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Veteran Comedy Pair Get Starring Roles in Picture -- Hollywood Puts Age Before Beauty for koore and Broderick—“The Last of Mrs. Cheyney” Screened. BY JAY CARMODY. ALMOST any day now rivers will flow uphill, men will bit* dogs, and gangsters, instead of being lionized, will be hissed by the body politic. That much, probably more, is intimated in drama desk adventures in the last 24 hours. These include the discovery that R-K-O Radio has had the terrible temerity to make a film which puts skill and age before beauty, that M-G-M has made a picture of “The Last of Mrs. Cheyney’’ without attenuating its sophistication,* and that press representatives of com ing shows really like dramatic critics. The picture w'hich puts age (plus skill) before beauty is “We're On The Jury." R-K-O made it with Victor Moore and Helen Broderick in the main roles and it is coming to Keith’s Friday. To be sure, Mr. Moore and Miss Broderick in their day have pro duced a number of laughs large enough to be embarrassing, but they ere not picture people in the finest meaning of “picture people." That is to say, their names are better known to legitimate theater followers. So tar as any one else knows, they are Just an elderly couple who did some pretty funny stuff in “Swing Time” between dances by Astaire and Rogers. Mr. Moore, the elder brother of Tom Moore and Owen, who were in pic tures when pictures flickered, had pock marks all over them, and were eilent except for the click of the pro jection machine, just has no right to be in Hollywood. As for Miss Broder ick, well she's not box office as Craw ford, Miss Harlow and that sort of AC< ress Is box office. Yet here are the two of them with A picture which they dominate. It may or may not be a good picture. Friday alone will tell. As a courageous gesture, however, this venture of R-K-O’s already is a success. Especial ly with those w ho think Victor Moore’s voice and manner are two of heaven’s funniest gifts to man. Can it be that Hollywood is abating Its accent on youth? * * * * 'T'HIS is no place to review "The Last 1 of Mrs. Cheyney.” That comes up in Saturday’s paper despite the fact that Loew's local staff screened the picture for critics yesterday. Perhaps, however, it will not dis close any secret of state to say that the suave sophistication of the original stage play has been preserved intact. The dialogue of Frederic Lonsdale’s play has been brought up to date, but the essential idea is quite the same as wtien Ina Claire and A. E. Matthews made it one of their best stage pres entations. M-G-M. of course, may have count ed upon the names of Miss Crawford, Jtobert Montgomery and William Powell to carry the thing for all its subtle pleasantness. It is nicer, how ever, to believe that the company re gards the play as the thing, in part, at least. * * * * *PHE attitude currently exciting the A admiration of press representa tives of coming shows for local drama reporters is a two-edged affair. The one edge is that made of the ready acquiescence of so many of the latter to act as Jurors at the Belasco next Sunday night when "The Night of January 16” opens. Miss Ella Evans, representing the show, served ‘ •sum monses” on the critics and they said, •’yes.” Most of them did, at any rate. What a Jury! What a verdict! What a slim chance that fan dancer, accused Of murder, has to escape conviction! Then there is Theron Bamberger, Who is here in advance of “Storm Over Where and When Current Theater Attractions and Time of Showing. National—“Pride and Prejudice,” at 2:30 and 8:30 p.m. Belasco—“Mulatto,” at 8:30 p.m. Capitol—“Love Is News,” at 10:45 B.m., 1:35, 4:25, 7:15 and 10:05 p.m. Stage shows at 12:40, 3:30, 6:20 and 9:15 p.m. Earle—“Green Light,” at 9:15 a.m., 12:15, 2:25, 5:05, 7:40 and 10:20 p.m. fctage shows at 11:05 a.m., 1:40, 4:20, 6:55 and 9:35 p.m. '. Metropolitan—“Penrod and Sam,” at -11:10 a.m., 1, 2:45, 4:30, 6:20, 8:05 and 8:50 p.m. R-K-O Keith's—"Sea Devils,” at 11:35 a.m., 1:38, 3:41, 5:44, 7:47 and ■8:50 p.m. Palace—“Lloyds of London,” at 11:35 a.m., 2:05, 4:30, 7 and 9:30 p.m. Columbia—“The Plainsman,” at 11:35 a.m., 2:05. 