. Hutton continued to sway placidly to and fro in her big chair, her plump hands crossed upon her ample stomach. Presently she spoke. "Overlook ain't so much of a place now the old man's gone," she said. ?'I dare say it has run down." "An* they do say over village way It's for rent, after all that happened there, too. Who'd want to live there, I'd like to know?" I laughed. "I think I shall rot mind. I've taken it for a time." I answered. The old lady looked interested. "For .the land's sake!" she exclaimeu. "You don't say!" and she continued to regard me in amused meditation. "You've got good nerves, I s ppose?" she volun teered presently. "L. have always believed so." "XT-all. that's a good thing. I sh'd say. I don' wan', to scare you since you've got the place on your han's. but over village way they do say that Mr. Somhers comes back to Overlook sometimes. You'd bet ter not tell your wife that when she comes. I'na just a-tellin' you so you can be lookin' out. Any children, have you?" "I'm a bachelor." "You don't say!" A long pause. "An" you takin' the Place of SUence? That s most as bad as Mr. Somhers himself. I never could see what a man wants to live alone for." At that moment Mr. Hutton appeared to announce that the "hoss an' bufcsY" were ready, and I paid my adieux to Mrs. Hutton. who suddenly wondered whether I would like "a bite o' somethin' to eat." I assured her with thanks that doubt less I should be able to get supper at tne farm, and left her smiling placidly. It was quite apparent that the raw boned lad of fifteen or thereabouts, whom the station master informally introduced as "my gran'boy. Hank," was not over delighted with the idea of conveying me to Overlook. "I ain't got no use fer that place." he declared, unexpectedly, when we were well on the way. "This's the third time Kran-dad's sent me out at dark witlr some city feller like you. Wish that ? o'clock train got in at noon. I do." and Hank kicked the dashboard vindictively. "Say." he continued, presently, looktax at me with new Interest, "air you a de tective?" "What gave you an idea that I might be a detective?" "Over village way here they nay Harry Milbrath, who killed his uncle, is trvfhg to make folks think he didn't do It by sendin' detective men up from N' Yo'k to look 's If they was try in' to fin' out somebody else that did it. The other two fellers was detectives, I guess." I had a fancy that the boy was right on that point. 'Pretty nice place. Overlook, isn't it?" I asked after a minute. The boy hunched his shoulders, but did not answer; nor could I induce him to further conversation. We were passing through the village by this time, and I observed, first with amusement, then with something akin to discomfort, that we were the center of attraction. There appeared to be some thing unusual about us, for though it was dusk, men paused and looked back at us. At first I supposed my companion to oe the source of this attention, but I over heard a word spoken by one of a group of men standing upon the steps of tne post office that enlightened me. "Is It because we are going to Overlook that people stare at us?" I asked Henry. "Yep." "Good heavens! Does no one in town ever go up to the placer* "Nope." "Whyr THf ?i-owth of CWtl- r ? Antral Afii>| iwv FT* iww*. I J *. T. W. *ndan rn mn. Coirin. 1. i{. Sonth Africa. Fit C72S. FARM BOOKS Tree* and Ormrndt. tft5! W'Vr&k"'" 10 N"kr TH iwrB?fT> A*** *tht Ummr vt ,OT-' IVrnow 15 K Care <?# Th~* 1? U?l Tl aud l*ark. lull's**. a.. Btca. Rmlr. Jai-oh Bv Hook RK\ I.tor. P. K llo* t? Ki-'j Rc.? for I* RKV UN. ??leaning* in B< e ^"ultare. ? b: na*?i?*ii' * maj fine. i? cnrrentl* Poultry. Biggie. Jacob. Poultrr B-?ok. Ski Btv Borer. M. K. I'miltrT Mecreta. It k \ Buyer. M K. t'ornine Fgr Rntl RKV I Jobnaon. A. T. I'klrkrm and tl ? t.? P. <1 Them RKV J?2? K<-I|er?tra?~ Kmoti. K^llf^riwi way I Rilnliw INwIlrt. 4 .iipln. ItK \ h2v> [ I.-m.c and HrlnK-n \|un t lu N|?at? Ifcf I 2 more 4HK?<*a. RKVI' IXC. i Mlllff Syatem t<>. Book of Poultry ( ItKT M6I7. 1 N^'irw. II. *. Chieka. llC'htnt and ll'arid hkvxhj;. \ot*?c. II. V. F.rg Mo? ? i: lloar t.? In rfi It 1W?N RK% NS.".7r, Xmw. II. TiltifT?. Pucka ?n?l t?H RKV NYSTt. Phllo. I". IV. Phil" Srafm of Progreaal Poultrr Kecplnc. I coniem. RKV PM. PitrTia. Miller. Poultrr Breeding BKl P??Mp. Ri?-e. P. C. National Standard Squab I HK VI' R.V. Seweli. I". |? Poultrr Manila!. 1*'* RKl Vilintiw. P. S. How t? Kf-p llfM Profit. RKV-VXtt. The library a Wo receives regularly \mer:J Poultry Advocate. t.'?>miu? n lal Poultry and liable Poultrr Journal. Farm Stocks. Alexander. A. f. Horae Secret? RKl *121 Rlgcle. Jacob. (V>? Book. WW. RkH H?? Rirrle. Jacob. Horse Book. 1907. RKV P Biggie. Jacob. Mwp Book. m<2 KKQ It Biggie. Jacoti. Swine Rook. 190*. RK It It Brown. Thomaa. t'omt>let.' Modern Farri iiitu itL*r lui Burketr. C> W Farm Rtoek. RK BWTf t'bandler. I . M. Breeding Shropshire*. RtJ rxi. I foburn. F. P. Ssine Husbandry. I KM RKR-?'