Evening star. [volume], December 09, 1923, Page 3, Image 87

About Evening star. [volume] (Washington, D.C.) 1854-1972

Image provided by: Library of Congress, Washington, DC

                
One of World’s Famous Sculptors
Now in Washington’s Art Colony
/ W. Clark Noble Has Won Twenty-nine of the Last Thirty-three Outstanding Competitions, a
Record Never Before Equaled in the Art World—He Is a Native American Sculptor, Trained
Entirely in the United States, Yet He Has Defeated the Best Sculptors of Europe—Athletic
Qualities Unusual in One of His Profession.
BY GEORGE H. DACY.
WASHINGTON is now the per
manent residence of one of
the world’s most famous
sculptors, an artist who
has won twenty-nine of the last
thirty-three national and interna
tional competitions; a remarkable
man, who in training, temperament
and aggressive activities wholly vio
lates the innate conceptions that the
laity conjures Up when it attempts to
visualize the word "sculptor.”
W. Clark Noble now lives on upper
15th street, where he maintains the
most beautiful studio in the National
Capital. He is a bred and trained
American sculptor, who has demon
strated irrefutably that Sin earnest
and worker, gifed with
artistic talents, can Acquire as great
mastery and skill, in this land of his
nativity as he. can by living abroad
for several years and studying under
the best teachers in Europe.
There is absolutely none of the
long hair and flowing tie about this
newest and greatest addition to
Washington's artist colony. Mr. No
ble is a man’s man. He can go into
the gymnasium with tho best experts
of America and hold his own in a
bout either with the boxing gloves
s>r with foils. He can discuss the most
jjntimate complexities of anatomy
%’ith the world’s leading surgeons to
their mutual benefit. There is not an
architect in the United States but
who is eager to receive suggestions
paid advice from this prominent
American sculptor.
When it comes to a matter of wood
Carving, working with clay, bronze or
gnarble, or painting in oil or water
Colors, Mr. Noble does not have to
4of£ his hat to any man in all cre
ation.
Tim is dynamic, overflowing with
energy, Suroeful, unswerving in his
loyalty to his convictions, athletic,
upright and honorable.
** * $
npilE measure of a man, according
to our national standards, is
gauged by his achievements. His
bronze relief memorial of Bishop Phil
ip Brooks in the Church of the
Incarnation. New York city, is an
epochal production. It is one of the
largest and most remarkable exam
ples of ecclesiastical portrait-sculp
ture in this country- There are three
pieces in the Vatican at Rome by
»lr. Noble. One bas-relief shows his
ftoliness seated on the pontifical .
bhrone in his canonical robes. The
bronze is in two colors, in itself a
remarkable feature. The metal is
mounted on mahogany, with the
pope’s coat of arms worked in sev
eral colors in leather placed in the
morocco setting.
The Noble busts of Henry W. Long
fellow, Nathaniel Hawthorne and
Henry Cabot Lodge are epics of the
■eulptor’s art. Critics have said of
them that they were more than great
works of art—so accurate and true to
Ilf© that it seemed as though the
likenesses were possessed of the
kuman powers of mind and speech.
One of Mr. Noble’s greatest pieces
of work is a statue of Robert Burns,
pimple in arrangement, forceful in
movement of lines and form, graceful
end manly in pose, as well as a
marvel in the execution of textures.
•The statue is a lifelike picture of the
author of “Auld Lang Syne.’’ Its
value has been estimated at $35,000
to $40,000.
A bas-relief, called "For Humanity,”
panel depicting the lives sacrificed
for the well being of posterity during
the world war, is another of Mr.
* Noble’s masterpieces. A bronze of an
*‘Gld Newport Salt” Is a striking cre
ation. It represents one of the rap
idly disappearing types of old sea
captains. The figure is so realistic
that it fairly teems with the atmos
phere of the sea. It was a post
liast© execution of genius, modeled
and completed in four hours. It sold
latterly for SB,OOO.