4:30, 7:05 and 9:30 p.m. Rialto—“The Amateur Gentleman,” 11:43; “Duck Soup.” 1:20; "The Ama teur Gentleman,” 2:39; “Duck Soup.” 4:16: "The Amateur Gentleman,” 5:43; “Duck Soup.” 7:20;'"The Amateur Gentleman,” 8:47; “Duck Soup," 10:24. Little—“A TUle of Two Cities,” at 11 a.m.. 1:04, 3:14, 5:18, 7:29 and 8:40 p.m. Tivoli—“Stowaway,” at 2:20, 4:05, 2:55, 7:40 and 9:35 p.m. Ambassador—“College Holiday,” at .C:15, 8 and 9:45 p.m. I'ptown—“The Garden of Allah," •t 2, 3:55, 5:45. 7:40 and 9:35 pjn. . Howard—“Smart Blonde,” at 12:15, '2:45, 5:10, 7:35 and 10:30 p.m. Stage shows at 1:30, 3:55, 6:20 and 9:15 pm. DANCING. 12 Thayer Dance Lessons *10 LEARN to dance the THAYER way. There are few things that give you as much satisfaction and pleasure as learning to dance well., And anyone—even the most inexperienced person—can learn to dance under the new improved Thayer methods. Learn Tap, Musical Comedy, Ballet, Acrobatic or Ballroom Dancing—Cor rective and Reducing Exercises. Mr. Thayer conducts just two classes'each year—one in the spring and one in the fall. The remarkable low cost makes them particularly desirable. Classes limited—day and evening for adults and children. Closing Enrollments Dates, February 25th, 26th, 27th £erou K. 'Cftauer 121 5 CONNECTICUT AVENUE [• —————————————————— I Patsy.” It opens at the National next Monday, the sixth and last play of the Theater Guild. American Theater So ciety season. Mr. Bamberger, who has been around town so long they soon will be giving him civil service status, has a new. story a day about his show. Today it concerns Phillip Moeller. As a director, Mr. Moeller has done four shows this year, counting ‘‘Storm Over Patsy." That, Mr. Bamberger says, makes him the hardest working direc tor on the American stage this season. And the steadiest, Mr. Bamberger. Don’t forget that. There is nothing like steady work, even when it is hard. * * * * /^ORNELIA OTIS SKINNER has given dancers an idea. Jacques Cartier, of the latter type of enter tainer. is going to give a one-man show here March 5. It is called ‘‘The Grand Monarch" and it will be given in the ball room of the Willard. Wil liam A. Alba ugh is sponsoring the event . . . Mrs. Maud Howell Smith’s dinner party before the Arts Club play "Brief Candle” was not five minutes old last night before it became one 'of those “Do you remember when?” fiestas. Every one seemed to remember everything or, if not, listened happily while it was being recalled . . . “On Your Toes,” coming to the National on March 8, became that much more of a reality in the last 24 hours when Eddie Plohn, theater manager, batting for Beauvais Fox, distributed pictures of Luella Gear, Ray Bolger, etc. . . . The Woman’s National Press Club wants to kidnap Miss Gear. Mr. Bolger. etc., for an afternoon soiree during their visit here .. . Persons who sell things made of cedar or other reddish wood have a swell potential customer these days in Ray Bell, Loew’s (no relation to Nelson B.i press representative. Ray has fairly stripped the market of miniature cedar chests and things like that in a teaser campaign. The campaign centers in the question, | asked of drama desks, "Have You Seen Red?” The answer is un hunh ... It becomes clearer daily that the next terrific thing in shows will be Variety Club's “Cruise to Ireland” on St. Patricks day . . . Audrey Sieber