Evening star. [volume], October 02, 1921, Page 3, Image 59

About Evening star. [volume] (Washington, D.C.) 1854-1972

Image provided by: Library of Congress, Washington, DC

                
f\_ l M TONIGHT AT 820
Jt 1 Popular Matinee Thurs.
^kSHUBERT attractions!^^ Best Seats, $1
SENSATIONAL HIT
A \EW COMEDV-DRAMA
BY PAUL DICKEY AND CHARLES W. GODDARD
DIRECTION OF SARGENT ABORN
CAST OP ? Most Striking
IINI'SI'AT AMU SOLID YEAR IN Crashing
UMSIAL ypit, NEW YORK Swashing Play in
DISTINCTION I America Today
Portraying a Gripping Love Story That Thrills You,
Makes You Feel Happy, and Holds You Breathless
to Us Big Last-Minute Surprise
NOTE PRE-WAR PRICES
Evenings and Saturday Matinee, 80c to $2.00
Thnwidnv Poat Coats ftf
NEXT WEEK. Beginning Suiar Eft. Oct. Mk. Mata., Thuraw aai Sat.
The Vauderbllt Protaclag Company
Preaeat a New Maaleal Comedy
CHICKENS
By the Aatkon et 111 RENE" Book hy Jaaaea Msatianery
Harry Tteraey ? ? ? by J?U" UUAM UeCarth,
Helea Ford, Mabel Ferry, Helea Groody, Laara Arnold, Marlon Lord,
Charlea Dow Clark. Joba Junior, Robert Rlaalaa, Hebart Cavaaaaik,
John Cherry, Robert O'Connor and tbe Incomparable
VANDERBILT THEATER BEAUTY CHORUS
APIIIIA % H m JfcBH VI
LUtn a rALAUt II
| ^ TODAY AND ALL WEEK=
VIOLA- 1 double comedy bill]
~ -KE
I The winsome and captivating photoplay , ^
star brings a veritable wealth of heart- '* '*?' inimifc
interest to the screen m the alluring If."0? 1
comedy-romance of a professional breaker hilarious in t
of hearts! find3 a"
role in?
"THE his ute
MATCH BREAKER" "Till
A METRO PICTURE 1 11 I
1 ADDED PROGRAM SELECTIONS
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I ^Tloews coum
!f= MO O'CLOCK II
I 11 - BEGINNING TODAY
it Constantly presenting only the best in photoplay
iH Columbia today announces America's most dynamic i
= his incomparable triumph ot romance and adventure
fl in New York and other cities at regular $2 admissn
1 ** a G*
TUETUf
1 MU/KETE
lp=si m,m ? ? ? " BfeB mm A ^
; i ITT ALtAAIWHt UURIM
' ?' rXATUKB TBB uavAL BVB8IDIAR'
i r
? . . /
Concerts :
(Continued from First Page.)
popular singer thaji John McCormack;
Mme. <\lda, soprano of the
Metropolitan Oprca Company, is one
of the operatic stars who appears
with equal brilliance on the concert
stage; Mabel Garrison, also o$ the
Metropolitan Opera Company, is one
of the great coloratura sopranos of
the time, while Helfets. violinist,' is
probably one of the most finished
technicians before the public. Since
the retirement of Fadcrewskt from
the concert field, the personality and
art of Rachmaninoff have advanced
Public Sale of Tickets?7th Series J
TEN STAR CONCERTS
10 FHilayw-*r|U$0?Natlonnl Theater
With
ANNA CASE?PABLO CASALS.
LEGINSKA? HANS KINDLER. >
MARGUERITE NAMAR A?Soprano. Motropolit&n
Opera.
BERNADO OLSHANSKY?Baritone.
MME. D'ALVAREZ?The famous Peruvian
Contralto.
PAUL REIMER8?Tenor.
MAGDELEINE DUCARP?Eminent French
Pianist.
LENORA SPARKES?Soprano. Met. Opera.
NICOLA ZERULA?Tenor.
PAUL KOCHANSKI ? The Master Yiolinist.
And a Notable Attraction To Ba Announced
Later.
Season Tickets, $10, $7.50, $5
Ofttor of T. Arthur Smith, lac.,
tana G St. \.W.
Philadelphia Orchestra
| Leopold Stokovrskit
Conductor.