Several studies of the American
siegro that Mr. Noble made are also
without equals in their accuracy to
type and faithful portrayal of facial
peculiarities and expressions. It took
the sculptor only two hours of work
•Piece to complete these small busts.
One day Mr. Noble became inter
ested in a panther stretched out in its
cage at the Zoo Park. Thereafter
be modeled from memory a fine rep
resentation of this wild beast.
The Noble statue of William Ellery
tThanning at Newport is considered by
tnany critics to be the finest example
c»f a standing portrait figure in
America- His Soldiers and Sailors’
monument at Newport is an ideal pro
duction, while the Walters memorial,,
i’ity Hall, Newport; the statue of Gen.
Porter in Van Cortland Park, New
York city; portrait relief of Bishop
Potter; portrait of Edward Everett
Hale; statue of Monsignor Doane,
iNewark. N. J.; portrait of Pope Leo
Kill. life size; bust of Pope Pius
' ; y I
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AT WORK IN THE STUDIO. MR. >i)BLE HAS WON TWENTY-NINE
OF THE LAST THIRTY-THRE^COMPETITIONS ENTERED.
1 .
i X; jeweled crucifix in the Church of
! St. Mary the Virgin, New York city,
I said to be the most elaborate of its
; kind in America; challenge statue,
j Antletam; colossal, statues of Napo
j leon, Jefferson and "Mad” Anthony
j Wayne; an ideal statue for the Maine
[ State Capitol and statue of "Knowl
ledge” for the Augusta Public Li
brary; bas-relief of Gen. Joseph
Wheeler: monument of Belle Archer;
| ideal group. “The Morning Tide";
statue of Harriet Beecher Stowe;
j $5,000 Jefferson loving cup, and 100
i or more other bronzes, memorials and
I portraits of public men and private
citizens constitute the American col
lection of W. Clark Noble's work.
Many of his masterpieces have also
been England and on the
continent.
*** * .
T rR. NOBLE'S early ancestors were
A pioneer voyagers on the May- j
flower, when that good old wooden,
ship first established moorings in the :
new world. One of his ancestors Was
an intimate comrade of Miles Stand
ish. Turn through the pages of the
art history of England and you will
read of a notable Matthew Noble, a
British Isles sculptor, who created a
number of wonderful sculptures,
among them Oliver Cromwell and the
Earl of Derby. Compare the excellent
technique of this Englishman with
that of W. Clark Noble of today and
you will notice a marked similarity
in skill and adeptness of execution.
The W. Clark Noble of today is a
modernized and improved edition of
the former Matthew Noble, one of
Clark’s forebears.
The father of W. Clark Noble was
a hardy sea captain who sailed from
the New England ports to all quarters
of the globe. When W. Clark Noble ,
was ten months old his father was!
lost at sea with his ship. The infant i
orphan then went to live with his j
grandfather at Gardner, Me. At the
age of six years the youngster ex- |
! hlbited the first evidence of his ar
tistic talents. There was a great hill
of clay at the rear of the grand
father's farm and there the boy
would spend hours dajly, moulding
tiny figures of animals and people
out of the crude clay.
Two years later young Noble found
and painstaking read and reread a
book on the life of Thorwaldsen, the
great Danish sculptor, which de
termined his career. His relatives
wished him to follow.the sea. as most
of the family before him had done.
Clark, however, decided otherwise. He
worked in a Maine lumber mill sev
eral years and finally saved enough
money to go to Boston, where he
hoped to get employment in some
branch of the sculpturing and archi
tectural industries.
Entering the workshops and offices
of a leading Boston firm one morn
ing. the fourteen-year-old boy finally
gained the attention of one of the
partners. When the lad applied for
THK SUNDAY STAR. WASHINGTON, T). C.. DECEMBER 9. 1f)23-PART 5.
