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“Frisco Kid” at the Earle Stars Cagney in Fine Role Drama of Barbary Coast Well Acted by Warner Bros. Cast—“Mutiny on the Bounty” Continues at Palace. BY E. de S. MELCHER. THE case against the Barbary Coast and “the wickedest city in the world” (San Francisco of 1854) continues to be plead m a blood-and-thunder chronicle of those gold-mining days called “Frisco Kid.” now featured at the Earle. Although Mr. Goldwyn and Miss Miriam Hopkins have taken some of the wind out of its sails, this second treatise on those big bad men of the city of seven hills, who shanghaied their sailors when they wanted a crew, and hanged their enemies to* lampoets, is a fast-moving story, well acted and Im measurably help ed by the pres ence of Jimmie Cagney. Mr. Cagney is one of those amazing young men, brief of stature and small of face, who nev ertheless can make a role sing with crime If he so intends it. A far cry from his more Tarzan-like Jamt, Carney brothers in Holly wood, he can clip a man on the jaw with greater accuracy, wrestle with a meaner clinch and order a woman or an army about with better results than many a mightier film giant. In "Frisco Kid" his rise from mere aailorhood is accomplished by his fists, his ambition and the twinkle of his eye. The first of these light on a guy who is about to shanghai him aboard ship. The second gets him to the top of Barbary Coast. And the third wins him a wife and a future— when the latter was about to be cut ahort by a hanging. Mr. Cagney's theme song through out these salty adventures consists of: •'If you do something for somebody else, all you'll get will be a kick in the teeth.” This quaint philosophy seems des tined to be true in his case at the time when he refuses to stand up against the Vigilantes and has most of the Barbary Coast cut out from under him. Nevertheless, in the end he is made to see the error of his ways and eventually Margaret Lindsay promises to marry’ him—even if she is a lady of the "haute monde" and he a reno vated "mug”—and the dawn oomes out bright and cheerfully as the cur tains come to a close. Director Lloyd Bacon has injected plenty of fist fights Into all this, much broken glass and furniture and a whole bevy of mustachioed repro bates. Donald Woods appears effec tively as the righteous editor of a paper; Ricardo Cortez isn't around long enough, and Lily Damita is nice too look upon as Belle—the belle of the coast. Not so good as “Barbary Coast,” ‘Frisco Kid” is still good enough— and Jimmie Cagney continues to be a grand little actor. * * * * 'T'HE Earle’s stage show this week, i after an excellent short called ‘Popular Science,” In which you are shown San Francisco’s new bridge, is headed by the Three X Sisters, radio favorites, who put on an excellent act. They sing about amateur radio broadcasts and repenting sinners, and their material is ’way above the aver age. The bill opens with seven skating sisters, headed by Helen Reynolds; continues with Edgar Bergen, in one of the most popular of the “dummy and Charlie” acts (the dialogue Is swell), and has a further climax In Cherry and June Prelsser, who are well known ana extremely popular both here and on Broadway. Their last dance routine Is particularly good this time. * * * * "TVi’UTINY ON THE BOUNTY.** which continues at the Palace, also continues to be one of the best pictures of the season, as everybody In town seems to know if you’ve tried to get in to see it. The damage done to the members of the cast is slight, however, com pared to the damage that has been done some of the patrons. Last Sat urday, for instance, so great was the desire of a great big bouncing Bar bara to see this film, that she crashed right through the lobby (which hap pened to be filled with people), stepped on at least three Important toes, jabbed one poor old man right smack in the nose and was about to overwhelm the doorman when Angle Ratto, fresh from a good night's sleep, caught her on the wing, gave her a good poke in the eye and fixed her so that she wasn’t able to see the film