Five Toesdays?4:30
Eminent Soloimt*.
Subscribers' Tickets How Resdy. |
NEW YORK SYMPHONY
ORCHESTRA SERIES
Walter Damronch, Conductor
Albert Coaten, Gneat Conductor
Soloists
MME. DALVAREZ
ALEXANDER SOLOTI
PAUL KOCH AN SKI
Ticketms 912. 910. 97.50. 94.3?. 93.75.
T. Arthur Smith. Inc., 1300 G St.
HEATER I I
BUSTER I
A TONible
comedian tohose humor ||
oily original hut absolutely E|1
ta effect on an atiAienr* H
unusually side-splitting II =
ST COMEDY PICTURE I |
E GOAT" f |
m at m mrnmT n II
IBIA =: I
II 1HHW1M *=
II I
. . m
production, Loew s m
screen comedian in s
, now being shown H
m prices? pf
"All for one 3
One for all" J
fPiftk l!
fES WILL BE QUITTED ^
lim to the rank of the world's prt
nier pianist.
"La Boheme."
The Artists' Course of five concert
o be presented at the Nationt
^heater by Mrs. Wilson-lJfeene, wi
te opened with a performance of th
icotti Grand Opera Company in "L
loheme," at 2:30 p.m.. October 3
["he company will carry 150 artfst
horisters and musicians, under tli
ersonal direction and supervision t
dr. Antonio Scotti, the world-famot
aritone.
Four famous' artists are announce
or the same course?Hulda Lashai
ka. soprano, who created a furor
--- ' 4 ' " O.-Kii.hiinv < ii-r-hnut r
vim me uuBtun ... p.
ast season; Mine. Louise Homer, tli
rreat American contralto; Josef Hoi
nann, whose piano art is know
hrouRhout the world, and Pril
vrcisler. violinist, whose hold upo
he public has never been surpassei
Ernst Lubitsch. director of "Pas
don" and "Deception," is now ma*
a picture called "In the Land c
Pharaoh."
y-WE PLAY LOEW
STR
NINTH AT D
Continuous Daily I
BEGINNING TODAY, CC
M. GOLDEN PRESENTS A SIT
"POT POURRI
WITH A SEPTETTE OF
THE POPULAR SCE:
FRANK
Appearing In Person In HI? Mi
HERMAN AINU LAU
ENGEL G
In Eccentric Novelti? Mehxilet.
Premiere Photodramntie Pre*
SESSUE
IN A DRAMATIC STORY OF
"WHERE LIG
^AMedAltrwtjoiMj^
IT NOTE?PREWAR P
/ tMj/
/
'* / A J
[ 26 Weeks at A
ps
I II Da
Starling SuncL
John Corf O
A BACHEL
(By Arrangement
By Wil
SEE
MARIE WEINTRAl
the moit divinely formed Ba
<U Beauty In the world, w
uer of the recent Manhatt
Beach Bathlnn Beauty Coutt
with
.tSL
H BOTH
M BATI
II in n ,ome'
/ / Of Beach 1
/ Wf \ Marie Stra
1W V ^B'ta ^'af
.
. > ? #
;.: -" ;.:' -i_\. '.'Vv v Obti
NEXT WEEK'S PHOTOPLAYS.
i V
Eialto.
s. Mark Twain's "A Connecticut Yanil
koe in Kingr Arthur's Court/' made
11 into a motion picture by William
e Fox.
a i ;
' I "M afvnnnlifa n
^ j iu-vuvjivunnui
"e I "Serenade," First National's film
>f j version of "Spanish Love."
is I
d Knickerbocker.
i- : First National's "Serenade," a film
e j version of "Spanish Love," and Mary
a Miles Minter, in a Heal art release,
ic "Her Winning Way."
r
" Crandall's.
n Norma Talmadge, in "The Sign on
j. the Door."
s_ Palace.
Thomas Meighan. supported by
>f Ai?nes Ayres In "Cappy Ricks." Peter
B. Kyne's magazine story.
S POPULAR VAUDEVILLE
AN Q
STREET X. W.
^rom 12 o'clock IVooa
itoPLETE CHANCE OF BILL
KRB TKRPSICHOREASi CARMVAI.