W: the man gruffly inquired how
Huh pay he wanted. Young Noble
"I don't want to earn anything:
■Mfeuid like to learn something.” The
Han of commerce put the boy to work
Htjb when he had learned the rudi
ments of the industry paid him sl2 a
meek. At the age of seventeen years
■lgrk Noble was foreman of eighty-
Hur men in that saipe plant.
youthful foreman devoted all
THIS CAST OF AN OLD NEW
PORT SEA CAPTAIN WAS MOD
ELED BY MR. NOBLE IN FOUR
HOURS.
his spare time to study of architec
ture and sculpture. He gained pro
ficiency in both design and modeling
in clay, plaster, wood, marble and
bronze and learned all the orders of
architecture. Just at the time when
affairs looked the brightest a union
known as the National Modelers’
Union came into being. Clark Noble
refused to join. As a result, ulti
mately, he lost his position in Bos
ton, and everywhere throughout the
city he was refused work because he
was a non-union man.
Noble was nothing in those days if
not -a fighter. He traveled to New
York, Philadelphia, Baltimore and
even as far west as Chicago in search
of the work that he loved. In each
of these cities he was debarred from
employment in the modeling' industry
because he was not a member of the
national union.
** * *
piNALLY, defeated and discouraged,
the boy returned to Boston. It so
happened that from the time he was
ten years old he had been interested
in boxing, and through regular prac
tice had acquired remarkable pro
ficiency in the sport. lie happened in
at one of the gymnasiums where lie
had formerly exercised and in a chance
conversation told his troubles to the
director.
“Well, if there’s no possible chance
of obtaining work in your line, why
not try mtae?" suggested the expert
in physical training. "I know of an
athletic which is about to go on
the road avd travel from coast to
coast and all over America. If you say
the word I’ll get you a place on their
program."
It was tuus that Olark Noble em
barked in professional athletics for a
time. His success in sports, was un
usual during the following year. He
was able to save up enough money to
continue his self-financed art studies.
Most boys in similar need and dif
ficulty would have appealed to their
relatives for assistance. That was not
Clark Noble's system. He fought hie
own battles—and won. These victories,
unquestionably, wore early auguries—
prophetic of the more Important con
tests which Noble was to win in the
world of art.
Subsequently. ’ Mr. Noble studied and
worked with James Priestman, an
architectural sculptor of Boston, and
later, in New York city, with William
Hunt, one of the greatest architectural
sculptors of his time. Simultaneously,
the ambitious student took up figure
drawing and the study of anatomy.
Noble also studied with a certain Ur.
Kimmer. one of the ear!disciples of
American art. Noble devoted three en
tire years to anatomical dissection, dur
ing which lie gained full knowledge and
a true foundation for the building of
the human figure. As architecture and
sculpture are closely allied. Noble’s
training as a draughtsman has always
been an outstanding asset to him. His
remarkable knowledge of human anat
omy enables him almost to put life
into the statues and portrait sculp
ture which he designs and creates.
Clark Noble is American-born and
American-trained and proud of it.
Notwithstanding, the masters of all
Europe characterize him as “America’s
greatest living sculptor." In anony
mous competitions in the United States
and on the continent Noble has re
peatedly defeated the best sculpturing
talent. His years of hard preparatory
work, his thorough knowledge of anat
omy. his complete familiarity with
painting and his genius have all com
bined to make him a master. Despite
the fact that most Americans are
prejudiced in favor of foreign -taught
artists. Noble is universally recognized
as a "champion of champions." Clark
Noble is one of the four original
founders of the National Sculptors’ So
ciety and also one of the charter or
ganizers of Nyw York’s Arts Club.
After the world war Mr. Noble dedi
cated one year of his work to the cause
of the disabled veterans. He made In
numerable statues, bas-reliefs and
busts, and painted many pictures dur
ing that period. All these were auc
tioned off at charity functions, and the
proceeds were allotted to funds for the
use and entertainment and assistance
of wounded soldiers.