when she got in an hour later anyway. At the gentle hour of 4 or 3 in the afternoons it is possible to get in to see “Mutiny” without such a fracas. But maybe after all If you have to do a little end running or tackle a few cronies, it makes the picture all the more worthwhile. Certainly once you get inside the Palace you won’t regret all the fuss. For here is a solid two hours’ enter tainment, rough and bold and daring and bitter—but withal the sort of stuff out of which England’s better navy lias been molded. In it Charles Laughton reminds you of a Stevenson villain, so accurate Is he in his characterization of the surly Bllgh; Franchot Tone does the best acting of his film career—and Gable Is there to make real love to a South Sea Island queen on a South Sea Island beach. Most satisfying withal—even with a broken nosel --" ... Capital's Drama Qroups College Groups Preparing Fall Plays. .Willard Players Reorganize. HE college Doys ana gins seem to be the hardest working of the local amateurs right at the moment, what with the Foot light Club at the University of Mary land, Dramatic at American Uni versity and George Washington Uni versity’s Cue and Curtain all busily engaged in rehearsing thier first offerings of the season. R. C. Sheriff’s ‘‘Journey’s End” Js to be done by the Footlight Club, with Fred Has kin, well-known local player and member of the Roadside group, in one of the leading roles. C. B. Hale is directing and the play will be pre sented December 4, 5 and 6 at the school. The American University Dramatic Club has set December 17 as the date of its Fall play, ‘‘Is Life Worth Llv Ing?” Rehearsals are being held every Tuesday night at the gymnasium on the campus under the direction of Prof. Will Hutchins, who expects to make his final cast selections soon. The comedy was done here last year by the Abbey Theater Players, under the title “Drama at Inish.” Cue and Curtain is whipping “She Looves Me Not” into shape. Marvin Beers is directing and the leading roles are to be done by Betty Craw ford, Charles Hoyt, Sue Slater and Hamilton Colt. The Willard Players are not going to rest on their looney and melo dramatic laurels this Winter either, having gone into a deep brown study not so long ago and emerged, solemn of mien and serious of mind, with scripts of Sidney Howard and Paul de Kruif’s "Yellow Jack” clutched in their hands. The play is in casting now and will be done sometime around viuaimiv, In order to calm themselves down from the wild and ranting vagaries of “The Drunkard” and “East Lynne," it has been necessary for the group to reorganize, and it now is under the guidance of a Board of Directors con. sisting of Donald A. Bolton, chair man; Elizabeth Pritchard, Walter Studdiford, Hugo Inden and Rudolph Watson. Billboard handed the “Bertha, the Sewing Machine Girl” revival, in which Ted Tiller appeared in New York, a merry old roasting such as the trade Journals reserve only for the choicest turkeys. Jesse Veitch, Ada Louise Townsend, Virginia True, Charles A. Bell, Kent Dyer, Yerby Pannill, James M. Rawls, William Milton, Esther Marshman, A. L. Diket, Stanley Karmazin, Milton Hirsh field, William Heintz, John Vic tory, John Chadwick, Lawrence Glch ner, William Victory, William Zeller, Ray C. Crowell and Joseph P. Harley are among the Shakespeare enthusi asts rehearsing for “The Merry Wives of Windsor,” to be presented Decem ber 2 by the Shakespeare Society of Washington. The Blackfriars’ Guild Hall will not be available for use by other drama groups In the near future, according to announcement by the guild. The Little Theater of Alexandria Is hard at work on Rose Franken’a comedy-drama, “Another Language,” under the direction of Bess Davis Schreiner, which will be presented at the group’s playhouse Wednesday, De cember 18. The cast, announced today, includes t Mary BAien uaiu, jarea nuuwn. Wini fred G. Greenleaf and Marshall Bag gett In the principal roles of the fam ily conflict play, and Keith Wade, Harry B. Caton, Katherine L. Bloom er, Elizabeth Trueblood, Ethel Jane Bunting, C. Fred Schreiner and U. S. Lambert, Jr., in