will autograph only new pictures, Frank La Falce and Dan Terrell say. DUNBAR PLAY SET ‘‘Accent on Youth” to Be Pre sented Friday Night. “Accent on Youth.” which achieved “hit" designation on Broadway, will be presented by the Dunbar Players Friday evening in the auditorium of Dunbar High School. Gertrude Mc Brown, who directed “Dulcy,” last year's feature production, has been en gaged in readying the players’ prin cipal effort of the current season, be ing staged under sponsorship of the Dunbar Community Center. A cast boasting many names well known in local amateur and “semi pro'' theatrical ranks includes Clar ence Jacobs, who appeared with the Hall Johnson Choir in “Porgy and Bess”; Eleanor Waller, Mabel Jones Freeman, Helen L. Sparks, Arthur O. Waller. L. Clement Speed. Nathaniel King, James W. Jones, Audrey Jones, Irma Barbour. Cecil Patrick, Mary Roberts, Beatrice Boyd Martin and Clarence Pendleton. Follows Father's Career. LOS ANGELES, February 24 .TP).— Patricia Walthall, 18, seeking to fol low the footsteps of her father, the late Henry B. Walthall, character ac tor, obtained court approval of a film ■ contract yesterday. Her contract with Warner Bros, calls for a salary begin ning at $75 a week and ranging up to $1,000. Polish Fair to Open. Poland's International Eastern Fair will be opened at Lwow in September. DINNER DANCE D'"n'r No Addi C0V'T*~r™ /Qt\ I Ccner Sat.. #1.10 //«SaT\/ for Dinner Guests CONNECTICUT AT CALVEET DANCING._ The Edward F. Miller Studio 814 17th ST. NATIONAL 8003 _ If It Is Danced. We Teach It _ LEARN TO DANCE Arrange for a Private Lesson in Ball Room Dancing by Appointment WITHOUT OBLIGATION Under Direction Ethel M. Fistere, Formerly with Arthur Murray Peggy Kelly Studio of Dance Also offers expert courses in Tap. Ballet. Acrobatic, etc., for children and adults STUDIO—1018 Eighteenth St. Phones. Sterling 9888 and MEt. 3675 Darling—and Gentlemen-of the Jury: Wednesday my brax :fcI. v£ &wkstvs; r»-~ .'" i . mu whiwwwh ( ...Miamr- ~ • • «SVX««*«*.V.N% ■••■■"■• ' ■ y.y • v. .. . .y. ■ ■ .y..v- • -r - ■ v.s' v ' •• «•.• a .nv. .w, . .v.y * Vova*re Just too a«- . I <U>tty !; kfccw a»y worsts kJk v . _ A A This business of tapping out a love letter on a mammoth typewriter, here being indulged in by Ruby Keeler and Lee Dixon, is one of the big production numbers in the new musical, "Ready, Willing and Able,” which opens at Warners’ Earle Theater Friday. Audience Delighted By Concert Coolidge Group Re sumes Chamber Music Programs. BY ALICE EVERSMAN. AFTER a lapse of 10 days the Coolidge Quartet resumed its series of chamber music programs yesterday afternoon at the Library of Congress. Again a Beethoven quartet opened the con cert. followed by the “Adagio and F’ugue in C Minor. K. V. 546." by Mozart, and concluding with a quartet written in 1935 by Darius Milhaud With this final number, the policy of the concerts under the FUizabeth Sprague Coolidge Foundation of en couraging modern writers to compose in chamber music form was again in operation. And once more the choice of pro gram proved a delight to the patrons of these inspiring concerts. The Coolidge Quartet, William Kroll and Nicolai Berezowsky. violins; Nicolas Moldavan, viola, and Victor Gottlieb, cellist, are splendid interpreters and finely adjusted musicians. Not only does the tonal quality of the four players blend well, but their ideas are completely worked out on the same line. No matter which instrument develops the theme further, it is perfectly in the same vein of thought, directed by the individuality of the performer. Happy in Mood. This harmony of idea and technical presentation was beautifully illus trated in the Beethoven "Quartet in F, Op. 18. No. 1.” the great master's initial attempt at what was for him a new form. Presaging in no way the more complex and thought-provoking trend of his later quartets, it is happy in mood with only a touch of greater depth in the adagio movement. From ACADEMY °* rmSS *?