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Theater, Screen and Music Part 4—14 Pages PA '**7 | — ■ ■ " Dolores CosTELLO-Mc+ropoii+an Rumors That Bloom in the Spring. BY PHILANDER JOHNSON. THE disheartening spectacle; of a theater which does not! know precisely what to do j with itself is presented at j this time of year. Following a, season, in many respects one of the most brilliant known in a long time, the future becomes a vista of blossoming uncertainty, with full expectation that the choicest fruits of imagination will be in evidence before the snow flies again, but with elements of uncer tainty as to auspices under which they will be provided. ** * * It is not every city that can ren- j der a stock company so secure as the National Theater Players have become. Steve Cochran, in add ing a Baltimore theater to his cares, undertakes an experiment now frequent enough, but in the past regarded as unwieldly. When P. Harris ran the theater of which only a vestage remains at Ninth and C streets, he included it in a chain of theaters which many who enjoyed discussing theatrical business regarded as too large to permit requisite attention to de tail. The arrangement did not endure. Neither did the effort to establish stock companies in both Washington and Baltimore by P. B. Chase find substantial encour agement. ** * * Conditions, however, have shift ed. In us amusement way there has always been a bond of natural relationship between the two cities; ever since the days when special trains were run to enable Edwin Booth’s admirers in this city to see him. even though the evening’s entertainment involved a journey of nearly 90 miles. The interchangeable company is one of the cherished dreams of both the big towns. ** * * The chain system of theaters Bow flourishes so prosperously that K is not possible to be sure Riat some established trade mark will not be hyphenated over night to share the glories of tradition with a brand-new name. Fame that is written in electric lights fades or shines intermittently as the currents are turned on and off from switchboards operated at a distance. The Shubert-Beiasco title was a aurprise and cannot even now be regarded as an arrangement aris ing from an ordinary course of events. Poll has succeeded in giving his name a monopoly of the scin tillating arch above the doorway, although it is never donated that the Bhubert offices are a power in Its management. The appearance of A L. Erlanger as one of the parties at interest with W. Harrlman Rapley in the National Theater brings a new element into the amusement sit uation here; an element which cannot fail to be helpful and beneficial in providing entertain ment of responsible quality. ** * * The H V Keith interests hy phenated until the name became ponderous, leaving the theater for toe present with Mr Robbins at desk as the only reliable attrac tion. The original decision to call the playhouse 8 t. Keith's Theater,] instead of following a natural tendency to call it “Keith’s," was a departure in theater naming and seemed to he intended as a son of memorial to a much-es teemed man. However, the inter ests came to include the name of Aibee in recognition of a long ca reer of competence and devotion Recently the title Keith-Albce- ; Orpheurn circuit was evolved Now instead of throngs of patronage only rumor* float through the doorways No able theatrical man objects to rumors which are. after all a form of publicity. Theater* could never thrive if everybody strictly minded his own business and refused to talk about them. ♦* ♦ » The prominent appearance of the name Btaniey as a prefix to tmmiliur trade mark titles for local playhouses has been followed by a process of noteworthy evolution in motion picture policies leaving the term “vaudeville" with no re Atrteted significance The idea of definite policy for a theater finally disappears, excepting as it asserts itself in a Summer stock engage i ment, enabling patrons to pur j chase places far in advance and i be quite sure as to the character and quality of the entertainment. "Going to the theater” is, in the present amusement era, a selective process, involving studious scru tiny of available menus. Sophis tication of audiences is demon strated by the unanimity with which they remain away, from the very start, when the offering is sour or a little too peppery, ** * * | Where the Winter season found i playhouses frequently dark and shifting their announcements be cause of uncertainties in booking, the Summer season is approached with an exceptional air of confi