supporting parte. Sets are being designed by Joseph H. Orendorff, architect member of the group. Adele Gusack, Norman Rose, Sonje Nordholm, Robert Duke, Pryor Mc Fadden and Ralph Howe have the leading roles in the Studio of Theater Arts’ production of the crack Soviet farce, “Squaring the Circle,” to be presented December 10 and 11 at the Wardman Park Theater. The play has been running since 1S28 in various parts of Russia and still is holding up on Broadway, having opened Octo ber 3. It is described as one of the funniest pieces of writing that has come out of Russia. Others in the studio’s production are Ethel Gottlieb, Jean McClellan, Elinor Evans, Florence Morin, Louise Shaw, Jehanne Burch, Dorothy Bol ton, Consuelo Tellez, Margery Rice, Frank Westbrook and Vernon Lyden. The play is being directed by Con stance Connor Brown, with Frank Westbrook acting as musical director. The Marjorie Webster Players will present their first production of the season, “Caste," by J. W. Robertson, December 6 and 7, under the direction of Miss Florence McCracken, dean of dramatic arts of the Marjorie Webster Schools. The play Is double cast and all of the players, according to report, are young women of definite dramatic talent . . . T. C. Gardner, Charles C. GiUman, Lois Alexander, Yerby Pan nlll, Felice Lloyd, Mary Garretson, Evelyn Schweizer, Edmund Evans, Francis Koonce, Roy Poole, William Austin Davis, Shirley Lake and Charles A. Bell are in rehearsal for the production by the Pierce Hall Players of Frank Baer’s latest, “That Guy, Winkler” . . . Vera Smith and Jarvis Butler will have the leading roles in the three-act play “The Lit tle Clodhopper,” to be performed by the Senior Dramatic Club of St. Paul's Church, under the direction of Hilda E. Smith, December 6, as a benefit for the Junior choir ... the Blackfrlars’ Guild will do two plays for the Blessed Sacrament Parish December 10 . . . the children’s class of the Studio of Theater Arts is working on “Little Women,” to be done early next month ... Get one of the Roadside's “Murder ln the Red Bam” cast to tell you about the performance they put on In Bal timore a few days ago. H. M. MARCH IN GAS MASKS MOSCOW, November 23 (,/P).— Twenty workers, among whom were seven women, completed yesterday a 750-mile march during which they almost constantly wore gas masks. Removing the masks only when they slept and ate, they came from Stalino, In the Donetz Basin, to Moscow In 25 “Annie Oakley” Coming Barbara Stanwyck will appear as the greatest markswoman of all time in "Annie Oakley,” R-K-O picturization of the riflewoman's colorful life, which opens at Keith’s Theater on Thanksgiving day. SUCCESSFUL CLIMBING IS COMEDY FOUNDATION Film at Metropolitan Puts Two Plots Into “Personal Maid’s Secret.” A LL you have to do to insure success Is to hire yourself a sagacious maid, who will, without even being asked, take over your affairs and spread the contents of your bank roll about in such a canny manner that they will be returned to you a hundred fold. At least this is the theory ex pounded in "Personal Maid's Secret,” a very pleasant little domestic comedy which opened yesterday at the Metro politan Theater. The maid of the piece is Miss Ruth Donnelly, and the family she cannily brings to social and business success is the Smiths, played by Miss Mar garet Lin day and Mr. Warren ("To bacco Road") Hull. When Lizzie comes to the Smiths they are prac tically poor white trash, what with living on the West Side, not owning any “best” silver, and all that sort of thing. Lizize soon remedies all these defi ciencies, however, spending Mr. Smith’s money with enthusiastic prodgality, causing him to entertain on a large scale, to rent the proper East Side apartment, to take an immense coun try place for the Summer, and to do other such things. She arranges all this by first Insinuating the idea into Mrs. Smith’s mind, and then letting life take its own course, what with Mr. omua using Mrs. omun very mucn Indeed, and being inclined to listen to her wishes, and it all is unassuming and pleasant and entertaining. There