“<"J £hE0,ODl*7 E. Lawrence Phillip'1 Theatre Beautiful Continuous From 4:30 P.M PETER B KYNE'S "HEADLINE CRASH ER" with FRANKIE DARRO "THE BIG GAME" with PHILIP HUSTON _and JAMES GLEASON.__ _ AQUtriN CLARENDON. VA. AMI I UH WILLIAM POWELL. MYRNA LOY. "AFTER THE THIN MAN." PA Dm IMA nth and N. C. An. 8.E. LAKULInA "LADIES IN LOVE." and “THE LONGEST NIGHT.”_ riDri C 210ft l*enn». Ave. N.W. tlnlLC Free Parkinr. 3000 K St. GEORGE ARUSS in "MAN OF AFFAIRS." _Comedies. DUMBARTON SALLY^e'iLERS Aand ROBERT ARMSTRONG in "WITHOUT ORDERS." Corned y._ FAIRLAWN MARTHA STRAA ?EC' in _"HIDEAWAY_GIRL"_ I ITTI P Uth Between P and G LI I I LE> Acoustieon Equipped RONALD COLEMAN in “A TALE OF TWO CITIES.” DDIMPCCC mu H 8t. n.e rnmUM ELEANOR POWELL in I _“BORN TO DANCE.’*____ CCrn 8244 Georfla Ave. ddU Silver Sprin*. Md. Continuous Prom <5:00 P.M. “SING ME A LOVE SONG,” JAMES MELTON and PATRICIA ELLIS. CTAMTAM 6th and C Sts7 nTe. u I AH IU™ Finest Sound Eouloment. Continuous From 5:30 P.M. "HAPPINESS. C. O D " with MAUDE EBURNE. FRED AHTAIRE and GINGER ROGERS In ‘'SWINGTIME."_ STATE-BETHESDA ISrthe^da. Md?' SHIRLEY TEMPLE in “STOWAWAY.” CARTOON—NEWS. Matinee Daily, 2 P.M., Cont. TAIfflMA <tl> and Bntternnt StiT~ 1AAUITIA No Parkinr Tronblea. BING CROSBY tn ‘PENNIES FROM HEAVEN.’ . BORIS KARLOFF in “MAN WHO LIVED AGAIN.” FALLS CHURCH. VA. STATE LEE JACK BENNY In "COLLEGE HOLIDAY. ' JAMES MELTON. PATRICIA ELLIS In • SING ME A LOVE SONG "_ 0711 CnkI Odd. Colonial Villace. IT 1 LjUl? Arlington. Va. ShlRLEY TEMPLE In “STOWAWAY.” JESSE THEATER 'ViT' “GARDEN OF ALLAH.” MARLENE DIETRICH and CHARLES F/feYER. SYLVAN *Bd 1 N w “CHARLIE CHAN AT THE OPERA,” WARNER OLAND. BOR13 KARLOPT. PALM THEATER “VF** "COLLEGE HOLIDAY.” JACK BKNNT. BOIWB U4 ALUM. 2 bd 5 W X H CA o os OQ oc bd Z s AMBASSADOR &‘b JACK BENNY GRACIE ALLEN. GEORGE BURNS and MARTHA RAYE in COLLEGE HOLIDAY." APOl I A «« H St. N.E. ftlULLU Phone Line 3M75 HONJA HENIE in "ONE IN A MIL _LION/;_ AVAI AN 86,2 ton“- Av»- n w JtVHLUIl CIct. 2600 ROBERT TAYLOR and GRETA GARBO In "CAMILLE.” AVENUE GRAND BARBARA STANWYCK and JOEL McCREA. 'BANJO ON MY KNEE.” PFNTPAI 428 Ninth St. N.W. LCniAAL Phone Met. 2841 ROBERT TAYLOR and GRETA GARBO in "CAMILLE ” COLONY ROBERT TAYLOR and GRETA GARBO in 'CAMILLE ” HAMF i2io c st. n.e. nyiTlE. Phone Line. 10206 GENE RAYMOND and LILY PONS la "THAT GIRL FROM PARIS. ' PFNN 680 Penna. Are. s.E. rcnil Line. 2179 „_ Matinee, 2:00 P.M. SHIRLEY TEMPLE in "STOWAWAV." SAVOY 3030 nth st. n.w. DAATVI Phone Col. 4068 GORDON JONES in NIGHT WAIT itaaa ” SHERIDAN Matinee. 2:00 P.M. MARLENE DIETRICH and CHARLES BOYER in "GARDEN OP ALLAH.” March of Time._ Tivni I UU St. * Park kd. N.W. UVUU Phone Col. 1800 Matinee. 2:00 P.M. SHIRLEY TEMPLE In "STOWAWAY." ■POPEYE UPTOWN Newark^SL N*W Clereland 5400 Matinee. 2:00 P.M. MARLENE DIETRICH in “GARDEN OP ALLAH." March of Time. VADlf Gm. Are. and Quebec IUIUV Place N.W. Col. 4810 JEAN ARTHUR and GEORGE BRENT in “MORE THAN A SECRETARY," HIPPODROME Double Show Eddy and MacDonald. “Rose Marl*.” Arlene JudRe. “Here Comes Trou ble.” Lest Feature Approx. !>:00 P.M. PA MCA MT RAINIER MD. LAIuEiU Double Show Loretta Young. “Unguarded Hour.” James Dunn. “Two-Fisted Gentle man."__ ADPAJ1C HYATTSVILLE. MD. AnvATUE. Double Show Warren William in "Case of Velvet Claws." George Houston. “Captain Calamity.” __ RICHMOND ALEXANDRIA. VA. Oarbo and Taylor in “Camille.” MILO **£*?*£&. '"RlnnSr %£! aS!"