DANCE REVUE"
' ARTISTIC DANCE ARTISTS
varist and dramatist
L TERRY
MterrleeM, "Mr. Boone" and "Bllai"
4G AND VAN & CARRIE
REEN AVERY
Patt and Pretont In "Madam Sirloin. Madimn"
entntlon All Perforaaacc?Ollerlif
HAYAKAWA
a prince: from the far east
HTS ARE LOW"
Rffl Comedy aaj_!Vfwg_WeekI^
RICES PREVAIL?NOTE -mm
With 30,000 Players
enacting the rise and
fall of Imperial Rome
under the reign of
mighty Nero
SEE : The battle of the I
The Christians devoured
by lions.
The burning of
kstor Theater, N. Y.
J if TODAY 3 P.M. I
1 /lL TONIGHT 8:20 I
ily Matinees, 50c 9
lc to $1.00. Few at $1.50 9
ay, Seats Thursday
fffer* n New Faroe
OR'S NIGHT
With Alex Anronnohn)
son Collison
> J??d
*< Ny/' Monday and
IWELL BROWNE'S
HIND KIKLS Jk
what different ranentity.
by a bevy /2rafHHI
Beanttes, led by
nb. Bee Allard,
Jr and Marie
v of
Frolics
ances
Inch
/> I A- ,
ruuruon ?*.
Billy Augustine,
Jura Milo Trio,
Special comedy, "Bungalow
Matinee Feature, "Passing
FASHION C
NIn? Marlon Bent wore a charming:
fringed evening: frock In "Love Birds."
BY. ELENORB V& WITT EBY.
m
kkf OVE BIRDS," at Poll's last week, tan
JLj afforded Pat Rooney and Marion *Q?
Hon? o anlnnilid octf inc t n rlifl- I
>lay their talents. The scenes were wal
laborate, and yet in good taste, and grJ?
ncluded an effective illusion of the Sidi
leek of on ocean liner, Persia bound, Fel
.nd a beautiful Persian garden framed fjtri
n oriental mosques and minarets. The lasl
I costumes were deserving of their sur- ten,
? roundings, and those of pheasant-col- can
ored chiffons with huge feathered due
head-dresses were especially striking.
Earlier in the play a ballroom scene trj(
furnished a background for an amaz- as
ing array of colorful wraps and even- j fro
ing gowns, and among them was the era
dainty frock worn by Miss Bent, which j cos
Is sketched. The bodice was made' hei
{ with a brilliant silver-cloth founda- lsi<
tlon, lightly veiled by rose georgette j lor
which tapered into points held to- j an<
gether over the shoulders. The skirt illu
flared out decidedly and was wide i a o
enough to give a modified crinoline ef- luz
feet. Successive tiers of rose silk i trii
fringe trimmed the lower part of it, | ten
while a few sprays of roses trel- at
lised on greei\ foliage twined their' fin:
Photo Plays This Week
(Continued from First Page.) ^
also "Snooky's Blue Monday." Frank Pjc
Mayo, in Universal* "The Fighting j
Lover," will be featured the last two Cui
days of the week, with the Christie pro
comedy, "Nothing Lane iu nra
Apoiio- r:
Today ami tomorrow, "The Old Nest";
Tuesday and Wednesday.
Maurice Tourneur"s "FoolishMatrons"; Sal
Thursday. Justine Johnston, In "A cot
Heart to Let": Friday, Bebe Daniels, , ,
IB "One Wild Week": Saturday. "Sal- .
ration Nell," and Eddie Boland, in j
The Chink." ? on*
pre
Avenue Grand. to
Today and tomorrow. "The Child nol
Thou Gavest Me," and Larry Semon, _
in 'The Fall-Guy": Tuesday and f '
Wednesday. William S. Hart, in "The ,h
Whistle," and Eddie Boland. in "The t
Ch'nk"; Thursday. Alice Brady. In neI
The I .and of Hope"; Friday, Justine rfcc
Johnston, in "A Heart to Let." and on
Charlie Chaplin, in "Shoulder Arms": ,
Saturday, Bebe Daniels, in "One WJld ,
Week." no,
wi!
Circle. wh
Tomorrow. Alice Brady, in "The ins
Land of Hope," also "Our Navy in |
Action"; Tuesday, Eugene O'Brien, in _
"Is Life Worth Living?" Wednesday,
William A."Brady production, "Life"; bg
Thursday. Will Rogers, in "Guile of j.. .