also is another story mixed up in these light domestic pleasantries, this being the tale of Lizzie’s daugh ter Anita Louise, who is brought up as a Miss Abercrombie, because the Abercrombie’s son had married Lizzie just before he was killed in the war. This, it seems, is the ‘personal maid’s secret," Miss Louise being kept in the dark about the Identity of her mother until it is necessary for Lizzie to save Anita from a guy from whom she must be saved. This interferes at times with the other plot, but It does not get too sentimental, so it’s all right. The whole affair is performed in a light and natural manner by Miss Lindsay, Mr. Hull, Miss Donnelly, Miss Louise, Arthur Trescher, Prank Al bertson and some others. The Metropolitan’s bill of short sub jects is an extensive one. There are a Paramount Pictorial, which is very entertaining; a new piece by the Voice of Experience, in which he deals with an adopted baby and the question, “Should the foster mother tell the real mother?”; a Vitaphone short, which displays some good entertainment but mixes it with some typicaUy terrible Vitaphone short material, and news reels galore. —H. M. burlesque’at gayety “Rainbow Girls” to Open En gagement Tomorrow. ‘TJAINBOW GIRLS” will be the next Independent Burlesque As sociation attraction at the Gayety, opening at the Sunday matinee. It is stressed in advance notices that not a line, scene or situation from any pre vious show, flaunting the same title, remains. Herby Faye, light comedian, tops the list of imposing burlesque names in the cast. The featured feminine artist is the popular brunette dancer, Lolita. Others in the cast are Mur ray Barton, Lew Brown, Jack La Mont, Jeanne Wade, Barbara Janls and Zuleka. As the extra added attraction, Man ager Jimmy Lake has obtained a sen sational Chinese importation, Princess Chang Lee. “Scandals” Coming Announcement Is made by Manager S. E. Cochran of the National Theater that George White's ''Scandals” will be the attraction at this theater begin ning the week of December 9. The cast includes Gracie Barrie and other well-known stars. This revue follows "Anything Goes,” and will in turn be followed by Helen Hayes in "Victoria Regina,” the new Houssman play which had a successful run in London last season. M’KINLEY DRAMA CLUB GIVES WODEHOUSE PLAY “Leave It to Psmith’’ Offers Much Comedy for School Players. 'T'HE amusing lines of the inimitable Wodehouse gave an enthusiastic audience many a laugh last night when the McKinley High School Dra matic Club gave its Fall play, “Leave It to Psmith.” Everything could be left to him with complete confidence, even a string of valuable diamonds, and it was his effort to protect same or may hap to swipe them, that provided so many occasions for laughs. George Hayes played the part of the slightly mad Psmith. while opposite him was Mary Anne Frazier, who was just the proper balance to this slightly ‘ daffy young man. Librarians are sup posed to be good balancers anyway. The rest of the cast did their parts with almost equal competence, par ticularly John McNeil as the too, too suspicious Baxter, who furnished a good many of the laugh lines. Ray mond Wannall played opposite Judith Greenwood as that estimable young lady’s slightly “useless” husband. It is unfortunate that the Tech stage reverberates as it does, for some of the lines come near to being lost in the echoes, but more than enough comes through to give the audience a most pleasant evening. The Tech Symphony Orchestra played several numbers before the play and between the acts. The Glee Club quartet also contttbuted to the en tertainment. R. D. Traveltalker E. M. Newman will speak on "Italy,” the first of his series of three traveltalks, at the National Theater tomorrow afternoon. The Marxes Arrive in Best Picture of Their Careers “A Night at the Opera” a Superb Comedy, Supplemented by Good Fox Stage Bill. * AFTER polishing up all the superlatives that may properly be applied to a screen comedy, preparatory to using them on "A Night at the Opera,” we have decided to toss the book of adjectives to