Mr. Noble is as proficient with
brush and palette as he Is with the
sculptors chisel. However, he does
not paint professionally. Several
hundred marines which adorn his
home are mute testimonials of his
great merit. He paints as a hobby
and relaxation from his modeling ac
tivities. The only pictures of his
that have ever been offered for sale
are those that were auctioned to raise
funds for the disabled soldiers.
** * *
Q N the* dome of the c.apilol 1..
Augusta. Me., there Is a fine
statue, a repousee in pure copper,
valued at $35,000. which Clark Noble
gave to his home state. It so hap
pened that the Maine authorities ne
glected to set aside any funds for
the ornamentation of the oapitol
dome. Learning by chance that the
contractors were going to put a
cheap 1300 zinc figure on the dome,
Clark Noble came forward and vol
unteered to supply the material and,
his services free of charge for the
proper adornment of the dome. That
is the "how come" of one of the finest
pieces of art work In one of our
1 northernmost seats of state govern
ment.
Many portrait miniatures In porce
lain which Mr. Noble has made are
outstanding for their fineness of de
tail and their photographic similarity
to the originals. Most sculptors who
attempt such work make the por
traits on a large scale and have them
reproduced by machinery. Mr. Noble,
on the other hand, models his pro
ductions directly with special tools
of his own invention. No one has
ever been able to duplicate his re
markable process of copying in por
celain from the modeling wax orig
inal. This process is also a private
method which Mr. Noble has per
fected. Some of his most superb por
traits of this description have been
made from old daguerreotypes.
' The artistic creations of Mr.
are convincing—they show con
science, sympathy. Insight and rev
erence for the canons of high art.
His genius finds outlet in th* Incep
tion and perfection of wonderful
bronze, marble and copper creations.
They tell a remarkable story about
the great speed at which Clark Noble
works, up Newport and New York
way, where the famous American
sculptor formerly resided. A great
public testimonial to the late Lester
Wallack was held In a mammoth
auditorium. Mr. Noble, was Invited
to attend and to make a bust of Mr.
■Wallack from several photographs,
in full View of the great assemblage.
Overnight the sculptor accepted, and
without any rehearsal whatsoever
made a public demonstration of his
skill. It took him exactly nineteen
minutes to make the bust before the
audience, with only the pictures as
models. Subsequently, this bust was
sold for $3,000 by a dealer who pur
chased it from the stage carpenter of
Imprisoned in Sunken Submarine,
Two Desperately Fight for Life
Wait, Endure and Watch for Rescuers During Long Hours in Watertight Chamber—Nearly
Overcome Before Disabled Craft Is Finally Raised From Bottom of Sea by Heroic Efforts of
Navy's Divers and Sailors—Hydrogen Blast and Chlorine Freed , by Acid Add to Perils of
Situation—Weird Flames and Heat.
By PROSPER BURAXBLLI.
A CLIMAX of terror, weirdness
and startling fantasy is to be
discovered in the full report
of the recent sinking of the
United States submarine 0-5 off Pan
ama.
The undersea boat is rammed by a
merchantman au<l founders in forty
feet of water. Twenty-four of her
thirty men get away safely as she
plunges. Six nytn go down with the
broken hulk. Three die. One, trap
ped in a flooded compartment, makes
a ghostly escape to the Surface. Two
axe imprisoned in a water-tight cham
ber. For a phantom-haunted day and
a half they lie in their black vault
at Hie bottom of the sea. enduring
an ordeal nionrtrous in fright and
unearthly mei»ce. Then they are
rescues! from their sunken tomb.
At sunrise three underwater craft
running' awash, slid into Union bay.
bound for,-the Atlantic entrance of
the canal to make the transit into the
Pacifica The 0-5 was In the lead.
Steaming toward them came the
United Fruit liner Abangarez. The
0-5 lay across her bow. There was a
blunder. The two yessels sought to
elude each other, but the oncoming
merchantman boro directly upon the
submarine. It was seen that the 0-5
must take the crash. There were
frantic shouts. Men rushed up from
below.