dence. De Wolf Hopper, who not long since enjoyed a prospewms Summer mason here, is booKffi for a return to test out as a be ginning the genial theory, found so reliable by Mr. Ames, that the wit and melody loving public never gets quite enough of “The Mikado." ** * * A rumor is to the effect that still another stock company will attempt an eternal triangle of competition that will make it just a little harder for everybody who is attempting to keep open the ater. Another rumor is that the Keith interests will build a new theater in this city. There may be other rumors, for it is every person’s privilege to make up one of his own. It has been one of the most gossipy little merry Springtimes known in many years. • • ——— Marjorie Beebe to Star, Vs ARJORIE BEEBE Us to be starred 11 in a series of feature-length com edies. under her recently signed contract with Pox Films. This clever girl has been alluded to as the “feminine Charlie Chaplin of the screen.” and for a long time has been groomed by Winfield Sheehan, vice president of Pox Films, for comedy stardom. Her pathway to comedy fame has been watched carefully and fellow players are said to have complimented her with the charge of “stealing" nearly every picture in which she was cast Her first starring picture will be "A Farmers Daughter,” from an original story by Harry Brand, Frederica Sagor and Hank Johnson, Arthur Rosson has been assigned to direct the comedy, which will get under way within a few days Worked Both Way*. I EAR HERSHOLT wore one of the strangest make-ups of his entire career in * The Battle of the Sexes,” which D. W. Griffith is directing at the United Artists’ studio. It was a rubber vest, weighing five pounds, which he wore in the earlier stage# of the picture to make him portly. The vest, however, defeated its own purpose, for after a week of shoot ing Hersholt discovered that the gar ment had caused him to lose nine pounds. Herbert Anniversary. IN anticipation of the Victor Herbert 1 anniversary, May 26, the Fox Grand Orchestra will render a medley of that j composer # airs Assisting artists from ! tii* stage include Josef Turin, tenor, who Is fast becoming a Washington fa vorite; Jawrence Downey, baritone, and j the Fox ballet, 16 youthful darners. . -V... No Time to Fly. CIANLEY REDOES, leading man of J tie National Flayers, envisioned a happy answer to his problem of acqutr tng enough “flying hours” at Boiling Fie id to have his British air pilot’s j license transferred to the American reg - istry Director Brooks' fetish for morn ing and afternoon rehearsals, however, ha* prevented Mr, Ridges from being credited with but a paltry half hour aloft, and lie lias been here for three | weeks, ————•* BurJeequc Interest* Many. ' I*HE actual status of the burlesque * industry as an Integral pari of the amusement business in America Is not generally known, yet, jt is announced that more than fifteen millions of men, women and niidren paid to witness burlesque per formances during the season of 36 weeks, aggregating a cash outlay of more than *l2 000,000 It would seem, therefore, that fifteen millions of people are interested in burlesque, AMUSEMENT SECTION She Sunday gtaf. |T Ej»|f y§s * G-ilda Grav- Palace JH toHk %3«$P. «BWf . :< - ik, ' |J p\ Peginaidv Denny- Pi a VfPiSHKr Mar'a^Hk /IAONTRA - theater Plays of the Week. NATIONAL THEATER PLAYERS "Merton of the Movies," comedy. Tomor row evening. BELASCO Leslie Howard in "Escape.” Tomorrow eve ning. POLrS~~“Abie's Irish Rose," comedy drama. This eve ning. “Dracula" Going Strong. | I GRACE UVKRIGHTB production * * of “Dracula,” the famous vampire play, has passed Its 250th performance at the Fulton Theater, New York, where It la playing In Its ninth month on Broadway. With this performance "Dracula," combining Its four solid years In Eng land and Its nine months In America, passes Its 2,000 th performance “Dracula" was based by Hamilton Deane and John L. Balderston on the Brarn Stoker novel, of which, It Is said, 50,000 copies have been sold yearly for 30 years. - —-- • Staged in Yellow Aster. AN historic old mine came back to life as one of the Interesting fea tures of "The, Fifty-Fifty Girl," Hebe Daniels' latest starring vehicle for Para mount, which Is now showing at the Earle Theater, The climax of the picture story Is staged In the famous yellow Aster Mine at Randsborg, Calif,, and In the tunnels of the mine Years ago lire Yellow Aster was one of the richest gold producers in Califor nia history, and the memories of those years still remain Almost deserted when Director