the fellow in the next cell and adopt instead a simpler policy. Well merely tip you oS that this Is the best of the Marx Brothers' cinemas, perhaps the best vehicle ever supplied those bemussed sanies in all the years they have roamed ■mt.mad nv0T th. rlf*h nf MIatv ■ 1 - It should be marked “must” and “double-must” on your list of Aim ex cursions for November. The picture at the Fox this week presents only three of the original Four Marx Brothers. The fourth has become an agent In Hollywood, where he gets jobs for actors by threatening to rejoin tha fraternal troupe U hla clients are not favorably mentioned In fat contracts. The absence of Zeppo Is no loss, particularly since his cus tomary role as the romantic lead la Ailed by a personable young man named Allan Jones, whose singing voice Is one of the major pleasures of the season. Groucho, Chico and Harpo continue to be collectively and individually three of the really first-rate comedians of today. Their only peers are Mr. Charles Chaplin and Mr. W. C. Fields, and there are certain moments, par ticularly those which cause Harpo to be seised by that gleefully demonalc expression, when we’d almost trade In both Fields and Chaplin on another edition of the Marxes. There are wild rumors rampant that certain people do not like the Marx brothers at alL Well, there Is no use in arguing with that belligerent sector of the public. Some people also do not like Brahms, Moliere, Salvlnl, thunderstorms and salt on potatoes. Since the Marx brothers represent all those In one way or an other, it i« inevitable that they should likewise have enemies. Personally, the only disappointment we ever suf fered at their hands was the realiza tion, at the end of one of their pic tures, that we were not going to be able to take them home with us and have the nonsense keep on forever. The Pox stage bill this week la also particularly pleasant. We long ago reached the conclusion that tumblers and acrobats know more about their business and pracUee what they know better than any one else in the show racket, and the program opener this week lends strong support to that theory. The Five Jansleys present a really superb divertlsement. There follows a dizzy fan dance by June Carr, the Allen Kent foursome, an invariable show-stopper at any house, and the fine, frantic antics of the Three Slate Brothers,, who also brought the show to a dead halt yesterday. This Is not a new turn around town, but it seems in better shape for this appearance than ever before. Ed Lowry Is the master of ceremonies, and he joins In a pair of rather aimless In terludes with Miss Carr and Norman Prescott, who lampoons the stage psychics. The finale of the show Is not to be recommended, or even coun tenanced for that matter, but with a few deft eliminations the vaudeville portion of the card could become one of the best ever offered at Mr. Loew'a P street emporium. R. B. P., Jr. “RENDEZVOUS” RETURNS FOR WEEK AT COLUMBIA Most Polite and Intelligible Spy Story of Recent Times Is Powell Success. THE spy and Invisible Ink business X has a Pleasant outing in “Ren dezvous." a uebonair tale of intrigue, which reveals Mr. William Powell, the parlor Pinkerton, In the role of a brave and somewhat harassed decoder of Indecipherable messages. Returned to the Columbia Theater yesterday to begin its second week on P street, the picture outlines Mr. Powell's droll adventures In breaking up an espionage ring, getting some American transport ships safely past a lot of horrid German U-boats and pacifying the amorous yearnings of a niece of the Undersecretary of State. In each of these divers and devious endeavors Mr. Powell exhibits the same laconic suavity which has made him the favorite hero of today’s civilised whodunits, and if “Ren dezvous” is not another “Thin Man,” it is at least the .most polite and intelligible spy story in recent history. Occasionally the plot is wont to be come laboriously Involved In the Intricacies of secret codes, Invisible handwritings and the complicated psychology of trained spies, but In general It moves along swiftly, humor