"Close the torpedo room door"’ the
command sovuided. as the officer on
deck of the submarine ordered the
compartment shut. With these air
chambers sealed the craft might float.
A man ran to the hatoh —Henry
Berault. the torpedo dispatcher. He
flung himself down the hatch, to the
torpedo room. In the dim Eght he
saw a man sleeping on a eot there.
He was crazed v.Vth the desire to get
back up to the surface, but he darted
into the long. low chamber and roused
the slumberer, whom he saw to be
Lawrence' Brown, the electrician’s
mate.
A crunching impact outside, and
both men went sprawling to the floor.
The boat lurched and swung over
onto one side. Water poured down
the hatchway and flushed the tor
pedo , room. They struggled to the
door. They would not be able to
make their way up against the rush
of water. They forced the door shut
in front of them. A foot of water
lay at the lower slope of the floor.
They scrambled to the upper slope
and clung to a stanchion to keep out
of the water and waited in pale anx
iety.
The bow of the towering merchant
man had rammed the submarine at
the middle. Iron piates had been
wrenched apart and water was flood
ing the craft’s vitals through larg£
gaps. the 0-5. listing still further,
began to settle. Two dozen men leap
ed from the . slanting deck into the
sea and swam. A rescuing boat
swung down the side of the steamer.
‘*s £ *
SOMEWHERE in the intricate vitals
of the doomed .submarine were
Clyde Hughes, motor machinist’s
mate; Thomas Metzler, fireman, and
Fred Smith. Panaman mess attendant.
The water came upon them and they
struggled and died.
«On the steep spiral stairway to the
aft hatch a man waged a mad fight.
Charles R. Buttler. chief machinist’s
mate, was at the throttle in the en
gine room when the crash came and
flung him to the floor. He ran to
the gangway, scampered up and was
near the top when a torrent of water
through the pipe-like hatchway
knocked him stumbling back. He
struggled to his feet and lurched his
way up again, but once more the rush
of water beating on the narrow iron
stairway flung him back, now into
the rising water. He floundered up
and for a third time was thrown back.
The surging water engulfed him. He
struck out with frantic swimming
strokes, got to the engine and climb
ed up its side, as the water rose
around him. On top of the engine he
waited like a trapped animal. Then
he saw that the water had ceased to
rise. An air pocket had formed at
the theater where the testimonial
was held. This work Is known as
the best portrait of Lester Wallack.
♦* ♦ *
NOBLE seldom uses any hu
man models. He idealizes and
creates human figure* for hi* statues
and pther works of art. They are
products of his thorough anatomical
knowledge of the human body. In all
his creations the poses are admirable,
exactly the right muscles are taxed
while other muscles are relaxed. The
defects of an erroneous posture or
position never appear to flaw" this
versatile master’s work. He knows
accurately what Is scientifically cor
rect In his subject matter. The
models of his mind’s eye are Invaria
bly 100 per cent true ,1c type and
scale.
Very soon now a beautiful photo
graph of all the great art works of
Clark Noble will be on display In the
Library of Congress—the finest art
collection of its kind ever fnade by an
American sculptor. Some day, per
chance, the millions of America may
revere a great memorial to the
American woman, which Clark Noble
hopes some day to build. This has
been his cherished dream of more
than thirty years. He has expended
approximately $40,000 of his own
mopey In the perfection of design and
plans, which are now finished. The
structure will cost $6,000,000, will
take fire years to build,_ and will be
located on an appropriate site prox
imate to the Potomac.