?Us. I'oorb. L II. Five Hundred Questions swercd About Swine. IMW. RKR-tTTf. Dietrich. William. Swine Breeding. Feed! and Maupa^nt. RKR IMii. Pulton. A. W. Home Pork Making. 1? URPW. Mnnifortl. H. W. Reef Prod not lor. 1? KKC M?l?. Shaw. Thomaa. Animal Breed Lag. 190.1. I placed. RKAB *h2? Sbav . I noma! Management and Feed.ag Cattle. KK.B HkStai Smith. H. R. Profitable Stock Feeding. Ifli RKAI'UmjD. I Wing. J. K. Sheep Farming in AnKill 1W*. RKV W724a. ? Dairying. Renkendorf and Hatch. Profltable Da!r*1 19o*. RN-B43&D. Krf. ??a<ar. Fundamental Dairying and Da Arithmetic. 1908. RVF.rM. ? Jurler. H. B. Farm Dairr. i#n?. R\ Gfl Lane. C. R. Rualneaa of Dairying. RN 1.2 Stewart. Henry. Dalrymau'a Manual. St47. No answer. '"Do you think me a detective?" "Yep." By this tlm# ire had turned off 1 main street, and it wu a country rm over which we Jogged. The soft eu mer dusk had eettled all around us. a the only sound* that broke upon the t besides the pounding of the horse's ft upon the earth and the rattle of 1 "huggy" were the croak of frogs and 1 gentle "swish" of water lapping I beach belom-. It was a silence which, my present state of mind, seemed v canny. I sighed with relief when Ken drove into a private roadway and aloil immediatelv pulled up before a small rJ roofed house. We had taken the Mr road to the left of the wooded trianJ and readied the cottage of the farmerf Overlook. I "There," said Henry, in a tone of relil "here you be. an* I hope you d<>n' ?s me to stayT' * "No: liere'o your money. I'm mi obliged to you." And I could not re adding: "Now go quick before the of the Place of Rllence catches you.' then I stepped back and lsugh*d hear at the rapidity with which the lad whir around and was off. I turned to the door of the roUaj find it open and myself face to face a youngish man. broad and athletic appearance, beardleax and sunhurne scarcely the man I expected to see the for my conception of Mr. Arms was ~ lean man and elderly. "I wish to see Mr. Arms,'* I said. " 'K Is yonder." answered the pointing northeastward. "There ia a ouse with green blinds ten minutea yond. 'E. lives there." "Is this not Overlook?" "Aye. sir." "And is not Mr. Arms the fai here?" " 'H was, air." corrected the man. conicmlly. "but I ham the farmer now "Indeed:" It seemed curious that ' MHbrath should have given me an it ductlon to a man no lonaer on the pla^ It looked as if he did not know of ?' change. I could not ?ee. however, ' It made much difference to me. "Well, then." I answered, "you, not Arms, are the man I want. I am new tenant for Overlook. My man be on tomorrow. In the meantime you give me shelter and food? This n< from Mr. Mi'brath will explain the p?t i tion," and I handed him the Introd'i tion. Instantly the same expression of cur ity that t' had observed on the faca nearly every one who tiad louked at 1 since I arrived in Winton came Into t< man's faee. "Aye. sir.** he responded, conrteoui "hut." he hesitated, "if yon will exr me, sir, I think you will be more o fortable with my cousin, who is Arms. I can drive you liover. The rt 'ere are small and " "That will not bother me In the ]< I interrupted, "and I do not wish t< you or your wife to any trouble A or a cot anywhere will do for the nl_ I dare say I shall be able to get into villa tomorrow." The man's heavy brows lowered a but hia voice remained even and cot eous. "I should be glad to accommodate ?tr, but my wife Is?far from well." A young woman whom I had obser through the open door of an asfjoinll room now came slowly forward, a tc dling child clutching at her skirt*. "Harsk the gentleman in. Joe." she terrupted. sharply, "and I will lay out bite for 'lm before 1 'ash the babe sleep." The man. whose large form had bloc) the doorway, made room for me to ? within, and as I did so I heard woman mutter beneath her breath him: " 'Ave you no sense, you?" (To be continued tomorrow.) Useful Information. From the Buffai Expreaa. "May I sec ny father's record?" aakl the new stv. - nt. "He was in the ela*a| '77." ? "Certainly, my boy. What for?'* "He told me when I left home not disgrace him, sir. and I wish to see Jl liow far I can go." ITEW FUBLICATIOHB. THK PILOR1M PI RITAX AM E#TOR.M Name* of all who came Ui the Majflew 1?20. or Pl'RlTANH who arrived with Wl THKOP at Malrni. 1CI0. whoaa their chtuj marrie.1 where act tied. name*, of Pl'RITAJ resident* of Salem W24 to IR50. are given THK STORY OF NEK KNGf.AXD." a ^ interesting historical narrative juat ia?i Sixt* full pa*<- lllnauattoca. with ~ letail STORV OF THK PILORIM. KTOR THK Pt'glTAN. STORV OF ROsT??\. * r>n rei-cipt of M rent*, cota or ?iamp> E. O. tKF.LTON. Publiahee, au?aa,w,2t,li 2 r?rk