ously and with agreeable good sense. Miss Rosalind Russell, a young lady whose diction Is so pure she was once threatened with a cinematic career of high-minded sacrifice, exhibits a surprising talent for light comedy In this film. As a meddlesome, pert and slightly scatter-brained Washington lass, she adds Just the proper dash of romantic spice to Mr. Powell's slightly grim career. The old flicker tradition of beautiful lady spies receives due attention here, with Binnie Barnes cast as a hand some and inimical sort of Mata Hari, but It must be said that while Miss Barnes looks like a million dollars, she acts like minus 10. The others in the cast are better favored, particularly Lionel Atwill, Charles Grape win and Cesar Romero, one of the few heroic villains of this or any other age. The Columbia also features short subjects. R- B. P, Jr. Sullivan Beats Dempsey. SAN JOSE, Calif. 04*).—Jack Demp sey lost to John Sullivan—In the court room. Dempsey and Sullivan are law yers, no relation to the famous fighters. BAND CONCERT. By the United States Soldiers’ Home Band Orchestra at Stanley Hall at 5:30 o'clock. Jhon S. M. Zimmer mann, bandmaster; Anton Polntner, associate leader. March, “George Washington Cen tennial” _Sousa Overture, “Vaudeville”-.._Koppitz Suite Chinese, "The Willow Plate,” Herbert 1. The mandarin’s garden. 2. The little garden house. 3. Chang the lover. 4. Kong Shee. 5. The wedding pro cession. Excerpts from musical comedy “The Vagabond King”_ Friml Two old-timers: (a) “When the Swallows Home ward Fly”_Abt (b) “When You and I Were Young, Maggie'1..Butterfield Valse, "Valse des Fleurs” (Walt* of the Flowers)_..Tschaikowsky Finale, “Good Luck”.Vleth “The Star Spangled Banner.” “PRINCE CHAP” PLAYED IN GEORGETOWN DEBUT Good Acting Gives Promise of Useful Work by Members of Organization. JF THEIR initial effort of last eve ning constitutes a reliable barom eter, the Georgetown Players may be counted upon to assume a promi nent position among local amateur groups. Essaying "The Prince Chap." poor-art lst-makes-good drama by Ed ward Peple, the new aggregation of thesplans rendered about as pleasing a performance as one could wish. Ted Field executed a facile delinea tion of the young American sculptor not quite eking out an existence in a squalid London apartment. He be friends a former model, from whom an unfortunate marriage has snatched beauty and health, and finds himself promising to care for her baby daugh ter as death takes the mother. Another pledge, this one of traas cendant affection to .the orphan, Claudia, loses for him an American fiancee. The girl's growth to woman hood brings a transition from parent child affection to ordinary man-and woman love. The sculptor marries liu naiu. Individual panegyries must be di rected toward Jane and Betty Padeley and Catherine Freeman, who por trayed Claudia at the ages of 6, 8 and 18. The refreshing spontaneity of the tiny Misses Padeley merits the adjec tive, ''remarkable.” while Mias Free man is an ebullient and promising Ingenue. Lucy Allen did a fine job in her brief appearance as Claudia’s mother. So also James Oxenham in the role of her repulsed artist suitor, who continues to be loved as "Uncle Jack,” and Marlon Hulbert, playing a chore girl. Hilda Thompson and James Buckler were not found wanting In their bits, but the English accent of Henry Rick as "gentleman's gentle man" was somewhat sporadic. Ex pert covering prevented a few in stances of recourse to the prompter from registering as appreciable de traction*. The accomplished direction of Mrs. Mary Belle Stelnbauer was evidenced throughout C. A. M. Where and When Current Theater Attractions and Time of Showing. Xittaai!