The monument when completed Is
to be 168 feet high, in the form of
an arch standing upon an oval base
300 feet wide and broken by sweeps
of steps. This arch and the steps are
to be of marble. On either side of the
arch there will be a bronze panel 38
feet high, with groups of figures In
Itow and high relief. Within the arch
there will be a hall of nletoorlala and
records representing the achleve
ojeav® fit JAMEififiA
THE UNITED STATES SUBMARINE OS, WHICH SUNK AT THE ATLANTIC END OF THE PANAMA
CANAL. SIX MEN WENT DOWN WITH HER. THREE LOSING THEIR LIVES AND THREE HAMM.
MIRACULOUS AND THRILLING ESCAPES.
the top of the compartment, and he'j
was in this pocket.
He rested for one appalling mo- j
raent, contemplating his destiny, {
The pressure in the air pocket was |
Increasing oppressively as the boat j
slowly sank. Now there was a slight j
shock as it settled on the bottom.
His head was bursting, his thoughts
wandering. He could not live in this
strange prison nook for more than a
few minutes. Delirium and death
were before him.
He summoned all of his senses for
a last despairing effort. He knew the
boat well and could tell that she had
listed in such away that the air
pocket had formed just beside the
hatchway. With a dive into the
water beneath him and a few swim
ming strokes ,he might rise up
through the opening to the surface
of the sea. How deep the sea was
here he could not guess. He might
die before he got to the surface. - But
it was his only hope.
Swiftly he threw off his clothes and
made a reckoning of the exact posi
tion of the hatch opening with the
HENRY BERAULT. ONE OF THE
MEN RESCUED AFTER A DAY
AND NIGHT OF IMPRISON
MENT IN THE SUNKEN SUB
MARINE.
desperate intensity of a man who
stakes his life on his guess. He let
himself into the water, beat his way
down and in the direction where he
supposed the hatch was. Then he let
himself rise. His head struck heavi
ly against an obstacle. A wild clutch
of despair, hut his crazily groping
hands fold him that he had struck
the hatch cover. The hatch was only
half open. Trapped in the sunken
shell at the bottom of the sea. the
terrified man made a last effort. With
a mad wrench he slid the hatch cover
fully open. But now a weird force
caught and swirled him.
The margin of the air pocket had
lain near the edge of the half closed
hatch cover. The cover pushed open,
a great mass of the' heavily com
pressed air was released. It shot up
ward. It caught the body of the man
. o** 0 ** 1^
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• TWELVE HOURS AFTER THE FIRST SINKING THE FIRST HOIST WAS MADE. BUT FAILED. THE
DIVERS HAD TO DO THEIR WORK ALL OVER AGAIN, AND IT TOOK THEM TWENTY HOURS
HORE* u I—.. _ _ ,__.
i
'j in Its fantastic grip and propelled
■ him like a missile toward the surface.
IHe was twisted by the blast,
out, and shot up head
1 foremost.
*♦ * *
| minutes after the 0-5 had
gone down the survivors in
boats and the people of the ship saw
a vast bubbling of the water and a
man arose upright, flung up out of
the sea as if by some demonic power,
until his feet were out of the water.
He fell back, swimming.
In the torpedo room the two youths,
Berault and Brown, clung to their
places at the upper slope of the floor
and waited in nerve-tearing anxiety.
After thirty- seconds the lights went
out. The water had got into the bat
tery. Berault had a flash lamp, and
quickly a narrow white beam cut the
utter darkness. They thought of the
torpedo tube. They had heard of men
shooting themselves out. of torpedo
tubes and rising to the surface of
the water. It was said that prisoners
in the holds of battleships had re
leased themselves in that way. A tor
pedo was merely pushed out into the
water by compressed air. A man
could lie in the tube and by- hunching
up his knees could fill it sufficiently
for the pressure of the packed air to
thrust him into the water.
Berault inspected the torpedo dis
charging apparatus. Everything was
workable. Boats would be lying on
the surface to make rescues, and
there was only a small chance of the
escaping men striking their heads
against a bottom and drowning stun
ned.
The torpedo dispatcher could pro
pel his mate out, and then, with his
practiced knowledge, could get out
himself. But the gauge, in the tor
pedo room showed that they were
lying beneath forty feet of water.