Badger thought of It as a location, the mine was given the life of oilier years after crews from the Paramount studio and the engineers were called upon to rejuvenate It Griffith * Annivcrnary. I \ W, GRIFFITH celebrated ‘his twentieth anniversary as a motion picture direr;tor last Tuesday Griffith began Ids directorial career with the old Btograph studio on West j Fourteenth street, New York City Ills first group of pictures, scarcely more | than half a reel In length, was known j as the “Dolly series " Htnce that time i Griffith ha* contributed some of the ’ finest artistic productions at the screen, , among them ’'The Mirth of a Nation," t "Broken Blossom* " "Wsy Down East," "Intolerance" and "America," WASHINGTON, 1). C„ SUNDAY MOHNJNG, MAY' i:>, 1928. Amn^ment^ *Jpii l J^KBusS^^ — <§J IpHH|jß|Bk jft y jfl ■'•aS - G »%-ti «F?Vs*" , '. Vv? MmaßmWwiL. , w| r w] ► Icli ''''liiiP 11111 . •■■ .' I 'l T' HP'*f I WKw WVCTiiiw l 'iII l lp IBF * «\ 55l ® Scene -front . Scene from VN LAUG-H CLOWN. LAU6W Columbia I IN THE SPOTLIGHT Notes of the Stage and Its People. Jack Renault, the well known fighter. It la announced, may appear In “Help the Police," the Gladys Crollua-Harry Tyler play. David Belaaco, whose stage appear ance for many years has been con fined to making curtain speeches on the opening nights of his productions, will be In the cast of "The Beaux's Stratagem," the Players Club revival which will be presented In New York the week of June 4. Although he was an actor In his earlier days on the Pa cific Coast, lie has never appeared in New York, “Eve's Complaint,” a play by Hubert Osborne, was presented in Paris re cently and glowing reports of the piece have come over the sea. Mr. Osborne is best known as the author of "Shore l4*ave," which David Belasco produced and which was later adapted Into the musical comedy, "Hit the Deck.” He is assistant director of the Yale Univer sity Theater. The Edgeinont Productions Corpora - tion announces the early presentation of a play entitled "Freeport," written by Helen Broderick, Which hits had a tryout by a stock company In Califor nia, it is described as being the story of a vaudeville team who relinquished their two-a-day Job to enter the boot legging Industry, Miss Broderick was a big favorite in vaudeville befure going Into the big revues “Manhattan Mary" closed Its long run In New York last night Ed Wynn Is going abroad and will open his new season with the show on the road about !,abor Day. William Hodge, who lias avoided New York all this season, dosed Ids road tour in "Htralghl Through the Poor" In Chicago a week ago. This comedy opened In Detroit last October and lias played from Mt. lands to Boston since then. Bo cordial was Hodge 1 * recep tion on the road that he stayed there the entire season. I,eon Blumenfeld, an erstwhile press representative, has written a melo drama called "The Death The story concerns a youth who becomes Infatu ated with a woman twice his uge id ward Cosgrove Is the producer and a , Wept ember opening has been ached I tried. “Over the Wire," a play by Sidney Btone, n annoum ad for production by Mr hi one and Arthur H Vinton, The latter Is an actor Herbert Clark, aim has been upp.-ai' tng in the Chicago company of “Excess Baggage,’’ has been engaged to play the leading role in "The Money Lender" which will go into rehearsal in New York tills week. Tlie forthcoming play featuring Ju dith Anderson and Lou Tellegen has been given a new title. Instead of “Young Truth,” it is now known as "Anna." Ethel Barrymore will appear in two plays next season, both adaptations from foreign dramas. The first, "The Kingdom of God,” which was produced in London, was translated from “El Relno de Dios," by G. Martin** Sierra, a Spanish playwright. Later Miss Bar rymore will appear in "The Love Duel," from a play by LIU Hatvini, that had a successful run in Vienna. "Thunder in the Air," produced in London a few weeks ago, has been acquired for America by David Belasco. The play, which has a psychic back ground, is the work of a new playwright, Robins Miller. In addition to Richard Bennett and Sydney Shields, the east of "The People" will Include Marjorie Wood, Edward H, Robins, William B. Mack, Jennie Eus tace and Beverly Hltgreaves. "The Peo ple” will have Us first performance May 2ft in Erie, Pa. London will see "Funny Face," the musical comedy now playing In New York, in October, with Fred and Adele Astaire as feature members of the east With the exception of Ure Astaires, the entire cast will be recruited in London The London