—"Swing Your Lady," ai 2:20 and 8:30 pm. Palace—"Mutiny on the Bounty,” al 11:10, 1:45, 4:16, 6:45 and 9:30 p.m. Leew’s Fox—“A Night at the Opera,' at 10:35 a.m„ 1:35, 4:15, 7:05 and 9:5! pm. Stage shows at 13:15, 3:05, 5:5! and 8:45 pm. Earle—"Frisco Kid.” at 11 am. 1:25, 4:15, 7:05 and 9:53 p.m. Stag* shows at 12:35, 3:30, 6:20 and 9:11 pjn. Bdasco—"My Bong for You,” a 12:22, 2:24, 4:26, 6:22, 8:18 and 10:2< pm. Metropolitan — "Personal Mald'i Secret,” at 12:05, 2:05, 4, 6, 8 anc 9:55 pm. R-K-0 Keith'*—"In Person,” & 11:25 a.m„ 1:30, 3:35, 5:40, 7:45 an< 9:50 p.m. Columbia—"Rendezvous,” at 11:1! am., 1:05, 1:20, 5:15, 7:25 and 9:4< pm. Miss Adrienne at 2:55, 7 an< 9:15 pm. Tivoli—“Freckles," at 2:05, 4:10 6:15, 8 and 9:45 pm. Ambassador—"O'Shaugnessy’s Boy,' at 1:45, 3:55, 6, 7:50 and 9:40 p.m. Little—"Whoopee,” at 10 and 11:5 am., 1:52, 3:48, 5:44, 7:40 and 9:3 pm. Gayety—"Record Breakers,” at 1 noon, 2:15 and 8:15 pm. Howard—“The Pay Off,” at 12:3C 3:15, 5:55 and 9:15 p.m. Stage show at 2, 4:30, 7:15 and 10:15 pm. AMUSEMENTS. “POOR NUT” NEXT WEEK . Players’ Club of Community Cen ter to Repeat. ^ SECOND presentation of the com edy of college life, “The Poor Nut," will be given by The Players Club of Central Community Center In Roosevelt High School Auditorium, Tuesday night of next week, Novem ber 26, at 8:30 o'clock, because of many requests for the repetition of the play, following Tuesday night's performance. * The same cast of players will again : enact the roles In the comedy, and i John Mann, who was highly success ful in the title role, will remain In ] Washington to appear next Tuesday | in the play, canceling his own plans to spend Thanksgiving week In New England. ’ This play Is the first full-length ever given publicly by the club. Lucy Ann Rogers Is the director of the [ group. \ 1 The a 1 bury r centenary of the death of King Canute, J p- KEITH'S15^ 1A Washington Institution GINGER ROGERS “ « MOW W « UOYIt St At it tort 'IN PERSON GEO. MENT ; w"w® BARBARA STANWYCK “ANNIE OAKLEY" " I 1 GEORGE ARUSU'MUte/t-rtoOo* CWW&WED.NOV.ZJlk -THANKSGIVING tV€ ' t j. SNOW Certfu.'Uf (rtf- JluUfhj / 1 MARX ■ IROTHERS IUCH0-CHIC0.1 HAAPO in NICHT^ OPERA' i IOWRY REVUE I ■ RONALD COLMAN MAH WHO f«OU THF IAAA at K5HT{ CAA10* I Cyc-JOH MOH*ISOHa«J<«ttK ^rzaR . i, i ■ vi.w-iri MOW WILLIAM POWELL ^V.'^0-RENDEZVOUS’^;) 2fc/2/<**ADRI*ENMEs«5W APPEALING AT 2:55 *7:00 *9:15 i—_ i WH-HOUOAY SHOW iWW ' JAMAS* "°'* " CAGMiy In W mwt ftro* FRISCO KID • On SU|t • THREE X SISTERS CHERITr ( WHE WEISSES l OTHER ACTS Trim kid" Ca Mm Is Sam Ti r~"" _ i I* NOW P PERSONAL MAIDS 1 MAMAftVT WARIIN ANITA LINIIAT HULL lOfltl OX • Aim • VOICE OF EXPERIENCE j i I Eyes., at 8:20. 5SC-SJ.75. Sat. Mat., at 2:20, S5C-I2.20 (Govt. Tax Ine.) MILTON SHU BERT present* A rousing new comedy Swing Your Lady!_ SUN. AFT. AT 3. NEWMAN Trayeltalka—Celer Views — Mellon Pietares ITALY Dec. 1. Ethiopia; Dec. 8, Soetk Sea* Seats sellinr *1.10. 8Se * Me (Tax Ine.) IWWMMnBBIMliiBIIBiHWMMlIiHlillfiiQiillllilMiPii-ihiiW I r ACADEMY 0,'"«SrsV£,",w £. Lawrence Phillips’ Theatre Beautllul Continuous From 1:00 P.M. FRED MacMURRAY In "MEN WITHOUT NAMES." _TIM McCOY In ’ FIGHTING SHADOWS ". ACUTHN CLARENDON. VA. Aon 1 UN EDMUND LOWE and KAREN MORLEY. "THUNDER IN THE NIGHT. ’ _Serial and Comedy.__ CAROLINA ' ** Double Show “CHAMPAGNE FOR BREAKFAST ' and th* First Episode of “The New Adventure* _of Tartan.”__ (NEW) CIRCLE Fhon”’\ve*t ^3*53 Mat.. Tues.. Thurs.. Sun. CHESTER MORRIS and SALLY EILERS itt i ’'PURSUIT.’’ Todd and Kelly Comedy. DUMBARTON . budd?rck3e:rs* n'jj BETTY GRABLE. "OLD MAN RHYTHM.* “New Adventures of Tarzan.’* No. 12. FAIRLAWN wi'^l^dSyS » *HOPALONO CASSIDY." I ITTI F Dth Between F and Q Lm 1 1 LCi \rOM«tiron Fqnipped EDDIE CANTOR in I “WHOOPEE” ppiMrrcc ms r st. n.e. * IMllLtiiJj Double Feature SHIRLEY TEMPLE In "BRIGHT EYES." JOHN WAYNE in "PARADI8E CANYON." CCrn R’iH C.enrsla Are. ■Jt.Lt; Silver Sorlne Md. _Continuous From 1:00 P.M. SYBIL JASON and GLFNDA FAHFET L U “LITTLE BIG SHOT.” Added Attraction— “WINGS OVER MT EVEREST" “CALL OF THE SAVAGE." Chapter 3. _Comedies. Universal News. STANTON «itb and C Sts. N.E. ' Jlnniun Finest Sound Enulpment ___ Continuous From 1:00 P.M. REX BELL In "THE TONTO KID." JOAN CRAWFORD Ip. "NO MORE LADIES _ STATF “The Modern Thest.r" k? 1 1 E. «970 Wise. Ave.. Bethesda Md. U'TT T D/V-Pdo i _ "STEAMBOAT ROUND THE BEND.” Wifh Ann Shirley, stepln Fetchlt. i __Also Comedy and Cartoon TAKOMA Sm Vark*n<r*?r#iibfiSr* Continuous From 1:00 PJI. "Thun^e^mfe^ight.” i ROBERT MeWADE In Cappy Ricks Returns.” *T HIPPODROME T&E&SaT J3 SILVIA SIDNEY^ ^ ‘ACCENT ON YOUTH/ c CAMEO MT MD 72 Ted Lewis, "Here Comes the Band* ARCADE H'ATTSVJLI.E. md •© LAUREL and HARDY in e "BONNIE SCOTLAND.” | RICHMOND aiex tX,a' va r Beery. Jackie Cooper In "OShauth g nessy’a Boy."