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Qrecian finger Dfothing was known about her— except that she was very beautiful. It should have been a warning o <lAnother adventure of the unbelievable Jorkens by Lord Dunsany It may seem to some of my readers that the principal occupation of the Billiards Club is to listen to tales by Jorkens. This is by no means the view taken by the club In fact the other day we were all discussing singing, for no other reason than that we knew Jorkens to be uninterested in it and thereby unlikely to join in with a tale; for, much as we sometimes appreciate Jork ens' contrast of Africa to our somewhat dark street, we have an occasional liking for the sound of our own voices. We were talking then about singing; Jork ens broke in with the words: “I never cared about singing. It never meant anything to me.” “You speak,” said Terbut, "as though your lamentable deficiency were something to be proud of.” • It’s meant a good deal to me,” said Jorkens. “It once saved my life." “Saved your life?” muttered Terbut. “I'll tell you,” said Jorkens, "just what happened. There was a young fellow I knew called Bob Hosden, who had never travelled and was rather liable to get in love, which of course leads to trouble in the long run; and into his life in London came a woman who had travelled a long way. all the way from Greece, and was really beautiful; nobody seemed to know anything about her, and in stead of that warning him it attracted him all the more. If he had ever travelled, he might have wanted to know what part of the country she came from: but, as it was, I sup pose he pictured her home as a little island in a ceruleum sea, with small ships sailing by. and somewhere Homer singing. Which made it all worse, though she was romantic enough with her dark hair and her fine features, clear as lines cut in marble, to have caught a young fellow like him without any other accessories. “She was a widow and nobody knew how many husbands she had had; once she men tioned two. Nobody knew her age, or indeed anything of her whatever. She took a nice flat in Knightsbridge, overlooking Hyde Park. Even her finances were queer; she had them in small bags of sailcloth — unstrung, un pierced pearls and a few nuggets of gold. Somebody took the nuggets to a bank, and sold a few of the pearls for her : otherwise she would have paid her bills with the nuggets and pearls direct. “Bob Hosden introduced me to her at a sherry party, and asked me what I thought of her. Of course I said she was very nice: it Illustration by William Reussweig wasn't my job to advise him not to amuse himself. She spoke English after a fashion, and her talk was fairly full of nautical phrases, as though she'd learnt it from sailors. And then one day I heard she’d a fine voice, but would not sing at concerts, because she only sang when she felt like it. Temperamental I supposed, and thought no more about it. I thought no more about it till one evening when I was walking along the road that bounds the south side of the park, the far side from the houses, and heard a woman singing softly. It was she, and a crowd wras beginning to gather. She was up in her flat, out of sight. She was singing as though in idleness and only to please herself. “The crowd increased and she seemed to be calling. like some shepherd with an incred ibly beautiful voice calling a message from hilltops. I went across the road to hear the message, but it was not in English. Some of the crowd went down the passage there is. and I think they rang the bell of the door in Knightsbridge, but no one opened it. and the singing went softly on. The evening went glimmering away; and all the time I knew I should have gone at once and found Bob Hosden and warned him, but I could not leave that song." l tnougnt you said you cared nothing tor singing,” said Terbut. "That’s the whole point,” said Jorkens. "Here was a song that gripped me so that I could not let it alone, and I knew that some thing was wrong.” "What did you think was wrong?” one of us asked. “I didn’t know,” said Jorkens. "But I knew that singing that could draw me like that must have something terrible in it, and the woman must have some power that wasn't right. Anyway there would be no chance for Bob Hosden, if he had anything more to do with her. But how was I to warn him? "Well, Bob saved me the trouble by coming that way himself. He never saw me at all; he brushed against me and turned out of the park down the passage, I after him. He came to the street door of the flat in which she lived, and found it shut; the hall-porter had shut it because of the crowd that had been trying to get in. He rang and nobody an swered. Then he beat on the door. Finally T said: “I shall have to tell the police” “After a while he was making such a noise that someone was bound to come. “ 'Bob,' I said, ‘chuck it. That’s not your house.' “Bob never heard me speak. After a mo ment I darted off. I couldn't have done it from the other side of the house, where the song was in full blast, a song low and soft but coming straight at you out of the back win dows. I couldn’t have got away. But in Knightsbridge l turned and darted oil and got a policeman. ‘There's a man giving trou ble,’ I said. ‘Annoying people in the flats.' “The policeman came at once. “ 'I've come chiefly on behalf of Mme. An thropophalus,’ 1 said. 'It's she he’s annoying mostly.’ “ 'I'll deal with him,' said the constable. “Well, the first question the constable asked of Bob, who was making a lot of noise on the door by now. was: ‘What do you want in there5' And Bob replied: ‘I want to see Mme. Anthropophalus.’ So his case was pretty well prejudiced from the start. The constable took him away. “Bob was bound over to keep the peace for six weeks, and I felt I had saved him that time.’’ It is a curious thing but, though there was a distinct clique in the club that had tried to prevent Jorkens from starting his story, im patience was exhibited now to get him back to the thread of it. “What happened to Bob?” asked Terbut. "The moth and the candle,” said Jorkens. “She didn’t sing again for some days. But as soon as she did, back he came again.” "Did he live in the same street?" asked Terbut. "No; the other side of the park.” "Then how could he hear her?” "That’s what we shall never know," said Jorkens. "Well, back he came again one eve ning, just at the time when I usually take a. , walk in the park, and I had heard her singing and I was there, too. I tried to dissuade him from going around to the door; but he went straight on down the passage, with me beside him, and came to the door of the flat and found it open, and she was singing all the time and the air seemed filled with her singing, as the April woods were filled with the black birds' chorus at dawn. "He went straight to the door of the lift shaft and rang the bell. I had hold of his arm, but nothing would stop him. After he had gone I looked up the stairs, down which that song was rippling; then for the first time in my life I wished that singing had the irower to draw me as it seemed to draw other men. Almost it did; almost I ran up those stairs; but in the end I only sat down on one of the steps and wept. "The singing soon stopped. Then Hob Hos den came down the stairs looking rather scared, and we walked away, and when we got outside he told me that they were engaged to be married. So I said, ‘For the last time, • Hob Hosden, can I persuade you to leave her alone?' And he said No.' So I said, ‘Oh well then, I congratulate you’; but very sadly, for I was fond of Bob Hosden. "I didn’t attend the wedding, but I went down two days after to see them on their honeymoon.” "Wonder you didn’t go next day,” said' Terbut. "Lord knows why I didn’t," exclaimed Jorkens. "I knew I ought to. What 1 could have done is another matter, but I knew I ought to have gone. And the strength of that feeling grew and grew all day, and in the end (Continued on page IS)