production of "The Show Boat," which opened recently, U re ported to have scored a success The Berlin production of "The Trial of Mary Dugan" Is considered good for a year'* run. Helen Mack has succeeded Netta Harrlgan in Horace Liverlght'a "lira* oula," which recently passed Us 'JftOth performance at the Fulton Theater. New Yolk. "Merton of the Movies" lias been one of the most widely circulated pieces of fiction In modern wilting Written originally bv Harry Leon Wilson an a serial for flu* Haturdav Evening Post, II whs Inter published In book form, then dramatised for the stage, than published ns a play and ftiiMlly was adopted for Hie films with Glenn Hunter in ids original tola, Films for Children. “ A RE the children of the country *• justly entitled to a share of motion picture entertainment .suitable to their age and understanding’’” This question, asked and answered recently by the juniors' matinees com mittee of the Better Films National 4 Council, National Board of Review, in [ New York, resulted in the selection of a list of 100 motion pictures deemed suit -1 able for children for special children’s matinees, conducted throughout the country under the auspices of the Na • Uonal Board. The Juniors’ matinees committee, rep s resenting national women's organlea i Hons, acted after hearing the results of a nation-wide survey by the Better Films Council. • Under tile resolution creating the i committee motion picture producers • will be petitioned to provide enough I prints of the approximately 100 pictures 1 selected to carry on the children’s nmt , lnee work successfully over the country and to so modify any ruling at present ' governing the circulation of the fibns that the pictures specially selected may be generally available for such work. This survey Indicated that, young America has a preference for adventure and athletic pictures. Bluffed But Made Good. f ILLIAN RICH won her first real part in a motion picture by making good on a bluff Now she lias climbed Hie ladder to. an important role In "That's My Daddy," starring Reginald Denny, Bom in London, England, Miss Rich studied dancing after her schooling was over. She secured the leading feminine role opiHHdtc Harry Lauder in his mu sical comedy, "Three Cheers " Then she went to Hollywood and pulled her big bluff A company was looking for a gill who could play the feminine lead in a picture to be filmed in the Canadian Hock lea, one who could skate, ski and handle a dug sled Miss Rich glibly admitted great ability and it was not found out until ihe troupe was on loca tion, Hhe mastered the tasks so quickly, however, that she won the respect of Hie whole company and is still an ar dent advocate of Winter sports A Wampas star In 1824. she is ft blonde of classic beauty. • Pix Getting Better. II H'llAlH* DIX, who underwent an *' operation for appendicitis, was le icully sufficiently recovered to permit bis removal from Roosevelt Hospital. Los Angeles, to ids home He ts said to be planning a yachting trip down tlie coast of l*iwer California, with a rest period at Ensenada, when he i« able to be about, , ; Motors and ! Motor Touring j /, f** K> Irene Rich and joun Miljan ■B a. VP y Bk «• E/> : -VULI.. ■r /^Kk „ . » ir ,in m»i ■■■ilwiiawßWMßWtHM^^ Jaa\es Hall and &ebe Daniels- Earle Photoplays This Week SILENT DRAMA ATTRACTIONS PALACE—"Th" Devil Dancer.” This afternoon and evening. FOX—“The Silver Slave.” This afternoon and evening. RlALTO—“That’s My Daddy.” This afternoon and evening. EARLE—“The Fifty-Fifty Girl.” This afternoon and evening. METROPOLITAN—“TenderIoin.” This afternoon and evening. COLUMBIA—"Laugh, Clown, Laugh.” This afternoon and eve ning. LITTLE THEATER—“Lucrezia Borgia.” This afternoon and evening. PALACE—“The Devil Dancer.” Gilda Gray, In “The Devil Dancer.” is the screen attraction at Loew's Pal ace this week. The picture was adapted j from the scenario by Harry Hervey. author of the "Oriental Stories," and was directed by Fred Niblo. Clive Brook has the leading male role and others in the cast are Anna May Wong and Michael Vavltch. The star enters the picture as the successor to a sacred dancer killed with her lover by being buried alive for the sin of unfaithfulness. The supersti tious natives look with awe at this white woman among them, the orphan of a murdered missionary, left at the temple many years before. With the death of her predecessor as a menace, the love affair between Stephen, Clive Brook, and Takla Hilda Gray, takes place in a procession of events, which includes humorous and pathetic incidents of