____ a MILO rockt^' md _John Wayne. "Texas Terror,** AMBASSADOR A3‘fccV^k ggpy ^;t^HAPOH A PHI in «24 H St. N.E. ArUL'.U Phone LI 3.yj» Double Feature—Show Starts 1 P.M. "AFFAIRS OF SUSAN." HOOT OIB SON, "POWDER SMOKE RANGE." 52 AVAIONi Conn. Ato, * McKinley DC AfALUIi St N.W Cl. "itoo £ ‘,BOWNa < AVENUE GRAND ftfENWa W Matinee. 1:00 F.M.—Double Feature, NORMAN FOSTER. "SUPERSPEED* T* "CHARLIE CHAN In "SHANGHAI.* J Popeye. ___ . CENTRAL Vtfftf&T rJZ PAUL MUNI and BARTON MeCLANB ! mi. in "DR. SOCRATES." Cartoon. O pm f|NY Ga. ATe. * Farr.rut ev* tULUm st N.w r.« «.too JS TVANDERER8 OF THE WASTELAND * BQ Dionne Quintuplets Short. . HnMC 1330 C St. N.E. flej nUlTlt Phone LI. 103IHI W Double Feature—Show Starts 1 P.M. GENE STRATON PORTE ft'# Z "FRECKLES." "PUBLIC MENACE.* S Popeye.__. § SAVOY ttvou ♦ * •• **- - *■ p . PORTER'S Brendel Comedy. YORK'- £•, VV ‘•BONwqt JESSE THEATER ,RSi/fep* Double Peature. £ IRJT Mi « ZA8U PITT8. JAMES GLEASON. W Scrlsl. Cartoon. Mat . 1:00 P M. E CVI VAN lit * R. t Are. N.W. mm JILV AW Double Feature fad "THUNDER IN THE NIOHT" ID g MUND LOWE. KAREN MORLEY. =J "MEN OF THE HOUR " RICHARD CROMWELL. Serial. Cartoon. Mat* Q£ inec. 1:00 P.mT_ so PALM THEATER D”v*“T “Annapolis Farewell,” SIR OUY STANDING. TOM BROWN. Comedy. Cartoon. Serial. DANCING. CATHERINE BALL*—Private lessons any time by appointment; Instruction and ?racttee clast; Tuesday. Phone NortA 213, 1341 Conn, eve, n.w. •* PEMBERTON STUDIO OF DANCE Simplified Methods—Reasonable Rates In Stage end Ball Room Dancing AIM Cesa Rye. Pkeae Nat. Htlt 28* * _WHERE TO DINE._ THE NEW STOUFFER’S 824 14th St. N.W. Under Original Ownership DINNERS 35C, 50C, 65C Half Portions tar Children Open Daily. 7 A.M. to Midnirht The Original Brooke Tea Home 171* Blair Rd. Near D. C. Line A Ga. An. Under the management of Mrs. M. E. Brooke, serving good food reasonably. Thanksgiving Dinner ■ i nl numtff mm Famous for Food pNJOY tbe deserved compliment H Of a “perfect host” by having us provide the food and the service for which Griffith Farms Is famous. A magnificent i»»-acre ttanland estate on the Marlboro Pike, three milce from the District Line. Regular Dinner* from 11 A-M. Seafood • A la Carte Meals OPEN DAILY AND SUNDAY Phone Hillside 0112 KENN£E)Y-WAJRRfcN DINING ROOM 3133 CONN. AVE* * THANKSGIVING TREAT 12 Noon to 8:30 P.M. $1.25 per plate Xnjoy > Good Qld-F»sliloned Turkey Dinner Served In the Good OM-FasUoned Stylo For R***rvationi Phono Ad*»n» 9600 4 COAL 2,240 Pounds to tho Ton Blue Ridge Va. Hard Stove Coal, $10.75 Special furnace Biss. *9.50 „ . Special Store Bloc. #9.76 ' Nut. #10.60; Pes. *8.60; Ess. <10.76 Buckwheat, $7.25 Smokeless Egg, $9.50 Bituminous Cos! Without Smoke or ioot 80% Lu, Tom „ , Blue Egg, $8.50 75% Lump Coal, $7.50 50% Lump Coal, $6.75 Luma delivered In seoarute compart ment from the fine—ohowfit top set correct amount of lump. Coal carried from truck to tout coal om, .we do not dumo It on curb |1j3S2 a Tfcoro /s a ffernon Why World's Larmt^UlIsm Va. BLUE RIDGE COAL CO. Me. Opposite Texaco 00 Wal. »MS Dietrihuttof Float »«7» r» Sunday, November 24— 8:15 P.M. Why Do We Dream? Clan Wedneiday, 8:15 P.M. Library Open Tutt. and Thurt., S to 6; Sat., 2 to S UNITED LODGE OF THEOSOPHISTS Hill Buildinf 17th and Eye Sts. N.W. Ns Dae*, reel er Collections, i I SEE MORRISON'S For Blank Booh*. Big va rioty ... Popular price*. W* hav* uihat you na*J. E. Morrison Paper Co. 1009 Pa. Art. Phone NA. 2945 I Joint Sonata Beeltal Constitution Halt. ALDING & BAUER Tomorrow After.. < F.H ml’s fig GAYETY BURLESK Startln* This Bandar Matinee 2—Great Attraction*—2 PRINCESS CHANG LEE Chines* Dance Sensation and “ZULEKA” The Exotle Marvel ROLLER SKATING RINK Evorr Nlsht, *-U P.M. Except Than.. 10 to It P.M. ARMORY Silver Sprint, Md. SPECIAL FEATURES MUSIC