*"” the first note it is joyous and lovely, with a riper beauty projecting itself through the ‘‘affettuoso ed appasio nato” color of the second movement. The players carried this theme on a pianissimo of exquisite purity inter rupted for a moment by a more stormy passage. The scherzo was graceful and fluent, finishing with a summing up in the concluding allegro. Mozart's "Adagio and Fugue” was less successfully negotiated, the musi cians. for some unaccountable reason, roughening the fugue to its detriment. "Quartet Xo. 9” Contrast. Whether Darias Milhaud deter mined to bring a sharp contrast of his composing genius into the "Quartet Nc 9” is not possible of verification at this moment, but at any rate the contrast was there, startlingly evi dent between the first two and the ] last two movements of the quartet, i A coiner of enchanting melody as he showed himself to be in the beginning, he seemed to exert himself to capture all the possible delicacy and loveliness in his tonal net. Such fantasy and picturesque manipulation of effects resulted in a florescence of ethereal beauty that charmed the mind and ear. This brilliant display of melodic virtuosity lasted for two lovely move ments and. as a thunderstorm dims the radiance of a pastoral scene, so did the atmosphere change in the final movements. Here the exponent of modernism gave himself free rein, inventing new harmonies with that 110 v t< T If1 IV'C ,Mk NOW.! (VICTOR PRESTON McLAGLEN • FOSTER 1DA LUPINO - "SEA DEVILS" Pirn* .. New law “Tha March of T«a~ Coming . . ■ HKLF.N BRODKRICR VICTOR MOORK _"Wa’re on the Jury” GAYETY BIRLESK Now Playlnc THE 1937 BURLESK WINNER "THE TOP HAT REVUE" With JOE De RITA HARRY MEYERS and MAE BROWN authority for which he is famous. It was an arresting composition, interest ing in its material and method of exposition, which was given as beau tiful a reading by the Coolidge Quar tet as was the Beethoven. Tomorrow afternoon at 3:45 o’clock, the same artists will give the Schubert "Quartet in G Minor. Opus Posthu mous"; "Quartet No. 2," by Walter Piston and Emest von Dohnayi's "Quartet No. 3 in A Minor, Op. 33.” Other programs will be given on Tues day and Thursday afternoons of next week. PLANS RENO DIVORCE LOS ANGELES. February 24 :/P).— Abandoning her suit here. Arline Judge, film actress, said through her lawyers yesterday she will go to Reno. Nevada, to divorce Wesley Rug gles. director, to obtain an immediate ly effective decree, instead of one not final for a year. Attorney Isaac Pacht said ne will present for approval of the Reno courts a property settlement the cou ple has reached. It provides Ruggles will pay *1.000 a month for support of the couple's 4-year-old son. It's better than "Libeled Lady", the previous four-star hit from M-G-M that made screen history STARTS FRIDAY AT LOEW'S PALACE Hurry—Last 2 Days "LLOYDS OF LONDON" TYRONE POWER MADELEINE CARROLL Miss Lamour Film Star In Less Than a Year BY SHEILAH GRAHAM. HOLLYWOOD, February 24 (N.A.N.A.).—Dorothy Lamour has been given the lead oppoelte Jack Benny In “Artists and Models." Behind the announcement is the story of a girl who, in less than a year, has forged from obscurity to front-rank film stardom. Eleven months ago Hollywood was ignorant of Miss Lamour's existence, beyond the brief news she had been discovered as a soloist In Herb Kay's Orchestra in Chicago, and signed to a»; contract by Paramount. Her tests aroused enthusiasm in the studio and the brunette song stress was given top spot in “Jun gle Princess.” of ficially described as a "B” picture. The film proved s u c c e s sful and Miss Lamour was moved up to more important p i c tures, playing sec ond feminine lead in “Swing High, Swing Low,” in which Carole Lombard and . Fred MacMurray are starred, and in “High, Wide and Handsome.” with Irene Dunne. Her work in the last-named films boosted her stock to solo feminine stardom in “Artists and Models,” an