Women"; Friday. Dorothy Dalton. in I
"Behind the Masks," and Saturday, I Si?
Ethel Clayton, in "Wealth," aJso j tioi
Harold Lloyd comedy. ' "Over the j
Fence." ln
j Be'
Eepublic.
Today, tomorrow and Tuesday, a
William Christy Cabanne production, [ T
-fLive and Let Live." and the Hall- i Xe
.loom Beys, in "After the Dough"; 1 ,
Wednesday and Thursday. "If Worn:
en Only Knew" and "Snookv's Twin
Troubles"; FrJday and Saturday. Jo?
Alice Joyce, in Tl.e Inner Chamber," Ed
, and Jim Aubrey, in a comedv. "The Sa
Tourist." Do
Savoy.
Today and_ tomorrow, Maurice Tour
I neurs ~ r oonan Aiatrons, aim niuuie
zzmbmwmmbbb i fa
AH^
^^ _ I hou
rereanircs
YMOND c
The HUls fl I j
, Etc. ||t W| I
irTroubles" . .ML m I *
; Through" i|j? jj
, i7 "' 7 '
'-f: - . v ,
-i:h> *i; 7.7-7 * /- " '" : - 7- "
IREATIONS OF THE
v" ??
11,
[ln? Sylvia Field** amart frock pic- s
rd win off navy trlcotlne with J
Irrel trlmmlnpr* J
\
i here and there to lend colorful a
ce to the "ensemble."
r<
lie aiiiusuig ai iia ii j u* vicviftv u
ney, aided by the beauty of Sylvia x
d. together with the real interest s
the play itself, made "Welcome, a
singer," which came to the National t
L week, a play not quickly forgot- r
, and one which we would enjoy
ng a second time, something which "
not be said of many modern pro- a
tions. v
s the scenes were laid in a tiny I
w England village, where elec- ? c
:ity and all its improvements were i i
yet uftknown. and where one's I t
cks were purchased at the "gen- r
1 store," there were no startling *
tumei. However, Miss Field, in t
role of Mary, stenographer to I
3ore Solomon, wore several tai- i
ed frocks which were both effective a
I becoming. The one selected for i
istration was her last-act costume, t
ne-piece navy tricotine dress, with 1
urious squirrel collar and cuffs as r
mming. Large black buttons ex- c
ded the entire length of the gown c
the front, and a narrow tassel- c
ished belt tied in a bow at one %
Washington a Photopl,
WASHINGTON seems likely to get e
into the limelight as a motion J
ture producing center. 5
nformation comes thay Cathrine c
rtis, an Arizona girl of a socially e
minent New York family, whose j
it venture in motion pictures was t
th "The Shepherd of the Hills." ?
i wnuee mosi successiui recent pro- ^
ction was Ralph Connor's "The i
r Pilot," directed by King Vidor, is f
ning to Washington at the soliciion
of some prominent business
h of the District.
diss Curtis, who, by the way. is
; of the very few woman picture
>ducers, has purchased the rights
several best sellers, and has chosen
her next production a famous
rel by Kngland's foremost authorrcho!ogist.
She plans to enter upon
mediate production, for release
ough Associated irst National Pic- j
eSj Inc. It is said that a promi- :
it New York society woman who
ently made her professional debut
the screen will appear in the lead:
feminine role.
V representative of Miss Curtis is
iv in Washington in conference
Lh a number of Washingtonians
o have been especially interested in
nging a permanent cinema produc;
unit to the District,
diss Curtis is one of the few wom
I
land, in "The Chink"; Tuesday and j
dnesday. Norma Talmadge, in "The '
;n on the Door"; Thursday. "Salva11
Nell"; rtday, Justine Johnston. :
"A Heart to Let," and Saturday, |
be Daniels., in "One Wild Week."
v..u
1V1&.
'oday and tomorrow. "The Old '
st"; Tuesday. "The Star Rover"; i
*dnesdav, "Rife"; Thursday, "The
ild Thou Gavest Me"; Friday, Alice ' ,
roe. in "The Inner Chamber," and ! \
die Boland. in "The Chink." and [
turday, Alice Calhoun. in "Closed ,
?rB/" . i ]
Hie Modern D'Artagnan.