They could not guess whether they
.would come alive to the surface from
such a depth.
They were certain that divers and
a crane would come and raise the
wreck in the hope that men might
be alive in it. That would take many
hours—a day, perhaps, or two days.
The torpedo room might leak and fill.
If it did they would wait until the
last possible moment, and then the
torpedo tube.
The chamber seemed staunch and
water-tight. But would it prove gas
tight when the salt water had reached
the acid in the battery ro«m next to
them and had released the deadly
chlorine gas? They- resolved that
at the first choking breath of chlorine
they would make for the torpedo
tube. But they could detect no odor
of chlorine, although they guessed
the salt water must have mingled
with the acid. They could look Into
the battery room. The door between
had a glass window. By- flashing
their light into the chamber they
could see that it was .half full of
water.
Thus forty-five minutes passed.
A blinding flash of an eerie blue
and frightful crash and boom arose.
The steel vault trembled. The bat
teries had exploded. Salt water and
acid had engendered a fearful cloud
of chlorine and hydrogen. An elec
tric spark had detonated .the hydro
gen.
The shaken youths flung themselves
to the door. The heavy glass pane
had not broken. They then saw a
weird and marvelous spectacle.
The gas continued to burn with a
strange, menacing roar and with fan
tastic darlings of blue hydrogen
flames. In the sunken, half-filled
‘ chamber the water bubbled with
great emissions of gas, the gas took
fire as it arose, and wild flames leap
ed and danced over the swirling sur
face of the water. Surely no stranger
sight has ever been seen at the hot
tom of the sea.
** ♦ *
TT grew very hot in the torpedo
room. The burning hydroge*:
emitted an intense hea.t, to whkw
the acid mixed with water added.
The heat abated as the fire burnt
down until it was no more than
ghostly occasional flicker. The mi
were thirsty now. There was wat
in a lead-lined tank in the torpe
room, but not water for drinking. a|
they were afraid of lead poisoniii
They had no food.
They reasoned that under the
conditions they would be able to ho
out for forty-eight hours. If at til
expiration of that time the hulk wen
not raised to the surface they wou’4 l
chance the torpedo tube.
They settled down for a for: A
eight-hour wait. An hour had pass3J
since the 0-5 sank. .There was a
clock in the room. "With occasional
flashes of the lamp at its face they
watched it. But as the hours dragged
by they found the agonizingly slow
progress of the hands unbearable and
they ceased looking at the clock.
Three hours after the sinking a
diver came alongside the boat. They
could hear him thumping around. The
joy-maddened youths gripped hammers
and pounded signa's to him. Taking
their posts at opposite ends of the room
so that he might know ihere were two,
they played drumming tunes, dancing
rhythms of glee.
Twelve hours after the sinking the
first hoist was made. The boat rose.
Then the joyous prisoners heard
something snap and the 0-5 settled
on the bottom again. She settled on
»n even keel now and the Imprisoned
uen were more comfortable.
Hour after hour passed in a long,
silent, moveless, dismal succession.
The waiting men understood that
some difficulty had been encountered
by the holsters, that night had come
upon them and they were compelled
to wait until daybreak to continue.
By the twentieth hour of their
imprisonment Berault and Brown
were in torment. The air pressure
had become agonizing and their
mouths were baked with thirst.
The time for daybreak passed, and
still hour after hour of movelessness
and silence went by.
During the thirty-first hour a diver
was again heard alongside. Chains
were placed again. Xow, with a small
jerk, the 0-5 was raised and moved
steadily upward. Sunlight, air, th«
upper world! But the joy of the
spirit was tempered with the aches
of the flesh. The two rescued men
rejoiced with swelling gladness, bm
had to endure the pains that eome to
those who pass quickly from poisoned
air to free air. That was small dis
comfort, though, after the ghastly
terrors they had endured.
3