elaborate $1,000,000 picture originally intended for Carole Lombard. Radio has purchased “Sucker, Be ware.” a melodramatic comedy planned to star Barbara Stanwyck, if terms can be arranged satisfactorily and the time from Barbara’s busy schedule spared. Right now Miss Stanwyck is working 16 hours a day to finish ’’This Is My Affair.” in which she is teamed with Robert Taylor. Within the next two weeks she reports to Samuel Gold wyn for the title role in "Stella Dallas.” “Sucker, Beware” follows. The story, an original by James Ed- j ward Grant, revolves around a young lady amateur crook who works with a "con” man. Romance enters their lives, but they are separated—not by conscience, but by a huge flood that helps, incidentally, to wash their souls clean. Herbert Marshall is wanted for masculine top role. With Greta Garbo balking at play ing in the present version of "Madame Walewska" for M-G-M, there is a | slight possibility that her leading i CLEAR QUICKLY Thousands are welcoming this new. scientific eye beauty aid! Clears liioodfhot. smarting, tired eyes due to over-indulgence or late hours, smoke, bad illumination, wind, etc . almost instantly—or money back Endorsed by doctors. For spark ling. happy eyes, use >■ - .' - ■ — .— man. Charles Boyer, will be able to appear opposite Madeleine Carroll in “Castle in Spain,’’ now retitled “The River Is Blue.” Failing Boyer, choice for male lead in the Walter Wanger production is among Henry Fonda, Fredric March and Warner Baxter. Of the three, Fonda is most likely to get the part—a soldier of the current Spanish revolution. According to M-G-M, the studio is not prepared to release Boyer from the Garbo com mitment, which is being held up for an indefinite period while several changes are being made in the script. And both March and Baxter are com mitted to a long line of pictures. Fonda is currently recuperating from a painful knee operation. IRIALTO ;y.„V5??1 First Washington Shoving' Douglas FAIRBANKS Jr. £/.«* IANDI m Jiff try Fanwl'l v/fi_leuk w \Qe title matt WARNfR BRC5 Last 2 Days ERROL ANITA FLYNN * LOUISE tn B»<rt -0'-rru'pnl-,sm $ “GREEN LIGHT” “SONOWRITERS^SN FA8A0E" ROSCOE ATES A Otter lets COMfN’C FBI DA) RUBY KEELER In U'*mr» B**» Mutual “READY. WILLING l ABLE" an SU|« EDDIE DUCHIN & ORCH and othaa act* li I R _wa*v: R emJS_ Booth Tarkmgton's L“‘ i D,T’ "PENROD & SAM” A W«nu* Btrs CemtAy until BILLY MAUCH (Young Anthony Adverse) i mu cnni-swic itinni (/ COMING FRIDAY \ / MTER 10RRE \ i \J BRIAN OONIEVV \L M«t lie iSc 9 *k Rational «■» MATINEE TODAY 55e to $1.65 ™c* MAX CORDON Presents PRIDE & PREJUDICE Helen Jerome's Dramatization of Jane Austen’s Famous Novel Original New York Production LTm.V.55c to $2.20t£ NEXT WEEK Com. Mon. Evo. Seats Thursday The THEATRE GUILD Present* The International Comedy Success Sara Roger Ian ALLGOOD LIVESEY MrLEAN Of the London Cast and CLAl'DIA MORGAN Fret. R.le to *2. IS I Matt. KSe to MM (Cth Play of American Theater Soe.) BELASCO i”?r All Week—Mats. Thurs., Sat.. 2:50 Nites, 8:30 CniMiiiU Solid Year in New York ORIGINAL CAST A PRODUCTION Next Week—Starting Sunday THE NIGHT 4 ^ OF JAN. Ji O By AIN RAND Greateit Dramatic Novelty in Veara Constitution Hall. Next Tuesday Eve 8:30 P.M. RETHBERG iPINZA II.IO, $1.65. $2.20. $2 75—Mrs Darsey i. 1300 G Constitution Hall Sun. Aft. Mar. 7, 4 p. m. GLADYS SWARTHOUT IN PERSON—IN FULL-LENGTH CONCERT >1.10. $165. $2 20— Mr«. Dorsty ». 1300 C TOMORROW tS-MiSW SEGOVIA World's Greatest Guitarist *1.10 to *2.75. Talbert Ticket Agency* MBtfaifiiuiaa '^ii-^LORETTA YOUNG §§ Tyrone POWER DonAMECHE | 1 ‘LOVE IS NEWS" i - STACK- | % Major BOWES’ All Girl Reuut K ^ featuring S TO 7Ae Omly ALL-MR I. swiNf, BAND £ p-(^FRIDAV^)-ri a Screen _-* Stage 1 wo*M* IwMViR1 cm iw "~T 1 COOPER*ARTHUR'