S D'Artagnan, the hero of Alexander
Dumas' famous story, Douglas
irbanks found himself in a role that
led for long: hair, knee pants, high
)ts and a long swoid. The daily
k of climbing into this parapher- 1
ia has had its effect on Fairbanks, i
[ honestly don't see how they did |
year in and year out," said Fair- j
Iks. ?ow any mail couia waste i
3 valuable hours a day dressing I J
lself up like Mr. Astor's pet horse '
:oo deep for me. Why. it took an I '
ir alone to comb a wig!" I
Special Filr
?RAPHAEL?,'
Bth at O Street *.?. |
POLA NEGRI, in "GYPSY BLOOD." B
Also 2-re*'l I otm'iiy. "CALL A COP." B j
IEVERE THEATER G^rVn"i
GEORGE AKLISS. in
"THE DEVIL."
IflMF ISM C Street N.E. j
lUlYlEi PAULINE FREDERICK. in j
SALVAGE.*' ,
piNrircQ 1119 H st. N.K.
IVUlvLiJiJ The Greatest James Oliver
Garwood Story ever told. "KAZAN." * A
Love Story of the Wilds. .
A DAI INI nth * N. C. Ave. S.ls. '
AnULllin CHARLES RAY. in (
"A MIDNIGHT BELL."
VDir 14th ul Irvlajc St.. Jf.W.
iIIYIV. TODAY AND TOMORROW? EUGENE
O'BRIEN. In "18 LIKE WORTH
LIVING.'* Also Comedy. Sunday?Mat- j
Inee Only?"THE WHITE HORSEMAN" '
Ndi a
FW QTAVfTnN ?* * c st?It??
i/UYI VlVoatintioua from 3 P#I0.
JAGK LONDON'S EAMOl'S STORY.
"THE MUTINY OF THE ELSINORE." ,
With a' Selected Cast. Including
MITCHELL LEWI8.
HELEN FERGUSON. NOAH BEERY. Jr.
I rrt 14th Street aai ti. I. Are.
11-1 Iai WANDA HAWIJ5Y. in
"A KISS IN TIME."
IDfl r TYPHOON COOLED
1RLLL 2106 Pa. Ave. Ph. W. 036.
THOMAS MEIGHAN. in I
jnr* i.u.'Vi'noi w va>iaa.?.
iMPfflTAN' lBt s<- "< R. I. Are.
UHCIUtAH WANDA HAWLEY. in
"THE HOUSE THAT JAZZ BUILT."
HBVTV W5SEE Capital iii P 1ST :
tlDblml S GLORIA 8WANSOY, la '
"THE GREAT MOMENT."
wimtoh "nss r
"PXCHABTBD BBAg."
<
STAGE.
v *.
N?
'! l!
Mian Doris Sbeerla appeared fla
lark georgette la the playlet **Hrrrfter**
at Keith's.
ide to define the waist line. Miss
rield's hat was a chic model of light
?lue duvetyn delicately embroidered
n c.nntrflRt intr r.nlor* and trimmed
/ith a blue ribbon bow placed low
it one side.
Miss Field also appeared in a frock
>f golden brown moroccan crepe,
vlth panels at each side faced in the
ame shade of satin, and in the third
ict she wore a tailored Poiret dress
rimmed with black braid and white
deated collar and cults.
The sketch at Keith's entitled
'Hereafter" was unique, interesting:
md surprising. We are all endowed
vith more or less curiosity regardng
the future, and a decidedly novel
ronception of it is submitted to us
n this playlet. Miss Doris Sheerin.
he leading lady, instead of being
obed In white, with the conventional
vings and harp as accessories, wore
he gown pictured, which was of
)lack georgetee. and probably a Paris
mportation. since she could have
inything desired, merely for the askng.
The bodice included kimono
ileeveiets, and at the back three
ong tasseled cords served as trimning.
The skirt was slashed in points
iver a plain foundation, and the tas>els
which finished each point gav^
i fringed edge to the skirt hem
vhich was particularly effective.
ly Producing Center.
n in the history of the moving pic-**
ure industry who has actively diected
a picture producing company.