Tibetan manners, in conflict with British-Indian society; the kidnaping of Takla by Hasson, an itinerant showman; the dancing of Takla in a nautch house, the pursuit of Stephen and the avenging minions of the Grand Lama—and the climax in a striking light between the contend ing factions. The stage presentation Is entitled "Hat Kabaret" and has a cast includ ing Kerenoff and Maree. the Patterson Twins. Hoy Walman. Bert Nagel and "Omar." the Uearst Brothers, the Al- ! bertina Rasch Girls and featuring Wesley Eddy and his Palace Syncopa- ! tors The bill Is augmented by the Palace Concert Orchestra, under Harry Borjes, M. G. M. news reel and other short sub jects. FOX—"The Silver Slave,” Irene Franklin, Just returned from a world tour, will be the stellar attraction al the Fox Theater beginning Unlay. This artist, always popular with Washing ton audiences, Is said to have won many new admirers on her tour and during her local appearance will present a cycle of new songs, assisted at the piano by Jerry Jarnagtn. who writes the music for Miss Franklin’s character studies Other features will Include an 8 J Htebblns novelty, "in . the Spotlight," which features Ross and Gilbert. Bertie and Norway and Hobart Merton and a stage picture with Josef Turin, law renoe Downey and the ballet corps in a special arrangement of Victor Herbert’s melodies, the climax depicting the Gy nay dance from "The Fortune Teller,” The Fox Orchestra, Leon ttruailuff conducting. will offer Gershwin's Rhapsody in Blue," with Richard Mtngei as piano soloist and Helen and Burt Harter. Flavin Theodore and the Fox ballet as supporting features The screen feature offers Irene Huh lu "The titlver Slave," in which the star is seen as a modem mother who endeavors to save her daughter from the mad la** age and incidentally iteah her naughty* *• sweet heart*. , EARLE—"The Fifty-Fifty GW." •) “The Fifty-Fifty Girl” is the title of ■ [ Be be Daniels’ new Paramount picture. I which is this weeks feature at the Earle Theater. The stage offering is a 1; new Stanley Co. of America presenta ; tion. “Venetian Nights." which features . Jack Pepper as master of ceremonies and a number of Broadway stars. In cluding Berinoff and Eulalie, the Three Whirlwinds. Georges Dufranne, Kitty ■ McLaughlin, Edward Albano, Grace II Yaeger and the Serova Dancers. The : Earle Stage Band supplies the music i for the stage offering. In "The Fifty-Fifty Girl” Miss Dan ! iels has the role of a stubborn girl, who I maintains that women are superior to i men in every situation A young man, who seriously disagrees with her, allow* ; her to test her theories on him, and in ; the dark passageways of an old gold mine, pursued by a horde of yelling laborers, she finally meets her Waterloo | and concedes his mastery. The story is laid chiefly In and about an old gold mine with a historic background, while several sequences are taken on a rail road train In the supporting cast are seen James Hall, William Austin and others A Sennet t comedy. "The Bicycle Flirt." starring BlUy Sevan; a short scenic, news events and musical accom paniment for the screen subjects com plete the bill. RIALTO — "That's My Daddy." “That’s My Daddy," the feature at : the Rialto this week, is Reginald Den ny’s newest production In the cast is iff tie Jane La Verne, a child actress, for w bom has been predicted the greatest screen success since Jackie Oov'gan’s appearance in “The Kid.” ’Lite story concerns Jimmy Norton, a young man of wealth, trapped into an engagement with a daughter of a once wealthy family, who wants his money Jimmy dashes across town in his car j and is atopiied by a motor cycle cop He tells the officer that he to hurryuvg jb> the Children's Hospital where htx I daughter is seriously injured. The of rtcvr goes along Here a child. Pudge, has Just been brought in alter running away from her foster mother. She thinks Jimmy is her father whom she never saw and Jimmy, to carry out his bluff, takes the little girt home. Meantime, Jimmy has fallen in love with the nurse he has engaged for Pudge. When hto wedding to By I via Van Tassel to about to bake place Pudge rum hi and calls Jimmy "Daddy," the Van Tassels call off the marriage, Jimmy weds the nurse and ail ends happily. The supporting cast includes Bar bate Kent. LilUan Rich. Turn O'Brien Mathilde Rnmdage. Wilson Benge. At maud Kalla Charles Coleman and Art Currier Rox Rmnmell. conducting the fklalto orchestra offers a new arrangement of "Echoes from the Metropolitan Opera House." as overture International c ontinued on Hurd Page i