>tars and other women own their
-ompanies. but their connection with
executive affairs is seldom as intinate
as that of Miss Curtis. "The
Sky Pilot" is still remembered by
hose who gasped at the thrilling catle
stampede on the screen at Cranlall's
Metropolitan last spring. It
trew out of the whim of this New
fork society girl, who became inter sted,
while ranching in Arizona, in
he picture business. So fond of it
las she become, and so convinced is
?he that it offers an unlimited field
for the professional woman, that she
expresses a serious doubt that she
jvill ever desert it.
"Cathrine Curtis." says a cotem>orary
writer, "impresses one's adnirations
deeply. She is the ideal
nodern business woman?fresh and
>reezy of personality, thoroughly engaging
and Interesting, practical and
dncere. She is wholesome and genline.
and a direct challenge to those
vho would bar women from business,
'apabllity is written all over her atiractive.
smartly gowned self, and
;he comfortable feeling with which
>ne is made to approach her remains
is one talk3 with lior. She is said to
profoundly impressed with the advance
of the picture industry within
:he last few years, and avers that tin
screen is 'the biggest thing in Amorca
today.' "
ruining
Attractions
NATIONAL?"A Bachelor's
Night."
John Cort will present the attraction
at the National Theater next
week in the form of "A Bachelor's
Nigrht," a new and. it is said, .very
amusing farce, with an exceptional
?ast headed by Isabelle Irving and
Herbert Yost.
GARRICK?"Miss Lulu Bett."
Beginning next Sunday. Brock Pemberton
will present at the Shubertdarrick.
for a single week, Zona
dale's comedy, "Miss Lulu Bett,"
which ran for twenty-five weeks in
New York last season. The production.
it is announced, will he identi- '
cal in every respect with that seen at
the Belmont Theater, and the various
parts will be played by their
ariginal creators. The company includes
Carroll McComas. 'as Lulu;
Louise Closser Hale, as Grandma
Bett; Catherine Calhoun Doucet. as
ina. and Lois Shore, as the terrible
(Continued on Seventh Page.)
n Feature?
HIPPODROME
X.'T ?TVP UiUUrUGTL'IV in
_ ' 'M? K V?F* MANHATTAN."
CRANDALL'S
THIS WEEK?HELENE CHADWICK and
RICHARD DIX. in RUPERT HUGHES'
"DANGEROUS CURVE AHEAD." HAIt
OLD LLOYD, in "I IK>." And SPECIAL
MUSICAL FEATURES
CRANDALL'S
TODAY AND TOMORROW?HELENE
CHADWICK and RICHARD DIX. in RUPERT
HUGHES* "DANGEROUS CURVE
AHEAD." HAROLD LI A) Yl). in "I Do."
And SPECIAL MUSICAL FEATURES.
iHniV V 'C Theater.?th 41 E Stt.
^IVAllDALL ?J TODAY AND TOMORUOW--GLORIA
SWANSON. in "THE
GREAT MOMENT." And BRA Y-GOLDWYN'8
**A SAFE COMBINATION."
nDANnil I Theater mm*
LftAnUALL tfGar4ei.14thACoi.Rl
rODAY AND TOMORROW--HORART BOS
WORTH and DORIS MAY. in "FOOflUH
MATRONS." And EDDIE BOLAND. in
"THE CHINK."
CRANDALL'S
MATS. 2 P.M. DAILY; 3 P.M SUNDAY. J
rODAY AND TOMORROW?FOUR POPULAR
STARS, in "THE CHILD THOU
GAYEST ME." And LARRY SEMON. In
"THE FALL GUY." Performances Sun
dar at 3:00, 4;40, fl:3t?. ?:?*?. t*:4U. .Mooday
at 1:45. 3:0u. 4:40. 6:20. 8:00. 9:40.
PDANHAH'C A|N?IIo Theater umm
IJlAmJALL d gnrdea. ?24 H njs. j
TODAY AND TOMORROW?STAR CAST. In
RUPERT HUGHES' "THE OLD NEST."
Performances Sunday at 3:00, 4:45, 6:30.
8:10. 9:50. Monday at 6:80. 8:10. 9:50.
CRANDAlX'S
Ga.ATe.A Qaebec St. I
TODAY AND TOMORBOW?STAR CAST, in
RUPERT HUGHES' "THE OLD NEST."
Performances Sunday at 8:00, 4:45, 6:80,
8:10. 9:58. Monday at 6:80, 8:10. 9:10.
f
; ?S : i